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  1. Ulysses: Celebrating 100 years of a literary masterpiece – BBC

    James Joyce met publisher Sylvia Beach in 1920 shortly after he moved to Paris

    Ulysses: Celebrating 100 years of a literary masterpiece

    1 February 2022.

    By Colm Kelpie, BBC News, NI

    In the spring of 1921, Paris bookseller Sylvia Beach boasted about her plans to publish a novel she deemed a masterpiece that would be “ranked among the classics in English literature”.

    “Ulysses is going to make my place famous,” she wrote of James Joyce’s acclaimed and challenging novel, written over seven years in three cities depicting the events of a single day in Dublin.

    And it did.

    On 2 February 1922, Beach published the first book edition of Ulysses, just in time for Joyce’s 40th birthday.

    Stylistically dense in parts, it tells the stories of three central characters – Stephen Dedalus, Leopold Bloom and his wife, Molly – and is now celebrated as one of the world’s most influential texts.

    ‘Tosh’

    TS Eliot, writing in 1923, believed Ulysses was “the most important expression which the present age has found”.

    But the path to publication was not a smooth one. The novel sparked controversy and was greeted with revulsion by many – even among some in the literary community.

    Sylvia Beach’s Paris bookshop was a haven for American expatriates during the 1920s and 1930s

    Virginia Woolf described it as “tosh”.

    Parts had been serialised by US magazine Little Review in 1920, resulting in an obscenity trial that concluded with the editors being fined and ordered to cease further publication. It was also censured in Great Britain.

    Beach, the owner of Shakespeare & Company on the Rue Dupuytren, was determined to have it published in book form, which she did, bankrolled in part by her own money on the promise of subscribers.

    Writing about the task at the time, she said she had to “put every single centime aside to pay” the book’s printer.

    Prof Keri Walsh, outside the modern incarnation of Shakespeare & Company, in Paris

    Prof Keri Walsh, director of the Institute of Irish Studies at New York’s Fordham University, says Beach’s decision to publish turned her into a “culture-hero of the avant-garde.”

    “There was a sense that people knew that this was going to be one of the defining books of modernism, so she understood that she would assure her own place in literary history by being the publisher of it,” Prof Walsh tells BBC News NI.

    Ulysses: ‘Don’t read the criticism, read the book’

    Joyce and Beach first met in 1920, not long after he moved to Paris.

    He had long left Ireland in self-imposed exile, living in Trieste, Zurich and the French capital.

    Beach described that meeting as a powerful moment, says Prof Walsh.

    “Joyce was very tired at this point. He had spent so much time fighting to finish Ulysses, and get through [World War One] and survive, he felt she could provide some sort of stability and support for him and his family,” she adds.

    “She was much more than a publisher – a banker, agent, administrator, friend of the family. For a very long time that relationship worked well.”

    But following disputes over publishing rights, the relationship between Joyce and Beach soured and the latter ultimately ceded the novel’s rights, writes Prof Walsh in The Letters of Sylvia Beach.

    Sylvia Beach eventually ceded the publishing rights to Ulysses after her relationship with Joyce soured

    Random House published Ulysses in 1934 after the US ban on publication was overturned the previous year.

    That marketed it to a bigger audience, but it was 20 years before writers began to “claim” Joyce, says John McCourt, professor of English at the University of Macerata in Italy.

    While Joyce was deeply frustrated by the reception Ulysses had received, he was equally unrelenting, adds Prof McCourt.

    “He wouldn’t change a comma to make it more acceptable to whatever public taste deemed was OK.

    “He saw himself becoming a cause celebre and played it for all it was worth.”

    Tips for reading (or attempting to read) Ulysses

    Prof John McCourt, University of Macerata, Italy

    Nobody is fully prepared to read the book.

    If you know something about music that would be a big help.

    If you know something about Ireland and its history, that would help.

    Don’t try and read it too quickly. Read it out loud as it does come alive.

    Editor’s Note: Read the rest of the story, at the below link.

    Continue/Read Original Article Here: Ulysses: Celebrating 100 years of a literary masterpiece

    #100Years #BBC #BBCNews #Bookshop #ColmKelpie #February21922Published #From2022 #JamesJoyce #LeopoldBloom #LiteraryMasterpiece #MollyBloom #Paris #Publication #PublishedIn1934InUS #Publisher #RandomHouse #ReadingUlysses #ShakespeareCompany #StephenDedalus #SylviaBeach #TSEliot #Ulysses
  2. Ulysses: Celebrating 100 years of a literary masterpiece – BBC

    James Joyce met publisher Sylvia Beach in 1920 shortly after he moved to Paris

    Ulysses: Celebrating 100 years of a literary masterpiece

    1 February 2022.

    By Colm Kelpie, BBC News, NI

    In the spring of 1921, Paris bookseller Sylvia Beach boasted about her plans to publish a novel she deemed a masterpiece that would be “ranked among the classics in English literature”.

    “Ulysses is going to make my place famous,” she wrote of James Joyce’s acclaimed and challenging novel, written over seven years in three cities depicting the events of a single day in Dublin.

    And it did.

    On 2 February 1922, Beach published the first book edition of Ulysses, just in time for Joyce’s 40th birthday.

    Stylistically dense in parts, it tells the stories of three central characters – Stephen Dedalus, Leopold Bloom and his wife, Molly – and is now celebrated as one of the world’s most influential texts.

    ‘Tosh’

    TS Eliot, writing in 1923, believed Ulysses was “the most important expression which the present age has found”.

    But the path to publication was not a smooth one. The novel sparked controversy and was greeted with revulsion by many – even among some in the literary community.

    Sylvia Beach’s Paris bookshop was a haven for American expatriates during the 1920s and 1930s

    Virginia Woolf described it as “tosh”.

    Parts had been serialised by US magazine Little Review in 1920, resulting in an obscenity trial that concluded with the editors being fined and ordered to cease further publication. It was also censured in Great Britain.

    Beach, the owner of Shakespeare & Company on the Rue Dupuytren, was determined to have it published in book form, which she did, bankrolled in part by her own money on the promise of subscribers.

    Writing about the task at the time, she said she had to “put every single centime aside to pay” the book’s printer.

    Prof Keri Walsh, outside the modern incarnation of Shakespeare & Company, in Paris

    Prof Keri Walsh, director of the Institute of Irish Studies at New York’s Fordham University, says Beach’s decision to publish turned her into a “culture-hero of the avant-garde.”

    “There was a sense that people knew that this was going to be one of the defining books of modernism, so she understood that she would assure her own place in literary history by being the publisher of it,” Prof Walsh tells BBC News NI.

    Ulysses: ‘Don’t read the criticism, read the book’

    Joyce and Beach first met in 1920, not long after he moved to Paris.

    He had long left Ireland in self-imposed exile, living in Trieste, Zurich and the French capital.

    Beach described that meeting as a powerful moment, says Prof Walsh.

    “Joyce was very tired at this point. He had spent so much time fighting to finish Ulysses, and get through [World War One] and survive, he felt she could provide some sort of stability and support for him and his family,” she adds.

    “She was much more than a publisher – a banker, agent, administrator, friend of the family. For a very long time that relationship worked well.”

    But following disputes over publishing rights, the relationship between Joyce and Beach soured and the latter ultimately ceded the novel’s rights, writes Prof Walsh in The Letters of Sylvia Beach.

    Sylvia Beach eventually ceded the publishing rights to Ulysses after her relationship with Joyce soured

    Random House published Ulysses in 1934 after the US ban on publication was overturned the previous year.

    That marketed it to a bigger audience, but it was 20 years before writers began to “claim” Joyce, says John McCourt, professor of English at the University of Macerata in Italy.

    While Joyce was deeply frustrated by the reception Ulysses had received, he was equally unrelenting, adds Prof McCourt.

    “He wouldn’t change a comma to make it more acceptable to whatever public taste deemed was OK.

    “He saw himself becoming a cause celebre and played it for all it was worth.”

    Tips for reading (or attempting to read) Ulysses

    Prof John McCourt, University of Macerata, Italy

    Nobody is fully prepared to read the book.

    If you know something about music that would be a big help.

    If you know something about Ireland and its history, that would help.

    Don’t try and read it too quickly. Read it out loud as it does come alive.

    Editor’s Note: Read the rest of the story, at the below link.

    Continue/Read Original Article Here: Ulysses: Celebrating 100 years of a literary masterpiece

    #100Years #BBC #BBCNews #Bookshop #ColmKelpie #February21922Published #From2022 #JamesJoyce #LeopoldBloom #LiteraryMasterpiece #MollyBloom #Paris #Publication #PublishedIn1934InUS #Publisher #RandomHouse #ReadingUlysses #ShakespeareCompany #StephenDedalus #SylviaBeach #TSEliot #Ulysses
  3. Ulysses: Celebrating 100 years of a literary masterpiece – BBC

    James Joyce met publisher Sylvia Beach in 1920 shortly after he moved to Paris

    Ulysses: Celebrating 100 years of a literary masterpiece

    1 February 2022.

    By Colm Kelpie, BBC News, NI

    In the spring of 1921, Paris bookseller Sylvia Beach boasted about her plans to publish a novel she deemed a masterpiece that would be “ranked among the classics in English literature”.

    “Ulysses is going to make my place famous,” she wrote of James Joyce’s acclaimed and challenging novel, written over seven years in three cities depicting the events of a single day in Dublin.

    And it did.

    On 2 February 1922, Beach published the first book edition of Ulysses, just in time for Joyce’s 40th birthday.

    Stylistically dense in parts, it tells the stories of three central characters – Stephen Dedalus, Leopold Bloom and his wife, Molly – and is now celebrated as one of the world’s most influential texts.

    ‘Tosh’

    TS Eliot, writing in 1923, believed Ulysses was “the most important expression which the present age has found”.

    But the path to publication was not a smooth one. The novel sparked controversy and was greeted with revulsion by many – even among some in the literary community.

    Sylvia Beach’s Paris bookshop was a haven for American expatriates during the 1920s and 1930s

    Virginia Woolf described it as “tosh”.

    Parts had been serialised by US magazine Little Review in 1920, resulting in an obscenity trial that concluded with the editors being fined and ordered to cease further publication. It was also censured in Great Britain.

    Beach, the owner of Shakespeare & Company on the Rue Dupuytren, was determined to have it published in book form, which she did, bankrolled in part by her own money on the promise of subscribers.

    Writing about the task at the time, she said she had to “put every single centime aside to pay” the book’s printer.

    Prof Keri Walsh, outside the modern incarnation of Shakespeare & Company, in Paris

    Prof Keri Walsh, director of the Institute of Irish Studies at New York’s Fordham University, says Beach’s decision to publish turned her into a “culture-hero of the avant-garde.”

    “There was a sense that people knew that this was going to be one of the defining books of modernism, so she understood that she would assure her own place in literary history by being the publisher of it,” Prof Walsh tells BBC News NI.

    Ulysses: ‘Don’t read the criticism, read the book’

    Joyce and Beach first met in 1920, not long after he moved to Paris.

    He had long left Ireland in self-imposed exile, living in Trieste, Zurich and the French capital.

    Beach described that meeting as a powerful moment, says Prof Walsh.

    “Joyce was very tired at this point. He had spent so much time fighting to finish Ulysses, and get through [World War One] and survive, he felt she could provide some sort of stability and support for him and his family,” she adds.

    “She was much more than a publisher – a banker, agent, administrator, friend of the family. For a very long time that relationship worked well.”

    But following disputes over publishing rights, the relationship between Joyce and Beach soured and the latter ultimately ceded the novel’s rights, writes Prof Walsh in The Letters of Sylvia Beach.

    Sylvia Beach eventually ceded the publishing rights to Ulysses after her relationship with Joyce soured

    Random House published Ulysses in 1934 after the US ban on publication was overturned the previous year.

    That marketed it to a bigger audience, but it was 20 years before writers began to “claim” Joyce, says John McCourt, professor of English at the University of Macerata in Italy.

    While Joyce was deeply frustrated by the reception Ulysses had received, he was equally unrelenting, adds Prof McCourt.

    “He wouldn’t change a comma to make it more acceptable to whatever public taste deemed was OK.

    “He saw himself becoming a cause celebre and played it for all it was worth.”

    Tips for reading (or attempting to read) Ulysses

    Prof John McCourt, University of Macerata, Italy

    Nobody is fully prepared to read the book.

    If you know something about music that would be a big help.

    If you know something about Ireland and its history, that would help.

    Don’t try and read it too quickly. Read it out loud as it does come alive.

    Editor’s Note: Read the rest of the story, at the below link.

    Continue/Read Original Article Here: Ulysses: Celebrating 100 years of a literary masterpiece

    #100Years #BBC #BBCNews #Bookshop #ColmKelpie #February21922Published #From2022 #JamesJoyce #LeopoldBloom #LiteraryMasterpiece #MollyBloom #Paris #Publication #PublishedIn1934InUS #Publisher #RandomHouse #ReadingUlysses #ShakespeareCompany #StephenDedalus #SylviaBeach #TSEliot #Ulysses
  4. It appears you have shared several posts related to AI-generated content. Here's a summary of the key information from each:

    1. **Book Cover for "The Book of Evidence" by John Banville:**
    - **Author:** John Banville
    - **Title:** The Book of Evidence
    - **Description:** An introspective and philosophical novel set in 1950s Ireland, focusing on Felix's life story from prison.
    - **Recognition:** Won the Booker Prize and the Irish PEN Award for Fiction in 1992.
    - **Model Used:** KC image generation model (civitai.com/models/1528110)
    - **Link to Post:** [AI-Generated Book Cover](ai.forfun.su/2025/08/19/the-bo)

    2. **CopaxCuteXL Image Model:**
    - **Model ID:** 119226
    - **Link to Original Post:** [Pixelfed post](pixelfed.social/p/Faylin/86242)
    - **Tags Used:**
    - #AIGenerated
    - #ImgToImg
    - #IDontKnowWhyImDoingThis
    - #CopaxCuteXL

    3. **RealCartoonXL Image Model:**
    - **Model ID:** 125907 (Note: The link provided in the post is incorrect, it should be civitai.com/models/125907)
    - **Link to Original Post:** [Mastodon post](mastodon.world/@MollyB_/115043)
    - **Tags Used:**
    - #AIGenerated
    - #ImgToImg
    - #IDontKnowWhyImDoingThis
    - #RealCartoonXL

    If you need further details or specific actions for any of these posts, please let me know!

    ai.forfun.su/2025/08/19/post-s

    ZaxiousXL image model: civitai.com/models/324944

    #AIGenerated #Ollama #qwen2_5 #ZaxiousXL

  5. It appears you have shared several posts related to AI-generated content. Here's a summary of the key information from each:

    1. **Book Cover for "The Book of Evidence" by John Banville:**
    - **Author:** John Banville
    - **Title:** The Book of Evidence
    - **Description:** An introspective and philosophical novel set in 1950s Ireland, focusing on Felix's life story from prison.
    - **Recognition:** Won the Booker Prize and the Irish PEN Award for Fiction in 1992.
    - **Model Used:** KC image generation model (civitai.com/models/1528110)
    - **Link to Post:** [AI-Generated Book Cover](ai.forfun.su/2025/08/19/the-bo)

    2. **CopaxCuteXL Image Model:**
    - **Model ID:** 119226
    - **Link to Original Post:** [Pixelfed post](pixelfed.social/p/Faylin/86242)
    - **Tags Used:**
    - #AIGenerated
    - #ImgToImg
    - #IDontKnowWhyImDoingThis
    - #CopaxCuteXL

    3. **RealCartoonXL Image Model:**
    - **Model ID:** 125907 (Note: The link provided in the post is incorrect, it should be civitai.com/models/125907)
    - **Link to Original Post:** [Mastodon post](mastodon.world/@MollyB_/115043)
    - **Tags Used:**
    - #AIGenerated
    - #ImgToImg
    - #IDontKnowWhyImDoingThis
    - #RealCartoonXL

    If you need further details or specific actions for any of these posts, please let me know!

    ai.forfun.su/2025/08/19/post-s

    ZaxiousXL image model: civitai.com/models/324944

    #AIGenerated #Ollama #qwen2_5 #ZaxiousXL

  6. It appears you have shared several posts related to AI-generated content. Here's a summary of the key information from each:

    1. **Book Cover for "The Book of Evidence" by John Banville:**
    - **Author:** John Banville
    - **Title:** The Book of Evidence
    - **Description:** An introspective and philosophical novel set in 1950s Ireland, focusing on Felix's life story from prison.
    - **Recognition:** Won the Booker Prize and the Irish PEN Award for Fiction in 1992.
    - **Model Used:** KC image generation model (civitai.com/models/1528110)
    - **Link to Post:** [AI-Generated Book Cover](ai.forfun.su/2025/08/19/the-bo)

    2. **CopaxCuteXL Image Model:**
    - **Model ID:** 119226
    - **Link to Original Post:** [Pixelfed post](pixelfed.social/p/Faylin/86242)
    - **Tags Used:**
    - #AIGenerated
    - #ImgToImg
    - #IDontKnowWhyImDoingThis
    - #CopaxCuteXL

    3. **RealCartoonXL Image Model:**
    - **Model ID:** 125907 (Note: The link provided in the post is incorrect, it should be civitai.com/models/125907)
    - **Link to Original Post:** [Mastodon post](mastodon.world/@MollyB_/115043)
    - **Tags Used:**
    - #AIGenerated
    - #ImgToImg
    - #IDontKnowWhyImDoingThis
    - #RealCartoonXL

    If you need further details or specific actions for any of these posts, please let me know!

    ai.forfun.su/2025/08/19/post-s

    ZaxiousXL image model: civitai.com/models/324944

    #AIGenerated #Ollama #qwen2_5 #ZaxiousXL

  7. Molly Burke seems like a good human. And funny.

    She’s also been blind since the age of 14.

    Here she is doing facial expressions to camera.

    YouTube short: youtube.com/shorts/HyxqDnHlJyw

    Instagram: instagram.com/mollyburkeoffici

    #SightLoss #Blind

  8. @plants @nature late #ThrowbackThursday meets #FlowersOnFriday this is from #May, a mix of #wildflowers and #garden with a bonus #FlowerFly #Syrphid (?) #florespondence #Alberta #pollinators
    top L Glechoma hederacea in garden;R wild native Viola nephrophylla; centre wild Caltha palustris (Mollyblobs 😆 ); bottom Rhodiola rosea in the garden, with a jewel like fly. I've been surprised by how big and showy these became after just a couple of years of being tiny seedlings! #RockGarden

  9. This sickens me for various probably-predictable reasons I may still write about later, but for now I'm just referencing the facts presently known.

    «The Washington Post, citing two unnamed people, reported representatives from DOGE were using AI through Microsoft’s Azure service to go through data with “personally identifiable information for people who manage grants, as well as sensitive internal financial data”»

    Source: forbes.com/sites/mollybohannon

    «Elon Musk's DOGE is working on a custom chatbot called GSAi. The chatbot is part of Elon Musk and President Donald Trump's ambitions to use AI and other technologies to cut costs and modernize the US government.»

    Source: wired.com/story/doge-chatbot-a

    Additional Reference: washingtonpost.com/nation/2025

    #AI #LLM #GSAI #DOGE #Treasury #MuskCoup #Microsoft #Forbes #WashingtonPost #WaPo #Wired

  10. For all my #IsleOfWight friends (and those visiting in July), you can now buy tickets to our new, original musical Molly Downer.

    Molly Downer tells the story of #Witch of Bembridge and her struggle through life, her losses and betrayals. This is one of the most popular stories of Island #Folklore but in truth, this is a story about a real woman and holds a light up to the same struggles that many face today.

    If you're going to be on the Island for the 28th, 29th or 30th July, please consider joining us.

    All proceeds go to our new non-profit that promotes diversity and inclusivity through visual arts and to help young creatives on the Island find their voice

    #VentnorFringe #Musical #NewMusical #NewMusic #LGBTQIA #lgbtq

    @lgbtqia
    @lgbtq_plus
    @fakegenrebot
    @isleofwight

    mollydowner.com

  11. I never did an #introduction.

    I'm an #IT guy who likes to tinker with stuff. I was in Identity in an #infosec-adjacent role with a lot of stress. Recently moved to an #Automation role which makes me much happier.

    I've been married to @MollyBooth for more than 10 years and we have an 8yr old son.

    I love all things baseball and am a huge #Braves fan.

    I drive an #EV and am happy to talk about that topic as well.

    My hobbies are #woodworking, #3dprinting, #HomeAutomtion, and #electronics.

  12. For all my #IsleOfWight friends (and those visiting in July), you can now buy tickets to our new, original musical Molly Downer.

    Molly Downer tells the story of #Witch of Bembridge and her struggle through life, her losses and betrayals. This is one of the most popular stories of Island #Folklore but in truth, this is a story about a real woman and holds a light up to the same struggles that many face today.

    If you're going to be on the Island for the 28th, 29th or 30th July, please consider joining us.

    All proceeds go to our new non-profit that promotes diversity and inclusivity through visual arts and to help young creatives on the Island find their voice

    #VentnorFringe #Musical #NewMusical #NewMusic #LGBTQIA #lgbtq

    @lgbtqia
    @lgbtq_plus
    @fakegenrebot
    @isleofwight

    mollydowner.com

  13. For all my #IsleOfWight friends (and those visiting in July), you can now buy tickets to our new, original musical Molly Downer.

    Molly Downer tells the story of #Witch of Bembridge and her struggle through life, her losses and betrayals. This is one of the most popular stories of Island #Folklore but in truth, this is a story about a real woman and holds a light up to the same struggles that many face today.

    If you're going to be on the Island for the 28th, 29th or 30th July, please consider joining us.

    All proceeds go to our new non-profit that promotes diversity and inclusivity through visual arts and to help young creatives on the Island find their voice

    #VentnorFringe #Musical #NewMusical #NewMusic #LGBTQIA #lgbtq

    @lgbtqia
    @lgbtq_plus
    @fakegenrebot
    @isleofwight

    mollydowner.com

  14. For all my #IsleOfWight friends (and those visiting in July), you can now buy tickets to our new, original musical Molly Downer.

    Molly Downer tells the story of #Witch of Bembridge and her struggle through life, her losses and betrayals. This is one of the most popular stories of Island #Folklore but in truth, this is a story about a real woman and holds a light up to the same struggles that many face today.

    If you're going to be on the Island for the 28th, 29th or 30th July, please consider joining us.

    All proceeds go to our new non-profit that promotes diversity and inclusivity through visual arts and to help young creatives on the Island find their voice

    #VentnorFringe #Musical #NewMusical #NewMusic #LGBTQIA #lgbtq

    @lgbtqia
    @lgbtq_plus
    @fakegenrebot
    @isleofwight

    mollydowner.com

  15. For all my #IsleOfWight friends (and those visiting in July), you can now buy tickets to our new, original musical Molly Downer.

    Molly Downer tells the story of #Witch of Bembridge and her struggle through life, her losses and betrayals. This is one of the most popular stories of Island #Folklore but in truth, this is a story about a real woman and holds a light up to the same struggles that many face today.

    If you're going to be on the Island for the 28th, 29th or 30th July, please consider joining us.

    All proceeds go to our new non-profit that promotes diversity and inclusivity through visual arts and to help young creatives on the Island find their voice

    #VentnorFringe #Musical #NewMusical #NewMusic #LGBTQIA #lgbtq

    @lgbtqia
    @lgbtq_plus
    @fakegenrebot
    @isleofwight

    mollydowner.com

  16. @plants @nature late #ThrowbackThursday meets #FlowersOnFriday this is from #May, a mix of #wildflowers and #garden with a bonus #FlowerFly #Syrphid (?) #florespondence #Alberta #pollinators
    top L Glechoma hederacea in garden;R wild native Viola nephrophylla; centre wild Caltha palustris (Mollyblobs 😆 ); bottom Rhodiola rosea in the garden, with a jewel like fly. I've been surprised by how big and showy these became after just a couple of years of being tiny seedlings! #RockGarden

  17. @plants @nature late #ThrowbackThursday meets #FlowersOnFriday this is from #May, a mix of #wildflowers and #garden with a bonus #FlowerFly #Syrphid (?) #florespondence #Alberta #pollinators
    top L Glechoma hederacea in garden;R wild native Viola nephrophylla; centre wild Caltha palustris (Mollyblobs 😆 ); bottom Rhodiola rosea in the garden, with a jewel like fly. I've been surprised by how big and showy these became after just a couple of years of being tiny seedlings! #RockGarden

  18. @plants @nature late #ThrowbackThursday meets #FlowersOnFriday this is from #May, a mix of #wildflowers and #garden with a bonus #FlowerFly #Syrphid (?) #florespondence #Alberta #pollinators
    top L Glechoma hederacea in garden;R wild native Viola nephrophylla; centre wild Caltha palustris (Mollyblobs 😆 ); bottom Rhodiola rosea in the garden, with a jewel like fly. I've been surprised by how big and showy these became after just a couple of years of being tiny seedlings! #RockGarden

  19. @plants @nature late #ThrowbackThursday meets #FlowersOnFriday this is from #May, a mix of #wildflowers and #garden with a bonus #FlowerFly #Syrphid (?) #florespondence #Alberta #pollinators
    top L Glechoma hederacea in garden;R wild native Viola nephrophylla; centre wild Caltha palustris (Mollyblobs 😆 ); bottom Rhodiola rosea in the garden, with a jewel like fly. I've been surprised by how big and showy these became after just a couple of years of being tiny seedlings! #RockGarden

  20. I got some really helpful feedback on this topic from some friends earlier, but I thought I would ask here too.

    Having only been fully out about a month, I feel extra self-conscious the more femme I present. (As an example, I have never worn a dress out anywhere.) I identified an underlying thought where I'm telling myself that I haven't "earned" that yet.

    Any advise beyond ignore/push-through those thoughts?

    #AskTrans

  21. I have the opportunity, but not the obligation, to send an announcement of sorts to coworkers that my name has changed. I've directly told my team and others I work with on a daily basis. Is there a point to making a wider announcement?

    I don't really want acknowledgement or extra interest, but I also don't want to be rude and have someone surprised by seeing it in Slack or in email first. This is a very LGBTQ+ supportive workplace.

    #AskTrans #trans #transgender