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16 results for “darkufo”
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Song of the Day - No 411
Kaiser Chiefs - Everyday I Love You Less and Less
"Everyday I Love You Less and Less" is an energetic track by Kaiser Chiefs, released in 2005 from their album "Employment." The song, known for its catchy hooks and post-punk revival sound, quickly became a fan favourite.
https://www.youtube.com/watch?v=xAkg4cwJp1Y
#SOTD #SongOfTheDay #music #KaiserChiefs #indierock #postpunkrevival #alternativerock
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Song of the Day - No 197
The KLF - Last Train To Trancentral
WIKI
"Last Train to Trancentral" is a song released, in different mixes, as a series of singles by British electronic band The KLF, including "Last Train to Trancentral (Live from the Lost Continent)"https://www.youtube.com/watch?v=pC_zffOenk8
#SOTD #SongOfTheDay #music #thetimelords #klf #rave #electronic #trance
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Song of the Day - No 120
Lisa Gerrard - Sanvean (I Am Your Shadow)
WIKI
Is a song co-written in September 1993 by Lisa Gerrard and composer Andrew Claxton during rehearsals in Ireland for the 1993 Dead Can Dance tour. Lisa Gerrard stated she wrote this song missing her family who had remained in Australia. -
Annie Wersching Passes away.
Actress In ‘24’, ‘Bosch’ And ‘Timeless’ dies of cancer aged 45
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Useless Facts, Badly Drawn #409: The Dark Forest Hypothesis.
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#darkforesthypothesis #drakeequation #fermiparadox #thegreatfilter #aliens #firstcontact #seti #stfu #bequietortheywillhearyou #science #extraterrestrials #et #webcomic #comics #lovecraft #cosmichorror #existentialhorror #lovecraftianhorror #uselessfacts #uselessfactsbadlydrawn -
Been a busy day fixing stuff in the house, helping neighbours with IT and doing groceries. So now, finally it’s time for #TheSundayStarter;
👥 Sunlight Altar
💿 Twilight Altar
:bandcamp: https://sunlightaltar.bandcamp.com/album/twilight-altarHauntingly beautiful dark folk from the hands of the Terzij De Horde’s vocalist: Joost Vervoort. Together with a long time friend (Jayant on guitar and production) they made this and it is perfect for a slow Sunday.
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Withering Soul – Passage of the Arcane Review
By Andy-War-Hall
Much has changed in the decade since Withering Soul last graced this website. I was in high school when Madam X placed a scarlet 2.5 on Adverse Portrait, a scoring I would agree with wholeheartedly.1 It was an enjoyable but unfocused work, and its Moonspell-akin gothic tendencies didn’t mesh well with the band’s Dissection worship. But in a development not covered here, Withering Soul leveled up with 2021’s Last Contact, dropping the Type O Negative vocals almost entirely and amping up their blackened core with beefier riffs and more engaging compositions. Some gothic elements remained, and what did felt far better integrated into their style than before. Withering Soul continue down this stylistic path through their fifth album Passage of the Arcane, centered on the theme of “human experiences traversing into cursed oblivion.” Have Withering Soul really discovered a path of subliminal qualities, or will Passage of the Arcane only lead to disappointment?
Passage of the Arcane is a sensible progression from Last Contact for Withering Soul. Sporting Dark Fortress atmospheres brute-forced to life through death-influenced Dissection riffage, Withering Soul have departed even further from goth rock than Last Contact in favor of even more blistering melodic black metal. Gone are the low, clean croons of Withering Soul’s past, with lead man Christopher2 relying entirely on his powerful, hoarse screams for vocals. But the songs remain snappy with strong, hooky riffs and seamless transitions between various musical ideas. Death metal grime stains Withering Soul’s sonic tapestry on “Grievance Eludes the Light” and “Among Covetous Eyes,” while the sheen of synthesizers coats “Gallery of the End” and “Burden of the Valiant.” Withering Soul are clearly a talented bunch and everyone gets a chance to shine on Passage of the Arcane; with guitarist Frank G. layering “Gallery of the End” with a bright, melodic solo; drummer Rick hitting slick fills on “Grievance Eludes the Light” and bassist Joel dropping fat, sneaky lines on “Trajectory.” Withering Soul don’t break the mold with Passage of the Arcane, but they did craft an album better than their last.
There’s real dirt in Passage of the Arcane. The opening one-two-three punch of “Attrition Horizon,” “Grievance Eludes the Light,” and “The Monolith Embodied” sees Withering Soul swing with heavyweight might as Christopher and Frank G.’s guitars pummel through power chord abusive, tremolo-heavy riffs of winding, thrashy and frost rimed-natures. Things get more exploratory as Passage of the Arcane progresses, but Withering Soul never let off that initial intensity. Passage of the Arcane’s punchy production makes Rick’s kick drums really thump, and Joel’s bass comes through big time in Withering Soul’s chuggier, groovier moments (“Trajectory”). There’s an embarrassment of good riffs here, and everything clear of fat until, unfortunately, the closer “Burden of the Valiant,” but even that song picks up eventually. Like the blackened counterpart to Dormant Ordeal from earlier this year, Withering Soul more often than not embody aggression, dealing out some truly cut-throat metal on Passage of the Arcane.
But Withering Soul is held back from greatness by a lack of variety in certain areas. Riffs are multitudinous, but almost every guitar lead on Passage feels identical, usually consisting of basic eighth note arpeggios overtop tremolo riffs that don’t really do much to spruce up the chords (“Attrition Horizon,” “Gallery of the End,” “Burden of the Valiant”). It just stinks that Withering Soul couldn’t bring the creativity they have for rhythm guitar to lead. Similarly (and a bit ironically), vocal monotony is an issue, as Christopher only uses one style of scream across Passage of the Arcane’s 41 minutes. Perhaps a little goth bass singing wouldn’t go amiss, as a treat? These complaints may verge on nitpicks, but they are prominent and persistent enough to somewhat sully my enthusiasm for Passage of the Arcane.
Withering Soul assembled Passage of the Arcane out of common ingredients to the sub-genre, but tight songwriting and strong performances elevate the material. Though an immediate album in many ways, Passage was a grower for me, as repeat listenings revealed little details and how the pieces move. If you like your black metal riff-centric and melodic, this is an easy recommendation. Withering Soul may have reduced their sonic palette over the years, but the downsizing only made them leaner and meaner, and Passage of the Arcane is a lean, mean listen.
Rating: Very Good
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Liminal Dread Productions
Websites: witheringsoul.bandcamp.com | facebook.com/witheringsoulband | instagram.com/witheringsoul_77
Releases Worldwide: November 14th, 2025#2025 #35 #americanMetal #blackMetal #darkFortress #deathMetal #dissection #dormantOrdeal #liminalDreadProductions #melodicBlackMetal #moonspell #nov25 #passageOfTheArcane #review #reviews #typeONegative #witheringSoul
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#NavalGroup: Hacker erpresst französischen #Kriegsschiffhersteller
"Einem Bericht von Bleeping Computer zufolge veröffentlichte ein Nutzer namens Neferpitou im Hackerforum Darkforums zunächst 13 GByte an Daten, die von der Naval Group stammen sollen. Augenscheinlich handelt es sich dabei um der #Geheimhaltung unterliegende Informationen über #Kriegsschiffe, interne #Kommunikationsdaten, #Quellcodes, technische Dokumente und Entwicklungs-VMs mit #Simulationsdaten..."
https://www.golem.de/news/naval-group-hacker-erpresst-franzoesischen-kriegsschiffhersteller-2507-198601.html -
My pick for #Saturdoom this week a record from the queen of doomy folk.
👥 Chelsea Wolfe
💿 The Dark
🔗 https://musiccloud.io/mn0T6This record is a bit of a slow grower, but it is getting there for me.
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Albion – It Was In The Month of May I Review By Mystikus Hugebeard
Sorry, but I can’t resist: It was in the month of May that I sat down to review the newest album by the British folk-rockers Albion, titled It Was In The Month of May I.1 This gaggle of self-declared whippersnappers blew this reviewer away with their 2024 album Lakesongs of Elbid. What started as an unassuming filter piece grew on me more and more to the point it made my (and my co-conspirator Killjoy’s) end-of-year list. Albion’s timeless, joyful folk-rock music has enjoyed constant rotations in the Hugebeard tower since then, and so a new album has been a hotly anticipated affair. Now that it’s in our hands, has Albion continued their trend for quality?
For those unfamiliar with Albion, they play a flute-heavy, wistful sort of progressive folk-rock that draws an obvious comparison to Jethro Tull and reminds me a great deal of Big Big Train. For those a little more familiar, it’s worth mentioning that It Was In The Month of May has somewhat toned down the already limited metal crunch that graced Lakesongs of Elbid. Rest assured, this is no criticism, as this album remains energetic and adventurous in all the right ways. The opening prelude, “Mis Mai,” followed by the first true foray into the album’s essence, “The Green Knight,” demonstrate Albion’s sonic strengths right out of the gates. “Mis Mai” highlights the dulcet pipes of Joe Parrish-James as he lathers the song’s Welsh lyrics in decadent velvet, while “The Green Knight” starts the album in usual Albion fashion with grandiose flute melodies explored atop galloping guitar strumming.
What I love about Albion’s music, and what they maintain in It Was In The Month of May, is a sense of effortlessness. The music is fun, it’s accessible, it’s breezy, it’s comfortably warm and full of well-crafted little moments so crisp and yet so obvious it almost makes you wonder how no one else thought of it first. The pub-rock verse of “Down With The Hero” and the epic call-and-response between the flutes and guitars in the middle of “Calan Mai” come especially to mind. In the album’s longer songs, Albion are quite eager to just let the music run free through the meadow in spacious explorations of riffs and solos, but it never feels aimless. The melodies of “The Green Knight” and “Eldest” in particular see the guitars and flutes bounce merrily along in an endless up-and-down like the rolling hills stretching before you as you prepare for adventure. The closer, “Calan Mai,” is the longest at ten minutes, but even at its most unrestrained, the song’s melodies wield graceful finality in a way that always feels satisfying.
It Was In The Month of May is almost 20 minutes shorter than its predecessor, Lakesongs, which makes for an overall cleaner listening experience. However, the album’s pacing does waver a little by over-saturating the latter half with lower-energy tunes. I really quite love “Hymn to Elbereth,” as it has this gently twisting nature to it that happily makes me think of Glass Hammer, but it’s misplaced between the otherwise pleasantly acoustic “She Is The River” and the ballad “Cherry Hill,” making for an overly languid sequence of songs. “Cherry Hill” in particular leans a bit too heavily on chorus repetition for its six-minute runtime. Still, the album ends on the right note with “Calan Mai,” and there are no other noteworthy structural issues or damaging patterns affecting the album. However, I simply must mention the “la-da-da’s” and “doo-do-do’s” in the chorus of “Down With The Hero.” I don’t mind vocalizations at all and they work perfectly well as little interstitial passages like in “Eldest,” but I find it to be a heavily misguided choice for them to carry the chorus of the album’s most upbeat song.
It Was In The Month of May is warm, adventurous, inviting, and once again, and I simply cannot stress this enough, extraordinarily British. While this album never gripped me quite like Lakesongs of Elbid did, the final word on this review is nevertheless one of eager positivity. Albion is a band I tend to think of no matter the musical flavor I’m looking for, and It Was In The Month of May only furthers that trend. This is music that is just so pleasant to listen to, no matter the day, and there are some damn good bangers to be found here for any fan of folk, British rock, or prog.
Rating: Good!
DR: 8 | Format Reviewed: FLAC
Label: Self-Release
Websites: official | facebook | bandcamp
Releases Worldwide: May 26th, 2026Killjoy
In the year 2021, I unexpectedly became acquainted with the debut EP of a very special folk rock group from England. The potential that Albion showed on Pryderi was immediately obvious, and I longed for more. My wish was granted in 2024 by the whopping 70-minute full-length debut Lakesongs of Elbid, for which my esteemed colleague (and now review partner), Mystikus Hugebeard, wrote a splendid filter piece. Albion has wasted no time since then, here to regale our ears again with cheery tunes. It Was in the Month of May seeks to honor the magical time of year when spring sunsets and will soon cede to warmer temperatures.
Albion’s music is wholesome for the soul, whispering to the part of human consciousness that yearns for carefree meadows and being in nature. They primarily achieve this through the exquisite pairing of flute and guitars (both acoustic and electric). This, of course, invites comparisons to Jethro Tull,2 although Albion perhaps hews a bit closer to folk music. Take, for example, the beautiful acoustic guitar fingerpicking and Welsh singing3 in “Mis Mai.” Further, Albion plays a more modernized style of rock than Jethro Tull. “Down with the Hero” is a rousing, ultra-catchy pub rock number and the guitarwork in “The Green Knight” is elaborate, sounding like a slightly slower and proggier Dark Forest. The way that Albion harmoniously blends the old with the new is genuinely refreshing.
It Was in the Month of May similarly succeeds in striking a balance between humble and epic. In both the quiet and upbeat moments, there is an air of unassuming regality. Therefore, it makes perfect sense that Albion composed a pair of songs about Tolkien’s characters Tom Bombadil and his wife, Goldberry. “Eldest (Tom Bombadil)” contains gorgeous guitar and flute swells evoking endless verdant hillsides, as well as a Celtic folk-influenced jig reminiscent of Tuatha de Danann or Braia. “She Is the River (Goldberry)” is entirely acoustic and percussion-less (save for hand claps), with sunny guitar strumming and pleasantly poetic lyrics. Continuing with Tolkien subject matters, “Hymn to Elbereth” features vocal harmonization by Joe and Rhiannon Parrish-James which is as fair as the elves who Frodo, Sam, and Pippin overheard singing these very words in The Fellowship of the Ring. Rhiannon adds her voice to Joe’s at various other times throughout the record, and I would love to hear her take center stage in the future.
Overall, It Was in the Month of May is sharper and more focused than its predecessor. As much as I loved Lakesongs of Elbid, opening with a 9-and-a-half minute instrumental track didn’t help it find its footing. “The Green Knight,” the first full song here, isn’t much shorter but its structure is more disciplined, never wavering from its gallant, galloping theme. The other 8+ minute songs, “Eldest (Tom Bombadil)” and “Calan Mai,” also mostly justify their lengths, although the latter feels a bit meandering towards the end. But the larger issue with “Calan Mai” has to do with the track that precedes it. “Cherry Hill (Maya II)” hits like a lullaby, which might have been okay if it were 3 minutes instead of 6, so it ends up stifling the momentum leading into the ornate concluding track. I do appreciate that, with a total runtime of 52 minutes, It Was in the Month of May is easier to listen to in one sitting.
It Was in the Month of May is great for drifting away and forgetting one’s troubles for a while. The uplifting compositions are easy on the ears while offering bountiful details to uncover during return visits. “Cherry Hill (Maya II)” is the main thing holding it back from unqualified greatness. That said, if Albion continues refining their songcraft at this pace, the next album will surely shatter our score safety counter. So, kick back and enjoy time outside with loved ones. It Was in the Month of May is an excellent way to ring in summer in the Northern Hemisphere.
Rating: 3.5/5.0
#2026 #30 #35 #Albion #BigBigTrain #Braia #BritishMetal #DarkForest #FolkMetal #FolkRock #GlassHammer #ItWasInTheMonthOfMayI #JethroTull #LakesongsOfElbid #May26 #ProgressiveRock #Pryderi #Review #Reviews #TuathaDeDanann -
🕯 Something I keep thinking about — the most enduring horror often isn't invented. It's remembered. Folklore passed down with the volume deliberately lowered. A place, a ritual, a moment that doesn't resolve cleanly 🖤
Dark Descent Monthly Magazine is open to writers and artists working in that territory. If you've been holding something that doesn't fit neatly into fiction, it belongs in the ShadowSphere.
👉 https://www.darkholmepublishing.uk/darkforum#dark-descent-contributors
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🖤 If the poem only works after midnight, it probably belongs here.
Nightmare Poetry is the Dark Forum group for original horror verse — work that unsettles, disturbs, and lingers. Share it. Talk atmosphere. Read what other people posted and stay a while.
A small number of poems may be selected as Editor’s Choice for the next issue of Dark Descent. Selective. Never guaranteed.
Horror comes first.
🔗 https://www.darkholmepublishing.uk/darkforum#nightmare-poetry -
👁 Small stories can still leave scars.
Flash Fiction Frenzy is open inside the Dark Forum. Submit a two-sentence horror piece there and it will be published in the next volume of Dark Descent: Whispers From Beyond. 🖤
📖 https://www.darkholmepublishing.uk/darkforum#flash-fiction-frenzy
#writingcommunity #readingcommunity #horrorcommunity #flashfiction #twosentencehorror
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🩸 Who knew real-life could be darker than fiction? We want your nonfiction, folklore, myths, reflections & dark art that dwell in the eerie realms of horror.
📖 Join us in the Dark Forum Contributors Group.
✨ https://www.darkholmepublishing.uk/darkforum#dark-descent-contributors#readingcommunity #horrorcommunity #writingcommunity #indieauthors #darkfiction
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Parfois, les #manifs, c'est trop pour moi. Mais #dessiner des événements, posé.e avec un picnic, c'est tout à fait à ma hauteur.
#accomodation
Je recommande chaleureusement!Merci #Riseforclimate et les nombreuxses collectifs et artistes venus prendre la parole
Collectif 8 mars
Mars attack
Rage for climate
Les gardes-forestiers belges
...et pleins d'autres