#karloff — Public Fediverse posts

As a musician, sometimes you just want to blow off some steam with a fun, low-stakes side project, free from the genre trappings or expectations of your main gig. Karloff is a band born of such an impulse, serving as the vehicle for Graveyard Ghoul’s Tom “Tyrantör” Horrified to deliver some vintage metal/punk. The band’s last full-length, 2021’s The Appearing, was an enjoyable but unimpressive throwback to the halcyon days of punky heavy metal with a blackened twist. Now Mr. Horrified and his team storm back from the grave with another fist-swinging slab of tight, nostalgia-soaked riffage, built to crack open some beers and rattle your damn crypt to rubble. Can Karloff rise above their debut, hit harder, and unleash a truly skull-splitting dose of heavy metal warcraft?

From the moment you press “play,” it’s clear that Revered by Death is bursting with punk energy and metal spirit. Opener “A Pessimistic Soaring” wastes no time before hitting you square in the face with a simple, but effective power chord riff panned to one channel before the full rhythm section bursts in. We get a tasty, phased-out guitar lead before landing on a fun, punky verse riff, complete with blackened rasps about “a world consumed by darkness.” This sets the stage nicely for what Karloff is all about: no-nonsense, kitschy retro metal/punk with plenty of energy. Their bread-and-butter is like if a less-gaudy Midnight crashed into the punked-out thrash of early Nasty Savage and sprinkled it in a blackened layer of late-era Darkthrone. When it all comes together, the result can be oodles of fun. Karloff isn’t reinventing the wheel, but they’re definitely spilling some beer on it and decorating it with fake cobwebs and candles.

Revered by Death by Karloff

A lot of Revered by Death’s charm comes from the no-nonsense attitude on display from Karloff’s members. At their best, the riffs have the sort of quality of alcohol-fueled basement jams, with Tom Horrified providing some flavorful leads to spice things up and laying down punky power chords that find a sweet spot between uncomplicated and straight-up ignorant (“Crown Cult Fate,” “Die Wiederkehr der Dunkeleit”). H.T Steinbrecher’s drum performance is effective and workmanlike, rarely veering into blastbeat territory and keeping things classy with variations on rock beats, aided by the occasional d-beat (“Prince of Parasites”). Karloff maintains their core metal/punk sound across much of the album, but a few effective variations help to keep things fresh. “When the Flames Devour You All” is a mid-tempo, blackened banger, with swirling black metal arpeggios meeting sludgy power chords, and “Elisabetha’s Revenge” continues this thread, amping up the cinematics and dynamics to make for a memorable closer. Throughout it all, there’s a distinct sense of personality that helps maintain a sonic cohesion.

My only real complaint with Revered by Death is that some tracks aren’t quite as tightly executed as others. Karloff largely hit the mark, and none of the songs are complete stinkers, but some of the B-sides fail to get the blood pumping as effectively. At 4-minutes, “Regicide” is a tad longer than average and lingers on its main riff for its entirety, lacking a lead or meaningful variation to keep things interesting. “On Weathered Altar” is a surprising turn towards instrumental horror ambience and lands smack in the middle as an interlude that runs for about twice as long as it should. These aren’t total deal breakers, but on a short album, they feel longer than they otherwise would and distract somewhat from an otherwise solid package.

With Revered by Death, Karloff has delivered a lively batch of blackened metal/punk rippers. Nothing here will boggle your mind, but the band’s distinctive attitude and kitschy execution are plenty entertaining. The next time I want to feel like I’m in a metal party scene from an 80s horror movie, I’ll crush a beer can on my forehead, pull out my ripped jeans, gel my mullet, and throw on some of the best tracks from this latest Karloff.

Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Dying Victims Productions
Website: facebook.com/karloffpunk
Releases Worldwide: January 23rd, 2026

As a musician, sometimes you just want to blow off some steam with a fun, low-stakes side project, free from the genre trappings or expectations of your main gig. Karloff is a band born of such an impulse, serving as the vehicle for Graveyard Ghoul’s Tom “Tyrantör” Horrified to deliver some vintage metal/punk. The band’s last full-length, 2021’s The Appearing, was an enjoyable but unimpressive throwback to the halcyon days of punky heavy metal with a blackened twist. Now Mr. Horrified and his team storm back from the grave with another fist-swinging slab of tight, nostalgia-soaked riffage, built to crack open some beers and rattle your damn crypt to rubble. Can Karloff rise above their debut, hit harder, and unleash a truly skull-splitting dose of heavy metal warcraft?

From the moment you press “play,” it’s clear that Revered by Death is bursting with punk energy and metal spirit. Opener “A Pessimistic Soaring” wastes no time before hitting you square in the face with a simple, but effective power chord riff panned to one channel before the full rhythm section bursts in. We get a tasty, phased-out guitar lead before landing on a fun, punky verse riff, complete with blackened rasps about “a world consumed by darkness.” This sets the stage nicely for what Karloff is all about: no-nonsense, kitschy retro metal/punk with plenty of energy. Their bread-and-butter is like if a less-gaudy Midnight crashed into the punked-out thrash of early Nasty Savage and sprinkled it in a blackened layer of late-era Darkthrone. When it all comes together, the result can be oodles of fun. Karloff isn’t reinventing the wheel, but they’re definitely spilling some beer on it and decorating it with fake cobwebs and candles.

Revered by Death by Karloff

A lot of Revered by Death’s charm comes from the no-nonsense attitude on display from Karloff’s members. At their best, the riffs have the sort of quality of alcohol-fueled basement jams, with Tom Horrified providing some flavorful leads to spice things up and laying down punky power chords that find a sweet spot between uncomplicated and straight-up ignorant (“Crown Cult Fate,” “Die Wiederkehr der Dunkeleit”). H.T Steinbrecher’s drum performance is effective and workmanlike, rarely veering into blastbeat territory and keeping things classy with variations on rock beats, aided by the occasional d-beat (“Prince of Parasites”). Karloff maintains their core metal/punk sound across much of the album, but a few effective variations help to keep things fresh. “When the Flames Devour You All” is a mid-tempo, blackened banger, with swirling black metal arpeggios meeting sludgy power chords, and “Elisabetha’s Revenge” continues this thread, amping up the cinematics and dynamics to make for a memorable closer. Throughout it all, there’s a distinct sense of personality that helps maintain a sonic cohesion.

My only real complaint with Revered by Death is that some tracks aren’t quite as tightly executed as others. Karloff largely hit the mark, and none of the songs are complete stinkers, but some of the B-sides fail to get the blood pumping as effectively. At 4-minutes, “Regicide” is a tad longer than average and lingers on its main riff for its entirety, lacking a lead or meaningful variation to keep things interesting. “On Weathered Altar” is a surprising turn towards instrumental horror ambience and lands smack in the middle as an interlude that runs for about twice as long as it should. These aren’t total deal breakers, but on a short album, they feel longer than they otherwise would and distract somewhat from an otherwise solid package.

With Revered by Death, Karloff has delivered a lively batch of blackened metal/punk rippers. Nothing here will boggle your mind, but the band’s distinctive attitude and kitschy execution are plenty entertaining. The next time I want to feel like I’m in a metal party scene from an 80s horror movie, I’ll crush a beer can on my forehead, pull out my ripped jeans, gel my mullet, and throw on some of the best tracks from this latest Karloff.

Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Dying Victims Productions
Website: facebook.com/karloffpunk
Releases Worldwide: January 23rd, 2026

As a musician, sometimes you just want to blow off some steam with a fun, low-stakes side project, free from the genre trappings or expectations of your main gig. Karloff is a band born of such an impulse, serving as the vehicle for Graveyard Ghoul’s Tom “Tyrantör” Horrified to deliver some vintage metal/punk. The band’s last full-length, 2021’s The Appearing, was an enjoyable but unimpressive throwback to the halcyon days of punky heavy metal with a blackened twist. Now Mr. Horrified and his team storm back from the grave with another fist-swinging slab of tight, nostalgia-soaked riffage, built to crack open some beers and rattle your damn crypt to rubble. Can Karloff rise above their debut, hit harder, and unleash a truly skull-splitting dose of heavy metal warcraft?

From the moment you press “play,” it’s clear that Revered by Death is bursting with punk energy and metal spirit. Opener “A Pessimistic Soaring” wastes no time before hitting you square in the face with a simple, but effective power chord riff panned to one channel before the full rhythm section bursts in. We get a tasty, phased-out guitar lead before landing on a fun, punky verse riff, complete with blackened rasps about “a world consumed by darkness.” This sets the stage nicely for what Karloff is all about: no-nonsense, kitschy retro metal/punk with plenty of energy. Their bread-and-butter is like if a less-gaudy Midnight crashed into the punked-out thrash of early Nasty Savage and sprinkled it in a blackened layer of late-era Darkthrone. When it all comes together, the result can be oodles of fun. Karloff isn’t reinventing the wheel, but they’re definitely spilling some beer on it and decorating it with fake cobwebs and candles.

Revered by Death by Karloff

A lot of Revered by Death’s charm comes from the no-nonsense attitude on display from Karloff’s members. At their best, the riffs have the sort of quality of alcohol-fueled basement jams, with Tom Horrified providing some flavorful leads to spice things up and laying down punky power chords that find a sweet spot between uncomplicated and straight-up ignorant (“Crown Cult Fate,” “Die Wiederkehr der Dunkeleit”). H.T Steinbrecher’s drum performance is effective and workmanlike, rarely veering into blastbeat territory and keeping things classy with variations on rock beats, aided by the occasional d-beat (“Prince of Parasites”). Karloff maintains their core metal/punk sound across much of the album, but a few effective variations help to keep things fresh. “When the Flames Devour You All” is a mid-tempo, blackened banger, with swirling black metal arpeggios meeting sludgy power chords, and “Elisabetha’s Revenge” continues this thread, amping up the cinematics and dynamics to make for a memorable closer. Throughout it all, there’s a distinct sense of personality that helps maintain a sonic cohesion.

My only real complaint with Revered by Death is that some tracks aren’t quite as tightly executed as others. Karloff largely hit the mark, and none of the songs are complete stinkers, but some of the B-sides fail to get the blood pumping as effectively. At 4-minutes, “Regicide” is a tad longer than average and lingers on its main riff for its entirety, lacking a lead or meaningful variation to keep things interesting. “On Weathered Altar” is a surprising turn towards instrumental horror ambience and lands smack in the middle as an interlude that runs for about twice as long as it should. These aren’t total deal breakers, but on a short album, they feel longer than they otherwise would and distract somewhat from an otherwise solid package.

With Revered by Death, Karloff has delivered a lively batch of blackened metal/punk rippers. Nothing here will boggle your mind, but the band’s distinctive attitude and kitschy execution are plenty entertaining. The next time I want to feel like I’m in a metal party scene from an 80s horror movie, I’ll crush a beer can on my forehead, pull out my ripped jeans, gel my mullet, and throw on some of the best tracks from this latest Karloff.

Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Dying Victims Productions
Website: facebook.com/karloffpunk
Releases Worldwide: January 23rd, 2026

As a musician, sometimes you just want to blow off some steam with a fun, low-stakes side project, free from the genre trappings or expectations of your main gig. Karloff is a band born of such an impulse, serving as the vehicle for Graveyard Ghoul’s Tom “Tyrantör” Horrified to deliver some vintage metal/punk. The band’s last full-length, 2021’s The Appearing, was an enjoyable but unimpressive throwback to the halcyon days of punky heavy metal with a blackened twist. Now Mr. Horrified and his team storm back from the grave with another fist-swinging slab of tight, nostalgia-soaked riffage, built to crack open some beers and rattle your damn crypt to rubble. Can Karloff rise above their debut, hit harder, and unleash a truly skull-splitting dose of heavy metal warcraft?

From the moment you press “play,” it’s clear that Revered by Death is bursting with punk energy and metal spirit. Opener “A Pessimistic Soaring” wastes no time before hitting you square in the face with a simple, but effective power chord riff panned to one channel before the full rhythm section bursts in. We get a tasty, phased-out guitar lead before landing on a fun, punky verse riff, complete with blackened rasps about “a world consumed by darkness.” This sets the stage nicely for what Karloff is all about: no-nonsense, kitschy retro metal/punk with plenty of energy. Their bread-and-butter is like if a less-gaudy Midnight crashed into the punked-out thrash of early Nasty Savage and sprinkled it in a blackened layer of late-era Darkthrone. When it all comes together, the result can be oodles of fun. Karloff isn’t reinventing the wheel, but they’re definitely spilling some beer on it and decorating it with fake cobwebs and candles.

Revered by Death by Karloff

A lot of Revered by Death’s charm comes from the no-nonsense attitude on display from Karloff’s members. At their best, the riffs have the sort of quality of alcohol-fueled basement jams, with Tom Horrified providing some flavorful leads to spice things up and laying down punky power chords that find a sweet spot between uncomplicated and straight-up ignorant (“Crown Cult Fate,” “Die Wiederkehr der Dunkeleit”). H.T Steinbrecher’s drum performance is effective and workmanlike, rarely veering into blastbeat territory and keeping things classy with variations on rock beats, aided by the occasional d-beat (“Prince of Parasites”). Karloff maintains their core metal/punk sound across much of the album, but a few effective variations help to keep things fresh. “When the Flames Devour You All” is a mid-tempo, blackened banger, with swirling black metal arpeggios meeting sludgy power chords, and “Elisabetha’s Revenge” continues this thread, amping up the cinematics and dynamics to make for a memorable closer. Throughout it all, there’s a distinct sense of personality that helps maintain a sonic cohesion.

My only real complaint with Revered by Death is that some tracks aren’t quite as tightly executed as others. Karloff largely hit the mark, and none of the songs are complete stinkers, but some of the B-sides fail to get the blood pumping as effectively. At 4-minutes, “Regicide” is a tad longer than average and lingers on its main riff for its entirety, lacking a lead or meaningful variation to keep things interesting. “On Weathered Altar” is a surprising turn towards instrumental horror ambience and lands smack in the middle as an interlude that runs for about twice as long as it should. These aren’t total deal breakers, but on a short album, they feel longer than they otherwise would and distract somewhat from an otherwise solid package.

With Revered by Death, Karloff has delivered a lively batch of blackened metal/punk rippers. Nothing here will boggle your mind, but the band’s distinctive attitude and kitschy execution are plenty entertaining. The next time I want to feel like I’m in a metal party scene from an 80s horror movie, I’ll crush a beer can on my forehead, pull out my ripped jeans, gel my mullet, and throw on some of the best tracks from this latest Karloff.

Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Dying Victims Productions
Website: facebook.com/karloffpunk
Releases Worldwide: January 23rd, 2026

As a musician, sometimes you just want to blow off some steam with a fun, low-stakes side project, free from the genre trappings or expectations of your main gig. Karloff is a band born of such an impulse, serving as the vehicle for Graveyard Ghoul’s Tom “Tyrantör” Horrified to deliver some vintage metal/punk. The band’s last full-length, 2021’s The Appearing, was an enjoyable but unimpressive throwback to the halcyon days of punky heavy metal with a blackened twist. Now Mr. Horrified and his team storm back from the grave with another fist-swinging slab of tight, nostalgia-soaked riffage, built to crack open some beers and rattle your damn crypt to rubble. Can Karloff rise above their debut, hit harder, and unleash a truly skull-splitting dose of heavy metal warcraft?

From the moment you press “play,” it’s clear that Revered by Death is bursting with punk energy and metal spirit. Opener “A Pessimistic Soaring” wastes no time before hitting you square in the face with a simple, but effective power chord riff panned to one channel before the full rhythm section bursts in. We get a tasty, phased-out guitar lead before landing on a fun, punky verse riff, complete with blackened rasps about “a world consumed by darkness.” This sets the stage nicely for what Karloff is all about: no-nonsense, kitschy retro metal/punk with plenty of energy. Their bread-and-butter is like if a less-gaudy Midnight crashed into the punked-out thrash of early Nasty Savage and sprinkled it in a blackened layer of late-era Darkthrone. When it all comes together, the result can be oodles of fun. Karloff isn’t reinventing the wheel, but they’re definitely spilling some beer on it and decorating it with fake cobwebs and candles.

Revered by Death by Karloff

A lot of Revered by Death’s charm comes from the no-nonsense attitude on display from Karloff’s members. At their best, the riffs have the sort of quality of alcohol-fueled basement jams, with Tom Horrified providing some flavorful leads to spice things up and laying down punky power chords that find a sweet spot between uncomplicated and straight-up ignorant (“Crown Cult Fate,” “Die Wiederkehr der Dunkeleit”). H.T Steinbrecher’s drum performance is effective and workmanlike, rarely veering into blastbeat territory and keeping things classy with variations on rock beats, aided by the occasional d-beat (“Prince of Parasites”). Karloff maintains their core metal/punk sound across much of the album, but a few effective variations help to keep things fresh. “When the Flames Devour You All” is a mid-tempo, blackened banger, with swirling black metal arpeggios meeting sludgy power chords, and “Elisabetha’s Revenge” continues this thread, amping up the cinematics and dynamics to make for a memorable closer. Throughout it all, there’s a distinct sense of personality that helps maintain a sonic cohesion.

My only real complaint with Revered by Death is that some tracks aren’t quite as tightly executed as others. Karloff largely hit the mark, and none of the songs are complete stinkers, but some of the B-sides fail to get the blood pumping as effectively. At 4-minutes, “Regicide” is a tad longer than average and lingers on its main riff for its entirety, lacking a lead or meaningful variation to keep things interesting. “On Weathered Altar” is a surprising turn towards instrumental horror ambience and lands smack in the middle as an interlude that runs for about twice as long as it should. These aren’t total deal breakers, but on a short album, they feel longer than they otherwise would and distract somewhat from an otherwise solid package.

With Revered by Death, Karloff has delivered a lively batch of blackened metal/punk rippers. Nothing here will boggle your mind, but the band’s distinctive attitude and kitschy execution are plenty entertaining. The next time I want to feel like I’m in a metal party scene from an 80s horror movie, I’ll crush a beer can on my forehead, pull out my ripped jeans, gel my mullet, and throw on some of the best tracks from this latest Karloff.

Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Dying Victims Productions
Website: facebook.com/karloffpunk
Releases Worldwide: January 23rd, 2026

It must be Halloween.
#Karloff
#ChaneyJr

Eindruck von #BurningQ #Festival gestern: #RiseOfKronos, #Karloff, #Benediction, #Bloodfang und #SulphurAeon waren meine Highlights. Dazu kommt eine äußerst angenehme Festivalathmosphäre, nette Leute allüberall, tolles ehrenamtliches Team, Mega!

Eindruck von #BurningQ #Festival gestern: #RiseOfKronos, #Karloff, #Benediction, #Bloodfang und #SulphurAeon waren meine Highlights. Dazu kommt eine äußerst angenehme Festivalathmosphäre, nette Leute allüberall, tolles ehrenamtliches Team, Mega!

The Raven 1935 movie poster.

#movie #movieposter #poster #illustration #poe #karloff #lugosi #LewLanders `#1935s #Raven #TheRaven

New Artist announced for Burning Q Festival 2025: 🔥 Karloff 🔥

🎶 Listen to the current LineUp on YouTube and Spotify: https://fyrefestivals.co
🎟️ Get your Tickets now: https://prf.hn/l/EJnYMdO

#Burning_Q_Festival_2025 #Karloff #fyre_festivals #livemusic #youtube #spotify #music #musicfestivals #playlist #tickets #announcement

The dark themes may be reason enough to watch this one, but many of those story elements seem to be there strictly for the shock value.
No explanation is given to Karloff’s “collection”, or his leadership of a Devil cult, and Lugosi’s fear of cats was shoehorned in to simply keep the character from his goal so the story could continue.
#MovieReview #Horror #Karloff #Lugosi
https://www.imdb.com/title/tt0024894/

#nowPlaying

Karloff / Ultha - Split

https://vendetta-records.bandcamp.com/album/karloff-ultha-split

#Karloff and #Ultha covering #Samhain

#BlackMetal #Punk #LetTheDayBegin #UnholyPassion

@AndyPaciorekArt Arthur Lubin's Black Friday (1940) with #Karloff and #Lugosi is wonderful(ly creepy) https://letterboxd.com/film/black-friday/ #cinemastodon #film #FilmNoir #horror

This year's #Halloween #movie was 1932's #precode The Mummy. Much fun. #Karloff is great. And we have two alumni from #Dracula: Edward Van Sloan and David Manners. Plus Zita Johann as the proto-emo/goth romantic interest/reincarnated Egyptian princess Karloff is in love with. (Is this where the reincarnated girlfriend trope gets its start?)

Good times. Happy Halloween, everyone!

⭐️⭐️⭐️⭐️⭐️⭐️

#BorisKarloff! The opening scene with #Karloff and #BramwellFletcher is classic ... the best part of the #film!

🎃🎃🎃🎃🎃🎃🎃

The Mummy (1932) - https://www.imdb.com/title/tt0023245/

James Whale and Boris #Karloff taking a smoke break during production of #Frankenstein (1931)

#bts #cine

"I'm the sanest man who ever lived!"

Though #Karloff is top-billed, bringing authentic pathos as a regretful, disfigured bank robber, it's #Lugosi's movie, relishing the mania of a retired surgeon / obsessive #Poe collector converting his cellar into a torture museum (complete with active pendulum)...

1/2

#Bales2023FilmChallenge March 21: Countdown on #NationalCountdownDay

[SPOILER WARNING BELOW]

#Peace, little girl aka Daisy aka Daisy Girl was the #PoliticalAd campaign to end all ad campaigns. It opens innocently enough with a little blonde girl, picking the petals of an ox-eye #daisy while counting. When the final petal's gone, the tone changes completely*

This deceptively simple #propaganda #film was made in support of Lyndon B. Johnson's 1964 presidential campaign by ad agency #DBB and media consultant #TonySchwartz. It was so effective and bleak in is insinuations that the Johnson campaign was forced to pull it after only one screening.

What fascinates me is the similarity with one particular scene from James Whale's Frankenstein (1931). The Monster (#Karloff) meets a little girl who sits on the shore of a lake, picking daisies. He approaches her, and the girl, knowing the creature is a good man at heart, invites him to play a game with her involving them tossing the daisies into the lake. <spoiler>When they run out of daisies, the Monster picks up the girl who to him is as pretty and innocent as a flower, and throws her into the water.</spoiler>.

This scene was cut and considered lost until the 1980s. Could Tony Schwartz have been aware of that scene? He was at the right age to have seen the pre-code, pre-cut version.

*Peace, little girl is deceptively simple and only a minute long. However, do watch it on a sunny day: https://www.loc.gov/item/mbrs01185386.

#film #cinema #propaganda #elections #LyndonBJohnson #BarryGoldwater #ColdWar #Vietnam #VietnamWar #politics #FilMastodon #CineMastodon @film https://letterboxd.com/12pt9/list/bales2023filmchallenge/

#Bales2023FilmChallenge March 21: Countdown on #NationalCountdownDay

[SPOILER WARNING BELOW]

#Peace, little girl aka Daisy aka Daisy Girl was the #PoliticalAd campaign to end all ad campaigns. It opens innocently enough with a little blonde girl, picking the petals of an ox-eye #daisy while counting. When the final petal's gone, the tone changes completely*

This deceptively simple #propaganda #film was made in support of Lyndon B. Johnson's 1964 presidential campaign by ad agency #DBB and media consultant #TonySchwartz. It was so effective and bleak in is insinuations that the Johnson campaign was forced to pull it after only one screening.

What fascinates me is the similarity with one particular scene from James Whale's Frankenstein (1931). The Monster (#Karloff) meets a little girl who sits on the shore of a lake, picking daisies. He approaches her, and the girl, knowing the creature is a good man at heart, invites him to play a game with her involving them tossing the daisies into the lake. <spoiler>When they run out of daisies, the Monster picks up the girl who to him is as pretty and innocent as a flower, and throws her into the water.</spoiler>.

This scene was cut and considered lost until the 1980s. Could Tony Schwartz have been aware of that scene? He was at the right age to have seen the pre-code, pre-cut version.

*Peace, little girl is deceptively simple and only a minute long. However, do watch it on a sunny day: https://www.loc.gov/item/mbrs01185386.

#film #cinema #propaganda #elections #LyndonBJohnson #BarryGoldwater #ColdWar #Vietnam #VietnamWar #politics #FilMastodon #CineMastodon @film https://letterboxd.com/12pt9/list/bales2023filmchallenge/

#Bales2023FilmChallenge March 21: Countdown on #NationalCountdownDay

[SPOILER WARNING BELOW]

#Peace, little girl aka Daisy aka Daisy Girl was the #PoliticalAd campaign to end all ad campaigns. It opens innocently enough with a little blonde girl, picking the petals of an ox-eye #daisy while counting. When the final petal's gone, the tone changes completely*

This deceptively simple #propaganda #film was made in support of Lyndon B. Johnson's 1964 presidential campaign by ad agency #DBB and media consultant #TonySchwartz. It was so effective and bleak in is insinuations that the Johnson campaign was forced to pull it after only one screening.

What fascinates me is the similarity with one particular scene from James Whale's Frankenstein (1931). The Monster (#Karloff) meets a little girl who sits on the shore of a lake, picking daisies. He approaches her, and the girl, knowing the creature is a good man at heart, invites him to play a game with her involving them tossing the daisies into the lake. <spoiler>When they run out of daisies, the Monster picks up the girl who to him is as pretty and innocent as a flower, and throws her into the water.</spoiler>.

This scene was cut and considered lost until the 1980s. Could Tony Schwartz have been aware of that scene? He was at the right age to have seen the pre-code, pre-cut version.

*Peace, little girl is deceptively simple and only a minute long. However, do watch it on a sunny day: https://www.loc.gov/item/mbrs01185386.

#film #cinema #propaganda #elections #LyndonBJohnson #BarryGoldwater #ColdWar #Vietnam #VietnamWar #politics #FilMastodon #CineMastodon @film https://letterboxd.com/12pt9/list/bales2023filmchallenge/

#Bales2023FilmChallenge March 21: Countdown on #NationalCountdownDay

[SPOILER WARNING BELOW]

#Peace, little girl aka Daisy aka Daisy Girl was the #PoliticalAd campaign to end all ad campaigns. It opens innocently enough with a little blonde girl, picking the petals of an ox-eye #daisy while counting. When the final petal's gone, the tone changes completely*

This deceptively simple #propaganda #film was made in support of Lyndon B. Johnson's 1964 presidential campaign by ad agency #DBB and media consultant #TonySchwartz. It was so effective and bleak in is insinuations that the Johnson campaign was forced to pull it after only one screening.

What fascinates me is the similarity with one particular scene from James Whale's Frankenstein (1931). The Monster (#Karloff) meets a little girl who sits on the shore of a lake, picking daisies. He approaches her, and the girl, knowing the creature is a good man at heart, invites him to play a game with her involving them tossing the daisies into the lake. <spoiler>When they run out of daisies, the Monster picks up the girl who to him is as pretty and innocent as a flower, and throws her into the water.</spoiler>.

This scene was cut and considered lost until the 1980s. Could Tony Schwartz have been aware of that scene? He was at the right age to have seen the pre-code, pre-cut version.

*Peace, little girl is deceptively simple and only a minute long. However, do watch it on a sunny day: https://www.loc.gov/item/mbrs01185386.

#film #cinema #propaganda #elections #LyndonBJohnson #BarryGoldwater #ColdWar #Vietnam #VietnamWar #politics #FilMastodon #CineMastodon @film https://letterboxd.com/12pt9/list/bales2023filmchallenge/

#Bales2023FilmChallenge March 21: Countdown on #NationalCountdownDay

[SPOILER WARNING BELOW]

#Peace, little girl aka Daisy aka Daisy Girl was the #PoliticalAd campaign to end all ad campaigns. It opens innocently enough with a little blonde girl, picking the petals of an ox-eye #daisy while counting. When the final petal's gone, the tone changes completely*

This deceptively simple #propaganda #film was made in support of Lyndon B. Johnson's 1964 presidential campaign by ad agency #DBB and media consultant #TonySchwartz. It was so effective and bleak in is insinuations that the Johnson campaign was forced to pull it after only one screening.

What fascinates me is the similarity with one particular scene from James Whale's Frankenstein (1931). The Monster (#Karloff) meets a little girl who sits on the shore of a lake, picking daisies. He approaches her, and the girl, knowing the creature is a good man at heart, invites him to play a game with her involving them tossing the daisies into the lake. <spoiler>When they run out of daisies, the Monster picks up the girl who to him is as pretty and innocent as a flower, and throws her into the water.</spoiler>.

This scene was cut and considered lost until the 1980s. Could Tony Schwartz have been aware of that scene? He was at the right age to have seen the pre-code, pre-cut version.

*Peace, little girl is deceptively simple and only a minute long. However, do watch it on a sunny day: https://www.loc.gov/item/mbrs01185386.

#film #cinema #propaganda #elections #LyndonBJohnson #BarryGoldwater #ColdWar #Vietnam #VietnamWar #politics #FilMastodon #CineMastodon @film https://letterboxd.com/12pt9/list/bales2023filmchallenge/

#Bales2023FilmChallenge XXDATE: Countdown on #NationalCountdownDay

[SPOILER WARNING BELOW]

#Peace, little girl aka Daisy aka Daisy Girl was the #PoliticalAd campaign to end all ad campaigns. It opens innocently enough with a little blonde girl, picking the petals of an ox-eye #daisy while counting. When the final petal's gone, the tone changes completely*

This deceptively simple #propaganda #film was made in support of Lyndon B. Johnson's 1964 presidential campaign by ad agency #DBB and media consultant #TonySchwartz. It was so effective and bleak in is insinuations that the Johnson campaign was forced to pull it after only one screening.

What fascinates me is the similarity with one particular scene from James Whale's Frankenstein (1931). The Monster (#Karloff) meets a little girl who sits on the shore of a lake, picking daisies. He approaches her, and the girl, knowing the creature is a good man at heart, invites him to play a game with her involving them tossing the daisies into the lake. <spoiler>When they run out of daisies, the Monster picks up the girl who to him is as pretty and innocent as a flower, and throws her into the water.</spoiler>.

This scene was cut and considered lost until the 1980s. Could Tony Schwartz have been aware of that scene? He was at the right age to have seen the pre-code, pre-cut version.

*Peace, little girl is deceptively simple and only a minute long. However, do watch it on a sunny day: https://www.loc.gov/item/mbrs01185386/?)

#film #cinema #propaganda #elections #LyndonBJohnson #BarryGoldwater #ColdWar #Vietnam #VietnamWar #politics #FilMastodon #CineMastodon @film https://letterboxd.com/12pt9/list/bales2023filmchallenge/

Can a ghoul possibly have too much #Karloff in its life? Watching tonight: Michael Curtiz's The Walking Dead (1936). #precode #film #BorisKarloff

THE CURSE OF THE CRIMSON ALTAR (1968)-#horror #1960s #ChristopherLee #Karloff

Boris #Karloff, nacido un día como el de hoy pero de 1887, auspició de inquietante maestro de ceremonias en la película italiana del año 1963 “Las Tres Caras del Miedo" (I Tre Volti della Paura) además de protagonizar uno de los relatos que conforman el film. Su nombre, sinónimo del cine de terror, no brilla aquí como en “El Cuervo” o “Satanás” (ambas junto a Bela Lugosi, el otro gran ícono del género) por nombrar solo algunas. Sin embargo, la referencia es solo una excusa para recordar a un grupo de jóvenes de Birminghan que tenían una banda llamada “Earth” a fines de los 60´ y después de ver la película decidieron cambiar su nombre para designar al grupo. Es que en la lengua de Shakespeare el título nos sonará más familiar: #BlackSabbath.
#EfemeridesRock