#visualanthropology — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #visualanthropology, aggregated by home.social.
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The Analytical Approaches to World Musics (AAWM) Journal invites ongoing submissions of documentary films, audiovisual essays, and multimedia works exploring music and sound cultures worldwide.
Submissions may include documentaries, performance analyses, interviews, audiovisual installations, experimental films, and more.
Rolling submissions
#Ethnomusicology #WorldMusic #MusicResearch #Audiovisual #DocumentaryFilm #VisualEthnomusicology #VisualAnthropology
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The Analytical Approaches to World Musics (AAWM) Journal invites ongoing submissions of documentary films, audiovisual essays, and multimedia works exploring music and sound cultures worldwide.
Submissions may include documentaries, performance analyses, interviews, audiovisual installations, experimental films, and more.
Rolling submissions
#Ethnomusicology #WorldMusic #MusicResearch #Audiovisual #DocumentaryFilm #VisualEthnomusicology #VisualAnthropology
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The Analytical Approaches to World Musics (AAWM) Journal invites ongoing submissions of documentary films, audiovisual essays, and multimedia works exploring music and sound cultures worldwide.
Submissions may include documentaries, performance analyses, interviews, audiovisual installations, experimental films, and more.
Rolling submissions
#Ethnomusicology #WorldMusic #MusicResearch #Audiovisual #DocumentaryFilm #VisualEthnomusicology #VisualAnthropology
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The Analytical Approaches to World Musics (AAWM) Journal invites ongoing submissions of documentary films, audiovisual essays, and multimedia works exploring music and sound cultures worldwide.
Submissions may include documentaries, performance analyses, interviews, audiovisual installations, experimental films, and more.
Rolling submissions
#Ethnomusicology #WorldMusic #MusicResearch #Audiovisual #DocumentaryFilm #VisualEthnomusicology #VisualAnthropology
-
The Analytical Approaches to World Musics (AAWM) Journal invites ongoing submissions of documentary films, audiovisual essays, and multimedia works exploring music and sound cultures worldwide.
Submissions may include documentaries, performance analyses, interviews, audiovisual installations, experimental films, and more.
Rolling submissions
#Ethnomusicology #WorldMusic #MusicResearch #Audiovisual #DocumentaryFilm #VisualEthnomusicology #VisualAnthropology
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Some good news for #VisualAnthropology people => Free Film of the Month from the Royal Anthropological Institute’s new #RAI FILM initiative.
Current feature: Ggésék (Weiyan Low, 2024, Malaysia, 18 min), accompanied by a contextual essay by John-Paul Davidson exploring themes of labour and work.
Free streaming available for a limited time.
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Some good news for #VisualAnthropology people => Free Film of the Month from the Royal Anthropological Institute’s new #RAI FILM initiative.
Current feature: Ggésék (Weiyan Low, 2024, Malaysia, 18 min), accompanied by a contextual essay by John-Paul Davidson exploring themes of labour and work.
Free streaming available for a limited time.
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Some good news for #VisualAnthropology people => Free Film of the Month from the Royal Anthropological Institute’s new #RAI FILM initiative.
Current feature: Ggésék (Weiyan Low, 2024, Malaysia, 18 min), accompanied by a contextual essay by John-Paul Davidson exploring themes of labour and work.
Free streaming available for a limited time.
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Some good news for #VisualAnthropology people => Free Film of the Month from the Royal Anthropological Institute’s new #RAI FILM initiative.
Current feature: Ggésék (Weiyan Low, 2024, Malaysia, 18 min), accompanied by a contextual essay by John-Paul Davidson exploring themes of labour and work.
Free streaming available for a limited time.
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Some good news for #VisualAnthropology people => Free Film of the Month from the Royal Anthropological Institute’s new #RAI FILM initiative.
Current feature: Ggésék (Weiyan Low, 2024, Malaysia, 18 min), accompanied by a contextual essay by John-Paul Davidson exploring themes of labour and work.
Free streaming available for a limited time.
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#AcademicJob | #PhDStudentship
PhD – #ERC CoG "Before the Image"
📍University of Copenhagen, Denmark
Funded PhD within an ERC project exploring how images documenting violence are interpreted and verified. Research includes ethnographic fieldwork on open-source investigation training, visual literacy, memory, truth, and image verification practices.
Deadline: 27/05/2026
https://employment.ku.dk/phd/?show=161129
#VisualAnthropology #Anthropology #DigitalHumanities #Ethnography #VisualCulture #HumanRights
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#AcademicJob | #PhDStudentship
PhD – #ERC CoG "Before the Image"
📍University of Copenhagen, Denmark
Funded PhD within an ERC project exploring how images documenting violence are interpreted and verified. Research includes ethnographic fieldwork on open-source investigation training, visual literacy, memory, truth, and image verification practices.
Deadline: 27/05/2026
https://employment.ku.dk/phd/?show=161129
#VisualAnthropology #Anthropology #DigitalHumanities #Ethnography #VisualCulture #HumanRights
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#AcademicJob | #PhDStudentship
PhD – #ERC CoG "Before the Image"
📍University of Copenhagen, Denmark
Funded PhD within an ERC project exploring how images documenting violence are interpreted and verified. Research includes ethnographic fieldwork on open-source investigation training, visual literacy, memory, truth, and image verification practices.
Deadline: 27/05/2026
https://employment.ku.dk/phd/?show=161129
#VisualAnthropology #Anthropology #DigitalHumanities #Ethnography #VisualCulture #HumanRights
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#AcademicJob | #PhDStudentship
PhD – #ERC CoG "Before the Image"
📍University of Copenhagen, Denmark
Funded PhD within an ERC project exploring how images documenting violence are interpreted and verified. Research includes ethnographic fieldwork on open-source investigation training, visual literacy, memory, truth, and image verification practices.
Deadline: 27/05/2026
https://employment.ku.dk/phd/?show=161129
#VisualAnthropology #Anthropology #DigitalHumanities #Ethnography #VisualCulture #HumanRights
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#AcademicJob | #PhDStudentship
PhD – #ERC CoG "Before the Image"
📍University of Copenhagen, Denmark
Funded PhD within an ERC project exploring how images documenting violence are interpreted and verified. Research includes ethnographic fieldwork on open-source investigation training, visual literacy, memory, truth, and image verification practices.
Deadline: 27/05/2026
https://employment.ku.dk/phd/?show=161129
#VisualAnthropology #Anthropology #DigitalHumanities #Ethnography #VisualCulture #HumanRights
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*Annual reminder*
Call for Diego Carpitella Scholarship is open again!
Interested in #VisualEthnomusicology and/or having an idea for #EthnographicFilm on music? Apply to join this ever-growing family of #VisualEthnomusicology filmmakers!
Deadline: 15/04/2026
https://www.cini.it/en/cini_news/call-for-applications-diego-carpitella-2026/
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*Annual reminder*
Call for Diego Carpitella Scholarship is open again!
Interested in #VisualEthnomusicology and/or having an idea for #EthnographicFilm on music? Apply to join this ever-growing family of #VisualEthnomusicology filmmakers!
Deadline: 15/04/2026
https://www.cini.it/en/cini_news/call-for-applications-diego-carpitella-2026/
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*Annual reminder*
Call for Diego Carpitella Scholarship is open again!
Interested in #VisualEthnomusicology and/or having an idea for #EthnographicFilm on music? Apply to join this ever-growing family of #VisualEthnomusicology filmmakers!
Deadline: 15/04/2026
https://www.cini.it/en/cini_news/call-for-applications-diego-carpitella-2026/
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*Annual reminder*
Call for Diego Carpitella Scholarship is open again!
Interested in #VisualEthnomusicology and/or having an idea for #EthnographicFilm on music? Apply to join this ever-growing family of #VisualEthnomusicology filmmakers!
Deadline: 15/04/2026
https://www.cini.it/en/cini_news/call-for-applications-diego-carpitella-2026/
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*Annual reminder*
Call for Diego Carpitella Scholarship is open again!
Interested in #VisualEthnomusicology and/or having an idea for #EthnographicFilm on music? Apply to join this ever-growing family of #VisualEthnomusicology filmmakers!
Deadline: 15/04/2026
https://www.cini.it/en/cini_news/call-for-applications-diego-carpitella-2026/
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Roger Canals: Visual Trust Across Society, Science, and Religion
ZKM | Zentrum für Kunst und Medien Karlsruhe, Wednesday, March 18 at 06:00 PM GMT+1
[ ↓↓ Englsih version below ↓↓]
Was veranlasst Menschen dazu, bestimmten Bildern mehr zu vertrauen als anderen – oder ihnen zu misstrauen? Wie verändern sich visuelle Zuverlässigkeit und Täuschung im Zeitalter der Künstlichen Intelligenz? Welche Formen visueller Bewertung lassen sich in Wissenschaft, Religion, Künstlicher Intelligenz und Dokumentarfotografie beobachten?
Der Vortrag von Roger Canals gibt Einblick in einen experimentellen und vergleichenden Forschungsansatz und stellt die zentralen Leitlinien sowie erste Ergebnisse des vom Europäischen Forschungsrat geförderten Projekts »Visual Trust. Reliability, Accountability and Forgery in Scientific, Religious and Social Images« (2021–2027) vor.
Das interdisziplinäre Projekt untersucht mit visuellen, kollaborativen und experimentellen Methoden, wie Menschen aus unterschiedlichen soziokulturellen Kontexten Bildern begegnen, Vertrauen oder Misstrauen entwickeln und wie Bilder soziale Beziehungen, Deutungen und Verantwortlichkeiten strukturieren.
Zusammengeführt wird ein breites Spektrum visueller Materialien, darunter fotojournalistische Aufnahmen, digitale Fälschungen, religiöse Ikonen, KI-generierte Bilder, astronomische Aufnahmen sowie medizinische Bildgebung.
Der Vortrag wird durch die Präsentation ausgewählter visueller Projektergebnisse ergänzt, darunter Filme und visuelle Essays.
Zur Person
Roger Canals (*1980, Barcelona) ist Anthropologe, Filmemacher und ordentlicher Professor für Sozialanthropologie an der Universität Barcelona. Er ist Hauptforscher (Principal Investigator) des ERC-Consolidator-Projekts »Visual Trust. Reliability, Accountability and Forgery in Scientific, Religious and Social Images« (2021–2027).
Er ist Autor zahlreicher wissenschaftlicher Artikel und mehrerer Bücher, darunter »The Image that Never Ends. A Journey through Visual Anthropology« (Berghahn Books, 2025). Als Filmemacher realisierte er international ausgezeichnete Arbeiten, darunter »The Many Faces of a Venezuelan Goddess« (2007), »A Goddess in Motion« (2016), »Chasing Shadows« (2019) und »The Color of Spirits« (2024).
2016 erhielt er das Fejos-Stipendium für ethnografischen Film der Wenner-Gren Foundation (New York). Zudem war er Gastprofessor unter anderem an der University of Toronto, der École des Hautes Études en Sciences Sociales (Paris) sowie am Institute of Caribbean Studies (Puerto Rico).
Er kuratierte außerdem mehrere Ausstellungen zu Dokumentarfotografie, ethnografischem Kino und afroamerikanischer Kultur./-/-/
What leads people to trust certain images more than others – or to distrust them?
How do visual reliability and deception change in the age of artificial intelligence?
What forms of visual evaluation can be observed in science, religion, artificial intelligence, and documentary photography?The lecture by Roger Canals offers insight into an experimental and comparative research approach and presents the key guidelines as well as initial findings of the European Research Council–funded project Visual Trust. Reliability, Accountability and Forgery in Scientific, Religious and Social Images (2021–2027).
Using visual, collaborative, and experimental methods, this interdisciplinary project examines how people from different sociocultural contexts engage with images, develop trust or mistrust, and how images structure social relationships, interpretations, and responsibilities.
The project brings together a wide range of visual materials, including photojournalistic images, digital forgeries, religious icons, AI-generated images, astronomical imagery, and medical imaging.
The lecture is complemented by the presentation of selected visual outcomes of the project, including films and visual essays.
About the Speaker
Roger Canals (*1980, Barcelona) is an anthropologist, filmmaker, and full professor of social anthropology at the University of Barcelona. He is the Principal Investigator of the ERC Consolidator project Visual Trust. Reliability, Accountability and Forgery in Scientific, Religious and Social Images (2021–2027).
He is the author of numerous scholarly articles and several books, including The Image that Never Ends. A Journey through Visual Anthropology (Berghahn Books, 2025). As a filmmaker, he has produced internationally award-winning works, including The Many Faces of a Venezuelan Goddess (2007), A Goddess in Motion (2016), Chasing Shadows (2019), and The Color of Spirits (2024).
In 2016, he received the Fejos Fellowship for Ethnographic Film from the Wenner-Gren Foundation (New York). He has also served as a visiting professor at institutions including the University of Toronto, the École des Hautes Études en Sciences Sociales (Paris), and the Institute of Caribbean Studies (Puerto Rico).
In addition, he has curated several exhibitions on documentary photography, ethnographic cinema, and Afro-American culture.https://keepkarlsruheboring.org/event/roger-canals-visual-trust-across-society-science-and-religion
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Roger Canals: Visual Trust Across Society, Science, and Religion
ZKM | Zentrum für Kunst und Medien Karlsruhe, Wednesday, March 18 at 06:00 PM GMT+1
[ ↓↓ Englsih version below ↓↓]
Was veranlasst Menschen dazu, bestimmten Bildern mehr zu vertrauen als anderen – oder ihnen zu misstrauen? Wie verändern sich visuelle Zuverlässigkeit und Täuschung im Zeitalter der Künstlichen Intelligenz? Welche Formen visueller Bewertung lassen sich in Wissenschaft, Religion, Künstlicher Intelligenz und Dokumentarfotografie beobachten?
Der Vortrag von Roger Canals gibt Einblick in einen experimentellen und vergleichenden Forschungsansatz und stellt die zentralen Leitlinien sowie erste Ergebnisse des vom Europäischen Forschungsrat geförderten Projekts »Visual Trust. Reliability, Accountability and Forgery in Scientific, Religious and Social Images« (2021–2027) vor.
Das interdisziplinäre Projekt untersucht mit visuellen, kollaborativen und experimentellen Methoden, wie Menschen aus unterschiedlichen soziokulturellen Kontexten Bildern begegnen, Vertrauen oder Misstrauen entwickeln und wie Bilder soziale Beziehungen, Deutungen und Verantwortlichkeiten strukturieren.
Zusammengeführt wird ein breites Spektrum visueller Materialien, darunter fotojournalistische Aufnahmen, digitale Fälschungen, religiöse Ikonen, KI-generierte Bilder, astronomische Aufnahmen sowie medizinische Bildgebung.
Der Vortrag wird durch die Präsentation ausgewählter visueller Projektergebnisse ergänzt, darunter Filme und visuelle Essays.
Zur Person
Roger Canals (*1980, Barcelona) ist Anthropologe, Filmemacher und ordentlicher Professor für Sozialanthropologie an der Universität Barcelona. Er ist Hauptforscher (Principal Investigator) des ERC-Consolidator-Projekts »Visual Trust. Reliability, Accountability and Forgery in Scientific, Religious and Social Images« (2021–2027).
Er ist Autor zahlreicher wissenschaftlicher Artikel und mehrerer Bücher, darunter »The Image that Never Ends. A Journey through Visual Anthropology« (Berghahn Books, 2025). Als Filmemacher realisierte er international ausgezeichnete Arbeiten, darunter »The Many Faces of a Venezuelan Goddess« (2007), »A Goddess in Motion« (2016), »Chasing Shadows« (2019) und »The Color of Spirits« (2024).
2016 erhielt er das Fejos-Stipendium für ethnografischen Film der Wenner-Gren Foundation (New York). Zudem war er Gastprofessor unter anderem an der University of Toronto, der École des Hautes Études en Sciences Sociales (Paris) sowie am Institute of Caribbean Studies (Puerto Rico).
Er kuratierte außerdem mehrere Ausstellungen zu Dokumentarfotografie, ethnografischem Kino und afroamerikanischer Kultur./-/-/
What leads people to trust certain images more than others – or to distrust them?
How do visual reliability and deception change in the age of artificial intelligence?
What forms of visual evaluation can be observed in science, religion, artificial intelligence, and documentary photography?The lecture by Roger Canals offers insight into an experimental and comparative research approach and presents the key guidelines as well as initial findings of the European Research Council–funded project Visual Trust. Reliability, Accountability and Forgery in Scientific, Religious and Social Images (2021–2027).
Using visual, collaborative, and experimental methods, this interdisciplinary project examines how people from different sociocultural contexts engage with images, develop trust or mistrust, and how images structure social relationships, interpretations, and responsibilities.
The project brings together a wide range of visual materials, including photojournalistic images, digital forgeries, religious icons, AI-generated images, astronomical imagery, and medical imaging.
The lecture is complemented by the presentation of selected visual outcomes of the project, including films and visual essays.
About the Speaker
Roger Canals (*1980, Barcelona) is an anthropologist, filmmaker, and full professor of social anthropology at the University of Barcelona. He is the Principal Investigator of the ERC Consolidator project Visual Trust. Reliability, Accountability and Forgery in Scientific, Religious and Social Images (2021–2027).
He is the author of numerous scholarly articles and several books, including The Image that Never Ends. A Journey through Visual Anthropology (Berghahn Books, 2025). As a filmmaker, he has produced internationally award-winning works, including The Many Faces of a Venezuelan Goddess (2007), A Goddess in Motion (2016), Chasing Shadows (2019), and The Color of Spirits (2024).
In 2016, he received the Fejos Fellowship for Ethnographic Film from the Wenner-Gren Foundation (New York). He has also served as a visiting professor at institutions including the University of Toronto, the École des Hautes Études en Sciences Sociales (Paris), and the Institute of Caribbean Studies (Puerto Rico).
In addition, he has curated several exhibitions on documentary photography, ethnographic cinema, and Afro-American culture.https://keepkarlsruheboring.org/event/roger-canals-visual-trust-across-society-science-and-religion
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Root work in motion — watching coherence generate itself across languages and images. A field revealing its own architecture, one pattern at a time. #VisualAnthropology #Episkevology #FractalGrowth #RFT
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I. OPENING
The title words stopped me mid-page.
Not my words, yet they feel mine.They carry something else too —
a feeling called compersion.
https://medium.com/prismnpen/thank-you-for-taking-such-good-care-of-my-johnny-2ab41139b56c?sk=bf8ed31eaa31a63378118109d302a8af -
I. OPENING
The title words stopped me mid-page.
Not my words, yet they feel mine.They carry something else too —
a feeling called compersion.
https://medium.com/prismnpen/thank-you-for-taking-such-good-care-of-my-johnny-2ab41139b56c?sk=bf8ed31eaa31a63378118109d302a8af -
I. OPENING
The title words stopped me mid-page.
Not my words, yet they feel mine.They carry something else too —
a feeling called compersion.
https://medium.com/prismnpen/thank-you-for-taking-such-good-care-of-my-johnny-2ab41139b56c?sk=bf8ed31eaa31a63378118109d302a8af -
I. OPENING
The title words stopped me mid-page.
Not my words, yet they feel mine.They carry something else too —
a feeling called compersion.
https://medium.com/prismnpen/thank-you-for-taking-such-good-care-of-my-johnny-2ab41139b56c?sk=bf8ed31eaa31a63378118109d302a8af -
I. OPENING
The title words stopped me mid-page.
Not my words, yet they feel mine.They carry something else too —
a feeling called compersion.
https://medium.com/prismnpen/thank-you-for-taking-such-good-care-of-my-johnny-2ab41139b56c?sk=bf8ed31eaa31a63378118109d302a8af -
Editorial Assistant – Visual Anthropology
Supporting the journal’s redevelopment (2025–2028). Annual honorarium: $1,400 USD.A high-profile role for candidates with doctoral-level experience in visual or multimodal anthropology. Responsibilities include managing workflows in ScholarOne, coordinating peer review, maintaining records, and liaising with authors, reviewers, and the editorial team.
📅 Deadline: 21/11/2025
https://easaonline.org/jobs-calls/visual-anthropology-editorial-assistant-2025-2028/
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Editorial Assistant – Visual Anthropology
Supporting the journal’s redevelopment (2025–2028). Annual honorarium: $1,400 USD.A high-profile role for candidates with doctoral-level experience in visual or multimodal anthropology. Responsibilities include managing workflows in ScholarOne, coordinating peer review, maintaining records, and liaising with authors, reviewers, and the editorial team.
📅 Deadline: 21/11/2025
https://easaonline.org/jobs-calls/visual-anthropology-editorial-assistant-2025-2028/
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Editorial Assistant – Visual Anthropology
Supporting the journal’s redevelopment (2025–2028). Annual honorarium: $1,400 USD.A high-profile role for candidates with doctoral-level experience in visual or multimodal anthropology. Responsibilities include managing workflows in ScholarOne, coordinating peer review, maintaining records, and liaising with authors, reviewers, and the editorial team.
📅 Deadline: 21/11/2025
https://easaonline.org/jobs-calls/visual-anthropology-editorial-assistant-2025-2028/
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Editorial Assistant – Visual Anthropology
Supporting the journal’s redevelopment (2025–2028). Annual honorarium: $1,400 USD.A high-profile role for candidates with doctoral-level experience in visual or multimodal anthropology. Responsibilities include managing workflows in ScholarOne, coordinating peer review, maintaining records, and liaising with authors, reviewers, and the editorial team.
📅 Deadline: 21/11/2025
https://easaonline.org/jobs-calls/visual-anthropology-editorial-assistant-2025-2028/
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Editorial Assistant – Visual Anthropology
Supporting the journal’s redevelopment (2025–2028). Annual honorarium: $1,400 USD.A high-profile role for candidates with doctoral-level experience in visual or multimodal anthropology. Responsibilities include managing workflows in ScholarOne, coordinating peer review, maintaining records, and liaising with authors, reviewers, and the editorial team.
📅 Deadline: 21/11/2025
https://easaonline.org/jobs-calls/visual-anthropology-editorial-assistant-2025-2028/
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Assistant Professor in Visual Anthropology
📍 University of Sussex, Brighton
Permanent position in Social Anthropology with expertise in visual, digital, or multimedia anthropology. Open regional focus. Involves UG/PG teaching, supervision & research.
📅 Deadline: 21/07/2025
https://www.jobs.ac.uk/job/DNV571/assistant-professor-in-visual-anthropology
#Anthropology #SocialAnthropology #VisualAnthropology #MultomodalAnthropology #UKJobs #AcademicJobs
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Assistant Professor in Visual Anthropology
📍 University of Sussex, Brighton
Permanent position in Social Anthropology with expertise in visual, digital, or multimedia anthropology. Open regional focus. Involves UG/PG teaching, supervision & research.
📅 Deadline: 21/07/2025
https://www.jobs.ac.uk/job/DNV571/assistant-professor-in-visual-anthropology
#Anthropology #SocialAnthropology #VisualAnthropology #MultomodalAnthropology #UKJobs #AcademicJobs
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Assistant Professor in Visual Anthropology
📍 University of Sussex, Brighton
Permanent position in Social Anthropology with expertise in visual, digital, or multimedia anthropology. Open regional focus. Involves UG/PG teaching, supervision & research.
📅 Deadline: 21/07/2025
https://www.jobs.ac.uk/job/DNV571/assistant-professor-in-visual-anthropology
#Anthropology #SocialAnthropology #VisualAnthropology #MultomodalAnthropology #UKJobs #AcademicJobs
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Assistant Professor in Visual Anthropology
📍 University of Sussex, Brighton
Permanent position in Social Anthropology with expertise in visual, digital, or multimedia anthropology. Open regional focus. Involves UG/PG teaching, supervision & research.
📅 Deadline: 21/07/2025
https://www.jobs.ac.uk/job/DNV571/assistant-professor-in-visual-anthropology
#Anthropology #SocialAnthropology #VisualAnthropology #MultomodalAnthropology #UKJobs #AcademicJobs
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Assistant Professor in Visual Anthropology
📍 University of Sussex, Brighton
Permanent position in Social Anthropology with expertise in visual, digital, or multimedia anthropology. Open regional focus. Involves UG/PG teaching, supervision & research.
📅 Deadline: 21/07/2025
https://www.jobs.ac.uk/job/DNV571/assistant-professor-in-visual-anthropology
#Anthropology #SocialAnthropology #VisualAnthropology #MultomodalAnthropology #UKJobs #AcademicJobs
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#AcademicJob | #PhDStudentship
PhD in Visual & Multimodal Anthropology
📍 UiT The Arctic University of Norway, Tromsø
Join the EA:RTH research group to explore environmental tensions through collaborative, ethnographic, and multimodal methodologies. Strong focus on storytelling and field-based visual methods.
📅 Deadline: 15/08/2025
#EnvironmentalHumanities #Anthropology #MultimodalAnthropology #VisualAnthropology #Ethnography #VisualCulture
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#AcademicJob | #PhDStudentship
PhD in Visual & Multimodal Anthropology
📍 UiT The Arctic University of Norway, Tromsø
Join the EA:RTH research group to explore environmental tensions through collaborative, ethnographic, and multimodal methodologies. Strong focus on storytelling and field-based visual methods.
📅 Deadline: 15/08/2025
#EnvironmentalHumanities #Anthropology #MultimodalAnthropology #VisualAnthropology #Ethnography #VisualCulture
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#AcademicJob | #PhDStudentship
PhD in Visual & Multimodal Anthropology
📍 UiT The Arctic University of Norway, Tromsø
Join the EA:RTH research group to explore environmental tensions through collaborative, ethnographic, and multimodal methodologies. Strong focus on storytelling and field-based visual methods.
📅 Deadline: 15/08/2025
#EnvironmentalHumanities #Anthropology #MultimodalAnthropology #VisualAnthropology #Ethnography #VisualCulture
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#AcademicJob | #PhDStudentship
PhD in Visual & Multimodal Anthropology
📍 UiT The Arctic University of Norway, Tromsø
Join the EA:RTH research group to explore environmental tensions through collaborative, ethnographic, and multimodal methodologies. Strong focus on storytelling and field-based visual methods.
📅 Deadline: 15/08/2025
#EnvironmentalHumanities #Anthropology #MultimodalAnthropology #VisualAnthropology #Ethnography #VisualCulture
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#AcademicJob | #PhDStudentship
PhD in Visual & Multimodal Anthropology
📍 UiT The Arctic University of Norway, Tromsø
Join the EA:RTH research group to explore environmental tensions through collaborative, ethnographic, and multimodal methodologies. Strong focus on storytelling and field-based visual methods.
📅 Deadline: 15/08/2025
#EnvironmentalHumanities #Anthropology #MultimodalAnthropology #VisualAnthropology #Ethnography #VisualCulture
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...it's been exactly one week since I returned from the #RAI festival, and I'm still feeling a bit of nostalgia that this superb #VisualAnthropology event is over.
... it's been an immense pleasure that my #EthnographicFilm a̶b̶o̶u̶t̶ with Romani musicians #HopaLide was part of the 2025 edition!
... if you missed the event, you can still catch up easily! The online edition is on until 16/07/2025 => https://festival.raifilm.org.uk/library.html
80 fantastic films for £50 (£25 for underwages) seems like a great deal, no?
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...it's been exactly one week since I returned from the #RAI festival, and I'm still feeling a bit of nostalgia that this superb #VisualAnthropology event is over.
... it's been an immense pleasure that my #EthnographicFilm a̶b̶o̶u̶t̶ with Romani musicians #HopaLide was part of the 2025 edition!
... if you missed the event, you can still catch up easily! The online edition is on until 16/07/2025 => https://festival.raifilm.org.uk/library.html
80 fantastic films for £50 (£25 for underwages) seems like a great deal, no?
-
...it's been exactly one week since I returned from the #RAI festival, and I'm still feeling a bit of nostalgia that this superb #VisualAnthropology event is over.
... it's been an immense pleasure that my #EthnographicFilm a̶b̶o̶u̶t̶ with Romani musicians #HopaLide was part of the 2025 edition!
... if you missed the event, you can still catch up easily! The online edition is on until 16/07/2025 => https://festival.raifilm.org.uk/library.html
80 fantastic films for £50 (£25 for underwages) seems like a great deal, no?
