#alto-saxophone — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #alto-saxophone, aggregated by home.social.
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Resetting my mood with some drifting alto work on the patio. Fitting it into the breeze, the sunny afternoon.
Better now.
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Resetting my mood with some drifting alto work on the patio. Fitting it into the breeze, the sunny afternoon.
Better now.
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Resetting my mood with some drifting alto work on the patio. Fitting it into the breeze, the sunny afternoon.
Better now.
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Resetting my mood with some drifting alto work on the patio. Fitting it into the breeze, the sunny afternoon.
Better now.
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Resetting my mood with some drifting alto work on the patio. Fitting it into the breeze, the sunny afternoon.
Better now.
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/// Weil im Frühling alles plötzlich ganz schnell geht freut sich "jazzklub" #11 ~ featuring Bastian Duncker am Alt-Saxophon ~ nun schon sehr auf Hörer:innen:
featured musicians:
* Bastian Duncker - Alto Saxophone
* Albrecht Brandt - Double Bass
* Hannes Lingens - Drums
>>> https://hanneslingens.deAuszug aus den Show-Notes:
Der elfte „jazzklub“ fand pünktlich zu Thomas Wright „Fats“ Wallers 121. Geburtstag statt.
Wir wissen das von Bastian Duncker, der durch die Songs des Abends moderierte und – unter anderem – auch eine Anekdote zum Besten gab, die aus der Zeit der Prohibition stammt und Al Capone mit Fats Waller aufs Tragikomischste verbindet...
Eine Veranstaltung des Jazzkollektivs Halle @jazzkollektiv
Vielen Dank für's Hören und Spenden und:
Auf Wiederhören!#jazz #music #musik #trio #concert #altosaxophone #altsaxophon #doublebass #kontrabass #drums #live #radio #hallesaale #serendipity
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/// Weil im Frühling alles plötzlich ganz schnell geht freut sich "jazzklub" #11 ~ featuring Bastian Duncker am Alt-Saxophon ~ nun schon sehr auf Hörer:innen:
featured musicians:
* Bastian Duncker - Alto Saxophone
* Albrecht Brandt - Double Bass
* Hannes Lingens - Drums
>>> https://hanneslingens.deAuszug aus den Show-Notes:
Der elfte „jazzklub“ fand pünktlich zu Thomas Wright „Fats“ Wallers 121. Geburtstag statt.
Wir wissen das von Bastian Duncker, der durch die Songs des Abends moderierte und – unter anderem – auch eine Anekdote zum Besten gab, die aus der Zeit der Prohibition stammt und Al Capone mit Fats Waller aufs Tragikomischste verbindet...
Eine Veranstaltung des Jazzkollektivs Halle @jazzkollektiv
Vielen Dank für's Hören und Spenden und:
Auf Wiederhören!#jazz #music #musik #trio #concert #altosaxophone #altsaxophon #doublebass #kontrabass #drums #live #radio #hallesaale #serendipity
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/// Weil im Frühling alles plötzlich ganz schnell geht freut sich "jazzklub" #11 ~ featuring Bastian Duncker am Alt-Saxophon ~ nun schon sehr auf Hörer:innen:
featured musicians:
* Bastian Duncker - Alto Saxophone
* Albrecht Brandt - Double Bass
* Hannes Lingens - Drums
>>> https://hanneslingens.deAuszug aus den Show-Notes:
Der elfte „jazzklub“ fand pünktlich zu Thomas Wright „Fats“ Wallers 121. Geburtstag statt.
Wir wissen das von Bastian Duncker, der durch die Songs des Abends moderierte und – unter anderem – auch eine Anekdote zum Besten gab, die aus der Zeit der Prohibition stammt und Al Capone mit Fats Waller aufs Tragikomischste verbindet...
Eine Veranstaltung des Jazzkollektivs Halle @jazzkollektiv
Vielen Dank für's Hören und Spenden und:
Auf Wiederhören!#jazz #music #musik #trio #concert #altosaxophone #altsaxophon #doublebass #kontrabass #drums #live #radio #hallesaale #serendipity
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/// Weil im Frühling alles plötzlich ganz schnell geht freut sich "jazzklub" #11 ~ featuring Bastian Duncker am Alt-Saxophon ~ nun schon sehr auf Hörer:innen:
featured musicians:
* Bastian Duncker - Alto Saxophone
* Albrecht Brandt - Double Bass
* Hannes Lingens - Drums
>>> https://hanneslingens.deAuszug aus den Show-Notes:
Der elfte „jazzklub“ fand pünktlich zu Thomas Wright „Fats“ Wallers 121. Geburtstag statt.
Wir wissen das von Bastian Duncker, der durch die Songs des Abends moderierte und – unter anderem – auch eine Anekdote zum Besten gab, die aus der Zeit der Prohibition stammt und Al Capone mit Fats Waller aufs Tragikomischste verbindet...
Eine Veranstaltung des Jazzkollektivs Halle @jazzkollektiv
Vielen Dank für's Hören und Spenden und:
Auf Wiederhören!#jazz #music #musik #trio #concert #altosaxophone #altsaxophon #doublebass #kontrabass #drums #live #radio #hallesaale #serendipity
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/// Weil im Frühling alles plötzlich ganz schnell geht freut sich "jazzklub" #11 ~ featuring Bastian Duncker am Alt-Saxophon ~ nun schon sehr auf Hörer:innen:
featured musicians:
* Bastian Duncker - Alto Saxophone
* Albrecht Brandt - Double Bass
* Hannes Lingens - Drums
>>> https://hanneslingens.deAuszug aus den Show-Notes:
Der elfte „jazzklub“ fand pünktlich zu Thomas Wright „Fats“ Wallers 121. Geburtstag statt.
Wir wissen das von Bastian Duncker, der durch die Songs des Abends moderierte und – unter anderem – auch eine Anekdote zum Besten gab, die aus der Zeit der Prohibition stammt und Al Capone mit Fats Waller aufs Tragikomischste verbindet...
Eine Veranstaltung des Jazzkollektivs Halle @jazzkollektiv
Vielen Dank für's Hören und Spenden und:
Auf Wiederhören!#jazz #music #musik #trio #concert #altosaxophone #altsaxophon #doublebass #kontrabass #drums #live #radio #hallesaale #serendipity
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Love for a seafarer long at sea and joy when he returns.
Michael Ashby: bass guitar
Johny Blood: tuba
Adrian Gormley: alto sax
Lawrence Jarach: trombone
Maggie Martin: accordion, vocals
Bill Schwartz: drums
Rhian Robinson: clarinet, whistle
Gary “GDub” Wium: guitars#LoveSongs #TheMadMaggies
#Accordion #Guitar #Bass
#Tuba #Trombone #Clarinet
#AltoSaxophone #Drums
#Whistle #ValentinesDay #Seafaring -
Love for a seafarer long at sea and joy when he returns.
Michael Ashby: bass guitar
Johny Blood: tuba
Adrian Gormley: alto sax
Lawrence Jarach: trombone
Maggie Martin: accordion, vocals
Bill Schwartz: drums
Rhian Robinson: clarinet, whistle
Gary “GDub” Wium: guitars#LoveSongs #TheMadMaggies
#Accordion #Guitar #Bass
#Tuba #Trombone #Clarinet
#AltoSaxophone #Drums
#Whistle #ValentinesDay #Seafaring -
Love for a seafarer long at sea and joy when he returns.
Michael Ashby: bass guitar
Johny Blood: tuba
Adrian Gormley: alto sax
Lawrence Jarach: trombone
Maggie Martin: accordion, vocals
Bill Schwartz: drums
Rhian Robinson: clarinet, whistle
Gary “GDub” Wium: guitars#LoveSongs #TheMadMaggies
#Accordion #Guitar #Bass
#Tuba #Trombone #Clarinet
#AltoSaxophone #Drums
#Whistle #ValentinesDay #Seafaring -
Love for a seafarer long at sea and joy when he returns.
Michael Ashby: bass guitar
Johny Blood: tuba
Adrian Gormley: alto sax
Lawrence Jarach: trombone
Maggie Martin: accordion, vocals
Bill Schwartz: drums
Rhian Robinson: clarinet, whistle
Gary “GDub” Wium: guitars#LoveSongs #TheMadMaggies
#Accordion #Guitar #Bass
#Tuba #Trombone #Clarinet
#AltoSaxophone #Drums
#Whistle #ValentinesDay #Seafaring -
Love for a seafarer long at sea and joy when he returns.
Michael Ashby: bass guitar
Johny Blood: tuba
Adrian Gormley: alto sax
Lawrence Jarach: trombone
Maggie Martin: accordion, vocals
Bill Schwartz: drums
Rhian Robinson: clarinet, whistle
Gary “GDub” Wium: guitars#LoveSongs #TheMadMaggies
#Accordion #Guitar #Bass
#Tuba #Trombone #Clarinet
#AltoSaxophone #Drums
#Whistle #ValentinesDay #Seafaring -
@classicalmusic
@contemporarymusic
@womencomposers#ŻanetaRydzewska b. 1991
'Torrent' for alto saxophone, accordion, viola and live electronics (2017)
#PabloSánchezEscaricheGasch #AltoSaxophone
#JędrzejJarocki #Accordion
#RadosławJarocki #Viola#musik #music #musique #musica #Rydzewska
#contemporarymusic #womencomposers #classicalmusic -
@classicalmusic
@contemporarymusic
@womencomposers#ŻanetaRydzewska b. 1991
'Torrent' for alto saxophone, accordion, viola and live electronics (2017)
#PabloSánchezEscaricheGasch #AltoSaxophone
#JędrzejJarocki #Accordion
#RadosławJarocki #Viola#musik #music #musique #musica #Rydzewska
#contemporarymusic #womencomposers #classicalmusic -
@classicalmusic
@contemporarymusic
@womencomposers#ŻanetaRydzewska b. 1991
'Torrent' for alto saxophone, accordion, viola and live electronics (2017)
#PabloSánchezEscaricheGasch #AltoSaxophone
#JędrzejJarocki #Accordion
#RadosławJarocki #Viola#musik #music #musique #musica #Rydzewska
#contemporarymusic #womencomposers #classicalmusic -
@classicalmusic
@contemporarymusic
@womencomposers#ŻanetaRydzewska b. 1991
'Torrent' for alto saxophone, accordion, viola and live electronics (2017)
#PabloSánchezEscaricheGasch #AltoSaxophone
#JędrzejJarocki #Accordion
#RadosławJarocki #Viola#musik #music #musique #musica #Rydzewska
#contemporarymusic #womencomposers #classicalmusic -
@classicalmusic
@contemporarymusic
@womencomposers#ŻanetaRydzewska b. 1991
'Torrent' for alto saxophone, accordion, viola and live electronics (2017)
#PabloSánchezEscaricheGasch #AltoSaxophone
#JędrzejJarocki #Accordion
#RadosławJarocki #Viola#musik #music #musique #musica #Rydzewska
#contemporarymusic #womencomposers #classicalmusic -
Saxophone?
Do do do, just whistling past the american graveyard again… still… do do do…
I’ve been listening to King Crimson’s Red album quite a bit over the last few days. Crimson, in their original incarnation, had a sax player. First it was Ian McDonald, then it was Mel Collins. When band leader Robert Fripp shook things up and hired a whole new band with a drastically new sound in 1972 the saxophones went away. For a while, at least. By 1974, when they were recording the Red album, they were down to three band members, Fripp (guitar/mellotron), John Wetton (bass/vocals), and Bill Bruford (drums/percussion). Fripp was the only soloist in the lineup… sort of… the other two guys could have cranked out leads with the best of them (because they pretty much were the best of them) but instead they brought in a bunch of session musicians to help fill in the gaps. Among those session musicians were two sax players; Ian McDonald (alto) and Mel Collins (soprano).
Collins plays on the album’s centerpiece, “Starless” and his playing is wonderful (as always). McDonald also plays on “Starless” as well as “One More Red Nightmare”. His playing is out of the fucking world amazing. He wails, especially on “Starless”.
Listening to this record quite a bit lately has me thinking… is the sax playing inspiring me a little? The RPM Challenge is less than two weeks away and it’s coming up on time for me to start recording some new music. Do I suddenly find myself wanting to play the saxophone again? I haven’t taken my alto sax out of its case since I finished the 2020 RPM Challenge. Five years. Is it time to break it out again? I think it might be. I know I can still play even if I am only about 1% of the sax player I was when I was a music major from 1989-1991 and sax was my primary instrument in school. Guitar was a hobby I played on the side, even though I spent nearly infinitely more time playing guitar than sax… which contributed to me leaving school before I graduated.
So I guess what I am trying to say is, if throughout the month of February you start hearing about me writing songs in the key of E flat or B flat instead of E and A, and you start hearing me complain about severe pain in my lips and jaw (due to not having practiced at all in the last five years), then we can probably go ahead and blame Mel Collins and the late Ian McDonald. Just saying.
#altoSax #altoSaxophone #ianMcdonoald #KingCrimson #melCollins #Music #musicSchool #musicSchoolDropout #RpmChallenge #rpm2025 #saxophone #starless
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Saxophone?
Do do do, just whistling past the american graveyard again… still… do do do…
I’ve been listening to King Crimson’s Red album quite a bit over the last few days. Crimson, in their original incarnation, had a sax player. First it was Ian McDonald, then it was Mel Collins. When band leader Robert Fripp shook things up and hired a whole new band with a drastically new sound in 1972 the saxophones went away. For a while, at least. By 1974, when they were recording the Red album, they were down to three band members, Fripp (guitar/mellotron), John Wetton (bass/vocals), and Bill Bruford (drums/percussion). Fripp was the only soloist in the lineup… sort of… the other two guys could have cranked out leads with the best of them (because they pretty much were the best of them) but instead they brought in a bunch of session musicians to help fill in the gaps. Among those session musicians were two sax players; Ian McDonald (alto) and Mel Collins (soprano).
Collins plays on the album’s centerpiece, “Starless” and his playing is wonderful (as always). McDonald also plays on “Starless” as well as “One More Red Nightmare”. His playing is out of the fucking world amazing. He wails, especially on “Starless”.
Listening to this record quite a bit lately has me thinking… is the sax playing inspiring me a little? The RPM Challenge is less than two weeks away and it’s coming up on time for me to start recording some new music. Do I suddenly find myself wanting to play the saxophone again? I haven’t taken my alto sax out of its case since I finished the 2020 RPM Challenge. Five years. Is it time to break it out again? I think it might be. I know I can still play even if I am only about 1% of the sax player I was when I was a music major from 1989-1991 and sax was my primary instrument in school. Guitar was a hobby I played on the side, even though I spent nearly infinitely more time playing guitar than sax… which contributed to me leaving school before I graduated.
So I guess what I am trying to say is, if throughout the month of February you start hearing about me writing songs in the key of E flat or B flat instead of E and A, and you start hearing me complain about severe pain in my lips and jaw (due to not having practiced at all in the last five years), then we can probably go ahead and blame Mel Collins and the late Ian McDonald. Just saying.
#altoSax #altoSaxophone #ianMcdonoald #KingCrimson #melCollins #Music #musicSchool #musicSchoolDropout #RpmChallenge #rpm2025 #saxophone #starless
-
Saxophone?
Do do do, just whistling past the american graveyard again… still… do do do…
I’ve been listening to King Crimson’s Red album quite a bit over the last few days. Crimson, in their original incarnation, had a sax player. First it was Ian McDonald, then it was Mel Collins. When band leader Robert Fripp shook things up and hired a whole new band with a drastically new sound in 1972 the saxophones went away. For a while, at least. By 1974, when they were recording the Red album, they were down to three band members, Fripp (guitar/mellotron), John Wetton (bass/vocals), and Bill Bruford (drums/percussion). Fripp was the only soloist in the lineup… sort of… the other two guys could have cranked out leads with the best of them (because they pretty much were the best of them) but instead they brought in a bunch of session musicians to help fill in the gaps. Among those session musicians were two sax players; Ian McDonald (alto) and Mel Collins (soprano).
Collins plays on the album’s centerpiece, “Starless” and his playing is wonderful (as always). McDonald also plays on “Starless” as well as “One More Red Nightmare”. His playing is out of the fucking world amazing. He wails, especially on “Starless”.
Listening to this record quite a bit lately has me thinking… is the sax playing inspiring me a little? The RPM Challenge is less than two weeks away and it’s coming up on time for me to start recording some new music. Do I suddenly find myself wanting to play the saxophone again? I haven’t taken my alto sax out of its case since I finished the 2020 RPM Challenge. Five years. Is it time to break it out again? I think it might be. I know I can still play even if I am only about 1% of the sax player I was when I was a music major from 1989-1991 and sax was my primary instrument in school. Guitar was a hobby I played on the side, even though I spent nearly infinitely more time playing guitar than sax… which contributed to me leaving school before I graduated.
So I guess what I am trying to say is, if throughout the month of February you start hearing about me writing songs in the key of E flat or B flat instead of E and A, and you start hearing me complain about severe pain in my lips and jaw (due to not having practiced at all in the last five years), then we can probably go ahead and blame Mel Collins and the late Ian McDonald. Just saying.
#altoSax #altoSaxophone #ianMcdonoald #KingCrimson #melCollins #Music #musicSchool #musicSchoolDropout #RpmChallenge #rpm2025 #saxophone #starless
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Saxophone?
Do do do, just whistling past the american graveyard again… still… do do do…
I’ve been listening to King Crimson’s Red album quite a bit over the last few days. Crimson, in their original incarnation, had a sax player. First it was Ian McDonald, then it was Mel Collins. When band leader Robert Fripp shook things up and hired a whole new band with a drastically new sound in 1972 the saxophones went away. For a while, at least. By 1974, when they were recording the Red album, they were down to three band members, Fripp (guitar/mellotron), John Wetton (bass/vocals), and Bill Bruford (drums/percussion). Fripp was the only soloist in the lineup… sort of… the other two guys could have cranked out leads with the best of them (because they pretty much were the best of them) but instead they brought in a bunch of session musicians to help fill in the gaps. Among those session musicians were two sax players; Ian McDonald (alto) and Mel Collins (soprano).
Collins plays on the album’s centerpiece, “Starless” and his playing is wonderful (as always). McDonald also plays on “Starless” as well as “Fallen Angel”. His playing is out of the fucking world amazing. He wails, especially on “Starless”.
Listening to this record quite a bit lately has me thinking… is the sax playing inspiring me a little? The RPM Challenge is less than two weeks away and it’s coming up on time for me to start recording some new music. Do I suddenly find myself wanting to play the saxophone again? I haven’t taken my alto sax out of its case since I finished the 2020 RPM Challenge. Five years. Is it time to break it out again? I think it might be. I know I can still play even if I am only about 1% of the sax player I was when I was a music major from 1989-1991 and sax was my primary instrument in school. Guitar was a hobby I played on the side, even though I spent nearly infinitely more time playing guitar than sax… which contributed to me leaving school before I graduated.
So I guess what I am trying to say is, if throughout the month of February you start hearing about me writing songs in the key of E flat or B flat instead of E and A, and you start hearing me complain about severe pain in my lips and jaw (do to not having practices at all in the last five years), then we can probably go ahead and blame Mel Collins and the late Ian McDonald. Just saying.
#altoSax #altoSaxophone #ianMcdonoald #KingCrimson #melCollins #Music #musicSchool #musicSchoolDropout #RpmChallenge #rpm2025 #saxophone #starless
-
Saxophone?
Do do do, just whistling past the american graveyard again… still… do do do…
I’ve been listening to King Crimson’s Red album quite a bit over the last few days. Crimson, in their original incarnation, had a sax player. First it was Ian McDonald, then it was Mel Collins. When band leader Robert Fripp shook things up and hired a whole new band with a drastically new sound in 1972 the saxophones went away. For a while, at least. By 1974, when they were recording the Red album, they were down to three band members, Fripp (guitar/mellotron), John Wetton (bass/vocals), and Bill Bruford (drums/percussion). Fripp was the only soloist in the lineup… sort of… the other two guys could have cranked out leads with the best of them (because they pretty much were the best of them) but instead they brought in a bunch of session musicians to help fill in the gaps. Among those session musicians were two sax players; Ian McDonald (alto) and Mel Collins (soprano).
Collins plays on the album’s centerpiece, “Starless” and his playing is wonderful (as always). McDonald also plays on “Starless” as well as “One More Red Nightmare”. His playing is out of the fucking world amazing. He wails, especially on “Starless”.
Listening to this record quite a bit lately has me thinking… is the sax playing inspiring me a little? The RPM Challenge is less than two weeks away and it’s coming up on time for me to start recording some new music. Do I suddenly find myself wanting to play the saxophone again? I haven’t taken my alto sax out of its case since I finished the 2020 RPM Challenge. Five years. Is it time to break it out again? I think it might be. I know I can still play even if I am only about 1% of the sax player I was when I was a music major from 1989-1991 and sax was my primary instrument in school. Guitar was a hobby I played on the side, even though I spent nearly infinitely more time playing guitar than sax… which contributed to me leaving school before I graduated.
So I guess what I am trying to say is, if throughout the month of February you start hearing about me writing songs in the key of E flat or B flat instead of E and A, and you start hearing me complain about severe pain in my lips and jaw (due to not having practiced at all in the last five years), then we can probably go ahead and blame Mel Collins and the late Ian McDonald. Just saying.
#altoSax #altoSaxophone #ianMcdonoald #KingCrimson #melCollins #Music #musicSchool #musicSchoolDropout #RpmChallenge #rpm2025 #saxophone #starless
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3grams - "Radical Honesty" (live)
Yesterday I recorded a concert of this beautiful trio "3grams".
With their unique combination of two voices and one alto-saxophone, they're combining both musical brilliance and profound lyrics including a great sense of humour (well, maybe not in this song).
Until the editing is finished here's one of their songs:>>> https://youtu.be/qo1s1JbHu6w
musicians:
Luise Volkmann - Saxophone
Casey Moir - Vocal
Michael Schiefel - Vocal>>> https://luisevolkmann.com
>>> https://soundcloud.com/caseymoir
>>> https://en.wikipedia.org/wiki/Michael_Schiefel#music #jazz #trio #altosaxophone #alt-saxophon #vocals #lyrics #honesty #brilliance
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3grams - "Radical Honesty" (live)
Yesterday I recorded a concert of this beautiful trio "3grams".
With their unique combination of two voices and one alto-saxophone, they're combining both musical brilliance and profound lyrics including a great sense of humour (well, maybe not in this song).
Until the editing is finished here's one of their songs:>>> https://youtu.be/qo1s1JbHu6w
musicians:
Luise Volkmann - Saxophone
Casey Moir - Vocal
Michael Schiefel - Vocal>>> https://luisevolkmann.com
>>> https://soundcloud.com/caseymoir
>>> https://en.wikipedia.org/wiki/Michael_Schiefel#music #jazz #trio #altosaxophone #alt-saxophon #vocals #lyrics #honesty #brilliance
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3grams - "Radical Honesty" (live)
Yesterday I recorded a concert of this beautiful trio "3grams".
With their unique combination of two voices and one alto-saxophone, they're combining both musical brilliance and profound lyrics including a great sense of humour (well, maybe not in this song).
Until the editing is finished here's one of their songs:>>> https://youtu.be/qo1s1JbHu6w
musicians:
Luise Volkmann - Saxophone
Casey Moir - Vocal
Michael Schiefel - Vocal>>> https://luisevolkmann.com
>>> https://soundcloud.com/caseymoir
>>> https://en.wikipedia.org/wiki/Michael_Schiefel#music #jazz #trio #altosaxophone #alt-saxophon #vocals #lyrics #honesty #brilliance
-
3grams - "Radical Honesty" (live)
Yesterday I recorded a concert of this beautiful trio "3grams".
With their unique combination of two voices and one alto-saxophone, they're combining both musical brilliance and profound lyrics including a great sense of humour (well, maybe not in this song).
Until the editing is finished here's one of their songs:>>> https://youtu.be/qo1s1JbHu6w
musicians:
Luise Volkmann - Saxophone
Casey Moir - Vocal
Michael Schiefel - Vocal>>> https://luisevolkmann.com
>>> https://soundcloud.com/caseymoir
>>> https://en.wikipedia.org/wiki/Michael_Schiefel#music #jazz #trio #altosaxophone #alt-saxophon #vocals #lyrics #honesty #brilliance
-
3grams - "Radical Honesty" (live)
Yesterday I recorded a concert of this beautiful trio "3grams".
With their unique combination of two voices and one alto-saxophone, they're combining both musical brilliance and profound lyrics including a great sense of humour (well, maybe not in this song).
Until the editing is finished here's one of their songs:>>> https://youtu.be/qo1s1JbHu6w
musicians:
Luise Volkmann - Saxophone
Casey Moir - Vocal
Michael Schiefel - Vocal>>> https://luisevolkmann.com
>>> https://soundcloud.com/caseymoir
>>> https://en.wikipedia.org/wiki/Michael_Schiefel#music #jazz #trio #altosaxophone #alt-saxophon #vocals #lyrics #honesty #brilliance
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100 Years of Paul Desmond
This evening I happened across a reminder that today is the centenary of the birth of saxophonist and composer Paul Desmond, who was born on November 25th 1924. Paul Desmond is best known for his work with Dave Brubeck’s quartet from 1951 to 1967, and particularly as composer of their smash hit Take Five. He didn’t only work with Brubeck, though. He made fine recordings with Chet Baker and Gerry Mulligan amongst others. His gentle tone and lyrical phrasing on alto saxophone were instantly recognizeable and very typical of the West Coast style of cool jazz, and on alto saxophone was instantly recognizeable. Never a speed merchant in the Charlie Parker tradition, Desmond fell out with Brubeck’s drummer Joe Morello who would often set the tempo, especially on Take Five, too fast in live performances, so I thought I’d pay my little tribute by playing a less familiar number, the Japanese-influenced Koto Song on which Paul Desmond plays very beautifully.
-
100 Years of Paul Desmond
This evening I happened across a reminder that today is the centenary of the birth of saxophonist and composer Paul Desmond, who was born on November 25th 1924. Paul Desmond is best known for his work with Dave Brubeck’s quartet from 1951 to 1967, and particularly as composer of their smash hit Take Five. He didn’t only work with Brubeck, though. He made fine recordings with Chet Baker and Gerry Mulligan amongst others. His gentle tone and lyrical phrasing on alto saxophone were instantly recognizeable and very typical of the West Coast style of cool jazz, and on alto saxophone was instantly recognizeable. Never a speed merchant in the Charlie Parker tradition, Desmond fell out with Brubeck’s drummer Joe Morello who would often set the tempo, especially on Take Five, too fast in live performances, so I thought I’d pay my little tribute by playing a less familiar number, the Japanese-influenced Koto Song on which Paul Desmond plays very beautifully.
https://www.youtube.com/watch?v=LbdD9gPnhhM
#altoSaxophone #DaveBrubeck #Jazz #KotoSong #music #PaulDesmond
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100 Years of Paul Desmond
This evening I happened across a reminder that today is the centenary of the birth of saxophonist and composer Paul Desmond, who was born on November 25th 1924. Paul Desmond is best known for his work with Dave Brubeck’s quartet from 1951 to 1967, and particularly as composer of their smash hit Take Five. He didn’t only work with Brubeck, though. He made fine recordings with Chet Baker and Gerry Mulligan amongst others. His gentle tone and lyrical phrasing on alto saxophone were instantly recognizeable and very typical of the West Coast style of cool jazz, and on alto saxophone was instantly recognizeable. Never a speed merchant in the Charlie Parker tradition, Desmond fell out with Brubeck’s drummer Joe Morello who would often set the tempo, especially on Take Five, too fast in live performances, so I thought I’d pay my little tribute by playing a less familiar number, the Japanese-influenced Koto Song on which Paul Desmond plays very beautifully.
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100 Years of Paul Desmond
This evening I happened across a reminder that today is the centenary of the birth of saxophonist and composer Paul Desmond, who was born on November 25th 1924. Paul Desmond is best known for his work with Dave Brubeck’s quartet from 1951 to 1967, and particularly as composer of their smash hit Take Five. He didn’t only work with Brubeck, though. He made fine recordings with Chet Baker and Gerry Mulligan amongst others. His gentle tone and lyrical phrasing on alto saxophone were instantly recognizeable and very typical of the West Coast style of cool jazz, and on alto saxophone was instantly recognizeable. Never a speed merchant in the Charlie Parker tradition, Desmond fell out with Brubeck’s drummer Joe Morello who would often set the tempo, especially on Take Five, too fast in live performances, so I thought I’d pay my little tribute by playing a less familiar number, the Japanese-influenced Koto Song on which Paul Desmond plays very beautifully.
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100 Years of Paul Desmond
This evening I happened across a reminder that today is the centenary of the birth of saxophonist and composer Paul Desmond, who was born on November 25th 1924. Paul Desmond is best known for his work with Dave Brubeck’s quartet from 1951 to 1967, and particularly as composer of their smash hit Take Five. He didn’t only work with Brubeck, though. He made fine recordings with Chet Baker and Gerry Mulligan amongst others. His gentle tone and lyrical phrasing on alto saxophone were instantly recognizeable and very typical of the West Coast style of cool jazz, and on alto saxophone was instantly recognizeable. Never a speed merchant in the Charlie Parker tradition, Desmond fell out with Brubeck’s drummer Joe Morello who would often set the tempo, especially on Take Five, too fast in live performances, so I thought I’d pay my little tribute by playing a less familiar number, the Japanese-influenced Koto Song on which Paul Desmond plays very beautifully.
https://www.youtube.com/watch?v=LbdD9gPnhhM
#altoSaxophone #DaveBrubeck #Jazz #KotoSong #music #PaulDesmond
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"Serendipity" featuring "Bubu" // Interview mit Ben Lehmann:
>>> https://www.mixcloud.com/radiyan/serendipity-featuring-10-jahre-bubu-interview-mit-ben-lehmann
Die Band "Bubu" gibt es nun schon seit zehn Jahren. Grund genug ein neues Album aufzunehmen und die offizielle Veröffentlichung auch standesgemäß am 27. November im "Alten Schweden" (Berlin - Wedding) zu zu feiern - natürlich mit einem live-Konzert.
Und auch mit dieser Sendung feiert "Bubu" ein Jubiläum, denn vor sieben Jahren waren sie das letzte Mal live im Gespräch und im Radio, wie man hier nachhören kann: https://t.ly/6hCpZ
Und so unterhalte ich mich nun mit Ben Lehmann (Kontrabass) über seine musikalischen Anfänge, die tatsächlich mit seinem aktuellen Hauptinstrument recht wenig zu tun haben und frage nach den entscheidenden Momenten, die zur Gründung von "Bubu" geführt haben. Auf diese Art und Weise arbeiten wir uns - wortwörtlich - Stück für Stück in die Gegenwart vor, indem wir einige Songs spielen, die während dieser langen Zeitspanne entstanden sind und freuen uns am Ende schon auf die nächsten zehn Jahre "Bubu".>>> Ben Lehmann (Kontrabass): https://benlehmann.de/bubu
>>> Martial Frenzel (Drums): https://martialovitch.tumblr.com/
>>> "Bubu" @ bandcamp: https://bubu-berlin.bandcamp.com/album/10
>>> "10" (Album) bei "Trouble in the East Records: https://troubleintheeastrecords.bandcamp.com/album/10#music #liveradioshow #live #radio #jazz #acoustic #trio #abstract bebop #saxophone #altosaxophone #altsaxophone #doublebass #kontrabass #drums #interview
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"Serendipity" featuring "Bubu" // Interview mit Ben Lehmann:
>>> https://www.mixcloud.com/radiyan/serendipity-featuring-10-jahre-bubu-interview-mit-ben-lehmann
Die Band "Bubu" gibt es nun schon seit zehn Jahren. Grund genug ein neues Album aufzunehmen und die offizielle Veröffentlichung auch standesgemäß am 27. November im "Alten Schweden" (Berlin - Wedding) zu zu feiern - natürlich mit einem live-Konzert.
Und auch mit dieser Sendung feiert "Bubu" ein Jubiläum, denn vor sieben Jahren waren sie das letzte Mal live im Gespräch und im Radio, wie man hier nachhören kann: https://t.ly/6hCpZ
Und so unterhalte ich mich nun mit Ben Lehmann (Kontrabass) über seine musikalischen Anfänge, die tatsächlich mit seinem aktuellen Hauptinstrument recht wenig zu tun haben und frage nach den entscheidenden Momenten, die zur Gründung von "Bubu" geführt haben. Auf diese Art und Weise arbeiten wir uns - wortwörtlich - Stück für Stück in die Gegenwart vor, indem wir einige Songs spielen, die während dieser langen Zeitspanne entstanden sind und freuen uns am Ende schon auf die nächsten zehn Jahre "Bubu".>>> Ben Lehmann (Kontrabass): https://benlehmann.de/bubu
>>> Martial Frenzel (Drums): https://martialovitch.tumblr.com/
>>> "Bubu" @ bandcamp: https://bubu-berlin.bandcamp.com/album/10
>>> "10" (Album) bei "Trouble in the East Records: https://troubleintheeastrecords.bandcamp.com/album/10#music #liveradioshow #live #radio #jazz #acoustic #trio #abstract bebop #saxophone #altosaxophone #altsaxophone #doublebass #kontrabass #drums #interview
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"Serendipity" featuring "Bubu" // Interview mit Ben Lehmann:
>>> https://www.mixcloud.com/radiyan/serendipity-featuring-10-jahre-bubu-interview-mit-ben-lehmann
Die Band "Bubu" gibt es nun schon seit zehn Jahren. Grund genug ein neues Album aufzunehmen und die offizielle Veröffentlichung auch standesgemäß am 27. November im "Alten Schweden" (Berlin - Wedding) zu zu feiern - natürlich mit einem live-Konzert.
Und auch mit dieser Sendung feiert "Bubu" ein Jubiläum, denn vor sieben Jahren waren sie das letzte Mal live im Gespräch und im Radio, wie man hier nachhören kann: https://t.ly/6hCpZ
Und so unterhalte ich mich nun mit Ben Lehmann (Kontrabass) über seine musikalischen Anfänge, die tatsächlich mit seinem aktuellen Hauptinstrument recht wenig zu tun haben und frage nach den entscheidenden Momenten, die zur Gründung von "Bubu" geführt haben. Auf diese Art und Weise arbeiten wir uns - wortwörtlich - Stück für Stück in die Gegenwart vor, indem wir einige Songs spielen, die während dieser langen Zeitspanne entstanden sind und freuen uns am Ende schon auf die nächsten zehn Jahre "Bubu".>>> Ben Lehmann (Kontrabass): https://benlehmann.de/bubu
>>> Martial Frenzel (Drums): https://martialovitch.tumblr.com/
>>> "Bubu" @ bandcamp: https://bubu-berlin.bandcamp.com/album/10
>>> "10" (Album) bei "Trouble in the East Records: https://troubleintheeastrecords.bandcamp.com/album/10#music #liveradioshow #live #radio #jazz #acoustic #trio #abstract bebop #saxophone #altosaxophone #altsaxophone #doublebass #kontrabass #drums #interview
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"Serendipity" featuring "Bubu" // Interview mit Ben Lehmann:
>>> https://www.mixcloud.com/radiyan/serendipity-featuring-10-jahre-bubu-interview-mit-ben-lehmann
Die Band "Bubu" gibt es nun schon seit zehn Jahren. Grund genug ein neues Album aufzunehmen und die offizielle Veröffentlichung auch standesgemäß am 27. November im "Alten Schweden" (Berlin - Wedding) zu zu feiern - natürlich mit einem live-Konzert.
Und auch mit dieser Sendung feiert "Bubu" ein Jubiläum, denn vor sieben Jahren waren sie das letzte Mal live im Gespräch und im Radio, wie man hier nachhören kann: https://t.ly/6hCpZ
Und so unterhalte ich mich nun mit Ben Lehmann (Kontrabass) über seine musikalischen Anfänge, die tatsächlich mit seinem aktuellen Hauptinstrument recht wenig zu tun haben und frage nach den entscheidenden Momenten, die zur Gründung von "Bubu" geführt haben. Auf diese Art und Weise arbeiten wir uns - wortwörtlich - Stück für Stück in die Gegenwart vor, indem wir einige Songs spielen, die während dieser langen Zeitspanne entstanden sind und freuen uns am Ende schon auf die nächsten zehn Jahre "Bubu".>>> Ben Lehmann (Kontrabass): https://benlehmann.de/bubu
>>> Martial Frenzel (Drums): https://martialovitch.tumblr.com/
>>> "Bubu" @ bandcamp: https://bubu-berlin.bandcamp.com/album/10
>>> "10" (Album) bei "Trouble in the East Records: https://troubleintheeastrecords.bandcamp.com/album/10#music #liveradioshow #live #radio #jazz #acoustic #trio #abstract bebop #saxophone #altosaxophone #altsaxophone #doublebass #kontrabass #drums #interview
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"Serendipity" featuring "Bubu" // Interview mit Ben Lehmann:
>>> https://www.mixcloud.com/radiyan/serendipity-featuring-10-jahre-bubu-interview-mit-ben-lehmann
Die Band "Bubu" gibt es nun schon seit zehn Jahren. Grund genug ein neues Album aufzunehmen und die offizielle Veröffentlichung auch standesgemäß am 27. November im "Alten Schweden" (Berlin - Wedding) zu zu feiern - natürlich mit einem live-Konzert.
Und auch mit dieser Sendung feiert "Bubu" ein Jubiläum, denn vor sieben Jahren waren sie das letzte Mal live im Gespräch und im Radio, wie man hier nachhören kann: https://t.ly/6hCpZ
Und so unterhalte ich mich nun mit Ben Lehmann (Kontrabass) über seine musikalischen Anfänge, die tatsächlich mit seinem aktuellen Hauptinstrument recht wenig zu tun haben und frage nach den entscheidenden Momenten, die zur Gründung von "Bubu" geführt haben. Auf diese Art und Weise arbeiten wir uns - wortwörtlich - Stück für Stück in die Gegenwart vor, indem wir einige Songs spielen, die während dieser langen Zeitspanne entstanden sind und freuen uns am Ende schon auf die nächsten zehn Jahre "Bubu".>>> Ben Lehmann (Kontrabass): https://benlehmann.de/bubu
>>> Martial Frenzel (Drums): https://martialovitch.tumblr.com/
>>> "Bubu" @ bandcamp: https://bubu-berlin.bandcamp.com/album/10
>>> "10" (Album) bei "Trouble in the East Records: https://troubleintheeastrecords.bandcamp.com/album/10#music #liveradioshow #live #radio #jazz #acoustic #trio #abstract bebop #saxophone #altosaxophone #altsaxophone #doublebass #kontrabass #drums #interview
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#ColemanHawkins 19O4-1969
'Body and Soul'
#ColemanHawkins #TenorSaxophone
#TommyLindsay & #JoeGuy #Trumpet
#EarlyHardy –#Trombone
#JackieFields & #EustisMoore #AltoSaxophone
#GeneRodgers #Piano
#WilliamOscarSmith #DoubleBass
#ArthurHerbert #Drumsrec 1939
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#ColemanHawkins 19O4-1969
'Body and Soul'
#ColemanHawkins #TenorSaxophone
#TommyLindsay & #JoeGuy #Trumpet
#EarlyHardy –#Trombone
#JackieFields & #EustisMoore #AltoSaxophone
#GeneRodgers #Piano
#WilliamOscarSmith #DoubleBass
#ArthurHerbert #Drumsrec 1939
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#ColemanHawkins 19O4-1969
'Body and Soul'
#ColemanHawkins #TenorSaxophone
#TommyLindsay & #JoeGuy #Trumpet
#EarlyHardy –#Trombone
#JackieFields & #EustisMoore #AltoSaxophone
#GeneRodgers #Piano
#WilliamOscarSmith #DoubleBass
#ArthurHerbert #Drumsrec 1939
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#ColemanHawkins 19O4-1969
'Body and Soul'
#ColemanHawkins #TenorSaxophone
#TommyLindsay & #JoeGuy #Trumpet
#EarlyHardy –#Trombone
#JackieFields & #EustisMoore #AltoSaxophone
#GeneRodgers #Piano
#WilliamOscarSmith #DoubleBass
#ArthurHerbert #Drumsrec 1939
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#ColemanHawkins 19O4-1969
'Body and Soul'
#ColemanHawkins #TenorSaxophone
#TommyLindsay & #JoeGuy #Trumpet
#EarlyHardy –#Trombone
#JackieFields & #EustisMoore #AltoSaxophone
#GeneRodgers #Piano
#WilliamOscarSmith #DoubleBass
#ArthurHerbert #Drumsrec 1939
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A spinney of saxophones 🎷
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A spinney of saxophones 🎷
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A spinney of saxophones 🎷
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Rest in peace, sax legend David Sanborn.
This will always be my favorite moment from his storied career. His alto sax playing on this song is super human.
https://robertjames1971.blog/2024/05/15/david-sanborn/
#altoSaxophone #davidSanborn #Music #restInPeace #saxophone #tommyBolin
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Rest in peace, sax legend David Sanborn.
This will always be my favorite moment from his storied career. His alto sax playing on this song is super human.
https://robertjames1971.blog/2024/05/15/david-sanborn/
#altoSaxophone #davidSanborn #Music #restInPeace #saxophone #tommyBolin
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Rest in peace, sax legend David Sanborn.
This will always be my favorite moment from his storied career. His alto sax playing on this song is super human.
https://robertjames1971.blog/2024/05/15/david-sanborn/
#altoSaxophone #davidSanborn #Music #restInPeace #saxophone #tommyBolin
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Rest in peace, sax legend David Sanborn.
This will always be my favorite moment from his storied career. His alto sax playing on this song is super human.
https://robertjames1971.blog/2024/05/15/david-sanborn/
#altoSaxophone #davidSanborn #Music #restInPeace #saxophone #tommyBolin
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Rest in peace, sax legend David Sanborn.
This will always be my favorite moment from his storied career. His alto sax playing on this song is super human.
https://robertjames1971.blog/2024/05/15/david-sanborn/
#altoSaxophone #davidSanborn #Music #restInPeace #saxophone #tommyBolin
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#AlexanderGlazunov 1865 – 1936
#Concerto in E flat major for alto saxophone and string orchestra (1934) Op. 109
Structure:
Exposition: Allegro Moderato in 4/4,
Development
Transition: Andante in 3/4, leading into a small cadenza
Conclusion: Fugato in 12/8#JosephLulloff #AltoSaxophone
#BrevardMusicCenterOrchestra
#JoAnnFalletta#musik #music #musique #musica #Glazunov #Глазунов
#romanticmusic #classicalmusic -
#AlexanderGlazunov 1865 – 1936
#Concerto in E flat major for alto saxophone and string orchestra (1934) Op. 109
Structure:
Exposition: Allegro Moderato in 4/4,
Development
Transition: Andante in 3/4, leading into a small cadenza
Conclusion: Fugato in 12/8#JosephLulloff #AltoSaxophone
#BrevardMusicCenterOrchestra
#JoAnnFalletta#musik #music #musique #musica #Glazunov #Глазунов
#romanticmusic #classicalmusic -
#AlexanderGlazunov 1865 – 1936
#Concerto in E flat major for alto saxophone and string orchestra (1934) Op. 109
Structure:
Exposition: Allegro Moderato in 4/4,
Development
Transition: Andante in 3/4, leading into a small cadenza
Conclusion: Fugato in 12/8#JosephLulloff #AltoSaxophone
#BrevardMusicCenterOrchestra
#JoAnnFalletta#musik #music #musique #musica #Glazunov #Глазунов
#romanticmusic #classicalmusic -
#AlexanderGlazunov 1865 – 1936
#Concerto in E flat major for alto saxophone and string orchestra (1934) Op. 109
Structure:
Exposition: Allegro Moderato in 4/4,
Development
Transition: Andante in 3/4, leading into a small cadenza
Conclusion: Fugato in 12/8#JosephLulloff #AltoSaxophone
#BrevardMusicCenterOrchestra
#JoAnnFalletta#musik #music #musique #musica #Glazunov #Глазунов
#romanticmusic #classicalmusic -
#AlexanderGlazunov 1865 – 1936
#Concerto in E flat major for alto saxophone and string orchestra (1934) Op. 109
Structure:
Exposition: Allegro Moderato in 4/4,
Development
Transition: Andante in 3/4, leading into a small cadenza
Conclusion: Fugato in 12/8#JosephLulloff #AltoSaxophone
#BrevardMusicCenterOrchestra
#JoAnnFalletta#musik #music #musique #musica #Glazunov #Глазунов
#romanticmusic #classicalmusic -
Wonderful concert of thunder this afternoon in #southeasternpennsylvania. For some time I just had to sit on the front steps and listen to it. Very dramatic.
I took the opportunity to work through some exercises on the alto, pausing to appreciate the thunder as I played. My embouchure was a little tight today and I was squeezin' the palm key notes. :ablobboneheadshake:
#weather
#altosaxophone
#saxophone -
Wonderful concert of thunder this afternoon in #southeasternpennsylvania. For some time I just had to sit on the front steps and listen to it. Very dramatic.
I took the opportunity to work through some exercises on the alto, pausing to appreciate the thunder as I played. My embouchure was a little tight today and I was squeezin' the palm key notes. :ablobboneheadshake:
#weather
#altosaxophone
#saxophone