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  1. #cfp #Symposium "Praktiken der Kooperation" – Impulse für das Verbundprojekt
    "Digitale Souveränität für Kunsthochschulen"

    An der Staatlichen Akademie der Bildenden Künste Karlsruhe mit der Hochschule für Gestaltung Karlsruhe und der Akademie der Bildenden Künste Stuttgart – Karlsruhe, 4. bis 6. November 2026 – Einreichungsfrist: (schon) 30.06.2026 – Weitere Infos: atelier-dsk.org/de
    #digitalhumanities #digitalarthistory #digitalphilosophy #digitalesouveraenitaet #kunsthochschule

  2. #cfp #Symposium "Praktiken der Kooperation" – Impulse für das Verbundprojekt
    "Digitale Souveränität für Kunsthochschulen"

    An der Staatlichen Akademie der Bildenden Künste Karlsruhe mit der Hochschule für Gestaltung Karlsruhe und der Akademie der Bildenden Künste Stuttgart – Karlsruhe, 4. bis 6. November 2026 – Einreichungsfrist: (schon) 30.06.2026 – Weitere Infos: atelier-dsk.org/de
    #digitalhumanities #digitalarthistory #digitalphilosophy #digitalesouveraenitaet #kunsthochschule

  3. #cfp #Symposium "Praktiken der Kooperation" – Impulse für das Verbundprojekt
    "Digitale Souveränität für Kunsthochschulen"

    An der Staatlichen Akademie der Bildenden Künste Karlsruhe mit der Hochschule für Gestaltung Karlsruhe und der Akademie der Bildenden Künste Stuttgart – Karlsruhe, 4. bis 6. November 2026 – Einreichungsfrist: (schon) 30.06.2026 – Weitere Infos: atelier-dsk.org/de
    #digitalhumanities #digitalarthistory #digitalphilosophy #digitalesouveraenitaet #kunsthochschule

  4. #cfp #Symposium "Praktiken der Kooperation" – Impulse für das Verbundprojekt
    "Digitale Souveränität für Kunsthochschulen"

    An der Staatlichen Akademie der Bildenden Künste Karlsruhe mit der Hochschule für Gestaltung Karlsruhe und der Akademie der Bildenden Künste Stuttgart – Karlsruhe, 4. bis 6. November 2026 – Einreichungsfrist: (schon) 30.06.2026 – Weitere Infos: atelier-dsk.org/de
    #digitalhumanities #digitalarthistory #digitalphilosophy #digitalesouveraenitaet #kunsthochschule

  5. #cfp #Symposium "Praktiken der Kooperation" – Impulse für das Verbundprojekt
    "Digitale Souveränität für Kunsthochschulen"

    An der Staatlichen Akademie der Bildenden Künste Karlsruhe mit der Hochschule für Gestaltung Karlsruhe und der Akademie der Bildenden Künste Stuttgart – Karlsruhe, 4. bis 6. November 2026 – Einreichungsfrist: (schon) 30.06.2026 – Weitere Infos: atelier-dsk.org/de
    #digitalhumanities #digitalarthistory #digitalphilosophy #digitalesouveraenitaet #kunsthochschule

  6. # PRACTICES OF COOPERATION: Proposals for the collaborative project “Digital Sovereignty for Art Academies”

    https://cloud.atelier-dsk.org/s/JyQbtaxrP5xDJxq

    Today, “cooperation” and “collaboration” are widely regarded as core values, shaping artistic and academic practice in particular. At the same time, many educational and institutional structures remain heavily focused on individual performance, competition, and clearly defined responsibilities.

    This contradiction is particularly evident in the digital realm, as digital cooperation is often reduced to the use of digital tools and apps. However, particularly in inter- and transdisciplinary contexts, it also means negotiating shared processes, critically examining tools, sharing knowledge, tolerating uncertainty, and learning new forms of collaboration.

    With the symposium “Practices of Cooperation”, we aim to examine cooperation and collaboration at art and design academies more closely, identify challenges, and at the same time explore new forms of digital collaboration.

    ## Who and What We Are Looking For

    The symposium is conceived as a working conference - a space for collective thinking, experimentation, learning, documenting, and further development. It is a place where formats, questions, and forms of collaboration can emerge - whether practical, critical, artistic, technical, educational, activist, or institutional.

    We are therefore seeking a wide variety of contributions: Innovative and artistically-activist processes, situations, tools, interventions, and practices are just as welcome as traditional academic presentations.

    We expressly welcome submissions from people with diverse perspectives, experiences, and working methods, regardless of institutional affiliation or academic status. We particularly welcome perspectives from:
    • Art and design
    • Digital education
    • Open-source and FLOSS contexts
    • Hackspaces and community infrastructures
    • Research and teaching
    • Activism and commons practices
    • Collective work contexts

    ### What interests us

    • Where and how is digital collaboration learned?
    • Which institutional structures foster or hinder collaboration?
    • Do digital systems connect our perspectives and ways of working, or do they create new boundaries, dependencies, and exclusions?
    • Which digital tools align with a culture of sharing and collaborative learning, as well as with the working methods, perspectives, and values at art colleges?
    • How can art colleges collaboratively design digital infrastructures?
    • What experiences from hackspaces, FLOSS communities, or collective art practices can be applied?
    • How can digital sovereignty be understood as a cultural and pedagogical practice?
    • How can knowledge, responsibility, and decision-making processes be shared?
    • How can digital systems remain open to critical scrutiny, understandable, and malleable?
    • And how can spaces be created where uncertainty, experimentation, and failure are possible?

    ### Submit Proposals
    Anyone interested in contributing to the symposium is invited to send us a brief outline of their idea, along with a short CV or brief introduction of the participants (e.g., as an abstract, outline, audio or video file, links, or in another format), to: [email protected]. Submissions can be sent until the end of June.

    #cfp #callforprocess #digitalsouveranitat #kunsthochschule #artacademies

  7. # PRACTICES OF COOPERATION: Proposals for the collaborative project “Digital Sovereignty for Art Academies”

    https://cloud.atelier-dsk.org/s/JyQbtaxrP5xDJxq

    Today, “cooperation” and “collaboration” are widely regarded as core values, shaping artistic and academic practice in particular. At the same time, many educational and institutional structures remain heavily focused on individual performance, competition, and clearly defined responsibilities.

    This contradiction is particularly evident in the digital realm, as digital cooperation is often reduced to the use of digital tools and apps. However, particularly in inter- and transdisciplinary contexts, it also means negotiating shared processes, critically examining tools, sharing knowledge, tolerating uncertainty, and learning new forms of collaboration.

    With the symposium “Practices of Cooperation”, we aim to examine cooperation and collaboration at art and design academies more closely, identify challenges, and at the same time explore new forms of digital collaboration.

    ## Who and What We Are Looking For

    The symposium is conceived as a working conference - a space for collective thinking, experimentation, learning, documenting, and further development. It is a place where formats, questions, and forms of collaboration can emerge - whether practical, critical, artistic, technical, educational, activist, or institutional.

    We are therefore seeking a wide variety of contributions: Innovative and artistically-activist processes, situations, tools, interventions, and practices are just as welcome as traditional academic presentations.

    We expressly welcome submissions from people with diverse perspectives, experiences, and working methods, regardless of institutional affiliation or academic status. We particularly welcome perspectives from:
    • Art and design
    • Digital education
    • Open-source and FLOSS contexts
    • Hackspaces and community infrastructures
    • Research and teaching
    • Activism and commons practices
    • Collective work contexts

    ### What interests us

    • Where and how is digital collaboration learned?
    • Which institutional structures foster or hinder collaboration?
    • Do digital systems connect our perspectives and ways of working, or do they create new boundaries, dependencies, and exclusions?
    • Which digital tools align with a culture of sharing and collaborative learning, as well as with the working methods, perspectives, and values at art colleges?
    • How can art colleges collaboratively design digital infrastructures?
    • What experiences from hackspaces, FLOSS communities, or collective art practices can be applied?
    • How can digital sovereignty be understood as a cultural and pedagogical practice?
    • How can knowledge, responsibility, and decision-making processes be shared?
    • How can digital systems remain open to critical scrutiny, understandable, and malleable?
    • And how can spaces be created where uncertainty, experimentation, and failure are possible?

    ### Submit Proposals
    Anyone interested in contributing to the symposium is invited to send us a brief outline of their idea, along with a short CV or brief introduction of the participants (e.g., as an abstract, outline, audio or video file, links, or in another format), to: [email protected]. Submissions can be sent until the end of June.

    #cfp #callforprocess #digitalsouveranitat #kunsthochschule #artacademies

  8. # PRACTICES OF COOPERATION: Proposals for the collaborative project “Digital Sovereignty for Art Academies”

    https://cloud.atelier-dsk.org/s/JyQbtaxrP5xDJxq

    Today, “cooperation” and “collaboration” are widely regarded as core values, shaping artistic and academic practice in particular. At the same time, many educational and institutional structures remain heavily focused on individual performance, competition, and clearly defined responsibilities.

    This contradiction is particularly evident in the digital realm, as digital cooperation is often reduced to the use of digital tools and apps. However, particularly in inter- and transdisciplinary contexts, it also means negotiating shared processes, critically examining tools, sharing knowledge, tolerating uncertainty, and learning new forms of collaboration.

    With the symposium “Practices of Cooperation”, we aim to examine cooperation and collaboration at art and design academies more closely, identify challenges, and at the same time explore new forms of digital collaboration.

    ## Who and What We Are Looking For

    The symposium is conceived as a working conference - a space for collective thinking, experimentation, learning, documenting, and further development. It is a place where formats, questions, and forms of collaboration can emerge - whether practical, critical, artistic, technical, educational, activist, or institutional.

    We are therefore seeking a wide variety of contributions: Innovative and artistically-activist processes, situations, tools, interventions, and practices are just as welcome as traditional academic presentations.

    We expressly welcome submissions from people with diverse perspectives, experiences, and working methods, regardless of institutional affiliation or academic status. We particularly welcome perspectives from:
    • Art and design
    • Digital education
    • Open-source and FLOSS contexts
    • Hackspaces and community infrastructures
    • Research and teaching
    • Activism and commons practices
    • Collective work contexts

    ### What interests us

    • Where and how is digital collaboration learned?
    • Which institutional structures foster or hinder collaboration?
    • Do digital systems connect our perspectives and ways of working, or do they create new boundaries, dependencies, and exclusions?
    • Which digital tools align with a culture of sharing and collaborative learning, as well as with the working methods, perspectives, and values at art colleges?
    • How can art colleges collaboratively design digital infrastructures?
    • What experiences from hackspaces, FLOSS communities, or collective art practices can be applied?
    • How can digital sovereignty be understood as a cultural and pedagogical practice?
    • How can knowledge, responsibility, and decision-making processes be shared?
    • How can digital systems remain open to critical scrutiny, understandable, and malleable?
    • And how can spaces be created where uncertainty, experimentation, and failure are possible?

    ### Submit Proposals
    Anyone interested in contributing to the symposium is invited to send us a brief outline of their idea, along with a short CV or brief introduction of the participants (e.g., as an abstract, outline, audio or video file, links, or in another format), to: [email protected]. Submissions can be sent until the end of June.

    #cfp #callforprocess #digitalsouveranitat #kunsthochschule #artacademies

  9. # PRACTICES OF COOPERATION: Proposals for the collaborative project “Digital Sovereignty for Art Academies”

    https://cloud.atelier-dsk.org/s/JyQbtaxrP5xDJxq

    Today, “cooperation” and “collaboration” are widely regarded as core values, shaping artistic and academic practice in particular. At the same time, many educational and institutional structures remain heavily focused on individual performance, competition, and clearly defined responsibilities.

    This contradiction is particularly evident in the digital realm, as digital cooperation is often reduced to the use of digital tools and apps. However, particularly in inter- and transdisciplinary contexts, it also means negotiating shared processes, critically examining tools, sharing knowledge, tolerating uncertainty, and learning new forms of collaboration.

    With the symposium “Practices of Cooperation”, we aim to examine cooperation and collaboration at art and design academies more closely, identify challenges, and at the same time explore new forms of digital collaboration.

    ## Who and What We Are Looking For

    The symposium is conceived as a working conference - a space for collective thinking, experimentation, learning, documenting, and further development. It is a place where formats, questions, and forms of collaboration can emerge - whether practical, critical, artistic, technical, educational, activist, or institutional.

    We are therefore seeking a wide variety of contributions: Innovative and artistically-activist processes, situations, tools, interventions, and practices are just as welcome as traditional academic presentations.

    We expressly welcome submissions from people with diverse perspectives, experiences, and working methods, regardless of institutional affiliation or academic status. We particularly welcome perspectives from:
    • Art and design
    • Digital education
    • Open-source and FLOSS contexts
    • Hackspaces and community infrastructures
    • Research and teaching
    • Activism and commons practices
    • Collective work contexts

    ### What interests us

    • Where and how is digital collaboration learned?
    • Which institutional structures foster or hinder collaboration?
    • Do digital systems connect our perspectives and ways of working, or do they create new boundaries, dependencies, and exclusions?
    • Which digital tools align with a culture of sharing and collaborative learning, as well as with the working methods, perspectives, and values at art colleges?
    • How can art colleges collaboratively design digital infrastructures?
    • What experiences from hackspaces, FLOSS communities, or collective art practices can be applied?
    • How can digital sovereignty be understood as a cultural and pedagogical practice?
    • How can knowledge, responsibility, and decision-making processes be shared?
    • How can digital systems remain open to critical scrutiny, understandable, and malleable?
    • And how can spaces be created where uncertainty, experimentation, and failure are possible?

    ### Submit Proposals
    Anyone interested in contributing to the symposium is invited to send us a brief outline of their idea, along with a short CV or brief introduction of the participants (e.g., as an abstract, outline, audio or video file, links, or in another format), to: [email protected]. Submissions can be sent until the end of June.

    #cfp #callforprocess #digitalsouveranitat #kunsthochschule #artacademies

  10. # PRACTICES OF COOPERATION: Proposals for the collaborative project “Digital Sovereignty for Art Academies”

    https://cloud.atelier-dsk.org/s/JyQbtaxrP5xDJxq

    Today, “cooperation” and “collaboration” are widely regarded as core values, shaping artistic and academic practice in particular. At the same time, many educational and institutional structures remain heavily focused on individual performance, competition, and clearly defined responsibilities.

    This contradiction is particularly evident in the digital realm, as digital cooperation is often reduced to the use of digital tools and apps. However, particularly in inter- and transdisciplinary contexts, it also means negotiating shared processes, critically examining tools, sharing knowledge, tolerating uncertainty, and learning new forms of collaboration.

    With the symposium “Practices of Cooperation”, we aim to examine cooperation and collaboration at art and design academies more closely, identify challenges, and at the same time explore new forms of digital collaboration.

    ## Who and What We Are Looking For

    The symposium is conceived as a working conference - a space for collective thinking, experimentation, learning, documenting, and further development. It is a place where formats, questions, and forms of collaboration can emerge - whether practical, critical, artistic, technical, educational, activist, or institutional.

    We are therefore seeking a wide variety of contributions: Innovative and artistically-activist processes, situations, tools, interventions, and practices are just as welcome as traditional academic presentations.

    We expressly welcome submissions from people with diverse perspectives, experiences, and working methods, regardless of institutional affiliation or academic status. We particularly welcome perspectives from:
    • Art and design
    • Digital education
    • Open-source and FLOSS contexts
    • Hackspaces and community infrastructures
    • Research and teaching
    • Activism and commons practices
    • Collective work contexts

    ### What interests us

    • Where and how is digital collaboration learned?
    • Which institutional structures foster or hinder collaboration?
    • Do digital systems connect our perspectives and ways of working, or do they create new boundaries, dependencies, and exclusions?
    • Which digital tools align with a culture of sharing and collaborative learning, as well as with the working methods, perspectives, and values at art colleges?
    • How can art colleges collaboratively design digital infrastructures?
    • What experiences from hackspaces, FLOSS communities, or collective art practices can be applied?
    • How can digital sovereignty be understood as a cultural and pedagogical practice?
    • How can knowledge, responsibility, and decision-making processes be shared?
    • How can digital systems remain open to critical scrutiny, understandable, and malleable?
    • And how can spaces be created where uncertainty, experimentation, and failure are possible?

    ### Submit Proposals
    Anyone interested in contributing to the symposium is invited to send us a brief outline of their idea, along with a short CV or brief introduction of the participants (e.g., as an abstract, outline, audio or video file, links, or in another format), to: [email protected]. Submissions can be sent until the end of June.

    #cfp #callforprocess #digitalsouveranitat #kunsthochschule #artacademies

  11. Ringvorlesung "Transdisziplinäre Aspekte Digitaler Methodik in den Geistes- und Kulturwissenschaften" — Vortrag "#digitalhumanities und #digitalesouveranitat (an #kunsthochschule n)" Ganz herzlichen Dank für die liebe Einladung, es war mir ein Fest 🦉 @IEG @mainzed @kaischi #abkstuttgart #dh

  12. Ringvorlesung "Transdisziplinäre Aspekte Digitaler Methodik in den Geistes- und Kulturwissenschaften" — Vortrag "#digitalhumanities und #digitalesouveranitat (an #kunsthochschule n)" Ganz herzlichen Dank für die liebe Einladung, es war mir ein Fest 🦉 @IEG @mainzed @kaischi #abkstuttgart #dh

  13. Ringvorlesung "Transdisziplinäre Aspekte Digitaler Methodik in den Geistes- und Kulturwissenschaften" — Vortrag "#digitalhumanities und #digitalesouveranitat (an #kunsthochschule n)" Ganz herzlichen Dank für die liebe Einladung, es war mir ein Fest 🦉 @IEG @mainzed @kaischi #abkstuttgart #dh

  14. Ringvorlesung "Transdisziplinäre Aspekte Digitaler Methodik in den Geistes- und Kulturwissenschaften" — Vortrag "#digitalhumanities und #digitalesouveranitat (an #kunsthochschule n)" Ganz herzlichen Dank für die liebe Einladung, es war mir ein Fest 🦉 @IEG @mainzed @kaischi #abkstuttgart #dh

  15. Ringvorlesung "Transdisziplinäre Aspekte Digitaler Methodik in den Geistes- und Kulturwissenschaften" — Vortrag "#digitalhumanities und #digitalesouveranitat (an #kunsthochschule n)" Ganz herzlichen Dank für die liebe Einladung, es war mir ein Fest 🦉 @IEG @mainzed @kaischi #abkstuttgart #dh

  16. Wer oder was ist Polly?

    Polly ist mehr als ein temporärer Ausstellungsraum von und für Studierende der Kunsthochschule Mainz. Das Projekt wirkt dem innerstädtischen Leerstand entgegen und bietet jungen Kunstschaffenden einen Raum zum Experimentieren.

    von Caroline Alberta Glabacs

    stuz.de/2026/04/15/wer-oder-wa

    #Mainz #Kunst #Kunsthochschule #Ausstellung

  17. Wer oder was ist Polly?

    Polly ist mehr als ein temporärer Ausstellungsraum von und für Studierende der Kunsthochschule Mainz. Das Projekt wirkt dem innerstädtischen Leerstand entgegen und bietet jungen Kunstschaffenden einen Raum zum Experimentieren.

    von Caroline Alberta Glabacs

    stuz.de/2026/04/15/wer-oder-wa

    #Mainz #Kunst #Kunsthochschule #Ausstellung

  18. Wer oder was ist Polly?

    Polly ist mehr als ein temporärer Ausstellungsraum von und für Studierende der Kunsthochschule Mainz. Das Projekt wirkt dem innerstädtischen Leerstand entgegen und bietet jungen Kunstschaffenden einen Raum zum Experimentieren.

    von Caroline Alberta Glabacs

    stuz.de/2026/04/15/wer-oder-wa

    #Mainz #Kunst #Kunsthochschule #Ausstellung

  19. Wer oder was ist Polly?

    Polly ist mehr als ein temporärer Ausstellungsraum von und für Studierende der Kunsthochschule Mainz. Das Projekt wirkt dem innerstädtischen Leerstand entgegen und bietet jungen Kunstschaffenden einen Raum zum Experimentieren.

    von Caroline Alberta Glabacs

    stuz.de/2026/04/15/wer-oder-wa

    #Mainz #Kunst #Kunsthochschule #Ausstellung

  20. Burg Giebichenstein in Halle: Neubau für Kunsthochschule verzögert sich um Jahre

    Der geplante Neubau eines Mehrzweckgebäudes an der Kunsthochschule Burg Giebichenstein in Halle wird deutlich später fertig als geplant.…
    #Halle #Saale #HalleSaale #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Halle(Saale) #Burg #Germany #giebichenstein #Kunsthochschule #MDR #Neubau #Regionalportal #Sachsen-Anhalt
    europesays.com/de/797278/

  21. BURG startet Bewerbungsphase für Aufnahmeprüfungen – Frist endet am 17. Februar 2026 – HalleSpektrum.de

    1. Dezember 2025 Die Burg Giebichenstein Kunsthochschule Halle hat die Bewerbungsphase für die Aufnahmeprüfungen zum Studienjahr 202…
    #Halle #Saale #HalleSaale #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Halle(Saale) #Aufnahmeprüfung #Bewerbung #Germany #Kunsthochschule #Sachsen-Anhalt #Studieninformationstag
    europesays.com/de/616710/

  22. Out of Control – Hörakustische Dinggeschichten

    Studierende der Klasse für performative und skulpturale Praxis der örtlichen Kunsthochschule brachten für die Jahresausstellung ihre künstlerischen Arbeiten zum Sprechen.... mehr

    radiocorax.de/out-of-control-h

    #Giebichenstein #Kunsthochschule #StellaGeppert

  23. Out of Control – Hörakustische Dinggeschichten

    Studierende der Klasse für performative und skulpturale Praxis der örtlichen Kunsthochschule brachten für die Jahresausstellung ihre künstlerischen Arbeiten zum Sprechen.... mehr

    radiocorax.de/out-of-control-h

    #Giebichenstein #Kunsthochschule #StellaGeppert

  24. Out of Control – Hörakustische Dinggeschichten

    Studierende der Klasse für performative und skulpturale Praxis der örtlichen Kunsthochschule brachten für die Jahresausstellung ihre künstlerischen Arbeiten zum Sprechen.... mehr

    radiocorax.de/out-of-control-h

    #Giebichenstein #Kunsthochschule #StellaGeppert

  25. Out of Control – Hörakustische Dinggeschichten

    Studierende der Klasse für performative und skulpturale Praxis der örtlichen Kunsthochschule brachten für die Jahresausstellung ihre künstlerischen Arbeiten zum Sprechen.... mehr

    radiocorax.de/out-of-control-h

    #Giebichenstein #Kunsthochschule #StellaGeppert

  26. Out of Control – Hörakustische Dinggeschichten

    Studierende der Klasse für performative und skulpturale Praxis der örtlichen Kunsthochschule brachten für die Jahresausstellung ihre künstlerischen Arbeiten zum Sprechen.... mehr

    radiocorax.de/out-of-control-h

    #Giebichenstein #Kunsthochschule #StellaGeppert

  27. Nicht von der Kunstfreiheit gedeckt

    Podiumsdiskussion zum Budapest-Komplex und dem Bundespreis für Kunststudierende (Aufnahme vom 11. September 2025): Die Podiumsdiskussion beschäftigt sich mit dem Verhältnis... mehr

    radiocorax.de/nicht-von-der-ku

    #Antifa #Antifaschismus #BudapestKomplex #Hanna #Kunst #Kunsthochschule

  28. Nicht von der Kunstfreiheit gedeckt

    Podiumsdiskussion zum Budapest-Komplex und dem Bundespreis für Kunststudierende (Aufnahme vom 11. September 2025): Die Podiumsdiskussion beschäftigt sich mit dem Verhältnis... mehr

    radiocorax.de/nicht-von-der-ku

    #Antifa #Antifaschismus #BudapestKomplex #Hanna #Kunst #Kunsthochschule

  29. Nicht von der Kunstfreiheit gedeckt

    Podiumsdiskussion zum Budapest-Komplex und dem Bundespreis für Kunststudierende (Aufnahme vom 11. September 2025): Die Podiumsdiskussion beschäftigt sich mit dem Verhältnis... mehr

    radiocorax.de/nicht-von-der-ku

    #Antifa #Antifaschismus #BudapestKomplex #Hanna #Kunst #Kunsthochschule

  30. Nicht von der Kunstfreiheit gedeckt

    Podiumsdiskussion zum Budapest-Komplex und dem Bundespreis für Kunststudierende (Aufnahme vom 11. September 2025): Die Podiumsdiskussion beschäftigt sich mit dem Verhältnis... mehr

    radiocorax.de/nicht-von-der-ku

    #Antifa #Antifaschismus #BudapestKomplex #Hanna #Kunst #Kunsthochschule

  31. Nicht von der Kunstfreiheit gedeckt

    Podiumsdiskussion zum Budapest-Komplex und dem Bundespreis für Kunststudierende (Aufnahme vom 11. September 2025): Die Podiumsdiskussion beschäftigt sich mit dem Verhältnis... mehr

    radiocorax.de/nicht-von-der-ku

    #Antifa #Antifaschismus #BudapestKomplex #Hanna #Kunst #Kunsthochschule

  32. Kunstrundgang 2025 an der Kunsthochschule Kassel – Kunst zwischen Mythos, Menschlichkeit und politischem Impuls

    Vom 24. bis zum 27. Juli 2025 öffnete die Kunsthochschule Kassel ihre Türen für den jährlichen Rundgang, bei dem Studierende aller Fachrichtungen ihre aktuellen Arbeiten präsentierten. Das diesjährige Motto lautete „eXtase“ und wurde auf unterschiedlichste Weise interpretiert. Die Ausstellung verband ästhetische Experimente mit gesellschaftlichem Engagement, mythologischen Narrativen und global relevanten Themen.

    Schon am Eröffnungsabend wurde deutlich, dass der Rundgang in […]

    nordhessen-rundschau.de/nhr-ku

  33. Die Münchner Artschoolband What Are People For? besticht mit ihrem Faible für eingängige Refrains und wilde Experimente. Nun kommt eine neue Single.#Pop #Kunsthochschule #München #Musik #Kultur
    Artschool-Band What Are People For?: Kriminelle halten auch Nickerchen
  34. Die Münchner Artschoolband What Are People For? besticht mit ihrem Faible für eingängige Refrains und wilde Experimente. Nun kommt eine neue Single.#Pop #Kunsthochschule #München #Musik #Kultur
    Artschool-Band What Are People For?: Kriminelle halten auch Nickerchen
  35. Die Münchner Artschoolband What Are People For? besticht mit ihrem Faible für eingängige Refrains und wilde Experimente. Nun kommt eine neue Single.#Pop #Kunsthochschule #München #Musik #Kultur
    Artschool-Band What Are People For?: Kriminelle halten auch Nickerchen
  36. Die Münchner Artschoolband What Are People For? besticht mit ihrem Faible für eingängige Refrains und wilde Experimente. Nun kommt eine neue Single.#Pop #Kunsthochschule #München #Musik #Kultur
    Artschool-Band What Are People For?: Kriminelle halten auch Nickerchen