https://www.europesays.com/si/273492/ Japonci razstavili kitajski električni avtomobil in odkrili skrivnost nizke cene #AvtomobilskaIndustrija #AvtomobilskaTehnologija #Business #BYD #Economic #ElektričniAvtomobili #InovacijeVAvtomobilizmu #KitajskiProizvajalci #konkurenčnost #Poslovni #PoslovniSvet #ProizvodnjaBaterij #SI #Slovene #Slovenia #Slovenija #Slovenščina #StroškiProizvodnje #VertikalnaIntegracija
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22 results for “vertiKarl”
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https://www.europesays.com/be-fr/298005/ Les Belges aux NRJ Music Awards : Helena décroche un prix, une première déception pour Angèle #BE #BEFr #Belgique #Belgium #Celebrities #Celebrity #Divertissement #Entertainment #MassMedia #MEDIA #Music #people #Vertical
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https://www.europesays.com/be-fr/298003/ La Belgique frappe fort d’entrée aux NRJ Music Awards : Helena décroche un premier prix #Actualités #BE #BEFr #Belgique #Belgium #MassMedia #MEDIA #Music #News #Vertical
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Vertical Slice just posted:
Bonfire Studios confirms layoffs ahead of Arkheron launch
The studio was founded in 2016 and is only now preparing to release its debut title.
https://www.verticalslice.news/bonfire-studios-confirms-layoffs-ahead-of-arkheron-launch/
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A vertical photograph I captured at Garrison Springs in Ozark, Missouri, USA, on a beautiful fall afternoon as flowing water of a waterfall moves alongside a rugged rock bluff covered in lush vegetation.
https://5-jennifer-white.pixels.com/featured/garrison-springs-waterfall-vertical-jennifer-white.html
@fineartamerica
#buyintoart #photography #fineart #wallart #officeart -
Construction Goes Vertical on New Dining Location in Disneyland’s Downtown Disney District https://www.diningandcooking.com/us/58913/ #NewYorkCity #NewYorkCityDining #NYC #NYCDining
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Innsbruck's Vertical Kilometre With the #VertMatch Team
@jasperamorgan Thanks for the footage!
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#tapprtv has been glass and vertical navigation since #iOS7! Now I continue to find success with Claude to bring tappr.tv into its 16th year! On the left is #iPhone, and on the right, #iPhoneDuo.
Most of the navigation UX that I designed for iOS 7 still remains, with the lower left corner buttons always taking you closer to the content, and the upper right corner buttons bringing you back to navigation.
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It remains to be seen if people really want to watch vertical content on horizontal TV screens, but many filmmakers and creators were confident that their latest projects would play well at Alza - New York City's first microdrama film festival. Founded by former Tribeca Festival chief operating officer Pete Torres, Alza, which took place […]#Creators #Entertainment #Film #Interview #Netflix #Report #Streaming #Tech #TikTok #TVShows
New York’s first microdrama film festival searches for its audience -
Hyundai Motor India appoints Karun Arora as AVP, vertical head – brand & MarTech
GURUGRAM: Hyundai Motor India has appointed Karun Arora as assistant vice-president and vertical head for brand and MarTech,…
#EuropeSays #Korea #KR #HyundaiMotor #brandmarketing #DentsuImpact #Hyundai #HyundaiMotorIndia #KarunArora #Martech #productPR #TarunGarg #ViratKhullar #VivoIndia
https://www.europesays.com/korea/197318/ -
Today's #photo: No wonder people spend so much money just to see this place once: https://wp.me/p2ccTX-3cf #nature #canada #NotAI #photography
(Click/tap the link or picture to see the entire VERTICAL jpeg.) -
Peter Chan Ho‑sun, director of “Comrades: Almost a Love Story” and “The Warlords”, said he may incorporate AI tools in future projects but will definitely avoid AI‑generated content (AIGC). He believes the traditional two‑hour feature will remain resilient against the rise of vertical dramas and short‑form formats during his…
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Evan Keller, Founder at Keller Solutions built a web app that tracks his pilot friends’ planes on a vertical touchscreen at their weekly airport meetup.
It runs on AlmaLinux, on a Dell and a Raspberry Pi. Hear how it came together: https://www.youtube.com/watch?v=VqWQfyd5zG8 @benny
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This must be @ChrisLawley’s worst nightmare
New York’s first microdrama film festival searches for its audience | The Verge https://www.theverge.com/entertainment/1014494/alza-vertical-film-festival-bill-block-salvador-paskowitz-microdramas-verticals
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🌱 As the seasons shift, my garden is graced by the elegant presence of Calamagrostis ‘Karl Foerster’.
These tall, feathery plumes bring a stunning vertical element to my borders, swaying gently in the breeze.
https://ukpavingtalkgroup.com/go/m69f
#CalamagrostisKarlFoerster #OrnamentalGrass #GardenDesign #SeasonalBeauty #PlantLovers #GardeningLife #WinterGarden
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Tesla showed a Roadster that hops with thrusters. ✈️
Alef answered by flying its Model A car right over one, on its 1,000th logged flight.
🔋 Fully electric
🛫 Vertical take-off, 8 hidden rotors
📏 ~110 miles of flight range
💰 From $299,999Real flying car vs rocket stunt: which side are you on?
https://evinsighthub.com/cars/electric-cars/alef-flying-car/ -
1 field change = 5 layers touched
A "simple" request can mean updating your entire stack. Gregor Hohpe explains Change Propagation in layered architecture ⇨ to add one input, you end up updating:
1️⃣ User Interface
2️⃣ Backend-for-Frontend (BFF)
3️⃣ API
4️⃣ Business Logic
5️⃣ DatabaseArchitecture is always a business of trade-offs - separation of concerns gives you flexibility, but vertical changes come at a cost.
🔗 Watch the full talk: https://www.infoq.com/presentations/architect-lessons/
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Huracán Vance alcanza categoría 3 y amenaza costas de México
El huracán Vance alcanzó brevemente la categoría 3 antes de debilitarse a categoría 2. El Centro Nacional de Huracanes prevé cambios en su intensidad y mantiene incertidumbre sobre su trayectoria hacia el Pacífico mexicano.
Por Gabriela Díaz | Reportera
El huracán Vance alcanzó brevemente la categoría 3 en la escala Saffir-Simpson durante la noche del viernes, antes de debilitarse a categoría 2, mientras avanzaba hacia el norte-noroeste sobre el océano Pacífico, informó el Centro Nacional de Huracanes (NHC, por sus siglas en inglés).
En su actualización de las 03:00 horas UTC del sábado 24 de octubre, el organismo ubicó el centro del ciclón a unos 590 kilómetros al sur-suroeste de Acapulco y 750 kilómetros al sur-sureste de Manzanillo. El sistema mantenía vientos máximos sostenidos de 175 kilómetros por hora.
Aunque el pronóstico contempla un debilitamiento gradual, los meteorólogos mantienen incertidumbre sobre la trayectoria de Vance y su posible evolución frente a las costas mexicanas. En el último aviso consultado no había alertas ni avisos costeros vigentes, pero las autoridades recomendaron mantener vigilancia sobre el desarrollo del fenómeno.
Vientos y trayectoria
Vance se desplazaba hacia el norte-noroeste a aproximadamente 11 kilómetros por hora. El pronóstico del NHC indicó que ese movimiento general continuaría durante las siguientes horas, aunque la trayectoria podría variar conforme cambien las corrientes atmosféricas que dirigen al huracán.
La diferencia entre los modelos meteorológicos aumenta después de las primeras 24 a 36 horas. Un sistema más débil y con una estructura vertical inclinada podría desviarse hacia el oeste, mientras que un huracán más organizado tendría mayores posibilidades de avanzar hacia sectores del suroeste o centro-occidente de México.
Por ello, la trayectoria prevista no debe interpretarse como una confirmación de que Vance tocará tierra. Su evolución dependerá tanto de las condiciones atmosféricas como de los cambios en su intensidad.
¿Por qué podría debilitarse?
El ciclón comenzó a mostrar señales de deterioro en su estructura nubosa, con un ojo menos definido y temperaturas más cálidas en la parte superior de las nubes que rodean su centro. Los especialistas atribuyeron estos cambios, posiblemente, a la cizalladura vertical del viento.
Además, algunas zonas del océano por las que avanzaría Vance presentan temperaturas superficiales más bajas y menor contenido de calor oceánico, condiciones que pueden limitar la energía disponible para mantener su intensidad.
El pronóstico contempla un debilitamiento durante el fin de semana, aunque también existe la posibilidad de que el huracán recupere fuerza temporalmente si abandona las aguas más frías. Hacia el final del periodo previsto, el aumento de la cizalladura, la disminución de humedad atmosférica y una posible interacción con tierra favorecerían una nueva pérdida de intensidad. –sn–
Sociedad Noticias¡Conéctate con Sociedad Noticias! Suscríbete a nuestro canal de YouTube y activa las notificaciones, o bien, síguenos en las redes sociales: Facebook, Twitter e Instagram.
También, te invitamos a que te sumes a nuestro canal de información en tiempo real a través de Telegram.
#NoticiasMX #PeriodismoParaTi #PeriodismoParaTiSociedadNoticias #categoríaDelHuracánVance #Cdmx #CentroNacionalDeHuracanes #climaEnMéxico #Destacado #huracanesEnMéxico #HuracánVance #huracánVanceHoy #Información #InformaciónMéxico #México #Morena #NHC #noticia #noticias #NoticiasMéxico #NoticiasSociedad #PacíficoMexicano #ProtecciónCivil #SN #Sociedad #SociedadNoticias #SociedadNoticiasCom #sociedadNoticias #SociedadNoticiasCom #trayectoriaDelHuracánVance -
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🎥 Video
===================HyperFrames: writing video as code, rendered through Claude
A new tutorial from the Israeli AI blog LetsAI walks through a workflow where video production starts as a conversation with Claude instead of a timeline editor. The clip covered there was built entirely with Claude: the model computes each frame as code, and a render engine captures the frames in sequence to produce a finished MP4. The tutorial's framing borrows from Eadweard Muybridge's 1878 horse motion studies: motion is a sequence of still frames, and whoever controls each frame controls the motion.
What HyperFrames is
HyperFrames is a free, open-source project by HeyGen. It represents videos as HTML compositions and renders them to video files. It ships in two parts:
• A command-line tool, invoked as npx hyperframes, which downloads automatically on first run.
• A set of Skills for Claude Code, installed with npx skills add heygen-com/hyperframes. Skills are instruction files Claude reads on demand; the HyperFrames ones teach it how to structure a valid composition, how to schedule animations on the timeline, and how to test and render the result.Two content types, two workflows
The tutorial separates two use cases:
1. Animation from scratch: ads, teasers, and explainer videos, built entirely as code.
2. Editing footage filmed by the user: trimming silences, Hebrew subtitles, zoom effects, and converting landscape footage to vertical format for social.In both cases the output is an MP4, and the work happens in natural language with approvals at each step.
Two ways to run it
• Connector mode: HyperFrames plugs into Claude as a connector, with nothing to install. Lower ceiling on control, faster entry point.
• Claude Code mode: runs locally on your machine with the Skills installed. The tutorial claims benefits here in precise Hebrew text rendering, working with your own footage files, and local rendering rather than anything cloud-side.Why it matters
For teams producing short social video, the interesting part is not the gimmick but reproducibility: a video defined in HTML is versionable and diffable, and revisions become prompt-driven edits to specific scenes, in a way a traditional editor project is not. Localization also runs through the same pipeline, since subtitle generation and text rendering are part of the composition. The tutorial specifically highlights accurate Hebrew rendering as a differentiator in the local setup, which is relevant wherever RTL text is a recurring pain point in automated video tools.
Caveats
This is a write-up of someone else's workflow, not a tested one. The source is an AI training and consulting blog, so the tone is partly promotional; rendering quality, Hebrew font handling, and render times deserve personal verification before committing a real project to this. HeyGen's own prompting documentation is available for review.
References
• Documentation: hyperframes.heygen.com
• Repository: github.com/heygen-com/hyperframes
• Official prompting guide: hyperframes.heygen.com/prompting/overview🔹 HyperFrames #ClaudeCode #AI #VideoGeneration #tool
🔗 Source: https://letsai.co.il/hyperframes/?ref=8
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Raimund Iron Ore Mines
The Raimund iron ore mines lie along Red Mountain, part of the vast Birmingham District that helped establish Birmingham, Alabama, as one of the South’s leading iron and steel centers. Situated west of Birmingham and north of Bessemer, the mines supplied the iron ore that fueled the region’s expanding industrial economy. Their development formed part of a broader wave of mining activity along Red Mountain, where rich deposits of hematite ore helped transform a once-rural landscape into the foundation of a major industrial powerhouse. Today, the Raimund mines remain a reminder of the people, infrastructure, and industrial enterprise that shaped Birmingham’s early history.
The Raimund mining operation began in 1896, when John Adams developed the property for the Thomas Pioneer Mining and Manufacturing Company. The company’s owner, Samuel Thomas, named the mines after one of his grandsons, Raimund. From the outset, the operation depended on reliable transportation to move iron ore from the mountain to the region’s furnaces. Pioneer contracted with the Louisville & Nashville Railroad’s Birmingham Mineral Division to construct a rail line serving the mines. The line provided a means of transporting ore to Republic Iron & Steel Company’s blast furnace in Thomas, then a developing industrial community within the Birmingham area. Local railroad contractors Dunn & Lallande Brothers, associated with Dunn Construction, built the line for the railroad.
The mines soon became part of the expanding industrial network that connected Red Mountain’s ore deposits with Birmingham’s iron-producing facilities. In 1899, Republic Iron & Steel Company purchased Pioneer Mining. Republic subsequently assumed direct control of the Raimund mines in 1907, following Pioneer’s dissolution. A major steel producer based in the North, Republic was expanding its presence in Birmingham’s rapidly growing iron and steel district, where access to local ore, coal, limestone, and railroad transportation offered significant industrial advantages.
Mining at Raimund took place underground along the iron-bearing formations of Red Mountain. Rather than extracting ore from an open pit, workers entered the deposits through sloping mine openings that followed the downward angle of the rock layers. The operation included extensive underground workings, surface facilities for handling and loading ore, and railroad connections that carried the mined material away from the mountain. The railroad was essential to the operation, linking the mines with the furnaces and industrial facilities that depended on their output. In places, later road alignments followed the former bed of the Louisville & Nashville Railroad’s Birmingham Mineral Division, leaving traces of the transportation network that once served the mines.
By the beginning of the twentieth century, Raimund No. 1 had developed into a substantial underground mining operation. A United States Geological Survey investigation conducted around 1908–1909 documented the mine’s layout and geological characteristics in considerable detail. Raimund No. 1 was classified as a slope mine, meaning that miners reached the ore body through an inclined passage driven into the mountain rather than through a conventional vertical shaft.
The ore bed at No. 1 averaged approximately 8¼ feet in thickness, while the surrounding strata dipped at an angle of about 34 degrees. By December 1908, the main slope extended approximately 1,257 feet into the mountain. Twenty-one headings branched off on each side of the main passage, creating a network of underground workings. Headings 10 through 21 were actively producing ore at the time of the survey. The mine worked the Big Seam, one of the principal red-iron ore beds in the Birmingham District.
These details illustrate the scale and organization of the Raimund operation during its early years. Mining required more than following a deposit underground. The company had to develop access passages, extend working areas, move ore through the mine, and maintain a transportation system capable of carrying the material to market. As production expanded, the underground workings became increasingly complex, reflecting both the richness of the deposit and the engineering demands of extracting ore from beneath Red Mountain.
A geological survey published in 1910 identified several Raimund workings: the No. 1 slope, an older abandoned No. 2 slope, a newer dual No. 2 slope, and a No. 3 slope. These separate workings demonstrate that Raimund was not a single mine entrance but a developing complex of underground operations. As earlier workings were abandoned or replaced, new slopes provided access to additional ore deposits and supported continued production.
By 1915, the Raimund mines had become significant producers within the Birmingham District and the wider American iron-ore industry. Raimund No. 1 produced approximately 222,000 tons of hematite ore that year, placing it among the larger iron-ore mines in the United States. Raimund No. 2 also appeared on the same federal production list, with an output of approximately 119,000 tons. Combined, the two mines produced roughly 341,000 tons of iron ore in 1915 alone.
Such production figures reveal the importance of Raimund to Republic’s operations and to Birmingham’s industrial economy. Iron ore from the mountain helped supply the furnaces that produced the iron needed for the nation’s expanding industrial infrastructure. Behind those figures stood the miners who worked underground, the crews who maintained the surface facilities, and the railroad workers who kept ore moving between the mines and the furnaces. Their labor sustained an operation that had become an integral part of the region’s industrial system.
During World War I, demand for iron and steel increased as American industry responded to wartime production needs. Republic operated three slope mines at Raimund during this period, reflecting the importance of the property to its iron-ore supply. The company continued to develop and reorganize its underground operations as mining conditions and production requirements changed.
By 1920, Republic had closed the No. 3 mine and upgraded its two remaining slope mines. This consolidation marked another stage in the evolution of the Raimund operation. The mines had grown from a property developed in the late nineteenth century into a substantial industrial complex, with multiple underground workings, extensive railroad connections, and a production record that placed it among the important iron-ore operations of its era.
Yet the story of Raimund was about more than geological deposits and production totals. The mines formed part of a larger industrial community whose fortunes depended on the demand for iron and steel. Their development created employment, connected the mountain to Birmingham’s industrial infrastructure, and established the foundations for the labor struggles and economic upheavals that would shape the decades ahead. As the twentieth century progressed, the Raimund mines would face new challenges arising from changing markets, labor relations, and the increasingly difficult economics of underground mining.
These historic postcards feature the Raimund No. 1 Slope of the Republic Iron and Steel Co. on Red Mountain.Described as the first steel tipple in the Birmingham District, the Raimund operation reportedly produced 20,000 tons of iron ore each month, highlighting the remarkable scale of the mining industry that helped fuel the city’s rise as an industrial powerhouse.A 1920 engineering report gives an excellent glimpse inside the mining operation. Both Raimund No. 1 and No. 2 had steam-powered surface plants. No. 1 had a steel headframe and used a 10-ton skip, although 8 tons were lifted in each load. The system was surprisingly similar to contemporary coal mines. Ore was loaded into wooden underground cars. The cars were moved along tracks, with mules used for haulage in portions of the workings. The ore was then moved through the underground slopes and eventually hoisted to the surface. Workers were mining an approximately eight-foot-thick ore bed using a room-and-pillar system. Rooms were driven parallel to the strike, 30 feet wide, with about 60 percent of the ore removed, and 40 percent left behind as pillars to support the roof. Miners used pneumatic drilling equipment including Leyner-Ingersoll, Dreadnaught and Turbo drills, while jackhammers were used for block holing and drifting. The engineers noted that faults made the Raimund workings particularly irregular. In some places the ore had been displaced from its normal position, forcing miners to work isolated sections of the ore body.
When the Great Depression began in 1929, Birmingham’s iron and steel industry suffered a severe collapse. Steel and pig iron production fell to levels not seen since the 1890s, and major companies, including Republic Steel, sharply curtailed operations. Workers faced layoffs, reduced wages, and constant uncertainty about whether they would have work from one week to the next. For families living in the Raimund-Muscoda mining district, the consequences extended far beyond the mine entrance. When a miner lost his job, his household could lose its primary source of income. In a company-dominated industrial community, unemployment could also mean losing company-provided housing. Many miners were paid according to the volume of iron ore they extracted rather than the hours they spent working, a compensation system that would later become central to a significant legal dispute.
In the early 1930s, approximately 5,000 iron ore miners worked in the Birmingham area, nearly 80 percent of whom were Black. They worked for major industrial companies, including Republic Steel, Sloss-Sheffield Steel and Iron Company, Woodward Iron Company, and Tennessee Coal, Iron & Railroad Company (TCI), a subsidiary of United States Steel. One of the most significant developments in the history of the Raimund mines occurred in 1933, when workers established an independent union. On July 25, 1933, Republic Steel Raimund Local 121 received its charter under the International Union of Mine, Mill, and Smelter Workers, commonly known as Mine Mill.
Black miners joined Mine Mill in large numbers, seeking fairer treatment and a stronger voice in the workplace. Many white workers, meanwhile, faced pressure to remain with company-supported employee representation plans. Local 121 provided Black miners with an avenue to challenge unequal treatment in a deeply segregated industrial society. Union members faced harassment and intimidation on the job. Union leaders reported unjustified discharges, threats, verbal abuse by the mine superintendent and foremen, increased workloads for union members, layoffs for minor or questionable reasons, assignments to less desirable jobs, and Republic Steel’s refusal to bargain collectively. These grievances, among others, contributed to a strike in 1934. However, the strike failed to bring substantial improvements to working conditions or significantly improve the union’s relationship with the company.
By the beginning of World War II, Raimund No. 1 was the only mine still in operation. The No. 2 mine had been converted years earlier into an air shaft and a utility and maintenance slope. One historical account credits the Raimund operation with producing more than 12 million tons of iron ore by 1938. By 1943, the underground workings of the Raimund No. 1 slope extended for miles, reaching beneath portions of southwest Shades Creek and Shades Mountain at depths of approximately 3,000 feet.
Despite the wartime demand for steel, Republic Steel closed the Raimund mines in late 1943. The company cited the high cost of underground mining and the depletion of accessible ore reserves. The closure also came amid a bitter dispute between Republic Steel and the International Union of Mine, Mill, and Smelter Workers, whose local represented Raimund miners. The decision attracted considerable media attention and congressional scrutiny because it came at a time when the nation’s wartime industries urgently needed steel. Nevertheless, the company proceeded with the closure. Many of the displaced workers were transferred to Republic Steel’s Spaulding Mine at Graces Gap on Red Mountain.
In 1945, Jesse Edwards, a businessman from Bessemer, purchased the Raimund mines from Republic Steel. Several years later, he leased the mines back to the company. After years of inactivity, reopening the operation required months of repairs and modernization. Crews also had to pump millions of gallons of water from the underground workings, which had flooded after the pumps were shut down. The mine reopened in 1948 as the Edwards Mines, bringing hundreds of union miners back to work.
To make the operation profitable, Republic Steel needed to adopt modern underground mining equipment and more efficient ore-extraction methods. Following the example of TCI’s coal and iron ore operations, the company introduced trackless mining methods and modern 25-ton Jeffrey electric locomotives. These technologies allowed miners to work more efficiently and recover much of the iron ore left behind during earlier periods of mining.
The Edwards Mines continued operating successfully until 1960, when a sharp decline in steel prices, combined with competition from inexpensive imported Venezuelan ore, forced the operation to close. The mine remained idle as underground equipment and other valuable materials were removed. The Louisville & Nashville Railroad (L&N) dismantled its rails and abandoned the line that had served the mining operation.
By 1963, the former Raimund mines were permanently closed. With the underground water pumps shut down, the workings flooded rapidly. Mine portals and access passages were sealed or blasted shut with dynamite. Most of the surface structures were demolished, although a few remnants survived as evidence of the area’s industrial past.
Decades later, the former mining property became part of a broader effort to preserve Red Mountain’s industrial and natural heritage. In 2013, Red Mountain Park expanded its green space by 53 acres through a donation of the Raimund mines property from the Freshwater Land Trust, using land from the estate of J. K. Edwards. The donation helped preserve a site that had played an important role in Birmingham’s iron industry and in the lives of the miners and families who depended on it.
The history of the Raimund mines reflects the changing fortunes of Birmingham’s iron and steel industry, the struggles of Black workers for fair treatment and collective representation, and the technological changes that reshaped underground mining. From the economic hardships of the Great Depression to wartime controversy, postwar modernization, and eventual closure, Raimund’s story remains an important part of the region’s industrial and labor history.
Thank you for reading. Please share the blog with your friends. I appreciate your support. You can find me on Facebook, Instagram, and TikTok. For more amazing abandoned places, check out my photography books.
#abandoned #abandonedPlaces #abandonedSoutheast #adventure #architecture #Decay #forgotten #hiking #history #nature #photography #travel #UrbanExploring #urbex
