#oudekerk — Public Fediverse posts

GOODBYE POVERTY JETSET by Sepp Eckenhaussen

San Serriffe, Wednesday, July 15 at 06:00 PM GMT+2

introduction by Amy Gowen, talk with Mela Miekus, Alina Lupu and Sepp Eckenhaussen, and a provocation by Koen Bartijn

The art economy makes some people filthy rich but leaves most people making art in poverty. How is that possible? And, more importantly, how can it be changed? Can we imagine and organise an art world that is economically sustainable for the people working in it?

Each chapter in this book focuses on one alternative model that art workers already practice, including commons, co-operatives, community currencies, basic income, infrastructural critique, fair payment guidelines, economically responsible art education, and social unions. A combination of case studies, theory, and historical reflections provide solid strategic insights into what works for the workers and what doesn’t.

Goodbye Poverty Jetset is a toolbox for artists, designers, museum guards, curators, writers, tour guides, and art handlers – in short, for all the art workers who want to change the system they live and work in, collectively.

https://offbeat.amsterdam/event/goodbye-poverty-jetset-by-sepp-eckenhaussen

GOODBYE POVERTY JETSET by Sepp Eckenhaussen

San Serriffe, Wednesday, July 15 at 06:00 PM GMT+2

introduction by Amy Gowen, talk with Mela Miekus, Alina Lupu and Sepp Eckenhaussen, and a provocation by Koen Bartijn

The art economy makes some people filthy rich but leaves most people making art in poverty. How is that possible? And, more importantly, how can it be changed? Can we imagine and organise an art world that is economically sustainable for the people working in it?

Each chapter in this book focuses on one alternative model that art workers already practice, including commons, co-operatives, community currencies, basic income, infrastructural critique, fair payment guidelines, economically responsible art education, and social unions. A combination of case studies, theory, and historical reflections provide solid strategic insights into what works for the workers and what doesn’t.

Goodbye Poverty Jetset is a toolbox for artists, designers, museum guards, curators, writers, tour guides, and art handlers – in short, for all the art workers who want to change the system they live and work in, collectively.

https://offbeat.amsterdam/event/goodbye-poverty-jetset-by-sepp-eckenhaussen

GOODBYE POVERTY JETSET by Sepp Eckenhaussen

San Serriffe, Wednesday, July 15 at 06:00 PM GMT+2

introduction by Amy Gowen, talk with Mela Miekus, Alina Lupu and Sepp Eckenhaussen, and a provocation by Koen Bartijn

The art economy makes some people filthy rich but leaves most people making art in poverty. How is that possible? And, more importantly, how can it be changed? Can we imagine and organise an art world that is economically sustainable for the people working in it?

Each chapter in this book focuses on one alternative model that art workers already practice, including commons, co-operatives, community currencies, basic income, infrastructural critique, fair payment guidelines, economically responsible art education, and social unions. A combination of case studies, theory, and historical reflections provide solid strategic insights into what works for the workers and what doesn’t.

Goodbye Poverty Jetset is a toolbox for artists, designers, museum guards, curators, writers, tour guides, and art handlers – in short, for all the art workers who want to change the system they live and work in, collectively.

https://offbeat.amsterdam/event/goodbye-poverty-jetset-by-sepp-eckenhaussen

LATENT MOURNINGS by Flavia Dzodan

San Serriffe, Thursday, July 16 at 06:00 PM GMT+2

reading and conversation with Flavia Dzodan and Hugo Esquinca at 6.30pm

Latent Mournings examines how infrastructures of computation reorganize affect, temporality, and the conditions of perception. Through theoretical essays, recursive analyses, and media-archaeological experiments, Dzodan develops a framework in which emotion becomes logistical, latency becomes epistemic material, and mourning emerges as an infrastructural mode rather than an interior state.

Tracing a genealogy that moves from Affective Logistics to the spectral and chimeric ethics of Amorino Latente, the book maps the residues and remainders that shape contemporary life under algorithmic governance. Dzodan’s writing inhabits the interval between exhaustion and maintenance, articulating a practice ground- ed in latency, refusal, and the aesthetics of the never-made.

Drawing from projects such as Absence / Longing / Saturation, Haptic Mournings, and the ongoing research on Chronoecology, Latent Mournings outlines a low-energy ecology of the present: one defined by infrastructural decay, affective capture, and the spectral artifacts generated by systems that optimize for frictionless operation. This work offers a rigorous vocabulary for describing the computational present while insisting on the value of opacity, recursion, and incompletion as analytical methods.

https://offbeat.amsterdam/event/latent-mournings-by-flavia-dzodan

LATENT MOURNINGS by Flavia Dzodan

San Serriffe, Thursday, July 16 at 06:00 PM GMT+2

reading and conversation with Flavia Dzodan and Hugo Esquinca at 6.30pm

Latent Mournings examines how infrastructures of computation reorganize affect, temporality, and the conditions of perception. Through theoretical essays, recursive analyses, and media-archaeological experiments, Dzodan develops a framework in which emotion becomes logistical, latency becomes epistemic material, and mourning emerges as an infrastructural mode rather than an interior state.

Tracing a genealogy that moves from Affective Logistics to the spectral and chimeric ethics of Amorino Latente, the book maps the residues and remainders that shape contemporary life under algorithmic governance. Dzodan’s writing inhabits the interval between exhaustion and maintenance, articulating a practice ground- ed in latency, refusal, and the aesthetics of the never-made.

Drawing from projects such as Absence / Longing / Saturation, Haptic Mournings, and the ongoing research on Chronoecology, Latent Mournings outlines a low-energy ecology of the present: one defined by infrastructural decay, affective capture, and the spectral artifacts generated by systems that optimize for frictionless operation. This work offers a rigorous vocabulary for describing the computational present while insisting on the value of opacity, recursion, and incompletion as analytical methods.

https://offbeat.amsterdam/event/latent-mournings-by-flavia-dzodan

GOODBYE POVERTY JETSET by Sepp Eckenhaussen

San Serriffe, Wednesday, July 15 at 06:00 PM GMT+2

introduction by Amy Gowen, talk with Mela Miekus, Alina Lupu and Sepp Eckenhaussen, and a provocation by Koen Bartijn

The art economy makes some people filthy rich but leaves most people making art in poverty. How is that possible? And, more importantly, how can it be changed? Can we imagine and organise an art world that is economically sustainable for the people working in it?

Each chapter in this book focuses on one alternative model that art workers already practice, including commons, co-operatives, community currencies, basic income, infrastructural critique, fair payment guidelines, economically responsible art education, and social unions. A combination of case studies, theory, and historical reflections provide solid strategic insights into what works for the workers and what doesn’t.

Goodbye Poverty Jetset is a toolbox for artists, designers, museum guards, curators, writers, tour guides, and art handlers – in short, for all the art workers who want to change the system they live and work in, collectively.

https://offbeat.amsterdam/event/goodbye-poverty-jetset-by-sepp-eckenhaussen

LATENT MOURNINGS by Flavia Dzodan

San Serriffe, Thursday, July 16 at 06:00 PM GMT+2

reading and conversation with Flavia Dzodan and Hugo Esquinca at 6.30pm

Latent Mournings examines how infrastructures of computation reorganize affect, temporality, and the conditions of perception. Through theoretical essays, recursive analyses, and media-archaeological experiments, Dzodan develops a framework in which emotion becomes logistical, latency becomes epistemic material, and mourning emerges as an infrastructural mode rather than an interior state.

Tracing a genealogy that moves from Affective Logistics to the spectral and chimeric ethics of Amorino Latente, the book maps the residues and remainders that shape contemporary life under algorithmic governance. Dzodan’s writing inhabits the interval between exhaustion and maintenance, articulating a practice ground- ed in latency, refusal, and the aesthetics of the never-made.

Drawing from projects such as Absence / Longing / Saturation, Haptic Mournings, and the ongoing research on Chronoecology, Latent Mournings outlines a low-energy ecology of the present: one defined by infrastructural decay, affective capture, and the spectral artifacts generated by systems that optimize for frictionless operation. This work offers a rigorous vocabulary for describing the computational present while insisting on the value of opacity, recursion, and incompletion as analytical methods.

https://offbeat.amsterdam/event/latent-mournings-by-flavia-dzodan

LATENT MOURNINGS by Flavia Dzodan

San Serriffe, Thursday, July 16 at 06:00 PM GMT+2

reading and conversation with Flavia Dzodan and Hugo Esquinca at 6.30pm

Latent Mournings examines how infrastructures of computation reorganize affect, temporality, and the conditions of perception. Through theoretical essays, recursive analyses, and media-archaeological experiments, Dzodan develops a framework in which emotion becomes logistical, latency becomes epistemic material, and mourning emerges as an infrastructural mode rather than an interior state.

Tracing a genealogy that moves from Affective Logistics to the spectral and chimeric ethics of Amorino Latente, the book maps the residues and remainders that shape contemporary life under algorithmic governance. Dzodan’s writing inhabits the interval between exhaustion and maintenance, articulating a practice ground- ed in latency, refusal, and the aesthetics of the never-made.

Drawing from projects such as Absence / Longing / Saturation, Haptic Mournings, and the ongoing research on Chronoecology, Latent Mournings outlines a low-energy ecology of the present: one defined by infrastructural decay, affective capture, and the spectral artifacts generated by systems that optimize for frictionless operation. This work offers a rigorous vocabulary for describing the computational present while insisting on the value of opacity, recursion, and incompletion as analytical methods.

https://offbeat.amsterdam/event/latent-mournings-by-flavia-dzodan

Today's photo: Oudezijds Kolk (1897).

[EN] View of Oudezijds Kolk towards the south-west, with the Oude Kerk tower. The bridge is the Kolksluis at the Zeedijk.

[NL] Oudezijds Kolk gezien naar het zuidwesten, met de toren van de Oude Kerk. De brug is de Kolksluis bij de Zeedijk.

Via https://020apps.nl/olie/random/ #Amsterdam #JacobOlie #OudezijdsKolk #Kolksluis #OudeKerk #telephonePole

Screening নধরের ভেলা (Nadharer Bhela) / The Slow Man and His Raft

AstaroTheatro, Friday, June 26 at 06:30 PM GMT+2

Movie Screening নধরের ভেলা (Nadharer Bhela) / The Slow Man and His Raft
Pradipta Bhattacharyya · 2025 · 179 mins | Bengali Spoken | Subtitles English

RSVP: https://cryptpad.fr/form/#/2/form/view/E6GFPWBOINJyca4tZ-SMPHV6nI5s1lFmV...

AstaroTheatro · 26 June 2026 · Doors 18:30 · Film 19:00
Sint Jansstraat 37, Amsterdam (5 minutes from Centraal Station).

"Nadhar, a man deemed dysfunctional for his extremely sluggish movements, becomes part of a travelling circus, where his condition turns into spectacle."

What happens when a body does not align with the speed at which the world decides value. Around the body, a world is being sorted too quickly into what can be used, what can be shown, what can be kept as “culture”, and what can be left behind. The Manasamangal lore, a six-hundred-year-old poem most people remember as a love story and which is not, is underneath this: snake, deity, fear, protection, not as heritage, but as something still active in how life is divided, who is held and who is left outside.

The film's journey has been as unusual as its subject. Rather than relying on conventional theatrical distribution, Nadharer Bhela has travelled through a network of independently organised screenings, community halls, town theatres, cultural spaces and self-organised gatherings across Bengal and beyond. Its circulation has depended not on multiplexes or streaming platforms, but on audiences willing to create spaces for collective viewing and conversation.
Though it travelled to Rotterdam, this is not a festival film seeking prestige from afar.

It is a film that has found its life in rooms filled with people sitting together for an evening, allowing a story to unfold at its own pace. AstaroTheatro is one of those rooms.

Suggested donation: €8–15 (sliding scale). Less is welcome, more helps support independent filmmaking and the space.

https://offbeat.amsterdam/event/screening-nadharer-bhela-the-slow-man-and-his-raft

https://www.europesays.com/nl/219852/ Waaghals klimt via regenpijp dak Oude Kerk op – Omroep West #BreakingNews #BreakingNews #DELFT #Dutch #FeaturedNews #FeaturedNews #Headlines #Hoofdpunten #LatestNews #LatestNews #Nederland #Nederlanden #Nederlands #Netherlands #News #Nieuws #NL #OUDEKERK #TopStories #TopStories #VERRASME #Voorpaginanieuws

Today's photo: Nieuwmarkt (1893).

[EN] Market around the Waag, with the towers of the Oude Kerk in the background on the left.

[NL] Markt rond de Waag, met links op de achtergrond de toren van de Oude Kerk.

Via https://020apps.nl/olie/random/ #Amsterdam #JacobOlie #Nieuwmarkt #OudeKerk #Waag #market #handcart

'Literarischer Handlungsort' - Christian-Vater-Orgel in der Oude Kerk (Amsterdam)

#FotoVorschlag @FotoVorschlag

#JohnIrving #Amsterdam #OudeKerk

'Literarischer Handlungsort' - Christian-Vater-Orgel in der Oude Kerk (Amsterdam)

#FotoVorschlag @FotoVorschlag

#JohnIrving #Amsterdam #OudeKerk

Today's photo: Oudezijds Kolk (1902).

[EN] View of Oudezijds Kolk from the bridge in the Zeedijk towards Oude Kerk. The church had hoisted the flag in celebration of Queen Emma's birthday on August 2. The […]

[NL] Oudezijds Kolk gezien vanaf de brug in de Zeedijk richting Oude Kerk. Op de kerk wordt gevlagd vanwege de verjaardag van koningin Emma, 2 augustus. Links, in de […]

Via https://020apps.nl/olie/random/ #Amsterdam #JacobOlie #OudezijdsKolk #breadFactory #Kolksluis #OudeKerk #urinal

Today's photo: Prins Hendrikkade - east | Oudezijds Kolk (1897).

[EN] To the right are the towers of the Basilica of St. Nicholas. In the middle is the Oudezijds Kolk and the tower of the Oude Kerk. To the […]

[NL] Rechts de torens van de Nicolaaskerk, in het midden de Oudezijds Kolk en de toren van de Oude Kerk, en links daarvan de Schreierstoren. […]

Via https://020apps.nl/olie/random/ #Amsterdam #JacobOlie #PrinsHendrikkade #OudezijdsKolk #Schreierstoren #ChurchOfSaintNicholas #OudeKerk

De stemmen van het Ars Musica Concertkoor geven het licht op verschillende manieren betekenis in het programma van Eternal Light – Hemelse vergezichten. Dit concert wordt uitgevoerd in de sfeervolle Oude Kerk op zaterdag 17 juni.

Zie https://www.zeistermagazine.nl/eternallight

#zeist #zeistermagazine #koor #concert #ars #musica #arsmusica #eternal #light #eternallight #oudekerk #kerk #concertkoor #licht