Search
607 results for “wewe”
-
Joey King on Fighting Antisemitism at 12 Years Old and Having Trauma Counselors on the Set of Holocaust Series ‘We Were the Lucky Ones’
#Variety #Columns #News #Podcasts #JoeyKing #JustForVariety #WeWeretheLuckyOnes -
‘We Were the Lucky Ones’ Is a Gutting and Thoughtful Depiction of a Jewish Family in the Holocaust: TV Review
#Variety #Reviews #TVReviews #Hulu #JoeyKing #WeWeretheLuckyOneshttps://variety.com/2024/tv/reviews/we-were-the-lucky-ones-review-hulu-1235947697/
-
"Offizieller #Baubeginn der #Stromtrasse #SuedLink
#Bundeswirtschaftsminister Robert #Habeck (Grüne) begleitete am Montag den symbolischen Baustart für einen der anspruchsvollsten Bauabschnitte für die #Stromverbindung - in den kommenden viereinhalb Jahren werden von #Wewelsfleth aus Kabel unter der #Elbe verlegt."
https://www.tagesschau.de/inland/regional/schleswigholstein/suedlink-122.html
-
Today's Flickr photo with the most hits: this landscape painting.
It hangs in the provincial museum, housed in the castle.
Wewelsburg Castle, by Rotterken.
-
Today's Flickr photo with the most hits: detail from a wooden statue in the regional museum, at Wewelsburg Castle. The Castle was, formerly, the residence of the Prince Bishops of Paderborn.
Himmler and the SS took it over from 1934, intending it a a cult centre. The museum reflects both aspects of the castle's story.
-
Today's Flickr photo with the most hits: the some what chilling salon that is the Hall of the Gruppenführers, at Wewelsburg Castle, with its 'Black Sun'.
This castle was intended, by Himmler, to be the focal point of his specious mythology underpinning the SS.
-
War ein anstrengender Tag heute als #Besuchshund für @TiereBauenBruecken in einer #kita im #Kreispaderborn
Da nutze ich die #abendrunde mit dem Napfbefüller doch mal für ein bisschen #entspannung an der #Wewelsburg
Habt nen tollen Abend
#django
#dogs
#MastodonDogs
#dogsofmastodon
#Mastodonrudel
#hunde
#Leonberger
#leonbergers
#GuteNachtTrööt
#fotografie
#fotomittwoch -
War ein anstrengender Tag heute als #Besuchshund für @TiereBauenBruecken in einer #kita im #Kreispaderborn
Da nutze ich die #abendrunde mit dem Napfbefüller doch mal für ein bisschen #entspannung an der #Wewelsburg
Habt nen tollen Abend
#django
#dogs
#MastodonDogs
#dogsofmastodon
#Mastodonrudel
#hunde
#Leonberger
#leonbergers
#GuteNachtTrööt
#fotografie
#fotomittwoch -
War ein anstrengender Tag heute als #Besuchshund für @TiereBauenBruecken in einer #kita im #Kreispaderborn
Da nutze ich die #abendrunde mit dem Napfbefüller doch mal für ein bisschen #entspannung an der #Wewelsburg
Habt nen tollen Abend
#django
#dogs
#MastodonDogs
#dogsofmastodon
#Mastodonrudel
#hunde
#Leonberger
#leonbergers
#GuteNachtTrööt
#fotografie
#fotomittwoch -
⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️
Quality series based on the true story of one family's survival during the #Holocaust. An excellent cast - #JoeyKing + #RobinWeigert especially shine!
#WeWeretheLuckyOnes (#TVMiniSeries 2024) - https://www.imdb.com/title/tt9114512/
-
⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️
Quality series based on the true story of one family's survival during the #Holocaust. An excellent cast - #JoeyKing + #RobinWeigert especially shine!
#WeWeretheLuckyOnes (#TVMiniSeries 2024) - https://www.imdb.com/title/tt9114512/
-
I just watched We Were Strangers (John Huston, 1949) and rated it 5/10 ~ https://en.wikipedia.org/wiki/We_Were_Strangers?wprov=sfla1 #films #cinema #cinemastodon #WeWereStrangers #JohnHuston #JenniferJones #JohnGarfield
-
I just watched We Were Strangers (John Huston, 1949) and rated it 5/10 ~ https://en.wikipedia.org/wiki/We_Were_Strangers?wprov=sfla1 #films #cinema #cinemastodon #WeWereStrangers #JohnHuston #JenniferJones #JohnGarfield
-
I just watched We Were Strangers (John Huston, 1949) and rated it 5/10 ~ https://en.wikipedia.org/wiki/We_Were_Strangers?wprov=sfla1 #films #cinema #cinemastodon #WeWereStrangers #JohnHuston #JenniferJones #JohnGarfield
-
I just watched We Were Strangers (John Huston, 1949) and rated it 5/10 ~ https://en.wikipedia.org/wiki/We_Were_Strangers?wprov=sfla1 #films #cinema #cinemastodon #WeWereStrangers #JohnHuston #JenniferJones #JohnGarfield
-
Throwback Thursday: Wir haben Fotos ausgegraben vom Videodreh zu „Wir sind die Champignons“ 1997. Hier ein nices Porträt meinerseits ☺️
Foto: M. Bußmann
#throwbackthursday #throwback #throwback1997 #1997 #longtimeago #wirsinddiechampignons #champignons #queencover #wewereyoung #longhair #lespaulgoldtop #pink #pinkjacket
-
Throwback Thursday: Wir haben Fotos ausgegraben vom Videodreh zu „Wir sind die Champignons“ 1997. Hier ein nices Porträt meinerseits ☺️
Foto: M. Bußmann
#throwbackthursday #throwback #throwback1997 #1997 #longtimeago #wirsinddiechampignons #champignons #queencover #wewereyoung #longhair #lespaulgoldtop #pink #pinkjacket
-
Throwback Thursday: Wir haben Fotos ausgegraben vom Videodreh zu „Wir sind die Champignons“ 1997. Hier ein nices Porträt meinerseits ☺️
Foto: M. Bußmann
#throwbackthursday #throwback #throwback1997 #1997 #longtimeago #wirsinddiechampignons #champignons #queencover #wewereyoung #longhair #lespaulgoldtop #pink #pinkjacket
-
Throwback Thursday: Wir haben Fotos ausgegraben vom Videodreh zu „Wir sind die Champignons“ 1997. Hier ein nices Porträt meinerseits ☺️
Foto: M. Bußmann
#throwbackthursday #throwback #throwback1997 #1997 #longtimeago #wirsinddiechampignons #champignons #queencover #wewereyoung #longhair #lespaulgoldtop #pink #pinkjacket
-
Really enjoying this, annoyed I waited so long to buy it! #Bibliophile #booktodon #Books #wewereliars #elockhart
-
AMG’s Unsigned Band Rodeö: Kalaveraztekah – Nikan Axkan
By Dolphin Whisperer
“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.”
The Rodeö is full of surprises. Today’s potential riff trap hails from the arid lands of Aguascalientes, Mexico, known most famously for its array of hot springs and National Museum of Death. Yes, in death Kalaveraztekah revels, and not just in a death metal groove indebted to the jagged scrawl of Morbid Angel or the destructive howl of early Behemoth. With a healthy inclusion of pre-Hispanic, indigenous instrumentation alongside their chunky and pinch-addled drive, Nikan Axkan churns and tumbles through chants and thunderous drum roll to shine a light on the Mexica culture and history of sacrifice and spirit world. To excavate the wonders that the adventurous Kalaveraztekah holds hidden in the underground, we’ve assembled a crack Rodeö crew, including an appearance from The Man, The Myth, The AMG Himself. Surely that means that everyone followed the word count, right? – Dolphin Whisperer
Kalaveraztekah // Nikan Axkan [May 2nd, 2025]
AMG Himself: Kalaveraztekah’s Nikan Axkan represents hopes and dreams that I have harbored for years. When will we finally get the seminal piece of Aztec-influenced extreme metal that will whet my appetite for both death metal and Mesoamerican history?1 With aplomb, these astonishingly unsigned Aguascalientes-ites2 do the fine job of balancing two equally vital parts of a single sound. Kalaveraztekah hits like a ton of bricks, dealing in death metal that’s neither old nor school, it’s just brutal and grindy, tempered only by peyote-fueled excursions into the netherworld. The core of their sound is brutal Mexican death metal replete with blasts and machine gun kicks, neck-damaging riffing, pig-squealing guitars, brutal growls (and occasionally less-brutal screamies) synced with the snare, and an intensity that I associate with writing reviews of bands like Vomitory or Crypta. It’s got the riffs and intensity with just a touch of melody, and I bask in its brutality and shreddy, squealy solos. Kalaveraztekah’s particular innovation in this sphere is the successful inclusion of traditional folk elements from the indigenous people located throughout Mexico, but which is today used almost exclusively for the Mexica people of Tenochtitlan (which is modern-day Mexico City).3 Kalaveraztekah’s focus on “Aztec Cosmogony” lends itself perfectly to the second part of their unique sound: dreamy folk soundscapes that they adapt seamlessly—and convincingly—when they shift gear. Driven by reverb-soaked soundscapes, Spanish guitars,4 and what I assume is a tlapitzalli (flute), the band lends atmosphere and dynamics that are necessary to offset a style of death metal that at times can risk monotony. And when they meet, these two sounds crash into each other like storm fronts, creating something beautiful and terrible to behold, simultaneously brutal and thoughtful, grindy and melodic, atmospheric and immediate. I fuckin’ love this shit.
Next up on my befolkened death metal bucketlist: the Olmecs! 4.0/5.0
Dear Hollow: What’s great about Kalaveraztekah is their ability to channel their heritage into an homage to the Mexica that sounds ancient, cosmic, and brutal. Featuring a blend not unlike the formidable shaman-themed Hell:on, the lethal fusion of cutthroat death metal and folk instruments offers balance: wild guitar solos, haunting flutes, terrifying death whistles, and ritualistic drums shine amid the no-frills Sulphur Aeon-esque riffs. While similarities to other Mexico-based Aztec- or Mayan-themed groups are unavoidable, Pre-Hispanic folk instrumentation is not mere novelty like it is for Ocelotl or Eunoë, nor is it an atmospheric saturation of bloody sacrifice in the manner of Aztlan or Cemican – rather, Kalaveraztekah uses ritualistic and ceremonial elements to amplify the cyclical cosmic grandiosity of the Five Suns in an album of both creation and devastation. Nikan Axkan offers riffs galore (“Tlazolteotl,” “Xiuhtekuhtli Weweteotl”), haunting overtures with spoken word that recall sacrificial ecstasy and the vast rotting realms of the gods (“Yowaltecuhtli,” “Illwikatl Meztli”), and just enough techy flavors of soaring intensity and dissonant menace to warrant diversity and complexity (“Xolotl Axolotl,” “Xiuhmolpili”). While the album is a tad overlong at nearly fifty minutes, Kalaveraztekah’s approach straddles the line between violently visceral and gloriously colossal – truly “el amanecer del nuevo sol” indeed. 4.0/5.0
Iceberg: I love it when an album requires me to do some research to unwrap its mysteries. Before I came across Nikan Axlan I had precious little knowledge of Aztec mythology. But now, thanks to Aguascalientes natives Kalaveraztekah, I can confidently tell my Xolotls from my Axolotls. Kalaveraztekah’s sonic template skews more groove than death metal, but the inclusion of a host of traditional instruments keeps the music refreshing and thoroughly unnerving. The tribal drums and wind instruments maintain a constant otherworldly atmosphere, and the extraneous vocal additions are excellent (the frantic spoken word of “Yowaltekuhtli” and the Wilhelm screams of “Xolotl Axolotl”). Kalaveraztekah aren’t content to sit in any one corner with their instruments either. The trebly blues tone of “Yowaltekuhtli” feels ripped from a Los Lonely Boys album, and the sweeping neoclassical riff that forms the backbone of “Xiuhmolpilli” screams symphodeath BOMBAST.5 The biggest drawback for me here is that in leaning so far into the groove metal style, the BPM goes stale in its mid-paced swagger. Given everything else that Kalaveraztekah unleashes on Nikan Axkan, I’m left wondering what this band would sound like if they really stepped on the gas and hit that NOS button (although the opening riff of “Wewekyotl” gets pretty damn close). That quibble aside, Nikan Axkan is a compelling and replayable record, and a great trip into the dark, bizarre world of Aztec mythology. I highly recommend this album for those looking for some tasty groove metal with a bit of strange on the side. 3.5/5.0
Alekhines Gun: Move over Tzompantli, there’s a new band in town. Channeling the instrumental flourishes of Nechochwen filtered through something adjacent to The Zenith Passage in production,6 Kalaveraztekah have presented a slab of agave scented folky melodic death so meticulously constructed and well produced that I’m actually stunned it’s an independent release. From the triumphant flourishes dotting the leads in “Yowaltekuhtli” to the thunderous tribal percussion-laced breakdowns in “Xiuhtekuhtli Weweteotl”, Nikan Axkan never wants for a variety of gripping moments. A sense of propulsion flows through the album, rendering the occasional interludes atmospheric rather than momentum-killing. Songs like “Xolotl Axolotl” feature heaps of skronk and tawngy tech only to instantly be offset by indigenous instruments and melodic atmospherics in equal measure. True, each individual track feels a bit long in the tooth and seem as though they could benefit from some editing, and I wish the bottom end didn’t sound so artificial. Nevertheless, every time I found myself thinking such thoughts I was suddenly blown away by some excellent new riff or lovely melody from wood instruments or percussion, slotting neatly into the album’s reasonable runtime. Nikan Axhan is an album with a remarkably matured and well-executed vision, and has been a gripping, engaging listen with each spin. Support this album. 3.5/5.0
Thyme: Most bands continually seek ways to bring originality into their work. For Aguascalientes, Mexico, five-piece death metal outfit Kalaveraztekah, that originality comes in the form of heaving helpings of Mesoamerican folk instrumentation, expertly woven into the deathly fabric of their sophomore album Nikan Azkan. Right off the bat, I felt transported to the middle of a Mexican rainforest as tribal drums and folkish guitar lines cede their delicate grip to Behemoth-like death riffs and a hellish vocal attack that rivals Nergal’s (“Nikan Axkan (El Aquí y El Ahora)”). When Nikan Azkan isn’t channeling Demigod levels of viciousness, its hybrid form of folk death conjures Roots-era Sepultura with sludgily dirty riffs, primitive death chants, and a plethora of indigenous instruments ranging from ocarinas to Aztec death whistles (“Xiuhtekuhtli Weweteotl (El Fuego Ancestral),” “Wewekoyotl (El Coyote Viejo)”). Kalaveraztekah brings loads of atmosphere to Nikan Axkan, especially on “Yowaltekuhtli (Un Sueño En La Oscuridad),” with its haunting instrumentation—the guitar work is top notch here—and the desperate, breathless pleas of the narrator conjuring tons of dramatic tension. On repeated spins, the magic within Nikan Axkan continues to unravel. While the meshing of Kalaveraztekah‘s death metal—standard as it may be—with its folk-forward instrumentation tends to blur tracks together, enjoyment didn’t dissipate the more I listened. Fans of what Tzompantli are doing would be hard-pressed to miss this, and I suggest they don’t. 3.0/5.0
Show 6 footnotes
- Tzompantli doesn’t count ’cause they’re from California and they’re only “good.” ↩
- I believe we call them Aguascalentenses. – Dolph ↩
- Interesting to note that the band is from Aguascalientes, because the region was, in fact, the home of the Chichimeca groups, which, according to my deep research (yup, doin’ my own research just like RFK Jr. told me to!) became a kind of archetype of “noble savages” for both the Spaniards and the Mexica (Aztecs) in the 1500s. Rather than being a single group with a shared language, the Chichimeca groups were spread throughout central Mexico, and following the discovery of silver, they were war-crimed into a decades-long conflict and eventual decline, and by the beginning of the 1600s, they “disappeared as distinguishable cultural entities” (Schmal, 2019). Seven tribes would be the basis of a mighty seven-album conceptual cycle, my dudes. I’m just sayin’. ↩
- Is that ironic? ↩
- It really makes you wonder how far is heaven. – Dolph ↩
- Surely, scooped tone production existed before The Zenith Passage. – Dolph ↩
#AngryMetalGuySUnsignedBandRodeo #AngryMetalGuySUnsignedBandRodeo2025 #Aztec #Behemoth #Crypta #DeathMetal #FolkMetal #GrooveMetal #HellOn #IndependentRelease #Kalaveraztekah #LosLonelyBoys #May25 #MexicanMetal #MorbidAngel #Nechochwen #NikanAxkan #ProgressiveDeathMetal #Review #Reviews #SelfRelease #Sepultura #SulphurAeon #Tzompantli #Vomitory
-
Josh Dallas, Peyton List Among 6 Cast In Season 2
Meet The Sinclairs, again. Prime Video has assembled the main new cast of We Were Liars Season 2,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #TV #CostaD'Angelo #Entertainment #JoshDallas #PeytonList #PrimeVideo #WeWereLiars
https://www.newsbeep.com/us/629210/ -
Ready, steady, go; we are ON-AIR! See you stream-side, fedizens.
Sunday Megastream! Puzzle Games in Review with SilvanestiMek
#Owncast #videogames #VTuber #LGBTQPlus #Chatty #English #AngryDucks #SilvanestiMek #CoStream #WeWereHere #CrypticKiller #PuzzleGame #Puzzle
-
Also an African rapper….[[|:-)
Video Link: https://www.youtube.com/watch?v=FzNxEQr62xY
If you laughed, giggled, or snorfled, please fav and boost!
Latest archive: https://t.co/a9Pc0Y0Sj7
Please buy some merch: https://t.co/tQeyfcltuK
Or consider leaving a tip: https://t.co/XqxBfulWtO
@jeffowski#meme #memes #memes2024 #PNWMemist #MemistryonFB #memesdaily #dankmemes #funnymemes #memesofmastodon #faucet #WEWE
-
Also an African rapper….[[|:-)
Video Link: https://www.youtube.com/watch?v=FzNxEQr62xY
If you laughed, giggled, or snorfled, please fav and boost!
Latest archive: https://t.co/a9Pc0Y0Sj7
Please buy some merch: https://t.co/tQeyfcltuK
Or consider leaving a tip: https://t.co/XqxBfulWtO
@jeffowski#meme #memes #memes2024 #PNWMemist #MemistryonFB #memesdaily #dankmemes #funnymemes #memesofmastodon #faucet #WEWE
-
Also an African rapper….[[|:-)
Video Link: https://www.youtube.com/watch?v=FzNxEQr62xY
If you laughed, giggled, or snorfled, please fav and boost!
Latest archive: https://t.co/a9Pc0Y0Sj7
Please buy some merch: https://t.co/tQeyfcltuK
Or consider leaving a tip: https://t.co/XqxBfulWtO
@jeffowski#meme #memes #memes2024 #PNWMemist #MemistryonFB #memesdaily #dankmemes #funnymemes #memesofmastodon #faucet #WEWE
-
Also an African rapper….[[|:-)
Video Link: https://www.youtube.com/watch?v=FzNxEQr62xY
If you laughed, giggled, or snorfled, please fav and boost!
Latest archive: https://t.co/a9Pc0Y0Sj7
Please buy some merch: https://t.co/tQeyfcltuK
Or consider leaving a tip: https://t.co/XqxBfulWtO
@jeffowski#meme #memes #memes2024 #PNWMemist #MemistryonFB #memesdaily #dankmemes #funnymemes #memesofmastodon #faucet #WEWE
-
niente gaming attraverso nintendo se si sta senza la u (non si può giocare quasi a niente su WiiU senza Gamepad)
So che forse non dovrei farmi questo tipo di domande, perché con Nintendo da un lato è inutile, e dall’altro è pericoloso, lo sappiamo, la mafia, i ninja, wewe tu devi solo aggiocare non sia mai che ti preoccupi di qualcosa… però, dall’altra sera questa cosa non la riesco a mandare giù. Per quale cavolo di motivo su Wii U, se non si vuole usare il Gamepad, si può praticamente fare appena un decimo del gaming altrimenti possibile, a giudicare a occhio? 😐
Putiamo il caso, giusto per fare un esempio, che voi siate me… ok, no, non serve andare così in là. Putiamo magari il caso che il Gamepad sia scarico — situazione plausibile, visto che tutti i controller Nintendo wireless drenano malamente da spenti se hanno batterie collegate, e con il Gamepad una carica dura poco gaming, quindi in pochi anni la batteria si degrada parecchio con questo giochetto di scarica e ricarica, finendo per durare sempre di meno — e non si voglia sclerare per ricaricarlo in quel momento. Oppure, ancora, magari si vorrebbe giocare con un comando più compatto e leggero in quel momento, per comodità o quel che è… ma no. 🥱
Oh, io posso accettare che non si possano usare le impostazioni della console, o il browser web, o il che cavolo ne so, senza il Gamepad (nonostante non ci sia alcuna ragione tecnica per cui quei malati di Nintendo non potessero implementare il supporto completo a qualsiasi controller nelle app e nei menu…), ma il punto è che un sacco di giochi sono completamente inagibili! E non solo quei giochi gnammy basati interamente attorno al Gamepad, come per esempio Nintendo Land (che io possiedo in copia fisica, supergnammy), ma anche altri che proprio non capisco perché siano in questa situazione.🎳
Non posso dare troppi esempi specifici, perché non ho provato ogni singolo gioco immaginabile, bensì ho provato giusto ad aprire vari titoli alla bene e meglio, ma di cose assurde ce n’è una varietà infinita. Molti giochi che semplicemente non partono proprio senza il Gamepad collegato, facendo comparire un popup nel menu home… altri che si avviano, ma subito chiedono che sia collegato il Gamepad; giusto qualcuno concede almeno il Pro Controller, ma il Wiimote quasi mai… e altri ancora, principalmente quelli di terze parti (ma non solo eh, anche Nintendo ha cagato qui), che sembrano partire normalmente, ma poi non rispondono a nessun comando; di nuovo, almeno non con i Wiimote, al massimo con il Pro Controller. Poteva andare anche peggio di così, a pensarci, eh… ma ciò non significa che la situazione non sia brutta. 😾
La cosa veramente peggiore poi è che, quando una app finisce in questo stato per cui internamente, e non al menu home, chiede che il Gamepad sia collegato per proseguire, oppure semplicemente non dice niente, i controller alternativi non supportati sono spesso disconnessi e non si ricollegano più… quindi, in tal caso, l’unico modo per chiudere cosa si è avviato è spegnere la console col tastino, da vicino (o, se, come nel mio caso, il tastino è stronzino, scollegare e riattaccare il cavo di alimentazione… sigh). Se invece il controller non supportato è il Wiimote, e rimane collegato, collegando il Pro Controller ovviamente questo finirà come G2… ma diversi giochi così non lo leggono, quindi va pure cambiato a mano l’ordine. C’è da impazzire nello sperare di semplicemente giocare alla mordi e fuggi, insomma!!! ☠️
I giochi ufficiali che ho visto sicuramente funzionare almeno col solo Wiimote, per ora, sono meno di 10… wow, che palle. Li metto qui, assieme ad un’altra lista che ho trovato, ed eventualmente quelli che non funzionano che ugualmente segnerò, poi, se non mi secco: https://memos.octt.eu.org/m/eBqVHkeFgEfaTSuLMiFPxJ. Poi, a intuito, credo ci siano i giochi Virtual Console NES che funzionano, ma non ne ho nessuno, mentre SNES e GBA vogliono almeno il Pro Controller, e quelli DS il Gamepad; e i giochi originali Wii ovviamente fanno testo a parte. 🔪
Vabbè, basta: a questo punto non si gioca, si rotta. Anche perché poi al Wii U piace in generale dare comunque sempre le sue rogne che rubano tempo e fanno incazzare, come tutti i freeze e i softlock che a caso capitano per via di glitch software (anche su console non moddate, figurarsi), e non c’è niente da fare. (Però… semmai questo rottame non mi muore, ed eventualmente non muore neanche il vostro, ricordo che qui ci sono i miei codici amico per fare il gaming attraverso la rete… magari è meno miserabile.) 💥
-
TZTZ TALK LOUD
COLA TAXI OKAY, Sunday, February 8 at 02:00 PM GMT+1
TZTZ TALK LOUD – Spielerisch sprechen
Beim TZTZ TALK LOUD treffen sich Menschen mit ganz
unterschiedlichen Sprachkenntnissen und Sprechweisen.
Denn jede*r spricht anders – mal schnell, mal langsam, mal
leise, mal laut. Und das ist gut so! Mit spielerischen
Übungen üben wir das Sprechen, stärken unser
Selbstvertrauen und verbessern Aussprache, Ausdruck und
Präsenz. Menschen mit Migrations- oder Fluchtgeschichte
können ihre Deutschkenntnisse erweitern, und DeutschMuttersprachler*innen entdecken ihre Sprache neu und
kreativ. Das Angebot ist offen für alle und unabhängig vom
Sprachniveau. Es geht um Austausch, Spaß und
Experimentieren mit Sprache und Stimme. Scheu ist ganz
normal – Mut wächst beim Üben und Sprechen. Komm
vorbei und mach mit! Wir freuen uns auf Dich.
TZTZ TALK LOUD – Speaking playfully
At TZTZ TALK LOUD people with very different language
skills and ways of speaking come together. Because
everyone speaks differently – sometimes fast, sometimes
slow, sometimes quiet, sometimes loud. And that’s a good
thing! With playful exercises we practise speaking, build our
confidence, and improve pronunciation, expression and
presence. People with a migration or refugee background
can develop their German skills, and native German
speakers discover their language anew and creatively.
The offer is open to everyone regardless of language level.
It’s about exchange, fun and experimenting with language
and voice. Being shy is completely normal – courage grows
by practising and speaking. Come by and join in! We look
forward to seeing you.
TZTZ TALK LOUD – Parler de façon ludique
Chez TZTZ TALK LOUD, des personnes aux compétences
linguistiques et usages de parole très variés se réunissent.
Parce que chacun·e parle différemment – parfois vite,
parfois lentement, parfois doucement, parfois fort. Et c’est
bien ainsi ! À travers des exercices ludiques, nous
pratiquons le parler, renforçons notre confiance, et
améliorons la prononciation, l’expression et la présence.
TZTZ TALK LOUD – Hablar de forma juguetona
En TZTZ TALK LOUD se reúnen personas con
conocimientos lingüísticos y formas de hablar muy
diversas. Porque cada uno/a habla de forma distinta – a
veces rápido, a veces lento, a veces en voz baja, a veces
en voz alta. ¡Y eso está bien! Con ejercicios lúdicos
practicamos el habla, fortalecemos nuestra confianza y
mejoramos la pronunciación, la expresión y la presencia.
Las personas con historia de migración o de refugio pueden
ampliar sus conocimientos de alemán, y quienes son
hablantes nativos de alemán descubren su idioma de un
modo nuevo y creativo. La oferta está abierta a todas las
personas, sin importar el nivel de idioma. Aquí se trata de
intercambio, diversión y experimentar con el idioma y la
voz. La timidez es algo perfectamente normal – la valentía
crece al practicar y al hablar. ¡Pasa y participa! Nos
alegramos de verte.
TZTZ TALK LOUD – Игровое говорение
На встречах TZTZ TALK LOUD собираются люди с
совершенно разными языковыми навыками и
способами говорить. Ведь каждый говорит по-своему –
иногда быстро, иногда медленно, иногда тихо, иногда
громко. И это прекрасно! С помощью игровых
упражнений мы практикуем речь, укрепляем
уверенность в себе и улучшаем произношение,
выразительность и присутствие. Люди с миграцией или
беженским прошлым могут развивать свои знания
немецкого языка, а носители немецкого языка
открывают свой язык заново и творчески. Это
предложение открыто для всех, независимо от уровня
языка. Речь идёт об обмене, веселье и
экспериментировании с языком и голосом.
Скромность — это нормально, — смелость растёт через
практику и говорение. Приходи и присоединяйся! Мы
рады тебя видеть.
TZTZ TALK LOUD – Oyunla konuşma
TZTZ TALK LOUD’da çok farklı dil düzeylerine ve konuşma
biçimlerine sahip insanlar bir araya geliyor. Çünkü herkes
farklı konuşur – bazen hızlı, bazen yavaş, bazen alçak
sesle, bazen yüksek sesle. Ve bu gayet güzel! Oyuncu
egzersizlerle konuşma pratiği yapıyoruz, özgüvenimizi
güçlendiriyoruz ve telaffuz, ifade ve sahnede olma hâlimizi
geliştiriyoruz. Göç veya mülteci geçmişi olan kişiler Alman
dilini geliştirebilir, Almanca ana dil olan katılımcılar da
dillerini yeni ve yaratıcı bir şekilde keşfeder. Bu etkinlik dil
seviyesinden bağımsız olarak herkese açıktır. Amaç dil ve
sesle değişim, eğlence ve deneme yapmaktır.
Çekingenlik tamamen normal — cesaret pratikle ve
konuşmayla büyür. Gel ve katıl! Seni aramızda görmekten
mutluluk duyarız.
TZTZ TALK LOUD – Vorbim jucăuș
La TZTZ TALK LOUD se întâlnesc oameni cu cunoștințe de
limbă și moduri de vorbire foarte diferite. Pentru că fiecare
vorbește altfel – uneori rapid, uneori lent, uneori în șoaptă,
uneori tare. Și asta e bine! Prin exerciții jucăușe practicăm
vorbirea, ne întărim încrederea în noi și ne îmbunătățim
pronunția, expresivitatea și prezența. Persoanele cu istoric
de migrație sau refugiu își pot dezvolta cunoștințele de
germană, iar vorbitorii nativi de germană își redescoperă
limba în mod nou și creativ.Oferta este deschisă pentru toți,
indiferent de nivelul de limbă. Este despre schimb,
distracție și experimentare cu limba și vocea. Timiditatea e
complet normală – curajul crește prin exercițiu și vorbire.
Vino și participă! Te așteptăm cu drag.
TZTZ TALK LOUD – Kuongea kwa kucheza
Katika TZTZ TALK LOUD watu wenye ujuzi na mitindo ya
kuongea sana tofauti wanaonana. Kwa sababu kila mtu
anaongea kwa njia yake – wakati mwingine haraka, wakati
mwingine polepole, wakati mwingine kwa sauti ya chini,
wakati mwingine kwa sauti ya juu. Na hiyo ni nzuri!
Kwa mazoezi ya mchezo tunaongea, tunajenga kujiamini
na kuboresha lafudhi, maelezo na uwepo wetu.
Watu wenye historia ya uhamiaji au uhamiaji wa kimbari
wanaweza kukuza ujuzi wao wa Kijerumani, na
wazungumzaji wa asili wa Kijerumani wanagundua lugha
yao upya na kwa ubunifu. Ombi hili lipo wazi kwa wote, bila
kujali kiwango cha lugha. Ni kuhusu kubadilishana,
burudani na kujaribu na lugha na sauti. Kuogopa ni kawaida
kabisa – ujasiri unakua kwa mazoezi na kuongea. Njoo na
jiunge nasi! Tunafurahi kukutana na wewe.
TZTZ TALK LOUD – Ukuthetha ngokudlala
Kwi-TZTZ TALK LOUD kudibana abantu abanezakhono
zolwimi kunye neendlela ezahlukeneyo zokuthetha. Kuba
wonke umntu ukuthetha ngendlela yakhe – ngamanye
amaxesha ngokuqhuma, ngamanye amaxesha kancinci,
ngelizwi eliphantsi, ngelizwi eliphezulu. Kwaye oko
kulungile! Ngezemidlalo zokuzonwabisa sizilolonga
ukuthetha, siyomeleza ukuzithemba kwethu, kwaye
siphucula ukucacisa amagama, ukuveza izinto kunye
nobukho bethu. Abantu abanembali yokufika okanye
bazalelwe kwamanye amazwe banokuba namandla
okulolonga ulwimi lwesiJamani, kwaye abo baneJamani
njengolwimi lwendalo banokufumanisa ulwimi lwabo
ngendlela entsha nephefumlelweyo.
Isibonelelo sivulekile kuwo onke abantu, nokuba ulwimi
lwakho kwilevel eyiphi na. Kukho malunga
notshintshiselwano, uvuyo kunye nokuvavanya ulwimi
kunye nelizwi. Ukuthoba isantya kukulungile
ngokupheleleyo – ubungqina burhweba ngokuzilolonga
nokuthetha. Woza ujoyine! Sijonge phambili ukukubona.
TZTZ TALK LOUD
افرادی با مهارتها و شيوههای بسيار متفاوت صحبت TZTZ TALK LOUDدر
گرد هم میآيند. زيرا هر کس به نحوی متفاوت صحبت میکند – گاهی سريع،
!گاهی آهسته، گاهی با صدای پايين، گاهی با صدای بلند. و اين چيز خوبی است
با تمرينهای بازيگوشانه ما به مکالمه میپردازيم، اعتمادبهنفسمان را تقويت
.میکنيم و تلفظ، بيان و حضورمان را بهبود میبخشيم
افرادی با پيشينه مهاجرت يا پناهندگی میتوانند مهارتهای زبان آلمانی خود را
گس