#digitalarthistory — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #digitalarthistory, aggregated by home.social.
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Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curatinghttps://raco.cat/index.php/Artnodes/about/call-for-papers-IA
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Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curatinghttps://raco.cat/index.php/Artnodes/about/call-for-papers-IA
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Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curatinghttps://raco.cat/index.php/Artnodes/about/call-for-papers-IA
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Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curatinghttps://raco.cat/index.php/Artnodes/about/call-for-papers-IA
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Call for Papers: “Generative Curation: Archival and Exhibition Practices in the Age of AI” explores how AI is reshaping curatorial authorship, archives, exhibitions and institutions, including questions of technological sovereignty, infrastructures and the politics of models. Full papers are due 15 December 2026 for a special issue of Artnodes. 🇪🇸
#DigitalArtHistory #GenerativeAI #Curatinghttps://raco.cat/index.php/Artnodes/about/call-for-papers-IA
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Lev Manovich has written the foreword to my book Cultural Data Science: An Introduction to R.
His perspective on how computational methods are changing the study of culture—and why we need to move between close reading and large-scale patterns—is freely available here:
Read Lev Manovich’s foreword: https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1 -
Lev Manovich has written the foreword to my book Cultural Data Science: An Introduction to R.
His perspective on how computational methods are changing the study of culture—and why we need to move between close reading and large-scale patterns—is freely available here:
Read Lev Manovich’s foreword: https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1 -
Lev Manovich has written the foreword to my book Cultural Data Science: An Introduction to R.
His perspective on how computational methods are changing the study of culture—and why we need to move between close reading and large-scale patterns—is freely available here:
Read Lev Manovich’s foreword: https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1 -
Lev Manovich has written the foreword to my book Cultural Data Science: An Introduction to R.
His perspective on how computational methods are changing the study of culture—and why we need to move between close reading and large-scale patterns—is freely available here:
Read Lev Manovich’s foreword: https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1 -
Lev Manovich has written the foreword to my book Cultural Data Science: An Introduction to R.
His perspective on how computational methods are changing the study of culture—and why we need to move between close reading and large-scale patterns—is freely available here:
Read Lev Manovich’s foreword: https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1 -
Lev Manovich has written the foreword to my book.
His perspective on how computational methods are changing the study of culture is freely available here:
Read Lev Manovich’s foreword: link.springer.com/content/pdf/...
#CulturalDataScience #DigitalHumanities #DigitalArtHistory -
Lev Manovich has written the foreword to my book.
His perspective on how computational methods are changing the study of culture is freely available here:
Read Lev Manovich’s foreword: link.springer.com/content/pdf/...
#CulturalDataScience #DigitalHumanities #DigitalArtHistory -
Lev Manovich has written the foreword to my book.
His perspective on how computational methods are changing the study of culture is freely available here:
Read Lev Manovich’s foreword: link.springer.com/content/pdf/...
#CulturalDataScience #DigitalHumanities #DigitalArtHistory -
CFP: A compelling call from the Digital Art History Society for CAA 2027: “Tools, Texts, and Images: Reframing Visual Culture in the Digital Age” asks how digital tools and infrastructures actively shape the production, interpretation, circulation, and accessibility of images.
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18393.html -
CFP: A compelling call from the Digital Art History Society for CAA 2027: “Tools, Texts, and Images: Reframing Visual Culture in the Digital Age” asks how digital tools and infrastructures actively shape the production, interpretation, circulation, and accessibility of images.
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18393.html -
CFP: A compelling call from the Digital Art History Society for CAA 2027: “Tools, Texts, and Images: Reframing Visual Culture in the Digital Age” asks how digital tools and infrastructures actively shape the production, interpretation, circulation, and accessibility of images.
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18393.html -
CFP: A compelling call from the Digital Art History Society for CAA 2027: “Tools, Texts, and Images: Reframing Visual Culture in the Digital Age” asks how digital tools and infrastructures actively shape the production, interpretation, circulation, and accessibility of images.
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18393.html -
CFP: A compelling call from the Digital Art History Society for CAA 2027: “Tools, Texts, and Images: Reframing Visual Culture in the Digital Age” asks how digital tools and infrastructures actively shape the production, interpretation, circulation, and accessibility of images.
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18393.html -
Das Projekt "Corpus der barocken Deckenmalerei in Deutschland" hat ältere Corpus-Bände in ein MediaWiki überführt und stellt sie über eine öffentliche MCP-Schnittstelle für LLMs bereit.
Ein zusätzlicher Skill gibt dem Modell Anweisungen, wie es den Corpus durchsuchen und Ergebnisse belegen soll. KI hier also weniger als eigenes Analysemodell, sondern als neues Interface zu einer kunsthistorischen Wissensinfrastruktur. -
Das Projekt "Corpus der barocken Deckenmalerei in Deutschland" hat ältere Corpus-Bände in ein MediaWiki überführt und stellt sie über eine öffentliche MCP-Schnittstelle für LLMs bereit.
Ein zusätzlicher Skill gibt dem Modell Anweisungen, wie es den Corpus durchsuchen und Ergebnisse belegen soll. KI hier also weniger als eigenes Analysemodell, sondern als neues Interface zu einer kunsthistorischen Wissensinfrastruktur. -
Das Projekt "Corpus der barocken Deckenmalerei in Deutschland" hat ältere Corpus-Bände in ein MediaWiki überführt und stellt sie über eine öffentliche MCP-Schnittstelle für LLMs bereit.
Ein zusätzlicher Skill gibt dem Modell Anweisungen, wie es den Corpus durchsuchen und Ergebnisse belegen soll. KI hier also weniger als eigenes Analysemodell, sondern als neues Interface zu einer kunsthistorischen Wissensinfrastruktur. -
Das Projekt "Corpus der barocken Deckenmalerei in Deutschland" hat ältere Corpus-Bände in ein MediaWiki überführt und stellt sie über eine öffentliche MCP-Schnittstelle für LLMs bereit.
Ein zusätzlicher Skill gibt dem Modell Anweisungen, wie es den Corpus durchsuchen und Ergebnisse belegen soll. KI hier also weniger als eigenes Analysemodell, sondern als neues Interface zu einer kunsthistorischen Wissensinfrastruktur. -
Das Projekt "Corpus der barocken Deckenmalerei in Deutschland" hat ältere Corpus-Bände in ein MediaWiki überführt und stellt sie über eine öffentliche MCP-Schnittstelle für LLMs bereit.
Ein zusätzlicher Skill gibt dem Modell Anweisungen, wie es den Corpus durchsuchen und Ergebnisse belegen soll. KI hier also weniger als eigenes Analysemodell, sondern als neues Interface zu einer kunsthistorischen Wissensinfrastruktur. -
The Rijksmuseum has moved from “an API” toward a machine-readable knowledge infrastructure:
Objects, people, places and concepts receive persistent URIs, not just web addresses, but machine-readable identities that can be linked across systems.The shift is from “search a museum database” to an interoperable cultural-heritage infrastructure.
An interesting glimpse of what we can increasingly work with.
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The Rijksmuseum has moved from “an API” toward a machine-readable knowledge infrastructure:
Objects, people, places and concepts receive persistent URIs, not just web addresses, but machine-readable identities that can be linked across systems.The shift is from “search a museum database” to an interoperable cultural-heritage infrastructure.
An interesting glimpse of what we can increasingly work with.
-
The Rijksmuseum has moved from “an API” toward a machine-readable knowledge infrastructure:
Objects, people, places and concepts receive persistent URIs, not just web addresses, but machine-readable identities that can be linked across systems.The shift is from “search a museum database” to an interoperable cultural-heritage infrastructure.
An interesting glimpse of what we can increasingly work with.
-
The Rijksmuseum has moved from “an API” toward a machine-readable knowledge infrastructure:
Objects, people, places and concepts receive persistent URIs, not just web addresses, but machine-readable identities that can be linked across systems.The shift is from “search a museum database” to an interoperable cultural-heritage infrastructure.
An interesting glimpse of what we can increasingly work with.
-
The Rijksmuseum has moved from “an API” toward a machine-readable knowledge infrastructure:
Objects, people, places and concepts receive persistent URIs, not just web addresses, but machine-readable identities that can be linked across systems.The shift is from “search a museum database” to an interoperable cultural-heritage infrastructure.
An interesting glimpse of what we can increasingly work with.
-
🤖 Obiger Thread ist ein auf der Basis des Codex-Projektes zur ZB KI-generierter Kurzreport. Das Projekt macht deutlich: KI-Coding beschleunigt das Prototyping in Digital Humanities unglaublich: API-Zugänge, Überblicke etc. sind in wenigen Minuten erledigt. Dann beginnt die eigentliche datenbasierte geisteswissenschaftliche Forschung: Was möchten wir eigentlich herausfinden und haben wir dafür die notwendigen Daten? -HK
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🤖 Obiger Thread ist ein auf der Basis des Codex-Projektes zur ZB KI-generierter Kurzreport. Das Projekt macht deutlich: KI-Coding beschleunigt das Prototyping in Digital Humanities unglaublich: API-Zugänge, Überblicke etc. sind in wenigen Minuten erledigt. Dann beginnt die eigentliche datenbasierte geisteswissenschaftliche Forschung: Was möchten wir eigentlich herausfinden und haben wir dafür die notwendigen Daten? -HK
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🤖 Obiger Thread ist ein auf der Basis des Codex-Projektes zur ZB KI-generierter Kurzreport. Das Projekt macht deutlich: KI-Coding beschleunigt das Prototyping in Digital Humanities unglaublich: API-Zugänge, Überblicke etc. sind in wenigen Minuten erledigt. Dann beginnt die eigentliche datenbasierte geisteswissenschaftliche Forschung: Was möchten wir eigentlich herausfinden und haben wir dafür die notwendigen Daten? -HK
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🤖 Obiger Thread ist ein auf der Basis des Codex-Projektes zur ZB KI-generierter Kurzreport. Das Projekt macht deutlich: KI-Coding beschleunigt das Prototyping in Digital Humanities unglaublich: API-Zugänge, Überblicke etc. sind in wenigen Minuten erledigt. Dann beginnt die eigentliche datenbasierte geisteswissenschaftliche Forschung: Was möchten wir eigentlich herausfinden und haben wir dafür die notwendigen Daten? -HK
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🤖 Obiger Thread ist ein auf der Basis des Codex-Projektes zur ZB KI-generierter Kurzreport. Das Projekt macht deutlich: KI-Coding beschleunigt das Prototyping in Digital Humanities unglaublich: API-Zugänge, Überblicke etc. sind in wenigen Minuten erledigt. Dann beginnt die eigentliche datenbasierte geisteswissenschaftliche Forschung: Was möchten wir eigentlich herausfinden und haben wir dafür die notwendigen Daten? -HK
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Was man an einem Tag mit KI-Coding in einem Bibliotheksbestand sichtbar machen kann: Ausgehend von der Fellowship-Ausschreibung der Zentralbibliothek Zürich habe ich getestet, wie KI als Forschungsassistent neue Zugänge zu digitalen Sammlungen eröffnen kann.
🧵
#DigitalHumanities #AICoding #DigitalArtHistory
https://arthist.net/archive/52809 -
Was man an einem Tag mit KI-Coding in einem Bibliotheksbestand sichtbar machen kann: Ausgehend von der Fellowship-Ausschreibung der Zentralbibliothek Zürich habe ich getestet, wie KI als Forschungsassistent neue Zugänge zu digitalen Sammlungen eröffnen kann.
🧵
#DigitalHumanities #AICoding #DigitalArtHistory
https://arthist.net/archive/52809 -
Was man an einem Tag mit KI-Coding in einem Bibliotheksbestand sichtbar machen kann: Ausgehend von der Fellowship-Ausschreibung der Zentralbibliothek Zürich habe ich getestet, wie KI als Forschungsassistent neue Zugänge zu digitalen Sammlungen eröffnen kann.
🧵
#DigitalHumanities #AICoding #DigitalArtHistory
https://arthist.net/archive/52809 -
Was man an einem Tag mit KI-Coding in einem Bibliotheksbestand sichtbar machen kann: Ausgehend von der Fellowship-Ausschreibung der Zentralbibliothek Zürich habe ich getestet, wie KI als Forschungsassistent neue Zugänge zu digitalen Sammlungen eröffnen kann.
🧵
#DigitalHumanities #AICoding #DigitalArtHistory
https://arthist.net/archive/52809 -
Was man an einem Tag mit KI-Coding in einem Bibliotheksbestand sichtbar machen kann: Ausgehend von der Fellowship-Ausschreibung der Zentralbibliothek Zürich habe ich getestet, wie KI als Forschungsassistent neue Zugänge zu digitalen Sammlungen eröffnen kann.
🧵
#DigitalHumanities #AICoding #DigitalArtHistory
https://arthist.net/archive/52809 -
New in the International Journal for Digital Art History:
Evelyn Runge traces the evolution of authenticity infrastructures from documentary film to AI-era content credentials, exploring provenance, visual verification, OSINT, and the future of trust in digital images. An essential contribution to current debates on AI and visual culture.➡️ https://ahnp.ub.uni-heidelberg.de/journals/dah/article/view/115190
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New in the International Journal for Digital Art History:
Evelyn Runge traces the evolution of authenticity infrastructures from documentary film to AI-era content credentials, exploring provenance, visual verification, OSINT, and the future of trust in digital images. An essential contribution to current debates on AI and visual culture.➡️ https://ahnp.ub.uni-heidelberg.de/journals/dah/article/view/115190
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New in the International Journal for Digital Art History:
Evelyn Runge traces the evolution of authenticity infrastructures from documentary film to AI-era content credentials, exploring provenance, visual verification, OSINT, and the future of trust in digital images. An essential contribution to current debates on AI and visual culture.➡️ https://ahnp.ub.uni-heidelberg.de/journals/dah/article/view/115190
-
New in the International Journal for Digital Art History:
Evelyn Runge traces the evolution of authenticity infrastructures from documentary film to AI-era content credentials, exploring provenance, visual verification, OSINT, and the future of trust in digital images. An essential contribution to current debates on AI and visual culture.➡️ https://ahnp.ub.uni-heidelberg.de/journals/dah/article/view/115190
-
New in the International Journal for Digital Art History:
Evelyn Runge traces the evolution of authenticity infrastructures from documentary film to AI-era content credentials, exploring provenance, visual verification, OSINT, and the future of trust in digital images. An essential contribution to current debates on AI and visual culture.➡️ https://ahnp.ub.uni-heidelberg.de/journals/dah/article/view/115190
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New in the International Journal for Digital Art History:
@[email protected] traces the evolution of authenticity infrastructures from documentary film to AI-era content credentials, exploring provenance, visual verification, OSINT, and the future of trust in digital images.
#DigitalArtHistory
A Brief History of Authenti... -
New in the International Journal for Digital Art History:
@[email protected] traces the evolution of authenticity infrastructures from documentary film to AI-era content credentials, exploring provenance, visual verification, OSINT, and the future of trust in digital images.
#DigitalArtHistory
A Brief History of Authenti... -
New in the International Journal for Digital Art History:
@[email protected] traces the evolution of authenticity infrastructures from documentary film to AI-era content credentials, exploring provenance, visual verification, OSINT, and the future of trust in digital images.
#DigitalArtHistory
A Brief History of Authenti... -
“Accessibility and Interoperability: The Changing Challenges and Directions of Getty Research Institute’s Art History Data” by Nancy Um highlights how interoperable research infrastructures are becoming essential for the future of digital art history and global cultural heritage collaboration.
#DigitalArtHistory #CulturalHeritage #ResearchInfrastructure
https://en.sedaily.com/culture/2026/07/30/getty-research-institute-deputy-director-to-lecture-in -
“Accessibility and Interoperability: The Changing Challenges and Directions of Getty Research Institute’s Art History Data” by Nancy Um highlights how interoperable research infrastructures are becoming essential for the future of digital art history and global cultural heritage collaboration.
#DigitalArtHistory #CulturalHeritage #ResearchInfrastructure
https://en.sedaily.com/culture/2026/07/30/getty-research-institute-deputy-director-to-lecture-in -
“Accessibility and Interoperability: The Changing Challenges and Directions of Getty Research Institute’s Art History Data” by Nancy Um highlights how interoperable research infrastructures are becoming essential for the future of digital art history and global cultural heritage collaboration.
#DigitalArtHistory #CulturalHeritage #ResearchInfrastructure
https://en.sedaily.com/culture/2026/07/30/getty-research-institute-deputy-director-to-lecture-in -
“Accessibility and Interoperability: The Changing Challenges and Directions of Getty Research Institute’s Art History Data” by Nancy Um highlights how interoperable research infrastructures are becoming essential for the future of digital art history and global cultural heritage collaboration.
#DigitalArtHistory #CulturalHeritage #ResearchInfrastructure
https://en.sedaily.com/culture/2026/07/30/getty-research-institute-deputy-director-to-lecture-in -
“Accessibility and Interoperability: The Changing Challenges and Directions of Getty Research Institute’s Art History Data” by Nancy Um highlights how interoperable research infrastructures are becoming essential for the future of digital art history and global cultural heritage collaboration.
#DigitalArtHistory #CulturalHeritage #ResearchInfrastructure
https://en.sedaily.com/culture/2026/07/30/getty-research-institute-deputy-director-to-lecture-in -
Der NFDI4Culture Art History Award 2026 sucht innovative Open-Access-Publikationen und Forschungsdatenprojekte an der Schnittstelle von Kunstgeschichte, Digital Humanities und Forschungsdaten. Einreichungen sind bis 30. September 2026 möglich.
#DigitalArtHistory #NFDI4Culture #OpenScience
https://nfdi4culture.de/de/nachrichten/details/nfdi4culture-art-history-award-aha.html -
Der NFDI4Culture Art History Award 2026 sucht innovative Open-Access-Publikationen und Forschungsdatenprojekte an der Schnittstelle von Kunstgeschichte, Digital Humanities und Forschungsdaten. Einreichungen sind bis 30. September 2026 möglich.
#DigitalArtHistory #NFDI4Culture #OpenScience
https://nfdi4culture.de/de/nachrichten/details/nfdi4culture-art-history-award-aha.html -
Der NFDI4Culture Art History Award 2026 sucht innovative Open-Access-Publikationen und Forschungsdatenprojekte an der Schnittstelle von Kunstgeschichte, Digital Humanities und Forschungsdaten. Einreichungen sind bis 30. September 2026 möglich.
#DigitalArtHistory #NFDI4Culture #OpenScience
https://nfdi4culture.de/de/nachrichten/details/nfdi4culture-art-history-award-aha.html -
Der NFDI4Culture Art History Award 2026 sucht innovative Open-Access-Publikationen und Forschungsdatenprojekte an der Schnittstelle von Kunstgeschichte, Digital Humanities und Forschungsdaten. Einreichungen sind bis 30. September 2026 möglich.
#DigitalArtHistory #NFDI4Culture #OpenScience
https://nfdi4culture.de/de/nachrichten/details/nfdi4culture-art-history-award-aha.html -
Der NFDI4Culture Art History Award 2026 sucht innovative Open-Access-Publikationen und Forschungsdatenprojekte an der Schnittstelle von Kunstgeschichte, Digital Humanities und Forschungsdaten. Einreichungen sind bis 30. September 2026 möglich.
#DigitalArtHistory #NFDI4Culture #OpenScience
https://nfdi4culture.de/de/nachrichten/details/nfdi4culture-art-history-award-aha.html -
The new AAA – Art, Aesthetics and AI platform by UdK Berlin has launched its first open call. If you’re working at the intersection of art, aesthetics, critical AI, and digital culture, this is a great opportunity to share essays, artistic interventions, experiments, and interdisciplinary perspectives.
#DigitalArtHistory #AIArt #DigitalHumanities
https://aaa.udk.digital/#call -
The new AAA – Art, Aesthetics and AI platform by UdK Berlin has launched its first open call. If you’re working at the intersection of art, aesthetics, critical AI, and digital culture, this is a great opportunity to share essays, artistic interventions, experiments, and interdisciplinary perspectives.
#DigitalArtHistory #AIArt #DigitalHumanities
https://aaa.udk.digital/#call -
The new AAA – Art, Aesthetics and AI platform by UdK Berlin has launched its first open call. If you’re working at the intersection of art, aesthetics, critical AI, and digital culture, this is a great opportunity to share essays, artistic interventions, experiments, and interdisciplinary perspectives.
#DigitalArtHistory #AIArt #DigitalHumanities
https://aaa.udk.digital/#call -
The new AAA – Art, Aesthetics and AI platform by UdK Berlin has launched its first open call. If you’re working at the intersection of art, aesthetics, critical AI, and digital culture, this is a great opportunity to share essays, artistic interventions, experiments, and interdisciplinary perspectives.
#DigitalArtHistory #AIArt #DigitalHumanities
https://aaa.udk.digital/#call