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#sorcerer — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #sorcerer, aggregated by home.social.

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  1. Movie TV Tech Geeks #MovieNews #TheWagesofFear #Sorcerer HBO Max Officially Drops the 73-Year-Old Thriller That Inspired One of Quentin Tarantino’s Favorite Movies dlvr.it/TV7X05

  2. Movie TV Tech Geeks #MovieNews #TheWagesofFear #Sorcerer HBO Max Officially Drops the 73-Year-Old Thriller That Inspired One of Quentin Tarantino’s Favorite Movies dlvr.it/TV7X05

  3. Movie TV Tech Geeks #MovieNews #TheWagesofFear #Sorcerer HBO Max Officially Drops the 73-Year-Old Thriller That Inspired One of Quentin Tarantino’s Favorite Movies dlvr.it/TV7X05

  4. Movie TV Tech Geeks #MovieNews #TheWagesofFear #Sorcerer HBO Max Officially Drops the 73-Year-Old Thriller That Inspired One of Quentin Tarantino’s Favorite Movies dlvr.it/TV7X05

  5. Movie TV Tech Geeks #MovieNews #TheWagesofFear #Sorcerer HBO Max Officially Drops the 73-Year-Old Thriller That Inspired One of Quentin Tarantino’s Favorite Movies dlvr.it/TV7X05

  6. GHOST RIDER: KUSHALA #1 BLAZES INTO NOVEMBER WITH A SUPERSIZED MARVEL’S VOICES ONE-SHOT
    Spirit Rider returns for Native American Heritage Month as Marvel...
    comiccrusaders.com/comics/comi
    #Ghost Rider #Ghost Rider Kushala #Kushala #Spirit Rider #Marvel Comics #Marvel’s Voices #Taboo #B. Earl #Guillermo Sanna #Vanesa R. Del Rey #Kyle Charles #Native American Heritage Month #Sorcerer Supreme #Infinity Comics #Comic Book News

  7. GHOST RIDER: KUSHALA #1 BLAZES INTO NOVEMBER WITH A SUPERSIZED MARVEL’S VOICES ONE-SHOT
    Spirit Rider returns for Native American Heritage Month as Marvel...
    comiccrusaders.com/comics/comi
    #Ghost Rider #Ghost Rider Kushala #Kushala #Spirit Rider #Marvel Comics #Marvel’s Voices #Taboo #B. Earl #Guillermo Sanna #Vanesa R. Del Rey #Kyle Charles #Native American Heritage Month #Sorcerer Supreme #Infinity Comics #Comic Book News

  8. #TTRPG #Sorcerer #sleepParalysis

    You know when you have one of those inspirations caused by somebody asking a simple question? Sleep paralysis demons? Sorcerer? I'm in.

    grimtokens.garden/Thoughts/_da

  9. #TTRPG #Sorcerer #sleepParalysis

    You know when you have one of those inspirations caused by somebody asking a simple question? Sleep paralysis demons? Sorcerer? I'm in.

    grimtokens.garden/Thoughts/_da

  10. #TTRPG #Sorcerer #sleepParalysis

    You know when you have one of those inspirations caused by somebody asking a simple question? Sleep paralysis demons? Sorcerer? I'm in.

    grimtokens.garden/Thoughts/_da

  11. #TTRPG #Sorcerer #sleepParalysis

    You know when you have one of those inspirations caused by somebody asking a simple question? Sleep paralysis demons? Sorcerer? I'm in.

    grimtokens.garden/Thoughts/_da

  12. #TTRPG #Sorcerer #sleepParalysis

    You know when you have one of those inspirations caused by somebody asking a simple question? Sleep paralysis demons? Sorcerer? I'm in.

    grimtokens.garden/Thoughts/_da

  13. 🖥️ So, you fancy yourself a CPU architect, eh? 🧠 Just start with some AND, OR, NOT gates, and voilà, you're suddenly a #silicon sorcerer! 🤖 Next, why not casually reverse engineer a nuclear reactor in your backyard? 🌋
    select.supply/game/chipbuilder #CPUarchitecture #sorcerer #reverseengineering #nuclearreactor #techhumor #HackerNews #ngated

  14. 🖥️ So, you fancy yourself a CPU architect, eh? 🧠 Just start with some AND, OR, NOT gates, and voilà, you're suddenly a #silicon sorcerer! 🤖 Next, why not casually reverse engineer a nuclear reactor in your backyard? 🌋
    select.supply/game/chipbuilder #CPUarchitecture #sorcerer #reverseengineering #nuclearreactor #techhumor #HackerNews #ngated

  15. 🖥️ So, you fancy yourself a CPU architect, eh? 🧠 Just start with some AND, OR, NOT gates, and voilà, you're suddenly a #silicon sorcerer! 🤖 Next, why not casually reverse engineer a nuclear reactor in your backyard? 🌋
    select.supply/game/chipbuilder #CPUarchitecture #sorcerer #reverseengineering #nuclearreactor #techhumor #HackerNews #ngated

  16. 🖥️ So, you fancy yourself a CPU architect, eh? 🧠 Just start with some AND, OR, NOT gates, and voilà, you're suddenly a #silicon sorcerer! 🤖 Next, why not casually reverse engineer a nuclear reactor in your backyard? 🌋
    select.supply/game/chipbuilder #CPUarchitecture #sorcerer #reverseengineering #nuclearreactor #techhumor #HackerNews #ngated

  17. 🖥️ So, you fancy yourself a CPU architect, eh? 🧠 Just start with some AND, OR, NOT gates, and voilà, you're suddenly a #silicon sorcerer! 🤖 Next, why not casually reverse engineer a nuclear reactor in your backyard? 🌋
    select.supply/game/chipbuilder #CPUarchitecture #sorcerer #reverseengineering #nuclearreactor #techhumor #HackerNews #ngated

  18. Illwind – The Unfolding at the End of Light Review By ClarkKent

    Sometimes a new band starts up and chooses a godawful name—like Illwind. I’m not just referring to associations with flatulence either—though that certainly doesn’t help. It’s just a difficult name to research, especially for a band with such a small web presence. Google will direct you to the Radiohead song, “Ill Wind,” or a 1960s psychedelic band from Boston called Ill Wind, among other surprisingly numerous use cases for the term “ill wind.” In fact, I began to have some doubts the band was real, but further research shows they do have a label (Personal Records) as well as a list of band members who have a history in Peruvian bands like Arcada, Argul, and Cobra.1 Having established this as a legitimate act with some experienced musicians, the final piece of the puzzle to solve is whether Illwind’s debut album, The Unfolding at the End of Light, is any good.

    Illwind is a stoner doom outfit that creatively blends genres in some pretty groovy ways. Epic opener “Crimson Skies” gives you the first hint that things aren’t what they seem on the surface. After the song opens with the slow, plodding pace of funeral doom, vocalist Marcos Coifman’s baritone upends expectations by calling to mind the epic tones of Sorcerer and Visigoth. The funeral doom transforms into classic stoner doom with hints of Black Sabbath before ending on a series of elaborate guitar solos that have the spirit of ’70s rock acts like Lynyrd Skynyrd and the psychedelia of Pink Floyd and Blood Incantation. That The Unfolding at the End of Light ends on a cover by The Stooges, “I Wanna Be Your Dog,” tells us that Illwind doesn’t exactly have modernity in mind, and yet what they have crafted sounds fresh and sometimes exciting.

    At heart, this is a work of stoner doom, with a plodding, relaxed pace and enough reverb on the guitar to give off the genre’s usual chill vibes. Illwind aims for exploration, falling securely in the school of Windhand, YOB, and Black Sabbath. They’re in no hurry, but they also don’t hold back the hooks. The guitars from Mauricio Guerrero hit all the right notes, providing distinctive stoner riffs from one song to another. And just when the tracks are about to hit their quota of stoner, he and fellow guitarist Andrés Rhor get creative with solos that transport you to another time and place like Bill and Ted stepping into a magic phone booth. It’s no hallucination if you see their solos come to life—they breathe and grow and take over a tune in a way that can be exhilarating.

    How much you enjoy this depends on your level of tolerance of the stoner doom genre itself. Illwind are at their best when they go off the stoner script. The main issue is their stoner stuff can be a bit generic. This is especially true of some of the longer songs, like “God of Sleep” and the thirteen-minute “Lucifer’s Mule,” which grow repetitive. It works best in smaller doses: “Portal” and “Wanderer,” both around five minutes, provide the perfect amount of stoner riffs before breaking into the classic-sounding solos. Coifman’s voice, similarly, is good in doses, but over time his monotonous delivery adds to a feeling of stagnancy. Admittedly, though, when he opens up “Lucifer’s Mule” by singing “Tell me Lucifer” in his best impression of Ozzy, it’s a highlight of the record.

    The Unfolding at the End of Light proves a good debut for a band whose members have experience in a mix of genres, from black metal to heavy metal to stoner doom. As innovative as Illwind proves to be in blending several old school genres, they’re not quite so innovative in their base genre of stoner doom. They write and play some good stuff, and with some refined songwriting, they could perfect their blend of genres or even give their stoner riffs a little more pizzazz. In the end, though, I think Illwind achieve success. This is a chill record with some outstanding moments that will have you stop and just say, “Whoa.”

    Rating: 3.0/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Personal Records
    Website: Bandcamp
    Releases Worldwide: July 3rd 2026

    #2026 #30 #Arcada #Argul #BlackSabbath #BloodIncantation #Cobra #DoomMetal #EpicMetal #IllWind #Illwind #Jul26 #LynyrdSkynyrd #PersonalRecords #PeruvianMetal #PinkFloyd #Radiohead #Review #Reviews #Sorcerer #StonerDoom #StonerMetal #TheStooges #TheUnfoldingAtTheEndOfLight #Visigoth #Windhand #YOB
  19. Illwind – The Unfolding at the End of Light Review By ClarkKent

    Sometimes a new band starts up and chooses a godawful name—like Illwind. I’m not just referring to associations with flatulence either—though that certainly doesn’t help. It’s just a difficult name to research, especially for a band with such a small web presence. Google will direct you to the Radiohead song, “Ill Wind,” or a 1960s psychedelic band from Boston called Ill Wind, among other surprisingly numerous use cases for the term “ill wind.” In fact, I began to have some doubts the band was real, but further research shows they do have a label (Personal Records) as well as a list of band members who have a history in Peruvian bands like Arcada, Argul, and Cobra.1 Having established this as a legitimate act with some experienced musicians, the final piece of the puzzle to solve is whether Illwind’s debut album, The Unfolding at the End of Light, is any good.

    Illwind is a stoner doom outfit that creatively blends genres in some pretty groovy ways. Epic opener “Crimson Skies” gives you the first hint that things aren’t what they seem on the surface. After the song opens with the slow, plodding pace of funeral doom, vocalist Marcos Coifman’s baritone upends expectations by calling to mind the epic tones of Sorcerer and Visigoth. The funeral doom transforms into classic stoner doom with hints of Black Sabbath before ending on a series of elaborate guitar solos that have the spirit of ’70s rock acts like Lynyrd Skynyrd and the psychedelia of Pink Floyd and Blood Incantation. That The Unfolding at the End of Light ends on a cover by The Stooges, “I Wanna Be Your Dog,” tells us that Illwind doesn’t exactly have modernity in mind, and yet what they have crafted sounds fresh and sometimes exciting.

    At heart, this is a work of stoner doom, with a plodding, relaxed pace and enough reverb on the guitar to give off the genre’s usual chill vibes. Illwind aims for exploration, falling securely in the school of Windhand, YOB, and Black Sabbath. They’re in no hurry, but they also don’t hold back the hooks. The guitars from Mauricio Guerrero hit all the right notes, providing distinctive stoner riffs from one song to another. And just when the tracks are about to hit their quota of stoner, he and fellow guitarist Andrés Rhor get creative with solos that transport you to another time and place like Bill and Ted stepping into a magic phone booth. It’s no hallucination if you see their solos come to life—they breathe and grow and take over a tune in a way that can be exhilarating.

    How much you enjoy this depends on your level of tolerance of the stoner doom genre itself. Illwind are at their best when they go off the stoner script. The main issue is their stoner stuff can be a bit generic. This is especially true of some of the longer songs, like “God of Sleep” and the thirteen-minute “Lucifer’s Mule,” which grow repetitive. It works best in smaller doses: “Portal” and “Wanderer,” both around five minutes, provide the perfect amount of stoner riffs before breaking into the classic-sounding solos. Coifman’s voice, similarly, is good in doses, but over time his monotonous delivery adds to a feeling of stagnancy. Admittedly, though, when he opens up “Lucifer’s Mule” by singing “Tell me Lucifer” in his best impression of Ozzy, it’s a highlight of the record.

    The Unfolding at the End of Light proves a good debut for a band whose members have experience in a mix of genres, from black metal to heavy metal to stoner doom. As innovative as Illwind proves to be in blending several old school genres, they’re not quite so innovative in their base genre of stoner doom. They write and play some good stuff, and with some refined songwriting, they could perfect their blend of genres or even give their stoner riffs a little more pizzazz. In the end, though, I think Illwind achieve success. This is a chill record with some outstanding moments that will have you stop and just say, “Whoa.”

    Rating: 3.0/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Personal Records
    Website: Bandcamp
    Releases Worldwide: July 3rd 2026

    #2026 #30 #Arcada #Argul #BlackSabbath #BloodIncantation #Cobra #DoomMetal #EpicMetal #IllWind #Illwind #Jul26 #LynyrdSkynyrd #PersonalRecords #PeruvianMetal #PinkFloyd #Radiohead #Review #Reviews #Sorcerer #StonerDoom #StonerMetal #TheStooges #TheUnfoldingAtTheEndOfLight #Visigoth #Windhand #YOB
  20. Illwind – The Unfolding at the End of Light Review By ClarkKent

    Sometimes a new band starts up and chooses a godawful name—like Illwind. I’m not just referring to associations with flatulence either—though that certainly doesn’t help. It’s just a difficult name to research, especially for a band with such a small web presence. Google will direct you to the Radiohead song, “Ill Wind,” or a 1960s psychedelic band from Boston called Ill Wind, among other surprisingly numerous use cases for the term “ill wind.” In fact, I began to have some doubts the band was real, but further research shows they do have a label (Personal Records) as well as a list of band members who have a history in Peruvian bands like Arcada, Argul, and Cobra.1 Having established this as a legitimate act with some experienced musicians, the final piece of the puzzle to solve is whether Illwind’s debut album, The Unfolding at the End of Light, is any good.

    Illwind is a stoner doom outfit that creatively blends genres in some pretty groovy ways. Epic opener “Crimson Skies” gives you the first hint that things aren’t what they seem on the surface. After the song opens with the slow, plodding pace of funeral doom, vocalist Marcos Coifman’s baritone upends expectations by calling to mind the epic tones of Sorcerer and Visigoth. The funeral doom transforms into classic stoner doom with hints of Black Sabbath before ending on a series of elaborate guitar solos that have the spirit of ’70s rock acts like Lynyrd Skynyrd and the psychedelia of Pink Floyd and Blood Incantation. That The Unfolding at the End of Light ends on a cover by The Stooges, “I Wanna Be Your Dog,” tells us that Illwind doesn’t exactly have modernity in mind, and yet what they have crafted sounds fresh and sometimes exciting.

    At heart, this is a work of stoner doom, with a plodding, relaxed pace and enough reverb on the guitar to give off the genre’s usual chill vibes. Illwind aims for exploration, falling securely in the school of Windhand, YOB, and Black Sabbath. They’re in no hurry, but they also don’t hold back the hooks. The guitars from Mauricio Guerrero hit all the right notes, providing distinctive stoner riffs from one song to another. And just when the tracks are about to hit their quota of stoner, he and fellow guitarist Andrés Rhor get creative with solos that transport you to another time and place like Bill and Ted stepping into a magic phone booth. It’s no hallucination if you see their solos come to life—they breathe and grow and take over a tune in a way that can be exhilarating.

    How much you enjoy this depends on your level of tolerance of the stoner doom genre itself. Illwind are at their best when they go off the stoner script. The main issue is their stoner stuff can be a bit generic. This is especially true of some of the longer songs, like “God of Sleep” and the thirteen-minute “Lucifer’s Mule,” which grow repetitive. It works best in smaller doses: “Portal” and “Wanderer,” both around five minutes, provide the perfect amount of stoner riffs before breaking into the classic-sounding solos. Coifman’s voice, similarly, is good in doses, but over time his monotonous delivery adds to a feeling of stagnancy. Admittedly, though, when he opens up “Lucifer’s Mule” by singing “Tell me Lucifer” in his best impression of Ozzy, it’s a highlight of the record.

    The Unfolding at the End of Light proves a good debut for a band whose members have experience in a mix of genres, from black metal to heavy metal to stoner doom. As innovative as Illwind proves to be in blending several old school genres, they’re not quite so innovative in their base genre of stoner doom. They write and play some good stuff, and with some refined songwriting, they could perfect their blend of genres or even give their stoner riffs a little more pizzazz. In the end, though, I think Illwind achieve success. This is a chill record with some outstanding moments that will have you stop and just say, “Whoa.”

    Rating: 3.0/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Personal Records
    Website: Bandcamp
    Releases Worldwide: July 3rd 2026

    #2026 #30 #Arcada #Argul #BlackSabbath #BloodIncantation #Cobra #DoomMetal #EpicMetal #IllWind #Illwind #Jul26 #LynyrdSkynyrd #PersonalRecords #PeruvianMetal #PinkFloyd #Radiohead #Review #Reviews #Sorcerer #StonerDoom #StonerMetal #TheStooges #TheUnfoldingAtTheEndOfLight #Visigoth #Windhand #YOB
  21. Illwind – The Unfolding at the End of Light Review By ClarkKent

    Sometimes a new band starts up and chooses a godawful name—like Illwind. I’m not just referring to associations with flatulence either—though that certainly doesn’t help. It’s just a difficult name to research, especially for a band with such a small web presence. Google will direct you to the Radiohead song, “Ill Wind,” or a 1960s psychedelic band from Boston called Ill Wind, among other surprisingly numerous use cases for the term “ill wind.” In fact, I began to have some doubts the band was real, but further research shows they do have a label (Personal Records) as well as a list of band members who have a history in Peruvian bands like Arcada, Argul, and Cobra.1 Having established this as a legitimate act with some experienced musicians, the final piece of the puzzle to solve is whether Illwind’s debut album, The Unfolding at the End of Light, is any good.

    Illwind is a stoner doom outfit that creatively blends genres in some pretty groovy ways. Epic opener “Crimson Skies” gives you the first hint that things aren’t what they seem on the surface. After the song opens with the slow, plodding pace of funeral doom, vocalist Marcos Coifman’s baritone upends expectations by calling to mind the epic tones of Sorcerer and Visigoth. The funeral doom transforms into classic stoner doom with hints of Black Sabbath before ending on a series of elaborate guitar solos that have the spirit of ’70s rock acts like Lynyrd Skynyrd and the psychedelia of Pink Floyd and Blood Incantation. That The Unfolding at the End of Light ends on a cover by The Stooges, “I Wanna Be Your Dog,” tells us that Illwind doesn’t exactly have modernity in mind, and yet what they have crafted sounds fresh and sometimes exciting.

    At heart, this is a work of stoner doom, with a plodding, relaxed pace and enough reverb on the guitar to give off the genre’s usual chill vibes. Illwind aims for exploration, falling securely in the school of Windhand, YOB, and Black Sabbath. They’re in no hurry, but they also don’t hold back the hooks. The guitars from Mauricio Guerrero hit all the right notes, providing distinctive stoner riffs from one song to another. And just when the tracks are about to hit their quota of stoner, he and fellow guitarist Andrés Rhor get creative with solos that transport you to another time and place like Bill and Ted stepping into a magic phone booth. It’s no hallucination if you see their solos come to life—they breathe and grow and take over a tune in a way that can be exhilarating.

    How much you enjoy this depends on your level of tolerance of the stoner doom genre itself. Illwind are at their best when they go off the stoner script. The main issue is their stoner stuff can be a bit generic. This is especially true of some of the longer songs, like “God of Sleep” and the thirteen-minute “Lucifer’s Mule,” which grow repetitive. It works best in smaller doses: “Portal” and “Wanderer,” both around five minutes, provide the perfect amount of stoner riffs before breaking into the classic-sounding solos. Coifman’s voice, similarly, is good in doses, but over time his monotonous delivery adds to a feeling of stagnancy. Admittedly, though, when he opens up “Lucifer’s Mule” by singing “Tell me Lucifer” in his best impression of Ozzy, it’s a highlight of the record.

    The Unfolding at the End of Light proves a good debut for a band whose members have experience in a mix of genres, from black metal to heavy metal to stoner doom. As innovative as Illwind proves to be in blending several old school genres, they’re not quite so innovative in their base genre of stoner doom. They write and play some good stuff, and with some refined songwriting, they could perfect their blend of genres or even give their stoner riffs a little more pizzazz. In the end, though, I think Illwind achieve success. This is a chill record with some outstanding moments that will have you stop and just say, “Whoa.”

    Rating: 3.0/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Personal Records
    Website: Bandcamp
    Releases Worldwide: July 3rd 2026

    #2026 #30 #Arcada #Argul #BlackSabbath #BloodIncantation #Cobra #DoomMetal #EpicMetal #IllWind #Illwind #Jul26 #LynyrdSkynyrd #PersonalRecords #PeruvianMetal #PinkFloyd #Radiohead #Review #Reviews #Sorcerer #StonerDoom #StonerMetal #TheStooges #TheUnfoldingAtTheEndOfLight #Visigoth #Windhand #YOB
  22. Illwind – The Unfolding at the End of Light Review By ClarkKent

    Sometimes a new band starts up and chooses a godawful name—like Illwind. I’m not just referring to associations with flatulence either—though that certainly doesn’t help. It’s just a difficult name to research, especially for a band with such a small web presence. Google will direct you to the Radiohead song, “Ill Wind,” or a 1960s psychedelic band from Boston called Ill Wind, among other surprisingly numerous use cases for the term “ill wind.” In fact, I began to have some doubts the band was real, but further research shows they do have a label (Personal Records) as well as a list of band members who have a history in Peruvian bands like Arcada, Argul, and Cobra.1 Having established this as a legitimate act with some experienced musicians, the final piece of the puzzle to solve is whether Illwind’s debut album, The Unfolding at the End of Light, is any good.

    Illwind is a stoner doom outfit that creatively blends genres in some pretty groovy ways. Epic opener “Crimson Skies” gives you the first hint that things aren’t what they seem on the surface. After the song opens with the slow, plodding pace of funeral doom, vocalist Marcos Coifman’s baritone upends expectations by calling to mind the epic tones of Sorcerer and Visigoth. The funeral doom transforms into classic stoner doom with hints of Black Sabbath before ending on a series of elaborate guitar solos that have the spirit of ’70s rock acts like Lynyrd Skynyrd and the psychedelia of Pink Floyd and Blood Incantation. That The Unfolding at the End of Light ends on a cover by The Stooges, “I Wanna Be Your Dog,” tells us that Illwind doesn’t exactly have modernity in mind, and yet what they have crafted sounds fresh and sometimes exciting.

    At heart, this is a work of stoner doom, with a plodding, relaxed pace and enough reverb on the guitar to give off the genre’s usual chill vibes. Illwind aims for exploration, falling securely in the school of Windhand, YOB, and Black Sabbath. They’re in no hurry, but they also don’t hold back the hooks. The guitars from Mauricio Guerrero hit all the right notes, providing distinctive stoner riffs from one song to another. And just when the tracks are about to hit their quota of stoner, he and fellow guitarist Andrés Rhor get creative with solos that transport you to another time and place like Bill and Ted stepping into a magic phone booth. It’s no hallucination if you see their solos come to life—they breathe and grow and take over a tune in a way that can be exhilarating.

    How much you enjoy this depends on your level of tolerance of the stoner doom genre itself. Illwind are at their best when they go off the stoner script. The main issue is their stoner stuff can be a bit generic. This is especially true of some of the longer songs, like “God of Sleep” and the thirteen-minute “Lucifer’s Mule,” which grow repetitive. It works best in smaller doses: “Portal” and “Wanderer,” both around five minutes, provide the perfect amount of stoner riffs before breaking into the classic-sounding solos. Coifman’s voice, similarly, is good in doses, but over time his monotonous delivery adds to a feeling of stagnancy. Admittedly, though, when he opens up “Lucifer’s Mule” by singing “Tell me Lucifer” in his best impression of Ozzy, it’s a highlight of the record.

    The Unfolding at the End of Light proves a good debut for a band whose members have experience in a mix of genres, from black metal to heavy metal to stoner doom. As innovative as Illwind proves to be in blending several old school genres, they’re not quite so innovative in their base genre of stoner doom. They write and play some good stuff, and with some refined songwriting, they could perfect their blend of genres or even give their stoner riffs a little more pizzazz. In the end, though, I think Illwind achieve success. This is a chill record with some outstanding moments that will have you stop and just say, “Whoa.”

    Rating: 3.0/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: Personal Records
    Website: Bandcamp
    Releases Worldwide: July 3rd 2026

    #2026 #30 #Arcada #Argul #BlackSabbath #BloodIncantation #Cobra #DoomMetal #EpicMetal #IllWind #Illwind #Jul26 #LynyrdSkynyrd #PersonalRecords #PeruvianMetal #PinkFloyd #Radiohead #Review #Reviews #Sorcerer #StonerDoom #StonerMetal #TheStooges #TheUnfoldingAtTheEndOfLight #Visigoth #Windhand #YOB
  23. Updated DnD 5.5 Sorcerer Class Guide

    Our Sorcerer class guide is now updated to include new character options published in 2025 in Heroes of the Forgotten Realms, Astarion's Book of Hungers, and Lorwyn.

    rpgbot.net/2024-dnd/classes/so

    #DnD #2024DnD #Sorcerer

  24. Updated DnD 5.5 Sorcerer Class Guide

    Our Sorcerer class guide is now updated to include new character options published in 2025 in Heroes of the Forgotten Realms, Astarion's Book of Hungers, and Lorwyn.

    rpgbot.net/2024-dnd/classes/so

    #DnD #2024DnD #Sorcerer

  25. Updated DnD 5.5 Sorcerer Class Guide

    Our Sorcerer class guide is now updated to include new character options published in 2025 in Heroes of the Forgotten Realms, Astarion's Book of Hungers, and Lorwyn.

    rpgbot.net/2024-dnd/classes/so

    #DnD #2024DnD #Sorcerer

  26. Updated DnD 5.5 Sorcerer Class Guide

    Our Sorcerer class guide is now updated to include new character options published in 2025 in Heroes of the Forgotten Realms, Astarion's Book of Hungers, and Lorwyn.

    rpgbot.net/2024-dnd/classes/so

    #DnD #2024DnD #Sorcerer

  27. Updated DnD 5.5 Sorcerer Class Guide

    Our Sorcerer class guide is now updated to include new character options published in 2025 in Heroes of the Forgotten Realms, Astarion's Book of Hungers, and Lorwyn.

    rpgbot.net/2024-dnd/classes/so

    #DnD #2024DnD #Sorcerer

  28. Koschei the Deathless is a powerful, malevolent sorcerer in East Slavic folklore who achieved immortality by separating his soul and hiding it inside a nested, "matryoshka-style" container: a needle within an egg, inside a duck, inside a hare, inside a chest, buried under a green oak on the mythical island of Buyan. His original recipe (with some obvious substitutions) would later be known as the "turducken". #folklore #cooking #slavic #wizard #deathless #lich #turducken #sorcerer

  29. Koschei the Deathless is a powerful, malevolent sorcerer in East Slavic folklore who achieved immortality by separating his soul and hiding it inside a nested, "matryoshka-style" container: a needle within an egg, inside a duck, inside a hare, inside a chest, buried under a green oak on the mythical island of Buyan. His original recipe (with some obvious substitutions) would later be known as the "turducken". #folklore #cooking #slavic #wizard #deathless #lich #turducken #sorcerer

  30. Koschei the Deathless is a powerful, malevolent sorcerer in East Slavic folklore who achieved immortality by separating his soul and hiding it inside a nested, "matryoshka-style" container: a needle within an egg, inside a duck, inside a hare, inside a chest, buried under a green oak on the mythical island of Buyan. His original recipe (with some obvious substitutions) would later be known as the "turducken". #folklore #cooking #slavic #wizard #deathless #lich #turducken #sorcerer

  31. Koschei the Deathless is a powerful, malevolent sorcerer in East Slavic folklore who achieved immortality by separating his soul and hiding it inside a nested, "matryoshka-style" container: a needle within an egg, inside a duck, inside a hare, inside a chest, buried under a green oak on the mythical island of Buyan. His original recipe (with some obvious substitutions) would later be known as the "turducken". #folklore #cooking #slavic #wizard #deathless #lich #turducken #sorcerer

  32. Koschei the Deathless is a powerful, malevolent sorcerer in East Slavic folklore who achieved immortality by separating his soul and hiding it inside a nested, "matryoshka-style" container: a needle within an egg, inside a duck, inside a hare, inside a chest, buried under a green oak on the mythical island of Buyan. His original recipe (with some obvious substitutions) would later be known as the "turducken". #folklore #cooking #slavic #wizard #deathless #lich #turducken #sorcerer

  33. Movie TV Tech Geeks #Movie #Action #Sorcerer #Thief 10 Most Underrated Action Movies of the Last 100 Years, Ranked dlvr.it/TRyth0

  34. Meet Zagrea Afxbis.

    Six generations ago, a young Tiefling named Urxikas Afxbis was playing dice in a loud bar and caught another player cheating. He called it out. There was a scuffle. The scuffle became a brawl. The brawl became a full-room catastrophe -- everyone involved, furniture flying, chaos wall to wall.

    Everyone except the Green Hag sitting alone in the far corner.

    Urxikas got thrown across the room and landed near her. Scrambling up, he stepped on her pack. Something inside shattered. She screamed. The whole bar went quiet.

    She walked up to him slowly. Got close. And in a voice barely above a whisper, she told him exactly what she thought of him and every red-blooded, tail-dragging devilspawn that would come after him. Then she blew a handful of sand in his eyes and walked out.

    That was six Afxbisses ago. The curse has been passed down faithfully through every generation. Uncontrollable magic. Skin that changes color every time a spell fires -- bright green after poison, bright red after fire, eight colors counted so far, possibly more to come. The Afxbis line has learned, generation to generation, how to ride the magic, how to keep it from swallowing them whole. The skin, they never figured out.

    Somehow, Zagrea is a happy guy. Charismatic, warm, a little prone to exaggeration when he's telling stories. He finds joy in most things. Most people like him immediately.

    But spend enough time with him and you'll see it -- something behind the eyes. Something that doesn't quite rest. He keeps moving because standing still was never really an option. He wasn't welcome most places, growing up. So he kept walking, kept adventuring, and somewhere along the way started looking for something that resembles peace.

    He hasn't found it yet. His powers are getting stronger by the day.

    ---

    Zagrea Afxbis is a tall Tiefling Sorcerer with almost no muscle to speak of, wearing colorful striped overalls and a cape long enough to wrap himself in -- both striped vertically in white, red, vermillion, orange, amber, yellow, chartreuse, green, teal, blue, violet, purple, magenta, and black. He attacks from range and relies on his arcane knowledge when his spells don't cooperate. He can will his bare hands to strike like a club, dagger, or handaxe, and can summon a vibrant shield of light from his own arms when pressed. He is a lifelong adventurer, a walking folk legend, and arguably the most colorful person in the room -- sometimes literally.

    #iTA #isThisAnything #DnD #TTRPG #Homebrew #CharacterIntro #Sorcerer #Tiefling