#convocation — Public Fediverse posts

Convocation AGO 2026

https://https-vd.ch/2026/04/07/convocation-ago-2026/

Convocation AGO 2026

https://https-vd.ch/2026/04/07/convocation-ago-2026/

Convocation AGO 2026

https://https-vd.ch/2026/04/07/convocation-ago-2026/

Convocation AGO 2026

https://https-vd.ch/2026/04/07/convocation-ago-2026/

Convocation AGO 2026

https://https-vd.ch/2026/04/07/convocation-ago-2026/

https://www.europesays.com/uk/824268/ In Ruins – We Are All to Perish Review #2026 #30 #Ahab #convocation #DeathDoom #DoomMetal #Entertainment #EyeOfSolitude #Frayle #FuneralDoom #InRuins #Mar26 #MeuseMusicRecords #music #Review #Reviews #RomanianMetal #slow #UK #UN #UnitedKingdom #WeAreAllToPerish #WoebegoneObscured

I think most people who meet me, either online or in meatspace, would not imagine I enjoy a genre like funeral doom. Yet, it is one of my favorites. Acts like Eye of Solitude, Convocation, Slow, Un, and Ahab rank among my top choices for the space, and Romania’s In Ruins caught my ear by treading a similar path. A duo established in 2021, with mastermind Urmuz previously engaged with a spectrum of black metal, grindcore, and death/doom acts, In Ruins prepared a tight 42-minute opus as their opening salvo into fundoom territory. We Are All to Perish, but will we remember the journey that In Ruins led to that final destination?

With some funeral doom records, you get catharsis in the form of a few well-placed outbursts of violence interspersed between large swaths of misery. This is the philosophy Eye of Solitude and Convocation often adopt. Other applications of the style prioritize moods and crushing sorrow delivered at a dirge, a uniformly funereal pace that hypnotizes as much as it depresses. Enter the eulogies of Slow and Un. In Ruins embraces the latter methodology, lumbering as a husk emptied of light and of will. It is a deeply affecting emotional foundation upon which to build, and In Ruins build upon it well. Riffs crush and linger, simple and thunderous, but here they are not the hero element. Melody and atmosphere take a higher rank, though they too dilute into a more simplified, pure state that maximizes potency while stripping away musical complexity. It is entrancing as only funeral doom records can be, and its smart writing boasts all of the natural components for a successful procession.

In Ruins – We Are All to Perish | MMR069 by In Ruins

A common element that distinguishes good and great funeral doom records from inferior specimens is a showstopper track. Slow famously invites comparison here with their incredible “Incendiare,” Eye of Solitude with “Act II: Where the Descent Began,” Convocation with “Atychiphobia,” Woebegone Obscured with “Drømmefald.” In Ruins achieves it with closer “Farewell,” and does so in the most deceptively simple way. By launching the track with excellent SWANA1-inspired melisma, and reinforcing those deep vocalizations later against mournful bells, In Ruins makes an indelible mark on my fundoom rotation. It’s slow and plodding through its first act, enacting yet another favorite motif: the two-chord riff (see Slow’s “Lueur” for a stellar example of this tactic). In its second, a weeping melody, isolated against droning choral synths and Frayle-esque backing siren song until the album’s dying rattle. It is breathtaking and morose in equal measure, but more than that, it inspires repeat spins for the express purpose of experiencing the excursion that led to this climax with greater anticipation and attention.

This, in turn, invigorates and contextualizes the songwriting of the preceding three tracks. At first, they go through all the right motions of a proper funeral doom experience, but without a strong sense of memorability to leave a lasting impression. But after the first spin, I noticed the clarity of “I’m Tired of Living in My Land” offered by its candid, unpretentious lyrics. I understood the emptiness and the apathy that colors “I Do Not Regret and I Do Not Shed Tears” in a monochrome, dull gray. Compositional foreshadowing felt more meaningful when “We’ll Depart This World for Ever, Surely” sets me up for “Farewell” once more. In this way, In Ruins crafted a record that requires repeat spins to fully appreciate, forging a double edged sword. On one side, each of the first three songs on their own still lacks the same power of the closer despite gaining substance with time. On the other hand, treated as a single unit, We Are All to Perish is a wholly successful and worthy entry into the pantheon of funeral doom.

As a competitor to the standout entities of the funeral field, In Ruins stake a viable claim with We Are All to Perish. To push further into that space and stand out, they’ll need to make each and every track—especially if there are as few as four, like so here—unforgettable in some meaningful way. “Farewell” is a great song, and features elements and ideas that, if capitalized on in future records, might guarantee In Ruins a wider audience and greater acclaim. Until then, rest easy knowing that while We Are All to Perish, we can at least enjoy the path that leads to the end.

Rating: Good!
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Meuse Music Records
Websites: inruins13.bandcamp.com | facebook.com/InRuins.ro
Releases Worldwide: March 13th, 2026

Show 1 footnote

1. Southwest Asian and North African. ↩

I think most people who meet me, either online or in meatspace, would not imagine I enjoy a genre like funeral doom. Yet, it is one of my favorites. Acts like Eye of Solitude, Convocation, Slow, Un, and Ahab rank among my top choices for the space, and Romania’s In Ruins caught my ear by treading a similar path. A duo established in 2021, with mastermind Urmuz previously engaged with a spectrum of black metal, grindcore, and death/doom acts, In Ruins prepared a tight 42-minute opus as their opening salvo into fundoom territory. We Are All to Perish, but will we remember the journey that In Ruins led to that final destination?

With some funeral doom records, you get catharsis in the form of a few well-placed outbursts of violence interspersed between large swaths of misery. This is the philosophy Eye of Solitude and Convocation often adopt. Other applications of the style prioritize moods and crushing sorrow delivered at a dirge, a uniformly funereal pace that hypnotizes as much as it depresses. Enter the eulogies of Slow and Un. In Ruins embraces the latter methodology, lumbering as a husk emptied of light and of will. It is a deeply affecting emotional foundation upon which to build, and In Ruins build upon it well. Riffs crush and linger, simple and thunderous, but here they are not the hero element. Melody and atmosphere take a higher rank, though they too dilute into a more simplified, pure state that maximizes potency while stripping away musical complexity. It is entrancing as only funeral doom records can be, and its smart writing boasts all of the natural components for a successful procession.

In Ruins – We Are All to Perish | MMR069 by In Ruins

A common element that distinguishes good and great funeral doom records from inferior specimens is a showstopper track. Slow famously invites comparison here with their incredible “Incendiare,” Eye of Solitude with “Act II: Where the Descent Began,” Convocation with “Atychiphobia,” Woebegone Obscured with “Drømmefald.” In Ruins achieves it with closer “Farewell,” and does so in the most deceptively simple way. By launching the track with excellent SWANA1-inspired melisma, and reinforcing those deep vocalizations later against mournful bells, In Ruins makes an indelible mark on my fundoom rotation. It’s slow and plodding through its first act, enacting yet another favorite motif: the two-chord riff (see Slow’s “Lueur” for a stellar example of this tactic). In its second, a weeping melody, isolated against droning choral synths and Frayle-esque backing siren song until the album’s dying rattle. It is breathtaking and morose in equal measure, but more than that, it inspires repeat spins for the express purpose of experiencing the excursion that led to this climax with greater anticipation and attention.

This, in turn, invigorates and contextualizes the songwriting of the preceding three tracks. At first, they go through all the right motions of a proper funeral doom experience, but without a strong sense of memorability to leave a lasting impression. But after the first spin, I noticed the clarity of “I’m Tired of Living in My Land” offered by its candid, unpretentious lyrics. I understood the emptiness and the apathy that colors “I Do Not Regret and I Do Not Shed Tears” in a monochrome, dull gray. Compositional foreshadowing felt more meaningful when “We’ll Depart This World for Ever, Surely” sets me up for “Farewell” once more. In this way, In Ruins crafted a record that requires repeat spins to fully appreciate, forging a double edged sword. On one side, each of the first three songs on their own still lacks the same power of the closer despite gaining substance with time. On the other hand, treated as a single unit, We Are All to Perish is a wholly successful and worthy entry into the pantheon of funeral doom.

As a competitor to the standout entities of the funeral field, In Ruins stake a viable claim with We Are All to Perish. To push further into that space and stand out, they’ll need to make each and every track—especially if there are as few as four, like so here—unforgettable in some meaningful way. “Farewell” is a great song, and features elements and ideas that, if capitalized on in future records, might guarantee In Ruins a wider audience and greater acclaim. Until then, rest easy knowing that while We Are All to Perish, we can at least enjoy the path that leads to the end.

Rating: Good!
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Meuse Music Records
Websites: inruins13.bandcamp.com | facebook.com/InRuins.ro
Releases Worldwide: March 13th, 2026

I think most people who meet me, either online or in meatspace, would not imagine I enjoy a genre like funeral doom. Yet, it is one of my favorites. Acts like Eye of Solitude, Convocation, Slow, Un, and Ahab rank among my top choices for the space, and Romania’s In Ruins caught my ear by treading a similar path. A duo established in 2021, with mastermind Urmuz previously engaged with a spectrum of black metal, grindcore, and death/doom acts, In Ruins prepared a tight 42-minute opus as their opening salvo into fundoom territory. We Are All to Perish, but will we remember the journey that In Ruins led to that final destination?

With some funeral doom records, you get catharsis in the form of a few well-placed outbursts of violence interspersed between large swaths of misery. This is the philosophy Eye of Solitude and Convocation often adopt. Other applications of the style prioritize moods and crushing sorrow delivered at a dirge, a uniformly funereal pace that hypnotizes as much as it depresses. Enter the eulogies of Slow and Un. In Ruins embraces the latter methodology, lumbering as a husk emptied of light and of will. It is a deeply affecting emotional foundation upon which to build, and In Ruins build upon it well. Riffs crush and linger, simple and thunderous, but here they are not the hero element. Melody and atmosphere take a higher rank, though they too dilute into a more simplified, pure state that maximizes potency while stripping away musical complexity. It is entrancing as only funeral doom records can be, and its smart writing boasts all of the natural components for a successful procession.

In Ruins – We Are All to Perish | MMR069 by In Ruins

A common element that distinguishes good and great funeral doom records from inferior specimens is a showstopper track. Slow famously invites comparison here with their incredible “Incendiare,” Eye of Solitude with “Act II: Where the Descent Began,” Convocation with “Atychiphobia,” Woebegone Obscured with “Drømmefald.” In Ruins achieves it with closer “Farewell,” and does so in the most deceptively simple way. By launching the track with excellent SWANA1-inspired melisma, and reinforcing those deep vocalizations later against mournful bells, In Ruins makes an indelible mark on my fundoom rotation. It’s slow and plodding through its first act, enacting yet another favorite motif: the two-chord riff (see Slow’s “Lueur” for a stellar example of this tactic). In its second, a weeping melody, isolated against droning choral synths and Frayle-esque backing siren song until the album’s dying rattle. It is breathtaking and morose in equal measure, but more than that, it inspires repeat spins for the express purpose of experiencing the excursion that led to this climax with greater anticipation and attention.

This, in turn, invigorates and contextualizes the songwriting of the preceding three tracks. At first, they go through all the right motions of a proper funeral doom experience, but without a strong sense of memorability to leave a lasting impression. But after the first spin, I noticed the clarity of “I’m Tired of Living in My Land” offered by its candid, unpretentious lyrics. I understood the emptiness and the apathy that colors “I Do Not Regret and I Do Not Shed Tears” in a monochrome, dull gray. Compositional foreshadowing felt more meaningful when “We’ll Depart This World for Ever, Surely” sets me up for “Farewell” once more. In this way, In Ruins crafted a record that requires repeat spins to fully appreciate, forging a double edged sword. On one side, each of the first three songs on their own still lacks the same power of the closer despite gaining substance with time. On the other hand, treated as a single unit, We Are All to Perish is a wholly successful and worthy entry into the pantheon of funeral doom.

As a competitor to the standout entities of the funeral field, In Ruins stake a viable claim with We Are All to Perish. To push further into that space and stand out, they’ll need to make each and every track—especially if there are as few as four, like so here—unforgettable in some meaningful way. “Farewell” is a great song, and features elements and ideas that, if capitalized on in future records, might guarantee In Ruins a wider audience and greater acclaim. Until then, rest easy knowing that while We Are All to Perish, we can at least enjoy the path that leads to the end.

Rating: Good!
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Meuse Music Records
Websites: inruins13.bandcamp.com | facebook.com/InRuins.ro
Releases Worldwide: March 13th, 2026

I think most people who meet me, either online or in meatspace, would not imagine I enjoy a genre like funeral doom. Yet, it is one of my favorites. Acts like Eye of Solitude, Convocation, Slow, Un, and Ahab rank among my top choices for the space, and Romania’s In Ruins caught my ear by treading a similar path. A duo established in 2021, with mastermind Urmuz previously engaged with a spectrum of black metal, grindcore, and death/doom acts, In Ruins prepared a tight 42-minute opus as their opening salvo into fundoom territory. We Are All to Perish, but will we remember the journey that In Ruins led to that final destination?

With some funeral doom records, you get catharsis in the form of a few well-placed outbursts of violence interspersed between large swaths of misery. This is the philosophy Eye of Solitude and Convocation often adopt. Other applications of the style prioritize moods and crushing sorrow delivered at a dirge, a uniformly funereal pace that hypnotizes as much as it depresses. Enter the eulogies of Slow and Un. In Ruins embraces the latter methodology, lumbering as a husk emptied of light and of will. It is a deeply affecting emotional foundation upon which to build, and In Ruins build upon it well. Riffs crush and linger, simple and thunderous, but here they are not the hero element. Melody and atmosphere take a higher rank, though they too dilute into a more simplified, pure state that maximizes potency while stripping away musical complexity. It is entrancing as only funeral doom records can be, and its smart writing boasts all of the natural components for a successful procession.

In Ruins – We Are All to Perish | MMR069 by In Ruins

A common element that distinguishes good and great funeral doom records from inferior specimens is a showstopper track. Slow famously invites comparison here with their incredible “Incendiare,” Eye of Solitude with “Act II: Where the Descent Began,” Convocation with “Atychiphobia,” Woebegone Obscured with “Drømmefald.” In Ruins achieves it with closer “Farewell,” and does so in the most deceptively simple way. By launching the track with excellent SWANA1-inspired melisma, and reinforcing those deep vocalizations later against mournful bells, In Ruins makes an indelible mark on my fundoom rotation. It’s slow and plodding through its first act, enacting yet another favorite motif: the two-chord riff (see Slow’s “Lueur” for a stellar example of this tactic). In its second, a weeping melody, isolated against droning choral synths and Frayle-esque backing siren song until the album’s dying rattle. It is breathtaking and morose in equal measure, but more than that, it inspires repeat spins for the express purpose of experiencing the excursion that led to this climax with greater anticipation and attention.

This, in turn, invigorates and contextualizes the songwriting of the preceding three tracks. At first, they go through all the right motions of a proper funeral doom experience, but without a strong sense of memorability to leave a lasting impression. But after the first spin, I noticed the clarity of “I’m Tired of Living in My Land” offered by its candid, unpretentious lyrics. I understood the emptiness and the apathy that colors “I Do Not Regret and I Do Not Shed Tears” in a monochrome, dull gray. Compositional foreshadowing felt more meaningful when “We’ll Depart This World for Ever, Surely” sets me up for “Farewell” once more. In this way, In Ruins crafted a record that requires repeat spins to fully appreciate, forging a double edged sword. On one side, each of the first three songs on their own still lacks the same power of the closer despite gaining substance with time. On the other hand, treated as a single unit, We Are All to Perish is a wholly successful and worthy entry into the pantheon of funeral doom.

As a competitor to the standout entities of the funeral field, In Ruins stake a viable claim with We Are All to Perish. To push further into that space and stand out, they’ll need to make each and every track—especially if there are as few as four, like so here—unforgettable in some meaningful way. “Farewell” is a great song, and features elements and ideas that, if capitalized on in future records, might guarantee In Ruins a wider audience and greater acclaim. Until then, rest easy knowing that while We Are All to Perish, we can at least enjoy the path that leads to the end.

Rating: Good!
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Meuse Music Records
Websites: inruins13.bandcamp.com | facebook.com/InRuins.ro
Releases Worldwide: March 13th, 2026

I think most people who meet me, either online or in meatspace, would not imagine I enjoy a genre like funeral doom. Yet, it is one of my favorites. Acts like Eye of Solitude, Convocation, Slow, Un, and Ahab rank among my top choices for the space, and Romania’s In Ruins caught my ear by treading a similar path. A duo established in 2021, with mastermind Urmuz previously engaged with a spectrum of black metal, grindcore, and death/doom acts, In Ruins prepared a tight 42-minute opus as their opening salvo into fundoom territory. We Are All to Perish, but will we remember the journey that In Ruins led to that final destination?

With some funeral doom records, you get catharsis in the form of a few well-placed outbursts of violence interspersed between large swaths of misery. This is the philosophy Eye of Solitude and Convocation often adopt. Other applications of the style prioritize moods and crushing sorrow delivered at a dirge, a uniformly funereal pace that hypnotizes as much as it depresses. Enter the eulogies of Slow and Un. In Ruins embraces the latter methodology, lumbering as a husk emptied of light and of will. It is a deeply affecting emotional foundation upon which to build, and In Ruins build upon it well. Riffs crush and linger, simple and thunderous, but here they are not the hero element. Melody and atmosphere take a higher rank, though they too dilute into a more simplified, pure state that maximizes potency while stripping away musical complexity. It is entrancing as only funeral doom records can be, and its smart writing boasts all of the natural components for a successful procession.

In Ruins – We Are All to Perish | MMR069 by In Ruins

A common element that distinguishes good and great funeral doom records from inferior specimens is a showstopper track. Slow famously invites comparison here with their incredible “Incendiare,” Eye of Solitude with “Act II: Where the Descent Began,” Convocation with “Atychiphobia,” Woebegone Obscured with “Drømmefald.” In Ruins achieves it with closer “Farewell,” and does so in the most deceptively simple way. By launching the track with excellent SWANA1-inspired melisma, and reinforcing those deep vocalizations later against mournful bells, In Ruins makes an indelible mark on my fundoom rotation. It’s slow and plodding through its first act, enacting yet another favorite motif: the two-chord riff (see Slow’s “Lueur” for a stellar example of this tactic). In its second, a weeping melody, isolated against droning choral synths and Frayle-esque backing siren song until the album’s dying rattle. It is breathtaking and morose in equal measure, but more than that, it inspires repeat spins for the express purpose of experiencing the excursion that led to this climax with greater anticipation and attention.

This, in turn, invigorates and contextualizes the songwriting of the preceding three tracks. At first, they go through all the right motions of a proper funeral doom experience, but without a strong sense of memorability to leave a lasting impression. But after the first spin, I noticed the clarity of “I’m Tired of Living in My Land” offered by its candid, unpretentious lyrics. I understood the emptiness and the apathy that colors “I Do Not Regret and I Do Not Shed Tears” in a monochrome, dull gray. Compositional foreshadowing felt more meaningful when “We’ll Depart This World for Ever, Surely” sets me up for “Farewell” once more. In this way, In Ruins crafted a record that requires repeat spins to fully appreciate, forging a double edged sword. On one side, each of the first three songs on their own still lacks the same power of the closer despite gaining substance with time. On the other hand, treated as a single unit, We Are All to Perish is a wholly successful and worthy entry into the pantheon of funeral doom.

As a competitor to the standout entities of the funeral field, In Ruins stake a viable claim with We Are All to Perish. To push further into that space and stand out, they’ll need to make each and every track—especially if there are as few as four, like so here—unforgettable in some meaningful way. “Farewell” is a great song, and features elements and ideas that, if capitalized on in future records, might guarantee In Ruins a wider audience and greater acclaim. Until then, rest easy knowing that while We Are All to Perish, we can at least enjoy the path that leads to the end.

Rating: Good!
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Meuse Music Records
Websites: inruins13.bandcamp.com | facebook.com/InRuins.ro
Releases Worldwide: March 13th, 2026

Teni answers a fan who begged for a convocation suit in a blunt reply below Read reactions and join the discussion #ValidUpdates #Teni #fanreply #convocation #celebrity #socialmedia #handouts #reaction

https://validupdates.com/2025/11/teni-replies-to-fan-asking-for-convocation-suit/

Teni answers a fan who begged for a convocation suit in a blunt reply below Read reactions and join the discussion #ValidUpdates #Teni #fanreply #convocation #celebrity #socialmedia #handouts #reaction

https://validupdates.com/2025/11/teni-replies-to-fan-asking-for-convocation-suit/

Teni answers a fan who begged for a convocation suit in a blunt reply below Read reactions and join the discussion #ValidUpdates #Teni #fanreply #convocation #celebrity #socialmedia #handouts #reaction

https://validupdates.com/2025/11/teni-replies-to-fan-asking-for-convocation-suit/

Teni answers a fan who begged for a convocation suit in a blunt reply below Read reactions and join the discussion #ValidUpdates #Teni #fanreply #convocation #celebrity #socialmedia #handouts #reaction

https://validupdates.com/2025/11/teni-replies-to-fan-asking-for-convocation-suit/

Teni answers a fan who begged for a convocation suit in a blunt reply below Read reactions and join the discussion #ValidUpdates #Teni #fanreply #convocation #celebrity #socialmedia #handouts #reaction

https://validupdates.com/2025/11/teni-replies-to-fan-asking-for-convocation-suit/

Teni replies to fan asking for convocation suit

Key Points

• Teni replied to a fan who asked for help. She used a short blunt line on social media.

• The fan said convocation was the next day without a suit. Followers shared mixed reactions to Teni’s reply across feeds.

• Teni’s past handout rules made the reply a talking point. Some readers praised her tough love and clear boundary.

Teni (Teniola Apata) replied sharply after a fan asked her for money for a convocation suit on social media.

The exchange began when the fan posted a short plea about needing a suit for a graduation the next day. The singer answered with a blunt line that quickly spread across timelines.

The fan wrote that the convocation was the next day and that they had no suit to wear. Teni’s reply used plain Pidgin speech and left little room for debate. Read our earlier report on how Teni set limits on her giving in public. Teni ends Friday cash gifts

What the exchange looked like

The fan asked followers for urgent help to buy a suit. Teni then replied with the line that many quoted on reposts. The post drew swift reaction from other users who weighed in loudly.

Teni has spoken before about when and how she gives money to fans and strangers. That past stance shaped how some readers read her reply in this case. The debate moved from tone to the larger topic of public handouts.

Why some readers defended her

Some fans said the reply showed clear limits and firm boundaries. They argued that blunt answers can teach people to plan ahead. Others said a softer line would better match a public figure’s role.

Still other users felt the reply was too cold for a fan in need. They said a short gift could change one day’s life for the asker. The thread split with both sides giving simple reasons for their views.

Teni’s public comments on giving have trended before and shaped fan talk. Her choice to change rules for giving on certain days sparked wide discussion. Social feeds often return to such short exchanges to debate public help and celebrity duty.

Teni continues to post candid clips and posts to her accounts and her fans watch closely. The convocation reply may stay in timelines as another example of her blunt online voice. Readers expect more short videos and posts from her in the weeks ahead.

#celebrity #convocation #entertainment #fanReactions #music #socialMedia #teni #validupdates

U of A to honour biology grad for breakthrough in treating cystic fibrosis

A biomedical innovator and University of Alberta graduate whose breakthrough in treating cystic fibrosis has given tens of…
#NewsBeep #News #Health #AU #Australia #convocation #cysticfibrosis #FredVanGoor #honorarydegrees #NizarSomji #trikafta #ualberta25
https://www.newsbeep.com/au/165644/

Northeastern Freshmen Welcomed at London’s O2 Convocation

LONDON — Scott Wildman, executive principal and dean of Northeastern University in London, had some words of wisdom…
#London #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #Britain #convocation #faculty #GreatBritain #london #northeasternuniversity-london #Students
https://www.europesays.com/uk/398069/

https://www.europesays.com/uk/398069/ Northeastern Freshmen Welcomed at London’s O2 Convocation #Britain #convocation #England #faculty #GreatBritain #london #NortheasternUniversityLondon #Students #UK #UnitedKingdom

So excited about speaking at the #NCSSM #Convocation from the Morganton campus later today and sharing my thoughts about the start of this academic year!

#Convocation talks are boring 😭

« Tu sais ce qui lui est arrivé, à ma voisine ?
– Euh… non…
– On lui a sucré le #RSA, pendant trois mois. Elle n’avait que ça, pour vivre. Et pourquoi ?
– …
– Parce qu’elle n’a pas été à une convocation. Sauf que la lettre pour cette #convocation, elle ne l’a jamais reçue ! Et bien sûr c’était à elle de le prouver. Sauf que c’est impossible de prouver qu’on n’a pas reçu quelque chose qu’on n’a pas reçu ! Pendant trois mois, elle a été à la Banque alimentaire, aux #Restosducœur. Tout ça, c’est un temps où elle n’était pas disponible pour chercher un #emploi : elle était occupée à survivre. Et puis, faute de pouvoir payer le loyer, elle a été expulsée de son logement…

#Fakir #misère #pauvreté #survie #travailsocial

Alhamdulillah, My Graduation Walk from the Audience Angle. One of my brothers shoots this, which i didn't know. He told me today and sent me this memorable moment of mine.
#Graduation2024 #UEA #NewBeginnings #ProudGraduate #UniversityOfEastAnglia #norwich #norwichbusiness #convocation #unitedkingdom #england #memories
#universitylife #universitygraduation #universitystudent #Bangladesh #Bangladeshstudents

A #valedictorian's speech for #medicine #grads at #University of #Manitoba that addressed the war in #Gaza is spurring reactions beyond the #convocation hall, as some students and faculty disagree on whether the message was fit for the moment.

Dr. Gem Newman delivered the 10-minute speech during a convocation ceremony for the #MaxRadyCollege of Medicine at the university's Bannatyne campus.

https://www.cbc.ca/amp/1.7209129

#StudentSpring #FutureLeaders #humanitarian #Canadian

A #valedictorian's speech for #medicine #grads at #University of #Manitoba that addressed the war in #Gaza is spurring reactions beyond the #convocation hall, as some students and faculty disagree on whether the message was fit for the moment.

Dr. Gem Newman delivered the 10-minute speech during a convocation ceremony for the #MaxRadyCollege of Medicine at the university's Bannatyne campus.

https://www.cbc.ca/amp/1.7209129

#StudentSpring #FutureLeaders #humanitarian #Canadian

A #valedictorian's speech for #medicine #grads at #University of #Manitoba that addressed the war in #Gaza is spurring reactions beyond the #convocation hall, as some students and faculty disagree on whether the message was fit for the moment.

Dr. Gem Newman delivered the 10-minute speech during a convocation ceremony for the #MaxRadyCollege of Medicine at the university's Bannatyne campus.

https://www.cbc.ca/amp/1.7209129

#StudentSpring #FutureLeaders #humanitarian #Canadian

A #valedictorian's speech for #medicine #grads at #University of #Manitoba that addressed the war in #Gaza is spurring reactions beyond the #convocation hall, as some students and faculty disagree on whether the message was fit for the moment.

Dr. Gem Newman delivered the 10-minute speech during a convocation ceremony for the #MaxRadyCollege of Medicine at the university's Bannatyne campus.

https://www.cbc.ca/amp/1.7209129

#StudentSpring #FutureLeaders #humanitarian #Canadian

To start @Kitty's #MittwochMetalMix:

Orphean Passage: Keket

https://song.link/nfskwmr9nqdbg

#DeathMetal #DoomMetal #MeloDeath

FFO #AdNihilum #Convocation #NamelesGods

We have entered 4th Industrial Revolution: President Murmu.

https://aliyesha.com/sub/articles/news/display/hp_entered_4th_industrial_revolution_president

#himachal #dharamshala #india #news #press #convocation #university #centraluniversity #college #students #youth #education #president #presidentofindia #ai #artificialintelligence #ml #machinelearning #openbookexam

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Central University Himachal is going to celebrate seventh convocation ceremony.

https://aliyesha.com/sub/articles/news/display/hp_central_university_seventh_convocation

#himachal #dharamshala #india #news #press #convocation #university #centraluniversity #college #students #youth #education #phd #masters #bachelors #president #presidentofindia

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Central University Himachal is going to celebrate seventh convocation ceremony.

https://aliyesha.com/sub/articles/news/display/hp_central_university_seventh_convocation

#himachal #dharamshala #india #news #press #convocation #university #centraluniversity #college #students #youth #education #phd #masters #bachelors #president #presidentofindia

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Central University Himachal is going to celebrate seventh convocation ceremony.

https://aliyesha.com/sub/articles/news/display/hp_central_university_seventh_convocation

#himachal #dharamshala #india #news #press #convocation #university #centraluniversity #college #students #youth #education #phd #masters #bachelors #president #presidentofindia

Enjoy tracker free news reading with us. #privacy #privacymatters

Central University Himachal is going to celebrate seventh convocation ceremony.

https://aliyesha.com/sub/articles/news/display/hp_central_university_seventh_convocation

#himachal #dharamshala #india #news #press #convocation #university #centraluniversity #college #students #youth #education #phd #masters #bachelors #president #presidentofindia

Enjoy tracker free news reading with us. #privacy #privacymatters

महिला अधिकारियों के देख हर्षित हो उठी राष्ट्रपति मुर्मू।

https://aliyesha.com/sub/articles/news/display/uk_convocation_indira_gandhi_forest_academy

#uttarakhand #dehradun #india #press #news #forest #education #college #convocation #president #DroupadiMurmu #presidentofindia #forestdepartment #forestry

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#news from #india

MLA Pathania participated in the convocation ceremony of ITI Shahpur.

https://aliyesha.com/sub/articles/news/display/hp_mla_pathania_iti_shahpur

#himachal #himachalpradesh #dharamshala #employment #iti #convocation #college #education

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#news from #india

MLA Pathania participated in the convocation ceremony of ITI Shahpur.

https://aliyesha.com/sub/articles/news/display/hp_mla_pathania_iti_shahpur

#himachal #himachalpradesh #dharamshala #employment #iti #convocation #college #education

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Ah ben voilà, on me dit ça sur twitter : apparemment les campagnes de radiations pour absence sont bien en route !

#poleemploi #rsa #rua #rendezvous #radiations #convocation

Une copine vient de me dire qu'elle s'est fait convoquer à un rendez-vous pôle emploi par lettre qui prend ~8 jrs*, le 31 août, pr un rdv le 6 septembre !

ATTENTION A VOUS CAMARADES, apparemment pôle-emploi reprend les bonnes vieilles méthodes pour radier en masse.

N'oubliez pas : pour être radié ils doivent vous avoir envoyé un recommandé, contestez avoir reçu la lettre à temps et normalement ils n'ont pas le droit de vous radier pour ça !
#RSA #Emploi #poleemploi #convocation #rendez-vous

दीक्षांत समारोह ऋषिकेश : मील का पत्थर साबित हुआ एम्स ऋषिकेश।

https://aliyesha.com/sub/articles/news/display/uk_convocation_aiims_medical_rishikesh

#uttarakhand #dehradun #rishikesh #india #press #news #medical #medicalscience #science #medicine #education #college #aims #convocation #president #DroupadiMurmu #presidentofindia

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District #Convocation day. This will be my 32nd. Can I just say … whew … this shit gets old fast. I thought that after my first.

#teacherlife