#digitalarthistory — Public Fediverse posts

Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curating

https://raco.cat/index.php/Artnodes/about/call-for-papers-IA

CFP: Curating and AI
The Journal of Curatorial Studies (Vol. 16.1, Spring 2027) invites articles on curating with and about AI. Topics include AI as medium and method, curatorial practice, research, audience engagement, institutional transformation, authorship, and ethics.

📅 Abstract deadline: Nov 15, 2025
📅 Article deadline: Sept 1, 2026

More: https://arthist.net/archive/50732
#Curating #AI #MuseumStudies #DigitalArtHistory

Here is a portrait of Betha Whitlow, the driving force behind WashU’s Digital Art History Lab (DAHL).

Once a slide curator, she digitized vast collections and helped make her own role obsolete — paving the way for DAHL, which now trains and empowers students in digital art history. Whitlow is celebrated not only for her innovation but also for her mentorship and advocacy for staff and students alike.
https://source.washu.edu/2025/09/washington-people-betha-whitlow/
#DigitalArtHistory #DH #AcademicInnovation #WashU

Here is a portrait of Betha Whitlow, the driving force behind WashU’s Digital Art History Lab (DAHL).

Once a slide curator, she digitized vast collections and helped make her own role obsolete — paving the way for DAHL, which now trains and empowers students in digital art history. Whitlow is celebrated not only for her innovation but also for her mentorship and advocacy for staff and students alike.
https://source.washu.edu/2025/09/washington-people-betha-whitlow/
#DigitalArtHistory #DH #AcademicInnovation #WashU

Here is a portrait of Betha Whitlow, the driving force behind WashU’s Digital Art History Lab (DAHL).

Once a slide curator, she digitized vast collections and helped make her own role obsolete — paving the way for DAHL, which now trains and empowers students in digital art history. Whitlow is celebrated not only for her innovation but also for her mentorship and advocacy for staff and students alike.
https://source.washu.edu/2025/09/washington-people-betha-whitlow/
#DigitalArtHistory #DH #AcademicInnovation #WashU

Here is a portrait of Betha Whitlow, the driving force behind WashU’s Digital Art History Lab (DAHL).

Once a slide curator, she digitized vast collections and helped make her own role obsolete — paving the way for DAHL, which now trains and empowers students in digital art history. Whitlow is celebrated not only for her innovation but also for her mentorship and advocacy for staff and students alike.
https://source.washu.edu/2025/09/washington-people-betha-whitlow/
#DigitalArtHistory #DH #AcademicInnovation #WashU

Here is a portrait of Betha Whitlow, the driving force behind WashU’s Digital Art History Lab (DAHL).

Once a slide curator, she digitized vast collections and helped make her own role obsolete — paving the way for DAHL, which now trains and empowers students in digital art history. Whitlow is celebrated not only for her innovation but also for her mentorship and advocacy for staff and students alike.
https://source.washu.edu/2025/09/washington-people-betha-whitlow/
#DigitalArtHistory #DH #AcademicInnovation #WashU

Travel Tales: Visualizing Provenance as Data
by Elizabeth Alice Honig, Deb Niemeier, Christine Quach, Haojian Cheng

Provenance—the chain of an artwork’s ownership and location—has long resisted structured data analysis. Fragmentary and semi-narrative records make regularization difficult.

#Provenance #DigitalArtHistory #DataVisualization #BaroqueArt
https://journals.ub.uni-heidelberg.de/index.php/dah/article/view/100894