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1000 results for “machias”
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Manifestaciones del 25N, en directo | Miles de personas marchan contra la violencia machista: “No creer a las mujeres y no protegerlas es una agresión añadida”
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‘The Wrecker’ Review: A Lively If Ludicrous Flashback to Retro Screen Machismo at Its Most Cartoonish
#Variety #Reviews #DannyTrejo #MenaSuvari #TheWrecker #TyreseGibsonhttps://variety.com/2025/film/reviews/the-wrecker-review-niko-foster-1236562343/
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‘The Wrecker’ Review: A Lively If Ludicrous Flashback to Retro Screen Machismo at Its Most Cartoonish
#Variety #Reviews #DannyTrejo #MenaSuvari #TheWrecker #TyreseGibsonhttps://variety.com/2025/film/reviews/the-wrecker-review-niko-foster-1236562343/
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‘The Wrecker’ Review: A Lively If Ludicrous Flashback to Retro Screen Machismo at Its Most Cartoonish
#Variety #Reviews #DannyTrejo #MenaSuvari #TheWrecker #TyreseGibsonhttps://variety.com/2025/film/reviews/the-wrecker-review-niko-foster-1236562343/
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‘The Wrecker’ Review: A Lively If Ludicrous Flashback to Retro Screen Machismo at Its Most Cartoonish
#Variety #Reviews #DannyTrejo #MenaSuvari #TheWrecker #TyreseGibsonhttps://variety.com/2025/film/reviews/the-wrecker-review-niko-foster-1236562343/
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‘The Wrecker’ Review: A Lively If Ludicrous Flashback to Retro Screen Machismo at Its Most Cartoonish
#Variety #Reviews #DannyTrejo #MenaSuvari #TheWrecker #TyreseGibsonhttps://variety.com/2025/film/reviews/the-wrecker-review-niko-foster-1236562343/
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Against I – Anti Life Review By Andy-War-HallAgainst I are neither a one-sided I Against I nor a Rastafarian Against Me!, but a Swedish blackened death metal trio of vocalist Fredrik Keith Croona (Cynical Existence, ex-Menschdefekt), guitarist Mathias Back, and drummer Anders Ström. Founded in 2022, Against I have been busy preaching disillusionment towards man’s better angels across two LPs and and two EPs. Into their third year, Against I are back with their third full-length album Anti Life, an anthem for everyone bitter against the world, religion and, probably, their parents. This kind of intense workload in such a short time could mean a variety of things. It could mean Against I are an exceptionally driven bunch. It could also mean they’re on a fast track to burning out on Anti Life. What could it be?
I won’t faff about: Anti Life embodies the worst qualities of both black and death metal. Across nearly an hour of music, Against I slop out grooveless grooves (“Darkness Within,” “Where We Lay to Rest”) and flat tremolos (“In Death’s Grip,” “Descend”) at an unhurried mid-pace under tepid rasps and admittedly hefty gutturals (“Empire of Bones”). Against I occasionally crack out a slick drum groove (“Sacrifice,” “Empire of Bones”) but mostly stick to punky d-beats (“Built to Destroy”) or double-kick plods (“Symphony for the End”). Anti Life is heavy on gain, light on bass, and borderline bereft of dynamics or variety. Faux choirs and synths play chords to enforce its blackened aesthetics. Rinse and repeat, and you’ve got Anti Life in a nutshell. With such a limited toolbox stretched out over such a long runtime, Against I shaped a blackened death album with none of the majesty or atmosphere of black metal’s greatest hits nor the depraved brutality of death’s best.
Anti Life is made worse by simply clueless songwriting. Against I stick to an overly limited scope regarding song structure, with almost every track ambling between segments with little urgency or patience to let passages evolve. Nearly every chorus is just a two-to-four-bar phrase repeated twice, usually exactly the same way each time. Despite the rigid formatting, these songs feel haphazard. “Darkness Within” has one of the most aimless riffs I’ve ever heard, dicking around a handful of low notes without an apparent goal, while “In Death’s Grip” features completely random pitch-shifted vocal blips, and “All Hope Is Gone” opens and closes with electronics tacked on with little regard to the song in between.1 And then there’s the lyricism, unfortunately apparent due to Anti Life’s discernible rasps. Amidst the incessant wave of banal metal, the constant diatribes of surface-level social commentary (“Throne of Tyranny,” “War Never Ends”), tiresome nihilism (“Anti Life,” “Symphony for the End”) and premium edgelord lines like “In the land of rape and honey, only the stupid survive” (“Tempel of Greed”)2 turn Anti Life from a rough listen to a near insufferable one.
But worse than Against I having lots of bad ideas, Anti Life just doesn’t have much of anything at all. So little happens across so much time that recalling any particular moment from Anti Life is laborious. It’s telling when “Throne of Tyranny”‘s milquetoast melodeath riffing or “Greed”‘s3 guitar harmonics in its bridge—standard features in most any generic metal album—are standout highlights on Anti Life. Just constant knuckle-dragging chugs and spiceless tremolo riffs. There aren’t even any guitar solos. Or anything solos. Nothing to break up the monotonous patterns Against I are totally hellbent on maintaining. Typically, musicians strip back their sound to highlight certain aspects of their sound, but Against I don’t have anything to highlight on Anti Life. This is the most frustrating thing to write about: not the disaster album that swings and misses horrendously but doesn’t swing at all.
I don’t think Against I are inept—an inept group wouldn’t have gotten this far—but Anti Life is just terrible. Against I are spared from the dreaded AMG Unlistenable/0.5 Hall of Shame by the virtue that Anti Life at least executes the basic mechanics of metal music proficiently, if not exceptionally. This is a joyless, deeply tedious listen, and fans of both death and black metal can find anything on Anti Life on any number of other, better records in far more interesting iterations. I’m glad Against I released Anti Life close to the start of spring because this record’s uninspired negativity has got me seeking out fresh air and sunshine out of pure spite against it. I’m anti-this.
Rating: Embarrassing
#10 #2026 #AgainstI #AgainstMe #AntiLife #BlackenedDeathMetal #CynicalExistence #IAgainstI #Mar26 #Menschdefekt #Review #Reviews #Slipknot #SwedishMetal #TwistedFleshRecordings
DR: 3 | Format Reviewed: 320 kbps MP3
Label: Twisted Flesh Recordings
Website: facebook.com/againstIband
Releases Worldwide: March 13th, 2026 -
Vandalizan los murales de la Casa Marx de Vallecas con pintadas neonazis
La noche del 13 al 14 de Diciembre, un grupo de neonazis vandalizó los murales de la Casa Marx, el local de la CRT (Corriente Revolucionaria de Trabajadores y Trabajadoras), Contracorriente y Pan y Rosas, ubicado en el numero 6 de la calle de Rafael San Narciso del distrito de Puente de Vallecas.
Durante la noche aparecieron esvásticas y mensajes fascistas, símbolos antisemitas, cruces tachando a las mujeres racializadas de su mural feminista y lemas como «Arriba España» y «Rojos no». Además, una cruz celta en el mural que inauguraban hace pocas semanas de Yolanda González Martín, la joven trotskista de 19 años y estudiante del Centro de Formación Profesional Vallecas I que fue asesinada por los fascistas durante la transición.
No es el primer ataque contra los espacios de organizaciones social y políticas de Vallekas. Hace escasos meses, vimos cómo un grupo de Desokupa atacó La Escuela de Boxeo La Fábrika y hace unas pocas semanas vimos como un grupo neonazi de aficionados polacos salió de cacería alrededor del Estadio del Rayo Vallecano.
Frente al avance de la extrema derecha, sus discursos de odio, racismo, machismo, LGTBfobia y su política reaccionaria contra la clase trabajadora, los integrantes de CRT indican que seguirán construyendo un espacio de autoorganización, encuentro y cultura para nuestra clase.
Más información sobre este suceso en la noticia completa publicada en nuestra web:
#Fascismo #Vandalismo #Pintadas #Neonazis #Lucha #Obrera #Conciencia #ClaseTrabajadora #Barrio #Historia #YolandaGonzález #Mujeres #Racializadas #Antifascismo #MemoriaHistórica #Niunpasoatrás #Vallecas #Vallekas
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📰 «Vega, una app contra la violencia machista con IA y avisos automáticos de emergencia»
Vigo tiene nueva app contra la violencia machista. Su IA es capaz de intervenir en tiempo real sin que haya que hacer nada https://www.xatakandroid.com/aplicaciones-android/nace-vigo-nueva-app-para-combatir-violencia-machista-capaz-identificarla-que-victima-tenga-que-hacer-nada
🔗 https://proxy.jesusysustics.com/2025/07/26584/Vega será una app, de corte moderno y cargada de Inteligencia Artificial, capaz de asesorar a las víctmas potenciales para que conozcan sus posibilidades, pero también de grabar audios y avisar a los contactos de emergencia de la localización de la afectada.
Es una de esas ideas que se venden muy bien en los medios, pero no tengo claro que resistan un análisis más profundo: la IA tiende a fallar mucho y no sería aceptable un mal consejo en un tema tan sensible. Además deberían ponerse los medios para que el contacto fuese con humanos (como cuando se llama al 016). Por no entrar en la desconfianza que puede provocar darle permisos a una aplicación para que grabe audio autónomamente.
Por el momento todavía no está disponible, pero estaré atento a su evolución.
#️⃣ #Android #app #InteligenciaArtificial #novedad #proyecto #teléfonoMóvil #violenciaMachista
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𝗟𝘂𝗰𝗮 (19) 𝗲𝗻 𝗠𝗮𝘁𝗵𝗶𝗮𝘀 (26) 𝗼𝘃𝗲𝗿𝗹𝗲𝗱𝗲𝗻 𝗱𝗼𝗼𝗿 𝗱𝗲𝘀𝗶𝗴𝗻𝗲𝗿𝗱𝗿𝘂𝗴𝘀: '𝗝𝗼𝗻𝗴𝗲𝗿𝗲𝗻 𝗺𝗼𝗲𝘁𝗲𝗻 𝗱𝗶𝘁 𝗵𝗼𝗿𝗲𝗻'
Marijn Blom en Lydia Bottenburg verloren allebei een zoon na het gebruik van geneesmiddelen die ze online kochten bij funcaps.nl. Ze willen andere jongeren en hun ouders waarschuwen door het verhaal van hun kinderen te vertellen. De eigenaren van die site stonden...
https://www.rtl.nl/nieuws/binnenland/artikel/5539303/ouders-van-luca-en-mathias-designerdrugs
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Behölder – In the Temple of the Tyrant Review
By Steel Druhm
When members of various obscure power and prog metal bands like Shadowdance and Chaos Frame managed to recruit Judicator’s John Yelland for an epic doom project heavily inspired by Dungeons & Dragons, Steel was unable to resist hearing the results. So he took a flyer on Behölder and their In the Temple of the Tyrant debut and hoped for good doom things. Would it be utter cheese and need a high-level necromancer to save it? Would it be a rousing, sword-swinging platter or Iron Age heroics? As it turns out, In the Temple of the Tyrant is more like Crypt Sermon mixed with a modest dose of Hammerfall-esque power and seasoned with the muscular machismo of Eternal Champion. Does the sound of that meaty broth get your sword rising? Me too. Let’s fight!
The best way to open an epic doom album is with some hefty epic doom, and Behölder does just that with “A Pale Blood Sky.” It’s very Crypt Sermon / Candlemassive, with big, crunchy doom riffs and slick melodic trills. Yellen’s powerful and enthusiastic delivery rounds out the doom enchilada excellently, taking us on a trip through dark crypts and creepy vistas. It’s the kind of doom I eat up like candied bacon, and I love this tune muchly. It’s powerful, but oh so accessible and entertaining, and shows that these cats know their chosen genre very well. “Eyes of the Deep” is another killer, with a strong Eternal Champion vibe. Tomi Joutsen of Amorphis shows up on the back end to drop immense death roars that take the song to the next level and everything is slick and compelling as fook. “For Those Who Fell” is like the glorious Hammerfall power ballads of old (their first 2 albums) and it sucks you in and keeps you hanging on. “Draconian (Slave or Master)” is a ridiculously hooky cut elevated to glorious heights by Yellan’s epical vocals. You will not forget the chorus, and it will haunt you onto death. This one has Song o’ the Year written all over it, folks.
While the highs on the album are very high, there are a few tracks that can’t scale the same summit. “Dungeon Master” is just okay and overly tongue-in-cheek as it takes the perspective of those master nerd game planners a bit too seriously. It doesn’t vibe well with the huge epic doom flavor of the surrounding tracks and takes you out of that headspace. Closer “I Magus” is also a bit underbaked. It’s plenty riffy with a Sanctuary / Nevermore vibe, but it never gets rolling into high gear. Likewise, “Summoned & Bound” trods on the path to greatness laid out by classic Candlemass, but it never completes the journey, becoming somewhat unsatisfying by the end. No song is completely unworthy, however, and as a cohesive album, this thing is a whole lotta fun from start to finish.
John Yellan is the star of the show here, with his vocals elevating the material several notches. On the best stuff, he takes it to the house, bringing poise and grace to the doom show. He manages to keep his performance restrained and doesn’t overdo things, nor does he rely on high-pitched wailing to emphasize the dramatic bits. He gives the songs just the right amount of power and poise and does a great job throughout. Founder and band mastermind Carlos Alvarez, along with Matt Hodson of Chaos Frame, bring a healthy selection of large doom leads and stirring solos, while dabbling in plenty of traditional and power metal spaces along the way. I like their work best when they stay in the Candlemass / Crypt Sermon vein, but I can’t argue one bit with departures like “Draconian (Slave or Master).”
Behölder have chops across the board, and when their writing comes together, you get great tunes full of nods to genre masters. If the writing was a touch more consistent, this would be my first 4.0 of 2025, but In the Temple of the Tyrant falls a bit short of those lofty heights. Yet there are several songs that could end up as my Song o’ the Year, and that’s saying something about the strength of this googly-eyed floating beast. Roll the dice, hear this, find the moments that thrill your inner warrior. Swords up for Behölder!
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Black Lion
Websites: beholderblacklion.bandcamp.com | facebook.com/beholderdoom
Releases Worldwide: April 25th, 2025#2025 #35 #AmericanMetal #Apr25 #Behölder #BlackLionRecords #Candlemass #CryptSermon #EpicDoomMetal #EternalChampion #Hammerfall #HeavyMetal #InTheTempleOfTheTyrant #Judicator #Review #Reviews #Sorcerer
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Behölder – In the Temple of the Tyrant Review
By Steel Druhm
When members of various obscure power and prog metal bands like Shadowdance and Chaos Frame managed to recruit Judicator’s John Yelland for an epic doom project heavily inspired by Dungeons & Dragons, Steel was unable to resist hearing the results. So he took a flyer on Behölder and their In the Temple of the Tyrant debut and hoped for good doom things. Would it be utter cheese and need a high-level necromancer to save it? Would it be a rousing, sword-swinging platter or Iron Age heroics? As it turns out, In the Temple of the Tyrant is more like Crypt Sermon mixed with a modest dose of Hammerfall-esque power and seasoned with the muscular machismo of Eternal Champion. Does the sound of that meaty broth get your sword rising? Me too. Let’s fight!
The best way to open an epic doom album is with some hefty epic doom, and Behölder does just that with “A Pale Blood Sky.” It’s very Crypt Sermon / Candlemassive, with big, crunchy doom riffs and slick melodic trills. Yellen’s powerful and enthusiastic delivery rounds out the doom enchilada excellently, taking us on a trip through dark crypts and creepy vistas. It’s the kind of doom I eat up like candied bacon, and I love this tune muchly. It’s powerful, but oh so accessible and entertaining, and shows that these cats know their chosen genre very well. “Eyes of the Deep” is another killer, with a strong Eternal Champion vibe. Tomi Joutsen of Amorphis shows up on the back end to drop immense death roars that take the song to the next level and everything is slick and compelling as fook. “For Those Who Fell” is like the glorious Hammerfall power ballads of old (their first 2 albums) and it sucks you in and keeps you hanging on. “Draconian (Slave or Master)” is a ridiculously hooky cut elevated to glorious heights by Yellan’s epical vocals. You will not forget the chorus, and it will haunt you onto death. This one has Song o’ the Year written all over it, folks.
While the highs on the album are very high, there are a few tracks that can’t scale the same summit. “Dungeon Master” is just okay and overly tongue-in-cheek as it takes the perspective of those master nerd game planners a bit too seriously. It doesn’t vibe well with the huge epic doom flavor of the surrounding tracks and takes you out of that headspace. Closer “I Magus” is also a bit underbaked. It’s plenty riffy with a Sanctuary / Nevermore vibe, but it never gets rolling into high gear. Likewise, “Summoned & Bound” trods on the path to greatness laid out by classic Candlemass, but it never completes the journey, becoming somewhat unsatisfying by the end. No song is completely unworthy, however, and as a cohesive album, this thing is a whole lotta fun from start to finish.
John Yellan is the star of the show here, with his vocals elevating the material several notches. On the best stuff, he takes it to the house, bringing poise and grace to the doom show. He manages to keep his performance restrained and doesn’t overdo things, nor does he rely on high-pitched wailing to emphasize the dramatic bits. He gives the songs just the right amount of power and poise and does a great job throughout. Founder and band mastermind Carlos Alvarez, along with Matt Hodson of Chaos Frame, bring a healthy selection of large doom leads and stirring solos, while dabbling in plenty of traditional and power metal spaces along the way. I like their work best when they stay in the Candlemass / Crypt Sermon vein, but I can’t argue one bit with departures like “Draconian (Slave or Master).”
Behölder have chops across the board, and when their writing comes together, you get great tunes full of nods to genre masters. If the writing was a touch more consistent, this would be my first 4.0 of 2025, but In the Temple of the Tyrant falls a bit short of those lofty heights. Yet there are several songs that could end up as my Song o’ the Year, and that’s saying something about the strength of this googly-eyed floating beast. Roll the dice, hear this, find the moments that thrill your inner warrior. Swords up for Behölder!
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Black Lion
Websites: beholderblacklion.bandcamp.com | facebook.com/beholderdoom
Releases Worldwide: April 25th, 2025#2025 #35 #AmericanMetal #Apr25 #Behölder #BlackLionRecords #Candlemass #CryptSermon #EpicDoomMetal #EternalChampion #Hammerfall #HeavyMetal #InTheTempleOfTheTyrant #Judicator #Review #Reviews #Sorcerer
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Behölder – In the Temple of the Tyrant Review
By Steel Druhm
When members of various obscure power and prog metal bands like Shadowdance and Chaos Frame managed to recruit Judicator’s John Yelland for an epic doom project heavily inspired by Dungeons & Dragons, Steel was unable to resist hearing the results. So he took a flyer on Behölder and their In the Temple of the Tyrant debut and hoped for good doom things. Would it be utter cheese and need a high-level necromancer to save it? Would it be a rousing, sword-swinging platter or Iron Age heroics? As it turns out, In the Temple of the Tyrant is more like Crypt Sermon mixed with a modest dose of Hammerfall-esque power and seasoned with the muscular machismo of Eternal Champion. Does the sound of that meaty broth get your sword rising? Me too. Let’s fight!
The best way to open an epic doom album is with some hefty epic doom, and Behölder does just that with “A Pale Blood Sky.” It’s very Crypt Sermon / Candlemassive, with big, crunchy doom riffs and slick melodic trills. Yellen’s powerful and enthusiastic delivery rounds out the doom enchilada excellently, taking us on a trip through dark crypts and creepy vistas. It’s the kind of doom I eat up like candied bacon, and I love this tune muchly. It’s powerful, but oh so accessible and entertaining, and shows that these cats know their chosen genre very well. “Eyes of the Deep” is another killer, with a strong Eternal Champion vibe. Tomi Joutsen of Amorphis shows up on the back end to drop immense death roars that take the song to the next level and everything is slick and compelling as fook. “For Those Who Fell” is like the glorious Hammerfall power ballads of old (their first 2 albums) and it sucks you in and keeps you hanging on. “Draconian (Slave or Master)” is a ridiculously hooky cut elevated to glorious heights by Yellan’s epical vocals. You will not forget the chorus, and it will haunt you onto death. This one has Song o’ the Year written all over it, folks.
While the highs on the album are very high, there are a few tracks that can’t scale the same summit. “Dungeon Master” is just okay and overly tongue-in-cheek as it takes the perspective of those master nerd game planners a bit too seriously. It doesn’t vibe well with the huge epic doom flavor of the surrounding tracks and takes you out of that headspace. Closer “I Magus” is also a bit underbaked. It’s plenty riffy with a Sanctuary / Nevermore vibe, but it never gets rolling into high gear. Likewise, “Summoned & Bound” trods on the path to greatness laid out by classic Candlemass, but it never completes the journey, becoming somewhat unsatisfying by the end. No song is completely unworthy, however, and as a cohesive album, this thing is a whole lotta fun from start to finish.
John Yellan is the star of the show here, with his vocals elevating the material several notches. On the best stuff, he takes it to the house, bringing poise and grace to the doom show. He manages to keep his performance restrained and doesn’t overdo things, nor does he rely on high-pitched wailing to emphasize the dramatic bits. He gives the songs just the right amount of power and poise and does a great job throughout. Founder and band mastermind Carlos Alvarez, along with Matt Hodson of Chaos Frame, bring a healthy selection of large doom leads and stirring solos, while dabbling in plenty of traditional and power metal spaces along the way. I like their work best when they stay in the Candlemass / Crypt Sermon vein, but I can’t argue one bit with departures like “Draconian (Slave or Master).”
Behölder have chops across the board, and when their writing comes together, you get great tunes full of nods to genre masters. If the writing was a touch more consistent, this would be my first 4.0 of 2025, but In the Temple of the Tyrant falls a bit short of those lofty heights. Yet there are several songs that could end up as my Song o’ the Year, and that’s saying something about the strength of this googly-eyed floating beast. Roll the dice, hear this, find the moments that thrill your inner warrior. Swords up for Behölder!
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Black Lion
Websites: beholderblacklion.bandcamp.com | facebook.com/beholderdoom
Releases Worldwide: April 25th, 2025#2025 #35 #AmericanMetal #Apr25 #Behölder #BlackLionRecords #Candlemass #CryptSermon #EpicDoomMetal #EternalChampion #Hammerfall #HeavyMetal #InTheTempleOfTheTyrant #Judicator #Review #Reviews #Sorcerer
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😅 Story not story
→ https://danstonchat.com/quote/%f0%9f%98%85-story-not-story.html
Kirby: c’est moi ou dofus ne survit que par la nostalgie des joueurs qui sont dessus depuis 20 ans ? Ça fait deux ou trois mois que j’y joue et je ne lui trouve rien de bien, au contraire
Machiavelle: J’ai entendu l’argument qu’il y avait plus de quêtes, un meilleur storytelling on va dire. Pas convaincue.
Kirby: Alors le storytelling… on parle de dofus quand même, le storytelling c’est de demander à Choue Pachups et Pépé Enji de retrouver Ali Babaorom -
New #review today: "This is the first I heard of #TheReferenceGroup, but here they are, the eight tracks they recorded during the band’s brief existence from 2007-2008. This is a mostly instrumental workout—what vocals there are on a couple tracks are are buried deep in the mix under a noisy klang of drums, electric guitars, and whatever else, superbly executed throughout." #AvantRock #AvantGarde #ExposeOnline #MichaelMaksymenko #RalfNygård #JimmyÅgren #MathiasDanielsson http://expose.org/index.php/articles/display/the-reference-group-file-under-unpopular-3.html
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Lu l'autre jour, cet excellent texte par @MathiasG qui traite du néologisme "expériencer", dont le besoin en français a été perçu dès les premières études pragmatistes.
A l'instar de l'image des traductions comme "prisme" capable aussi d'approfondir notre appréciation d'un terme dans sa langue originelle (cf Thierry Hoquet sur les traductions de l'Origine des espèces), j'en ai appris bcp, autant comme anglophone que francophone.
https://mathiasgirel.com/2015/10/16/lexperience-comme-verbe-reflexions-pragmatistes-sur-experiencer/
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L’Ultima neve: proiezione documentario e mostra collettiva
Domenica 17 maggio, dalle 18:30 alle 22:00, presso Piano Terra, via Federico Confalonieri 3, Milano; e anche online, su https://www.offtopiclab.org/lultima-neve-proiezione-documentario-e-mostra-collettiva/
Domenica 17 Maggio a Pianoterra presentazione e proiezione del documentario “L’ultima neve – Appennino terremotato e conflitti in alta quota” e mostra collettiva riguardo l’impatto dello sci alpino e delle olimpiadi invernali Milano-Cortina 2026 sui territori montani e urbani.
Ore 18:30: apertura e inaugurazione esposizione
Ore 19:30 aperitivo a prezzi popolari
Ore 20:30: inizio proiezione e dibattito
Il documentario, realizzato da Veronica Machiavelli e Cecilia Fasciani, racconta le trasformazioni e le resistenze nei territori montani dell’Appennino colpiti dal sisma del 2016-17, evidenziando i conflitti ambientali, sociali e politici intorno agli investimenti sulle infrastrutture sciistiche.
Durata 34 minuti, anno 2025.
Saranno presenti gl attivist di Emidio di Treviri e Osservatorio Conflitti ambientali – Cratere (CDCA-Abruzzo) [produttori del documentario] e A.P.E. Milano.
La mostra collettiva:
Saranno esposte le tavole di Michela Vanda Caserini, ricercatrice e illustratrice, che ha curato un racconto visivo a carattere di inchiesta sull’impatto ambientale delle infrastrutture legate alle Olimpiadi invernali nei paesaggi montani. Utilizzando il disegno a mano come strumento di analisi e racconto critico, denuncia processi di trasformazione e di progressivo depauperamento ambientale indotti dagli interventi infrastrutturali.
Sarà esposta una versione stampata del progetto Tracce che avrà come soggetto i comprensori sciistici dell’Appennino centrale. Tracce è un catalogo visuale che raccoglie immagini satellitari scattate durante le stagioni sciistiche dal 2016 al 2026. Le immagini hanno come soggetto le stazioni sciistiche situate al di sotto dei 2000 metri di quota, territori tra i più esposti all’aumento delle temperature.
Saranno esposti i lavori realizzati dagl student del triennio di fotografia di CFP Bauer – Afol Metropolitana che negli scorsi due anni hanno partecipato ad “Atlante Olimpico”, un laboratorio a cura di Studio Figure sull’impatto dei Giochi olimpici invernali di Milano-Cortina 2026 sul paesaggio e sull’immaginario della città.
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► En ce moment ◄
C'est "L' odeur de Papa" (sous titré "L'odeur de caca") de la Cie Papiers Machins.
Un monologue super émouvant sur la fin de vie d'un "sombre type" (pour ne pas dire d'un pauv' con) en Ehpad, racontée par sa fille qui devient aidante à l'insue de son plein grès. Avec une superbe bande son et des chansons de #Johnny.
Jour 2 du festival de #ThéâtreDeRue "Ma Rue" à #Montpellier
Entrée libre et gratuite - Parc des #CEMEA (Quartier prés d'arène) de 10 h à 21 h.
Buvette et petite restauration sur place.
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#Personality and Job Performance: A Review of Trait Models and Recent Trends
https://doi.org/10.1016/j.copsyc.2025.102054
"Conscientious is king. Of all the traits, conscientiousness is the one most strongly linked to better job #performance. People high in conscientiousness tend to be organized, dependable, and goal-oriented - and it shows in their workplace behavior.The Dark Triad casts a long shadow. On the other side of the ledger, the #DarkTriad traits - Machiavellianism, narcissism, and psychopathy - are strong predictors of counterproductive behavior in the workplace. These dark traits are associated with manipulation, impulsivity, and a lack of empathy - attributes that don’t exactly make for ideal colleagues.
HEXACO takes the lead. Interestingly, of the three models, the #HEXACO does the best job of explaining variance in job performance."
via https://www.stevestewartwilliams.com/p/personality-at-work
#psychology #work #Big5 -
Circuit emulators - classically SPICE, but there are many descendants from that - do what you want. A bunch are open source or free software. Getting (accurate) models for some components can be problematic, but searching the 'net will generally get you the clues you need to get there.
SPICE software is a big topic. Prepare to dive in...
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Vox calla ante los pederastas, parricidas y la marroquí dos años secuestrada
El #neofascismo, emergido desde EEUU, con mentiras sobre pedófilos progres, no dice hoy ni pío ante la demostrada red de pederastas amigos de Trump. Supuestos valedores de la familia, no condenan los asesinatos machistas de mujeres y niños. Proponen proteger del burka a las musulmanas, pero no critican al murciano, captor durante 22 meses, de Salma -
Vox calla ante los pederastas, parricidas y la marroquí dos años secuestrada
El #neofascismo, emergido desde EEUU, con mentiras sobre pedófilos progres, no dice hoy ni pío ante la demostrada red de pederastas amigos de Trump. Supuestos valedores de la familia, no condenan los asesinatos machistas de mujeres y niños. Proponen proteger del burka a las musulmanas, pero no critican al murciano, captor durante 22 meses, de Salma -
Vox calla ante los pederastas, parricidas y la marroquí dos años secuestrada
El #neofascismo, emergido desde EEUU, con mentiras sobre pedófilos progres, no dice hoy ni pío ante la demostrada red de pederastas amigos de Trump. Supuestos valedores de la familia, no condenan los asesinatos machistas de mujeres y niños. Proponen proteger del burka a las musulmanas, pero no critican al murciano, captor durante 22 meses, de Salma -
Vox calla ante los pederastas, parricidas y la marroquí dos años secuestrada
El #neofascismo, emergido desde EEUU, con mentiras sobre pedófilos progres, no dice hoy ni pío ante la demostrada red de pederastas amigos de Trump. Supuestos valedores de la familia, no condenan los asesinatos machistas de mujeres y niños. Proponen proteger del burka a las musulmanas, pero no critican al murciano, captor durante 22 meses, de Salma -
Vox calla ante los pederastas, parricidas y la marroquí dos años secuestrada
El #neofascismo, emergido desde EEUU, con mentiras sobre pedófilos progres, no dice hoy ni pío ante la demostrada red de pederastas amigos de Trump. Supuestos valedores de la familia, no condenan los asesinatos machistas de mujeres y niños. Proponen proteger del burka a las musulmanas, pero no critican al murciano, captor durante 22 meses, de Salma -
Ich glaube, ganz so einfach ist das dann doch nicht. Es gibt allerdings Bots von #iftas, die gezielt nach solchen Accounts suchen. Vor ein paar Tagen wurde ja auch einer bei uns gefunden und gemeldet.
Außerdem haben sie eine Seite mit weiteren Informationen zum Blockieren zusammengestellt:
https://connect.iftas.org/library/tools-resources/denylist-resources/
