#doomdeath — Public Fediverse posts

Clouds – Desprins [Things You Might Have Missed 2025]

By Thus Spoke

Those of you who have been paying close attention may remember that Clouds’ 2021 album Despǎrțire was the subject of my very first review here at AMG; a review that in my n00bish naïveté, I appended with a 4.5. I don’t regret it, but will admit the name Clouds had faded a little in my mind before a sudden and apparently unannounced drop of Desprins back in January caused all the sweet sadness to come flooding back. The distinctive shroud of flute-accented darkness fell instantly. At once I was transported back to that November evening I first listened to Clouds, gazing out of the train window at the blackness beyond.

Desprins is transportive not simply as a continuation of Clouds’ endless journey of despair, but as an extension of it. Heavier and simultaneously more reflective than Despǎrțire, it channels the group’s black, choked funeral doom through a spacious synth veil recalling their earliest material, but now more confidently and atmospherically woven. The duality between the heaviest and gentlest aspects—a tension Clouds have always experimented with—is sharpened. The grittiness of the metal, the plaintiveness of the singing, and airiness of the acoustic instruments are more stark, but in a way that balances the musical and emotional waves of tension and release. In a limbo of atmosphere, Daniel Neagoe tells us in solemn whispers what he elsewhere expresses with pained cries and guttural roars; heavy riffs lift and drums slip away at bar’s end for a piano to take the lead; quiet softly crescendoes back on the ascent of a flute: all flow and fade inevitably out of each other.

One could argue that the congruence of Desprins’ apparently disparate musical elements owes its existence to how straightforwardly, heartbreakingly beautiful the melodies thus forged are. Whether first announced by a flute (“Disguise”), a piano (“Unanswered”), synth (“Life Becomes Lifeless”) or a guitar (“Chain Me,” “Chasing Ghosts”), all players pull on the thread of the theme before long. The chasms that come from marrying guitar chords with flute (“Life Becomes Lifeless,” “Forge Another Nightmare”), and opening out to stripped-back synth and apathetic cleans, when you can hear every touch on the keys and feel the impact of every drumbeat, are profound musically and emotionally. These are the kinds of passages designed for wistful staring into the middle distance, whose pathos is so acute, it’s almost unfair. “Life Becomes Lifeless,” “Chain Me,” and the finale of “Chasing Ghosts” are especially potent. With a seemingly more sparse soundscape, they achieve what Shape of Despair do with a more grandiose one. I am, admittedly, a crybaby, but Clouds’ ability to bring me to tears in a more melancholic frame of mind is something I hold in high esteem.

Perhaps more so than before, Clouds’ latest incarnation is something that either really works for you or really doesn’t. I’m obviously in the former camp. Like other funeral doom acts, and analogously dolorous music, the portal of sadness they create is effective only insofar as it can pull its listener in. Desprins sees a doubling-down on everything that might make Clouds hard to listen to—the misery, the polarity between the crushing and uplifting—but its execution only makes this project more unique and more uniquely captivating.

Tracks to Check Out: ”Disguise,” “Life Becomes Lifeless,” “Forge Another Nightmare,” “Chasing Ghosts.”

#2025 #Clouds #DeathDoom #Desprins #Doom #DoomDeath #FuneralDoom #RomanianMetal #ShapeOfDespair #ThingsYouMightHaveMissed #ThingsYouMightHaveMissed2025

https://www.europesays.com/uk/248245/ The Bleak Picture – Shades of Life Review #2.5 #2025 #ArduaMusic #Autumnfall #CultOfLuna #DeathDoom #DeathMetal #DeathDoomMetal #DoomDeath #DoomDeathMetal #DoomMetal #Enshine #Entertainment #FinnishMetal #Gothic #GothicDoom #GothicMetal #GothicRock #Insomnium #Jun25 #Melodeath #MelodeathMetal #MelodicDeathDoom #MelodicDeathMetal #music #ParadiseLost #rapture #Review #Reviews #ShadesOfLife #SwallowTheSun #TheBleakPicture #UK #UnitedKingdom

The Bleak Picture – Shades of Life Review

By Maddog

It’s been a draining year. Lacking the mental energy for new music, I’ve subsisted on a diet of ISIS and Fvneral Fvkk. Clouded by the doomy stylings of the latter, I decided to make my return to reviewing with dismal death-doom. Despite releasing their debut just last year, Finland’s The Bleak Picture is a project of members of Autumnfall. That said, these two bands sound worlds apart, as their names betray. Abandoning the blackened scenery of Autumnfall, The Bleak Picture paints a bleak picture with melodic death-doom that reeks of Finland. Channeling the icons of sadboi history, Shades of Life is a flawed but worthwhile slab of morose doom.

You won’t find much innovation here, but The Bleak Picture has learned from the best. Blending harsh vocals and spoken word, doomy plains and deathy mountain ranges, Shades of Life consists of familiar elements. The opener “Plagued by Sorrow” offers the listener zero seconds of respite before launching into a persistent doom riff. Melodic guitar leads steer the album along, stitching the doomy cuts together in a manner that recalls Enshine (“Without the I”). Rather than slowing to a standstill, The Bleak Picture uses Insomnium riffs to push the album along without diluting its sorrow. The guitars (handled by Jussi Hänninen, along with the other instruments) are the core of Shades of Life, but Tero Ruohonen’s vocals broaden its horizons. While he largely dwells in standard harsh territory, Ruohonen’s cleans tinge the album with gothic influences, like the distorted spoken word of “Absolution.” Indeed, sections like the straightforward rock of “Without the I” recall Paradise Lost. However, lest this lengthy description fool you, Shades of Life is largely standard fare.

It feels criminal to listen to Shades of Life on a 90-degree summer day. The Bleak Picture conveys emotion through the sheer enormity of their riffs, burying the listener like an avalanche (“Absolution”). Elsewhere, Shades of Life deftly intersperses these assaults with tranquility, like the transition from an explosive chorus to minimalist bass-led instrumentals on “Plagued by Sorrow.” These strengths reach their apex on the 11-minute spectacle “Silent Exit.” Evoking Swallow the Sun’s Plague of Butterflies, the track progresses through a nightmarish acoustic melody, forceful doom riffs, and girthy bass lines. Cult of Luna-style drumming leads the song into a climactic ending that raises the bar even further. Across these highlights, The Bleak Picture’s sophomore release boasts a mature approach to songwriting.

Shades of Life still struggles to transcend its melodic death-doom formula. The album’s biggest weakness is its monotony. In their quest for chunky riffs, The Bleak Picture tends to overuse ideas, emulating an uninspired version of Rapture (“Code of Ethics”). Even the album’s best pieces sometimes fizzle out, like the abrupt ending of the otherwise-powerful “Absolution.” Similarly, while the penultimate track “Silent Exit” showcases the best of Shades of Life, the closer “City of Ghosts” settles into a low-energy doom routine that never picks up steam. Despite its apparent variety of influences, The Bleak Picture’s by-the-book approach to death-doom doesn’t always keep my interest.

An album like Shades of Life is difficult to dissect; its success hinges on the heart, not the brain. The Bleak Picture is on the right path, and tracks like “Silent Exit” hit hard with their bulky riffwork and creative variety. But as a whole, Shades of Life isn’t the gut punch I’d hoped for. It doesn’t match the raw power of Paradise Lost, the otherworldly sadness of Enshine, or the narrative prowess of Insomnium. Still, I have no regrets. There are strong whiffs of talent here, and with its mature and tempered approach to songwriting, Shades of Life is an easy, rewarding listen. It’s worth a shot for anyone who prefers moping over sunlight.

Rating: 2.5/5.0
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Ardua Music
Websites: thebleakpicture.bandcamp.com | facebook.com/thebleakpicture
Releases Worldwide: June 27th, 2025

#25 #2025 #ArduaMusic #Autumnfall #CultOfLuna #DeathDoom #DeathMetal #DeathDoomMetal #DoomDeath #DoomDeathMetal #DoomMetal #Enshine #FinnishMetal #Gothic #GothicDoom #GothicMetal #GothicRock #Insomnium #Jun25 #Melodeath #MelodeathMetal #MelodicDeathDoom #MelodicDeathMetal #ParadiseLost #Rapture #Review #Reviews #ShadesOfLife #SwallowTheSun #TheBleakPicture

The Bleak Picture – Shades of Life Review

By Maddog

It’s been a draining year. Lacking the mental energy for new music, I’ve subsisted on a diet of ISIS and Fvneral Fvkk. Clouded by the doomy stylings of the latter, I decided to make my return to reviewing with dismal death-doom. Despite releasing their debut just last year, Finland’s The Bleak Picture is a project of members of Autumnfall. That said, these two bands sound worlds apart, as their names betray. Abandoning the blackened scenery of Autumnfall, The Bleak Picture paints a bleak picture with melodic death-doom that reeks of Finland. Channeling the icons of sadboi history, Shades of Life is a flawed but worthwhile slab of morose doom.

You won’t find much innovation here, but The Bleak Picture has learned from the best. Blending harsh vocals and spoken word, doomy plains and deathy mountain ranges, Shades of Life consists of familiar elements. The opener “Plagued by Sorrow” offers the listener zero seconds of respite before launching into a persistent doom riff. Melodic guitar leads steer the album along, stitching the doomy cuts together in a manner that recalls Enshine (“Without the I”). Rather than slowing to a standstill, The Bleak Picture uses Insomnium riffs to push the album along without diluting its sorrow. The guitars (handled by Jussi Hänninen, along with the other instruments) are the core of Shades of Life, but Tero Ruohonen’s vocals broaden its horizons. While he largely dwells in standard harsh territory, Ruohonen’s cleans tinge the album with gothic influences, like the distorted spoken word of “Absolution.” Indeed, sections like the straightforward rock of “Without the I” recall Paradise Lost. However, lest this lengthy description fool you, Shades of Life is largely standard fare.

It feels criminal to listen to Shades of Life on a 90-degree summer day. The Bleak Picture conveys emotion through the sheer enormity of their riffs, burying the listener like an avalanche (“Absolution”). Elsewhere, Shades of Life deftly intersperses these assaults with tranquility, like the transition from an explosive chorus to minimalist bass-led instrumentals on “Plagued by Sorrow.” These strengths reach their apex on the 11-minute spectacle “Silent Exit.” Evoking Swallow the Sun’s Plague of Butterflies, the track progresses through a nightmarish acoustic melody, forceful doom riffs, and girthy bass lines. Cult of Luna-style drumming leads the song into a climactic ending that raises the bar even further. Across these highlights, The Bleak Picture’s sophomore release boasts a mature approach to songwriting.

Shades of Life still struggles to transcend its melodic death-doom formula. The album’s biggest weakness is its monotony. In their quest for chunky riffs, The Bleak Picture tends to overuse ideas, emulating an uninspired version of Rapture (“Code of Ethics”). Even the album’s best pieces sometimes fizzle out, like the abrupt ending of the otherwise-powerful “Absolution.” Similarly, while the penultimate track “Silent Exit” showcases the best of Shades of Life, the closer “City of Ghosts” settles into a low-energy doom routine that never picks up steam. Despite its apparent variety of influences, The Bleak Picture’s by-the-book approach to death-doom doesn’t always keep my interest.

An album like Shades of Life is difficult to dissect; its success hinges on the heart, not the brain. The Bleak Picture is on the right path, and tracks like “Silent Exit” hit hard with their bulky riffwork and creative variety. But as a whole, Shades of Life isn’t the gut punch I’d hoped for. It doesn’t match the raw power of Paradise Lost, the otherworldly sadness of Enshine, or the narrative prowess of Insomnium. Still, I have no regrets. There are strong whiffs of talent here, and with its mature and tempered approach to songwriting, Shades of Life is an easy, rewarding listen. It’s worth a shot for anyone who prefers moping over sunlight.

Rating: 2.5/5.0
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Ardua Music
Websites: thebleakpicture.bandcamp.com | facebook.com/thebleakpicture
Releases Worldwide: June 27th, 2025

#25 #2025 #ArduaMusic #Autumnfall #CultOfLuna #DeathDoom #DeathMetal #DeathDoomMetal #DoomDeath #DoomDeathMetal #DoomMetal #Enshine #FinnishMetal #Gothic #GothicDoom #GothicMetal #GothicRock #Insomnium #Jun25 #Melodeath #MelodeathMetal #MelodicDeathDoom #MelodicDeathMetal #ParadiseLost #Rapture #Review #Reviews #ShadesOfLife #SwallowTheSun #TheBleakPicture

The Bleak Picture – Shades of Life Review

By Maddog

It’s been a draining year. Lacking the mental energy for new music, I’ve subsisted on a diet of ISIS and Fvneral Fvkk. Clouded by the doomy stylings of the latter, I decided to make my return to reviewing with dismal death-doom. Despite releasing their debut just last year, Finland’s The Bleak Picture is a project of members of Autumnfall. That said, these two bands sound worlds apart, as their names betray. Abandoning the blackened scenery of Autumnfall, The Bleak Picture paints a bleak picture with melodic death-doom that reeks of Finland. Channeling the icons of sadboi history, Shades of Life is a flawed but worthwhile slab of morose doom.

You won’t find much innovation here, but The Bleak Picture has learned from the best. Blending harsh vocals and spoken word, doomy plains and deathy mountain ranges, Shades of Life consists of familiar elements. The opener “Plagued by Sorrow” offers the listener zero seconds of respite before launching into a persistent doom riff. Melodic guitar leads steer the album along, stitching the doomy cuts together in a manner that recalls Enshine (“Without the I”). Rather than slowing to a standstill, The Bleak Picture uses Insomnium riffs to push the album along without diluting its sorrow. The guitars (handled by Jussi Hänninen, along with the other instruments) are the core of Shades of Life, but Tero Ruohonen’s vocals broaden its horizons. While he largely dwells in standard harsh territory, Ruohonen’s cleans tinge the album with gothic influences, like the distorted spoken word of “Absolution.” Indeed, sections like the straightforward rock of “Without the I” recall Paradise Lost. However, lest this lengthy description fool you, Shades of Life is largely standard fare.

It feels criminal to listen to Shades of Life on a 90-degree summer day. The Bleak Picture conveys emotion through the sheer enormity of their riffs, burying the listener like an avalanche (“Absolution”). Elsewhere, Shades of Life deftly intersperses these assaults with tranquility, like the transition from an explosive chorus to minimalist bass-led instrumentals on “Plagued by Sorrow.” These strengths reach their apex on the 11-minute spectacle “Silent Exit.” Evoking Swallow the Sun’s Plague of Butterflies, the track progresses through a nightmarish acoustic melody, forceful doom riffs, and girthy bass lines. Cult of Luna-style drumming leads the song into a climactic ending that raises the bar even further. Across these highlights, The Bleak Picture’s sophomore release boasts a mature approach to songwriting.

Shades of Life still struggles to transcend its melodic death-doom formula. The album’s biggest weakness is its monotony. In their quest for chunky riffs, The Bleak Picture tends to overuse ideas, emulating an uninspired version of Rapture (“Code of Ethics”). Even the album’s best pieces sometimes fizzle out, like the abrupt ending of the otherwise-powerful “Absolution.” Similarly, while the penultimate track “Silent Exit” showcases the best of Shades of Life, the closer “City of Ghosts” settles into a low-energy doom routine that never picks up steam. Despite its apparent variety of influences, The Bleak Picture’s by-the-book approach to death-doom doesn’t always keep my interest.

An album like Shades of Life is difficult to dissect; its success hinges on the heart, not the brain. The Bleak Picture is on the right path, and tracks like “Silent Exit” hit hard with their bulky riffwork and creative variety. But as a whole, Shades of Life isn’t the gut punch I’d hoped for. It doesn’t match the raw power of Paradise Lost, the otherworldly sadness of Enshine, or the narrative prowess of Insomnium. Still, I have no regrets. There are strong whiffs of talent here, and with its mature and tempered approach to songwriting, Shades of Life is an easy, rewarding listen. It’s worth a shot for anyone who prefers moping over sunlight.

Rating: 2.5/5.0
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Ardua Music
Websites: thebleakpicture.bandcamp.com | facebook.com/thebleakpicture
Releases Worldwide: June 27th, 2025

#25 #2025 #ArduaMusic #Autumnfall #CultOfLuna #DeathDoom #DeathMetal #DeathDoomMetal #DoomDeath #DoomDeathMetal #DoomMetal #Enshine #FinnishMetal #Gothic #GothicDoom #GothicMetal #GothicRock #Insomnium #Jun25 #Melodeath #MelodeathMetal #MelodicDeathDoom #MelodicDeathMetal #ParadiseLost #Rapture #Review #Reviews #ShadesOfLife #SwallowTheSun #TheBleakPicture

The Bleak Picture – Shades of Life Review

By Maddog

It’s been a draining year. Lacking the mental energy for new music, I’ve subsisted on a diet of ISIS and Fvneral Fvkk. Clouded by the doomy stylings of the latter, I decided to make my return to reviewing with dismal death-doom. Despite releasing their debut just last year, Finland’s The Bleak Picture is a project of members of Autumnfall. That said, these two bands sound worlds apart, as their names betray. Abandoning the blackened scenery of Autumnfall, The Bleak Picture paints a bleak picture with melodic death-doom that reeks of Finland. Channeling the icons of sadboi history, Shades of Life is a flawed but worthwhile slab of morose doom.

You won’t find much innovation here, but The Bleak Picture has learned from the best. Blending harsh vocals and spoken word, doomy plains and deathy mountain ranges, Shades of Life consists of familiar elements. The opener “Plagued by Sorrow” offers the listener zero seconds of respite before launching into a persistent doom riff. Melodic guitar leads steer the album along, stitching the doomy cuts together in a manner that recalls Enshine (“Without the I”). Rather than slowing to a standstill, The Bleak Picture uses Insomnium riffs to push the album along without diluting its sorrow. The guitars (handled by Jussi Hänninen, along with the other instruments) are the core of Shades of Life, but Tero Ruohonen’s vocals broaden its horizons. While he largely dwells in standard harsh territory, Ruohonen’s cleans tinge the album with gothic influences, like the distorted spoken word of “Absolution.” Indeed, sections like the straightforward rock of “Without the I” recall Paradise Lost. However, lest this lengthy description fool you, Shades of Life is largely standard fare.

It feels criminal to listen to Shades of Life on a 90-degree summer day. The Bleak Picture conveys emotion through the sheer enormity of their riffs, burying the listener like an avalanche (“Absolution”). Elsewhere, Shades of Life deftly intersperses these assaults with tranquility, like the transition from an explosive chorus to minimalist bass-led instrumentals on “Plagued by Sorrow.” These strengths reach their apex on the 11-minute spectacle “Silent Exit.” Evoking Swallow the Sun’s Plague of Butterflies, the track progresses through a nightmarish acoustic melody, forceful doom riffs, and girthy bass lines. Cult of Luna-style drumming leads the song into a climactic ending that raises the bar even further. Across these highlights, The Bleak Picture’s sophomore release boasts a mature approach to songwriting.

Shades of Life still struggles to transcend its melodic death-doom formula. The album’s biggest weakness is its monotony. In their quest for chunky riffs, The Bleak Picture tends to overuse ideas, emulating an uninspired version of Rapture (“Code of Ethics”). Even the album’s best pieces sometimes fizzle out, like the abrupt ending of the otherwise-powerful “Absolution.” Similarly, while the penultimate track “Silent Exit” showcases the best of Shades of Life, the closer “City of Ghosts” settles into a low-energy doom routine that never picks up steam. Despite its apparent variety of influences, The Bleak Picture’s by-the-book approach to death-doom doesn’t always keep my interest.

An album like Shades of Life is difficult to dissect; its success hinges on the heart, not the brain. The Bleak Picture is on the right path, and tracks like “Silent Exit” hit hard with their bulky riffwork and creative variety. But as a whole, Shades of Life isn’t the gut punch I’d hoped for. It doesn’t match the raw power of Paradise Lost, the otherworldly sadness of Enshine, or the narrative prowess of Insomnium. Still, I have no regrets. There are strong whiffs of talent here, and with its mature and tempered approach to songwriting, Shades of Life is an easy, rewarding listen. It’s worth a shot for anyone who prefers moping over sunlight.

Rating: 2.5/5.0
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Ardua Music
Websites: thebleakpicture.bandcamp.com | facebook.com/thebleakpicture
Releases Worldwide: June 27th, 2025

#25 #2025 #ArduaMusic #Autumnfall #CultOfLuna #DeathDoom #DeathMetal #DeathDoomMetal #DoomDeath #DoomDeathMetal #DoomMetal #Enshine #FinnishMetal #Gothic #GothicDoom #GothicMetal #GothicRock #Insomnium #Jun25 #Melodeath #MelodeathMetal #MelodicDeathDoom #MelodicDeathMetal #ParadiseLost #Rapture #Review #Reviews #ShadesOfLife #SwallowTheSun #TheBleakPicture

The Bleak Picture – Shades of Life Review

By Maddog

It’s been a draining year. Lacking the mental energy for new music, I’ve subsisted on a diet of ISIS and Fvneral Fvkk. Clouded by the doomy stylings of the latter, I decided to make my return to reviewing with dismal death-doom. Despite releasing their debut just last year, Finland’s The Bleak Picture is a project of members of Autumnfall. That said, these two bands sound worlds apart, as their names betray. Abandoning the blackened scenery of Autumnfall, The Bleak Picture paints a bleak picture with melodic death-doom that reeks of Finland. Channeling the icons of sadboi history, Shades of Life is a flawed but worthwhile slab of morose doom.

You won’t find much innovation here, but The Bleak Picture has learned from the best. Blending harsh vocals and spoken word, doomy plains and deathy mountain ranges, Shades of Life consists of familiar elements. The opener “Plagued by Sorrow” offers the listener zero seconds of respite before launching into a persistent doom riff. Melodic guitar leads steer the album along, stitching the doomy cuts together in a manner that recalls Enshine (“Without the I”). Rather than slowing to a standstill, The Bleak Picture uses Insomnium riffs to push the album along without diluting its sorrow. The guitars (handled by Jussi Hänninen, along with the other instruments) are the core of Shades of Life, but Tero Ruohonen’s vocals broaden its horizons. While he largely dwells in standard harsh territory, Ruohonen’s cleans tinge the album with gothic influences, like the distorted spoken word of “Absolution.” Indeed, sections like the straightforward rock of “Without the I” recall Paradise Lost. However, lest this lengthy description fool you, Shades of Life is largely standard fare.

It feels criminal to listen to Shades of Life on a 90-degree summer day. The Bleak Picture conveys emotion through the sheer enormity of their riffs, burying the listener like an avalanche (“Absolution”). Elsewhere, Shades of Life deftly intersperses these assaults with tranquility, like the transition from an explosive chorus to minimalist bass-led instrumentals on “Plagued by Sorrow.” These strengths reach their apex on the 11-minute spectacle “Silent Exit.” Evoking Swallow the Sun’s Plague of Butterflies, the track progresses through a nightmarish acoustic melody, forceful doom riffs, and girthy bass lines. Cult of Luna-style drumming leads the song into a climactic ending that raises the bar even further. Across these highlights, The Bleak Picture’s sophomore release boasts a mature approach to songwriting.

Shades of Life still struggles to transcend its melodic death-doom formula. The album’s biggest weakness is its monotony. In their quest for chunky riffs, The Bleak Picture tends to overuse ideas, emulating an uninspired version of Rapture (“Code of Ethics”). Even the album’s best pieces sometimes fizzle out, like the abrupt ending of the otherwise-powerful “Absolution.” Similarly, while the penultimate track “Silent Exit” showcases the best of Shades of Life, the closer “City of Ghosts” settles into a low-energy doom routine that never picks up steam. Despite its apparent variety of influences, The Bleak Picture’s by-the-book approach to death-doom doesn’t always keep my interest.

An album like Shades of Life is difficult to dissect; its success hinges on the heart, not the brain. The Bleak Picture is on the right path, and tracks like “Silent Exit” hit hard with their bulky riffwork and creative variety. But as a whole, Shades of Life isn’t the gut punch I’d hoped for. It doesn’t match the raw power of Paradise Lost, the otherworldly sadness of Enshine, or the narrative prowess of Insomnium. Still, I have no regrets. There are strong whiffs of talent here, and with its mature and tempered approach to songwriting, Shades of Life is an easy, rewarding listen. It’s worth a shot for anyone who prefers moping over sunlight.

Rating: 2.5/5.0
DR: 9 | Format Reviewed: 320 kb/s mp3
Label: Ardua Music
Websites: thebleakpicture.bandcamp.com | facebook.com/thebleakpicture
Releases Worldwide: June 27th, 2025

#25 #2025 #ArduaMusic #Autumnfall #CultOfLuna #DeathDoom #DeathMetal #DeathDoomMetal #DoomDeath #DoomDeathMetal #DoomMetal #Enshine #FinnishMetal #Gothic #GothicDoom #GothicMetal #GothicRock #Insomnium #Jun25 #Melodeath #MelodeathMetal #MelodicDeathDoom #MelodicDeathMetal #ParadiseLost #Rapture #Review #Reviews #ShadesOfLife #SwallowTheSun #TheBleakPicture