#environmentalhumanities — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #environmentalhumanities, aggregated by home.social.
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Watch, listen, and learn something about Australian wildlife!
https://media.flow-mer.org.au/mosaic/
Field recordings and wildlife camera footage from an Australian wetland packaged into a beautifully crafted audiovisual scrollytelling piece featuring interactive timelines and a site-specific collection visualization by @mtchl and collaborators.
Well done!
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Watch, listen, and learn something about Australian wildlife!
https://media.flow-mer.org.au/mosaic/
Field recordings and wildlife camera footage from an Australian wetland packaged into a beautifully crafted audiovisual scrollytelling piece featuring interactive timelines and a site-specific collection visualization by @mtchl and collaborators.
Well done!
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Watch, listen, and learn something about Australian wildlife!
https://media.flow-mer.org.au/mosaic/
Field recordings and wildlife camera footage from an Australian wetland packaged into a beautifully crafted audiovisual scrollytelling piece featuring interactive timelines and a site-specific collection visualization by @mtchl and collaborators.
Well done!
-
Watch, listen, and learn something about Australian wildlife!
https://media.flow-mer.org.au/mosaic/
Field recordings and wildlife camera footage from an Australian wetland packaged into a beautifully crafted audiovisual scrollytelling piece featuring interactive timelines and a site-specific collection visualization by @mtchl and collaborators.
Well done!
-
Watch, listen, and learn something about Australian wildlife!
https://media.flow-mer.org.au/mosaic/
Field recordings and wildlife camera footage from an Australian wetland packaged into a beautifully crafted audiovisual scrollytelling piece featuring interactive timelines and a site-specific collection visualization by @mtchl and collaborators.
Well done!
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Music from Nature
📍 Prague, Faculty of Humanities, Charles University
📅 1–5 June 2026Five-day seminar on listening to, understanding, and working creatively with sounds of the natural environment. Combines field listening, theory, studio work, and an informal public performance. Open to students at all levels.
Deadline: 15/03/2026
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29th CHIME Conference: Ecological Dimensions of Chinese Music
Exploring connections between Chinese music, environment, ecology, and sustainability across historical and contemporary contexts.
📍 Sydney Conservatorium of Music, University of Sydney
📅 1–4 December 2026
Deadline: 28/02/2026
#ChineseMusic #Ethnomusicology #MusicAndEcology #EnvironmentalHumanities
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29th CHIME Conference: Ecological Dimensions of Chinese Music
Exploring connections between Chinese music, environment, ecology, and sustainability across historical and contemporary contexts.
📍 Sydney Conservatorium of Music, University of Sydney
📅 1–4 December 2026
Deadline: 28/02/2026
#ChineseMusic #Ethnomusicology #MusicAndEcology #EnvironmentalHumanities
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29th CHIME Conference: Ecological Dimensions of Chinese Music
Exploring connections between Chinese music, environment, ecology, and sustainability across historical and contemporary contexts.
📍 Sydney Conservatorium of Music, University of Sydney
📅 1–4 December 2026
Deadline: 28/02/2026
#ChineseMusic #Ethnomusicology #MusicAndEcology #EnvironmentalHumanities
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29th CHIME Conference: Ecological Dimensions of Chinese Music
Exploring connections between Chinese music, environment, ecology, and sustainability across historical and contemporary contexts.
📍 Sydney Conservatorium of Music, University of Sydney
📅 1–4 December 2026
Deadline: 28/02/2026
#ChineseMusic #Ethnomusicology #MusicAndEcology #EnvironmentalHumanities
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29th CHIME Conference: Ecological Dimensions of Chinese Music
Exploring connections between Chinese music, environment, ecology, and sustainability across historical and contemporary contexts.
📍 Sydney Conservatorium of Music, University of Sydney
📅 1–4 December 2026
Deadline: 28/02/2026
#ChineseMusic #Ethnomusicology #MusicAndEcology #EnvironmentalHumanities
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#neu & #openaccess:
"Non-Western Approaches in Environmental Humanities"
http://doi.org/10.14220/9783737018791
"This volume critically interrogates non-Western frameworks within #EnvironmentalHumanities, seeking to challenge and deconstruct dominant Western paradigms. Through a range of interdisciplinary contributions, the book explores alternative epistemologies, including Indigenous, postcolonial, and regional perspectives from Eastern Europe, Latin America, and the Global South. It addresses … -
This essay collection, ed. by Kelly I. Aliano & Adam Crowley analyses a great variety of #videogames through an #EnvironmentalHumanities / #Ecocriticism lens. How do games shape environment(s) & our perception of it outside of the game?
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This essay collection, ed. by Kelly I. Aliano & Adam Crowley analyses a great variety of #videogames through an #EnvironmentalHumanities / #Ecocriticism lens. How do games shape environment(s) & our perception of it outside of the game?
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This essay collection, ed. by Kelly I. Aliano & Adam Crowley analyses a great variety of #videogames through an #EnvironmentalHumanities / #Ecocriticism lens. How do games shape environment(s) & our perception of it outside of the game?
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Green with envy 🌵, because our collection now houses this new 2025 "Cambridge Handbook of Literature & Plants"? No reason! Order the book, ed. by Bonnie Lander Johnson today from our library and explore the essays on #LiteraryStudies & #Ecocriticism & #EnvironmentalHumanities & #CulturalStudies
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#CfP für den Workshop "Erzählte und erzählende Umwelten", der vom 7. bis 9. Mai 2026 an der Bauhaus-Universität Weimar stattfinden wird.
🗓️Deadline für Abstracts: 7. November 2025
📌Weitere Informationen:
https://www.avldigital.de/de/vernetzen/fachinformationen/call-for-papers/erzahlte-und-erzahlende-umwelten-weimar/ #fidavlnews @germanistik @litstudies #DigitalLiterature #ecocriticism #Narratology #intermediality #EnvironmentalHumanities -
#CfP für den Workshop "Erzählte und erzählende Umwelten", der vom 7. bis 9. Mai 2026 an der Bauhaus-Universität Weimar stattfinden wird.
🗓️Deadline für Abstracts: 7. November 2025
📌Weitere Informationen:
https://www.avldigital.de/de/vernetzen/fachinformationen/call-for-papers/erzahlte-und-erzahlende-umwelten-weimar/ #fidavlnews @germanistik @litstudies #DigitalLiterature #ecocriticism #Narratology #intermediality #EnvironmentalHumanities -
#CfP für den Workshop "Erzählte und erzählende Umwelten", der vom 7. bis 9. Mai 2026 an der Bauhaus-Universität Weimar stattfinden wird.
🗓️Deadline für Abstracts: 7. November 2025
📌Weitere Informationen:
https://www.avldigital.de/de/vernetzen/fachinformationen/call-for-papers/erzahlte-und-erzahlende-umwelten-weimar/ #fidavlnews @germanistik @litstudies #DigitalLiterature #ecocriticism #Narratology #intermediality #EnvironmentalHumanities -
#CfP für den Workshop "Erzählte und erzählende Umwelten", der vom 7. bis 9. Mai 2026 an der Bauhaus-Universität Weimar stattfinden wird.
🗓️Deadline für Abstracts: 7. November 2025
📌Weitere Informationen:
https://www.avldigital.de/de/vernetzen/fachinformationen/call-for-papers/erzahlte-und-erzahlende-umwelten-weimar/ #fidavlnews @germanistik @litstudies #DigitalLiterature #ecocriticism #Narratology #intermediality #EnvironmentalHumanities -
📖 Mariana Valente and Maria Ilhéu wrote the chapter "Learning to Notice and Love in a More-than-human World" included in the book "Narrating the Multispecies World", edited by Michaela Fenske.
🔓 Available in #OpenAccess: https://www.transcript-verlag.de/978-3-8376-7056-1/narrating-the-multispecies-world/
#Histodons #History #EnvironmentalHistory #ClimateChange #ArtAndScience #EnvironmentalHumanities #Environment
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#AcademicJob | #PhDStudentship
PhD in Visual & Multimodal Anthropology
📍 UiT The Arctic University of Norway, Tromsø
Join the EA:RTH research group to explore environmental tensions through collaborative, ethnographic, and multimodal methodologies. Strong focus on storytelling and field-based visual methods.
📅 Deadline: 15/08/2025
#EnvironmentalHumanities #Anthropology #MultimodalAnthropology #VisualAnthropology #Ethnography #VisualCulture
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#AcademicJob | #PhDStudentship
PhD in Visual & Multimodal Anthropology
📍 UiT The Arctic University of Norway, Tromsø
Join the EA:RTH research group to explore environmental tensions through collaborative, ethnographic, and multimodal methodologies. Strong focus on storytelling and field-based visual methods.
📅 Deadline: 15/08/2025
#EnvironmentalHumanities #Anthropology #MultimodalAnthropology #VisualAnthropology #Ethnography #VisualCulture
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#AcademicJob | #PhDStudentship
PhD in Visual & Multimodal Anthropology
📍 UiT The Arctic University of Norway, Tromsø
Join the EA:RTH research group to explore environmental tensions through collaborative, ethnographic, and multimodal methodologies. Strong focus on storytelling and field-based visual methods.
📅 Deadline: 15/08/2025
#EnvironmentalHumanities #Anthropology #MultimodalAnthropology #VisualAnthropology #Ethnography #VisualCulture
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#AcademicJob | #PhDStudentship
PhD in Visual & Multimodal Anthropology
📍 UiT The Arctic University of Norway, Tromsø
Join the EA:RTH research group to explore environmental tensions through collaborative, ethnographic, and multimodal methodologies. Strong focus on storytelling and field-based visual methods.
📅 Deadline: 15/08/2025
#EnvironmentalHumanities #Anthropology #MultimodalAnthropology #VisualAnthropology #Ethnography #VisualCulture
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#AcademicJob | #PhDStudentship
PhD in Visual & Multimodal Anthropology
📍 UiT The Arctic University of Norway, Tromsø
Join the EA:RTH research group to explore environmental tensions through collaborative, ethnographic, and multimodal methodologies. Strong focus on storytelling and field-based visual methods.
📅 Deadline: 15/08/2025
#EnvironmentalHumanities #Anthropology #MultimodalAnthropology #VisualAnthropology #Ethnography #VisualCulture
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looking for a research associate to explore societal engagement with forest restoration on digital media – with @lbngr @gabrielecolombo, Rina Tsubaki & more. Grateful for help sharing with those who might be interested! https://jonathangray.org/2025/05/31/superb-research-associate #digitalmethods #STS #mediastudies #environmentalhumanities
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#AcademicJob | #PhDStudentship
Funded PhD in Ecological Ethnomusicology
📍 University of Birmingham (or distance learning)
📅 Start: Jan 2026Work with Prof. Alexander M. Cannon on the UKRI-funded SoundDecisions project exploring music, ecology, and development in Vietnam’s Mekong Delta. Fieldwork with Khmer Krom and Vietnamese communities.
📅 Deadline: 26/08/2025
#Musicology #Ethnomusicology #EnvironmentalHumanities #PhD #Anthropology #ERC #UKRI
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Hey looks like my little book has a review in Film Quarterly but I can't seem to access it. Anybody want to send me the PDF? :mastodance: :blobcatdance:
#AcademicPublishing #EnvironmentalHumanities #FilmStudies #TelevisionStudies
https://online.ucpress.edu/fq/article-abstract/78/4/92/212041/Review-Anthroposcreens-Mediating-the-Climate?redirectedFrom=fulltext -
No dia 19 de Maio, receberemos na Biblioteca Nacional de Portugal a Marlon Brandt, que apresentará a palestra "Paisagens Caboclas nas Florestas com Araucária do Sul do Brasil".
ENTRADA LIVRE
ℹ️ https://ihc.fcsh.unl.pt/events/paisagens-caboclas/
#Histodons #EnvironmentalHistory #EnvironmentalHumanities #EnvHist #Brasil #Brazil #Araucaria #LandcapeManagement #GestãoDaPaisagem #Forests #Florestas
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Mesmo mesmo a terminar, o #FIREUSES ainda vai promover mais uma palestra: Marlon Brandt vai estar na Biblioteca Nacional de Portugal no dia 19 de Maio para apresentar "Paisagens Caboclas nas Florestas com Araucária do Sul do Brasil".
ENTRADA LIVRE
ℹ️ https://ihc.fcsh.unl.pt/events/paisagens-caboclas/
#Histodons #EnvironmentalHistory #EnvironmentalHumanities #EnvHist #Brasil #Brazil #Araucaria #LandcapeManagement #GestãoDaPaisagem #Forests #Florestas
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Went to Flowers: Flora in Contemporary Art & Culture at the Saatchi Gallery.
https://www.saatchigallery.com/exhibition/flowers-flora-in-contemporary-art-amp-culture
There’s a lot of interesting things that can be said flowers, what with all the current interest in the human’s entangled relation to the nonhuman, the Planthropocene, the environmental humanities, including elsewhere in the Saatchi gallery:
https://www.saatchigallery.com/exhibition/liminal-gallery-entangled
But the curators here? They draw on very little of it. The concept behind the exhibition is basically: ‘Here’s some works of art that depict flowers.’
That said, some standout pieces make it worth the visit, especially La Fleur Morte by Rebecca Louise Law and The Machinery of Enchantment by William Darrell.
Also: dedicating the final room to emerging artists is a great curatorial move. More shows should copy that.
#art #plants #nature #flowers #environmentalhumanities #nonhuman #culture
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The closing conference of the #FIREUSES - Burning Landscapes project will take place at the National Library of Portugal on 24 April. Throughout the day, main results will be presented combined with other perspectives and geographies of fire.
FREE ENTRY
ℹ️ https://ihc.fcsh.unl.pt/en/events/burning-landscapes-2025/
#Histodons #Wildfires #EnvironmentalHistory #EnvHist #EnvironmentalHumanities #HistoryOfScience #RuralHistory #SocialHistory #FireRegimes #FirePolicies #Portugal
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The closing conference of the #FIREUSES - Burning Landscapes project will take place at the National Library of Portugal on 24 April. Throughout the day, main results will be presented combined with other perspectives and geographies of fire.
FREE ENTRY
ℹ️ https://ihc.fcsh.unl.pt/en/events/burning-landscapes-2025/
#Histodons #Wildfires #EnvironmentalHistory #EnvHist #EnvironmentalHumanities #HistoryOfScience #RuralHistory #SocialHistory #FireRegimes #FirePolicies #Portugal
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The closing conference of the #FIREUSES - Burning Landscapes project will take place at the National Library of Portugal on 24 April. Throughout the day, main results will be presented combined with other perspectives and geographies of fire.
FREE ENTRY
ℹ️ https://ihc.fcsh.unl.pt/en/events/burning-landscapes-2025/
#Histodons #Wildfires #EnvironmentalHistory #EnvHist #EnvironmentalHumanities #HistoryOfScience #RuralHistory #SocialHistory #FireRegimes #FirePolicies #Portugal
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The closing conference of the #FIREUSES - Burning Landscapes project will take place at the National Library of Portugal on 24 April. Throughout the day, main results will be presented combined with other perspectives and geographies of fire.
FREE ENTRY
ℹ️ https://ihc.fcsh.unl.pt/en/events/burning-landscapes-2025/
#Histodons #Wildfires #EnvironmentalHistory #EnvHist #EnvironmentalHumanities #HistoryOfScience #RuralHistory #SocialHistory #FireRegimes #FirePolicies #Portugal
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The closing conference of the #FIREUSES - Burning Landscapes project will take place at the National Library of Portugal on 24 April. Throughout the day, main results will be presented combined with other perspectives and geographies of fire.
FREE ENTRY
ℹ️ https://ihc.fcsh.unl.pt/en/events/burning-landscapes-2025/
#Histodons #Wildfires #EnvironmentalHistory #EnvHist #EnvironmentalHumanities #HistoryOfScience #RuralHistory #SocialHistory #FireRegimes #FirePolicies #Portugal
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Traditional ecological knowledge (Ecology 🏞️)
Traditional ecological knowledge is a cumulative body of knowledge, practice, and belief, evolving by adaptive processes and handed down through generations by cultural transmission, about the relationship of living beings with one another and with their environment. The application of TEK in the...
https://en.wikipedia.org/wiki/Traditional_ecological_knowledge
#TraditionalEcologicalKnowledge #Ecology #TraditionalKnowledge #EnvironmentalHumanities
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Happy New Year. I know things feel really hard for a lot of us right now, so let me tell you something important:
In the highland rainforest of NSW, in the Werrikimbe region, there’s a community of superb lyrebirds. Lyrebirds are known for their unparalleled mimicry: they can reproduce the call of any bird they hear (and many other sounds as well). They collect songs like crows collect shiny objects. The variety and complexity of their repertoire, and the skill with which they deliver it, determines their reproductive success.
They also compose songs of their own. These songs vary from region to region; they are learned by lyrebirds when they're young, and passed down from generation to generation with remarkable stability. If a lyrebird finds or produces a new melody that other lyrebirds like, they absorb it into the communal repertoire.
The lyrebirds that live in the Werrikimbe are called flute lyrebirds because in winter, when they're in love, they sing a complex rising melody which sounds like scales played on a flute. This "flute accent" exists nowhere else in the world; it’s unique to this one community. On cold mornings, it floats down through the mists like an enchantment.
How did this haunting melody come about? It's said that a young boy kept a tame lyrebird, and every day the bird listened to him practicing the flute. Then one day the bird escaped. It went to live with its wild brethren, and taught them this new song.
But the truth is much more magical: Lyrebirds composed this song all on their own. It's more complex than any human flautist could ever hope to achieve, and it’s got features unique to lyrebird melody and anatomy.
Lyrebirds live and breathe music. They are built for music. They spend their lives studying the soundscape. They listened to the world around them, all of the pain and suffering and desire and joy, and this is what they sang back into it.
https://www.youtube.com/watch?v=00nrAh2zVWo
#lyrebirds #AustralianBirds #werrikimbe #birds #BirdsOfFediverse #music #song #EnvironmentalHumanities #flute #australia #northernNSW
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Happy New Year. I know things feel really hard for a lot of us right now, so let me tell you something important:
In the highland rainforest of NSW, in the Werrikimbe region, there’s a community of superb lyrebirds. Lyrebirds are known for their unparalleled mimicry: they can reproduce the call of any bird they hear (and many other sounds as well). They collect songs like crows collect shiny objects. The variety and complexity of their repertoire, and the skill with which they deliver it, determines their reproductive success.
They also compose songs of their own. These songs vary from region to region; they are learned by lyrebirds when they're young, and passed down from generation to generation with remarkable stability. If a lyrebird finds or produces a new melody that other lyrebirds like, they absorb it into the communal repertoire.
The lyrebirds that live in the Werrikimbe are called flute lyrebirds because in winter, when they're in love, they sing a complex rising melody which sounds like scales played on a flute. This "flute accent" exists nowhere else in the world; it’s unique to this one community. On cold mornings, it floats down through the mists like an enchantment.
How did this haunting melody come about? It's said that a young boy kept a tame lyrebird, and every day the bird listened to him practicing the flute. Then one day the bird escaped. It went to live with its wild brethren, and taught them this new song.
But the truth is much more magical: Lyrebirds composed this song all on their own. It's more complex than any human flautist could ever hope to achieve, and it’s got features unique to lyrebird melody and anatomy.
Lyrebirds live and breathe music. They are built for music. They spend their lives studying the soundscape. They listened to the world around them, all of the pain and suffering and desire and joy, and this is what they sang back into it.
https://www.youtube.com/watch?v=00nrAh2zVWo
#lyrebirds #AustralianBirds #werrikimbe #birds #BirdsOfFediverse #music #song #EnvironmentalHumanities #flute #australia #northernNSW
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Happy New Year. I know things feel really hard for a lot of us right now, so let me tell you something important:
In the highland rainforest of NSW, in the Werrikimbe region, there’s a community of superb lyrebirds. Lyrebirds are known for their unparalleled mimicry: they can reproduce the call of any bird they hear (and many other sounds as well). They collect songs like crows collect shiny objects. The variety and complexity of their repertoire, and the skill with which they deliver it, determines their reproductive success.
They also compose songs of their own. These songs vary from region to region; they are learned by lyrebirds when they're young, and passed down from generation to generation with remarkable stability. If a lyrebird finds or produces a new melody that other lyrebirds like, they absorb it into the communal repertoire.
The lyrebirds that live in the Werrikimbe are called flute lyrebirds because in winter, when they're in love, they sing a complex rising melody which sounds like scales played on a flute. This "flute accent" exists nowhere else in the world; it’s unique to this one community. On cold mornings, it floats down through the mists like an enchantment.
How did this haunting melody come about? It's said that a young boy kept a tame lyrebird, and every day the bird listened to him practicing the flute. Then one day the bird escaped. It went to live with its wild brethren, and taught them this new song.
But the truth is much more magical: Lyrebirds composed this song all on their own. It's more complex than any human flautist could ever hope to achieve, and it’s got features unique to lyrebird melody and anatomy.
Lyrebirds live and breathe music. They are built for music. They spend their lives studying the soundscape. They listened to the world around them, all of the pain and suffering and desire and joy, and this is what they sang back into it.
https://www.youtube.com/watch?v=00nrAh2zVWo
#lyrebirds #AustralianBirds #werrikimbe #birds #BirdsOfFediverse #music #song #EnvironmentalHumanities #flute #australia #northernNSW
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Happy New Year. I know things feel really hard for a lot of us right now, so let me tell you something important:
In the highland rainforest of NSW, in the Werrikimbe region, there’s a community of superb lyrebirds. Lyrebirds are known for their unparalleled mimicry: they can reproduce the call of any bird they hear (and many other sounds as well). They collect songs like crows collect shiny objects. The variety and complexity of their repertoire, and the skill with which they deliver it, determines their reproductive success.
They also compose songs of their own. These songs vary from region to region; they are learned by lyrebirds when they're young, and passed down from generation to generation with remarkable stability. If a lyrebird finds or produces a new melody that other lyrebirds like, they absorb it into the communal repertoire.
The lyrebirds that live in the Werrikimbe are called flute lyrebirds because in winter, when they're in love, they sing a complex rising melody which sounds like scales played on a flute. This "flute accent" exists nowhere else in the world; it’s unique to this one community. On cold mornings, it floats down through the mists like an enchantment.
How did this haunting melody come about? It's said that a young boy kept a tame lyrebird, and every day the bird listened to him practicing the flute. Then one day the bird escaped. It went to live with its wild brethren, and taught them this new song.
But the truth is much more magical: Lyrebirds composed this song all on their own. It's more complex than any human flautist could ever hope to achieve, and it’s got features unique to lyrebird melody and anatomy.
Lyrebirds live and breathe music. They are built for music. They spend their lives studying the soundscape. They listened to the world around them, all of the pain and suffering and desire and joy, and this is what they sang back into it.
https://www.youtube.com/watch?v=00nrAh2zVWo
#lyrebirds #AustralianBirds #werrikimbe #birds #BirdsOfFediverse #music #song #EnvironmentalHumanities #flute #australia #northernNSW
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Happy New Year. I know things feel really hard for a lot of us right now, so let me tell you something important:
In the highland rainforest of NSW, in the Werrikimbe region, there’s a community of superb lyrebirds. Lyrebirds are known for their unparalleled mimicry: they can reproduce the call of any bird they hear (and many other sounds as well). They collect songs like crows collect shiny objects. The variety and complexity of their repertoire, and the skill with which they deliver it, determines their reproductive success.
They also compose songs of their own. These songs vary from region to region; they are learned by lyrebirds when they're young, and passed down from generation to generation with remarkable stability. If a lyrebird finds or produces a new melody that other lyrebirds like, they absorb it into the communal repertoire.
The lyrebirds that live in the Werrikimbe are called flute lyrebirds because in winter, when they're in love, they sing a complex rising melody which sounds like scales played on a flute. This "flute accent" exists nowhere else in the world; it’s unique to this one community. On cold mornings, it floats down through the mists like an enchantment.
How did this haunting melody come about? It's said that a young boy kept a tame lyrebird, and every day the bird listened to him practicing the flute. Then one day the bird escaped. It went to live with its wild brethren, and taught them this new song.
But the truth is much more magical: Lyrebirds composed this song all on their own. It's more complex than any human flautist could ever hope to achieve, and it’s got features unique to lyrebird melody and anatomy.
Lyrebirds live and breathe music. They are built for music. They spend their lives studying the soundscape. They listened to the world around them, all of the pain and suffering and desire and joy, and this is what they sang back into it.
https://www.youtube.com/watch?v=00nrAh2zVWo
#lyrebirds #AustralianBirds #werrikimbe #birds #BirdsOfFediverse #music #song #EnvironmentalHumanities #flute #australia #northernNSW
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If you're interested in the relation between the city and the environment, this is worth a read:
https://berlinergazette.de/category/feuilleton-en/kin-city/
'The “Kin City” text series draws attention to the abyss between conversations about ‘the city’ on the one hand and ‘nature’ on the other, and the resulting failure to adequately conceive and politicize the crucial role of metropolitan spaces for human and other-than-human life across the planet. To overcome this cognitive dissonance, the “Kin City” project addresses cities as both drivers and ‘victims’ of ecological collapse, and above all creates a space for exploring the existing and possible connections between urban and environmental struggles.'
#city #environment #ecology #posthumanism #nature #nonhuman #environmentalhumanities
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🌾 A primeira actividade da IHC Visiting Scholar, Lavinia Maddaluno (Università Ca' Foscari), será a conferência "Rice: ersatz, cultural artifact, object of knowledge, unruly crop", a ter lugar na Biblioteca Nacional de Portugal no dia 16 de Julho.
ENTRADA LIVRE
ℹ️ https://ihc.fcsh.unl.pt/events/rice-ersatz/
#Histodons #AgriculturalHistory #EnvironmentalHistory #EnvironmentalHumanities #Rice #LaviniaMaddaluno #OpenLecture #HistóriaDaAgricultura #Arroz #HistóriaAmbiental
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📖 In a paper published in the Journal of Ethnobiology, Marta Macedo examines "how cannabis was part and parcel of the lives of peoples from Angola recruited to São Tomé and, consequently, of the island's plantation worlds in the late nineteenth century." 🇸🇹
🔓#OpenAccess:
https://journals.sagepub.com/doi/10.1177/02780771231222335#Histodons #EnvHum #EnvironmentalHistory #EnvironmentalHumanities #Ethnobiology #AgrarianHistory #HistóriaAmbiental #Angola #SãoTomé #Cannabis #Plantations #HistóriaAgrária
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📖 In a paper published in the Journal of Ethnobiology, Marta Macedo examines "how cannabis was part and parcel of the lives of peoples from Angola recruited to São Tomé and, consequently, of the island's plantation worlds in the late nineteenth century." 🇸🇹
🔓#OpenAccess:
https://journals.sagepub.com/doi/10.1177/02780771231222335#Histodons #EnvHum #EnvironmentalHistory #EnvironmentalHumanities #Ethnobiology #AgrarianHistory #HistóriaAmbiental #Angola #SãoTomé #Cannabis #Plantations #HistóriaAgrária
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📖 In a paper published in the Journal of Ethnobiology, Marta Macedo examines "how cannabis was part and parcel of the lives of peoples from Angola recruited to São Tomé and, consequently, of the island's plantation worlds in the late nineteenth century." 🇸🇹
🔓#OpenAccess:
https://journals.sagepub.com/doi/10.1177/02780771231222335#Histodons #EnvHum #EnvironmentalHistory #EnvironmentalHumanities #Ethnobiology #AgrarianHistory #HistóriaAmbiental #Angola #SãoTomé #Cannabis #Plantations #HistóriaAgrária
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📖 In a paper published in the Journal of Ethnobiology, Marta Macedo examines "how cannabis was part and parcel of the lives of peoples from Angola recruited to São Tomé and, consequently, of the island's plantation worlds in the late nineteenth century." 🇸🇹
🔓#OpenAccess:
https://journals.sagepub.com/doi/10.1177/02780771231222335#Histodons #EnvHum #EnvironmentalHistory #EnvironmentalHumanities #Ethnobiology #AgrarianHistory #HistóriaAmbiental #Angola #SãoTomé #Cannabis #Plantations #HistóriaAgrária
