#digitalarthistory — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #digitalarthistory, aggregated by home.social.
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Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curatinghttps://raco.cat/index.php/Artnodes/about/call-for-papers-IA
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Lev Manovich has written the foreword to my book Cultural Data Science: An Introduction to R.
His perspective on how computational methods are changing the study of culture—and why we need to move between close reading and large-scale patterns—is freely available here:
Read Lev Manovich’s foreword: https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1 -
Lev Manovich has written the foreword to my book.
His perspective on how computational methods are changing the study of culture is freely available here:
Read Lev Manovich’s foreword: link.springer.com/content/pdf/...
#CulturalDataScience #DigitalHumanities #DigitalArtHistory -
CFP: A compelling call from the Digital Art History Society for CAA 2027: “Tools, Texts, and Images: Reframing Visual Culture in the Digital Age” asks how digital tools and infrastructures actively shape the production, interpretation, circulation, and accessibility of images.
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18393.html -
Das Projekt "Corpus der barocken Deckenmalerei in Deutschland" hat ältere Corpus-Bände in ein MediaWiki überführt und stellt sie über eine öffentliche MCP-Schnittstelle für LLMs bereit.
Ein zusätzlicher Skill gibt dem Modell Anweisungen, wie es den Corpus durchsuchen und Ergebnisse belegen soll. KI hier also weniger als eigenes Analysemodell, sondern als neues Interface zu einer kunsthistorischen Wissensinfrastruktur. -
The Rijksmuseum has moved from “an API” toward a machine-readable knowledge infrastructure:
Objects, people, places and concepts receive persistent URIs, not just web addresses, but machine-readable identities that can be linked across systems.The shift is from “search a museum database” to an interoperable cultural-heritage infrastructure.
An interesting glimpse of what we can increasingly work with.
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🤖 Obiger Thread ist ein auf der Basis des Codex-Projektes zur ZB KI-generierter Kurzreport. Das Projekt macht deutlich: KI-Coding beschleunigt das Prototyping in Digital Humanities unglaublich: API-Zugänge, Überblicke etc. sind in wenigen Minuten erledigt. Dann beginnt die eigentliche datenbasierte geisteswissenschaftliche Forschung: Was möchten wir eigentlich herausfinden und haben wir dafür die notwendigen Daten? -HK
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Was man an einem Tag mit KI-Coding in einem Bibliotheksbestand sichtbar machen kann: Ausgehend von der Fellowship-Ausschreibung der Zentralbibliothek Zürich habe ich getestet, wie KI als Forschungsassistent neue Zugänge zu digitalen Sammlungen eröffnen kann.
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#DigitalHumanities #AICoding #DigitalArtHistory
https://arthist.net/archive/52809 -
New in the International Journal for Digital Art History:
Evelyn Runge traces the evolution of authenticity infrastructures from documentary film to AI-era content credentials, exploring provenance, visual verification, OSINT, and the future of trust in digital images. An essential contribution to current debates on AI and visual culture.➡️ https://ahnp.ub.uni-heidelberg.de/journals/dah/article/view/115190
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New in the International Journal for Digital Art History:
@[email protected] traces the evolution of authenticity infrastructures from documentary film to AI-era content credentials, exploring provenance, visual verification, OSINT, and the future of trust in digital images.
#DigitalArtHistory
A Brief History of Authenti... -
“Accessibility and Interoperability: The Changing Challenges and Directions of Getty Research Institute’s Art History Data” by Nancy Um highlights how interoperable research infrastructures are becoming essential for the future of digital art history and global cultural heritage collaboration.
#DigitalArtHistory #CulturalHeritage #ResearchInfrastructure
https://en.sedaily.com/culture/2026/07/30/getty-research-institute-deputy-director-to-lecture-in -
Der NFDI4Culture Art History Award 2026 sucht innovative Open-Access-Publikationen und Forschungsdatenprojekte an der Schnittstelle von Kunstgeschichte, Digital Humanities und Forschungsdaten. Einreichungen sind bis 30. September 2026 möglich.
#DigitalArtHistory #NFDI4Culture #OpenScience
https://nfdi4culture.de/de/nachrichten/details/nfdi4culture-art-history-award-aha.html -
The new AAA – Art, Aesthetics and AI platform by UdK Berlin has launched its first open call. If you’re working at the intersection of art, aesthetics, critical AI, and digital culture, this is a great opportunity to share essays, artistic interventions, experiments, and interdisciplinary perspectives.
#DigitalArtHistory #AIArt #DigitalHumanities
https://aaa.udk.digital/#call -
The combination of art history and data science is opening new ways to understand cultural heritage. A recent study demonstrates how machine learning, network analysis, and materials research can reveal hidden patterns in an artist’s career. #DigitalArtHistory #CulturalDataScience
Identifying Vilhelm Hammershøi... -
The combination of art history, conservation science, and data science is opening new ways to understand cultural heritage. A recent study on Vilhelm Hammershøi demonstrates how machine learning, network analysis, and materials research can reveal hidden patterns in an artist’s career and creative development.
#DigitalArtHistory #CulturalDataScience #HeritageScience -
#cfp #Symposium "Praktiken der Kooperation" – Impulse für das Verbundprojekt
"Digitale Souveränität für Kunsthochschulen"An der Staatlichen Akademie der Bildenden Künste Karlsruhe mit der Hochschule für Gestaltung Karlsruhe und der Akademie der Bildenden Künste Stuttgart – Karlsruhe, 4. bis 6. November 2026 – Einreichungsfrist: (schon) 30.06.2026 – Weitere Infos: https://atelier-dsk.org/de
#digitalhumanities #digitalarthistory #digitalphilosophy #digitalesouveraenitaet #kunsthochschule -
Digitale Kunstgeschichte fragt nicht nur, was ein Bild bedeutet, sondern welche Muster, Cluster und Leerstellen in großen Bildkorpora sichtbar werden. Distant Viewing ersetzt nicht die Kunstgeschichte – es erweitert ihren Blick. #DigitalHumanities #DigitalArtHistory #VisualCulture
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Digitale Kunstgeschichte fragt nicht nur, was ein Bild bedeutet, sondern welche Muster, Cluster und Leerstellen in großen Bildkorpora sichtbar werden.
Distant Viewing ersetzt nicht die Kunstgeschichte – es erweitert ihren Blick.
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SODa x Fokum: Evening Lecture in Kooperation mit dem Forum Kunst und Markt / Centre for Art Market Studies – Linda Hacka, Potsdam, und Lisa Weiß, Berlin, sprechen zum Thema „Kunstgeschichte, Provenienzforschung und Digital Humanities: Die Plattform ‚Networks of Impressionism'".
📅 Montag, 8. Juni 2026, 18:15 Uhr
💻Ohne Anmeldung via Zoom: https://tu-berlin.zoom-x.de/j/64302402952?pwd=AP5ZgH73kRZq4jWJ4bsnRPR95n4iKT.1&utm_campaign=coschedule&utm_source=mastodon&utm_medium=SODa%40fedihum.org#Provenienzforschung #Kunstgeschichte #DigitalHumanities #DigitalArtHistory
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We have good news! Our colleague Sofia Baroncini's doctoral thesis has been published on #arthistoricum today!
“Diving into Artwork Interpretations through the Lenses of Semantic Data: An Application to Panofsky’s Iconological Studies”
https://doi.org/10.11588/arthistoricum.1462
#DHLab_IEG #DigitalArtHistory #DigitalHumanities #semanticweb
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CFP: “Computational Approaches to Art” in Computational Humanities Research. A sign that the debate is moving from “Can we use AI in art history?” toward “How does computation reshape what art history actually is?” #DigitalArtHistory #AI #ComputerVision #VisualCulture
CHR Special Issue: Computation... -
CFP: “Computational Approaches to Art” in Computational Humanities Research.
Interesting to see how strongly the field is shifting from simple digitization toward questions of epistemology, AI, computer vision, network analysis, and computational visual culture.
A sign that the debate is moving from “Can we use AI in art history?” toward “How does computation reshape what art history actually is?”👉 https://arthist.net/archive/52416
#DigitalArtHistory #AI #ComputerVision #VisualCulture -
Article: The attempt to rethink digital art through the lens of Nicolai Hartmann’s ontology is genuinely compelling.
An ambitious and thought provoking contribution to current debates on digital aesthetics, virtuality, and the ontology of digital art.
#digitalart #digitalaesthetics #mediaTheory #philosophyoftechnology #digitalarthistory #AIaesthetics
👉 https://doi.org/10.11588/dahj.2026.11.113265. -
New article in the International Journal for Digital Art History:
The article suggests that Roman perspective was neither a primitive precursor of Renaissance linear perspective nor a purely intuitive system. Instead, it may have been a highly pragmatic geometric practice operating between architecture, optics, painting, and embodied space.
#DigitalArtHistory #RomanArt #3DModeling #VisualCulture #ArtHistory
https://ahnp.ub.uni-heidelberg.de/journals/dah/issue/view/7578 -
Nächste Woche spreche ich in der Ringvorlesung "Digital Art History, an Overview" an der @tuberlin über "Wikidata für Kunstgeschichte und Museologie"
29. April, 18 Uhr TU Berlin Hauptgebäude (H)0111
https://www.tu.berlin/kwhistu/nachrichtendetails/ringvorlesung-digital-art-history-an-overview
#openglam #kunstgeschichte #wikidata #museologie #museum #tuberlin #berlin #digitalarthistory @wikimediaDE
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📢 CFP: Cultural Complexity and Computational Approaches (Complexhibit) 📍 Málaga 🗓️ 30 June – 2 July 2026 How do we study culture as a complex system—computationally, yet critically? A call at the intersection of AI, data science, and digital art history. 🗓️ Deadline: 26.4.26 #digitalarthistory #AI
complexhibit.eu/es_es/complexh... -
📢 CFP: Cultural Complexity and Computational Approaches (Complexhibit 2026)
📍 Málaga | 🗓️ 30 June – 2 July 2026How can we study culture as a complex system—while staying historically grounded and critically reflective?
This call brings together digital art history, #AI, and data science to rethink cultural ecosystems: from canon formation to infrastructures, discourse, and data governance.🗓️ Deadline: 26 April 2026
👉 https://complexhibit.eu/es_es/complexhibit-2026-conference/ -
Kunst oder Quatsch?
Ein ironischer Bildband zeigt, was passiert, wenn KI und Photoshop schon in der Renaissance existiert hätten: 80 Werke von der Höhlenmalerei bis zur Gegenwart
Vielleicht ist genau diese Irritation der Punkt.
#AIArt #DigitalArtHistory #Kunstgeschichte
https://www.designerinaction.de/gestaltung/ironischer-kunstband-digitale-kunstgeschichte-und-ki/ -
I’ve published a small web app at dev.harald-klinke.de/kunstsuche/ that lets you explore open art collections from the Cleveland Museum of Art, The Met, and the Art Institute of Chicago in one interface. Let me know what you think. #OpenData #DigitalHumanities #DigitalArtHistory #DigitalCulture
Kunstsuche in 3 Museen