#thenwothmcom — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #thenwothmcom, aggregated by home.social.
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Band of the day: Dark Forest (UK)
The Nwothmhttps://www.youtube.com/watch?v=b7CW5SVxyyM&list=RDb7CW5SVxyyM&start_radio=1
Band: Dark Forest
Country: UK
Label: Cruz del Sur Music
Members: Josh Winnard – Vocals Christian Horton – Guitars, Bass Patrick Jenkins – Guitars Adam Sidaway – Drums
Album: Ridge & Furrow (EP)
Track Info: 1. Skylark 00:00 2. The Golden Acre 06:40 3. Ridge & Furrow 12:18 4. Meadowland 18:45 5. Under The Greenwood Tree 20:57
Dark Forest is a heavy metal band from Dudley in the West Midlands, England. Formed in 2002, they are known for blending soaring melodies with themes drawn from mythology, history, patriotism and classic metal traditions. Signed to Cruz del Sur Music, the band has released a series of acclaimed albums including Dark Forest, Dawn of Infinity, The Awakening, Beyond the Veil and Oak, Ash & Thorn. Their music has appeared on several compilations, including Fear Candy and British Steel, marking their place in the rising force of British heavy metal.
https://www.youtube.com/watch?v=j21z8KCbuVc&list=RDj21z8KCbuVc&start_radio=1
Links
Bandcamp: https://darkforest-uk.bandcamp.com/album/ridge-and-furrow
Facebook: https://www.facebook.com/Darkforestuk
Instagram:
Label: https://www.cruzdelsurmusic.com/store/
#bandOfTheDay #britishHeavyMetal #cruzDelSuMusic #darkForest #heavyMetal #newWaveOfTraditionalHeavyMetal #nwothm #ridgeFurrow #thenwothmCom
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Live roundup #39
The NwothmWe are back with another live roundup showing you some of the best gigs and festivals coming up in the near future! Buying in advance both supports bands and festivals helping to make sure shows go ahead! So what are you waiting for, go and grabs some tickets!
What your gig featured?
If you would like to have your gig featured here please drop us a message on our socials or email [email protected]!
#1 Haunt
More info: https://www.facebook.com/hauntthenation
#2 2 Minutes To Tulsa 2026
More info: https://www.facebook.com/profile.php?id=100091898229431
#3 Speed Queen
More info: https://fb.me/e/88lj0eOFj
#4 Enforcer
More info: https://www.instagram.com/enforcerofficial
#5 Hëiligen
More info: https://www.instagram.com/heiligenheavymetal/
#6 Rock Hard Festival 2026
More info: https://www.rockhard.de/rhfestival
#7 FullMetal Osthessen
More info: https://www.facebook.com/FullMetalOsthessen
#8 Tyrannt
More info: https://www.instagram.com/tyrannband/
#9 High Voltage La Ceja
More info: https://www.instagram.com/revenge.speedmetal/
#10 Messiah + Amethyst & Klaw
More info: http://www.Eisenwerk.ch
#1 #10 #2 #2MinutesToTulsa2026 #3 #4 #5 #6 #7 #8 #9 #amethyst #angelWitch #enforcer #haunt #heiligen #heavyMetal #lucifer #megaColossus #messiah #nwothm #picture #revenge #sacredWarrior #scavenger #snowblind #speedQueen #thenwothm #thenwothmCom #tyrannt #wytchHazel
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Live roundup #39
The NwothmWe are back with another live roundup showing you some of the best gigs and festivals coming up in the near future! Buying in advance both supports bands and festivals helping to make sure shows go ahead! So what are you waiting for, go and grabs some tickets!
What your gig featured?
If you would like to have your gig featured here please drop us a message on our socials or email [email protected]!
#1 Haunt
More info: https://www.facebook.com/hauntthenation
#2 2 Minutes To Tulsa 2026
More info: https://www.facebook.com/profile.php?id=100091898229431
#3 Speed Queen
More info: https://fb.me/e/88lj0eOFj
#4 Enforcer
More info: https://www.instagram.com/enforcerofficial
#5 Hëiligen
More info: https://www.instagram.com/heiligenheavymetal/
#6 Rock Hard Festival 2026
More info: https://www.rockhard.de/rhfestival
#7 FullMetal Osthessen
More info: https://www.facebook.com/FullMetalOsthessen
#8 Tyrannt
More info: https://www.instagram.com/tyrannband/
#9 High Voltage La Ceja
More info: https://www.instagram.com/revenge.speedmetal/
#10 Messiah + Amethyst & Klaw
More info: http://www.Eisenwerk.ch
#1 #10 #2 #2MinutesToTulsa2026 #3 #4 #5 #6 #7 #8 #9 #amethyst #angelWitch #enforcer #haunt #heiligen #heavyMetal #lucifer #megaColossus #messiah #nwothm #picture #revenge #sacredWarrior #scavenger #snowblind #speedQueen #thenwothm #thenwothmCom #tyrannt #wytchHazel
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Live roundup #39
The NwothmWe are back with another live roundup showing you some of the best gigs and festivals coming up in the near future! Buying in advance both supports bands and festivals helping to make sure shows go ahead! So what are you waiting for, go and grabs some tickets!
What your gig featured?
If you would like to have your gig featured here please drop us a message on our socials or email [email protected]!
#1 Haunt
More info: https://www.facebook.com/hauntthenation
#2 2 Minutes To Tulsa 2026
More info: https://www.facebook.com/profile.php?id=100091898229431
#3 Speed Queen
More info: https://fb.me/e/88lj0eOFj
#4 Enforcer
More info: https://www.instagram.com/enforcerofficial
#5 Hëiligen
More info: https://www.instagram.com/heiligenheavymetal/
#6 Rock Hard Festival 2026
More info: https://www.rockhard.de/rhfestival
#7 FullMetal Osthessen
More info: https://www.facebook.com/FullMetalOsthessen
#8 Tyrannt
More info: https://www.instagram.com/tyrannband/
#9 High Voltage La Ceja
More info: https://www.instagram.com/revenge.speedmetal/
#10 Messiah + Amethyst & Klaw
More info: http://www.Eisenwerk.ch
#1 #10 #2 #2MinutesToTulsa2026 #3 #4 #5 #6 #7 #8 #9 #amethyst #angelWitch #enforcer #haunt #heiligen #heavyMetal #lucifer #megaColossus #messiah #nwothm #picture #revenge #sacredWarrior #scavenger #snowblind #speedQueen #thenwothm #thenwothmCom #tyrannt #wytchHazel
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Live roundup #39
The NwothmWe are back with another live roundup showing you some of the best gigs and festivals coming up in the near future! Buying in advance both supports bands and festivals helping to make sure shows go ahead! So what are you waiting for, go and grabs some tickets!
What your gig featured?
If you would like to have your gig featured here please drop us a message on our socials or email [email protected]!
#1 Haunt
More info: https://www.facebook.com/hauntthenation
#2 2 Minutes To Tulsa 2026
More info: https://www.facebook.com/profile.php?id=100091898229431
#3 Speed Queen
More info: https://fb.me/e/88lj0eOFj
#4 Enforcer
More info: https://www.instagram.com/enforcerofficial
#5 Hëiligen
More info: https://www.instagram.com/heiligenheavymetal/
#6 Rock Hard Festival 2026
More info: https://www.rockhard.de/rhfestival
#7 FullMetal Osthessen
More info: https://www.facebook.com/FullMetalOsthessen
#8 Tyrannt
More info: https://www.instagram.com/tyrannband/
#9 High Voltage La Ceja
More info: https://www.instagram.com/revenge.speedmetal/
#10 Messiah + Amethyst & Klaw
More info: http://www.Eisenwerk.ch
#1 #10 #2 #2MinutesToTulsa2026 #3 #4 #5 #6 #7 #8 #9 #amethyst #angelWitch #enforcer #haunt #heiligen #heavyMetal #lucifer #megaColossus #messiah #nwothm #picture #revenge #sacredWarrior #scavenger #snowblind #speedQueen #thenwothm #thenwothmCom #tyrannt #wytchHazel
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Live roundup #39
The NwothmWe are back with another live roundup showing you some of the best gigs and festivals coming up in the near future! Buying in advance both supports bands and festivals helping to make sure shows go ahead! So what are you waiting for, go and grabs some tickets!
What your gig featured?
If you would like to have your gig featured here please drop us a message on our socials or email [email protected]!
#1 Haunt
More info: https://www.facebook.com/hauntthenation
#2 2 Minutes To Tulsa 2026
More info: https://www.facebook.com/profile.php?id=100091898229431
#3 Speed Queen
More info: https://fb.me/e/88lj0eOFj
#4 Enforcer
More info: https://www.instagram.com/enforcerofficial
#5 Hëiligen
More info: https://www.instagram.com/heiligenheavymetal/
#6 Rock Hard Festival 2026
More info: https://www.rockhard.de/rhfestival
#7 FullMetal Osthessen
More info: https://www.facebook.com/FullMetalOsthessen
#8 Tyrannt
More info: https://www.instagram.com/tyrannband/
#9 High Voltage La Ceja
More info: https://www.instagram.com/revenge.speedmetal/
#10 Messiah + Amethyst & Klaw
More info: http://www.Eisenwerk.ch
#1 #10 #2 #2MinutesToTulsa2026 #3 #4 #5 #6 #7 #8 #9 #amethyst #angelWitch #enforcer #haunt #heiligen #heavyMetal #lucifer #megaColossus #messiah #nwothm #picture #revenge #sacredWarrior #scavenger #snowblind #speedQueen #thenwothm #thenwothmCom #tyrannt #wytchHazel
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Support the scene: Eld Varg (Scotland)
I recently came across a Scottish heavy metal band that caught my attention by the name of Eld Varg. This trio have been around since 2013 and already have a stack of releases out.And now they are celebrating the release of their new record “Destroyer” As you know merch is a big part for any bands income so I wanted to show just what they have to offer over on their official web shop!
Web shop: https://www.eldvarg.com/category/all-products
Remember buying physical merch always goes so much further. It puts more money in bands pockets, helping them to do what they do best and that is deliver the metal! So if you love the bands music and can do so, grab some merch and help keep the metal flame burning!
https://www.youtube.com/watch?v=IKzl_Hwpgaw&list=RDIKzl_Hwpgaw&start_radio=1
Links
Website: https://www.eldvarg.com/
Facebook: https://www.facebook.com/eldvargofficial
Instagram: https://www.instagram.com/p/DQeunHdDIdc/
Read More Support The Scene Posts
#bandMerch #buyBandMerch #destroyer #eldVarg #eldVargScotland #heavyMetal #newAlbum #newWaveOfTraditionalHeavyMetal #nwothm #supportTheScene #thenwothm #thenwothmCom
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Helvetets Port: Tomas Ericson on inspiration vs influence
The Nwothm
5–8 minutesI am sometimes asked the question of what has inspired or influenced Helvetets Port’s music. I am sure these terms are interchangeable to some, but to me the question has made my brain rev up to a higher degree than I expected. Perhaps because I have felt there is a difference that I should take more seriously in order to answer the question. In this article I would like to make a distinction between inspiration and influence: the former is something that can act as a “muse”, or something which you strive for, even if it is not necessarily heard in your music. Whereas influence is something that could be more clearly heard, or an “inspiration that has broken through” if you will. Let us start with five sources of inspiration and why it stays on that side of the fence:
Thor (CAN) – Unchained (1983) and Only the Strong (1985)
This is peak efficiency in songwriting. The songs are straightforward and catchy without being cheerful or predictable. I often see my songs getting out of hand when it comes to complexity and abstruseness at the writing stage, and then I try to think “more Thor”. No one could do it quite like them though. They could get seriously epic and heavy with the same simplicity in songs like When Gods Collide and Ride of the Chariots, and it is genius level.
Killen (USA) – Restless is the Witch (1989)
This is perhaps not so much a direct musical inspiration, rather a “heavy metal-philosophical” one. On this cassette, particularly on the two songs that are unique for this release – Birth of a King and The Resurrection/Vampire – Killen demonstrate the ways in which you can warp heavy metal to its limits while still being impervious of accusations of deviating from trueness. And, check out the video of “Scream in the Night” on Youtube for some serious overall coolness inspiration. Their full-length album from 1987 is also a major lesson in giving zero fucks.
Witch Cross (DEN) – Fit for Fight (1984)
In heavy metal there are two overarching themes with their respective moods, from which all sub-themes stem. The old and the new (well, 80s new). The old is the ancient or medieval; fantasy, the epic stuff. The new is the (80s) contemporary, nightlife, street level stuff. And although Witch Cross can excel in the former (especially on some older demo stuff) it is in the “new” category where they truly set the ultimate mood. The first minute of “Light of a Torch” and “Face of a Clown” is like the equivalent of 100 Stranger Things first seasons. It’s all you need if you want to get in the mood to make neon light music – but never to be equalled.
Tyrant (Gloucester, UK) and Tyrant (Mansfield, UK)
For two bands with the same name from the same country to be inseparable regarding the same kind of inspiration is a cosmic fluke. But there they stand, as the two most important bastions of the medieval sub-theme of the “old” category. One of them only having recorded two songs. Listen to a few Tyrant songs and you have bathed yourself in enough medieval melancholy to subtract a few hundred years from the atmosphere of the music you write next. Highlights if I have to choose: “Day of the Knight” and “Shadows of the Night”.
Overkill (Winnenden, GER) – Demo (1984)
It is difficult to be directly musically influenced by these Germans, perhaps because all the songs are so different from each other, but each superb in their own way. Heavy Metal Forces, the catchy anthem; The Iron Sword, the medieval epic song and Killers in the Dawn, a number that surpasses the meanness of all thrash metal while being classic heavy metal. They are a major inspiration when it comes to varying your songs without losing the core, and also to try and change your vocal colour depending on the song.
https://www.youtube.com/watch?v=IBxKivzih7I
And here are five sources of influence and it turns out to be a somewhat patriotic list:
Gotham City (SWE)
The elephant in the room, the influence of all influences! Notwithstanding the music, the sharp-sighted can probably tell that our logo and the artwork to our first single are heavily influenced by Gotham City. They are the main reason I got into obscure heavy metal and the main influence to start Helvetets Port. Their music has the perfect blend of coolness, quirkiness and regalness. Right now I am working on a song which is especially influenced by them, called “We Played Heavy Metal”.
Heavy Load (SWE)
There is always a bit, small or big, of Heavy Load and especially Ragne Wahlquist in one’s guitar playing, singing and songwriting. It is as though their work is the template for heavy metal. When you sit down with a guitar, there is always this little quick subconscious process in your head of “what is guitar playing all about?” in order to get your bearings as to what you are about to do with that strange object in your lap. And that subconscious backdrop is made by Heavy Load. The melancholy and earnestness, the E minor riffs that can always lead to greatness.
Kim Sixx (DEN) – Demo 1984
Kim Sixx in my opinion have the most commendable mix of guitar playing “tools” out of any band. There is perfect division of riffs, rhythm, licks, solos and melodies. Of course not only the division but the way it is played. This, and the fact that they might be the most true template of a classic heavy metal band imaginable, is a huge influence and inspiration. On a song like “Ruled with an Iron Hand”, I tried to summon the guitar practices of Kim Sixx.
Rising (SWE) – The Show is Over (song from the “Just One Bite …” demo 1984)
Now I am going to talk about a couple of songs that have distinct parts that have left an everlasting impression and which I feel I can never really fully explore, an itch that never goes away. For this Rising song it is about the very end, where it is almost like they are starting a new, awesome song and then it stops. It is the ultimate risky “kill your idols” technique in songwriting, creating a yearning that you as a songwriter want to almost fulfill but not quite. This I tried to recreate in the ending of “Cry of the Night”.
Zone Zero (SWE) – Evil Dream (B side from the “Heavy Metal” 7″ 1982)
With the Zone Zero song it is a similar deal in changing parts, but a more abrupt change and preferably more in the middle of the song. The time I first heard the tempo change in Evil Dream might be the most significant listening experience in my life and I get goosebumps just thinking about it. It shows that if you have written a cool part you can just brute force it into whatever place your heart feels like. Having it become as mind-blowing as in Evil Dream is a different matter though. Some places where I have attempted it is for example in “The Invincible” when the lone riff starts, and “Stan Brinner” when the final kind of chorus starts, and many more. Basically, whenever there is a part change that is not very “natural”, the spirit of Evil Dream looms over it.
https://www.youtube.com/watch?v=FPgrKjyJrqM
Conclusion by TheNwothm
For Tomas Ericson, Helvetes Port is shaped by inspiration that sparks imagination and influence that leaves its mark in sound. Together they create a vision that balances tradition with individuality, keeping the old spirit of heavy metal alive in a unique way.
How do you see it? Does heavy metal thrive more on unseen muses or on the influences we can clearly hear? Let us know!
Photo Credit: Sabrina (Visual_Evidence)
#heavyMetal #helvetetsPort #inspirationVsInfluence #newWaveOfTraditionalHeavyMetal #nwothm #thenwothm #thenwothmCom #tomasEricson #tradMetal #traditionalHeavyMetal
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Reminder: Share your voice for our upcoming feature!
We’re working on a permanent section for the website, and it begins with one simple but important question:
What does NWOTHM mean to you?
- How do you interpret the term?
- How does it make you feel?
- How do you think it all began?
We’d love to hear your thoughts. Please share your comments below, through social media, or by email at [email protected] — and don’t forget to include your country. Your words could even become part of the feature itself.
The feature is planned to go live in the new year, so keep an eye out.
Submit a form.#heavyMetal #newWaveOfTraditionalHeavyMetal #nwothm #thenwothm #thenwothmCom #whatDoesNwothmMeanToYou2
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Review: Mausoleum Gate “Space, Rituals and Magick’
Release date: Out Now
Label: Cruz Del Sur Music
8 minutesThe Nwothm
Finnish heavy metal cult Mausoleum Gate return with their heavily anticipated third studio album. “Space, Rituals and Magick” is available now via Cruz Del Sur Music on vinyl, CD, and digital formats.
Formed in 2008, Mausoleum Gate have carved a reputation for their mystical and atmospheric approach to heavy metal, drawing inspiration from obscure gems of the 1980s and beyond. Their latest work continues this tradition, offering a journey into other realms and ancient times with a distinctive sound that remains recognisably their own.
Guitarist Count L.F remarks:
Well the notorious third album shall we say? Or so the legend that I have heard goes. This time with Mausoleum Gate. The album took remarkable time to make for various reasons. Sometimes the song not intended to album was growing a serious epic and so on. Well as we called it -The Church of Isaac 666 (a phrase in Finnish called “Iisakin kirkko” which means a building that is never finished) but here we are! As usual the album differs from previous albums. This seems to be the case with us. Anyway still sounding Mausoleum Gate. This is the point. Our line-up has changed quite a lot since the last album and that of course changes the sound of the band but you can recognise the band. And the melodies and harmonies are still there. This time the compositions are maybe more of a band effort than ever before which gives a new nuances. New members: Jarno Saarinen, Jari Kourunen and Jarno Koskell have brought a great addition to Mausoleum Gate – as well as playing wise and composing wise. The new line-up has been tested live a few times but now its time to reveal the claws in album size! Last but definitely not the least our long time artist Timo Raita who did awesome job this time – again!
Review
Vision Divine is the first track of the album and essentially my introduction to the band. Noticeably straight I get this very organic vibe especially with the drums which do not feel over processed and focus on the acoustic qualities. There are repeating synths phrases and effects that make you feel your travelling through space. I am loving the jump in pacing and the melodic work delivered by the guitars. It just injects this sense of energy which catches your attention instantly. And throughout everything flies forward on top of some great (and sometimes unusually interesting) synth beds).The solo work slots in perfectly adding some flair to the song. And the vocal work helps to gel everything together ultimately creating this very organic, raw and nostalgic sound which has got me tuned in.
Lucifer Shrine shines strong with powerful and bright synth chords to open up the track. Unlike “Vision Divine” the tempo takes a step into the mid tempo range but packs a lot of punch. Notably I am liking the flowing feel of the melodies by both the guitars and synth notes in the background. And due to the mix being being very unrefined or polished you can here nuances, the roughness and grit of the guitar tones. And it is a pleasant listen. The vocals just like the track before are like butter on top of toast. Smooth and just go really well with the music. When the song breaks down to some riffing the synths even jump in for a bit of play. A refreshing break to a lot of the heavy metal and hard rock I have been listening too. Then it starts to get hella’ funky! The bass begins vibing the synths go off on one and the guitars are doing their thing. It comes all back together for one big bout driving towards the end. The vocals here are lower in key and add some nice weight to the song
Sacred Be Thy Throne come in at just around seven minutes so lets see if the length works. The band this time around have dialled things back to a mid/slower tempo pace. The band are all running together giving us some wonderful ideas before transition into a softer section where it is acoustic guitars, rolling snare patterns and calming vocal lines.Even little touches of synth in the background. A great way to bring balance to a song. Then a ripping riff cuts in helping to bring everything else back driving things forward. Things play out for a bit keeping the flow before dropping back down to our acoustic style section. However this time things pick up with some bold and heroic synths lighting up the mix in the background. Soon enough some majestic guitar harmonies shine light on the music and even the synths have a go. And as the sng progresses everything is gradually building in height and tone. The vocals that have played between calm and collected hit moments of energy and strength – especially when stacked.The passion just really holds this track up and high and does so until the very end. I am really digging this song and how the musical structure for not one minute feels boring. The acoustics and calm vocals bring Sacred Be Thy Throne to a close rounded everything off. What a brilliant song!
https://www.youtube.com/watch?v=8OoZ9nH5z24
4. Shine The Night has a very unusual intro. Just imagine you are floating through the darkness of space and matter flies past you. The sounds of synth notes cry from the silent dead void like alien calls. The pulsing bass notes drift in with a 16th note hi-hat beat and glossy guitar riffs. Little tweets of synths cry out all presenting a very spacey vibe. The verses are strong and muscular with driving rhythms and ballsy vocals. There is a couple of times where the verse and main glossy riffs repeat. But later on there are some developments where the things feel heightened and the synths beep noises like a spaceship computer. The whole track really does feel like a trip through space and time. And I really think that the atmosphere and synths are what what create this whole feeling.
5. Space, Rituals And Magick gets down to business with some heavy metal riffing and more spacey vibes with trickling synth melodies and bubbling sound effects in the background. The song has pace and does not mess around getting locked into the riffs all while the bass and drums provide a solid backbone. The vocals have been spot on throughout the whole album just making everything feel together and wholesome. There are some unusual vocal moments which do not feel human but more like a robot which are ace. lines brimming with character and charm. Layered beneath, the synth beds add width and depth, amplifying the atmosphere. The space‑like vibe shines especially bright here, evoking the sensation of flying through an asteroid field. The outro ties everything together seamlessly, rounding off the track as another excellent addition to the release.
We reach the end of this epic journey with the Witches Circle. Now this track comes in at just over eight minutes making it the longest track on the record. And unlike the rest of the album a large part of this track is stripped back. The intro is very merry and glistens bright but that acts as a brief flash before what follows next. Acoustic guitars and warm vocal lines gracefully come in as well as very light tip taps on hand drums. These just help to keep the flow moving forward. The title of Witches Circles is sung at intervals while synth piano notes gradually weave in to the song. And over time ]the music builds, the bass getting a little more interesting, the drums dropping in to a slow and mellow 4/4 beat. Semi acoustic guitar riffing comes in and the synth notes play out in the background. Everything feels so chilled yet retro and nostalgic yet I have travelled back in time. Little guitar melodies sing out delightfully with almost whispering vocal lines joining for a stint. But as we approach the last two minutes the dazzling vibes of the intro section returns and even some ideas like you would hear at American football game flash by. The song closes with a few repeats of the title ending a great and adventurous album!
Conclusion
Overall, this album delivers a cohesive and engaging journey that blends raw, organic instrumentation with rich, space-inspired atmosphere. Each track stands out in its own way, whether through energetic riffs, mid-tempo grooves, or expansive, emotional builds, but they are all tied together by expressive vocals, unpolished warmth, and imaginative synth work. The band moves effortlessly between heavy metal power and cosmic ambience, keeping the album dynamic and never dull. By the time the final track closes, it is clear this release is both adventurous and confidently crafted, offering a refreshing and memorable experience from start to finish.
TheNwothm Score: 10/10
Links
Bandcamp: https://mausoleumgatemetal.bandcamp.com/album/space-rituals-and-magick
Facebook: https://www.facebook.com/MausoleumGate
Instagram: https://www.instagram.com/mausoleumgate/
Label: https://cruzdelsurmusic.bandcamp.com/
https://www.youtube.com/watch?v=TBDbBoZAJL4
Read More Reviews
#cruzDelSur #cruzDelSurMusic #heavyMetal #mausoleumGate #newAlbum #newWaveOfTraditionalHeavyMetal #nwothm #ritualsAndMagick #space #spaceMetal #spaceRock #thenwothm #thenwothmCom
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Review: Mausoleum Gate “Space, Rituals and Magick’
Release date: Out Now
Label: Cruz Del Sur Music
8 minutesThe Nwothm
Finnish heavy metal cult Mausoleum Gate return with their heavily anticipated third studio album. “Space, Rituals and Magick” is available now via Cruz Del Sur Music on vinyl, CD, and digital formats.
Formed in 2008, Mausoleum Gate have carved a reputation for their mystical and atmospheric approach to heavy metal, drawing inspiration from obscure gems of the 1980s and beyond. Their latest work continues this tradition, offering a journey into other realms and ancient times with a distinctive sound that remains recognisably their own.
Guitarist Count L.F remarks:
Well the notorious third album shall we say? Or so the legend that I have heard goes. This time with Mausoleum Gate. The album took remarkable time to make for various reasons. Sometimes the song not intended to album was growing a serious epic and so on. Well as we called it -The Church of Isaac 666 (a phrase in Finnish called “Iisakin kirkko” which means a building that is never finished) but here we are! As usual the album differs from previous albums. This seems to be the case with us. Anyway still sounding Mausoleum Gate. This is the point. Our line-up has changed quite a lot since the last album and that of course changes the sound of the band but you can recognise the band. And the melodies and harmonies are still there. This time the compositions are maybe more of a band effort than ever before which gives a new nuances. New members: Jarno Saarinen, Jari Kourunen and Jarno Koskell have brought a great addition to Mausoleum Gate – as well as playing wise and composing wise. The new line-up has been tested live a few times but now its time to reveal the claws in album size! Last but definitely not the least our long time artist Timo Raita who did awesome job this time – again!
Review
Vision Divine is the first track of the album and essentially my introduction to the band. Noticeably straight I get this very organic vibe especially with the drums which do not feel over processed and focus on the acoustic qualities. There are repeating synths phrases and effects that make you feel your travelling through space. I am loving the jump in pacing and the melodic work delivered by the guitars. It just injects this sense of energy which catches your attention instantly. And throughout everything flies forward on top of some great (and sometimes unusually interesting) synth beds).The solo work slots in perfectly adding some flair to the song. And the vocal work helps to gel everything together ultimately creating this very organic, raw and nostalgic sound which has got me tuned in.
Lucifer Shrine shines strong with powerful and bright synth chords to open up the track. Unlike “Vision Divine” the tempo takes a step into the mid tempo range but packs a lot of punch. Notably I am liking the flowing feel of the melodies by both the guitars and synth notes in the background. And due to the mix being being very unrefined or polished you can here nuances, the roughness and grit of the guitar tones. And it is a pleasant listen. The vocals just like the track before are like butter on top of toast. Smooth and just go really well with the music. When the song breaks down to some riffing the synths even jump in for a bit of play. A refreshing break to a lot of the heavy metal and hard rock I have been listening too. Then it starts to get hella’ funky! The bass begins vibing the synths go off on one and the guitars are doing their thing. It comes all back together for one big bout driving towards the end. The vocals here are lower in key and add some nice weight to the song
Sacred Be Thy Throne come in at just around seven minutes so lets see if the length works. The band this time around have dialled things back to a mid/slower tempo pace. The band are all running together giving us some wonderful ideas before transition into a softer section where it is acoustic guitars, rolling snare patterns and calming vocal lines.Even little touches of synth in the background. A great way to bring balance to a song. Then a ripping riff cuts in helping to bring everything else back driving things forward. Things play out for a bit keeping the flow before dropping back down to our acoustic style section. However this time things pick up with some bold and heroic synths lighting up the mix in the background. Soon enough some majestic guitar harmonies shine light on the music and even the synths have a go. And as the sng progresses everything is gradually building in height and tone. The vocals that have played between calm and collected hit moments of energy and strength – especially when stacked.The passion just really holds this track up and high and does so until the very end. I am really digging this song and how the musical structure for not one minute feels boring. The acoustics and calm vocals bring Sacred Be Thy Throne to a close rounded everything off. What a brilliant song!
https://www.youtube.com/watch?v=8OoZ9nH5z24
4. Shine The Night has a very unusual intro. Just imagine you are floating through the darkness of space and matter flies past you. The sounds of synth notes cry from the silent dead void like alien calls. The pulsing bass notes drift in with a 16th note hi-hat beat and glossy guitar riffs. Little tweets of synths cry out all presenting a very spacey vibe. The verses are strong and muscular with driving rhythms and ballsy vocals. There is a couple of times where the verse and main glossy riffs repeat. But later on there are some developments where the things feel heightened and the synths beep noises like a spaceship computer. The whole track really does feel like a trip through space and time. And I really think that the atmosphere and synths are what what create this whole feeling.
5. Space, Rituals And Magick gets down to business with some heavy metal riffing and more spacey vibes with trickling synth melodies and bubbling sound effects in the background. The song has pace and does not mess around getting locked into the riffs all while the bass and drums provide a solid backbone. The vocals have been spot on throughout the whole album just making everything feel together and wholesome. There are some unusual vocal moments which do not feel human but more like a robot which are ace. lines brimming with character and charm. Layered beneath, the synth beds add width and depth, amplifying the atmosphere. The space‑like vibe shines especially bright here, evoking the sensation of flying through an asteroid field. The outro ties everything together seamlessly, rounding off the track as another excellent addition to the release.
We reach the end of this epic journey with the Witches Circle. Now this track comes in at just over eight minutes making it the longest track on the record. And unlike the rest of the album a large part of this track is stripped back. The intro is very merry and glistens bright but that acts as a brief flash before what follows next. Acoustic guitars and warm vocal lines gracefully come in as well as very light tip taps on hand drums. These just help to keep the flow moving forward. The title of Witches Circles is sung at intervals while synth piano notes gradually weave in to the song. And over time ]the music builds, the bass getting a little more interesting, the drums dropping in to a slow and mellow 4/4 beat. Semi acoustic guitar riffing comes in and the synth notes play out in the background. Everything feels so chilled yet retro and nostalgic yet I have travelled back in time. Little guitar melodies sing out delightfully with almost whispering vocal lines joining for a stint. But as we approach the last two minutes the dazzling vibes of the intro section returns and even some ideas like you would hear at American football game flash by. The song closes with a few repeats of the title ending a great and adventurous album!
Conclusion
Overall, this album delivers a cohesive and engaging journey that blends raw, organic instrumentation with rich, space-inspired atmosphere. Each track stands out in its own way, whether through energetic riffs, mid-tempo grooves, or expansive, emotional builds, but they are all tied together by expressive vocals, unpolished warmth, and imaginative synth work. The band moves effortlessly between heavy metal power and cosmic ambience, keeping the album dynamic and never dull. By the time the final track closes, it is clear this release is both adventurous and confidently crafted, offering a refreshing and memorable experience from start to finish.
TheNwothm Score: 10/10
Links
Bandcamp: https://mausoleumgatemetal.bandcamp.com/album/space-rituals-and-magick
Facebook: https://www.facebook.com/MausoleumGate
Instagram: https://www.instagram.com/mausoleumgate/
Label: https://cruzdelsurmusic.bandcamp.com/
https://www.youtube.com/watch?v=TBDbBoZAJL4
Read More Reviews
#cruzDelSur #cruzDelSurMusic #heavyMetal #mausoleumGate #newAlbum #newWaveOfTraditionalHeavyMetal #nwothm #ritualsAndMagick #space #spaceMetal #spaceRock #thenwothm #thenwothmCom
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Review: Mausoleum Gate “Space, Rituals and Magick’
Release date: Out Now
Label: Cruz Del Sur Music
8 minutesThe Nwothm
Finnish heavy metal cult Mausoleum Gate return with their heavily anticipated third studio album. “Space, Rituals and Magick” is available now via Cruz Del Sur Music on vinyl, CD, and digital formats.
Formed in 2008, Mausoleum Gate have carved a reputation for their mystical and atmospheric approach to heavy metal, drawing inspiration from obscure gems of the 1980s and beyond. Their latest work continues this tradition, offering a journey into other realms and ancient times with a distinctive sound that remains recognisably their own.
Guitarist Count L.F remarks:
Well the notorious third album shall we say? Or so the legend that I have heard goes. This time with Mausoleum Gate. The album took remarkable time to make for various reasons. Sometimes the song not intended to album was growing a serious epic and so on. Well as we called it -The Church of Isaac 666 (a phrase in Finnish called “Iisakin kirkko” which means a building that is never finished) but here we are! As usual the album differs from previous albums. This seems to be the case with us. Anyway still sounding Mausoleum Gate. This is the point. Our line-up has changed quite a lot since the last album and that of course changes the sound of the band but you can recognise the band. And the melodies and harmonies are still there. This time the compositions are maybe more of a band effort than ever before which gives a new nuances. New members: Jarno Saarinen, Jari Kourunen and Jarno Koskell have brought a great addition to Mausoleum Gate – as well as playing wise and composing wise. The new line-up has been tested live a few times but now its time to reveal the claws in album size! Last but definitely not the least our long time artist Timo Raita who did awesome job this time – again!
Review
Vision Divine is the first track of the album and essentially my introduction to the band. Noticeably straight I get this very organic vibe especially with the drums which do not feel over processed and focus on the acoustic qualities. There are repeating synths phrases and effects that make you feel your travelling through space. I am loving the jump in pacing and the melodic work delivered by the guitars. It just injects this sense of energy which catches your attention instantly. And throughout everything flies forward on top of some great (and sometimes unusually interesting) synth beds).The solo work slots in perfectly adding some flair to the song. And the vocal work helps to gel everything together ultimately creating this very organic, raw and nostalgic sound which has got me tuned in.
Lucifer Shrine shines strong with powerful and bright synth chords to open up the track. Unlike “Vision Divine” the tempo takes a step into the mid tempo range but packs a lot of punch. Notably I am liking the flowing feel of the melodies by both the guitars and synth notes in the background. And due to the mix being being very unrefined or polished you can here nuances, the roughness and grit of the guitar tones. And it is a pleasant listen. The vocals just like the track before are like butter on top of toast. Smooth and just go really well with the music. When the song breaks down to some riffing the synths even jump in for a bit of play. A refreshing break to a lot of the heavy metal and hard rock I have been listening too. Then it starts to get hella’ funky! The bass begins vibing the synths go off on one and the guitars are doing their thing. It comes all back together for one big bout driving towards the end. The vocals here are lower in key and add some nice weight to the song
Sacred Be Thy Throne come in at just around seven minutes so lets see if the length works. The band this time around have dialled things back to a mid/slower tempo pace. The band are all running together giving us some wonderful ideas before transition into a softer section where it is acoustic guitars, rolling snare patterns and calming vocal lines.Even little touches of synth in the background. A great way to bring balance to a song. Then a ripping riff cuts in helping to bring everything else back driving things forward. Things play out for a bit keeping the flow before dropping back down to our acoustic style section. However this time things pick up with some bold and heroic synths lighting up the mix in the background. Soon enough some majestic guitar harmonies shine light on the music and even the synths have a go. And as the sng progresses everything is gradually building in height and tone. The vocals that have played between calm and collected hit moments of energy and strength – especially when stacked.The passion just really holds this track up and high and does so until the very end. I am really digging this song and how the musical structure for not one minute feels boring. The acoustics and calm vocals bring Sacred Be Thy Throne to a close rounded everything off. What a brilliant song!
https://www.youtube.com/watch?v=8OoZ9nH5z24
4. Shine The Night has a very unusual intro. Just imagine you are floating through the darkness of space and matter flies past you. The sounds of synth notes cry from the silent dead void like alien calls. The pulsing bass notes drift in with a 16th note hi-hat beat and glossy guitar riffs. Little tweets of synths cry out all presenting a very spacey vibe. The verses are strong and muscular with driving rhythms and ballsy vocals. There is a couple of times where the verse and main glossy riffs repeat. But later on there are some developments where the things feel heightened and the synths beep noises like a spaceship computer. The whole track really does feel like a trip through space and time. And I really think that the atmosphere and synths are what what create this whole feeling.
5. Space, Rituals And Magick gets down to business with some heavy metal riffing and more spacey vibes with trickling synth melodies and bubbling sound effects in the background. The song has pace and does not mess around getting locked into the riffs all while the bass and drums provide a solid backbone. The vocals have been spot on throughout the whole album just making everything feel together and wholesome. There are some unusual vocal moments which do not feel human but more like a robot which are ace. lines brimming with character and charm. Layered beneath, the synth beds add width and depth, amplifying the atmosphere. The space‑like vibe shines especially bright here, evoking the sensation of flying through an asteroid field. The outro ties everything together seamlessly, rounding off the track as another excellent addition to the release.
We reach the end of this epic journey with the Witches Circle. Now this track comes in at just over eight minutes making it the longest track on the record. And unlike the rest of the album a large part of this track is stripped back. The intro is very merry and glistens bright but that acts as a brief flash before what follows next. Acoustic guitars and warm vocal lines gracefully come in as well as very light tip taps on hand drums. These just help to keep the flow moving forward. The title of Witches Circles is sung at intervals while synth piano notes gradually weave in to the song. And over time ]the music builds, the bass getting a little more interesting, the drums dropping in to a slow and mellow 4/4 beat. Semi acoustic guitar riffing comes in and the synth notes play out in the background. Everything feels so chilled yet retro and nostalgic yet I have travelled back in time. Little guitar melodies sing out delightfully with almost whispering vocal lines joining for a stint. But as we approach the last two minutes the dazzling vibes of the intro section returns and even some ideas like you would hear at American football game flash by. The song closes with a few repeats of the title ending a great and adventurous album!
Conclusion
Overall, this album delivers a cohesive and engaging journey that blends raw, organic instrumentation with rich, space-inspired atmosphere. Each track stands out in its own way, whether through energetic riffs, mid-tempo grooves, or expansive, emotional builds, but they are all tied together by expressive vocals, unpolished warmth, and imaginative synth work. The band moves effortlessly between heavy metal power and cosmic ambience, keeping the album dynamic and never dull. By the time the final track closes, it is clear this release is both adventurous and confidently crafted, offering a refreshing and memorable experience from start to finish.
TheNwothm Score: 10/10
Links
Bandcamp: https://mausoleumgatemetal.bandcamp.com/album/space-rituals-and-magick
Facebook: https://www.facebook.com/MausoleumGate
Instagram: https://www.instagram.com/mausoleumgate/
Label: https://cruzdelsurmusic.bandcamp.com/
https://www.youtube.com/watch?v=TBDbBoZAJL4
Read More Reviews
#cruzDelSur #cruzDelSurMusic #heavyMetal #mausoleumGate #newAlbum #newWaveOfTraditionalHeavyMetal #nwothm #ritualsAndMagick #space #spaceMetal #spaceRock #thenwothm #thenwothmCom
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Review: Mausoleum Gate “Space, Rituals and Magick’
Release date: Out Now
Label: Cruz Del Sur Music
8 minutesThe Nwothm
Finnish heavy metal cult Mausoleum Gate return with their heavily anticipated third studio album. “Space, Rituals and Magick” is available now via Cruz Del Sur Music on vinyl, CD, and digital formats.
Formed in 2008, Mausoleum Gate have carved a reputation for their mystical and atmospheric approach to heavy metal, drawing inspiration from obscure gems of the 1980s and beyond. Their latest work continues this tradition, offering a journey into other realms and ancient times with a distinctive sound that remains recognisably their own.
Guitarist Count L.F remarks:
Well the notorious third album shall we say? Or so the legend that I have heard goes. This time with Mausoleum Gate. The album took remarkable time to make for various reasons. Sometimes the song not intended to album was growing a serious epic and so on. Well as we called it -The Church of Isaac 666 (a phrase in Finnish called “Iisakin kirkko” which means a building that is never finished) but here we are! As usual the album differs from previous albums. This seems to be the case with us. Anyway still sounding Mausoleum Gate. This is the point. Our line-up has changed quite a lot since the last album and that of course changes the sound of the band but you can recognise the band. And the melodies and harmonies are still there. This time the compositions are maybe more of a band effort than ever before which gives a new nuances. New members: Jarno Saarinen, Jari Kourunen and Jarno Koskell have brought a great addition to Mausoleum Gate – as well as playing wise and composing wise. The new line-up has been tested live a few times but now its time to reveal the claws in album size! Last but definitely not the least our long time artist Timo Raita who did awesome job this time – again!
Review
Vision Divine is the first track of the album and essentially my introduction to the band. Noticeably straight I get this very organic vibe especially with the drums which do not feel over processed and focus on the acoustic qualities. There are repeating synths phrases and effects that make you feel your travelling through space. I am loving the jump in pacing and the melodic work delivered by the guitars. It just injects this sense of energy which catches your attention instantly. And throughout everything flies forward on top of some great (and sometimes unusually interesting) synth beds).The solo work slots in perfectly adding some flair to the song. And the vocal work helps to gel everything together ultimately creating this very organic, raw and nostalgic sound which has got me tuned in.
Lucifer Shrine shines strong with powerful and bright synth chords to open up the track. Unlike “Vision Divine” the tempo takes a step into the mid tempo range but packs a lot of punch. Notably I am liking the flowing feel of the melodies by both the guitars and synth notes in the background. And due to the mix being being very unrefined or polished you can here nuances, the roughness and grit of the guitar tones. And it is a pleasant listen. The vocals just like the track before are like butter on top of toast. Smooth and just go really well with the music. When the song breaks down to some riffing the synths even jump in for a bit of play. A refreshing break to a lot of the heavy metal and hard rock I have been listening too. Then it starts to get hella’ funky! The bass begins vibing the synths go off on one and the guitars are doing their thing. It comes all back together for one big bout driving towards the end. The vocals here are lower in key and add some nice weight to the song
Sacred Be Thy Throne come in at just around seven minutes so lets see if the length works. The band this time around have dialled things back to a mid/slower tempo pace. The band are all running together giving us some wonderful ideas before transition into a softer section where it is acoustic guitars, rolling snare patterns and calming vocal lines.Even little touches of synth in the background. A great way to bring balance to a song. Then a ripping riff cuts in helping to bring everything else back driving things forward. Things play out for a bit keeping the flow before dropping back down to our acoustic style section. However this time things pick up with some bold and heroic synths lighting up the mix in the background. Soon enough some majestic guitar harmonies shine light on the music and even the synths have a go. And as the sng progresses everything is gradually building in height and tone. The vocals that have played between calm and collected hit moments of energy and strength – especially when stacked.The passion just really holds this track up and high and does so until the very end. I am really digging this song and how the musical structure for not one minute feels boring. The acoustics and calm vocals bring Sacred Be Thy Throne to a close rounded everything off. What a brilliant song!
https://www.youtube.com/watch?v=8OoZ9nH5z24
4. Shine The Night has a very unusual intro. Just imagine you are floating through the darkness of space and matter flies past you. The sounds of synth notes cry from the silent dead void like alien calls. The pulsing bass notes drift in with a 16th note hi-hat beat and glossy guitar riffs. Little tweets of synths cry out all presenting a very spacey vibe. The verses are strong and muscular with driving rhythms and ballsy vocals. There is a couple of times where the verse and main glossy riffs repeat. But later on there are some developments where the things feel heightened and the synths beep noises like a spaceship computer. The whole track really does feel like a trip through space and time. And I really think that the atmosphere and synths are what what create this whole feeling.
5. Space, Rituals And Magick gets down to business with some heavy metal riffing and more spacey vibes with trickling synth melodies and bubbling sound effects in the background. The song has pace and does not mess around getting locked into the riffs all while the bass and drums provide a solid backbone. The vocals have been spot on throughout the whole album just making everything feel together and wholesome. There are some unusual vocal moments which do not feel human but more like a robot which are ace. lines brimming with character and charm. Layered beneath, the synth beds add width and depth, amplifying the atmosphere. The space‑like vibe shines especially bright here, evoking the sensation of flying through an asteroid field. The outro ties everything together seamlessly, rounding off the track as another excellent addition to the release.
We reach the end of this epic journey with the Witches Circle. Now this track comes in at just over eight minutes making it the longest track on the record. And unlike the rest of the album a large part of this track is stripped back. The intro is very merry and glistens bright but that acts as a brief flash before what follows next. Acoustic guitars and warm vocal lines gracefully come in as well as very light tip taps on hand drums. These just help to keep the flow moving forward. The title of Witches Circles is sung at intervals while synth piano notes gradually weave in to the song. And over time ]the music builds, the bass getting a little more interesting, the drums dropping in to a slow and mellow 4/4 beat. Semi acoustic guitar riffing comes in and the synth notes play out in the background. Everything feels so chilled yet retro and nostalgic yet I have travelled back in time. Little guitar melodies sing out delightfully with almost whispering vocal lines joining for a stint. But as we approach the last two minutes the dazzling vibes of the intro section returns and even some ideas like you would hear at American football game flash by. The song closes with a few repeats of the title ending a great and adventurous album!
Conclusion
Overall, this album delivers a cohesive and engaging journey that blends raw, organic instrumentation with rich, space-inspired atmosphere. Each track stands out in its own way, whether through energetic riffs, mid-tempo grooves, or expansive, emotional builds, but they are all tied together by expressive vocals, unpolished warmth, and imaginative synth work. The band moves effortlessly between heavy metal power and cosmic ambience, keeping the album dynamic and never dull. By the time the final track closes, it is clear this release is both adventurous and confidently crafted, offering a refreshing and memorable experience from start to finish.
TheNwothm Score: 10/10
Links
Bandcamp: https://mausoleumgatemetal.bandcamp.com/album/space-rituals-and-magick
Facebook: https://www.facebook.com/MausoleumGate
Instagram: https://www.instagram.com/mausoleumgate/
Label: https://cruzdelsurmusic.bandcamp.com/
https://www.youtube.com/watch?v=TBDbBoZAJL4
Read More Reviews
#cruzDelSur #cruzDelSurMusic #heavyMetal #mausoleumGate #newAlbum #newWaveOfTraditionalHeavyMetal #nwothm #ritualsAndMagick #space #spaceMetal #spaceRock #thenwothm #thenwothmCom
-
Review: Mausoleum Gate “Space, Rituals and Magick’
Release date: Out Now
Label: Cruz Del Sur Music
8 minutesThe Nwothm
Finnish heavy metal cult Mausoleum Gate return with their heavily anticipated third studio album. “Space, Rituals and Magick” is available now via Cruz Del Sur Music on vinyl, CD, and digital formats.
Formed in 2008, Mausoleum Gate have carved a reputation for their mystical and atmospheric approach to heavy metal, drawing inspiration from obscure gems of the 1980s and beyond. Their latest work continues this tradition, offering a journey into other realms and ancient times with a distinctive sound that remains recognisably their own.
Guitarist Count L.F remarks:
Well the notorious third album shall we say? Or so the legend that I have heard goes. This time with Mausoleum Gate. The album took remarkable time to make for various reasons. Sometimes the song not intended to album was growing a serious epic and so on. Well as we called it -The Church of Isaac 666 (a phrase in Finnish called “Iisakin kirkko” which means a building that is never finished) but here we are! As usual the album differs from previous albums. This seems to be the case with us. Anyway still sounding Mausoleum Gate. This is the point. Our line-up has changed quite a lot since the last album and that of course changes the sound of the band but you can recognise the band. And the melodies and harmonies are still there. This time the compositions are maybe more of a band effort than ever before which gives a new nuances. New members: Jarno Saarinen, Jari Kourunen and Jarno Koskell have brought a great addition to Mausoleum Gate – as well as playing wise and composing wise. The new line-up has been tested live a few times but now its time to reveal the claws in album size! Last but definitely not the least our long time artist Timo Raita who did awesome job this time – again!
Review
Vision Divine is the first track of the album and essentially my introduction to the band. Noticeably straight I get this very organic vibe especially with the drums which do not feel over processed and focus on the acoustic qualities. There are repeating synths phrases and effects that make you feel your travelling through space. I am loving the jump in pacing and the melodic work delivered by the guitars. It just injects this sense of energy which catches your attention instantly. And throughout everything flies forward on top of some great (and sometimes unusually interesting) synth beds).The solo work slots in perfectly adding some flair to the song. And the vocal work helps to gel everything together ultimately creating this very organic, raw and nostalgic sound which has got me tuned in.
Lucifer Shrine shines strong with powerful and bright synth chords to open up the track. Unlike “Vision Divine” the tempo takes a step into the mid tempo range but packs a lot of punch. Notably I am liking the flowing feel of the melodies by both the guitars and synth notes in the background. And due to the mix being being very unrefined or polished you can here nuances, the roughness and grit of the guitar tones. And it is a pleasant listen. The vocals just like the track before are like butter on top of toast. Smooth and just go really well with the music. When the song breaks down to some riffing the synths even jump in for a bit of play. A refreshing break to a lot of the heavy metal and hard rock I have been listening too. Then it starts to get hella’ funky! The bass begins vibing the synths go off on one and the guitars are doing their thing. It comes all back together for one big bout driving towards the end. The vocals here are lower in key and add some nice weight to the song
Sacred Be Thy Throne come in at just around seven minutes so lets see if the length works. The band this time around have dialled things back to a mid/slower tempo pace. The band are all running together giving us some wonderful ideas before transition into a softer section where it is acoustic guitars, rolling snare patterns and calming vocal lines.Even little touches of synth in the background. A great way to bring balance to a song. Then a ripping riff cuts in helping to bring everything else back driving things forward. Things play out for a bit keeping the flow before dropping back down to our acoustic style section. However this time things pick up with some bold and heroic synths lighting up the mix in the background. Soon enough some majestic guitar harmonies shine light on the music and even the synths have a go. And as the sng progresses everything is gradually building in height and tone. The vocals that have played between calm and collected hit moments of energy and strength – especially when stacked.The passion just really holds this track up and high and does so until the very end. I am really digging this song and how the musical structure for not one minute feels boring. The acoustics and calm vocals bring Sacred Be Thy Throne to a close rounded everything off. What a brilliant song!
https://www.youtube.com/watch?v=8OoZ9nH5z24
4. Shine The Night has a very unusual intro. Just imagine you are floating through the darkness of space and matter flies past you. The sounds of synth notes cry from the silent dead void like alien calls. The pulsing bass notes drift in with a 16th note hi-hat beat and glossy guitar riffs. Little tweets of synths cry out all presenting a very spacey vibe. The verses are strong and muscular with driving rhythms and ballsy vocals. There is a couple of times where the verse and main glossy riffs repeat. But later on there are some developments where the things feel heightened and the synths beep noises like a spaceship computer. The whole track really does feel like a trip through space and time. And I really think that the atmosphere and synths are what what create this whole feeling.
5. Space, Rituals And Magick gets down to business with some heavy metal riffing and more spacey vibes with trickling synth melodies and bubbling sound effects in the background. The song has pace and does not mess around getting locked into the riffs all while the bass and drums provide a solid backbone. The vocals have been spot on throughout the whole album just making everything feel together and wholesome. There are some unusual vocal moments which do not feel human but more like a robot which are ace. lines brimming with character and charm. Layered beneath, the synth beds add width and depth, amplifying the atmosphere. The space‑like vibe shines especially bright here, evoking the sensation of flying through an asteroid field. The outro ties everything together seamlessly, rounding off the track as another excellent addition to the release.
We reach the end of this epic journey with the Witches Circle. Now this track comes in at just over eight minutes making it the longest track on the record. And unlike the rest of the album a large part of this track is stripped back. The intro is very merry and glistens bright but that acts as a brief flash before what follows next. Acoustic guitars and warm vocal lines gracefully come in as well as very light tip taps on hand drums. These just help to keep the flow moving forward. The title of Witches Circles is sung at intervals while synth piano notes gradually weave in to the song. And over time ]the music builds, the bass getting a little more interesting, the drums dropping in to a slow and mellow 4/4 beat. Semi acoustic guitar riffing comes in and the synth notes play out in the background. Everything feels so chilled yet retro and nostalgic yet I have travelled back in time. Little guitar melodies sing out delightfully with almost whispering vocal lines joining for a stint. But as we approach the last two minutes the dazzling vibes of the intro section returns and even some ideas like you would hear at American football game flash by. The song closes with a few repeats of the title ending a great and adventurous album!
Conclusion
Overall, this album delivers a cohesive and engaging journey that blends raw, organic instrumentation with rich, space-inspired atmosphere. Each track stands out in its own way, whether through energetic riffs, mid-tempo grooves, or expansive, emotional builds, but they are all tied together by expressive vocals, unpolished warmth, and imaginative synth work. The band moves effortlessly between heavy metal power and cosmic ambience, keeping the album dynamic and never dull. By the time the final track closes, it is clear this release is both adventurous and confidently crafted, offering a refreshing and memorable experience from start to finish.
TheNwothm Score: 10/10
Links
Bandcamp: https://mausoleumgatemetal.bandcamp.com/album/space-rituals-and-magick
Facebook: https://www.facebook.com/MausoleumGate
Instagram: https://www.instagram.com/mausoleumgate/
Label: https://cruzdelsurmusic.bandcamp.com/
https://www.youtube.com/watch?v=TBDbBoZAJL4
Read More Reviews
#cruzDelSur #cruzDelSurMusic #heavyMetal #mausoleumGate #newAlbum #newWaveOfTraditionalHeavyMetal #nwothm #ritualsAndMagick #space #spaceMetal #spaceRock #thenwothm #thenwothmCom
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Exclusive interview with Jimmy Lozano of Jet Jaguar
Mark Pruett
Formed in 2014 in the vibrant heart of Cancún, Jet Jaguar has quickly risen as one of Mexico’s most electrifying metal exports. In a country where heavy metal pulses through the veins of generations, their sound is both a tribute and a rallying cry. They are proof that the love of metal in Mexico is fierce, loyal, and deeply rooted. Also, the future is in the great hands of these underground heroes.
Their name carries weight. The jaguar, a sacred symbol in local mythology, represents power, protection, and the ability to walk between worlds. It’s a fitting emblem for a band that blends tradition with thunder. And yes, there’s a nod to the Japanese cult hero Jet Jaguar, who is a kaiju-fighting machine with a heart of gold and fists of steel. That fusion of myth and pop culture mirrors the band’s own blend of classic metal spirit and modern fire.
In this interview, we dive into their journey, their inspirations, and the roar behind the riffs. Jet Jaguar is a force to be reckoned with their new release Severance (out on October 24, 2025). Check out the lead single, “Mach 10”, which is speed metal, face melting, and riff blazing powerhouse of energy.
Full review of the album, Severance, is coming soon!
Photo Credit: Jet Jaguar
#heavyMetal #jetJaguar #jimmyLozano #newAlbum #newWaveOfTraditionalHeavyMetal #nwothm #thenwothm #thenwothmCom
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Throw bak Thursday: Ion Drive (Australia)
Ion Drive formed in Melbourne in 1982 and quickly became part of Australia’s early heavy metal movement. Their first releases, Witches (demo) and Friday the 13th (EP), both appeared in 1984 and captured the raw energy of the band’s formative years. After a brief split, members regrouped under the name Angelica in 1987, continuing to perform Ion Drive material before reverting to the original name in 1988. The band remained active into the mid-1990s and returned in 2009 with new members and renewed focus, releasing the Witch Hunt EP in 2017.
Ion Drive’s current status is uncertain. Their last public post appeared in 2023, and there have been no confirmed updates since. Notable members over the years include Jennifer Thumwood, Dave King, Joe Cordina, and founding drummer Mick Burns (rip), whose early contributions helped shape the band’s sound. Operating independently and unsigned, Ion Drive’s legacy remains rooted in Melbourne’s heavy metal underground.
Facebook: https://www.facebook.com/IonDrive
https://www.youtube.com/watch?v=y225oKkmYRY
#80sHeavyMetal2 #australianHeavyMetal #heavyMetal #ionDrive #thenwothmCom #throwBackThursday
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Interview: Kaine (UK)
11 minutesThe Nwothm
Kaine have been keeping the flame of heavy metal alive since 2009. Rooted in East Anglia’s thriving scene, the band blend Sabbath, Priest, Maiden, and thrash influences into a sound that’s fast, heavy, and defiantly DIY. Sixteen years on, they remain one of the UK’s most enduring heavy metal acts, with a catalogue that charts their resilience and evolution. In this interview with TheNwothm, Kaine reflect on their journey and share what’s next.
https://www.youtube.com/watch?v=7tuGaWfGYHo
Interview
TheNwothm: For those who might be discovering Kaine for the first time, how would you introduce yourselves and where you’re from?
Kaine: We’re Kaine, we are from East Anglia in England. We’re probably one of the heavier NWOTHM bands, and we’ve been at this for 16 years now. We’re very much a DIY band and not a lot of people know we exist! Our influences are essentially Sabbath, Priest, NWOBHM, and the early Thrash movement in the States. We’re often referred to as a Speed Metal band, as that’s one of the closest approximations people can make to us!
TheNwothm: How did the band form back in 2009?
Kaine: You could say we were one of the original British NWOTHM bands to emerge around that time, along with Osmium Guillotine. Hamerex were around a few years before us, and not long after we formed, you had bands like Amulet, Neverworld, and Toledo Steel emerging, Culloden, Midnight Force, Seven Sisters, Heathen Kings, and up until more recently, Tailgunner, who are the first British NWOTHM band to break into the mainstream.
In Ireland, you had a band called Celtic Legacy, which was very much in the vein of what we now call NWOTHM, too. When we started in 2009, it was a reaction to the Emo and Metalcore scene that dominated the UK underground at the time. There were no straight-up Metal bands playing, and if you went to a gig, it would be a something-core band playing to a handful of school friends, and the venues were empty. People who liked old school Metal were put off and stayed home, so we decided to do our own band playing music influenced by the likes of Sabbath, Priest, Maiden, and the wider NWOBHM movement, as well as the American bands that were influenced by that same movement. We turn 17 in January, so we have been around longer than the NWOBHM movement ran back in the day!
TheNwothm: Colchester isn’t always the first place people think of when it comes to heavy metal. How has being based there shaped your identity as a band?
Kaine: That’s surprising because Colchester, along with Ipswich, probably has two of the best, if not the best, alternative music scenes in the country. This area has always been a hotbed for Metal music. If you look at an act like Cradle of Filth, over the years, they have recruited heavily from the scene here. There are still plenty of venues, promoters, and bands playing great live music across the Rock and Metal sphere in this area, and we’re very lucky to have such a thriving scene. We’re local to the area and are very much proud of it. Norwich also has a thriving Metal scene. I’d argue East Anglia as a whole has one of the best Metal scenes in the country.
TheNwothm: When you’ve toured across Britain and Ireland, have you noticed differences in how audiences respond compared to back home in Colchester?
Kaine: We have only played two gigs in Ireland, which were supporting Mordred on tour back in 2014. As for Britain, audiences have always been receptive wherever we have gone. We have always had a loyal following in Scotland, so we try to visit as often as we can afford to, but really, we have enjoyed great responses over the years up and down the country. We enjoy getting out there and playing everywhere we can.
https://www.youtube.com/watch?v=N_Nh2GlG-t4
TheNwothm: Growing up, did you have a particular metal hero whose posters were on your wall?
Kaine: We all have a range of heroes and influences, everyone from Priest, Maiden, AC/DC, Sabbath, Metallica, Megadeth, in fact, Toby has a Marty Friedman tattoo, he is that much of a fan of him, and Liam has an Ozzy tattoo now too! We have looked up to and been inspired by a lot of bands collectively.
TheNwothm: If you could cover one classic track from your influences like Sabbath or Maiden, which would it be?
Kaine: We recently did a Sabbath tribute set in honour of Ozzy Osbourne, which included Paranoid, War Pigs, Iron Maiden, Black Sabbath, and The Straightener. It would be difficult to choose a single track from our influences to be a definitive “one”, but at a push, Painkiller by Judas Priest would probably be one we could do justice to.
The Nwothm: Your debut “Falling Through Freedom” (2012) was the first full-length release. Looking back, what was the biggest challenge in getting that record out?
Kaine: Aside from being young, having no label support, and frankly not really knowing what the f*#k we were doing at the time, the biggest issue was a mixture of budget and personnel changes that happened during the writing and recording of that record. We did our best with it, and in hindsight we should have held off doing a record until we had a more stable line-up and played the songs live a lot more to hone them, but as previously stated, we didn’t have any management or a label to really guide us, we just had a go at putting a record together and in all fairness a few people still love songs from that album, despite it being a totally unpolished DIY effort.
The Nwothm: “The Waystone” (2014) saw you touring extensively, even alongside Monument and Mordred. What memories stand out most from that era?
Kaine: We were meant to release that album under MGR Records, which was Monument’s label at the time. We had to write, record, and release it to their schedule, which meant we probably didn’t spend as much time on the record as we should have. We had a big disagreement with MGR Records during that tour; they were using our bassist at the time to cover for Chris Dale, unpaid, and not only tried to steal him from our band but were totally unprofessional in how they dealt with the band in general. On the last date of the tour, we fired them and put the record out ourselves.
This album, however, did launch the band, and we got a lot of good shows booked, and a festival appearance (Wildfire) off the back of that record. It sold over a thousand copies on CD, so for us it was a successful record. Our tour with Mordred was a much more positive experience. We replaced Furyon last minute and had less than a day to prepare for the tour before we were off on a ferry to Ireland. Touring with Mordred was an amazing experience and one of the highlights of our career. The Waystone was a bit of a missed opportunity for us, I think. Had we had a label more interested in making us a success and had a little more time to finish it, it would have been more successful, but we made the best of a bad situation.
TheNwothm: “A Crisis of Faith” (2018) marked a turning point before the current line-up came together. How did that album reflect the band’s state at the time?
Kaine: A Crisis of Faith was a very carefully written record. We started putting it together at the end of 2015 and fleshed the tracks out on the road. Most people think it should have been a bigger success than it was, but sadly, the line-up that put it together had to part almost immediately after its release. We did get to play the main stage of HRH Metal at a sold-out o2 Academy in Birmingham, which is probably the most people we ever played to. Most people expected the band to die when the three other members left, but we had spent a small fortune on studio time and printing the release, so it couldn’t simply be left for scrap. We had a few weeks to recruit a new line-up to continue the gigging schedule we had at the time, which we did, and it turned out to be the right thing for the band.
The Nwothm: “Reforge the Steel” (2019) has a title that feels defiant. What was the driving force behind that record?
Kaine: Reforge The Steel is as close to a “Rage Sadler” solo record as you will ever get. These songs were written solely by Rage while the new line-up was learning the A Crisis of Faith material. The band then started learning the new tracks and playing them live alongside the Crisis material, and by the end of 2018, we were back in the studio again to put together this record. It often ends up at the top of fans’ lists of favourite Kaine records, so we must have done something right with this one. The record was a marker to show that we were not dead, the band would continue, and that there was a lot more to Kaine going forward. The title literally refers to the reformation of the band from near extinction.
The Nwothm: “After Extinction” (2022) is your latest album! How do you think it compares to your previous works, and do you each have a favourite track from the record?
Kaine: It’s our heaviest record since our debut album, and it’s the only record we’ve ever done that hit the mainstream charts; it actually reached number 85 on the top 100 in the UK. The lead single A Slave to the Grind seems to be the track everyone loves from that album. It was a different experience from Reforge the Steel, as this record was a collaborative effort. We love all the tracks on the album, but staples of the current set are Second Coming, Protesting for Profit, and A Slave to the Grind.
https://www.youtube.com/watch?v=ndhF-pe-Gl0
TheNwothm: Are there any hints you can share about new material in the works?
Kaine: Extinctions End is a redo of the Covid-era album and EP. We had to record those releases between several studios and in a very disrupted fashion due to the pandemic, so we have re-recorded a selection of songs that complement each other from both releases, in a different format and style from the original. I think the release will surprise a few people, especially those who still think we’re a Poundland-Maiden knockoff!
TheNwothm: Do you see yourselves experimenting with different sounds or sticking firmly to the classic heavy metal roots?
Kaine: We have a new EP we’re writing at the moment, which is a pure love letter to NWOBHM, and we’re working on a new album, which has heavier material than we have done before.
TheNwothm: Where would you most love to take Kaine next, if you could choose anywhere in the world?
Kaine: We’ve never played in Europe, so that would be amazing, America, Japan, also, but we’re realistic. Many of the promoters there have been aware of us for years, but have never asked us to play, so we’re not optimistic that it will change in the future! If we can just make our UK gigs sustainable, we will be happy. We’re not rock stars, we’re just four regular blokes that happen to be mates and play in a Metal band together. That’s really what we’re about more than anything.
TheNwothm: If you could design your dream tour line-up with Kaine plus three other bands, who would you pick?
Kaine: Oddly, we have found in the past that the Death Metal audience has been far more receptive to us than most! So a tour with Obituary, Carcass, and Kaine would be a dream line-up as it would be riffs galore and full of raw energy. However, I doubt we could ever afford to buy onto a tour like that! That’s the nature of the music business. But if they ever needed a support, we’d be more than up for it!
TheNwothm: What gigs do you have coming up for the rest of 2025 and 2026
Kaine: We have just one gig, which is on May 17th at Club85 in Hitchin. Nobody else wants us at the moment! Joking aside, there will hopefully be more dates announced in the future.
TheNwothm: How can our readers buy your music and merch?
Kaine: We have CDs, vinyl, shirts, and hoodies for sale on Bandcamp:, and we also do exclusive merch and CDs over at Patreon starting at just £1 a month: https://patreon.com/kaine_metal?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink
TheNwothm: Where can fans follow you online?
Kaine:
TheNwothm: Anything else you would like to mention?
Kaine: We’ve recently relaunched our YouTube channel, so we would invite people to check that out first!
#aCrisisOfFaith #afterExtinction #fallingThroughFreedom #heavyMetal #kaine #kaineColchester #kaineUk #newEp #nwothm #theWaystone #thenwothm #thenwothmCom
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Interview: Midnight Sorcery (Mexico)
9 minutesThe Nwothm
Midnight Sorcery emerged from the shadows of Mexico City, conjuring epic heavy metal steeped in mysticism, prehispanic ritual, and fantasy lore. With cloaks, candles, and names like Sorcerer of the Black Sun, their debut demo Tales from the Dark channels both Tolkien-inspired myth and local spiritual depth. In this interview, TheNwothm explores the band’s origins, their arcane inspirations, and the spellbinding path ahead.
Interview
TheNwothm: Midnight Sorcery — the name alone conjures spells and shadows. Can you tell us where you’re from and how this mystic fellowship came together?
Midnight Sorcery: We believe in obscurity, in the arcane and in the epic where darkness and light are faced together in an eternal battle, we’re four sorcerers who share similar ideas to create something new, something mystic forged by steel and evil spells.
TheNwothm: What arcane ritual (or coffee-fuelled jam session) led to choosing the name Midnight Sorcery? Was there a long list of other magical monikers?
Midnight Sorcery: Everything was revealed in front of our eyes one night when we gathered, at the time we were only three members, and had a conversation about having a band with an obscure and epic touch to their sound and when it came to thinking names for what we wanted and it came to be “Midnight Sorcery”. Which at the same time according to the lunar phases and astronomical events there was a blood moon happening at that time and made perfect sense to the moment adding a bit of mysticism to the name.
TheNwothm: Being based in the heart of Mexico City, a place pulsing with history, myth, and chaos, how has the city’s atmosphere seeped into your music?
Midnight Sorcery: Well, one of our band members (Sorcerer Of The Black Sun) is into Mexican prehispanic culture and he has the deepest interests in our Mexican history which is celebrating life, celebrating death, joining energies with nature through chants and dances.
This at the same time is also a way to connect with music through mind and soul where you channel yourself and let your mind and feelings take you to a place you’ve never been away from everything. During our rehearsals we can say that all four of us are connected in some way, that even the way our music was created flows naturally between us.
TheNwothm: Mexico has a rich legacy of both indigenous mysticism and heavy music. Do you draw inspiration from local legends or spiritual beliefs in your lyrics and themes?
Midnight Sorcery: Our member Sorcerer Of The Black Sun is more fond of this topic, although speaking about inspiration the short answer is YES! We have all sorts of ideas coming from different artists from different periods in Mexico and history and not only related to Heavy Metal music.
In this case one of the ideas we have for future songs are acoustic intros/outros similar to our ending of your Demo (Takes from The Dark), but in this case we would even like to use prehispanic instruments like a Huehuetl (A drum-like handheld percussion instrument).
At the same time this will add to the mysterious atmosphere we want to create to keep our listeners on the edge.
TheNwothm: Is there anything about the Mexican metal scene that you feel the rest of the world doesn’t quite understand yet?
Midnight Sorcery: Yes, it is quite different from elsewhere. Not because of economic possibilities but instead I believe that whoever has the will and determination to create music they will find a way to do it. Here in Mexico not only in the metal scene we see constant street musicians and people cherish them! Sometimes you never know when you’re having a bad day and the musician might cheer you up!
We believe this could be one of the problems and solutions to the metal scene in Mexico, in the same place you can find people who listen and play metal music for a hobby, some because it’s in their family, others because they enjoy it and others because it’s their escape to the real world…
A majority of the metal scene in Mexico speaks about how hard it is really to be a musician fighting against anything really, sometimes music is the only thing we have to face up and make your stand and at the same time it makes us strong. The Mexican metal scene is not just music, it is about resistance and being true to yourself.
TheNwothm: Growing up were there any bands or musicians growing up that you truly idolised — posters-on-the-wall level obsession?
Midnight Sorcery: Definitely! Our Heavy Metal heroes will always be Judas Priest, Iron Maiden, Motorhead, Heavy Load, Manilla Road, Saint Vitus, Witchfinder General! Classic Heavy Metal to the vein that will live forever as long as our music goes to 11!
TheNwothm: “Tales from the Dark” is your debut! What was the very first spark that set the concept in motion?
Midnight Sorcery: The idea came from the songs that made it to the demo, it was originally going to have 4 songs but each of the three songs are different from each other, different style, different mood and different vocal techniques were involved. This was done in order to make this as a small compilation of the fantasy world we want to create.
TheNwothm: The title “Tales from the Dark” feels like opening a cursed storybook. Are these tales drawn from personal myth, fantasy, or a blend of both?
Midnight Sorcery: It’s a compound of both, we all admire J.R.R. Tolkien’s work and fables so we decided to add a little bit of our own to our music, based on this we created the songs on the Demo which tell the story of creatures inside Tolkien’s tales making it “Takes from The Dark”
TheNwothm: If you had to pick one of the three trucks which would be your favourite and why?
Midnight Sorcery: Without any doubt “Evil Sorcerers” is our favorite since it was the first song we as a band created and forged the musical path we took until these days.
TheNwothm: With names like “The Dark Steel Sorcerer” and “Sorcerer of the Black Sun,” it begs the question; if you had real magical powers, what spell would you cast first?
Midnight Sorcery: Hahahaha you can’t name Houdini as a magician without magic, right? Once I thought of having magical powers to twist time and space at my will and also teletransportation.
TheNwothm: Outside of music, what’s something totally unexpected each of you is passionate about? (Taxidermy? Competitive chess? Dragon breeding?)
Midnight Sorcery: Surprisingly Sorcerer Of The Black Sun is a Mexica Dancer(Aztec Dancer) who is in constant touch with mystic energies that make ancient Mexico sacred.
Along with this The Dark Steel Sorcerer, Sorcerer Of the Dark Throne and The Sorcerer Of The Black Forest have interests in the occult generalizing all types of magic it involves, this feeding the band’s interest in topics about the occult, sorcery, alchemy, all types of magic, wizardry, spells, atmosphere, visuals, etc… all comes into place.
TheNwothm: Will your live shows channel theatrical or magical elements to match your epic themes; cloaks, candles, incantations?
Midnight Sorcery: Yes! In fact we are already planning a debut show which will feature us dressed in black cloaks, candles like our promo photos, rituals, smoke, swords, the visual aspects are a MUST when speaking about Midnight Sorcery.
TheNwothm: What realms will Midnight Sorcery venture into next musically? Are there any whispers of a full-length album on the horizon?
Midnight Sorcery: At this time finishing the upcoming songs for the first full-length album and while we do this we are also planning our first gig to debut, these new songs are in the vein of the same style as the ones from the Demo.
While we’re at this, we’re joining forces with an Italian Record label for a Pro re-release of our “Tales From The Dark” Demo as our physical promo copies are long sold out.
TheNwothm: Are there any sacred or cursed lands you’re dying to tour first? Maybe a dream venue that screams “Midnight Sorcery must play here”?
Midnight Sorcery: Of course! Mexico City being our home town, our debut will be honored there although one of the places we would love to play would be Keep it True Festival in Lauda-Konigshofen, Germany along with Italy, Greece and USA were who best reacted to our demo and we would love to be at places like Up The Hammers Festival in Athens, Greece or even Hell’s Heroes in the USA.
https://www.youtube.com/watch?v=kM6OLOaTRBM
TheNwothm: How can our readers buy your music and merch?
Midnight Sorcery: They would gladly be able to purchase our merch through our BandCamp website or by messaging is directly through social media or send us an email to [email protected]
TheNwothm: Where can fans follow you online?
Midnight Sorcery: We’re available on Facebook as Midnight Sorcery, on Instagram as @4sorcerersms, on BandCamp as Midnight Sorcery
TheNwothm: Anything else you would like to mention?
Midnight Sorcery: We would like to thank Thenwothm.com for this interview!
We would also like to thank Thenwothmfullalbums youtube channel for the opportunity for upcoming bands to show the world what they’re made of! Also this would not be possible thanks to all you Metal Merchants and Heavy Metal Maniacs that keep this alive!
It was a surprise to us how far our demo went to lands like Mexico, USA, Canada, Colombia, Argentina, Brazil, England, Wales, Spain, Germany, Italy, Greece and Portugal, thanks again for the amazing response and to the people we me personally and gave our demo to them in their hands and special thanks to the people to gave the demo a listen on digital platforms.
On the other hand we want to thank Father Sorcerer and Mother Sorceress for motivating us and always having faith in us, as your children your legacy will always be carried on and we will forever remember you in our hearts with much love and happiness as you gave to us…
Special Thanks to: Ed On Fire Designs for the design for the inlay J-card of our demo, Open Sepulcre for drawing our demo cover artwork, Khert Nether for designing our logo
PS: Special Special thanks to Bri (Spectral City, A Ferro E Fuoco – Underground Metal Circle) and Demonolatry for supporting us and for our upcoming demo re-release… more to be announced soon…
Facebook: https://www.facebook.com/MidnightSorcery
Bandcamp: https://midnightsorcery.bandcamp.com/album/tales-from-the-dark
#arcaneHeavyMetal #heavyMetal #mexicanHeavyMetal #midnightSorcery #newWaveOfTraditionalHeavyMetal #nwothmfullalbums #sorcererOfTheBlackSun #talesFromTheDark #thenwothm #thenwothmCom
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Review: Hounds “Rise of the Immortals”
Release date: 21st November 2025
Label: Iron Shield Records
6 minutesThe Nwothm
Review
The sound of galloping horses and chains awakens Knightmare Fight before shouts of Knightmare warms us up. The song takes full charge with a sound that all feels so heroic. Big synths act as bed for vocals that have a lot of power and throat. Like a stampede the music comes at you with pace and energetic riffs like your going into battle. If your the type of person that likes to wield plastic swords and axes at shows this is the son that is going to give you that opportunity.
Warrior is next up and at seven minutes in length lets see what unfolds. It cracks open with a ripping riff before an explosive solo erupts. This midtempo banger uses a mix of quick picking nad fiery rhythms to carry the song. But what I love is that there is a lot of changes in structure. There are exciting choruses which use cymbal hits, snare rolls and shouts of Warrior to get fans singing along. And just like the first track there are synth beds to add to that epicness creating width and scale. If your a fan of mighty solos and lead licks there is a plenty. From soaring solos that go to the skies to more chilled and smooth licks that cry out your ears will be serenaded! However there are some sections of the song I particularly love and that is when the vocals take a more heartfelt and deep delivery over rung out chords delivering a sense of wonderful height and expression! Excellent!
A.O.R. (All Out Running) opens with classic pulsating synths and squealing laser like guitar notes. Chords come roaring in with the bass and rolling drums before getting into the thick of things. A little lead section cracks its whip before the 4/4 driving rhythm pushes the song forward. The chugging that is locked with the drums literally has me gently banging my head while I am sat here writing this review. But once again the chorus does it for me making me throw my fist in the air shouting the song title with passion. And just like songs before there are some gentle pads in the background adding some thickness to the song. There is even more great lead work that will have you air guitaring at different moments. And even an interesting repeating note sequence on a synth before eventually returning with another huge sounding chorus. And when i say huge they literally go all out!
Lohengrin drops down to a more mellow and heartfelt direction. Slow drumming and bass lines are present with an atmosphere that carries delicate piano notes and semi acoustic guitars through the mist. Chords come in adding some weight before a lead guitar comes in weeping and letting out all its deepest emotions. And it is all magnificent. There are some bitter sweet feelings radiating from the instrumentation with regards to the choice of chords and notes. While there is a lot of brightness there are also moments which feel sad. This is an instrumental that gradually evolves, especially in the lead work which gets more intricate and sparks more flair. The fade out is very gradual which is a fitting end to the sing.
Rise Of The Immortals opens with a lonesome piano and intermittent stabs of rung out chords and cymbal hits. Gradually the piano picks up before a lead solo joins. It soon roars with everything thundering in. But all the while the piano continues at moments having more presence then others. Funnily enough the background melody reminds me of the James Bond theme. One thing that is album has not fallen short on is vocals that delivered fantastic performances. You can really feel the passion and heart with every line sung. A little solo comes makes an appearance before we move back to another verse. The music builds up adding some more complex drum patterns and then as we approach the half way mark there are some guitar screeches and shouts to break things up. Yet soon enough, we land on a small yet feisty guitar solo. The song powers on revisiting another verse and more guitar screeches and vocal shouts. When we land around the six minute mark everything drops down to more piano taking all the intensity away so we can breathe for a moment. The 4/4 drum patterns come back in along with the bass guitar and vocals soon enough going all out for the last moments of the song, especially with a hug ripping solo!
More piano welcomes us with the start of Still Believe. However this time there are some excellent guitar melodies to begin with. And rather then opting for huge instrumental passage the vocals come pretty much straight in over a gliding acoustic section where drums and bass gracefully carry the guitars. The music erupts for moments with powerful guitar chords and passionate vocal lines to add some height and intensity. The almost mid song sparking solo breaks things up helping it to transition back to the flowing sounds of acoustic guitars and vocals. I always welcome songs that bring balance to an album rather then being all full guns blazing. The song continues to bounce between softer moments and ones with more oomph. Later in the song there is a small stint where the solo takes control on top of quick picking rhythms. It almost feels like an erruption of guitar notes. Excellent!
Fatal Destroyer is the closing song on the record and we return to that uptempo energy. This just like some of the earlier tracks has the momentum and charge you could want. Electrifying lead moments and the return of synths even gaining some of the spotlight. The vocals are full of heart and emotion, really going for it and putting on commanding performance. But mid way through it drops down to more acoustic guitars with sailing strings in the background to give the sense of drifting. The song transforms into a slightly hypnotic atmosphere, mellow and chilled with a bit of play in the guitar work. A very expected ending that helps the listeners ears to calm down after a huge adventure of an album.
Conclusion
This album closes with a strong sense of completeness, weaving together its heavier moments and softer passages into a journey that feels both expansive and carefully balanced. The interplay of synths, guitars, and vocals consistently delivers scale and emotion, while the shifts in pace and atmosphere keep the listener engaged from start to finish. By the time the final track fades, the record has offered not just energy and spectacle but also depth and reflection, leaving a lasting impression as a well‑crafted and rewarding listen.
TheNwothm Score: 8.5/10
Links
Bandcamp: https://houndsmetal.bandcamp.com/album/rise-of-the-immortals
Facebook: https://www.facebook.com/houndsmetalband
Instagram: https://www.instagram.com/houndsmetal
Label: https://ironshieldrecords.de/
https://www.youtube.com/watch?v=aNOaqNRa3Pk
Read More Reviews
#HeavyMetal #Hounds #HoundsMetal #ironShieldRecords #NewAlbum #NewWaveOfTraditionalHeavyMetal #NWOTHM #thenwothmCom
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Review: Darklon “Mind Reaper”
Release date: November 28th 2025
Label: No Remorse Records
7 minutesThe Nwothm
Emerging from Athens in 2017, Darklon made their mark with the debut “Rise from Death” in 2019. Their second album, The “Redeemer,’ dropped in 2023 via No Remorse Records, featuring the commanding vocals of Nikos Migus A. (Omen). That release earned widespread acclaim for channeling the raw intensity and grit of classic American heavy metal echoing the spirit of early Savatage, Omen, and Jag Panzer.
With Nikos stepping away due to scheduling demands, the vocal mantle now passes to Bill Chrepas (Wildfire), ushering in a new chapter steeped in the influence of US metal icons like Vicious Rumors, Oliver Magnum, and Metal Church. “Mind Reaper” builds on Darklon’s signature ferocity, delivering razor-sharp riffs, thunderous rhythms, and an unrelenting live energy that’s primed for the stage.
The album was produced, mixed, and mastered by Stathis Pavlantis, with striking cover artwork by Michael Syrigos.
https://www.youtube.com/watch?v=BuXAP8bsBFA&list=RDBuXAP8bsBFA&start_radio=1
Review
In The Abyss kicks starts off as if someone lit the fuse on a firework. The opening riff feels like a snarling hungry dog. The track is nice and fast and powers forward with plenty of rumbling double kick and heat in the bass and guitar work. The main riff sticks around for quite a large part of the sing so it would have been cool to it develop a bit. The solo is short and sweet and left me wanting more. From there are some harmonies where even the bass joins in. But while everything is going on in the song, the vocals are really in control leading the fire force!
Mind Reaper rips things open with its teeth. The song continues with double kick, the brutish rhythms and commanding vocal ideas. Everything feels very solid and focused, leaning on strength rather then flashy ideas. Just like In The Abyss the song uses the main riff to drive the song forward. However I do like the rumbling tom-tom section with a big ol’ metal scream to change things up! This is not long before it gets to an absolute smashing and stomping section where solo wakes up followed by more instrumental delight. I am certainly digging the vocal ideas on this song so great stuff!
Soul Stealers feels like your bones being rattled to begin with before the song transitions into a stripped back section of squeaky guitar riffs and vocals. Soon enough the music progresses into the verses, once again feeling focused and in control. Notably everything feels quite safe and straightforward and in all honesty there is not much exciting me about this song. There are some excellent moments of tumbling drums and riff flurries, not to mention a killer little solo section where you can feel the passion and love for for the music. But beyond that I would just say it is mostly simple, no thrills song.
Get ready to pump your fists and maybe get those necks moving with Powercast. It starts off nice and slow to warm you up before throwing you into a storming double kick frenzy and shouts of Powercast. This feels like one of those tracks on the album that is going to get people moving and joining in on the lyrics. If anything, a true strength of Darklon is their rhythm guitar work and this is clearly evident here. I wouldn’t want to get in its way that is for. If you want speed, fury and something to just go nuts too i think this track is going to that call!
Credit: Christina AlossiThe Mad Messiah opens with some spooky organs and a historic spoken passage, something which I dint expect. Soon enough we are plunged into some hard hitting and raging rhythm work. The kind of stuff which is textured and layered on thick. Like all songs before this tears through everything In its path but there is more play between tempos. Especially taking it down for the the chorus sections which opts for more of a walking pace style direction. There are some great little licks woven into the music and the solo section certainly fills fitting throwing a bit of spice into the mix! Personally the vocals performance is something that stands strong and gels with the music very well!
Shockwave breaks out with some squealing guitar notes before the hurricane hits! This will literally sweep you of your feet and the sheer force and speed of quick picking guitars, bouncing bass lines and thunderous drumming. There is a lot of power and determination just running through the veins of everything that is going on here. The vocals are commanding and the little harmonies that highlight certain lyrics are really a nice touch. I certainly think this is one of the stronger tracks on the album when it comes to structure and approach. Interestingly enough the song stops briefly before we are catapulted towards a big section where we come face to face with the solo and more musical madness. The song goes for another big chorus section before taking the album out.
Hell’s Heroes takes a different approach to start things off. We get a small drum section which feels like a solo before moving into some great paradiddles on the snare. All of this ends very quickly when the rest of the music comes crashing in. It feels like a blast to your ear canals. And one thing for sure is that Darklon do not slow done on Hell’s heroes continue the frantic speed and adrenaline. I feel like by this point, I can safely say that the second half of the album definitely shows a band opening up their creativity. The vocals ideas are excellent and I especially like the trailing ghost vocals which add a touch of darkness to the song. The solo section I would say feels well written and thought out matching the pacing and rhythms. Overall another strong track where the music and the vocals step things up to really wake up the room.
And so we reach Psyched Out which is the last track on the album. Guitar harmonies start things off which feel uplifting and bright but that soon takes a turn when the menacing tone of the rhythm work comes in. And holy cow, the riffs here are absolutely sinister and dark. I just felt a shroud pulled over my head and the clouds closed up. Like the devil arose from the underworld. Darklon take the pacing right down to walking kick drums and flowing rhythm ideas for the choruses before returning to the evilness and horror. You know how they usually they save the best for last. Well I certainly think that is the case here. There is an explosion of high pitched cries and rumbling musical Ideas before transition into another meaty yet fearless chorus section and outro section! Brilliant stuff.
Conclusion
Darklon’s album delivers a relentless barrage of rhythm-driven heavy metal, anchored by muscular riffing, commanding vocals, and a clear sense of purpose. While some tracks lean on repetition and straightforward structures, others like “Shockwave,” “Hell’s Heroes,” and “Psyched Out” showcase a band willing to stretch their ideas and embrace darker textures. The rhythm guitar work is consistently solid, and the vocal performances bring cohesion and fire throughout. It’s a record built for movement and volume, with enough variation in pacing and tone to keep things engaging right to the end.
TheNwothm Score: 7.5/10
Links
Bandcamp: https://darklon.bandcamp.com/
Facebook: https://www.facebook.com/DarklonMetal
Instagram: https://www.instagram.com/darklon_band/
Label: No Remorse Records
Read More Reviews
#darklon #darklonBand #HeavyMetal #MindReaper #NewAlbum #NewWaveOfTraditionalHeavyMetal #noRemorseRecords #Review #thenwothm #thenwothmCom
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What does Nwothm mean to you?
We’re working on a permanent feature for the website, and one section will ask fans a simple but important question:
What does nwothm mean to you?
(How do you interpret the term? How does it make you feel? How do you think it all began?)
We’d love to hear your thoughts. Please share your comments below, through social media or email [email protected] and include your country. Your words could even become part of the feature itself!
The feature is planned to go live in the new year, so keep an eye out.
Submit a form.Contact email submitted remains strictly confidential and will not be shared with 3rd parties. By submitting your information (name, country, comment and photo) you are giving us permission to use them on the site as part of a permanent feature.
#HeavyMetal #NewWaveOfTraditionalHeavyMetal #NWOTHM #thenwothm #thenwothmCom #WhatDoesNwothmMeanToYou_
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Live roundup #37
The NwothmWe are back with another live roundup showing you some of the best gigs and festivals coming up in the near future! Buying in advance both supports bands and festivals helping to make sure shows go ahead! So what are you waiting for, go and grabs some tickets!
What your gig featured?
If you would like to have your gig featured here please drop us a message on our socials or email [email protected]!
#1 Blast From The Past
More info: https://www.facebook.com/bftpfestival
#2 Cherekee
More info: https://www.instagram.com/cherokee_hardrock/
#3 Metal Invaders
More info: https://www.instagram.com/metalinvadersperu/
#4 Portrait
More info: https://www.facebook.com/portraitsweden
#5 Heavy Agger
More info: https://www.facebook.com/profile.php?id=100057666780412
#6 Triumpher with Scavenger
More info:https://www.instagram.com/scavengerofficialband/
#7 Blizzard Hunter
More info: https://www.facebook.com/BlizzardHunter
#8 Cobra Spell
More info: https://www.facebook.com/cobraspell
#9 Nightbound at K-23 ATTACK
More info: https://www.facebook.com/NightboundOfficial
#10 Arena Headbangers 2026
More info: https://www.facebook.com/creaturesheavymetal
#1 #10 #2 #3 #4 #5 #6 #7 #8 #9 #adx #arenaHeadbanger2026 #blastFromThePast #BlizzardHunter #Cherokee #CobraSpell #creatures #HeavyAgger #HeavyMetal #k23Attack #liveRoundup #MedievalSteel #metalInvaders #NewWaveOfTraditionalHeavyMetal #Nightbound #NWOTHM #portrait #scavenger #thenwothm #thenwothmCom #thorium #Toxikull
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Wytch Hazel: Heaven & Spell tour 2026 with special guests Phantom Spell
Wytch Hazel are set to embark on their first headline tour in spring 2026, following the critical success of their fifth album V: Lamentations. The Heaven & Spell Tour will see the band perform across Germany, Belgium and the Netherlands, joined by Phantom Spell for a run of dates that promises to be both immersive and unforgettable.
This is a huge moment for us. I’m absolutely thrilled to be announcing our very first headline tour. We’re joined by friends and kindred spirits Phantom Spell—I couldn’t imagine a better pairing. We’re already putting everything into making these shows truly special. I can’t wait to see our amazing fans on this run of dates. – Frontman Colin Hendra.
The tour brings together two acts with deep roots in the UK’s underground metal scene. Hendra and Phantom Spell’s Kyle McNeal have shared stages and creative visions since the early 2010s, when Wytch Hazel and Seven Sisters first began to draw attention for their distinctive sound and commitment to classic influences.
Audiences can expect a journey through musical landscapes shaped by medieval imagery, spiritual themes and the golden age of 1970s rock. The Heaven & Spell Tour is a celebration of storytelling, atmosphere and the enduring power of melody. It is a rare chance to experience two bands at the height of their creative powers, offering a glimpse into other worlds through sound.
Tickets are available via Dragon Productions: https://vivenu.com/seller/dragon-productions-uwxk
Wytch Hazel: https://wytchhazel.com/
Phantom Spell: https://linktr.ee/phantomspell
#dragonProductions #hardRock #HeavenSpellTour #HeavyMetal #NWOTHM #PhantomSpell #progRock #thenwothm #thenwothmCom #WytchHazel
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HyperioN unleash lyric video for “Rewire, Rebuild” ahead of new album ‘Cybergenesis’
Rising from the heart of Italy’s heavy metal underground, HyperioN have dropped a gripping lyric video for “Rewire, Rebuild,” the second single from their forthcoming album, Cybergenesis. Watch it now on YouTube:
http://www.youtu.be/F_t3ubeiPMc
The track is streaming across all major platforms, including Bandcamp, Spotify, Apple Music, Amazon Music, Tidal, Pandora, AWA, and Deezer.
Set for release on January 15th, 2026 via Fighter Records, Cybergenesis marks HyperioN’s third full-length studio album and is now available for pre-order: hyperionbandheavy.bandcamp.com/album/cybergenesis
A concept-driven record steeped in classic sci-fi lore, Cybergenesis delivers eight tracks of high-octane traditional heavy metal. The album’s narrative follows a doomed space mission that triggers the awakening of the Choir—an ancient alien hive mind—and humanity’s descent into a brutal war against cyborg overlords. At the center of this rebellion stands the Rhizome Rider, a fallen commander reborn to lead the final charge for freedom.
Drawing inspiration from genre-defining works like Star Trek and Ghost in the Shell, Cybergenesis explores themes of resistance, sacrifice, and the enduring strength of the human spirit.
The album’s cover art was hand-painted by UK illustrator Ryan T. Hancock, known for his work with Seven Sisters, Blood Star, and Stormborn. HyperioN deliberately chose a traditional canvas approach to reflect the album’s raw, human essence.
Tracklist:
- Deafening
- Rewire, Rebuild
- Yet We Still Fight
- The Shackles of Chronitus
- Blood Over Chrome
- Grain of Sand
- Rhizome Rider
- The Whole of Time
Current Line-up:
- Davide Cotti – Guitars
- Francesco Madonna – Drums
- Max Morelli – Vocals
- Simone “Nega” Cauli – Bass
- Francis Dipasquale – Guitars
About HyperioN: Founded in 2015 by drummer Jason Beghelli and guitarist Davide Cotti, HyperioN emerged with a mission to revive traditional heavy metal, channeling the spirit of Metal Church, early Queensrÿche, and Judas Priest. Their debut album Dangerous Days (2017) earned critical acclaim and led to live appearances alongside Italian metal stalwarts.
Following lineup changes and the release of Into The Maelstrom (2020), the band weathered the pandemic and expanded their global reach via Bandcamp and streaming platforms. With a refreshed lineup and renewed creative fire, HyperioN now present Cybergenesis—a bold new chapter that honors their roots while pushing their sound into cinematic, sci-fi territory.
LInktree: linktr.ee/hyperionband
Fighter Records: fighter-records.com
#Cybergenesis #FighterRecords #HeavyMetal #HyperioN #metal #NewAlbum #NWOTHM #rewireRebuild #thenwothm #thenwothmCom
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Review: Ninth Circle – “Anthem of the Immortal”
Release Date: June 3, 2025
Mark Pruett
Los Angeles, California: a realm where riffs are born in fire and legends are carved into stone. Beneath the neon glow of Hollywood’s hallowed venues, the ground trembles with the echoes of battle cries and amplifier roars. This city pulses with rock and it bleeds molten metal from every cracked sidewalk and backstage corridor. Etched into the obsidian throne of its sonic pantheon stands Ninth Circle, a name forged in steel and scorched into the annals of heavy metal history.
Their self-titled debut, unleashed in 2000, was a war horn blown from the battlements. With melodic sorcery, NWOTHM steel, and the galloping charge of epic power metal, Ninth Circle summoned legions to their banner. Each release since then, The Power of One (2008), Legions of the Brave (2014), and Echo Black (2020), has been a sharpened blade in their arsenal, a testament to their evolving might and unwavering allegiance to the craft.
Then came mid-2025. The sky split. The ground cracked. And from the storm emerged Anthem of the Immortal, a thunderous gauntlet hurled from the heavens. Dennis Brown, wielder of voice, guitar, and keys, channels celestial fury with every note, crafting tales that echo through castle halls and battlefield ruins. Frank Forray swings his bass like a warhammer forged in the depths of Mount Doom, each strike sending shockwaves through the realm. Behind the throne sits Richie “Captain Black” Brooks, commanding a drum kit that rumbles like siege engines at the gates of a doomed kingdom.
Together, they ride into the fray, cloaked in sound and fury, bearing the banner of true metal. Ninth Circle continues to conquer 25 years into their storied career. Their saga continues to unfold like a prophecy written in lightning.
Review
Anthem of the Immortal unsheathes its blade with “I, The Radical,” and is a thunderous declaration of intent. The opening riff stands alone like a lone sentinel atop a storm-lashed tower, casting a shadow over the battlefield below. Then, the full band erupts into view like warhorses cresting the hill, galloping into the fray with righteous fury.
This is a saga where a warrior rises from the ashes of chaos, not to whisper peace but to roar truth and vengeance. The rhythm gallops like a cavalry charge, the melodies soar like banners caught in the wind, and the tale unfolds with cinematic grandeur. At its peak, a solo blazes forth like lightning striking the crown of a tyrant, splitting the sky with divine precision. The final flourish lands like a sword plunged into stone, triumphant and unyielding. The opener kicks down the gates and plants a flag in the soil. Ninth Circle has arrived, and the war drums have begun to thunder.
“Archangel” descends like a flaming sword hurled from the heavens, striking the earth with divine velocity. No preamble, no mercy… just a stormfront of sound that tears through the silence like a battalion of winged crusaders. The riff arrives wrapped in lightning and thunder, a sonic tempest that surges forward with righteous fury.
This is the arrival of a protector forged in the fires of ultimate good, cloaked in radiant armor and wielding riffs like holy relics. Ninth Circle stands tall as a trinity of power (Brown, Forray, and Brooks) each a pillar of the cathedral, each summoning their might in perfect synchronicity. The rhythm gallops with divine intent, the melodies shimmer like stained glass shattered by war cries.
Then comes the solo. It climbs skyward like a phoenix ascending through storm clouds, trailing fire and glory. The track closes not with silence, but with triumph, as fists rise and evil falls. It’s a battle hymn for the faithful, a call to arms for those who still believe in the power of metal to save souls and scorch demons.
“Devil of Manchester” opens with a riff so fierce it feels like a cursed blade being unsheathed in a moonlit alley. It demands a rewind, a second reckoning, and even a third listen as you descend into the shadows. Evil is afoot, and the warning tolls like a cathedral bell cracked by lightning.
The song races through rain-slicked streets, chased by maniacal laughter and the scent of brimstone. This is the soundtrack of a hunt through fog and fear, where the devil walks in human skin and the city itself seems possessed. The breakdown arrives like a whisper from the abyss, chilling the spine and freezing the breath before the solo erupts like a banshee scream, slicing through the gloom with unholy precision.
As the track barrels forward, the hairs on your neck rise like sentinels. You glance over your shoulder. You see nothing. But you feel everything. Ninth Circle has conjured a sonic specter, a metal incantation that stalks the listener long after the final note fades.
“First Strike” charges from the gates like a warhorse clad in obsidian armor, blade drawn and eyes locked on the enemy. It doesn’t hesitate. It doesn’t ask questions. It lands the first blow with a groove so mighty it feels like a sacred rite. This is an invocation of rhythm and resolve.
This is a warrior’s anthem, forged for those who rise not for glory, but for justice. Ninth Circle channels the spirit of the battlefield, rallying behind the call to defend the weak and the voiceless. The riffwork is a battering ram, relentless and righteous, while the rhythm section marches like an army of the just.
Then the solo ascends, gleaming like a blade catching sunlight on the eve of war, slicing through the clouds before returning to the groove with the precision of a seasoned general. It’s one of the album’s crowning moments, a sonic standard raised high above the chaos. When this one hits the stage, fists will rise, voices will roar, and the faithful will answer the call.
I noticed that Ninth Circle had chosen to cover the Chicago hit “25 or 6 to 4” and was not quite sure what to think. Their take on it storms in like a brass-clad juggernaut, transforming the classic tune into a full-throttle metal tribute. Horns become thunder, riffs blaze like wildfire, and the vocals ride the lightning. It’s bold, it’s ferocious, and somehow, miraculously, it still honors the soul of the original. A salute to the forefathers, delivered with steel and reverence.
Getting back to the metal attack, “Don’t Back Down” charges into the fray with zero hesitation, and is a battle anthem forged for the fearless. Ninth Circle taps into the sacred vein of power metal, delivering a track that pulses with valor and grit. The riffs strike like warhammers, the rhythm marches with purpose, and the message is clear: stand tall, even when the shadows close in.
For every warrior who tightens their armor and stares down the storm, this song is a shield of sound. It inspires and it fortifies. Strength. Honor. No retreat. TO BATTLE!
“Never Die” opens with a riff carved from obsidian, thick and jagged like the edge of a battle-worn axe. It sets the stage like storm clouds gathering over a distant mountain keep, promising trials and triumphs to come. The mid-tempo groove simmers beneath the surface, a slow-burning forge where steel is tempered and heroes are made.
This is a tale of endurance, of a lone warrior tested by flame and fury. Each verse is a footstep deeper into the gauntlet, each chorus a clash of blades against doubt. The rhythm pulses like a heartbeat beneath armor, steady and defiant. Then the solo arrives, and it soars above the thunder like an eagle crowned in divine light. Among the album’s many peaks, this one stands tall as a monument to perseverance.
https://www.youtube.com/watch?v=hhQ0hs5xSlk
Up next is “Futuresonic”, and it blasts out of the gate like a chrome-plated locomotive tearing through time, with sparks flying from the rails as it barrels toward a horizon lit by neon fire. The tempo is relentless, a pulse-pounding sprint that never loses its footing in the groove. Ninth Circle rides this beast with precision where lyrics are spit like shrapnel, and the bass rumbles like an engine pushed to its limits, holding the whole machine together with sheer force of will.
This is a track built for the stage, a closer forged to leave scorched earth behind. It’s the sound of a band at full throttle, riding the rails of rhythm into the night. When this one hits the crowd, they’ll erupt, fists raised, hearts racing, carried out on a high that echoes long after the final note fades.
Getting fast and dirty, “Stand and Fight” draws a line in the sand and dares the enemy to cross it. Hard charging like legions clashing on the open plain, this track leaves no room for retreat and only offers the roar of defiance. Dennis Brown delivers each lyric like a battle cry; his voice laced with fire and conviction. Behind him, the unshakable back line holds the fort, pounding out a rhythm that feels like war drums echoing through canyon walls.
A brief but fierce solo pierces the night like a bolt hurled from a warlock’s tower: sharp, sudden, and unforgettable. This is yet another anthemic gem, forged for raised fists and shouted choruses. When the dust settles, “Stand and Fight” remains as a rallying cry etched in steel.
Temptation pulses throughout “Pleasures of the Heart”. The forbidden allure is a slow-burning seduction that threatens to consume the soul. It conjures a tale as old as time: desire versus destiny, temptation versus truth. The groove smolders like embers beneath velvet shadows, while the lyrics whisper of pleasures too sweet to resist. It’s a dangerous dance, wrapped in fire and longing. Will you hold the line, or taste the fruit and risk it all? The choice is yours. Just remember, the price is eternal.
With an epic and majestic tone, “The Road Paved with Souls” opens like ancient gates creaking wide, revealing a vast and solemn expanse. Brooding and contemplative, it carries the weight of countless lives etched into stone and shadow. The groove is steady, the tone somber, yet it never falters. This is a power metal magnum opus with purpose. As the song unfolds, it evokes the endless march of time, where each soul is a step on a road without end. Past, present, and future blur, and through the thunder of this track, fate itself begins to unravel.
“Move the Mountain” is a classic metal juggernaut that hits every mark with precision and power. A driving riff leads the charge, backed by ground-shaking bass and teeth-rattling drums that feel like tectonic plates shifting beneath your feet. This one delivers yet another anthem to strength, fortitude, and the unyielding will to fight for what’s right. It’s the sound of defiance carved into stone. The command is unyielding, immovable, eternal.
“Burn Like the Sun” ignites with a flash and never looks back. It’s a fast, fiery groove that lifts the fallen and rallies the weary. It blazes with purpose, a final surge of light at the end of the journey. Like an angel clad in golden armor, wings gleaming with eternal fire, the track soars with radiant energy. Ninth Circle closes the album not with a whisper, but with a triumphant blaze that leaves the sky scorched and spirits renewed. TO VICTORY!
Conclusion
Anthem of the Immortal by Ninth Circle is a 13-track odyssey of legendary proportions. The through-line is clear: this is a relentless, uplifting message that rallies the spirit and calls the listener to arms for the greater good. Tracks like “Stand and Fight” and “Burn Like the Sun” blaze with courage, while even darker cuts like “Pleasures of the Heart” leave room for redemption, reminding us that Good always has more than a fighting chance.
It’s obvious that Ninth Circle has drawn inspiration from the titans of metal, but they’ve forged their own arsenal from the raw material. These songs aren’t replicas. They’re weapons of original design, cast in fire and wielded with conviction. No gimmicks. No shortcuts. Just pure, authentic metal from the heart.
Constructively, there’s room to fortify the mix. The songs are dynamic and powerful, but the low end could use more weight. Frank Forray’s bass lines bounce with energy, yet they often get buried beneath the guitar’s dominance. Richie Brooks brings thunder behind the kit, and while the snares cut through, the kick drums deserve to roar louder. A thicker foundation would elevate the entire sonic fortress.
Still, this is a minor note in the grand scheme. The mix isn’t broken, it’s just a battlefield that could use a few more reinforcements.
Twenty-five years into their crusade, Ninth Circle has delivered a diamond forged under pressure and time. There’s wisdom in its soul, fire in its heart, and metal in its veins. These legends have endured and ascended. They are living proof that Los Angeles is the true home of all things metal.
This record kicks major metal ass! Keep the fires burning!
TheNWOTHM Score: 9/10
Links
Band: https://www.ninthcircle.us/
Bandcamp: https://fighter-records.bandcamp.com/album/anthem-of-the-immortal
Instagram: https://www.instagram.com/ninth_circle_official_/?hl=en
#AnthemOfTheImmortal #HeavyMetal #NewAlbum #NewWaveOfTraditionalHeavyMetal #NinthCircle #NWOTHM #thenwothm #thenwothmCom
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Horned Legions Arise: one-day metal festival hits Hereford in support of HRRO
A new metal festival is set to take over Hereford on Saturday, 31 January 2026, bringing ten bands together for a single day of live music in aid of the Herefordshire Reuse and Recycling Organisation (HRRO). The event, titled Horned Legions Arise, will be held at The Victory (formerly The Jolly Roger) and runs from 2:00 pm to 11:30 pm.
The lineup features a mix of rising and established underground acts including Toledo Steel, Hanowar, Desolator, Arkham Witch, Koba, Mudlarker, Grave Altar, Kinstrife, Mount Slatra, and Bullhead. Expect a full spectrum of heavy metal styles from classic riff-driven anthems to doom, speed, and raw underground energy.
All proceeds will go directly to HRRO, supporting local sustainability and reuse initiatives. The day will also feature a charity raffle, merchandise stalls, and a full bar.
Tickets are priced at £10 and available now via Eventbrite: https://www.eventbrite.co.uk/e/horned-legions-arise-one-day-metal-festival-in-aid-of-hrro-tickets-1740113037939
Venue details: The Victory (formerly The Jolly Roger) 88 Saint Owen’s Street Hereford HR1 2QD United Kingdom
#ArhamWitch #Bullhead #Desolator #GraveAltar #Hanowar #HeavyMetal #Kinstrife #Koba #MountSlatra #Mudlarker #NewWaveOfTraditionalHeavyMetal #News #NWOTHM #thenwothm #thenwothmCom #ToledoSteel
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Horned Legions Arise: one-day metal festival hits Hereford in support of HRRO
A new metal festival is set to take over Hereford on Saturday, 31 January 2026, bringing ten bands together for a single day of live music in aid of the Herefordshire Reuse and Recycling Organisation (HRRO). The event, titled Horned Legions Arise, will be held at The Victory (formerly The Jolly Roger) and runs from 2:00 pm to 11:30 pm.
The lineup features a mix of rising and established underground acts including Toledo Steel, Hanowar, Desolator, Arkham Witch, Koba, Mudlarker, Grave Altar, Kinstrife, Mount Slatra, and Bullhead. Expect a full spectrum of heavy metal styles from classic riff-driven anthems to doom, speed, and raw underground energy.
All proceeds will go directly to HRRO, supporting local sustainability and reuse initiatives. The day will also feature a charity raffle, merchandise stalls, and a full bar.
Tickets are priced at £10 and available now via Eventbrite: https://www.eventbrite.co.uk/e/horned-legions-arise-one-day-metal-festival-in-aid-of-hrro-tickets-1740113037939
Venue details: The Victory (formerly The Jolly Roger) 88 Saint Owen’s Street Hereford HR1 2QD United Kingdom
#ArhamWitch #Bullhead #Desolator #GraveAltar #Hanowar #HeavyMetal #Kinstrife #Koba #MountSlatra #Mudlarker #NewWaveOfTraditionalHeavyMetal #News #NWOTHM #thenwothm #thenwothmCom #ToledoSteel
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Horned Legions Arise: one-day metal festival hits Hereford in support of HRRO
A new metal festival is set to take over Hereford on Saturday, 31 January 2026, bringing ten bands together for a single day of live music in aid of the Herefordshire Reuse and Recycling Organisation (HRRO). The event, titled Horned Legions Arise, will be held at The Victory (formerly The Jolly Roger) and runs from 2:00 pm to 11:30 pm.
The lineup features a mix of rising and established underground acts including Toledo Steel, Hanowar, Desolator, Arkham Witch, Koba, Mudlarker, Grave Altar, Kinstrife, Mount Slatra, and Bullhead. Expect a full spectrum of heavy metal styles from classic riff-driven anthems to doom, speed, and raw underground energy.
All proceeds will go directly to HRRO, supporting local sustainability and reuse initiatives. The day will also feature a charity raffle, merchandise stalls, and a full bar.
Tickets are priced at £10 and available now via Eventbrite: https://www.eventbrite.co.uk/e/horned-legions-arise-one-day-metal-festival-in-aid-of-hrro-tickets-1740113037939
Venue details: The Victory (formerly The Jolly Roger) 88 Saint Owen’s Street Hereford HR1 2QD United Kingdom
#ArhamWitch #Bullhead #Desolator #GraveAltar #Hanowar #HeavyMetal #Kinstrife #Koba #MountSlatra #Mudlarker #NewWaveOfTraditionalHeavyMetal #News #NWOTHM #thenwothm #thenwothmCom #ToledoSteel
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Horned Legions Arise: one-day metal festival hits Hereford in support of HRRO
A new metal festival is set to take over Hereford on Saturday, 31 January 2026, bringing ten bands together for a single day of live music in aid of the Herefordshire Reuse and Recycling Organisation (HRRO). The event, titled Horned Legions Arise, will be held at The Victory (formerly The Jolly Roger) and runs from 2:00 pm to 11:30 pm.
The lineup features a mix of rising and established underground acts including Toledo Steel, Hanowar, Desolator, Arkham Witch, Koba, Mudlarker, Grave Altar, Kinstrife, Mount Slatra, and Bullhead. Expect a full spectrum of heavy metal styles from classic riff-driven anthems to doom, speed, and raw underground energy.
All proceeds will go directly to HRRO, supporting local sustainability and reuse initiatives. The day will also feature a charity raffle, merchandise stalls, and a full bar.
Tickets are priced at £10 and available now via Eventbrite: https://www.eventbrite.co.uk/e/horned-legions-arise-one-day-metal-festival-in-aid-of-hrro-tickets-1740113037939
Venue details: The Victory (formerly The Jolly Roger) 88 Saint Owen’s Street Hereford HR1 2QD United Kingdom
#ArhamWitch #Bullhead #Desolator #GraveAltar #Hanowar #HeavyMetal #Kinstrife #Koba #MountSlatra #Mudlarker #NewWaveOfTraditionalHeavyMetal #News #NWOTHM #thenwothm #thenwothmCom #ToledoSteel
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Horned Legions Arise: one-day metal festival hits Hereford in support of HRRO
A new metal festival is set to take over Hereford on Saturday, 31 January 2026, bringing ten bands together for a single day of live music in aid of the Herefordshire Reuse and Recycling Organisation (HRRO). The event, titled Horned Legions Arise, will be held at The Victory (formerly The Jolly Roger) and runs from 2:00 pm to 11:30 pm.
The lineup features a mix of rising and established underground acts including Toledo Steel, Hanowar, Desolator, Arkham Witch, Koba, Mudlarker, Grave Altar, Kinstrife, Mount Slatra, and Bullhead. Expect a full spectrum of heavy metal styles from classic riff-driven anthems to doom, speed, and raw underground energy.
All proceeds will go directly to HRRO, supporting local sustainability and reuse initiatives. The day will also feature a charity raffle, merchandise stalls, and a full bar.
Tickets are priced at £10 and available now via Eventbrite: https://www.eventbrite.co.uk/e/horned-legions-arise-one-day-metal-festival-in-aid-of-hrro-tickets-1740113037939
Venue details: The Victory (formerly The Jolly Roger) 88 Saint Owen’s Street Hereford HR1 2QD United Kingdom
#ArhamWitch #Bullhead #Desolator #GraveAltar #Hanowar #HeavyMetal #Kinstrife #Koba #MountSlatra #Mudlarker #NewWaveOfTraditionalHeavyMetal #News #NWOTHM #thenwothm #thenwothmCom #ToledoSteel
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Sceptor “Wrath of the Gods” CC unboxing
We continue our unboxing series with another slab of German Heavy Metal and that is Sceptor’s new album ‘Wrath of the Gods.” The new album is now available via Metalizer records and here is all the info as mentioned on their site:
Metalizer Records 2025. The 3rd full length Album of the german Heavy Metal Institution. No other band from europe can Play perfect US METAL in the vein of early VICIOUS, JAG PANZER or RIOT. Of Course, Bob Mitchell was not into the band anymore, because of Health Problems. But they replaced him with the amazing voice of Florian Reimann (ex DESTILLERY, GOBLINS BLADE, etc.). Sharp guitars from Torsten “Todde” Lang and powerful hymns that are made for fans of the real HEAVY METAL. Listen to YouTube Songs and get it NOW!
Get your STILL SEALED copy of this jewel case CD Edition!
Buy it here: https://www.metalizer-records.de/?a=9981&lang=eng
Band facebook: https://www.facebook.com/sceptormetal
Band Bandcamp: https://sceptor.bandcamp.com/
Tracks:
- From The Abyss
- Legion
- Hades & Zeus
- Slave Of Power
- Demon Eyes
- Slow Ride Into The Sun
- Eternal Death
- Poseidon
- Throne Of The Damned
#GermanHeavyMetal #HeavyMetal #MetalizerRecords #NewAlbum #NewWaveOfTraditionalHeavyMetal #NWOTHM #sceptor #thenwothm #thenwothmCom #unboxing #wrathOfTheGods
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Write for TheNwothm!
We are currently looking to expand the team so if you think you have what it takes check out the info below and send in your application!
TheNwothm.com is your ultimate destination for everything related to the New Wave of Traditional Heavy Metal. From the latest news and reviews to exclusive interviews and beyond, we’re here to celebrate and elevate this vibrant genre. I’m Rob, and I founded the site at the beginning of 2023 with one clear goal in mind: to shine a spotlight on NWOTHM bands from every corner of the globe!
This site wouldn’t be what it is today without our dedicated and passionate team of writers, who live and breathe NWOTHM. We’re a small but incredibly committed group, united by a shared love for this genre and a deep drive to spread the word. That’s why we’re now looking for voluntary contributors who are just as passionate about NWOTHM as we are. Join us in helping to amplify the voices of these incredible bands and take part in a growing community of like-minded enthusiasts!
If you have any questions about contributing to the site please do not hesitate to get in touch as I am happy to answer any questions you may have!
🏆Benefits of writing for TheNwothm:
- Get your writing in front of thousands of metal fans!
- Review new music before it is released.
- Opportunity to interview bands when available.
- Press passes to shows (depends on your input and press availability)
❤️ Must haves to write for us!
- Able to write to a good level in English.
- Basic Understanding of WordPress.
- Passion for New Wave of Traditional Heavy Metal and similar genres.
✅Here are a few things that will work in your favour when applying:
- You want to get stuck in and are able to contribute weekly.
- You can turn around pieces quickly.
- You take initiative and source news and others things to cover.
- You maintain great communication via Slack.
- Above all you show your passion for writing and love for heavy metal!
❌What we are not looking for:
- Unable to communicate regularly via slack.
- Unable to deliver pieces in agreed timeframes.
- Push out rush pieces with no effort.
- Write for a site that covers the same style content.
#creativeWriting #HeavyMetal #joinTheTeam #NewWaveOfTraditionalHeavyMetal #NWOTHM #thenwothm #thenwothmCom #WriteForThenwothm #WriteForUs
-
Write for TheNwothm!
We are currently looking to expand the team so if you think you have what it takes check out the info below and send in your application!
TheNwothm.com is your ultimate destination for everything related to the New Wave of Traditional Heavy Metal. From the latest news and reviews to exclusive interviews and beyond, we’re here to celebrate and elevate this vibrant genre. I’m Rob, and I founded the site at the beginning of 2023 with one clear goal in mind: to shine a spotlight on NWOTHM bands from every corner of the globe!
This site wouldn’t be what it is today without our dedicated and passionate team of writers, who live and breathe NWOTHM. We’re a small but incredibly committed group, united by a shared love for this genre and a deep drive to spread the word. That’s why we’re now looking for voluntary contributors who are just as passionate about NWOTHM as we are. Join us in helping to amplify the voices of these incredible bands and take part in a growing community of like-minded enthusiasts!
If you have any questions about contributing to the site please do not hesitate to get in touch as I am happy to answer any questions you may have!
🏆Benefits of writing for TheNwothm:
- Get your writing in front of thousands of metal fans!
- Review new music before it is released.
- Opportunity to interview bands when available.
- Press passes to shows (depends on your input and press availability)
❤️ Must haves to write for us!
- Able to write to a good level in English.
- Basic Understanding of WordPress.
- Passion for New Wave of Traditional Heavy Metal and similar genres.
✅Here are a few things that will work in your favour when applying:
- You want to get stuck in and are able to contribute weekly.
- You can turn around pieces quickly.
- You take initiative and source news and others things to cover.
- You maintain great communication via Slack.
- Above all you show your passion for writing and love for heavy metal!
❌What we are not looking for:
- Unable to communicate regularly via slack.
- Unable to deliver pieces in agreed timeframes.
- Push out rush pieces with no effort.
- Write for a site that covers the same style content.
#creativeWriting #HeavyMetal #joinTheTeam #NewWaveOfTraditionalHeavyMetal #NWOTHM #thenwothm #thenwothmCom #WriteForThenwothm #WriteForUs
-
Write for TheNwothm!
We are currently looking to expand the team so if you think you have what it takes check out the info below and send in your application!
TheNwothm.com is your ultimate destination for everything related to the New Wave of Traditional Heavy Metal. From the latest news and reviews to exclusive interviews and beyond, we’re here to celebrate and elevate this vibrant genre. I’m Rob, and I founded the site at the beginning of 2023 with one clear goal in mind: to shine a spotlight on NWOTHM bands from every corner of the globe!
This site wouldn’t be what it is today without our dedicated and passionate team of writers, who live and breathe NWOTHM. We’re a small but incredibly committed group, united by a shared love for this genre and a deep drive to spread the word. That’s why we’re now looking for voluntary contributors who are just as passionate about NWOTHM as we are. Join us in helping to amplify the voices of these incredible bands and take part in a growing community of like-minded enthusiasts!
If you have any questions about contributing to the site please do not hesitate to get in touch as I am happy to answer any questions you may have!
🏆Benefits of writing for TheNwothm:
- Get your writing in front of thousands of metal fans!
- Review new music before it is released.
- Opportunity to interview bands when available.
- Press passes to shows (depends on your input and press availability)
❤️ Must haves to write for us!
- Able to write to a good level in English.
- Basic Understanding of WordPress.
- Passion for New Wave of Traditional Heavy Metal and similar genres.
✅Here are a few things that will work in your favour when applying:
- You want to get stuck in and are able to contribute weekly.
- You can turn around pieces quickly.
- You take initiative and source news and others things to cover.
- You maintain great communication via Slack.
- Above all you show your passion for writing and love for heavy metal!
❌What we are not looking for:
- Unable to communicate regularly via slack.
- Unable to deliver pieces in agreed timeframes.
- Push out rush pieces with no effort.
- Write for a site that covers the same style content.
#creativeWriting #HeavyMetal #joinTheTeam #NewWaveOfTraditionalHeavyMetal #NWOTHM #thenwothm #thenwothmCom #WriteForThenwothm #WriteForUs
-
Write for TheNwothm!
We are currently looking to expand the team so if you think you have what it takes check out the info below and send in your application!
TheNwothm.com is your ultimate destination for everything related to the New Wave of Traditional Heavy Metal. From the latest news and reviews to exclusive interviews and beyond, we’re here to celebrate and elevate this vibrant genre. I’m Rob, and I founded the site at the beginning of 2023 with one clear goal in mind: to shine a spotlight on NWOTHM bands from every corner of the globe!
This site wouldn’t be what it is today without our dedicated and passionate team of writers, who live and breathe NWOTHM. We’re a small but incredibly committed group, united by a shared love for this genre and a deep drive to spread the word. That’s why we’re now looking for voluntary contributors who are just as passionate about NWOTHM as we are. Join us in helping to amplify the voices of these incredible bands and take part in a growing community of like-minded enthusiasts!
If you have any questions about contributing to the site please do not hesitate to get in touch as I am happy to answer any questions you may have!
🏆Benefits of writing for TheNwothm:
- Get your writing in front of thousands of metal fans!
- Review new music before it is released.
- Opportunity to interview bands when available.
- Press passes to shows (depends on your input and press availability)
❤️ Must haves to write for us!
- Able to write to a good level in English.
- Basic Understanding of WordPress.
- Passion for New Wave of Traditional Heavy Metal and similar genres.
✅Here are a few things that will work in your favour when applying:
- You want to get stuck in and are able to contribute weekly.
- You can turn around pieces quickly.
- You take initiative and source news and others things to cover.
- You maintain great communication via Slack.
- Above all you show your passion for writing and love for heavy metal!
❌What we are not looking for:
- Unable to communicate regularly via slack.
- Unable to deliver pieces in agreed timeframes.
- Push out rush pieces with no effort.
- Write for a site that covers the same style content.
#creativeWriting #HeavyMetal #joinTheTeam #NewWaveOfTraditionalHeavyMetal #NWOTHM #thenwothm #thenwothmCom #WriteForThenwothm #WriteForUs
-
Write for TheNwothm!
We are currently looking to expand the team so if you think you have what it takes check out the info below and send in your application!
TheNwothm.com is your ultimate destination for everything related to the New Wave of Traditional Heavy Metal. From the latest news and reviews to exclusive interviews and beyond, we’re here to celebrate and elevate this vibrant genre. I’m Rob, and I founded the site at the beginning of 2023 with one clear goal in mind: to shine a spotlight on NWOTHM bands from every corner of the globe!
This site wouldn’t be what it is today without our dedicated and passionate team of writers, who live and breathe NWOTHM. We’re a small but incredibly committed group, united by a shared love for this genre and a deep drive to spread the word. That’s why we’re now looking for voluntary contributors who are just as passionate about NWOTHM as we are. Join us in helping to amplify the voices of these incredible bands and take part in a growing community of like-minded enthusiasts!
If you have any questions about contributing to the site please do not hesitate to get in touch as I am happy to answer any questions you may have!
🏆Benefits of writing for TheNwothm:
- Get your writing in front of thousands of metal fans!
- Review new music before it is released.
- Opportunity to interview bands when available.
- Press passes to shows (depends on your input and press availability)
❤️ Must haves to write for us!
- Able to write to a good level in English.
- Basic Understanding of WordPress.
- Passion for New Wave of Traditional Heavy Metal and similar genres.
✅Here are a few things that will work in your favour when applying:
- You want to get stuck in and are able to contribute weekly.
- You can turn around pieces quickly.
- You take initiative and source news and others things to cover.
- You maintain great communication via Slack.
- Above all you show your passion for writing and love for heavy metal!
❌What we are not looking for:
- Unable to communicate regularly via slack.
- Unable to deliver pieces in agreed timeframes.
- Push out rush pieces with no effort.
- Write for a site that covers the same style content.
#creativeWriting #HeavyMetal #joinTheTeam #NewWaveOfTraditionalHeavyMetal #NWOTHM #thenwothm #thenwothmCom #WriteForThenwothm #WriteForUs
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Tailgunner set to return with “Midnight Blitz”
British heavy metal rising force Tailgunner will release their new full-length album “Midnight Blitz” on Friday, February 6th 2026 through Napalm Records.
The album delivers ten tracks of high-voltage heavy metal, including the explosive title track, the cinematic “Tears in Rain,” and the apocalyptic “War in Heaven.” Produced by K.K. Downing with additional production by Anthony Wall, the record was mixed and mastered by Jacob Hansen. Artwork was created by DEATH.BY.VHS, with graphic design by Revolver Creative and Andreas Markaritzer, and photography by Tunde Valiszka.
Tracklisting:
- Midnight Blitz
- Tears in Rain
- Follow Me in Death
- Dead Until Dark
- Barren Lands & Seas of Red
- War in Heaven
- Blood Sacrifice
- Night Raids
- Eye of the Storm
- Eulogy
Album preorder and merch at Napalm Records: https://tinyurl.com/yc79hy7k
Tailgunner have also released a new music video for the title track, directed, filmed and edited by Charlie Smith at Mind Art Visual. Watch here:
https://www.youtube.com/watch?v=nnsTQq_8mR8&list=RDnnsTQq_8mR8&start_radio=1
Speaking about the album, Tailgunner state:
Whilst touring our debut album, we shared stages with members of Iron Maiden, Judas Priest and Accept. We watched, we learned, and we put it all down on tape. The aim behind Midnight Blitz was to craft an all-time album opener, like ‘Aces High,’ ‘Painkiller,’ ‘Welcome to the Jungle’ and ‘Hells Bells.’ Everyone remembers the first time you hear the opening track on an album that changes everything. The hair stands up on the back of your neck and you know from this moment onwards, nothing will ever be the same. The launch sequence on the next era of Tailgunner has been hit. ‘Masters of the skies, never call it quits. Time to do or die, we are the Midnight Blitz.
K.K. Downing adds:
Tailgunner is a band we should have seen emerge years ago from the UK. They personify everything that is heavy metal. They are loud and proud, and totally descended from everyone in metal that has gone before. Their energy and rawness, together with their brand of metal, incorporates all of the godfathers and much more. Maiden, Priest, Motörhead, Def Leppard—the list is endless. The band has a youthful freshness and a uniqueness that will no doubt elevate them to being a true metal favourite of the fans.
Photo Credits: Tailgunner
TAILGUNNER 2026 LIVE DATES
Supporting Hammerfall
January 14th – Pratteln, Switzerland – Z 7
January 15th – Lausanne, Switzerland – Docks
January 17th – Barcelona, Spain – Razzmatazz 1
January 18th – Murcia, Spain – Mamba
January 20th – Sevilla, Spain – Custom
January 21th – Lisbon, Portugal – Republica Da Musica
January 22th – Porto, Portugal – Hard Club January 23 – Madrid, Spain – La Riviera
January 24th – Villava, Spain – Totem January 26 – Milan, Italy – Alcatraz
January 30th – Porthcawl, Wales – Planet Rock Winters End
Supporting Fozzy
February 6th – Brighton, England – Chalk
February 7th – Margate, England – Dreamland
February 8th – Manchester, England – The Ritz
February 10th – Norwich, England – Epic Studios
February 11 – Bradford, England – Nightrain
February 13th – Nottingham, England – Rock City
February 14th – Glasgow, Scotland – TV Studios
February 15th – Newcastle, England – Boiler Shop
February 17th – Cardiff, England -Tramshed
February 18th – Torquay, England – The Foundry
February 19th – Southampton, England – The 1865
February 20th – London, England – Electric Ballroom
February 21st – Wolverhampton, England – KK’s Steel Mill
Summer Festivals
June 4th – Stykkishólmur, Iceland – Satán Festival,
June 6th – Sölvesborg, Sweden – Sweden Rock Festival
June 13th – Donington Park, England – Download Festival
June 26th – Spálené Poříčí, Czech Republic – Basinfire Festival
July 18th – Maidstone, England – Maid of Stone Festival
August 9th – Geiselwind, Germany – Keep it True Legions Festival
August 15th – Eindhoven, Netherlands – Dynamo Metal Festival
September 5th – Coventry, England – Hella Rock Festival
Follow Tailgunner:
Facebook: Http://www.facebook.com/tailgunnerhq
Instagram: Http://www.Instagram.com/tailgunnerhq
#BritishHeavyMetal #HeavyMetal #IronMaiden #JudasPriest #kkDowning #MidnightBlitz #napalmRecords #NewWaveOfTraditionalHeavyMetal #NWOTHM #Tailgunner #thenwothm #thenwothmCom
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Review: Agartha “The Hidden”
Release date: Out now!
4 minutesThe Nwothm
Agartha is a heavy metal band founded in 2019 by Jeremy Berry, a multi-instrumentalist handling guitars and drums, and vocalist Ryan Evans. The duo shares a deep-rooted love for classic metal and a drive to explore its outer edges. Their sound blends soaring melodies with a dramatic sense of scale, drawing from the genre’s rich legacy while introducing fresh and unpredictable elements.
Grounded in the traditions of heavy metal, AGARTHA takes cues from a wide spectrum of influences. Their music channels the grandeur of the New Wave of British Heavy Metal alongside the grit and urgency of underground scenes. The result is a style that feels both timeless and personal, with compositions that balance epic ambition and emotional weight.
In 2020, the band released their first demo independently, offering a bold statement of intent that quickly resonated with fans of authentic metal. A limited 7-inch vinyl pressing followed in 2022, earning attention from collectors and reinforcing their presence in the underground circuit. AGARTHA’s approach is marked by tight musicianship and a commitment to melody, always guided by a respect for the genre’s foundations and a desire to push forward.
With each release, Agartha continues to shape their own identity within the heavy metal landscape, staying true to their roots while forging ahead with purpose and intensity.
Review
Intro is up for first and I feel like I am walking through a hazy mist while bass strings twang and acoustic melodies sing. The vocals come in velvety and smooth working perfectly in accompanying the music. I especially like how the vocals layer up at points to create some thickness and texture. Personally listening to this a few times I wish the music would have developed a little more. Otherwise a nice little opener leaving me some what intrigued.
Silver King comes in with a bang and straight away I get pure Sumerlands vibes. The music is exciting, vibrant and full of colour. The chosen guitar tones and the production some what help to give the track a great sense of uniqueness and character. I do enjoy more up tempo songs and this certainly caught my attention. I am sat here tapping my feet and shaking my head around at my desk while I do this review. The vocals slot together with the music magnificently and make the the song feel wholesome and well rounded.
The Hidden is up next and it opens up with the sounds of organic, edgy riffing. The second guitar comes in and the song progresses into a steady walking pace. In reflection to Silver King this feels slightly more slow flowing and of a hard rock vibe. But the vocals remain expressive and charged throughout standing tall and giving off some presence. So a more mellow track providing some balance to the EP.
South Flight flicks off the kettle and brews for a moment, opening with crisp, panned guitar chugs, open chords, and cymbal taps. This intro gives way to a steady, chord-focused section before the vocals slide in. What defines the track is its cascading guitar melodies and vocals that reach out into the shroud. I was hoping for more development in the guitar work, and while the riffs do shift later on, they never quite catch the ear like “Silver King” did.
Inter Hyperborea closes the EP with emotional, driving guitars and majestic melodies that immediately lift the atmosphere. There is a drifting, almost weightless quality to the track, a feeling that runs throughout the release, but here it feels more expansive and adventurous. The melodic, interwoven guitar riffs add sparkle and movement, keeping the song engaging from start to finish. Vocals remain strong and consistent, and this final track is no exception. It conjures the feeling of gliding through galaxies or soaring across open skies, like a heroic quest in search of meaning. A confident and stirring closer that gives the EP a sense of resolution.
Conclusion
This EP lays down a strong foundation, with plenty of atmosphere, expressive vocals, and flashes of character that point toward something exciting. “Silver King” is the clear highlight, bursting with energy and colour, and showing just how good this band can be when everything locks in. The rest of the release has its moments too, especially in mood and vocal delivery, even if some tracks feel less developed. There’s definite room to grow, but the core ingredients are here. With sharper songwriting and bolder shifts, this band could really carve out a distinctive space. A promising release that shows the bands potential.
TheNwothm Score: 7.5/10
Links
Bandcamp: https://agartha4.bandcamp.com/
Instagram: https://www.instagram.com/agarthanprophecy/
Label: https://www.noremorse.gr/
https://www.youtube.com/watch?v=7m-deKc2gkM
Read More Reviews
#Agartha #AgarthaUSA #HeavyMetal #NewEP #NewWaveOfTraditionalHeavyMetal #noRemorseRecords #SilverKing #thenwothm #thenwothmCom
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Interview: Risingfall (Japan)
8 minutesThe Nwothm
Tokyo’s Risingfall channel the spirit of classic heavy metal with a raw, DIY edge and a love for speed and fantasy. From early lineup shifts to a recent breakthrough performance at Keep It True Rising in Germany, their journey reflects persistence, passion, and a deep respect for the genre’s roots. In this interview with The NWOTHM, the band shares thoughts on songwriting, the Tokyo scene, and the story behind their latest EP.
https://www.youtube.com/watch?v=6mWWNFj-FlQ
Interview
TheNwothm: Can you tell us your name and role in Risingfall?
Risingfall: Hello, I’m Kono from Risingfall. I play guitar in this band and write about 98% of our songs.
TheNwothm: When did Risingfall form and how did the band members meet?
Risingfall: Around 2013, I met our other original guitarist, Yoshiki, through an online band member recruitment site. Later, our drummer Yuki joined, along with a bassist who’s now active in another shoegaze black metal band. Fun fact: our first live show featured a female vocalist. As is common in a band’s early days, we had a lot of member changes besides me, Yoshiki, and Yuki. Things stabilised around 2017 when our current vocalist, G Itoh, joined. Our current bassist, Gyokusai Ishii, came on board around 2019.
TheNwothm: Why did you choose the name “Risingfall”?
Risingfall: When choosing a band name, as is typical, we looked to metal song titles for inspiration. We considered names like Lady of Mars (Dark Star), Cry Wolf (Savage), and Leticia (Novella), but ultimately settled on a one-word version of
Leatherwolf’s classic song, Rise or Fall.TheNwothm: What inspired you to play heavy metal?
Risingfall: Honestly, I think we draw inspiration from all the music we listen to. We’re not pros; we create music with the mindset of, “We want to make cool music like this ourselves!
TheNwothm: Your music has fantasy and speed themes. What inspires these ideas?
Risingfall: I’ll let our vocalist, G Itoh answer.
G Itoh: I mainly just write lyrics and sing, so when it comes to songwriting, you should really ask Kono. As for the themes of the lyrics, I get inspiration from all kinds of sources. Usually, the demos Kono sends me already have a title, and there’s one thing that’s always fixed — what he wants me to sing in the chorus.So I take that key phrase and think about what kind of imagery fits it, drawing from my favorite movies, manga, and tokusatsu shows. Stuff like Mad Max, Star Wars, Fist of the North Star, Kamen Rider… all sorts of things.
https://www.youtube.com/watch?v=BNtzY8RvNvw
TheNwothm; Are there any books, movies, or games that also influence your music?
Risingfall: As for songwriting, I don’t really draw influence from anything outside of music.
TheNwothm: You are based in Tokyo. What is the metal scene like there? Are there many live shows in Tokyo for heavy metal?
Risingfall: This is a tough one to answer.Japan’s population is declining, and compared to the ‘90s when the metal scene was at its peak in Japan, both concert attendance and CD/record sales are said to be down.There are a lot of overseas metal bands touring Japan, but it’s unclear if those shows are profitable.As for the Japanese metal scene played by Japanese musicians, it’s fair to say it’s not very big.If we hold an event and draw about 60 people, that’s considered a success.Most Japanese metal fans tend to prefer overseas metal bands.
TheNwothm: Your first demo was “Prologue” in 2017. What do you remember about recording it?
Risingfall: Our first demo was recorded with four mics set up on the drums ourselves, guitars and bass recorded at home on a computer, and vocals laid down as is, without any edits—mostly because we didn’t even know how to edit. It’s a
very rough recording, but I love the upbeat vocal melody in the first track, “Livin’ on the Edge,” which we played at Keep It True Rising the other day. I think it’s a great opening song.TheNwothm: “Tokyo Metal Fire” is a live album. Was that show special for you?
Risingfall: To perform live in Japan, you typically join events at live houses and pay a performance fee of about 30,000 yen. After doing a few of those and starting to feel fed up, I got a sudden call from a crazy metalhead classmate from university. He was also into old-school metal and suggested we organize an event in Tokyo, gathering young old-school bands.We rented a music studio in the city and held a studio live with his band and a few others. It was an amazing experience, and honestly, it might not be an exaggeration to say that’s when Risingfall truly got its start.
TheNwothm: “Cry for the Steel” and “Arise from the Ashes” are strong titles. What do they represent?
Risingfall: Cry for the Steel was just a spontaneous five-word idea. Arise is an homage to one of my favourite prog bands, Renaissance.
TheNwothm: How did you choose songs for the 2020 compilation?
Risingfall: While reaching out to various labels about releasing “Arise” in Europe, Golden Core responded, suggesting we make it a compilation instead. That compilation probably includes all our songs up to that point.
TheNwothm: Your full album “Rise or Fall” came out in 2022. How was the response?
Risingfall: It turned out pretty decent, I think. We got a lot of positive reviews, but negative ones tend to stick in your memory. As a songwriter, listening back now, I can feel some immaturity in parts. Still, I think “Rock Fantasy” is a killer track. Rather than being perfect from the start and having people say the first album is the best forever, I’d prefer something rough around the edges with good parts, leaving plenty of room for improvement.
TheNwothm: Tell us about your new EP “Dungeon’s Call.” What is the story behind it? The name sounds intriguing!
Risingfall: This EP was made because we hadn’t recorded much after releasing our album in 2022, and with a Germany tour lined up, we created it for that occasion. Normally, our process involves me making a home demo first, which we then
arrange in the studio, but the title track was born during a studio session. I’ll let G Itoh talk about the story behind it.G Itoh: “Dungeon’s Call” was a song we created while jamming with the band.It started with us improvising, like, “This is the kind of riff you’d expect from epic and dark heavy metal, right?”—and I just started putting vocals on top, also improvised. The vibe we were going for was something like Cirith Ungol, Genocide Nippon, or early Queensrÿche—that kind of epic feel. Naturally, with that kind of epic heavy metal, a dark fantasy theme felt like the right match, so the title Dungeon’s Callcame pretty organically.
The story behind the song is this:A group of people is trying to awaken something that lies underground, answering its call—but what they awaken is nothing like what they had imagined.It turns out to be a once-holy being that had fallen, a Lovecraftian entity, and a figure from completely different local folklore—all of these elements merged into one single manifestation. The image of the title Dungeon’s Call, combined with inspiration from the movie Sadako vs. Kayako, is what sparked the lyrics.
TheNwothm: Will there be an album following your EP?
Risingfall: “Strike Back Again” and “Blaze of Glory” are tracks we want to include on our second album.
TheNwothm: You recently opened Keep It True Rising in Würzburg, Germany? Tell us about that experience!
Risingfall: The experience was unbelievable. We never even dreamed of playing at Keep It True (KIT); our only thought was to someday attend and enjoy its amazing lineup. To actually perform at such a dream venue was surreal.We’re probably
completely unknown in Europe, and we were anxious about whether an obscure band from the East would be accepted. But we were thrilled to be welcomed so warmly. We got a lot of great reactions.After the show, we soaked in our first
European festival experience!TheNwothm: What touring plans do you have for the rest of the year and beyond.
Risingfall: This November, we’ll be joining Iron Kobra’s Japan tour, who supported us perfectly in Germany. By the way, I also play guitar for Iron Kobra! Huge thanks to everyone in Iron Kobra for everything in Germany! After that… honestly, we don’t have any plans! We’ll record new songs in December, and hopefully release something next year.
TheNwothm: How can our readers buy your music and merch?
Risingfall: You can check out our music on Dying Victims Productions’ site, who’ve been a huge help, or on our Bandcamp. Merch is… tricky since we don’t have a proper web store setup.
TheNwothm: Where can fans follow you online?
Risingfall: For overseas metalheads, we recommend following us on our Facebook account!
TheNwothm: Anything else you would like to mention?
Risingfall: To all the metal fans reading this, thank you so much! Next year, we’re releasing a split with a certain band, and after that, we’ll be working on our second album!
Facebook: https://www.facebook.com/profile.php?id=100063697592287
Bandcamp: https://risingfall.bandcamp.com/
Label: https://dying-victims.de/
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