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1000 results for “frizz”
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#Vinil: "Os #discos não competem com o #streaming. Convivem com ele —e, em alguma medida, dependem dele. Em tempos de escassez de significado, também é um complemento material à frieza do #algoritmo.
Deixar o #feed de lado, desacelerar, ouvir um trabalho artístico do começo ao fim, fugir da lógica do consumo sob demanda, ritualizar a experiência.
Nossos #LPs encontraram um novo lugar. É menor, mais nichado, às vezes caro demais. Mas nele o #ouvinte pode se sentar e dizer "isso aqui é meu"."
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@Echaz
Nur soviel: Für Fotos mit der Verwanschaft teilen brauchst du nicht Google, das geht mit jeder #Fritzbox und einer USB-Festplatte oder USB-Memorystick.
Klar kostet, das etwas an Geld und etwas Hirnschmalz.
Ich schreibe hier nicht technische Kenntnisse, weil #Fritz selber sehr viele verständliche #tutorial macht.
Das ist aber der Kern: Der Weg zu #techgiants ist eine #Autobahn, der Weg zu #DigitalIndependence ist ein schmaler Wirtschaftsweg. -
@Echaz
Nur soviel: Für Fotos mit der Verwanschaft teilen brauchst du nicht Google, das geht mit jeder #Fritzbox und einer USB-Festplatte oder USB-Memorystick.
Klar kostet, das etwas an Geld und etwas Hirnschmalz.
Ich schreibe hier nicht technische Kenntnisse, weil #Fritz selber sehr viele verständliche #tutorial macht.
Das ist aber der Kern: Der Weg zu #techgiants ist eine #Autobahn, der Weg zu #DigitalIndependence ist ein schmaler Wirtschaftsweg. -
@Echaz
Nur soviel: Für Fotos mit der Verwanschaft teilen brauchst du nicht Google, das geht mit jeder #Fritzbox und einer USB-Festplatte oder USB-Memorystick.
Klar kostet, das etwas an Geld und etwas Hirnschmalz.
Ich schreibe hier nicht technische Kenntnisse, weil #Fritz selber sehr viele verständliche #tutorial macht.
Das ist aber der Kern: Der Weg zu #techgiants ist eine #Autobahn, der Weg zu #DigitalIndependence ist ein schmaler Wirtschaftsweg. -
Back from a fun but BRUTALLY hot day at the National Bank Open. 36C, 41 with the humidex (for U.S. friends, that's 106F). Stayed in the shaded practice area saw Ruud, Shapo, Medvedev, Rublev, Tsitsipas, Fritz, Rune, Khachanov, Cerundolo, Sonego, and Fils. And saw Fonseca lose. But a great day. #NBO
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In a surprising twist, David Lammy and JD Vance found common ground over their ‘dysfunctional’ childhoods, all while sharing a Diet Coke! Proof that even political rivals can bond over the fizzy stuff. Who knew therapy could be carbonated? #PoliticalConnections #DietCokeDebate Source: https://theinformer.uk
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@oliver bisschen arm, so was zu melden. Inhaltlich war das imho 100% korrekt von dir dargestellt und obwohl die Wortwahl nicht jedem gefallen muss, kann man da doch auch ein #smiley vergeben, anstelle anonym den Meldeknopf zu drücken.
#moralapostel
#2f - wir wissen, was gemeint ist 😉
#smiley -
@oliver bisschen arm, so was zu melden. Inhaltlich war das imho 100% korrekt von dir dargestellt und obwohl die Wortwahl nicht jedem gefallen muss, kann man da doch auch ein #smiley vergeben, anstelle anonym den Meldeknopf zu drücken.
#moralapostel
#2f - wir wissen, was gemeint ist 😉
#smiley -
CW: ATARI 51years ago! (+your childhood included I assume!)
Here's my own animated creation using stock graphic of a cassette + animating it.
As a "cheers" to Atari, and homage to what I kind of kinda literally 'LOOP'ed into... (I had nothing better to play with... and then PC came along an well whadda know still using that too!)
Atari name comes from the Japanese term atari, used while playing the ancient board game Go.
(bet you didn't know that!)And that it was an American company with Japanese sounding name ?
The word atari means "to hit a target" in Japanese and is associated with good fortune; in Go, it indicates a situation where a player will be able to capture one or more stones of the opponent in the next move.
😃 The company fizzled and perhaps Amiga was better but what a storm all that time was!
💣 💣 💣 💣 💣 💣 💣 💣 💣 💣 💣
Which of the pictures on the Wiki page do you most recognise?(Wiki Pictures on the right show the evolution of Atari stuff)
now GOTO 80! 👾 #FreeSchool
💣 💣 💣 💣 💣 💣 💣 💣 💣 💣 💣#Atari #Retro #51 #Anniversary #Computing #Graphics #Retro #XLE #AtariST #Games #Animation #Anim
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Ganz wichtig - ich will den Hinweis nicht vergessen: Fritz #Espenlaub hat im Deutschlandfunk einen sechsteiligen Podcast veröffentlicht - Die #Thiel Story.
Hervorragend recherchiert, gut gemacht, anregend. Sehr erhellend.
Ich den Podcast nur empfehlen!
#Trump
#Musk
#Yarvis
#Rand
#Vancehttps://www.deutschlandfunk.de/die-peter-thiel-story-100.html
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Ruh-Roh! Did the #Fediverse fook #Suckerberg’s #Mediverse? I guess it hasn’t been a good week for #Zuck
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“The danger of the past was that men became slaves. The danger of the future is that man may become robots.”*…
Images of Rastus Robot in an issue of Radio-Craft magazine from 1931… which might be the same thing?
As more and more folks are fearing obsolescence (if not, indeed, subjugation) by emerging technology, Matthew Wills reminds us that this fear– especially as embodied in androids– has a long (and dark) history here in the U.S…
Our word “robot” comes from Karel Čapek’s 1921 play R.U.R. In it, historian of robots Dustin A. Abnet explains, Čapek repurposed the Czech word for “drudgery” or “servitude” to refer to the artificial workers produced by the play’s Rossumovi Univerzální Roboti (Rossum’s Universal Robots) company. [See also here.] Created from synthetic organic material, and thus more android than mechanical, these worker-roboti ultimately overthrow their human masters.
The play was a sensation in Europe, and then a year later, in America, though something was lost in translation. Čapek used robots to criticize soulless Fordism—the “standardization and regimentation” of American capitalism—and hence the US’s political and cultural power in Europe and around the world. (Other Europeans would conceive of the robot in the same way, notably director Fritz Lang and screenwriter Thea von Harbou in the 1927 German film Metropolis.)
But a funny thing happened to these robotic symbols of American capitalism by the mid-twentieth century. They were Americanized by American capitalism. Americans, as Abnet notes, “turned a figure that initially rebelled against the dehumanizing effects of Fordism into a tamed electro-mechanical slave holding aloft a global empire of consumerism.”
Nowhere was this more literal than in the Westinghouse Electric Company’s “simple remotely controlled mechanical men and women” used to advertise the company’s products from 1927 to 1940. “Technology did not have to run amok, Westinghouse’s robots suggested; it could instead become a tamed slave that empowered each individual consumer to become his or her own master.” In the American context, where the language of master and slave was rooted in racism, Westinghouse “connected robots to romanticized white myths about slavery.”
“Americans had always racialized robot-like creations,” continues Abnet, citing the first American automaton (a caricature of a Native American) and the “grotesque minstrel-like caricatures of Black and Asian bodies” that made up automatons in the late nineteenth century.
Westinghouse’s creations, named Herbert Televox, Karina Van Televox, Telelux, Rastus, Willie Vocalite, and Elektro, were promoted as docile domestic workers. Abnet quotes the New York Times’ science and technology editor extolling the benefits of the first of these “mechanical slaves” in 1927: “it obeys without the usual human arguing, impudence or procrastination.”
Rastus, Westinghouse’s Great Depression-era robot, was the most overtly racialized of these corporate robot slaves. Rastus was modeled on a minstrel show character: “black rubber ‘skin,’ overalls, a white shirt, and a pail hat.” In addition, “the robot had a ‘rich, baritone voice’ that would have been read as unmistakably black.” While “all of Westinghouse’s other robots told jokes…Rastus and its blackness were themselves the joke.”
In 1930, Westinghouse’s President explicitly expressed the prevailing white romanticism of slavery. In the company’s Electric Journal, he argued that without the exploitation of the “muscles of others,” there could be “no art, literature, science, leisure, or comfort for anyone.” Rastus’s “tamed black body,” stresses Abnet, “underscored the larger rhetoric of slavery that shaped the fantasy the company offered white consumers.”
“Ultimately, Westinghouse’s robots were not just about more efficiently accomplishing work or ensuring greater leisure time; they were a symbol that deployed racialized slavery in ways that could reassure white Americans of their own freedom, their own mastery over both technology and the bodies of others.”
Čapek’s robots had successfully rebelled, killing all but one human. In America, that couldn’t happen, at least according to the corporations selling the robot idea. But fear of a robot rebellion, like the fear of slave rebellion before the Civil War, remained. Abnet notes that the “most common robot story in American science fiction during the 1920s and 1930s told a story of white men, using their cunning, strength, and willpower to restore their authority over the robots who should be their slaves.” Movies, especially science fiction serials, often told the same story.
A century after R.U.R. and forty years after The Terminator, the uneasiness engendered by robots (and their droid, cyborg, replicant, and AI cousins) persists, reflecting longstanding concerns about labor, autonomy, and power…
Early automatons in the US evolved from symbols of revolt into racialized figures tied to labor and the legacy of slavery: “How America Racialized the Robot,” from @jstordaily.bsky.social.
* Erich Fromm, The Sane Society
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As we move on, we might recall that it was on this date in 1967 that Aretha Franklin’s up-tempo cover of Otis Redding’s “Respect” enter the Billboard Hot 100. It rose steadily over the next several weeks, hitting #1 in June, where it stayed for two weeks and won Franklin two Grammy Awards at the 1968 ceremony, including the first of eight consecutive Grammys for Best Female R&B Vocal Performance. An R&B classic, it has also become a protest anthem, thanks to its connections to both the civil rights movement of the 1960s and the second-wave feminist movement of the 1970s.
https://youtu.be/v4f22xl6Bvg?si=yn-pPhxjVoWgsA8k
#ArethaFranklin #automation #culture #history #KarelCapek #KarelČapek #OtisRedding #politics #prejudice #racism #Respect #robots #RUR #slavery #Technology #Terminator #Westinghouse -
Kingwood, TX’s #NoKings Rally: Well Attended And Well Received As MAGA Land Stronghold Fizzling
The Kingwood, TX #NoKings Rally, organized by Indivisible Kingwood (TX02) was peaceful and successful. It’s clear the movement is making a difference educating and breaking peer pressure barriers.
#NoKings #IndivisibleKingwood #Kingwood #NoKings https://wp.me/p1OjMZ-oNL -
Kingwood, TX’s #NoKings Rally: Well Attended And Well Received As MAGA Land Stronghold Fizzling
The Kingwood, TX #NoKings Rally, organized by Indivisible Kingwood (TX02) was peaceful and successful. It’s clear the movement is making a difference educating and breaking peer pressure barriers.
#NoKings #IndivisibleKingwood #Kingwood #NoKings https://wp.me/p1OjMZ-oNL -
https://www.europesays.com/it/447504/ New Music Friday 17 aprile 2026: pagelle singoli con Madame, Litfiba e Antonacci – All Music Italia #AdaReina #BiagioAntonacci #chiello #ciulla #cosmo #DavideShorty #Deddè #Effenberg #EnricoNigiotti #Entertainment #FlacoG #frezza #GiuliaMolino #Intrattenimento #IT #Italia #Italy #jesto #litfiba #madame #marracash #Music #Musica #Nitro #PierdavideCarone #Punkcake #rob #RoccoHunt #SeaJohn #sissi #TommyCash #tonypitony
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Displaced Persons zuhören.
Axel Doßmann beleuchtet David Boders Interviews von 1945/46 mit überwiegend jüdischen #DPs: eindringliche Zeugnisse von Trauma, Selbstbehauptung und Zukunftshoffnung und ein Appell für sorgfältige Rekonstruktion, Kontextualisierung und kritische #Quellenanalyse.
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Latin American galleries dominate at Frieze New York https://www.theartnewspaper.com/2026/05/13/latin-american-galleries-dominate-at-frieze-new-york?utm_source=dlvr.it&utm_medium=mastodon #FriezeNewYork2026 #Artfairs
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Frieze New York marks 15th edition with expanded international reach https://www.theartnewspaper.com/2026/05/11/frieze-new-york-marks-15th-edition-with-expanded-international-reach?utm_source=dlvr.it&utm_medium=mastodon #Artmarket #Artfairs
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101 exhibitors revealed for Frieze Los Angeles fair's 2025 edition https://www.theartnewspaper.com/2024/11/22/frieze-los-angeles-2025-exhibitors-list?utm_source=dlvr.it&utm_medium=mastodon #Artfairs #Artmarket
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I'm excited for Eurovision and supporting streamers with the new StreamerMap website using Azure, #ASP.NET, Redis, and Aspire to deliver maps everyone can use on Twitch! But.. we need to make sure it scales, and that's what I'm coding today.
twitch.tv/csharpfritz
youtube.com/csharpfritz -
Building components for other developers is hard... and our Squad has made it easy. Let's get Gritty today and put together some reports, some samples, and show folks that #ASP.NET can be migrated to Blazor... and play a little Minecraft along the way
twitch.tv/csharpfritz
youtube.com/csharpfritz -
https://www.evshift.com/329474/5-grand-fizz-launches-now-we-bought-these-cheap-electric-cars-to-compete-in-a-series-of-challenges/ 5 Grand Fizz Launches Now! We Bought These Cheap Electric Cars To Compete In A Series Of Challenges #acceleration #bought #Braking #car #CARS #challenges #CHEAP #Comparison #Compete #CUV #ELECTRIC #ElectricCars #ElectricVehicles #EV #exterior #Fizz #grand #Handling #hypercar #interior #Launches #motor1 #pov #RedlineReviews #review #sedan #Series #SportsCar #Supercar #SUV #Test #tfl #vs
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@dublinstinkt oh Mensch.. hilf!
Kürzlich habe ich jemanden aus #Wahren auf die #Nazidichte im Ort angesprochen. Seine Antwort: "Nicht mehr als anderswo!".
Was für ein Zynismus.
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@dublinstinkt oh Mensch.. hilf!
Kürzlich habe ich jemanden aus #Wahren auf die #Nazidichte im Ort angesprochen. Seine Antwort: "Nicht mehr als anderswo!".
Was für ein Zynismus.
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@dublinstinkt oh Mensch.. hilf!
Kürzlich habe ich jemanden aus #Wahren auf die #Nazidichte im Ort angesprochen. Seine Antwort: "Nicht mehr als anderswo!".
Was für ein Zynismus.
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@dublinstinkt oh Mensch.. hilf!
Kürzlich habe ich jemanden aus #Wahren auf die #Nazidichte im Ort angesprochen. Seine Antwort: "Nicht mehr als anderswo!".
Was für ein Zynismus.
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@dublinstinkt oh Mensch.. hilf!
Kürzlich habe ich jemanden aus #Wahren auf die #Nazidichte im Ort angesprochen. Seine Antwort: "Nicht mehr als anderswo!".
Was für ein Zynismus.
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𝗦𝘁𝗼𝗸𝗸𝗲𝗿𝘀 𝗯𝗲𝘇𝗼𝗿𝗴𝘁 𝗚𝗼 𝗔𝗵𝗲𝗮𝗱 𝗶𝗻 𝗯𝗹𝗲𝘀𝘀𝘂𝗿𝗲𝘁𝗶𝗷𝗱 𝗽𝘂𝗻𝘁 𝗯𝗶𝗷 𝘀𝗰 𝗛𝗲𝗲𝗿𝗲𝗻𝘃𝗲𝗲𝗻
Sc Heerenveen is er niet in geslaagd de thuiswedstrijd tegen Go Ahead Eagles te winnen. De Friezen gaven in de blessuretijd van de tweede helft een voorsprong uit handen: 2-2. Invaller Finn Stokkers scoorde in de 93e minuut.
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https://www.europesays.com/nl/34828/ Oliver Braude schuldbewust na fout: “Dat neem ik mezelf… #absolute #afloop. #ahead #BreakingNews #BreakingNews #Dutch #eagles #FeaturedNews #FeaturedNews #friezen #GRONINGEN #handen #Headlines #Hoofdpunten #laatste #LatestNews #LatestNews #minuten #Nederland #Nederlanden #Nederlands #Netherlands #News #Nieuws #NL #overwinning #punten #slotfase #TopStories #TopStories #UTRECHT #verspeelden #Voorpaginanieuws #vrijdagavond
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📢 Vortrag "Beweise, Argumente, Einsichten: Worum geht es eigentlich in den Wissenschaften? Und was bedeutet das für deren Rolle in der Gesellschaft?"
📆 Wann: Montag, 4. Mai 2026, 14 - 15:30 Uhr
📍 Wo: Geb. 30.41, Chemie-Hörsaal Nr. 2 / Criegée-Hörsaal, KIT Campus Süd, Fritz-Haber-Weg 6
🙋♀️Wer: Dr. Tim Ludwig
👀Für wen: Studierende aller Fakultäten
🌐 Mehr Infos https://www.forum.kit.edu/ringvorlesung_wtg.phpFoto: jbuinac / stock.adobe.com