#domus — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #domus, aggregated by home.social.
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#DOMUS allgraph.ro/advanced-sea... 1971 IN #TENNIS search.brave.com/ask?q=Analyz... Semantic NODES: The Bridge between Humans and Artificial Intelligence. NOSTR.com - Snort: snort.social/nprofile1qqs...
MultiSearch Tag Explorer -
Meine neue App soll Vermietung einfacher machen. Mit #Domus lassen sich Objekte, Mietverhältnisse, Buchungen und Unterlagen direkt in #Nextcloud sauber verwalten.
Kostenlos, #OpenSource und ideal für Vermieter und kleine Hausverwaltungen, die weniger suchen und mehr Überblick wollen: https://apps.nextcloud.com/apps/domus
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https://www.europesays.com/hu/91276/ visszatér a Telex After bulija #After #AfterParty #Andrej #bejelentés #buli #DARĀGE #Domus #Entertainment #HU #Hungarian #Hungary #KassaHajó #koncert #Magyar #Magyarország #Smeci #Szórakozás #TücsökEszti #Villő
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❗ 𝗠𝗼𝗹𝗶𝘀𝗲❟ 𝗻𝗲𝗹 𝗽𝗮𝗿𝗰𝗼 archeologico 𝗱𝗶 𝗦𝗲𝗽𝗶𝗻𝗼 𝘀𝗽𝘂𝗻𝘁𝗮 𝘂𝗻𝗮 𝗱𝗼𝗺𝘂𝘀 𝗱𝗶 𝗲𝘁à 𝗶𝗺𝗽𝗲𝗿𝗶𝗮𝗹𝗲
🏛️ Trovati anche un'𝗶𝘀𝗰𝗿𝗶𝘇𝗶𝗼𝗻𝗲 e un 𝘁𝗲𝘀𝗼𝗿𝗲𝘁𝘁𝗼 𝗱𝗶 𝗺𝗼𝗻𝗲𝘁𝗲 𝗱𝗲𝗹 𝗩 𝘀𝗲𝗰𝗼𝗹𝗼. Reperti che forniscono nuovi dati su vita quotidiana, commerci e trasformazioni della città romana fino all’età bizantina
#archeologia #Saepinum #Sepino #scoperte #domus #Molise
📷 foto: ©MiC
➡️ Tutti i dettagli su Storie & Archeostorie: https://wp.me/p7tSpZ-cFA -
❗ 𝗠𝗼𝗹𝗶𝘀𝗲❟ 𝗻𝗲𝗹 𝗽𝗮𝗿𝗰𝗼 archeologico 𝗱𝗶 𝗦𝗲𝗽𝗶𝗻𝗼 𝘀𝗽𝘂𝗻𝘁𝗮 𝘂𝗻𝗮 𝗱𝗼𝗺𝘂𝘀 𝗱𝗶 𝗲𝘁à 𝗶𝗺𝗽𝗲𝗿𝗶𝗮𝗹𝗲
🏛️ Trovati anche un'𝗶𝘀𝗰𝗿𝗶𝘇𝗶𝗼𝗻𝗲 e un 𝘁𝗲𝘀𝗼𝗿𝗲𝘁𝘁𝗼 𝗱𝗶 𝗺𝗼𝗻𝗲𝘁𝗲 𝗱𝗲𝗹 𝗩 𝘀𝗲𝗰𝗼𝗹𝗼. Reperti che forniscono nuovi dati su vita quotidiana, commerci e trasformazioni della città romana fino all’età bizantina
#archeologia #Saepinum #Sepino #scoperte #domus #Molise
📷 foto: ©MiC
➡️ Tutti i dettagli su Storie & Archeostorie: https://wp.me/p7tSpZ-cFA -
❗ 𝗠𝗼𝗹𝗶𝘀𝗲❟ 𝗻𝗲𝗹 𝗽𝗮𝗿𝗰𝗼 archeologico 𝗱𝗶 𝗦𝗲𝗽𝗶𝗻𝗼 𝘀𝗽𝘂𝗻𝘁𝗮 𝘂𝗻𝗮 𝗱𝗼𝗺𝘂𝘀 𝗱𝗶 𝗲𝘁à 𝗶𝗺𝗽𝗲𝗿𝗶𝗮𝗹𝗲
🏛️ Trovati anche un'𝗶𝘀𝗰𝗿𝗶𝘇𝗶𝗼𝗻𝗲 e un 𝘁𝗲𝘀𝗼𝗿𝗲𝘁𝘁𝗼 𝗱𝗶 𝗺𝗼𝗻𝗲𝘁𝗲 𝗱𝗲𝗹 𝗩 𝘀𝗲𝗰𝗼𝗹𝗼. Reperti che forniscono nuovi dati su vita quotidiana, commerci e trasformazioni della città romana fino all’età bizantina
#archeologia #Saepinum #Sepino #scoperte #domus #Molise
📷 foto: ©MiC
➡️ Tutti i dettagli su Storie & Archeostorie: https://wp.me/p7tSpZ-cFA -
Cutaway of an Imperial Roman domus (upper-class house in a city)
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Cutaway of an Imperial Roman domus (upper-class house in a city)
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Cutaway of an Imperial Roman domus (upper-class house in a city)
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Na escola de inverno o pasado venres do banco de reciclaxe de #ACoruña con #bricolabs na #Domus, ademais de aprender ferramentas libres como Zerotier e CoMaps, houbo ocasión de cacharrear e mesmo reparouse un televisor
Actividade financiada por #AMTEGA
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Na escola de inverno o pasado venres do banco de reciclaxe de #ACoruña con #bricolabs na #Domus, ademais de aprender ferramentas libres como Zerotier e CoMaps, houbo ocasión de cacharrear e mesmo reparouse un televisor
Actividade financiada por #AMTEGA
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Na escola de inverno o pasado venres do banco de reciclaxe de #ACoruña con #bricolabs na #Domus, ademais de aprender ferramentas libres como Zerotier e CoMaps, houbo ocasión de cacharrear e mesmo reparouse un televisor
Actividade financiada por #AMTEGA
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Na escola de inverno o pasado venres do banco de reciclaxe de #ACoruña con #bricolabs na #Domus, ademais de aprender ferramentas libres como Zerotier e CoMaps, houbo ocasión de cacharrear e mesmo reparouse un televisor
Actividade financiada por #AMTEGA
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Na escola de inverno o pasado venres do banco de reciclaxe de #ACoruña con #bricolabs na #Domus, ademais de aprender ferramentas libres como Zerotier e CoMaps, houbo ocasión de cacharrear e mesmo reparouse un televisor
Actividade financiada por #AMTEGA
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https://www.europesays.com/it/311755/ Cagliari-Juve 1-0, David e Openda ancora nel mirino #area #attaccanti #belga #cagliari #Calcio #canadese #classifica #david #DavidOpenda #domus #dovuto #Football #gol #inchiesta #IT #Italia #Italy #juve #match #numeri #openda #porta #risultato #Soccer #spalletti #Sport #Sports #tiri
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https://www.europesays.com/it/288255/ Cagliari-Milan, le formazioni ufficiali: Pisacane conferma Kiliçsoy. Allegri ritrova Leao dal 1' – La Gazzetta dello Sport #adopo #allegri #allenatore #bartesaghi #cagliari #CagliariMilan #caprile #cheek #De #DeWinter #DeWinterBartesaghi #domus #esposito #estupinan #IT #Italia #Italy #leao #milan #pisacane #Sport #Sports
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Älskade funktionalism ❤️
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Älskade funktionalism ❤️
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Älskade funktionalism ❤️
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While home spaces were not as gendered as those in #AncientGreece, this article talks about how spaces in Rome were also somewhat gendered -- and in his attack against #Clodia, #Cicero used Clodia's defiance of those norms against her!
#Scandalisation, #gender and space in #AncientRome: The case of #Cicero and #Clodia
by Muriel Moser
First published: 17 June 2024"Ciceros thus uses different notions of space for his argument. First, by drawing up a moral landscape of her shameful deeds, Cicero seeks to emphasise the magnitude of her guilt [as an adulteress and murderer of her husband]. Second, built spaces are important for Cicero's argument because they allow him to ‘reveal’ Clodia's private acts, that is, acts that occurred in private spaces, to his male audience in a public space in a dramatic way, thus offering entertainment and creating outrage. Finally, Cicero is able to present her acts as shameful and problematic by blurring built spaces with gendered social spaces.
"This last aspect of his use of space is particularly complex and perfidious and made possible not least by the fluidity of the spatial concepts at work in a #domus and other ‘private’ places, such as gardens and provincial villas. Take the Roman domus: Cicero could use several levels of meaning in this term. A Roman domus was a physical location with a strong symbolic value. It was considered to be the seat of a family, to the point that the term could be equated with the family itself. And, as the family stood at the heart of the Roman moral order, the domus also had a strong #moral connotation The Roman house was, further, a political and hence a public site: it was used to conduct political business, to make connections and to present the public image of the house's owner. It is likely that Clodia received her guests in the atrium, the centre of the public part of the domus, or in an adjacent room (cubiculum) more suitable for private business, but it is difficult to map these roles onto specific areas within the Roman domus. Roman houses were not divided into a ‘public’ and a ‘non-public’ area: some areas were clearly intended for interaction with people outside the household, such as members of the public, guests or supplicants, while other parts were reserved for the life of the family and the business of the household, but there was no clear dichotomy, the separation of these spaces being fluid, with gradations of privacy.
"It is this fluidity that allows Cicero uses spatial references to make Clodia scandalous. For it allows him blur the division between built spaces used by women and conceptual or social spaces, notably politics, that were reserved for men. In this way, Cicero is able to construct Clodia's social events as #transgressions into #MaleSocialSpace. How is this achieved? Having ascribed each of her acts to a specific space as noted above, he turned events that (if they happened at all) would otherwise have been accessible to at most a few people – the goings-on inside Clodia's house (domus) in Rome, in her private garden by the Tiber or at her country house at Baiae – into the public object of the trial of Caelius. In so doing, Cicero accused her of having used these built spaces in a manner that had infringed on social spaces that were unsuitable for respectful women, because they were, so he insinuated, reserved for men. It is the infringement of these #gendered social spaces that constitute her worst transgression according to Cicero."
Read more:
https://onlinelibrary.wiley.com/doi/full/10.1111/1468-0424.12794 -
While home spaces were not as gendered as those in #AncientGreece, this article talks about how spaces in Rome were also somewhat gendered -- and in his attack against #Clodia, #Cicero used Clodia's defiance of those norms against her!
#Scandalisation, #gender and space in #AncientRome: The case of #Cicero and #Clodia
by Muriel Moser
First published: 17 June 2024"Ciceros thus uses different notions of space for his argument. First, by drawing up a moral landscape of her shameful deeds, Cicero seeks to emphasise the magnitude of her guilt [as an adulteress and murderer of her husband]. Second, built spaces are important for Cicero's argument because they allow him to ‘reveal’ Clodia's private acts, that is, acts that occurred in private spaces, to his male audience in a public space in a dramatic way, thus offering entertainment and creating outrage. Finally, Cicero is able to present her acts as shameful and problematic by blurring built spaces with gendered social spaces.
"This last aspect of his use of space is particularly complex and perfidious and made possible not least by the fluidity of the spatial concepts at work in a #domus and other ‘private’ places, such as gardens and provincial villas. Take the Roman domus: Cicero could use several levels of meaning in this term. A Roman domus was a physical location with a strong symbolic value. It was considered to be the seat of a family, to the point that the term could be equated with the family itself. And, as the family stood at the heart of the Roman moral order, the domus also had a strong #moral connotation The Roman house was, further, a political and hence a public site: it was used to conduct political business, to make connections and to present the public image of the house's owner. It is likely that Clodia received her guests in the atrium, the centre of the public part of the domus, or in an adjacent room (cubiculum) more suitable for private business, but it is difficult to map these roles onto specific areas within the Roman domus. Roman houses were not divided into a ‘public’ and a ‘non-public’ area: some areas were clearly intended for interaction with people outside the household, such as members of the public, guests or supplicants, while other parts were reserved for the life of the family and the business of the household, but there was no clear dichotomy, the separation of these spaces being fluid, with gradations of privacy.
"It is this fluidity that allows Cicero uses spatial references to make Clodia scandalous. For it allows him blur the division between built spaces used by women and conceptual or social spaces, notably politics, that were reserved for men. In this way, Cicero is able to construct Clodia's social events as #transgressions into #MaleSocialSpace. How is this achieved? Having ascribed each of her acts to a specific space as noted above, he turned events that (if they happened at all) would otherwise have been accessible to at most a few people – the goings-on inside Clodia's house (domus) in Rome, in her private garden by the Tiber or at her country house at Baiae – into the public object of the trial of Caelius. In so doing, Cicero accused her of having used these built spaces in a manner that had infringed on social spaces that were unsuitable for respectful women, because they were, so he insinuated, reserved for men. It is the infringement of these #gendered social spaces that constitute her worst transgression according to Cicero."
Read more:
https://onlinelibrary.wiley.com/doi/full/10.1111/1468-0424.12794 -
While home spaces were not as gendered as those in #AncientGreece, this article talks about how spaces in Rome were also somewhat gendered -- and in his attack against #Clodia, #Cicero used Clodia's defiance of those norms against her!
#Scandalisation, #gender and space in #AncientRome: The case of #Cicero and #Clodia
by Muriel Moser
First published: 17 June 2024"Ciceros thus uses different notions of space for his argument. First, by drawing up a moral landscape of her shameful deeds, Cicero seeks to emphasise the magnitude of her guilt [as an adulteress and murderer of her husband]. Second, built spaces are important for Cicero's argument because they allow him to ‘reveal’ Clodia's private acts, that is, acts that occurred in private spaces, to his male audience in a public space in a dramatic way, thus offering entertainment and creating outrage. Finally, Cicero is able to present her acts as shameful and problematic by blurring built spaces with gendered social spaces.
"This last aspect of his use of space is particularly complex and perfidious and made possible not least by the fluidity of the spatial concepts at work in a #domus and other ‘private’ places, such as gardens and provincial villas. Take the Roman domus: Cicero could use several levels of meaning in this term. A Roman domus was a physical location with a strong symbolic value. It was considered to be the seat of a family, to the point that the term could be equated with the family itself. And, as the family stood at the heart of the Roman moral order, the domus also had a strong #moral connotation The Roman house was, further, a political and hence a public site: it was used to conduct political business, to make connections and to present the public image of the house's owner. It is likely that Clodia received her guests in the atrium, the centre of the public part of the domus, or in an adjacent room (cubiculum) more suitable for private business, but it is difficult to map these roles onto specific areas within the Roman domus. Roman houses were not divided into a ‘public’ and a ‘non-public’ area: some areas were clearly intended for interaction with people outside the household, such as members of the public, guests or supplicants, while other parts were reserved for the life of the family and the business of the household, but there was no clear dichotomy, the separation of these spaces being fluid, with gradations of privacy.
"It is this fluidity that allows Cicero uses spatial references to make Clodia scandalous. For it allows him blur the division between built spaces used by women and conceptual or social spaces, notably politics, that were reserved for men. In this way, Cicero is able to construct Clodia's social events as #transgressions into #MaleSocialSpace. How is this achieved? Having ascribed each of her acts to a specific space as noted above, he turned events that (if they happened at all) would otherwise have been accessible to at most a few people – the goings-on inside Clodia's house (domus) in Rome, in her private garden by the Tiber or at her country house at Baiae – into the public object of the trial of Caelius. In so doing, Cicero accused her of having used these built spaces in a manner that had infringed on social spaces that were unsuitable for respectful women, because they were, so he insinuated, reserved for men. It is the infringement of these #gendered social spaces that constitute her worst transgression according to Cicero."
Read more:
https://onlinelibrary.wiley.com/doi/full/10.1111/1468-0424.12794 -
While home spaces were not as gendered as those in #AncientGreece, this article talks about how spaces in Rome were also somewhat gendered -- and in his attack against #Clodia, #Cicero used Clodia's defiance of those norms against her!
#Scandalisation, #gender and space in #AncientRome: The case of #Cicero and #Clodia
by Muriel Moser
First published: 17 June 2024"Ciceros thus uses different notions of space for his argument. First, by drawing up a moral landscape of her shameful deeds, Cicero seeks to emphasise the magnitude of her guilt [as an adulteress and murderer of her husband]. Second, built spaces are important for Cicero's argument because they allow him to ‘reveal’ Clodia's private acts, that is, acts that occurred in private spaces, to his male audience in a public space in a dramatic way, thus offering entertainment and creating outrage. Finally, Cicero is able to present her acts as shameful and problematic by blurring built spaces with gendered social spaces.
"This last aspect of his use of space is particularly complex and perfidious and made possible not least by the fluidity of the spatial concepts at work in a #domus and other ‘private’ places, such as gardens and provincial villas. Take the Roman domus: Cicero could use several levels of meaning in this term. A Roman domus was a physical location with a strong symbolic value. It was considered to be the seat of a family, to the point that the term could be equated with the family itself. And, as the family stood at the heart of the Roman moral order, the domus also had a strong #moral connotation The Roman house was, further, a political and hence a public site: it was used to conduct political business, to make connections and to present the public image of the house's owner. It is likely that Clodia received her guests in the atrium, the centre of the public part of the domus, or in an adjacent room (cubiculum) more suitable for private business, but it is difficult to map these roles onto specific areas within the Roman domus. Roman houses were not divided into a ‘public’ and a ‘non-public’ area: some areas were clearly intended for interaction with people outside the household, such as members of the public, guests or supplicants, while other parts were reserved for the life of the family and the business of the household, but there was no clear dichotomy, the separation of these spaces being fluid, with gradations of privacy.
"It is this fluidity that allows Cicero uses spatial references to make Clodia scandalous. For it allows him blur the division between built spaces used by women and conceptual or social spaces, notably politics, that were reserved for men. In this way, Cicero is able to construct Clodia's social events as #transgressions into #MaleSocialSpace. How is this achieved? Having ascribed each of her acts to a specific space as noted above, he turned events that (if they happened at all) would otherwise have been accessible to at most a few people – the goings-on inside Clodia's house (domus) in Rome, in her private garden by the Tiber or at her country house at Baiae – into the public object of the trial of Caelius. In so doing, Cicero accused her of having used these built spaces in a manner that had infringed on social spaces that were unsuitable for respectful women, because they were, so he insinuated, reserved for men. It is the infringement of these #gendered social spaces that constitute her worst transgression according to Cicero."
Read more:
https://onlinelibrary.wiley.com/doi/full/10.1111/1468-0424.12794 -
While home spaces were not as gendered as those in #AncientGreece, this article talks about how spaces in Rome were also somewhat gendered -- and in his attack against #Clodia, #Cicero used Clodia's defiance of those norms against her!
#Scandalisation, #gender and space in #AncientRome: The case of #Cicero and #Clodia
by Muriel Moser
First published: 17 June 2024"Ciceros thus uses different notions of space for his argument. First, by drawing up a moral landscape of her shameful deeds, Cicero seeks to emphasise the magnitude of her guilt [as an adulteress and murderer of her husband]. Second, built spaces are important for Cicero's argument because they allow him to ‘reveal’ Clodia's private acts, that is, acts that occurred in private spaces, to his male audience in a public space in a dramatic way, thus offering entertainment and creating outrage. Finally, Cicero is able to present her acts as shameful and problematic by blurring built spaces with gendered social spaces.
"This last aspect of his use of space is particularly complex and perfidious and made possible not least by the fluidity of the spatial concepts at work in a #domus and other ‘private’ places, such as gardens and provincial villas. Take the Roman domus: Cicero could use several levels of meaning in this term. A Roman domus was a physical location with a strong symbolic value. It was considered to be the seat of a family, to the point that the term could be equated with the family itself. And, as the family stood at the heart of the Roman moral order, the domus also had a strong #moral connotation The Roman house was, further, a political and hence a public site: it was used to conduct political business, to make connections and to present the public image of the house's owner. It is likely that Clodia received her guests in the atrium, the centre of the public part of the domus, or in an adjacent room (cubiculum) more suitable for private business, but it is difficult to map these roles onto specific areas within the Roman domus. Roman houses were not divided into a ‘public’ and a ‘non-public’ area: some areas were clearly intended for interaction with people outside the household, such as members of the public, guests or supplicants, while other parts were reserved for the life of the family and the business of the household, but there was no clear dichotomy, the separation of these spaces being fluid, with gradations of privacy.
"It is this fluidity that allows Cicero uses spatial references to make Clodia scandalous. For it allows him blur the division between built spaces used by women and conceptual or social spaces, notably politics, that were reserved for men. In this way, Cicero is able to construct Clodia's social events as #transgressions into #MaleSocialSpace. How is this achieved? Having ascribed each of her acts to a specific space as noted above, he turned events that (if they happened at all) would otherwise have been accessible to at most a few people – the goings-on inside Clodia's house (domus) in Rome, in her private garden by the Tiber or at her country house at Baiae – into the public object of the trial of Caelius. In so doing, Cicero accused her of having used these built spaces in a manner that had infringed on social spaces that were unsuitable for respectful women, because they were, so he insinuated, reserved for men. It is the infringement of these #gendered social spaces that constitute her worst transgression according to Cicero."
Read more:
https://onlinelibrary.wiley.com/doi/full/10.1111/1468-0424.12794 -
re: the Church of Santa Maria Assunta in Riola di Vergato
Giovanni Comoglio wrote about Alvar Aalto’s only building in Italy.
“It is an architecture rooted in its site but far from mimetic: its forms, the copper of the curved roof, the timber covering the outdoor transitional spaces — all express a pervasive genius loci, reinforced by the sandstone cladding quarried at nearby Montovolo, almost on site.“
via Domus
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re: the Church of Santa Maria Assunta in Riola di Vergato
Giovanni Comoglio wrote about Alvar Aalto’s only building in Italy.
“It is an architecture rooted in its site but far from mimetic: its forms, the copper of the curved roof, the timber covering the outdoor transitional spaces — all express a pervasive genius loci, reinforced by the sandstone cladding quarried at nearby Montovolo, almost on site.“
via Domus
-
re: the Church of Santa Maria Assunta in Riola di Vergato
Giovanni Comoglio wrote about Alvar Aalto’s only building in Italy.
“It is an architecture rooted in its site but far from mimetic: its forms, the copper of the curved roof, the timber covering the outdoor transitional spaces — all express a pervasive genius loci, reinforced by the sandstone cladding quarried at nearby Montovolo, almost on site.“
via Domus
-
re: the Church of Santa Maria Assunta in Riola di Vergato
Giovanni Comoglio wrote about Alvar Aalto’s only building in Italy.
“It is an architecture rooted in its site but far from mimetic: its forms, the copper of the curved roof, the timber covering the outdoor transitional spaces — all express a pervasive genius loci, reinforced by the sandstone cladding quarried at nearby Montovolo, almost on site.“
via Domus
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Nell'antica #Pompei #torri sulle #domus simbolo di potere
https://www.larampa.news/2025/10/antica-pompei-torri-domus-simbolo-potere/
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Pendant quatre semaines, une équipe de quinze archéologues, professionnels et amateurs, a continué à fouiller dans les jardins de l’hôtel de ville à Lillebonne où se trouvent les vestiges de la propriété d’une riche famille romaine.
lire notre article : https://www.relikto.com/2025/08/05/histoire-dune-domus-a-juliobona/
#CauxSeineagglo #Lillebonne #juliobona #fouillesarchéologiques #domus #epoqueromaine #histoire
#SeineMaritime #normandie #archeologie -
Pendant quatre semaines, une équipe de quinze archéologues, professionnels et amateurs, a continué à fouiller dans les jardins de l’hôtel de ville à Lillebonne où se trouvent les vestiges de la propriété d’une riche famille romaine.
lire notre article : https://www.relikto.com/2025/08/05/histoire-dune-domus-a-juliobona/
#CauxSeineagglo #Lillebonne #juliobona #fouillesarchéologiques #domus #epoqueromaine #histoire
#SeineMaritime #normandie #archeologie -
Pendant quatre semaines, une équipe de quinze archéologues, professionnels et amateurs, a continué à fouiller dans les jardins de l’hôtel de ville à Lillebonne où se trouvent les vestiges de la propriété d’une riche famille romaine.
lire notre article : https://www.relikto.com/2025/08/05/histoire-dune-domus-a-juliobona/
#CauxSeineagglo #Lillebonne #juliobona #fouillesarchéologiques #domus #epoqueromaine #histoire
#SeineMaritime #normandie #archeologie -
Pendant quatre semaines, une équipe de quinze archéologues, professionnels et amateurs, a continué à fouiller dans les jardins de l’hôtel de ville à Lillebonne où se trouvent les vestiges de la propriété d’une riche famille romaine.
lire notre article : https://www.relikto.com/2025/08/05/histoire-dune-domus-a-juliobona/
#CauxSeineagglo #Lillebonne #juliobona #fouillesarchéologiques #domus #epoqueromaine #histoire
#SeineMaritime #normandie #archeologie -
Mostre / “Domus. Gli arredi di Pompei”: al MANN di Napoli un viaggio immersivo nel cuore della casa antica
Il Museo Archeologico Nazionale di Napoli inaugura un nuovo allestimento dedicato all’abitare pompeiano, con oltre 250 reperti, ambienti restaurati e una narrazione coinvolgente tra arte, design e quotidianità.
@museoarcheologiconapoli
#archeologia #domus #mostre #mannnapoli #napoli #pompei #pompeii #casepompeianehttps://storiearcheostorie.com/2025/07/02/domus-arredi-pompei-mann-mostra/
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Mostre / “Domus. Gli arredi di Pompei”: al MANN di Napoli un viaggio immersivo nel cuore della casa antica
Il Museo Archeologico Nazionale di Napoli inaugura un nuovo allestimento dedicato all’abitare pompeiano, con oltre 250 reperti, ambienti restaurati e una narrazione coinvolgente tra arte, design e quotidianità.
@museoarcheologiconapoli
#archeologia #domus #mostre #mannnapoli #napoli #pompei #pompeii #casepompeianehttps://storiearcheostorie.com/2025/07/02/domus-arredi-pompei-mann-mostra/
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𝐄𝐫𝐜𝐨𝐥𝐚𝐧𝐨, 𝐫𝐢𝐚𝐩𝐫𝐞 𝐥𝐚 𝐂𝐚𝐬𝐚 𝐝𝐞𝐥𝐥'𝐄𝐫𝐦𝐚 𝐝𝐢 𝐁𝐫𝐨𝐧𝐳𝐨 𝐚 𝐮𝐧 𝐚𝐧𝐧𝐨 𝐝𝐚𝐢 𝐯𝐚𝐧𝐝𝐚𝐥𝐢𝐬𝐦𝐢: 𝐫𝐞𝐬𝐭𝐚𝐮𝐫𝐚𝐭𝐚 𝐞 𝐫𝐞𝐬𝐭𝐢𝐭𝐮𝐢𝐭𝐚 𝐚𝐥𝐥𝐚 𝐯𝐢𝐬𝐢𝐭𝐚
Riapre il 2 giugno. La domus era stata deturpata dal graffito impresso da un turista. Ripristinata anche la leggibilità della decorazione in III stile pompeiano.
I dettagli su @storieearcheostorie
@ercolanoscavi
#archeologia #ercolano #restauro #domus #graffito #vandalismi
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𝐄𝐫𝐜𝐨𝐥𝐚𝐧𝐨, 𝐫𝐢𝐚𝐩𝐫𝐞 𝐥𝐚 𝐂𝐚𝐬𝐚 𝐝𝐞𝐥𝐥'𝐄𝐫𝐦𝐚 𝐝𝐢 𝐁𝐫𝐨𝐧𝐳𝐨 𝐚 𝐮𝐧 𝐚𝐧𝐧𝐨 𝐝𝐚𝐢 𝐯𝐚𝐧𝐝𝐚𝐥𝐢𝐬𝐦𝐢: 𝐫𝐞𝐬𝐭𝐚𝐮𝐫𝐚𝐭𝐚 𝐞 𝐫𝐞𝐬𝐭𝐢𝐭𝐮𝐢𝐭𝐚 𝐚𝐥𝐥𝐚 𝐯𝐢𝐬𝐢𝐭𝐚
Riapre il 2 giugno. La domus era stata deturpata dal graffito impresso da un turista. Ripristinata anche la leggibilità della decorazione in III stile pompeiano.
I dettagli su @storieearcheostorie
@ercolanoscavi
#archeologia #ercolano #restauro #domus #graffito #vandalismi
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gillo dorfles, scheda per giuseppe capogrossi (nel contesto dell’viii quadriennale d’arte di roma): “ideogrammi asemantici”
PDF @ slowforward:
https://slowforward.net/wp-content/uploads/2025/03/dorfles-1959.pdf@ Archive:
https://archive.org/details/dorfles-1959In questa scheda, reperita da Luigi Di Cicco, e presente nel catalogo De Luca dell’VIII Quadriennale d’arte di Roma, 1959, Gillo Dorfles presenta l’opera di Giuseppe Capogrossi, usando probabilmente per la prima volta in assoluto l’aggettivo “asemantico”, riferendosi ai segni dell’artista come a “ideogrammi asemantici”.
Nella documentazione fotografica aggiunta qui, oltre alla foto del punto del testo evidenziato, si può vedere l’immagine di un’opera di Capogrossi in mostra in quella Quadriennale, Superficie n. 333, reperita da MG nel n. 365, aprile 1960, della rivista “Domus” (pag. 30).
dal catalogo De Luca dell’VIII Quadriennale
in “Domus”, n. 365, aprile 1960, p. 30
#art #arte #asemic #asemicWriting #Capogrossi #Domus #GilloDorfles #GiuseppeCapogrossi #ideogrammiAsemantici #LuigiDiCicco #MG #Quadriennale #scritturaAsemantica #scritturaAsemica #VIIIQuadriennale
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gillo dorfles, scheda per giuseppe capogrossi (nel contesto dell’viii quadriennale d’arte di roma): “ideogrammi asemantici”
PDF @ slowforward:
https://slowforward.net/wp-content/uploads/2025/03/dorfles-1959.pdf@ Archive:
https://archive.org/details/dorfles-1959In questa scheda, reperita da Luigi Di Cicco, e presente nel catalogo De Luca dell’VIII Quadriennale d’arte di Roma, 1959, Gillo Dorfles presenta l’opera di Giuseppe Capogrossi, usando probabilmente per la prima volta in assoluto l’aggettivo “asemantico”, riferendosi ai segni dell’artista come a “ideogrammi asemantici”.
Nella documentazione fotografica aggiunta qui, oltre alla foto del punto del testo evidenziato, si può vedere l’immagine di un’opera di Capogrossi in mostra in quella Quadriennale, Superficie n. 333, reperita da MG nel n. 365, aprile 1960, della rivista “Domus” (pag. 30).
dal catalogo De Luca dell’VIII Quadriennale
in “Domus”, n. 365, aprile 1960, p. 30
#art #arte #asemic #asemicWriting #Capogrossi #Domus #GilloDorfles #GiuseppeCapogrossi #ideogrammiAsemantici #LuigiDiCicco #MG #Quadriennale #scritturaAsemantica #scritturaAsemica #VIIIQuadriennale
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Domus i Gällivare på 1970-talet. Alla barnen håller det äkta med ushankas. Hyfsat mer stilrent än dagens mode, när det är märkeskepsar med tillhörande arbetskåpor som gäller för ungdomarna!
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IL MOSAICO ABSIDALE DI SANTA PUDENZIANA A ROMA
La #chiesa di S.Pudenziana si trova a #Roma nell'area del colle #Viminale e, nonostante l'aspetto del luogo di culto non sia più quello originario, le sue origini risalgono al IV secolo. A detta della tradizione sarebbe stato edificato sulla #domus di Prudente le cui figlie Pudenziana e Prassede vennero martirizzate a metà del II secolo di.C.
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IL MOSAICO ABSIDALE DI SANTA PUDENZIANA A ROMA
La #chiesa di S.Pudenziana si trova a #Roma nell'area del colle #Viminale e, nonostante l'aspetto del luogo di culto non sia più quello originario, le sue origini risalgono al IV secolo. A detta della tradizione sarebbe stato edificato sulla #domus di Prudente le cui figlie Pudenziana e Prassede vennero martirizzate a metà del II secolo di.C.
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IL MOSAICO ABSIDALE DI SANTA PUDENZIANA A ROMA
La #chiesa di S.Pudenziana si trova a #Roma nell'area del colle #Viminale e, nonostante l'aspetto del luogo di culto non sia più quello originario, le sue origini risalgono al IV secolo. A detta della tradizione sarebbe stato edificato sulla #domus di Prudente le cui figlie Pudenziana e Prassede vennero martirizzate a metà del II secolo di.C.
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Sur Connaissance des arts : "Les chercheurs de l'Inrap ont annoncé la mise au jour d'une grande maison romaine datant du IIe siècle à Reims. Au milieu des vestiges gisaient trois statuettes en bronze présentant une qualité d'exécution exceptionnelle."
https://www.connaissancedesarts.com/monuments-patrimoine/archeologie/cest-du-niveau-des-oeuvres-exposees-au-louvre-decouverte-a-reims-de-trois-exceptionnelles-statues-antiques-11197255/
#Antiquité #RomeAntique #Reims #Inrap #archéologie #art #ConnaissanceDesArts #domus -
Sur Connaissance des arts : "Les chercheurs de l'Inrap ont annoncé la mise au jour d'une grande maison romaine datant du IIe siècle à Reims. Au milieu des vestiges gisaient trois statuettes en bronze présentant une qualité d'exécution exceptionnelle."
https://www.connaissancedesarts.com/monuments-patrimoine/archeologie/cest-du-niveau-des-oeuvres-exposees-au-louvre-decouverte-a-reims-de-trois-exceptionnelles-statues-antiques-11197255/
#Antiquité #RomeAntique #Reims #Inrap #archéologie #art #ConnaissanceDesArts #domus -
O pasado venres tivemos un #RepairCafe con moita xente compartindo coñecementos para darlle nova vida a vellos aparellos electrónicos. Até tostadoras tivemos!
Grazas á #Domus e #bricolabs por impulsar a reapropiación da tecnoloxía, o dereito a reparar #right2repair e a loita contra o despilfarro tecnolóxico. #ElectrónicaÉtica.
#ESFpro -
O pasado venres tivemos un #RepairCafe con moita xente compartindo coñecementos para darlle nova vida a vellos aparellos electrónicos. Até tostadoras tivemos!
Grazas á #Domus e #bricolabs por impulsar a reapropiación da tecnoloxía, o dereito a reparar #right2repair e a loita contra o despilfarro tecnolóxico. #ElectrónicaÉtica.
#ESFpro -
O pasado venres tivemos un #RepairCafe con moita xente compartindo coñecementos para darlle nova vida a vellos aparellos electrónicos. Até tostadoras tivemos!
Grazas á #Domus e #bricolabs por impulsar a reapropiación da tecnoloxía, o dereito a reparar #right2repair e a loita contra o despilfarro tecnolóxico. #ElectrónicaÉtica.
#ESFpro -
Republican era domus discovered between Palatine Hill and Forum in Rome
Archaeologists from the Colosseum Archaeological Park have uncovered an intricately adorned Roman domus situated between Rome’s Palatine Hill and the Forum.
The domus, constructed in multiple phases between the late 2nd century BCE and the end of the 1st century BCE...
More information: https://archaeologymag.com/2023/12/roman-domus-discovered-between-palatine-hill-and-forum/
Follow @archaeology