#filmstudies — Public Fediverse posts

Hey Fedi, I’m looking for info on summer film classes/camps for teens. (My 16 y/o kid is interested.) I’m aware of the programs at NYU and Northwestern … can you suggest any others? Boosts welcome! #film #FilmStudies

Unsere @nfdi4culture -Tasche sitzt heute im Kinosaal 1101 der Filmuniversität Babelsberg KONRAD Wolf beim Vortrag von Martin Albrecht-Hohmaier (@MAH) im Rahmen des Workshops "Nachhaltige Nutzung sichern – Leitfadenarbeit und Aufbau eines Forschungsnetzwerks", wo er unseren Workflow bei der Publikation von Handreichungen vorstellt.

#NFDIrocks #guidelines #workflow #filmstudies #mediastudies #sustainability

#AcademicJob | #PostDoc

Michigan Society of Fellows Postdoctoral Fellowship (Arts Initiative)

📍University of Michigan, Ann Arbor, USA

Three-year residential fellowship for early-career artists in Creative Writing/English or Film, Television & Media. Fellows are appointed as Assistant Professors and Postdoctoral Scholars, combining creative practice, research, and teaching.

Deadline: 14/09/2026

https://societyoffellows.umich.edu/

#Arts #CreativeWriting #FilmStudies #MediaStudies #EarlyCareerResearchers

"The Disabled Detective" by Susannah B. Mintz analyses representations of disability & chronic illness in #CrimeFiction from #SherlockHolmes & #AgathaChristie 's works to contemporary literature & TV shows such as Jeffery Deaver's books or #Monk

#LiteraryStudies #FilmStudies #DisabilityStudies

#Colloquium: This week our guest Alexandra Schneider ( @unimainz ) argues for a film historiography centered on “stairs” and “tiles” as epistemic figures for conceptualizing non-scalable, inclusive cinematic practices. 🎞️

👀 https://shorturl.at/5PDTZ

#film #FilmStudies #Colloquium #Lecture #Cinema

42 - obviously the "Answer to the Ultimate Question of Life, the Universe, and Everything", as readers of #speculativefiction are well aware - and also the number of the new #Inklings Yearbook! Read our blogpost & download the Yearbook from our repository, free & #openaccess

head over to: https://libaac.de/home/full-view-post/detail/News/read-the-new-inklings-yearbook-42-in-open-access/

#LiteraryStudies #Fantasy #FantasyLiterature #FilmStudies #GamesStudies

🎭 For this week’s #Colloquium we are welcoming @ervinmalakaj . He will draw on queer feminist discourse on affect to foreground the endings of Lubitsch comedies not as stabilizing but as strategically misplaced features.

#ComicLiteracies
💡 https://shorturl.at/60Xpg

#Colloquium #ComicLiteracies #Comedy #QueerStudies #FilmStudies #Queer

... first published in our repository & just in time for the 2026 #Inklings #conference held in Braunschweig, this weekend, 26-28 June!
Topic: „Enmonsterisations in the Fantastic“ - feat. #dragons #mermaids & other #monsters in #FantasyLiterature #Disney #FilmStudies & #games - We can't wait! 🐉

A new addition to our #openaccess repository The Stacks - Vol. 42 of the Inklings Yearbook - on children in #fantasy literature & on fantasy for children!

📖 Follow the link to read & download for free https://s.gwdg.de/kzWLox

#childrensliterature #EnglishLiterature #FilmStudies #GamesStudies #RPG

Film Study: ‘Paris Is Burning’ and trans as artform and necessary expression

With trans visibility top of mind in the age of DEIs and today’s broader-minded broadcast audience, Cream takes a look at the films that celebrated androgyny and diversity way back when most of us were just kids.

Rohan Stephens delves into the flamboyant documentary Paris is Burning, the film that put the lens on the New York Ball scene of the mid-1980s.

While predominantly glamorous on the surface, the documentary is also a rather serious study of the reality of what it means to be a gay and/or trans living in New City and, by default, anywhere in the world.

PARIS IS BURNING, 1990. Dir., Jennie Livingston.

What is it?

It began life as a documentary; a photographic exploration into a subculture of queer Black and Latino groups, heavily marginalised by modern America but still finding the energy and strength to express their dreams and aspirations through fashion and performance. It was a peek into another world, operating beneath the day-to-day hum of New York City in the late 1980s that showed us that creativity and freedom of expression can still flourish under social oppression. But what it turned into was something else entirely.

According to director Jennie Livingston, she began by simply photographing the New York Ball scene in the mid-’80s but, after raising funding for a more significant project, she was able to commence filming what would soon become the documentary Paris is Burning which, as it stands now, is one of the few comprehensive and surviving resources the world has on this important period in time.

Paris is Burning follows the lives of several prominent members of the scene which include Angie Xtravaganza, Venus Xtravaganza, Dorian Corey, Paris Dupree, Peppa LaBeija and Willi Ninja and explores the all-consuming nature of Ball culture on their lives and the lives of others involved. We watch them all pull together the most lavish and glamorous of outfits on the most meagre of budgets and often no budget at all. We see them working, rushing through the streets of the city, late at night – so late it’s early – earning a living but still finding time to compete. We see them sweating in the stuffy, smoke filled halls, but still composed and focused, participating fully in the fantasy of what it means to be able to dress up and embody the image of their dreams. We see them strutting down the hardwood floors through the crowds of other participants. We see competitors, aligned with their various ‘Houses’ demarcated by their chosen names (like Xtravaganza and LaBeija), dressed to the nines, to partake in categories that have them compete for the best Butch Queen, Femme Queen, Women’s Vogue or Body.

Enjoy ‘Paris is Burning’ for all its flamboyance and camp … but don’t let their struggle for acceptance, tolerance and visibility get lost behind the sequins.

For those watching for the first time, you will begin to see and hear the origins of what has now become mainstay phrases and behaviour in contemporary drag culture. Ru Paul pays continuous homage to the film in his eponymous show through things like the ‘Reading’ challenges. Queens too young to even remember life before social media are sprouting classic lines from the film, screaming “Tens, tens, tenss across the board!” as they sashay through clubs. It’s testament to the powerfully enduring nature of Paris is Burning to be able to show generation after generation of queer kids the origins of aspects of their culture and the plight that pioneers of the scene had to endure for acceptance and tolerance.

There have also been delicious segments of pop culture inspired by the Ball scene including Malcolm McLaren’s stylish single Deep In Vogue, which sampled many of the more famous queens of the day (and which subsequently inspired Madonna’s single Vogue), and Ryan Murphy’s heavily stylised television series, Pose.

Why should I have already seen it?

There’s a hell of a lot to unpick here… Rarely has a documentary been able to spark such wide and ongoing debate not just about its subject matter but also the mere nature of its production as well. On one hand, we have a hugely entertaining film that showcases an incredibly vibrant and creative culture and whose narrative is at once both lavish and tragic. A film that has become a time capsule of information, of personal narratives and cultural histories where unfortunately there exists very little other documentation. But on the other hand, we have the issue of a white (albeit queer) director, standing behind a camera filming predominantly P.O.C as they go about the normalcy of their severely marginalised lives. It’s a hugely complex issue that anyone willing to partake in watching Paris is Burning should always keep at the forefront of their mind. Behind the handbags and heels, behind the outfits and choreography, there also runs a steady and very serious subtext of the reality of what it means to be a gay and/or trans P.O.C living in New City and, by default, anywhere in the world, in the mid-1980s.

The stunning visuals of the participants twirling, and dancing down makeshift catwalks are punctuated with stories of discrimination, intolerance, violence and, tragically, even death of members of the scene featured in the film.

Enjoy Paris is Burning for all its flamboyance and camp; laugh along with the contestants as they heap shade onto one another and cheer them on when they win. Be amazed by their outfits and graceful movements and listen to their humble wisdom on life, love and family, but don’t let their struggle for acceptance, tolerance and visibility get lost behind the sequins.

For a closeup view of the trans scene of the 1980s, check out Ryan Murphy’s stream TV series, Pose, which reminds us that way before Madonna vogued, there was this:

RTRFM | 80s and 90s Alternative Music Special | Presented by Antonino Tati & Simone Harle

‘The Vinyl Factory: Reverb’ is a multi-sensory experience delving into vinyl culture across music, fashion, art and the social realms

Get more artistry out of your movie streaming through MUBI

Five good reasons to enjoy the new horror parody reboot of ‘Scary Movie’

Film Study: ‘Paris Is Burning’ and trans as artform and necessary expression

With trans visibility top of mind in the age of DEIs and today’s broader-minded broadcast audience, Cream takes a look at the films that celebrated androgyny and diversity way back when most of us were just kids.

Rohan Stephens delves into the flamboyant documentary Paris is Burning, the film that put the lens on the New York Ball scene of the mid-1980s.

While predominantly glamorous on the surface, the documentary is also a rather serious study of the reality of what it means to be a gay and/or trans living in New City and, by default, anywhere in the world.

PARIS IS BURNING, 1990. Dir., Jennie Livingston.

What is it?

It began life as a documentary; a photographic exploration into a subculture of queer Black and Latino groups, heavily marginalised by modern America but still finding the energy and strength to express their dreams and aspirations through fashion and performance. It was a peek into another world, operating beneath the day-to-day hum of New York City in the late 1980s that showed us that creativity and freedom of expression can still flourish under social oppression. But what it turned into was something else entirely.

According to director Jennie Livingston, she began by simply photographing the New York Ball scene in the mid-’80s but, after raising funding for a more significant project, she was able to commence filming what would soon become the documentary Paris is Burning which, as it stands now, is one of the few comprehensive and surviving resources the world has on this important period in time.

Paris is Burning follows the lives of several prominent members of the scene which include Angie Xtravaganza, Venus Xtravaganza, Dorian Corey, Paris Dupree, Peppa LaBeija and Willi Ninja and explores the all-consuming nature of Ball culture on their lives and the lives of others involved. We watch them all pull together the most lavish and glamorous of outfits on the most meagre of budgets and often no budget at all. We see them working, rushing through the streets of the city, late at night – so late it’s early – earning a living but still finding time to compete. We see them sweating in the stuffy, smoke filled halls, but still composed and focused, participating fully in the fantasy of what it means to be able to dress up and embody the image of their dreams. We see them strutting down the hardwood floors through the crowds of other participants. We see competitors, aligned with their various ‘Houses’ demarcated by their chosen names (like Xtravaganza and LaBeija), dressed to the nines, to partake in categories that have them compete for the best Butch Queen, Femme Queen, Women’s Vogue or Body.

Enjoy ‘Paris is Burning’ for all its flamboyance and camp … but don’t let their struggle for acceptance, tolerance and visibility get lost behind the sequins.

For those watching for the first time, you will begin to see and hear the origins of what has now become mainstay phrases and behaviour in contemporary drag culture. Ru Paul pays continuous homage to the film in his eponymous show through things like the ‘Reading’ challenges. Queens too young to even remember life before social media are sprouting classic lines from the film, screaming “Tens, tens, tenss across the board!” as they sashay through clubs. It’s testament to the powerfully enduring nature of Paris is Burning to be able to show generation after generation of queer kids the origins of aspects of their culture and the plight that pioneers of the scene had to endure for acceptance and tolerance.

There have also been delicious segments of pop culture inspired by the Ball scene including Malcolm McLaren’s stylish single Deep In Vogue, which sampled many of the more famous queens of the day (and which subsequently inspired Madonna’s single Vogue), and Ryan Murphy’s heavily stylised television series, Pose.

Why should I have already seen it?

There’s a hell of a lot to unpick here… Rarely has a documentary been able to spark such wide and ongoing debate not just about its subject matter but also the mere nature of its production as well. On one hand, we have a hugely entertaining film that showcases an incredibly vibrant and creative culture and whose narrative is at once both lavish and tragic. A film that has become a time capsule of information, of personal narratives and cultural histories where unfortunately there exists very little other documentation. But on the other hand, we have the issue of a white (albeit queer) director, standing behind a camera filming predominantly P.O.C as they go about the normalcy of their severely marginalised lives. It’s a hugely complex issue that anyone willing to partake in watching Paris is Burning should always keep at the forefront of their mind. Behind the handbags and heels, behind the outfits and choreography, there also runs a steady and very serious subtext of the reality of what it means to be a gay and/or trans P.O.C living in New City and, by default, anywhere in the world, in the mid-1980s.

The stunning visuals of the participants twirling, and dancing down makeshift catwalks are punctuated with stories of discrimination, intolerance, violence and, tragically, even death of members of the scene featured in the film.

Enjoy Paris is Burning for all its flamboyance and camp; laugh along with the contestants as they heap shade onto one another and cheer them on when they win. Be amazed by their outfits and graceful movements and listen to their humble wisdom on life, love and family, but don’t let their struggle for acceptance, tolerance and visibility get lost behind the sequins.

For a closeup view of the trans scene of the 1980s, check out Ryan Murphy’s stream TV series, Pose, which reminds us that way before Madonna vogued, there was this:

RTRFM | 80s and 90s Alternative Music Special | Presented by Antonino Tati & Simone Harle

‘The Vinyl Factory: Reverb’ is a multi-sensory experience delving into vinyl culture across music, fashion, art and the social realms

Get more artistry out of your movie streaming through MUBI

Five good reasons to enjoy the new horror parody reboot of ‘Scary Movie’

How Director Boots Riley Brought I Love Boosters from Big Idea to the Big Screen
-
Boots Riley talks about how he and his team made #ILoveBoosters. Specifically designing sets and costumes. Introducing more color. And what anamorphic lenses bring. Told in a very Boots way of doing it.

Great for film geeks.

https://m.youtube.com/watch?v=wnXd6dONOOo&pp=ygUbYm9vdHMgcmlsZXkgaSBsb3ZlIGJvb3N0ZXJz

#Film #movies #Filmmaking #FilmStudies

Latest publication:

An entry into Live Handbook Environmental Humanities edited by Evi Zemanek and Timo Müller, entitled "Environmental Film and Television." Open access.

:mastodance: :hc: :OpenAccess:
#EnvironmentalHumanities #EnvHum #FilmStudies #TelevisionStudies #AcademicPublishing

https://link.springer.com/rwe/10.1007/978-3-662-70886-6_15-1

https://www.europesays.com/ch/74138/ Lawrence University graduate dies in Italian Alps hiking incident #AlexanderPatrickStanger #Alps #FilmStudies #GermanStudies #graduate #IntellectualCuriosity #ItalianAlps #LawrenceUniversity

🔍 Der Beitrag basiert auf einer qualitativen Filmanalyse zu KI-Narrativen in lateinamerikanischen Filmen.
Auffällig ist z. B. eine im Vergleich zu Global-North-Filmen geringere #Anthropomorphisierung und Zuschreibung von #Agency zu #KI
Stattdessen stehen soziotechnologische Probleme im Fokus. Es zeigen sich häufig dystopische Motive: KI als Instrument von Unterdrückung sowie zur Reproduktion kolonialer Strukturen.

#GlobalSouth #filmstudies #film #ai #popularculture

The 1st #GAPS keynote, by Leila Neti, was a lively & fascinating insight into attempts at aestheticisation and/or critique of war & colonial violence in traditions traced back to 19th c #EnglishLiterature - from Trump's "banger memes" to recent #IndianFilm #RRR

#PostcolonialStudies #FilmStudies

🌍 Happy Arab American Heritage Month! As we honor the culture, heritage and history of the diverse peoples of the Arab world, we're highlighting Wadjda, the debut film from Saudi writer-director Haifaa al-Mansour!

This delightful narrative film about a young Saudi girl who desperately wants a bicycle was the first feature film shot entirely in Saudi Arabia and the first feature-length film made by a female Saudi director.

Our Wadjda Curriculum Guide for grades 6-12 features a lesson plan about director Haifaa al-Mansour and her pioneering film achievement! The curriculum guide also introduces students to Saudi Arabia and Islam, and provides a great starting point for discussing gender equality.

Learn where to watch this wonderful film and get free lesson plans! 👇

https://journeysinfilm.org/film/wadjda/?utm_source=Mastodon&utm_medium=Social+Media&utm_campaign=wadjda&utm_id=Arab+American+Heritage+Month&utm_content=link

#Movies #Education #Homeschooling #Wadjda #HaifaaAlMansour #ArabAmericanHeritageMonth #AAHM #SaudiArabia #GenderEquity #Islam #WorldReligions #FilmStudies #FilmHistory #WomenInFilm #MENA

✍️ The call for papers is now open for the special issue “Utopias and dystopias in cinema: Metropolis (2027), one hundred years later” of Aniki, Revista Portuguesa da Imagem em Movimento. Proposals must be submitted by 31 July.

👉 https://ihc.fcsh.unl.pt/en/call-aniki-2026-02/

#Histodons #Cinema #FilmStudies #Metropolis #CallForPapers

Esta tarde, há Oficina de História e Imagem na livraria Tigre de Papel (Lisboa). @paulaalbuquerque vai apresentar "'Becoming Opaque' — A opacidade como resistência ao estereótipo fílmico".

ENTRADA LIVRE

ℹ️ https://ihc.fcsh.unl.pt/events/ohi-2026-01/

#Histodons #CulturalStudies #FilmStudies #EstudosFílmicos #EstudosCulturais #Cinema #Colonialismo #Colonialism

🆕 The film installation 'Becoming Opaque', by @paulaalbuquerque, is one of the works featured in the exhibition 'Eye(s) Open. New Perspectives on Colonial Film Heritage', that opened at the Eye Filmuseum in Amsterdam.

👉 https://ihc.fcsh.unl.pt/en/paula-albuquerque-amsterdam/

#Histodons #FilmStudies #Colonialism #CulturalStudies #EstudosFílmicos #EstudosCulturais #Cinema #Colonialismo #Arts #Arte

Another book for #ICBD #InternationalChildrensBookDay is this essay collection edited by Dominic J. Nardi & Keli Fancher on #Japan 's #StudioGhibli as #adaptations of children's books such as "Howl's Moving Castle", "Earthsea", "Anne of Green Gables" & more

#AdaptationStudies #FilmStudies

🆒 A Oficina de História e Imagem do IHC vai regressar em Abril, com a sessão "'Becoming Opaque' — A opacidade como resistência ao estereótipo fílmico". O anfitrião será a Tigre de Papel e a oradora a nossa @paulaalbuquerque

ENTRADA LIVRE

ℹ️ https://ihc.fcsh.unl.pt/events/ohi-2026-01/

#Histodons #CulturalStudies #FilmStudies #HistóriaEImagem #EstudosFílmicos #EstudosCulturais #Cinema #Colonialismo #Colonialism

#AcademicJob | #PostDoc

British Academy Postdoctoral Fellowship (EOI)

📍University of Aberdeen, UK

EOI for British Academy Postdoctoral Fellowships (2026–27). Open to early career researchers (PhD awarded 2024–2027) in #music, #film #visualculture, #folklore, and #ethnology, including interdisciplinary projects.

Deadline: 08/06/2026

https://www.thebritishacademy.ac.uk/funding/schemes/postdoctoral-fellowships/

#Musicology #FilmStudies #Ethnomusicology

#AcademicJob

Lecturer / Senior Lecturer in Film Studies (Performing Arts)

📍Université Grenoble Alpes, France

Teaching across BA and MA programmes in Performing Arts with a focus on film studies, combining theoretical and practical training (filmmaking, editing, sound, screenwriting).

https://academicpositions.com/ad/universite-grenoble-alpes/2026/senior-lecturer-filmmaking-practices/245852
https://euraxess.ec.europa.eu

#FilmStudies #PerformingArts #CinemaStudies #HigherEducation #VisualCulture

Like many military-themed films, the films Top Gun, Transformers and several of the Marvel films were supported by the U.S. Department of Defense. But this support comes at a price: Producers need to follow several rules when working with the DoD on a film project, and the Pentagon censors various topics.

Laura Herges demonstrates how one such topic, homosexuality, has been suppressed by both the film industry and DoD regulations for several decades 👇

https://hcagrads.hypotheses.org/6765

#FilmStudies

Book 3), "Toxic Nostalgia on Screen" is an essay collection ed. by Simon Bacon on how the past haunts and feeds on us. 21st c #popculture & #Gothic / #Horror examples illustrate the toxic "undead memory"

#CulturalStudies #MemoryStudies #FilmStudies #LiteraryStudies

Interregnum interviews Dr Jacob Engelberg on his new book, Cinemas of Bisexual Transgression. The book argues that the way we look at queer film centres the gay/straight binary and considers what happens when bisexuality breaks the rules.

https://interregnum.ghost.io/the-dangerous-thrill-of-destabilisation-interview-with-dr-jacob-engelberg-on-cinemas-of-bisexual-transgression/

#bisexual #queer #bi #film #bisexualrepresentation #birepresentation #cinema #transgression #kino #filmstudies #queerfilm #queerfilms #LGBT #womeninfilm #representation #interview #academic #media #indiemedia #indiefilm #avantgarde

📖 @paulaalbuquerque is the author of the chapter ‘Glitching Colonial Film Archives Digital File Manipulation and Ecological Analogue Processing as Decolonial Anarchival Strategies,’ included in the book 'Slow Technology Reader', edited by Carolyn F. Strauss.

👉 https://valiz.nl/en/publications/slow-technology-reader

#Histodons #FilmArchives #Anarchive #Colonialism #ColonialFilms #Cinema #Arquivos #Colonialism #FilmStudies

#newissue 44 & 45 of #CinémaetCie, #film and #mediastudies journal

Where volume 45 depicts another #HistoryOfCinema beyond the supposed hegemony of #Hollywood, volume 44 analyzes #DecolonialPractices in #WorldCinema, such as that of #Palestine, #Uruguay, and #Cameroon.

⬇️ Available here in #OpenAccess: https://riviste.unimi.it/index.php/cinemaetcie/issue/archive?mtm_campaign=mastodon

@cultura #filmstudies #movies #culture

Watching Sam Raimi's "A Simple Plan" (1998), in which I spotted Chekhov's Rotary-Dial Landline Telephone before it played its obviously necessary role.
#FilmStudies #cinema #Chekhov

#CFP

Studies in Musical Theatre – Special Issue: Wicked & Wicked: For Good

Interdisciplinary perspectives on the films Wicked (2024) and Wicked: For Good (2025), including music, performance, media, politics, fandom, adaptation, and aesthetics.

Deadline: 01/06/2026

https://www.intellectbooks.com/studies-in-musical-theatre#call-for-papers

#MusicalTheatre #FilmStudies #PerformanceStudies #Musicology

First pub this year, an article in the Live Handbook Environmental Humanities. Open access book with some excellent chapters already posted (plus mine LoL).
#EnvHum #FilmStudies #TelevisionStudies
:mastodance: :hc: :OpenAccess: :blobcatdance:

https://doi.org/10.1007/978-3-662-70886-6_15-1

Prestamos a nossa homenagem a João Canijo (1957-2026) partilhando o livro "Uma dramaturgia da violência: os filmes de João Canijo", de Daniel Ribas, publicado pela Imprensa de História Contemporânea em 2019:

https://imprensa.ihc.fcsh.unl.pt/ribasd2019/

#InMemoriam #PortugueseCinema #JoãoCanijo #FilmStudies #Cinema #OpenAcess #AcessoAberto #CinemaPortuguês #EstudosFílmicos

Jessica Alba and Cash Warren’s Daughter Honor, 17, Set to Attend Yale University — Her Dad’s Alma Mater — After High School

NEED TO KNOW Jessica Alba’s daughter will attend Yale University next year The 17-year-old’s high school shared a…
#NewsBeep #News #Celebrities #CA #Canada #CashWarren #CrossroadsSchool #Entertainment #FilmStudies #HonorWarren #Instagramcaption #JessicaAlba #postonInstagram #YaleUniversity
https://www.newsbeep.com/ca/378191/

In May and June of 2025, Giulia Champion and I ran an online seminar seres titled Living With Water. This was an extraordinary international coming together of over seventy speakers from across disciplines. I am finally uploading the videos of these talks (where we have permission). Please enjoy (more still to come) https://livingwithwater.hcommons.org/recordings/ #water #research #history #arts #science #FilmStudies #anthropology #architecture #geography #literature #environment #EnvHums #EnvironmentalHistory

If you're intrigued by Guillermo del Toro's #Frankenstein then check out this essay collection, edited by Robert I. Lublin & Elizabeth A. Fay on the afterlives of #MaryShelley 's creation in film, #PopularCulture & other #adaptations

#AdaptationStudies #FilmStudies #LiteraryStudies #CulturalStudies

Today #December5 marks the birthday of famed Austrian-American director #FritzLang 🎥

In Enthymema, you can read about the role of sound as a narrative device in his films, in an analysis by Nikita Samsonov of the University of Vienna

⬇️ Available in open access here: https://riviste.unimi.it/index.php/enthymema/article/view/24682?mtm_campaign=mastodon

#cinema #filmstudies

On this day in Film History: Schindler's List made its world premier in 1993!

Teach Holocaust Education and World War II history with this powerful Academy Award winning film. Get our new improved curriculum guide with teaching tips and classroom-ready lesson plans, featuring an updated Antisemitism lesson.

For film fans and film students, we want to point out that this guide also explores Steven Spielberg's filmmaking and the making of the film, with behind-the-scenes stories and insights.

Learn more about teaching with Schindler's List and our Holocaust Education resource collection:

https://journeysinfilm.org/holocaust-education-resources-new-at-journeys-in-film/?utm_source=Mastodon&utm_medium=Social+Media&utm_campaign=SL+anniversary&utm_content=Link

@histodons

#OnThisDay #OTD #Education #Edutooters #Homeschooling #HolocaustEducation #Holocaust #Histodons #History #FilmStudies #FilmHistory #FilmLiteracy #Movies #WWII #SchindlersList #StevenSpielberg #FilmLiteracy

Am Welttag des audiovisuellen Erbes verlosen wir unter allen, die diesen Post heute boosten, ein Exemplar von #WerkstattGeschichte 69/2015 »anti/koloniale filme«; im Thementeil, hg. v. Jürgen Dinkel & Dirk van Laak, u.a. Beiträge v. @kainowak & @chrkalter:

▶ https://werkstattgeschichte.de/alle_ausgaben/antikoloniale-filme

@histodons

#histodons #Film #movies #Kino #Cinema #Filmgeschichte #FilmHistory #Cinemastodon #VisualHistory #FilmStudies #AudiovisuellesErbe #AudiovisualHeritage #WorldDayForAudiovisualHeritage

Die Onlineplattform filmportal.de ist die zentrale öffentliche Ressource zum deutschen Filmerbe und wird vom DFF – Deutsches Filminstitut & Filmmuseum betrieben – David Kleingers war von Beginn an ihrer Entwicklung beteiligt. In diesem Interview gibt er einen umfassenden Einblick in die Entstehung und Funktionsweise der Plattform.

Zum Interview: https://doi.org/10.5281/zenodo.17234420

Das Portal: https://www.filmportal.de/

#DigitalFilmHistory #DFF #DH #Databases #DataPractices #EN15907 #Standards #FilmStudies