#digitalarthistory — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #digitalarthistory, aggregated by home.social.
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Our first DAHJ Conversations is now available to watch! Steve Rossi, Makenzie Gallagher, and Dr. Sam Zipper discuss “39.409001, -100.645781” and how digital art, coding, and environmental science can make complex relationships around land, water, and collective action visible.
Watch the conversation https://vimeo.com/1231362362
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities -
Our first DAHJ Conversations is now available to watch! Steve Rossi, Makenzie Gallagher, and Dr. Sam Zipper discuss “39.409001, -100.645781” and how digital art, coding, and environmental science can make complex relationships around land, water, and collective action visible.
Watch the conversation https://vimeo.com/1231362362
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities -
Our first DAHJ Conversations is now available to watch! Steve Rossi, Makenzie Gallagher, and Dr. Sam Zipper discuss “39.409001, -100.645781” and how digital art, coding, and environmental science can make complex relationships around land, water, and collective action visible.
Watch the conversation https://vimeo.com/1231362362
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities -
Our first DAHJ Conversations is now available to watch! Steve Rossi, Makenzie Gallagher, and Dr. Sam Zipper discuss “39.409001, -100.645781” and how digital art, coding, and environmental science can make complex relationships around land, water, and collective action visible.
Watch the conversation https://vimeo.com/1231362362
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities -
New blog post!
An ontology is like a machine-readable blueprint for knowledge. This blog post walks through building the Cultural Heritage Interactions Ontology (CHint) - modeling how artworks interact with beliefs, events, and culture over time.Sofia Baroncini: “Giving a shape to concepts: insights into ontology modeling through the CHint example”
https://dhlab.hypotheses.org/8874
#DHLab_IEG #ontology #DigitalArtHistory
@ieg-mainz.bsky.social -
New blog post!
An ontology is like a machine-readable blueprint for knowledge. This blog post walks through building the Cultural Heritage Interactions Ontology (CHint) - modeling how artworks interact with beliefs, events, and culture over time.Sofia Baroncini: “Giving a shape to concepts: insights into ontology modeling through the CHint example”
https://dhlab.hypotheses.org/8874
#DHLab_IEG #ontology #DigitalArtHistory
@ieg-mainz.bsky.social -
New blog post!
An ontology is like a machine-readable blueprint for knowledge. This blog post walks through building the Cultural Heritage Interactions Ontology (CHint) - modeling how artworks interact with beliefs, events, and culture over time.Sofia Baroncini: “Giving a shape to concepts: insights into ontology modeling through the CHint example”
https://dhlab.hypotheses.org/8874
#DHLab_IEG #ontology #DigitalArtHistory
@ieg-mainz.bsky.social -
New blog post!
An ontology is like a machine-readable blueprint for knowledge. This blog post walks through building the Cultural Heritage Interactions Ontology (CHint) - modeling how artworks interact with beliefs, events, and culture over time.Sofia Baroncini: “Giving a shape to concepts: insights into ontology modeling through the CHint example”
https://dhlab.hypotheses.org/8874
#DHLab_IEG #ontology #DigitalArtHistory
@ieg-mainz.bsky.social -
The first DAHJ Conversations event is coming up!
On Sept. 22, Steve Rossi, Sam Zipper & Makenzie Gallagher discuss 39.409001, -100.645781 — where digital art, environmental science & coding meet to make complex systems visible.
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities
DAHJ Conversations: “39.409001... -
The first DAHJ Conversations event is coming up!
On Sept. 22, Steve Rossi, Sam Zipper & Makenzie Gallagher discuss 39.409001, -100.645781 — where digital art, environmental science & coding meet to make complex systems visible.
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities
DAHJ Conversations: “39.409001... -
The first DAHJ Conversations event is coming up!
On Sept. 22, Steve Rossi, Sam Zipper & Makenzie Gallagher discuss 39.409001, -100.645781 — where digital art, environmental science & coding meet to make complex systems visible.
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities
DAHJ Conversations: “39.409001... -
The first DAHJ Conversations event is coming up!
On Sept. 22, Steve Rossi, Sam Zipper & Makenzie Gallagher discuss 39.409001, -100.645781 — where digital art, environmental science & coding meet to make complex systems visible.
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities
DAHJ Conversations: “39.409001... -
The first DAHJ Conversations event is coming up!
On September 22, artist Steve Rossi, hydrologist Sam Zipper, and computer science student Makenzie Gallagher will discuss the making of 39.409001, -100.645781 — an interactive online artwork connecting landownership, water rights, irrigation, and groundwater depletion in western Kansas.
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities
https://dahj.org/dahj-in-conversation/dahj-conversations-39409001-100645781-with-steve-rossi-makenzie-gallagher-and-dr-sam-zipper -
The first DAHJ Conversations event is coming up!
On September 22, artist Steve Rossi, hydrologist Sam Zipper, and computer science student Makenzie Gallagher will discuss the making of 39.409001, -100.645781 — an interactive online artwork connecting landownership, water rights, irrigation, and groundwater depletion in western Kansas.
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities
https://dahj.org/dahj-in-conversation/dahj-conversations-39409001-100645781-with-steve-rossi-makenzie-gallagher-and-dr-sam-zipper -
The first DAHJ Conversations event is coming up!
On September 22, artist Steve Rossi, hydrologist Sam Zipper, and computer science student Makenzie Gallagher will discuss the making of 39.409001, -100.645781 — an interactive online artwork connecting landownership, water rights, irrigation, and groundwater depletion in western Kansas.
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities
https://dahj.org/dahj-in-conversation/dahj-conversations-39409001-100645781-with-steve-rossi-makenzie-gallagher-and-dr-sam-zipper -
The first DAHJ Conversations event is coming up!
On September 22, artist Steve Rossi, hydrologist Sam Zipper, and computer science student Makenzie Gallagher will discuss the making of 39.409001, -100.645781 — an interactive online artwork connecting landownership, water rights, irrigation, and groundwater depletion in western Kansas.
#DigitalArtHistory #DigitalArt #EnvironmentalHumanities
https://dahj.org/dahj-in-conversation/dahj-conversations-39409001-100645781-with-steve-rossi-makenzie-gallagher-and-dr-sam-zipper -
Der Arbeitskreis Digitale Kunstgeschichte vergibt sechs
Reisestipendien für Early Career Researchers zur Teilnahme am NFDI4Culture Community Plenary
vom 9. bis 11. November 2026 in Bochum.
Gefördert werden bis zu 400 Euro, auch eine Teilnahme ohne eigenen Beitrag ist möglich. Bewerbungsschluss ist der 4. Oktober.
#DigitalArtHistory #NFDI4Culture #EarlyCareerResearchers @nfdi4culturehttps://digitale-kunstgeschichte.de/aktuelles/reisestipendien-nfdi4culture-community-plenary-2026/
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Der Arbeitskreis Digitale Kunstgeschichte vergibt sechs
Reisestipendien für Early Career Researchers zur Teilnahme am NFDI4Culture Community Plenary
vom 9. bis 11. November 2026 in Bochum.
Gefördert werden bis zu 400 Euro, auch eine Teilnahme ohne eigenen Beitrag ist möglich. Bewerbungsschluss ist der 4. Oktober.
#DigitalArtHistory #NFDI4Culture #EarlyCareerResearchers @nfdi4culturehttps://digitale-kunstgeschichte.de/aktuelles/reisestipendien-nfdi4culture-community-plenary-2026/
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Der Arbeitskreis Digitale Kunstgeschichte vergibt sechs
Reisestipendien für Early Career Researchers zur Teilnahme am NFDI4Culture Community Plenary
vom 9. bis 11. November 2026 in Bochum.
Gefördert werden bis zu 400 Euro, auch eine Teilnahme ohne eigenen Beitrag ist möglich. Bewerbungsschluss ist der 4. Oktober.
#DigitalArtHistory #NFDI4Culture #EarlyCareerResearchers @nfdi4culturehttps://digitale-kunstgeschichte.de/aktuelles/reisestipendien-nfdi4culture-community-plenary-2026/
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Der Arbeitskreis Digitale Kunstgeschichte vergibt sechs
Reisestipendien für Early Career Researchers zur Teilnahme am NFDI4Culture Community Plenary
vom 9. bis 11. November 2026 in Bochum.
Gefördert werden bis zu 400 Euro, auch eine Teilnahme ohne eigenen Beitrag ist möglich. Bewerbungsschluss ist der 4. Oktober.
#DigitalArtHistory #NFDI4Culture #EarlyCareerResearchers @nfdi4culturehttps://digitale-kunstgeschichte.de/aktuelles/reisestipendien-nfdi4culture-community-plenary-2026/
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“Now Processing” at the University of Zurich explores how computational methods are not only changing the tools of art history, but its epistemologies.
From machine learning and evidence to mapping, neural exchange value and generative AI, the lecture series asks what Digital Art History means when computation itself shapes how we produce knowledge about images.
#DigitalArtHistory #DigitalHumanities #AI
https://www.khist.uzh.ch/de/chairs/moderne/events/Now-Processing--Computational-Methods-and-Digital-Epistemologies-in-Art-History-.html -
“Now Processing” at the University of Zurich explores how computational methods are not only changing the tools of art history, but its epistemologies.
From machine learning and evidence to mapping, neural exchange value and generative AI, the lecture series asks what Digital Art History means when computation itself shapes how we produce knowledge about images.
#DigitalArtHistory #DigitalHumanities #AI
https://www.khist.uzh.ch/de/chairs/moderne/events/Now-Processing--Computational-Methods-and-Digital-Epistemologies-in-Art-History-.html -
“Now Processing” at the University of Zurich explores how computational methods are not only changing the tools of art history, but its epistemologies.
From machine learning and evidence to mapping, neural exchange value and generative AI, the lecture series asks what Digital Art History means when computation itself shapes how we produce knowledge about images.
#DigitalArtHistory #DigitalHumanities #AI
https://www.khist.uzh.ch/de/chairs/moderne/events/Now-Processing--Computational-Methods-and-Digital-Epistemologies-in-Art-History-.html -
“Now Processing” at the University of Zurich explores how computational methods are not only changing the tools of art history, but its epistemologies.
From machine learning and evidence to mapping, neural exchange value and generative AI, the lecture series asks what Digital Art History means when computation itself shapes how we produce knowledge about images.
#DigitalArtHistory #DigitalHumanities #AI
https://www.khist.uzh.ch/de/chairs/moderne/events/Now-Processing--Computational-Methods-and-Digital-Epistemologies-in-Art-History-.html -
25 Jahre prometheus: „Out of Frame“ fragt vom 30. September bis 2. Oktober in Köln nach der Zukunft bildbasierter Forschung im Zeitalter generativer KI.
Von Forschungsdaten, Bias und Wissensnetzen bis zu epistemischer Autorität, Bildrechten und Vertrauen: ein starkes Programm zur Transformation der digitalen Kunstgeschichte.
#DigitalArtHistory #DigitalHumanities #GenerativeAI
https://prometheus-bildarchiv.de/de/tagung2026/index -
25 Jahre prometheus: „Out of Frame“ fragt vom 30. September bis 2. Oktober in Köln nach der Zukunft bildbasierter Forschung im Zeitalter generativer KI.
Von Forschungsdaten, Bias und Wissensnetzen bis zu epistemischer Autorität, Bildrechten und Vertrauen: ein starkes Programm zur Transformation der digitalen Kunstgeschichte.
#DigitalArtHistory #DigitalHumanities #GenerativeAI
https://prometheus-bildarchiv.de/de/tagung2026/index -
25 Jahre prometheus: „Out of Frame“ fragt vom 30. September bis 2. Oktober in Köln nach der Zukunft bildbasierter Forschung im Zeitalter generativer KI.
Von Forschungsdaten, Bias und Wissensnetzen bis zu epistemischer Autorität, Bildrechten und Vertrauen: ein starkes Programm zur Transformation der digitalen Kunstgeschichte.
#DigitalArtHistory #DigitalHumanities #GenerativeAI
https://prometheus-bildarchiv.de/de/tagung2026/index -
25 Jahre prometheus: „Out of Frame“ fragt vom 30. September bis 2. Oktober in Köln nach der Zukunft bildbasierter Forschung im Zeitalter generativer KI.
Von Forschungsdaten, Bias und Wissensnetzen bis zu epistemischer Autorität, Bildrechten und Vertrauen: ein starkes Programm zur Transformation der digitalen Kunstgeschichte.
#DigitalArtHistory #DigitalHumanities #GenerativeAI
https://prometheus-bildarchiv.de/de/tagung2026/index -
VISART VIII brings computer vision into dialogue with art history and visual culture, from multimodal cultural data and 3D heritage to generative art and critical perspectives on machine vision.
A valuable space where technical innovation and humanities critique meet.
https://visarts.eu/
#DigitalArtHistory #ComputerVision #CulturalHeritage -
VISART VIII brings computer vision into dialogue with art history and visual culture, from multimodal cultural data and 3D heritage to generative art and critical perspectives on machine vision.
A valuable space where technical innovation and humanities critique meet.
https://visarts.eu/
#DigitalArtHistory #ComputerVision #CulturalHeritage -
VISART VIII brings computer vision into dialogue with art history and visual culture, from multimodal cultural data and 3D heritage to generative art and critical perspectives on machine vision.
A valuable space where technical innovation and humanities critique meet.
https://visarts.eu/
#DigitalArtHistory #ComputerVision #CulturalHeritage -
VISART VIII brings computer vision into dialogue with art history and visual culture, from multimodal cultural data and 3D heritage to generative art and critical perspectives on machine vision.
A valuable space where technical innovation and humanities critique meet.
https://visarts.eu/
#DigitalArtHistory #ComputerVision #CulturalHeritage -
Der Kunsthistoriker Boris Čučković beobachtet, wie KI, Robotik, Quantencomputing und digitale Medien inzwischen auch die Kunstinstitutionen und Hochschulen der Stadt verändern. Besonders wichtig ist dabei die Kunst als kritischer Erfahrungsraum, in dem technologische Umbrüche nicht nur erklärt, sondern gesellschaftlich und sinnlich reflektiert werden können.
#DigitalArtHistory #AIArt #VisualCulturehttps://www.sueddeutsche.de/muenchen/muenchen-international-kunst-ki-universitaet-li.3514962
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Der Kunsthistoriker Boris Čučković beobachtet, wie KI, Robotik, Quantencomputing und digitale Medien inzwischen auch die Kunstinstitutionen und Hochschulen der Stadt verändern. Besonders wichtig ist dabei die Kunst als kritischer Erfahrungsraum, in dem technologische Umbrüche nicht nur erklärt, sondern gesellschaftlich und sinnlich reflektiert werden können.
#DigitalArtHistory #AIArt #VisualCulturehttps://www.sueddeutsche.de/muenchen/muenchen-international-kunst-ki-universitaet-li.3514962
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Der Kunsthistoriker Boris Čučković beobachtet, wie KI, Robotik, Quantencomputing und digitale Medien inzwischen auch die Kunstinstitutionen und Hochschulen der Stadt verändern. Besonders wichtig ist dabei die Kunst als kritischer Erfahrungsraum, in dem technologische Umbrüche nicht nur erklärt, sondern gesellschaftlich und sinnlich reflektiert werden können.
#DigitalArtHistory #AIArt #VisualCulturehttps://www.sueddeutsche.de/muenchen/muenchen-international-kunst-ki-universitaet-li.3514962
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Der Kunsthistoriker Boris Čučković beobachtet, wie KI, Robotik, Quantencomputing und digitale Medien inzwischen auch die Kunstinstitutionen und Hochschulen der Stadt verändern. Besonders wichtig ist dabei die Kunst als kritischer Erfahrungsraum, in dem technologische Umbrüche nicht nur erklärt, sondern gesellschaftlich und sinnlich reflektiert werden können.
#DigitalArtHistory #AIArt #VisualCulturehttps://www.sueddeutsche.de/muenchen/muenchen-international-kunst-ki-universitaet-li.3514962
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Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curatinghttps://raco.cat/index.php/Artnodes/about/call-for-papers-IA
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Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curatinghttps://raco.cat/index.php/Artnodes/about/call-for-papers-IA
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Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curatinghttps://raco.cat/index.php/Artnodes/about/call-for-papers-IA
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Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curatinghttps://raco.cat/index.php/Artnodes/about/call-for-papers-IA
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Lev Manovich has written the foreword to my book Cultural Data Science: An Introduction to R.
His perspective on how computational methods are changing the study of culture—and why we need to move between close reading and large-scale patterns—is freely available here:
Read Lev Manovich’s foreword: https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1 -
Lev Manovich has written the foreword to my book Cultural Data Science: An Introduction to R.
His perspective on how computational methods are changing the study of culture—and why we need to move between close reading and large-scale patterns—is freely available here:
Read Lev Manovich’s foreword: https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1 -
Lev Manovich has written the foreword to my book Cultural Data Science: An Introduction to R.
His perspective on how computational methods are changing the study of culture—and why we need to move between close reading and large-scale patterns—is freely available here:
Read Lev Manovich’s foreword: https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1 -
Lev Manovich has written the foreword to my book Cultural Data Science: An Introduction to R.
His perspective on how computational methods are changing the study of culture—and why we need to move between close reading and large-scale patterns—is freely available here:
Read Lev Manovich’s foreword: https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1 -
Lev Manovich has written the foreword to my book.
His perspective on how computational methods are changing the study of culture is freely available here:
Read Lev Manovich’s foreword: link.springer.com/content/pdf/...
#CulturalDataScience #DigitalHumanities #DigitalArtHistory -
Lev Manovich has written the foreword to my book.
His perspective on how computational methods are changing the study of culture is freely available here:
Read Lev Manovich’s foreword: link.springer.com/content/pdf/...
#CulturalDataScience #DigitalHumanities #DigitalArtHistory -
CFP: A compelling call from the Digital Art History Society for CAA 2027: “Tools, Texts, and Images: Reframing Visual Culture in the Digital Age” asks how digital tools and infrastructures actively shape the production, interpretation, circulation, and accessibility of images.
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18393.html -
CFP: A compelling call from the Digital Art History Society for CAA 2027: “Tools, Texts, and Images: Reframing Visual Culture in the Digital Age” asks how digital tools and infrastructures actively shape the production, interpretation, circulation, and accessibility of images.
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18393.html -
CFP: A compelling call from the Digital Art History Society for CAA 2027: “Tools, Texts, and Images: Reframing Visual Culture in the Digital Age” asks how digital tools and infrastructures actively shape the production, interpretation, circulation, and accessibility of images.
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18393.html -
CFP: A compelling call from the Digital Art History Society for CAA 2027: “Tools, Texts, and Images: Reframing Visual Culture in the Digital Age” asks how digital tools and infrastructures actively shape the production, interpretation, circulation, and accessibility of images.
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18393.html -
Das Projekt "Corpus der barocken Deckenmalerei in Deutschland" hat ältere Corpus-Bände in ein MediaWiki überführt und stellt sie über eine öffentliche MCP-Schnittstelle für LLMs bereit.
Ein zusätzlicher Skill gibt dem Modell Anweisungen, wie es den Corpus durchsuchen und Ergebnisse belegen soll. KI hier also weniger als eigenes Analysemodell, sondern als neues Interface zu einer kunsthistorischen Wissensinfrastruktur. -
Das Projekt "Corpus der barocken Deckenmalerei in Deutschland" hat ältere Corpus-Bände in ein MediaWiki überführt und stellt sie über eine öffentliche MCP-Schnittstelle für LLMs bereit.
Ein zusätzlicher Skill gibt dem Modell Anweisungen, wie es den Corpus durchsuchen und Ergebnisse belegen soll. KI hier also weniger als eigenes Analysemodell, sondern als neues Interface zu einer kunsthistorischen Wissensinfrastruktur. -
Das Projekt "Corpus der barocken Deckenmalerei in Deutschland" hat ältere Corpus-Bände in ein MediaWiki überführt und stellt sie über eine öffentliche MCP-Schnittstelle für LLMs bereit.
Ein zusätzlicher Skill gibt dem Modell Anweisungen, wie es den Corpus durchsuchen und Ergebnisse belegen soll. KI hier also weniger als eigenes Analysemodell, sondern als neues Interface zu einer kunsthistorischen Wissensinfrastruktur. -
Das Projekt "Corpus der barocken Deckenmalerei in Deutschland" hat ältere Corpus-Bände in ein MediaWiki überführt und stellt sie über eine öffentliche MCP-Schnittstelle für LLMs bereit.
Ein zusätzlicher Skill gibt dem Modell Anweisungen, wie es den Corpus durchsuchen und Ergebnisse belegen soll. KI hier also weniger als eigenes Analysemodell, sondern als neues Interface zu einer kunsthistorischen Wissensinfrastruktur. -
The Rijksmuseum has moved from “an API” toward a machine-readable knowledge infrastructure:
Objects, people, places and concepts receive persistent URIs, not just web addresses, but machine-readable identities that can be linked across systems.The shift is from “search a museum database” to an interoperable cultural-heritage infrastructure.
An interesting glimpse of what we can increasingly work with.
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The Rijksmuseum has moved from “an API” toward a machine-readable knowledge infrastructure:
Objects, people, places and concepts receive persistent URIs, not just web addresses, but machine-readable identities that can be linked across systems.The shift is from “search a museum database” to an interoperable cultural-heritage infrastructure.
An interesting glimpse of what we can increasingly work with.