#swedishdeathmetal — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #swedishdeathmetal, aggregated by home.social.
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Endlich Zeit gehabt, die letzte At The Gates in Ruhe zu hören. Tolle Scheibe, ich liebe vor allem „In Dark Distortion“, aber auch der Rest - ein würdiger Abschluss. Hach, und es ist so tragisch … 🥺 #atthegates #swedishdeathmetal
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Farewell Tompa!!!
AT THE GATES - 'The Ghost Of A Future Dead' by @atthegates_official & @centurymediarecords
#linsedunemanninen
#deathmetal
#swedishdeathmetal
#atthegates
#vinyl
#harzhikingmetalpunk
#vinyllovers
#lieblingsharz
#melodicdeathmetalhttps://www.instagram.com/p/DXji95JjAMJ/?igsh=MWpqcWJyd2Nldmk2Zg==
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https://www.europesays.com/nl/181450/ Vomitory – In Death Throes #albumrecensie #Amusement #DeathMetal #Dutch #english #Entertainment #gore #InDeathThroes #MetalBladeRecords #Music #Muziek #Nederland #Nederlanden #Nederlands #Netherlands #NL #recensie #swedish #SwedishDeathMetal #vomitory #ZwareMetalen
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IN AETERNUM - '...Of Death And Fire' by @inaeternum1992 & @soulsellerrecords _ Review Online Now - @twilight_magazin !!!
https://www.twilight-magazin.de/reviews/musik-review/in-aeternum-of-death-and-fire
#inaeternum
#soulsellerrecords
#TwilightMagazin
#blackmetal
#deathmetal
#swedishdeathmetal
https://www.instagram.com/p/DVBWd1cjBL_/?igsh=MWlrY2hrM2VrNTJhcw== -
Mørkeskye #22 - Unverbesserlicher Fanzine-Firlefanz seit 1995 _ #Review Online Now _ @twilight_magazin
#TwilightMagazin
#linsedunemanninen
#Fanzine
#onlyprintisreal
#metal
#heavymetal
#blackmetal
#grindcore
#crust
#deathmetal
#oldschooldeathmetal
#swedishdeathmetal
#metalpunksteel
#speedmetalpunks
#harz
#einharz
#harzmountains
https://www.instagram.com/p/DT8cHDJjFm8/?igsh=MWV0dGFhdzdqZHcwNw== -
2025 - A Year Of Music!
https://harz-hiking-metal-punk.de/2025-a-year-of-music/
#linsedunemanninen
#harzhikingmetalpunk
#intensemusic
#metal
#oldschooldeathmetal
#swedishdeathmetal
#heavymetal
#deathmetal
#blackmetal
#thrashmetal
#progressivemetal
#doommetal
#metalpunksteel
#speedmetalpunks
#twilightmagazin
#harz
#einharz
#harzmountains
https://www.instagram.com/p/DS66o-oDNNL/?igsh=MXcyeWNzM2FtNHRzYg== -
Dark Tranquillity – Haven (2000, Sweden)
Continuing our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 185 on The List, submitted by HauntedOwlbear. Formed in 1989, Dark Tranquillity is considered to be one of the pioneering bands of the melodic death metal genre specifically, and of the Gothenburg metal scene in general, alongside (the recently departed Tomas Lindberg’s) At The Gates and In Flames. By the time we get to this album – their fifth – piano/keyboard and electronics as well as some clean vocals had already been added to their death metal sound. The result is, unexpectedly, rather uplifting music.
Want to read more? See the full spotlight on the Fediverse at https://linernotes.club/@1001otheralbu[email protected] or on the blog: https://1001otheralbums.com/2025/12/29/dark-tranquillity-haven-2000-sweden/
Want to skip straight to the music? Here's the Bandcamp: https://darktranquillity.bandcamp.com/album/haven-re-issue-bonus
Happy listening!
#DarkTranquillity #MelodicDeathMetal #GothenburgMetal #SwedishDeathMetal #metal #Sweden #music #1001OtherAlbums
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Dark Tranquillity – Haven (2000, Sweden)
Continuing our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 185 on The List, submitted by HauntedOwlbear. Formed in 1989, Dark Tranquillity is considered to be one of the pioneering bands of the melodic death metal genre specifically, and of the Gothenburg metal scene in general, alongside (the recently departed Tomas Lindberg’s) At The Gates and In Flames. By the time we get to this album – their fifth – piano/keyboard and electronics as well as some clean vocals had already been added to their death metal sound. The result is, unexpectedly, rather uplifting music.
Want to read more? See the full spotlight on the Fediverse at https://linernotes.club/@1001otheralbu[email protected] or on the blog: https://1001otheralbums.com/2025/12/29/dark-tranquillity-haven-2000-sweden/
Want to skip straight to the music? Here's the Bandcamp: https://darktranquillity.bandcamp.com/album/haven-re-issue-bonus
Happy listening!
#DarkTranquillity #MelodicDeathMetal #GothenburgMetal #SwedishDeathMetal #metal #Sweden #music #1001OtherAlbums
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Dark Tranquillity – Haven (2000, Sweden)
Continuing our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 185 on The List, submitted by HauntedOwlbear. Formed in 1989, Dark Tranquillity is considered to be one of the pioneering bands of the melodic death metal genre specifically, and of the Gothenburg metal scene in general, alongside (the recently departed Tomas Lindberg’s) At The Gates and In Flames. By the time we get to this album – their fifth – piano/keyboard and electronics as well as some clean vocals had already been added to their death metal sound. The result is, unexpectedly, rather uplifting music.
Want to read more? See the full spotlight on the Fediverse at https://linernotes.club/@1001otheralbu[email protected] or on the blog: https://1001otheralbums.com/2025/12/29/dark-tranquillity-haven-2000-sweden/
Want to skip straight to the music? Here's the Bandcamp: https://darktranquillity.bandcamp.com/album/haven-re-issue-bonus
Happy listening!
#DarkTranquillity #MelodicDeathMetal #GothenburgMetal #SwedishDeathMetal #metal #Sweden #music #1001OtherAlbums
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Dark Tranquillity – Haven (2000, Sweden)
Continuing our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 185 on The List, submitted by HauntedOwlbear. Formed in 1989, Dark Tranquillity is considered to be one of the pioneering bands of the melodic death metal genre specifically, and of the Gothenburg metal scene in general, alongside (the recently departed Tomas Lindberg’s) At The Gates and In Flames. By the time we get to this album – their fifth – piano/keyboard and electronics as well as some clean vocals had already been added to their death metal sound. The result is, unexpectedly, rather uplifting music.
Want to read more? See the full spotlight on the Fediverse at https://linernotes.club/@1001otheralbu[email protected] or on the blog: https://1001otheralbums.com/2025/12/29/dark-tranquillity-haven-2000-sweden/
Want to skip straight to the music? Here's the Bandcamp: https://darktranquillity.bandcamp.com/album/haven-re-issue-bonus
Happy listening!
#DarkTranquillity #MelodicDeathMetal #GothenburgMetal #SwedishDeathMetal #metal #Sweden #music #1001OtherAlbums
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Dark Tranquillity – Haven (2000, Sweden)
Our next spotlight is on number 185 on The List, submitted by HauntedOwlbear.
I’m Canadian and a publishing/copy editor by trade, and yet I had no idea until encountering this album that there are two spellings of the second word in the band name: the single el’ed tranquility (i.e., what I previously thought was the only spelling) being the American spelling, the double el’ed tranquillity being the British/Canadian (i.e., correct, for me) spelling. But I digress.
Formed in 1989 and originally named Septic Broiler, Dark Tranquillity is considered to be one of the pioneering bands of the melodic death metal genre specifically, and of the Gothenburg metal scene in general, alongside (the recently departed Tomas Lindberg’s) At The Gates and In Flames. Dark Traquillity’s second LP, The Gallery (1995) is particularly seen as highly influential to the genre.
By the time we get to this album – their fifth – piano/keyboard and electronics as well as some clean vocals had already been added to their death metal sound. And this album is essentially exactly what it says on the box. It’s dark and melancholic yet tranquil in its epic yet subtle approach, a mix that I find rather uplifting if not hopeful, creating a nice little metal haven to hide in for the remainder of this craptastic year. And the band is still going strong (albeit with only singer Mikael Stanne and keyboardist Martin Brändström remaining from Haven‘s lineup), having released their 13th LP Endtime Signals just last year. So, if you enjoy what you hear here, you have a lot of darkly tranquil albums to disappear into for as long as you need.
- Bandcamp: Dark Tranquillity – Haven
- Discogs: Dark Tranquillity – Haven
- Encyclopaedia Metallum: Dark Tranquillity
#DarkTranquillity #GothenburgMetal #ListenToThis #melodicDeathMetal #metal #music #musicDiscovery #Sweden #SwedishDeathMetal #SwedishMetal
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Dark Tranquillity – Haven (2000, Sweden)
Our next spotlight is on number 185 on The List, submitted by HauntedOwlbear.
I’m Canadian and a publishing/copy editor by trade, and yet I had no idea until encountering this album that there are two spellings of the second word in the band name: the single el’ed tranquility (i.e., what I previously thought was the only spelling) being the American spelling, the double el’ed tranquillity being the British/Canadian (i.e., correct, for me) spelling. But I digress.
Formed in 1989 and originally named Septic Broiler, Dark Tranquillity is considered to be one of the pioneering bands of the melodic death metal genre specifically, and of the Gothenburg metal scene in general, alongside (the recently departed Tomas Lindberg’s) At The Gates and In Flames. Dark Traquillity’s second LP, The Gallery (1995) is particularly seen as highly influential to the genre.
By the time we get to this album – their fifth – piano/keyboard and electronics as well as some clean vocals had already been added to their death metal sound. And this album is essentially exactly what it says on the box. It’s dark and melancholic yet tranquil in its epic yet subtle approach, a mix that I find rather uplifting if not hopeful, creating a nice little metal haven to hide in for the remainder of this craptastic year. And the band is still going strong (albeit with only singer Mikael Stanne and keyboardist Martin Brändström remaining from Haven‘s lineup), having released their 13th LP Endtime Signals just last year. So, if you enjoy what you hear here, you have a lot of darkly tranquil albums to disappear into for as long as you need.
- Bandcamp: Dark Tranquillity – Haven
- Discogs: Dark Tranquillity – Haven
- Encyclopaedia Metallum: Dark Tranquillity
#DarkTranquillity #GothenburgMetal #ListenToThis #melodicDeathMetal #metal #music #musicDiscovery #Sweden #SwedishDeathMetal #SwedishMetal
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Dark Tranquillity – Haven (2000, Sweden)
Our next spotlight is on number 185 on The List, submitted by HauntedOwlbear.
I’m Canadian and a publishing/copy editor by trade, and yet I had no idea until encountering this album that there are two spellings of the second word in the band name: the single el’ed tranquility (i.e., what I previously thought was the only spelling) being the American spelling, the double el’ed tranquillity being the British/Canadian (i.e., correct, for me) spelling. But I digress.
Formed in 1989 and originally named Septic Broiler, Dark Tranquillity is considered to be one of the pioneering bands of the melodic death metal genre specifically, and of the Gothenburg metal scene in general, alongside (the recently departed Tomas Lindberg’s) At The Gates and In Flames. Dark Traquillity’s second LP, The Gallery (1995) is particularly seen as highly influential to the genre.
By the time we get to this album – their fifth – piano/keyboard and electronics as well as some clean vocals had already been added to their death metal sound. And this album is essentially exactly what it says on the box. It’s dark and melancholic yet tranquil in its epic yet subtle approach, a mix that I find rather uplifting if not hopeful, creating a nice little metal haven to hide in for the remainder of this craptastic year. And the band is still going strong (albeit with only singer Mikael Stanne and keyboardist Martin Brändström remaining from Haven‘s lineup), having released their 13th LP Endtime Signals just last year. So, if you enjoy what you hear here, you have a lot of darkly tranquil albums to disappear into for as long as you need.
- Bandcamp: Dark Tranquillity – Haven
- Discogs: Dark Tranquillity – Haven
- Encyclopaedia Metallum: Dark Tranquillity
#DarkTranquillity #GothenburgMetal #ListenToThis #melodicDeathMetal #metal #music #musicDiscovery #Sweden #SwedishDeathMetal #SwedishMetal
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Dark Tranquillity – Haven (2000, Sweden)
Our next spotlight is on number 185 on The List, submitted by HauntedOwlbear.
I’m Canadian and a publishing/copy editor by trade, and yet I had no idea until encountering this album that there are two spellings of the second word in the band name: the single el’ed tranquility (i.e., what I previously thought was the only spelling) being the American spelling, the double el’ed tranquillity being the British/Canadian (i.e., correct, for me) spelling. But I digress.
Formed in 1989 and originally named Septic Broiler, Dark Tranquillity is considered to be one of the pioneering bands of the melodic death metal genre specifically, and of the Gothenburg metal scene in general, alongside (the recently departed Tomas Lindberg’s) At The Gates and In Flames. Dark Traquillity’s second LP, The Gallery (1995) is particularly seen as highly influential to the genre.
By the time we get to this album – their fifth – piano/keyboard and electronics as well as some clean vocals had already been added to their death metal sound. And this album is essentially exactly what it says on the box. It’s dark and melancholic yet tranquil in its epic yet subtle approach, a mix that I find rather uplifting if not hopeful, creating a nice little metal haven to hide in for the remainder of this craptastic year. And the band is still going strong (albeit with only singer Mikael Stanne and keyboardist Martin Brändström remaining from Haven‘s lineup), having released their 13th LP Endtime Signals just last year. So, if you enjoy what you hear here, you have a lot of darkly tranquil albums to disappear into for as long as you need.
- Bandcamp: Dark Tranquillity – Haven
- Discogs: Dark Tranquillity – Haven
- Encyclopaedia Metallum: Dark Tranquillity
#DarkTranquillity #GothenburgMetal #ListenToThis #melodicDeathMetal #metal #music #musicDiscovery #Sweden #SwedishDeathMetal #SwedishMetal
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Dark Tranquillity – Haven (2000, Sweden)
Our next spotlight is on number 185 on The List, submitted by HauntedOwlbear.
I’m Canadian and a publishing/copy editor by trade, and yet I had no idea until encountering this album that there are two spellings of the second word in the band name: the single el’ed tranquility (i.e., what I previously thought was the only spelling) being the American spelling, the double el’ed tranquillity being the British/Canadian (i.e., correct, for me) spelling. But I digress.
Formed in 1989 and originally named Septic Broiler, Dark Tranquillity is considered to be one of the pioneering bands of the melodic death metal genre specifically, and of the Gothenburg metal scene in general, alongside (the recently departed Tomas Lindberg’s) At The Gates and In Flames. Dark Traquillity’s second LP, The Gallery (1995) is particularly seen as highly influential to the genre.
By the time we get to this album – their fifth – piano/keyboard and electronics as well as some clean vocals had already been added to their death metal sound. And this album is essentially exactly what it says on the box. It’s dark and melancholic yet tranquil in its epic yet subtle approach, a mix that I find rather uplifting if not hopeful, creating a nice little metal haven to hide in for the remainder of this craptastic year. And the band is still going strong (albeit with only singer Mikael Stanne and keyboardist Martin Brändström remaining from Haven‘s lineup), having released their 13th LP Endtime Signals just last year. So, if you enjoy what you hear here, you have a lot of darkly tranquil albums to disappear into for as long as you need.
- Bandcamp: Dark Tranquillity – Haven
- Discogs: Dark Tranquillity – Haven
- Encyclopaedia Metallum: Dark Tranquillity
#DarkTranquillity #GothenburgMetal #ListenToThis #melodicDeathMetal #metal #music #musicDiscovery #Sweden #SwedishDeathMetal #SwedishMetal
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Old School Swedish Death Metal!!!
IMPURITY- 'The Eternal Sleep' by @impurityofficial & @hammerheartrecords666
#linsedunemanninen
#impurity
#hammerheartrecords
#deathmetal
#oldschooldeathmetal
#swedishdeathmetal
#metalpunksteel
#speedmetalpunks
#metal
#heavymetal
#vinyllover
#vinyllovers
#vinyl
#greenbeast
#försterplayer
#försterspieler
#projectdebutcarbonevo
#harz
#einharz
#harzmountains
https://www.instagram.com/p/DP62lxLDBUE/?igsh=MTZqNTc3OTBwdWludQ== -
Old School Swedish Death Metal!!!
IMPURITY- 'The Eternal Sleep' by @impurityofficial & @hammerheartrecords666
#linsedunemanninen
#impurity
#hammerheartrecords
#deathmetal
#oldschooldeathmetal
#swedishdeathmetal
#metalpunksteel
#speedmetalpunks
#metal
#heavymetal
#vinyllover
#vinyllovers
#vinyl
#greenbeast
#försterplayer
#försterspieler
#projectdebutcarbonevo
#harz
#einharz
#harzmountains
https://www.instagram.com/p/DP62lxLDBUE/?igsh=MTZqNTc3OTBwdWludQ== -
Old School Swedish Death Metal!!!
IMPURITY- 'The Eternal Sleep' by @impurityofficial & @hammerheartrecords666
#linsedunemanninen
#impurity
#hammerheartrecords
#deathmetal
#oldschooldeathmetal
#swedishdeathmetal
#metalpunksteel
#speedmetalpunks
#metal
#heavymetal
#vinyllover
#vinyllovers
#vinyl
#greenbeast
#försterplayer
#försterspieler
#projectdebutcarbonevo
#harz
#einharz
#harzmountains
https://www.instagram.com/p/DP62lxLDBUE/?igsh=MTZqNTc3OTBwdWludQ== -
Old School Swedish Death Metal!!!
IMPURITY- 'The Eternal Sleep' by @impurityofficial & @hammerheartrecords666
#linsedunemanninen
#impurity
#hammerheartrecords
#deathmetal
#oldschooldeathmetal
#swedishdeathmetal
#metalpunksteel
#speedmetalpunks
#metal
#heavymetal
#vinyllover
#vinyllovers
#vinyl
#greenbeast
#försterplayer
#försterspieler
#projectdebutcarbonevo
#harz
#einharz
#harzmountains
https://www.instagram.com/p/DP62lxLDBUE/?igsh=MTZqNTc3OTBwdWludQ== -
Old School Swedish Death Metal!!!
IMPURITY- 'The Eternal Sleep' by @impurityofficial & @hammerheartrecords666
#linsedunemanninen
#impurity
#hammerheartrecords
#deathmetal
#oldschooldeathmetal
#swedishdeathmetal
#metalpunksteel
#speedmetalpunks
#metal
#heavymetal
#vinyllover
#vinyllovers
#vinyl
#greenbeast
#försterplayer
#försterspieler
#projectdebutcarbonevo
#harz
#einharz
#harzmountains
https://www.instagram.com/p/DP62lxLDBUE/?igsh=MTZqNTc3OTBwdWludQ== -
Timeless!!!
Swedish Doom Death Metal!
ETERNAL DARKNESS - 'Eternal Darkness' by @eternal_darkness_sweden & @pulverised
#linsedunemanninen
#intensemusic
#eternaldarkness
#pulverisedrecords
#swedishdeathmetal
#metal
#heavymetal
#doommetal
#doomdeath
#metalpunksteel
#speedmetakpunks
#vinyllover
#vinyllovers
#vinyl
#greenbeast
#försterplayer
#försterspieler
#project
#projectdebutcarbonevo
https://www.instagram.com/p/DOgb2bYDO6t/?igsh=MThmNjN2YzU0emEwcg== -
Timeless!!!
Swedish Doom Death Metal!
ETERNAL DARKNESS - 'Eternal Darkness' by @eternal_darkness_sweden & @pulverised
#linsedunemanninen
#intensemusic
#eternaldarkness
#pulverisedrecords
#swedishdeathmetal
#metal
#heavymetal
#doommetal
#doomdeath
#metalpunksteel
#speedmetakpunks
#vinyllover
#vinyllovers
#vinyl
#greenbeast
#försterplayer
#försterspieler
#project
#projectdebutcarbonevo
https://www.instagram.com/p/DOgb2bYDO6t/?igsh=MThmNjN2YzU0emEwcg== -
Timeless!!!
Swedish Doom Death Metal!
ETERNAL DARKNESS - 'Eternal Darkness' by @eternal_darkness_sweden & @pulverised
#linsedunemanninen
#intensemusic
#eternaldarkness
#pulverisedrecords
#swedishdeathmetal
#metal
#heavymetal
#doommetal
#doomdeath
#metalpunksteel
#speedmetakpunks
#vinyllover
#vinyllovers
#vinyl
#greenbeast
#försterplayer
#försterspieler
#project
#projectdebutcarbonevo
https://www.instagram.com/p/DOgb2bYDO6t/?igsh=MThmNjN2YzU0emEwcg== -
Timeless!!!
Swedish Doom Death Metal!
ETERNAL DARKNESS - 'Eternal Darkness' by @eternal_darkness_sweden & @pulverised
#linsedunemanninen
#intensemusic
#eternaldarkness
#pulverisedrecords
#swedishdeathmetal
#metal
#heavymetal
#doommetal
#doomdeath
#metalpunksteel
#speedmetakpunks
#vinyllover
#vinyllovers
#vinyl
#greenbeast
#försterplayer
#försterspieler
#project
#projectdebutcarbonevo
https://www.instagram.com/p/DOgb2bYDO6t/?igsh=MThmNjN2YzU0emEwcg== -
Timeless!!!
Swedish Doom Death Metal!
ETERNAL DARKNESS - 'Eternal Darkness' by @eternal_darkness_sweden & @pulverised
#linsedunemanninen
#intensemusic
#eternaldarkness
#pulverisedrecords
#swedishdeathmetal
#metal
#heavymetal
#doommetal
#doomdeath
#metalpunksteel
#speedmetakpunks
#vinyllover
#vinyllovers
#vinyl
#greenbeast
#försterplayer
#försterspieler
#project
#projectdebutcarbonevo
https://www.instagram.com/p/DOgb2bYDO6t/?igsh=MThmNjN2YzU0emEwcg== -
Korp – And Darker It Shall Become Review
By Alekhines Gun
One of my favorite things about metal is how there’s always some name you’ve never heard of who helped kickstart (or at least evolve) our beloved genre. For every towering pillar we are all familiar with, there’s always a lesser heralded name toiling away in the shadows of history, making their unsung contributions to the development of sound and song. Today’s subject comes from Sweden under the moniker Korp (Swedish for “raven”), founded in the 90s and unleashing a trio of albums from ’97 to 2001 before calling it a day a few years later. They made a return in 2017, and a series of EPs in subsequent years have tenderized and marinated their comeback full-length, And Darker It Shall Become. I became interested in this release because the band marketed it as blackened Swedeath, a descriptor which is, for my ears, entirely unique. Blackened death in general is hardly new, but the idea of blackened Swedeath entices with the promises of a rare auditory savagery, so let’s see if this darkness is truly all-enveloping.
And Darker It Shall Become is first and foremost hook-centric. Every song comes with some sort of main motif to embed itself into your earballs, with flurries and blasts surrounding to compensate. Cuts like “Heavens Ablaze” come out with a bounce to get noggins joggin and toes tapping, with the familiar guitar tone setting in like a warm blanket. The trademark buzzsaws are understated compared to the modern likes of Feral or the Entombed torch bearers, but compositions alternate between mid-paced heft and accelerated assaults. Vocalist Erik Hillströms helps with the blackened part of the mixture with a higher shriek of a pitch, as opposed to the more traditional guttural barking. Leads follow much more blackened patterns, with an emphasized use of tremolo runs to make up melodic themes in Necrophobic style, with the somewhat thicker chords there to add to the heaviness and the heft. “Furious Tempest Rise” is a fine blueprint of the style, with chug-fixated verses segueing into a prolonged blackened melody for a catchy chorus. Everything is well constructed and ultimately reliable.
This dependability translates into solid performances across the board. Guitarists Kenny Olsson and Henke Westin serve up a nice collection of leads, with the melodies often taking the spotlight from the typical Swedeath chunk. Drummer Peter Andersson has an excellent sense of stylized restraint, switching up between double-bass attacks for riff emphasis, and snare blasting on occasion without an overreliance on vintage simple bass-and-snare beats. The majority of the songs devolve into mid-tempo bobbers with flourishes of speedy violence for variety, allowing him to show off a decent amount of beat-making skills. All songs are delivered with confidence, clearly bearing the mark of a band who know their trade and were around when it was being pushed into more extreme directions.
The problem with And Darker It Shall Become is that in its well-assembled reliability, it fails to transcend into anything approaching long-term memorability. The fusion of Swedeath and “blackened” ingredients has resulted in such a middle-of-the-road mixture that no real element raises its head in superiority and force. Opening track “Blood Upon the Throne” sounds like a real winner, with a flourish of an isolated melody set against a mean chord progression which emphasizes the presence of both song-writing styles, but such moments of interest are fleeting and rare. Korp have cobbled together a batch of songs which are enjoyable while they are on, and there’s certainly no individual cut that one could deem “bad.” And yet, there’s something lacking; a clear X factor to push the music forward. The production doesn’t help, sacrificing the typical buzzsaws for a gentle hum to emphasize the leads, yet never presenting one worthy of the blackened greats in their ear-piercing violations. Instead of this being excellent death metal with a blackened flair, or enticing black metal with death’s sense of brutality, And Darker It Shall Become is a painful compromise between disparaging styles where both elements end up simultaneously subservient to each other, rendering the album less than the sum of its parts.
Korp is comprised of competent musicians who know their way around crafting a mean tune, and yet I cannot help but leave And Darker It Shall Become underwhelmed. By fusing the two separate sounds of black and death into a very cohesive whole, the band has stripped away the essence of what makes both so riveting. This album lacks the bloodthirst and lethality of death metal, and also the barbarous evil of black metal, despite having the DNA strands of both flowing through its veins. Still, if you’re on the prowl for some fetching melodies and well-crafted, easily digested death, there are worse options out there.
Rating: 2.5/5.0
DR: 11 | Format Reviewed: 320 kbps mp3
Label: Grind to Death Records
Websites: Official Facebook Page | Album Bandcamp
Releases Worldwide: September 5th, 2025#25 #2025 #AndDarkerItShallBecome #Entombed #Feral #GrindToDeathRecords #Korp #Necrophobic #Review #Reviews #Sep25 #SwedishDeathMetal
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On this day in 2002, In Flames released one of my favourite albums and cemented my love for this band. Celebrating in style with some signature In Flames gin #inflames #reroutetoremain #deathmetal #melodicdeathmetal #swedishdeathmetal
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No Shelter. – Remission/Resolve Review
By Angry Metal Guy
Written By Nameless_n00b_605
These days, it seems everywhere I turn, I can’t help but run into a great band from Germany. I don’t know what’s in the water over there, but with groups like Kanonenfieber, Unhallowed Deliverance, and classic acts like Sodom releasing great records, it’s no surprise that yet another talented group hails from Deutschland. No Shelter. is a five-piece from Münster that peddles in D-beat brutalization with a heaping helping of Boss HM-2 pedal worship. Its latest, Remission/Resolve, is a bass-driven freight train of Swedish-coded blackened death metal, crust punk, and hardcore, conjuring direct comparisons to genre stalwarts like Nails, Rotten Sound, and Trap Them. Can No Shelter. stand in the spotlight with some of the most vicious rippers around, or is it flying too close to the sun, wax wings ready to send it to hell with the rest of the copycats?
No Shelter. is relatively new to the scene (forming in 2017), but it sounds like a veteran unit. Every element of the band feels honed for their specific brand of violence. Thick, earth-shaking bass drives the album, while HM-2-infused riffage switches between blackened death blasts and Pantera-esque grooves. Bolstered by intricate drum fills and classic hardcore 2-step energy, the vocals are equally caustic, calling to mind a truly evil combo of Ringworm’s James Bulloch and Nails’ Todd Jones. No Shelter. plays with no holds barred throughout the entire album, and each band member takes to their role with a reckless abandon more than fitting for their genre inspirations.
The brutally sludgy bass is the adrenaline-juiced heart that keeps Remission/Resolve pumping. Where bands like Job for a Cowboy and Horrendous use bass to shore up their technicality and the spaciness of their sound, No Shelter. uses it as a sledgehammer. Bass is integral to metal, making riffs deeper, heavier, and more impactful overall, and No Shelter. just gets it. Every riff is complemented by slapping destruction, and the bass gets to fly free or drive breakdowns such as on tracks “Rotten,” “Doomed,” and “Ultimate Disgust”. No Shelter. suplexes the trend of bass-less metal right into the dumpster with And Justice for All.
Another element where No Shelter. pulls its sound from the Swedish death metal sewer is the production. The band wears its Entombed inspiration on its sleeve proudly (if the “Wolverine Blues” cover didn’t already give it away), and the HM-2 pedal is all over Remission/Resolve. Production was something No Shelter. wanted to nail, and Remission/Resolve is borderline perfect in this area. The bass is suitably nasty without sounding like a punchline (sorry Primus, I still love you), the snare drum hits hard without becoming tinny, and the vocals are discernible while still retaining the rawness and emotionality required for D-beat destruction. To cap it all off, the guitar brings cohesion to Remission/Resolve with that classic chainsaw tone that would make bands like Hath, Dismember, and Dormant Ordeal proud.
Remission/Resolve isn’t perfect, although where it stumbles isn’t in songwriting or musicianship. This LP lasts a blistering 32 minutes, but the collection of twelve tracks starts with an intro, features two interludes, and a cover as the final track. While I appreciate the interludes as breaks from the aural onslaught on Remission/Resolve, they vary in quality. The unoriginally titled “Intro” (at least it knows what it is) is suitably sinister and builds up anticipation, but the two interludes are almost too simple musically and seem to only exist to let the listener breathe. An admirable idea, and one that is necessary for a lot of albums in this genre, but these moments would be better served attached to the end of already existing tracks. On top of that, I wish they would loop back in on the musical themes established across the album and in the intro, as it stands, the two interludes “I” and “II” feel like they come from a different album.
No Shelter. ends up with a very good record that stands nearly toe-to-toe with its genre inspirations and rightfully lives up to the bands it references so heavily. Therefore, it is fitting that Remission/Resolve closes things with a rip-roaring cover of Entombed’s “Wolverine Blues,” a song that slides so well into the band’s sound, it took me a minute to realize it was a cover in the first place. “Wolverine Blues” ends up feeling perfectly placed right alongside the best tracks on the album and works as a self-referential closer to an album chock-full of Swedish buzzsaw worship. No Shelter. doesn’t so much rock the boat with its brand of blackened hardcore as it does slap a fuckin’ motor on it and violently rocket across the lake.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: This Charming Man Records
Websites: noshelter.bandcamp.com | facebook.com/NoShelterBand
Releases Worldwide: July 25th, 2025#2025 #35 #BlackenedDeathMetal #Crust #DBeat #Dismember #DormantOrdeal #Entombed #GermanMetal #Hardcore #Hath #Jul25 #Kanonenfieber #Nails #NoShelter_ #Primus #RemissionResolve #Review #Reviews #RottenSound #Sodom #SwedishDeathMetal #TrapThem #UnhallowedDeliverance
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No Shelter. – Remission/Resolve Review
By Angry Metal Guy
Written By Nameless_n00b_605
These days, it seems everywhere I turn, I can’t help but run into a great band from Germany. I don’t know what’s in the water over there, but with groups like Kanonenfieber, Unhallowed Deliverance, and classic acts like Sodom releasing great records, it’s no surprise that yet another talented group hails from Deutschland. No Shelter. is a five-piece from Münster that peddles in D-beat brutalization with a heaping helping of Boss HM-2 pedal worship. Its latest, Remission/Resolve, is a bass-driven freight train of Swedish-coded blackened death metal, crust punk, and hardcore, conjuring direct comparisons to genre stalwarts like Nails, Rotten Sound, and Trap Them. Can No Shelter. stand in the spotlight with some of the most vicious rippers around, or is it flying too close to the sun, wax wings ready to send it to hell with the rest of the copycats?
No Shelter. is relatively new to the scene (forming in 2017), but it sounds like a veteran unit. Every element of the band feels honed for their specific brand of violence. Thick, earth-shaking bass drives the album, while HM-2-infused riffage switches between blackened death blasts and Pantera-esque grooves. Bolstered by intricate drum fills and classic hardcore 2-step energy, the vocals are equally caustic, calling to mind a truly evil combo of Ringworm’s James Bulloch and Nails’ Todd Jones. No Shelter. plays with no holds barred throughout the entire album, and each band member takes to their role with a reckless abandon more than fitting for their genre inspirations.
The brutally sludgy bass is the adrenaline-juiced heart that keeps Remission/Resolve pumping. Where bands like Job for a Cowboy and Horrendous use bass to shore up their technicality and the spaciness of their sound, No Shelter. uses it as a sledgehammer. Bass is integral to metal, making riffs deeper, heavier, and more impactful overall, and No Shelter. just gets it. Every riff is complemented by slapping destruction, and the bass gets to fly free or drive breakdowns such as on tracks “Rotten,” “Doomed,” and “Ultimate Disgust”. No Shelter. suplexes the trend of bass-less metal right into the dumpster with And Justice for All.
Another element where No Shelter. pulls its sound from the Swedish death metal sewer is the production. The band wears its Entombed inspiration on its sleeve proudly (if the “Wolverine Blues” cover didn’t already give it away), and the HM-2 pedal is all over Remission/Resolve. Production was something No Shelter. wanted to nail, and Remission/Resolve is borderline perfect in this area. The bass is suitably nasty without sounding like a punchline (sorry Primus, I still love you), the snare drum hits hard without becoming tinny, and the vocals are discernible while still retaining the rawness and emotionality required for D-beat destruction. To cap it all off, the guitar brings cohesion to Remission/Resolve with that classic chainsaw tone that would make bands like Hath, Dismember, and Dormant Ordeal proud.
Remission/Resolve isn’t perfect, although where it stumbles isn’t in songwriting or musicianship. This LP lasts a blistering 32 minutes, but the collection of twelve tracks starts with an intro, features two interludes, and a cover as the final track. While I appreciate the interludes as breaks from the aural onslaught on Remission/Resolve, they vary in quality. The unoriginally titled “Intro” (at least it knows what it is) is suitably sinister and builds up anticipation, but the two interludes are almost too simple musically and seem to only exist to let the listener breathe. An admirable idea, and one that is necessary for a lot of albums in this genre, but these moments would be better served attached to the end of already existing tracks. On top of that, I wish they would loop back in on the musical themes established across the album and in the intro, as it stands, the two interludes “I” and “II” feel like they come from a different album.
No Shelter. ends up with a very good record that stands nearly toe-to-toe with its genre inspirations and rightfully lives up to the bands it references so heavily. Therefore, it is fitting that Remission/Resolve closes things with a rip-roaring cover of Entombed’s “Wolverine Blues,” a song that slides so well into the band’s sound, it took me a minute to realize it was a cover in the first place. “Wolverine Blues” ends up feeling perfectly placed right alongside the best tracks on the album and works as a self-referential closer to an album chock-full of Swedish buzzsaw worship. No Shelter. doesn’t so much rock the boat with its brand of blackened hardcore as it does slap a fuckin’ motor on it and violently rocket across the lake.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: This Charming Man Records
Websites: noshelter.bandcamp.com | facebook.com/NoShelterBand
Releases Worldwide: July 25th, 2025#2025 #35 #BlackenedDeathMetal #Crust #DBeat #Dismember #DormantOrdeal #Entombed #GermanMetal #Hardcore #Hath #Jul25 #Kanonenfieber #Nails #NoShelter_ #Primus #RemissionResolve #Review #Reviews #RottenSound #Sodom #SwedishDeathMetal #TrapThem #UnhallowedDeliverance
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No Shelter. – Remission/Resolve Review
By Angry Metal Guy
Written By Nameless_n00b_605
These days, it seems everywhere I turn, I can’t help but run into a great band from Germany. I don’t know what’s in the water over there, but with groups like Kanonenfieber, Unhallowed Deliverance, and classic acts like Sodom releasing great records, it’s no surprise that yet another talented group hails from Deutschland. No Shelter. is a five-piece from Münster that peddles in D-beat brutalization with a heaping helping of Boss HM-2 pedal worship. Its latest, Remission/Resolve, is a bass-driven freight train of Swedish-coded blackened death metal, crust punk, and hardcore, conjuring direct comparisons to genre stalwarts like Nails, Rotten Sound, and Trap Them. Can No Shelter. stand in the spotlight with some of the most vicious rippers around, or is it flying too close to the sun, wax wings ready to send it to hell with the rest of the copycats?
No Shelter. is relatively new to the scene (forming in 2017), but it sounds like a veteran unit. Every element of the band feels honed for their specific brand of violence. Thick, earth-shaking bass drives the album, while HM-2-infused riffage switches between blackened death blasts and Pantera-esque grooves. Bolstered by intricate drum fills and classic hardcore 2-step energy, the vocals are equally caustic, calling to mind a truly evil combo of Ringworm’s James Bulloch and Nails’ Todd Jones. No Shelter. plays with no holds barred throughout the entire album, and each band member takes to their role with a reckless abandon more than fitting for their genre inspirations.
The brutally sludgy bass is the adrenaline-juiced heart that keeps Remission/Resolve pumping. Where bands like Job for a Cowboy and Horrendous use bass to shore up their technicality and the spaciness of their sound, No Shelter. uses it as a sledgehammer. Bass is integral to metal, making riffs deeper, heavier, and more impactful overall, and No Shelter. just gets it. Every riff is complemented by slapping destruction, and the bass gets to fly free or drive breakdowns such as on tracks “Rotten,” “Doomed,” and “Ultimate Disgust”. No Shelter. suplexes the trend of bass-less metal right into the dumpster with And Justice for All.
Another element where No Shelter. pulls its sound from the Swedish death metal sewer is the production. The band wears its Entombed inspiration on its sleeve proudly (if the “Wolverine Blues” cover didn’t already give it away), and the HM-2 pedal is all over Remission/Resolve. Production was something No Shelter. wanted to nail, and Remission/Resolve is borderline perfect in this area. The bass is suitably nasty without sounding like a punchline (sorry Primus, I still love you), the snare drum hits hard without becoming tinny, and the vocals are discernible while still retaining the rawness and emotionality required for D-beat destruction. To cap it all off, the guitar brings cohesion to Remission/Resolve with that classic chainsaw tone that would make bands like Hath, Dismember, and Dormant Ordeal proud.
Remission/Resolve isn’t perfect, although where it stumbles isn’t in songwriting or musicianship. This LP lasts a blistering 32 minutes, but the collection of twelve tracks starts with an intro, features two interludes, and a cover as the final track. While I appreciate the interludes as breaks from the aural onslaught on Remission/Resolve, they vary in quality. The unoriginally titled “Intro” (at least it knows what it is) is suitably sinister and builds up anticipation, but the two interludes are almost too simple musically and seem to only exist to let the listener breathe. An admirable idea, and one that is necessary for a lot of albums in this genre, but these moments would be better served attached to the end of already existing tracks. On top of that, I wish they would loop back in on the musical themes established across the album and in the intro, as it stands, the two interludes “I” and “II” feel like they come from a different album.
No Shelter. ends up with a very good record that stands nearly toe-to-toe with its genre inspirations and rightfully lives up to the bands it references so heavily. Therefore, it is fitting that Remission/Resolve closes things with a rip-roaring cover of Entombed’s “Wolverine Blues,” a song that slides so well into the band’s sound, it took me a minute to realize it was a cover in the first place. “Wolverine Blues” ends up feeling perfectly placed right alongside the best tracks on the album and works as a self-referential closer to an album chock-full of Swedish buzzsaw worship. No Shelter. doesn’t so much rock the boat with its brand of blackened hardcore as it does slap a fuckin’ motor on it and violently rocket across the lake.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: This Charming Man Records
Websites: noshelter.bandcamp.com | facebook.com/NoShelterBand
Releases Worldwide: July 25th, 2025#2025 #35 #BlackenedDeathMetal #Crust #DBeat #Dismember #DormantOrdeal #Entombed #GermanMetal #Hardcore #Hath #Jul25 #Kanonenfieber #Nails #NoShelter_ #Primus #RemissionResolve #Review #Reviews #RottenSound #Sodom #SwedishDeathMetal #TrapThem #UnhallowedDeliverance
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No Shelter. – Remission/Resolve Review
By Angry Metal Guy
Written By Nameless_n00b_605
These days, it seems everywhere I turn, I can’t help but run into a great band from Germany. I don’t know what’s in the water over there, but with groups like Kanonenfieber, Unhallowed Deliverance, and classic acts like Sodom releasing great records, it’s no surprise that yet another talented group hails from Deutschland. No Shelter. is a five-piece from Münster that peddles in D-beat brutalization with a heaping helping of Boss HM-2 pedal worship. Its latest, Remission/Resolve, is a bass-driven freight train of Swedish-coded blackened death metal, crust punk, and hardcore, conjuring direct comparisons to genre stalwarts like Nails, Rotten Sound, and Trap Them. Can No Shelter. stand in the spotlight with some of the most vicious rippers around, or is it flying too close to the sun, wax wings ready to send it to hell with the rest of the copycats?
No Shelter. is relatively new to the scene (forming in 2017), but it sounds like a veteran unit. Every element of the band feels honed for their specific brand of violence. Thick, earth-shaking bass drives the album, while HM-2-infused riffage switches between blackened death blasts and Pantera-esque grooves. Bolstered by intricate drum fills and classic hardcore 2-step energy, the vocals are equally caustic, calling to mind a truly evil combo of Ringworm’s James Bulloch and Nails’ Todd Jones. No Shelter. plays with no holds barred throughout the entire album, and each band member takes to their role with a reckless abandon more than fitting for their genre inspirations.
The brutally sludgy bass is the adrenaline-juiced heart that keeps Remission/Resolve pumping. Where bands like Job for a Cowboy and Horrendous use bass to shore up their technicality and the spaciness of their sound, No Shelter. uses it as a sledgehammer. Bass is integral to metal, making riffs deeper, heavier, and more impactful overall, and No Shelter. just gets it. Every riff is complemented by slapping destruction, and the bass gets to fly free or drive breakdowns such as on tracks “Rotten,” “Doomed,” and “Ultimate Disgust”. No Shelter. suplexes the trend of bass-less metal right into the dumpster with And Justice for All.
Another element where No Shelter. pulls its sound from the Swedish death metal sewer is the production. The band wears its Entombed inspiration on its sleeve proudly (if the “Wolverine Blues” cover didn’t already give it away), and the HM-2 pedal is all over Remission/Resolve. Production was something No Shelter. wanted to nail, and Remission/Resolve is borderline perfect in this area. The bass is suitably nasty without sounding like a punchline (sorry Primus, I still love you), the snare drum hits hard without becoming tinny, and the vocals are discernible while still retaining the rawness and emotionality required for D-beat destruction. To cap it all off, the guitar brings cohesion to Remission/Resolve with that classic chainsaw tone that would make bands like Hath, Dismember, and Dormant Ordeal proud.
Remission/Resolve isn’t perfect, although where it stumbles isn’t in songwriting or musicianship. This LP lasts a blistering 32 minutes, but the collection of twelve tracks starts with an intro, features two interludes, and a cover as the final track. While I appreciate the interludes as breaks from the aural onslaught on Remission/Resolve, they vary in quality. The unoriginally titled “Intro” (at least it knows what it is) is suitably sinister and builds up anticipation, but the two interludes are almost too simple musically and seem to only exist to let the listener breathe. An admirable idea, and one that is necessary for a lot of albums in this genre, but these moments would be better served attached to the end of already existing tracks. On top of that, I wish they would loop back in on the musical themes established across the album and in the intro, as it stands, the two interludes “I” and “II” feel like they come from a different album.
No Shelter. ends up with a very good record that stands nearly toe-to-toe with its genre inspirations and rightfully lives up to the bands it references so heavily. Therefore, it is fitting that Remission/Resolve closes things with a rip-roaring cover of Entombed’s “Wolverine Blues,” a song that slides so well into the band’s sound, it took me a minute to realize it was a cover in the first place. “Wolverine Blues” ends up feeling perfectly placed right alongside the best tracks on the album and works as a self-referential closer to an album chock-full of Swedish buzzsaw worship. No Shelter. doesn’t so much rock the boat with its brand of blackened hardcore as it does slap a fuckin’ motor on it and violently rocket across the lake.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: This Charming Man Records
Websites: noshelter.bandcamp.com | facebook.com/NoShelterBand
Releases Worldwide: July 25th, 2025#2025 #35 #BlackenedDeathMetal #Crust #DBeat #Dismember #DormantOrdeal #Entombed #GermanMetal #Hardcore #Hath #Jul25 #Kanonenfieber #Nails #NoShelter_ #Primus #RemissionResolve #Review #Reviews #RottenSound #Sodom #SwedishDeathMetal #TrapThem #UnhallowedDeliverance
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No Shelter. – Remission/Resolve Review
By Angry Metal Guy
Written By Nameless_n00b_605
These days, it seems everywhere I turn, I can’t help but run into a great band from Germany. I don’t know what’s in the water over there, but with groups like Kanonenfieber, Unhallowed Deliverance, and classic acts like Sodom releasing great records, it’s no surprise that yet another talented group hails from Deutschland. No Shelter. is a five-piece from Münster that peddles in D-beat brutalization with a heaping helping of Boss HM-2 pedal worship. Its latest, Remission/Resolve, is a bass-driven freight train of Swedish-coded blackened death metal, crust punk, and hardcore, conjuring direct comparisons to genre stalwarts like Nails, Rotten Sound, and Trap Them. Can No Shelter. stand in the spotlight with some of the most vicious rippers around, or is it flying too close to the sun, wax wings ready to send it to hell with the rest of the copycats?
No Shelter. is relatively new to the scene (forming in 2017), but it sounds like a veteran unit. Every element of the band feels honed for their specific brand of violence. Thick, earth-shaking bass drives the album, while HM-2-infused riffage switches between blackened death blasts and Pantera-esque grooves. Bolstered by intricate drum fills and classic hardcore 2-step energy, the vocals are equally caustic, calling to mind a truly evil combo of Ringworm’s James Bulloch and Nails’ Todd Jones. No Shelter. plays with no holds barred throughout the entire album, and each band member takes to their role with a reckless abandon more than fitting for their genre inspirations.
The brutally sludgy bass is the adrenaline-juiced heart that keeps Remission/Resolve pumping. Where bands like Job for a Cowboy and Horrendous use bass to shore up their technicality and the spaciness of their sound, No Shelter. uses it as a sledgehammer. Bass is integral to metal, making riffs deeper, heavier, and more impactful overall, and No Shelter. just gets it. Every riff is complemented by slapping destruction, and the bass gets to fly free or drive breakdowns such as on tracks “Rotten,” “Doomed,” and “Ultimate Disgust”. No Shelter. suplexes the trend of bass-less metal right into the dumpster with And Justice for All.
Another element where No Shelter. pulls its sound from the Swedish death metal sewer is the production. The band wears its Entombed inspiration on its sleeve proudly (if the “Wolverine Blues” cover didn’t already give it away), and the HM-2 pedal is all over Remission/Resolve. Production was something No Shelter. wanted to nail, and Remission/Resolve is borderline perfect in this area. The bass is suitably nasty without sounding like a punchline (sorry Primus, I still love you), the snare drum hits hard without becoming tinny, and the vocals are discernible while still retaining the rawness and emotionality required for D-beat destruction. To cap it all off, the guitar brings cohesion to Remission/Resolve with that classic chainsaw tone that would make bands like Hath, Dismember, and Dormant Ordeal proud.
Remission/Resolve isn’t perfect, although where it stumbles isn’t in songwriting or musicianship. This LP lasts a blistering 32 minutes, but the collection of twelve tracks starts with an intro, features two interludes, and a cover as the final track. While I appreciate the interludes as breaks from the aural onslaught on Remission/Resolve, they vary in quality. The unoriginally titled “Intro” (at least it knows what it is) is suitably sinister and builds up anticipation, but the two interludes are almost too simple musically and seem to only exist to let the listener breathe. An admirable idea, and one that is necessary for a lot of albums in this genre, but these moments would be better served attached to the end of already existing tracks. On top of that, I wish they would loop back in on the musical themes established across the album and in the intro, as it stands, the two interludes “I” and “II” feel like they come from a different album.
No Shelter. ends up with a very good record that stands nearly toe-to-toe with its genre inspirations and rightfully lives up to the bands it references so heavily. Therefore, it is fitting that Remission/Resolve closes things with a rip-roaring cover of Entombed’s “Wolverine Blues,” a song that slides so well into the band’s sound, it took me a minute to realize it was a cover in the first place. “Wolverine Blues” ends up feeling perfectly placed right alongside the best tracks on the album and works as a self-referential closer to an album chock-full of Swedish buzzsaw worship. No Shelter. doesn’t so much rock the boat with its brand of blackened hardcore as it does slap a fuckin’ motor on it and violently rocket across the lake.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: This Charming Man Records
Websites: noshelter.bandcamp.com | facebook.com/NoShelterBand
Releases Worldwide: July 25th, 2025#2025 #35 #BlackenedDeathMetal #Crust #DBeat #Dismember #DormantOrdeal #Entombed #GermanMetal #Hardcore #Hath #Jul25 #Kanonenfieber #Nails #NoShelter_ #Primus #RemissionResolve #Review #Reviews #RottenSound #Sodom #SwedishDeathMetal #TrapThem #UnhallowedDeliverance
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Youngtime Classic:
DISMEMBER - 'Death Metal' (1997) by @dismember_official & @nuclearblastrecords
#linsedunemanninen
#intensemusic
#DeathMetal
#oldschooldeathmetal
#swedishdeathmetal
#dismember
#sweden
#nuclearblast
#metal
#heavymetal
#metalpunksteel
#speedmetalpunks
#harz
#einharz
#harzmountains
#vinyllover
#vinyllovers
#33rpm
#försterplayer
#försterspieler
#greenbeast
#projectdebutcarbonevo
#project
https://www.instagram.com/p/DLNaAM4NfWs/?igsh=YmZkdmtqdzIwbGNr -
New material in the webshop !!!
Buy your copy here: https://give-em-hell.com/produkt/lik-necro-lp-lilac-blood-red-splatterLIK
(Sweden)
LP | „Necro“
2025 | METAL BLADE RECORDS RECORDS
(Germany)COLOUR: Lilac / Blood Red Splatter
#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
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New material in the webshop !!!
Buy your copy here: https://give-em-hell.com/produkt/lik-necro-lp-lilac-blood-red-splatterLIK
(Sweden)
LP | „Necro“
2025 | METAL BLADE RECORDS RECORDS
(Germany)COLOUR: Lilac / Blood Red Splatter
#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
-
New material in the webshop !!!
Buy your copy here: https://give-em-hell.com/produkt/lik-necro-lp-lilac-blood-red-splatterLIK
(Sweden)
LP | „Necro“
2025 | METAL BLADE RECORDS RECORDS
(Germany)COLOUR: Lilac / Blood Red Splatter
#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
-
New material in the webshop !!!
Buy your copy here: https://give-em-hell.com/produkt/lik-necro-lp-lilac-blood-red-splatterLIK
(Sweden)
LP | „Necro“
2025 | METAL BLADE RECORDS RECORDS
(Germany)COLOUR: Lilac / Blood Red Splatter
#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
-
New material in the webshop !!!
Buy your copy here: https://give-em-hell.com/produkt/lik-necro-lp-lilac-blood-red-splatterLIK
(Sweden)
LP | „Necro“
2025 | METAL BLADE RECORDS RECORDS
(Germany)COLOUR: Lilac / Blood Red Splatter
#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
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New arrival in the mailorder !!! For orders get in touch !!!
LIK - Necro LP 26.00 EURO + postage
# new album 2025
# Lilac / Blood Red Splatter vinyl (ltd. numbered to 300 copies)
# gatefold, poster + download card#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
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To be out next week, waiting for my mailorder copies !!!
LIK - Necro LP
# new album 2025
# release date: 18.04.2025
# Lilac / Blood Red Splatter vinyl (ltd. 300)#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
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To be in the mailorder soonish !!!
LIK - Necro LP
# new album 2025
# release date: 18.04.2025
# Lilac / Blood Red Splatter vinyl (ltd. 300)#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
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Will get some copies for the mailorder in april !!!
LIK - Necro LP
# new album 2025
# release date: 18.04.2025
# Lilac / Blood Red Splatter vinyl (ltd. 300)#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
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Will get some copies for the mailorder in april !!!
LIK - Necro LP
# new album 2025
# release date: 18.04.2025
# Lilac / Blood Red Splatter vinyl (ltd. 300)#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
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Will get some copies for the mailorder in april !!!
LIK - Necro LP
# new album 2025
# release date: 18.04.2025
# Lilac / Blood Red Splatter vinyl (ltd. 300)#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
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Will get some copies for the mailorder in april !!!
LIK - Necro LP
# new album 2025
# release date: 18.04.2025
# Lilac / Blood Red Splatter vinyl (ltd. 300)#deathmetal #oldschooldeathmetal #swedishdeathmetal #swedisholdschooldeathmetal #likband #vinyl #limitedvinyl #colouredvinyl #deathmetalvinyl #oldschooldeathmetalvinyl #vinylmailorder #vinyldistribution #giveemhellmailorder
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💀 Pure, unrelenting Swedish death metal! 💀
LIK's "Misanthropic Breed" is old-school death metal perfection—crushing riffs, relentless speed, and a raw, brutal sound. Now available on vinyl! 🔥🛒 Get it here: http://dlvr.it/TJJp01 (paid link)
#CommissionsEarned#LIK #DeathMetal #SwedishDeathMetal #MetalVinyl #NowSpinning #VinylCollector #CommissionsEarned
-
💀 Pure, unrelenting Swedish death metal! 💀
LIK's "Misanthropic Breed" is old-school death metal perfection—crushing riffs, relentless speed, and a raw, brutal sound. Now available on vinyl! 🔥🛒 Get it here: http://dlvr.it/TJFz0S (paid link)
#CommissionsEarned#LIK #DeathMetal #SwedishDeathMetal #MetalVinyl #NowSpinning #VinylCollector #CommissionsEarned
-
💀 Pure, unrelenting Swedish death metal! 💀
LIK's "Misanthropic Breed" is old-school death metal perfection—crushing riffs, relentless speed, and a raw, brutal sound. Now available on vinyl! 🔥🛒 Get it here: http://dlvr.it/TJBdfc (paid link)
#CommissionsEarned#LIK #DeathMetal #SwedishDeathMetal #MetalVinyl #NowSpinning #VinylCollector #CommissionsEarned
-
💀 Pure, unrelenting Swedish death metal! 💀
LIK's "Misanthropic Breed" is old-school death metal perfection—crushing riffs, relentless speed, and a raw, brutal sound. Now available on vinyl! 🔥🛒 Get it here: http://dlvr.it/TJ7dN6 (paid link)
#CommissionsEarned#LIK #DeathMetal #SwedishDeathMetal #MetalVinyl #NowSpinning #VinylCollector #CommissionsEarned
