#melodic-punk-rock — Public Fediverse posts

Vinylsamstag: @pulleymatters - The Golden Life (2022 🇺🇸)
#vinylsamstag #semmehorcht #VinylSaturday #vinylmatinee
#TheGoldenLife #pulleyband #skatepunk #melodicpunkrock #melodichardcore #punkrock #punkrockmusic #vinylcollection #nowspinning #spinningvinyl #coloredvinyl #goldvinyl #sbamrecords

FREE THEM ALL: SOLI-KONZERT FÜR ANTIFAS IN HAFT || Kaput Krauts | Die Ausreden | Inner Conflict

://about blank, Friday, June 5 at 06:00 PM GMT+2

„Wir könnten viel erzählen von diesem oder jenem. Von Orgien und Exzessen. Von rechten Augen und linken Zähnen.“

Fakt ist und bleibt leider: Antifaschismus kostet Geld. Gerichtsverfahren kosten Geld.

Zur Zeit laufen zwei riesige Verfahren gegen Antifaschist*innen in Dresden und Düsseldorf.

Wir sammeln Geld für Nanuk, Clara, Paula, Tobi, Johann, Moritz, Paul, Emmi, Nele und Luca, die seit über einem Jahr in Haft sitzen.

Nachlesen: https://freenanuk.noblogs.org

✨ Dafür spielen wir am 05.06.2026 eine Soli-Show im ://about blank, Markgrafendamm 24c, 10245 Berlin ✨

Kaput Krauts

(https://kaputkrauts.bandcamp.com/album/vom-feeling-her-ein-schei-gef-hl)

Die Ausreden

(https://dieausreden.bandcamp.com/album/menschen)

Inner Conflict

(https://innerconflict.bandcamp.com/album/at-any-time)

Open Air!

Doorss: 18:00 Uhr // Beginn: 18:30 Uhr

VVK unter: https://www.tixforgigs.com/de-DE/Event/72114/free-them-all-soli-konzert-fur-antifas-in-haft-about-blank-berlin

https://berlin.askapunk.de/event/free-them-all-soli-konzert-fur-antifas-in-haft-or-kaput-krauts-or-die-ausreden-or-inner-conflict

Diaz Brothers (UK) + Litbarski

Tri+1xxxter, Sunday, May 24 at 09:00 PM GMT+2

+ 1 Punkrock and Hardcore Shows pres.:

🔥Sunday (!) 24.05.🔥

DIAZ BROTHERS

(Punk Rock | Sunderland, UK)

https://diazbrothers.bandcamp.com/album/diaz-brothers

LITBARSKI

(Punk Rock | Berlin)

https://litbarski.bandcamp.com/album/s-t

Doors: 9pm

Start: 10pm

‼️May 24 is a SUNDAY. Monday is a public holiday ‼️

https://berlin.askapunk.de/event/diaz-brothers-uk-litbarski

THRONK! Join Engineer Records, New CD EP Slated For Spring

Engineer Records is delighted to announce that THRONK! are joining their roster.

They also have a bunch of great gigs lined up, and will be rocking Rebellion Festival and Bristol Punx Picnic this year, and are always looking for more parties they can crash.

The label plans to release a digipak CD EP entitled ‘Kick Me While I’m Down’ unleashed into the world asap this Spring, and probably follow it with a limited edition vinyl version too, before they get around to a full LP later in the year.

DAVES – An Ode To Upper Management CD (Little Rocket Records)

If you have been keeping a close eye on the UK DIY scene lately, you know that Leeds is currently a pressure cooker of incredible talent. It’s a city that has always understood the assignment when it comes to blending spirit with intelligence, and the DAVES is the latest group to emerge from that northern powerhouse. This three-piece melodic punk rock outfit has just dropped their debut full-length, An Ode to Upper Management, and honestly, it is exactly what the DIY scene needs right now. Released on March 1st, 2026, fittingly enough on St. David’s Day, this 9-track collection exemplifies how to be confrontational without losing your sense of melody. The first thing that grabs you about An Ode to Upper Management is the raw punk attitude that saturates every second of the recording. They sound like a band thrashing it out in a rehearsal space, yet they possess a modern post-hardcore edge that keeps it feeling fresh and relevant. The title itself is a brilliant bit of wordplay, acting as both a sincere nod to their better halves who keep the wheels turning and a sharp critique of the hierarchical structures we all have to navigate in our daily lives. That duality of personal gratitude and social frustration makes this material so excellent.

When you dive into the vocal performance, you quickly realize that DAVES isn’t your average “three chords and a shout” punk band. The lead vocals are soulful, passionate, and incredibly emotional. The blend of vulnerability and aggression makes this performance even more appealing to the ears. With the additional back vocals and sing-alongs, it really pulls you into a whirlwind and forces you to sing with them. These layers create a communal vibe that makes you want to join the fray. It’s that classic punk rock trick of making the listener feel like part of the band, and DAVES executes it with perfection. The guitar work carries more than enough melody to satisfy the pop-punk crowd while maintaining a level of aggression that will please the hardcore purists. We are talking about excellent, catchy, and highly memorable chord progressions that serve as the bedrock for every track. The riffs are engaging and consciously constructed, avoiding the trap of mindless speed for the sake of speed. Instead, the guitar melodies act as hooks that stay lodged in your ears long after the final chord has rung out. There is a distinct post-hardcore influence in the way the guitars interact with the space in the songs, allowing for a more thought-provoking listening experience than your standard four-on-the-floor punk record.

Of course, a power trio is only as good as its rhythm section, and the engine room of DAVES is absolutely locked in. The bass guitar provides more than necessary groove, depth, and clarity. It doesn’t just sit in the background.  It’s a living, breathing entity that binds the melodic guitar flourishes to the percussive assault. You can hear every note, every run, and every transition with perfect clarity, exemplifying both the playing and the production. The bass acts as the glue that keeps the sound massive, even when the guitar breaks away for a lead or a more atmospheric passage. The drummer keeps everything in line with such precision while simultaneously dictating a pace that feels like a runaway freight train. You get a steady diet of well-accentuated beats, but the band also throws in plenty of breaks, fills, and other percussive acrobatics that keep the listener on their toes. The drums are an active participant in the storytelling, accentuating the emotional highs and lows of the lyrics.

Thematically, DAVES is a band with a lot on its mind. They aren’t interested in writing songs about nothing. An Ode to Upper Management is an exploration of the hierarchy of life, those invisible (and sometimes very visible) structures that dictate how we live, work, and interact. The lyrics are confrontational and designed to challenge the status quo, yet they are delivered through music that is inherently catchy. It’s a “sugar-coated pill” approach to social commentary. You come for the hooks, but you stay for the message. They touch upon the idea of comradeship, the necessity of a support system, and the friction of modern existence in a way that feels incredibly sincere. An Ode to Upper Management is a must for any true fan of melodic punk rock and alternative music. It’s an exceptional debut that proves you don’t need a million bells and whistles to make a profound statement, you just need three people, a lot of passion, and something important to say. DAVES is ready to take on the world, and after listening to this record, you’ll likely be ready to follow them.

Leeds has given us a lot of great bands over the decades, but DAVES feels like they are carrying a particularly bright torch. This is honest, energetic, and highly intelligent music that deserves a spot in your rotation. Do yourself a favor and check this one out immediately.

Interview: I.D.K.

Following the release of their latest single, “Nark 5,” we sat down I.D.K. to peel back the layers of their catchy, memorable, and energetic sound.

In this conversation, we dive deep into the thematics driving their lyrics, thoughtful songwriting and composing process that allows them to balance hardcore punk energy with a larger-than-life scale. We also get a glimpse into what’s next for the band, including their upcoming music video collaboration with Stone Fisted Production and their ambitious plans for the future.

Hello, thank you for taking the time to answer these questions. How have you been? 

I have been well. Can’t complain.

It’s been over a decade since your last original release. Coming back in late 2025, did “Nark 5” feel like the natural first choice for a comeback, or were there other tracks in contention?                                                                                                                              

No other tracks when we wrote Nark 5. Nark 5 was the spark that drew us out of the life cave and back into the creative expressive side of the world. We are working on more tracks now but at that time our goal was to get a fresh new tune out there.

You’ve cited Star Wars: Andor as the primary catalyst for this track.                              What was it about the Narkina 5 that specifically resonated with the punk rock ethos of I.D.K.? 

Just like in life, there’s always a fight. There’s always some force trying to wreck something good, trying to inject chaos into what’s working. It never stops. It’s always something.

To me, punk is about doing your thing and saying fuck everything else. Fuck the noise. Fuck the pressure. Fuck anyone trying to tell you who you’re supposed to be. The second you cross the line and violate my freedom — or anyone else’s — then it’s on. That’s when it shifts from punk rock to a hardcore beatdown, metaphorically speaking… or in the case of the prison break, literally.

Nark 5 is about the Empire’s bullying — about being pushed, controlled, and locked down — and then finally fighting back. It’s about breaking out and crushing the bully at the end of the prison break arc. That moment? That’s punk rock at its purest.

The song shifts between the perspectives of Cassian Andor (Keef Girgo) and Kino Loy. How did you approach translating those two very different emotional states, the confusion of capture versus the desperate leadership of an escape, into the music?

I feel like both situations share that same kind of crazy intensity. There’s the mental shock of being taken against your will, and then there’s the raw, survival-mode intensity of a life-or-death situation.

I knew right away that both of those moments matched the energy of the music. So what I did was split the song in half — the first half captures the abduction, and the second half drives the prison break.

You also plan to release a music video, done by Stone Fisted Production. How do you feel the visual narrative enhances the cinematic sound you were aiming for?

The video is almost finished. Nedd from Stone Fisted is doing an incredible job with it — he’s really bringing it to life. It’s currently in the post-production phase, and we’ll be announcing a premiere date soon.

I think people are really going to dig it. It’s a great blend of our live performance energy with the Narkina 5 imagery and concept woven throughout. We had a lot of people help us make it happen, and it’s definitely going to be a fun one.

How has the songwriting dynamic changed between you all since your 2008 releases? Is the process more collaborative now, or does it still start with a singular spark?

With Nark 5, the process was more collaborative. The initial spark came from Fabio and Mike, whereas I’m usually the primary songwriter.

Our 2008 EP was officially released in 2008, but it had actually been recorded a few years earlier. Those songs were created in a less collaborative environment, although all the members at the time still weighed in and gave their input on the material.

You’ve described the new sound as having cinematic dynamics. For a veteran hardcore punk band, how do you balance that grander, more polished scale without losing the raw, basement-show energy fans expect?

I’d say Nark 5, especially when combined with the video we’re making for it, has a very cinematic vibe. The song tells a story you can really visualize through the lyrics and the energy it gives off.

The video leans into that as well — there’s a strong cinematic feel, with storytelling woven into the visuals. That said, we feel it still falls right in line with our previous material sonically. The grit? That really comes out in our live shows — and that hasn’t changed.

Musically, “Nark 5” feels so precise. Did the long break change how you approach your instruments or the gear you use in the studio?

Not at all. In terms of playing and our overall approach, we stuck to what we’ve always done. 

“Nark 5” deals with the cost of freedom. In today’s political and social climate, do you find yourselves writing more about fictional resistances as a metaphor, or do real-world events still bleed into the lyrics?

A little of both. It’s nearly impossible to keep the real world from bleeding into the lyrics — especially with Nark 5, given the current political and social climate.

How does the North Jersey/Cliffside Park scene look to you in 2026 compared to when you were last active? Is that old guard spirit still there?

It absolutely is. I.D.K. will forever be associated with being one of — if not the first — hardcore/punk bands from the area to really make a mark.

There aren’t necessarily as many shows happening like there were back in the day, at least to our knowledge, but people remember. The spirit is still there, and it gets passed down to the younger kids.

Whenever we play gigs up in the North Jersey area, there are always Cliffside and Fairview people representing at the shows.

You’re now releasing via Scorpion Records across platforms like Spotify and Bandcamp, tools that weren’t the standard back in 2008. How has navigating the modern digital landscape changed your perspective on being an independent band?

It hasn’t necessarily changed our perspective. What it has done is give us more tools at our disposal when it comes to promoting and getting the music out there — which is cool.

Does it take a little away from the more socially organic way things used to work — passing music through friends, grabbing a physical CD or record, and not having access to it outside of that? Sure.

There are pluses and minuses to it.

Hardcore and punk have undergone numerous sub-genre shifts over the last 15 years. What’s your take on the current state of the genre? Is it healthier now than it was during your hiatus?

That’s hard to say. I’m an older head, so I’ll always love what I experienced growing up in the New Jersey hardcore scene in the ’90s. I don’t get out to see shows as much as I’d like to these days, so it’s tough to really speak on the current live gig vibe.

I do follow newer bands online, though, and there are a lot of great ones out there — especially the heavier beatdown and metal-influenced hardcore bands. From what I can see from a distance, that scene is raging.

I don’t see as many bands like us, with more of a traditional punk/hardcore influence in the style. But that could also just be me being a little out of touch, haha.

“Nark 5” is the lead-in for a new EP on Scorpion Records. Can we expect a full concept record based on similar themes, or will the EP explore different territories?

Good question. We’re in the process of putting the music together now. Once we get into writing the lyrics, we’ll see where it takes us. It’s hard to say right now.

Now that the music is out and the video is on its way, what do the touring plans look like for 2026? 

We haven’t played any gigs yet since the release of Nark 5, but we’re definitely excited to see how the crowds react — especially once the video drops.

How are the new tracks, especially “Nark 5,” translating to a live setting? Is there a specific moment in the song where you really feel the crowd rising up with you?

Again, we haven’t gigged since the releasee so, we shall see!

What do you want the “2020s era” of I.D.K. to be remembered for? Is this a one-off reunion, or is the engine fully restarted for the long haul?

I’d say we’re like an engine that moves steadily, going where it can, when it can. Yes — we’d love to keep this going for the long haul. Our pace and the way we approach it will ultimately determine that.

That’s it. Thank you so much for your time. Anything you would like to say to our readers at the end of this interview?

Absolutely. First, we want to shout out our friend—and sometimes sixth member—Scott Dorey, who’ll be helping with guitar duties at our upcoming March 7th gig in Morris Plains New Jersey at the Autodidact.

Also, Nedd Jacobs and Stone Fisted Productions, who directed our upcoming Nark 5 music video. He’s doing a great job, and we can’t wait to release it.

We also want to give a shout-out to Scott Earth of Scorpion Records to help with our releases and promotion.

Last but certainly not least, our families—for putting up with the noise and the scheduling. I.D.K. simply wouldn’t happen without their support.

Box Elder Readies Debut Album For April Release Via Steadfast Records and Sweet Cheetah Records

Box Elder releases its debut LP on April 10 via Steadfast Records and Sweet Cheetah Records. It marks a profound evolution for the Salt Lake City-based project. What began as Chris Archuleta’s solo bedroom endeavor during the isolation of Covid has blossomed into a full-band collaboration that captures the raw emotional landscape of personal struggle and growth.

Across these tracks, Box Elder explores the turbulent territory of mental health, charting the ebbs and flows of anxiety, the ache of love lost, and the persistent fear of never quite finding where you belong. These songs are born from four years of experiences, transformed into anthems of vulnerability and resilience.

This is the first Box Elder album shaped by the creative input of each member, bringing new dimensions to Archuleta’s songwriting. The result is a sound that channels the melodic urgency of The Get Up Kids and Jimmy Eat World while carving out distinctly personal terrain. Recorded by Archuleta himself (his first major self-production undertaking), the album balances raw intimacy with polish that honors the emotional weight of these songs.

The striking cover artwork by Stella Vickland-Davis features mannequin pieces controlled by box elder bugs, a visual metaphor that perfectly captures the album’s themes of agency, transformation, and the small forces that guide us through uncertain times.

For fifteen years of making music, this LP represents Archuleta’s most complete artistic statement and a powerful new chapter for Box Elder.

The Box Elder LP is available for pre-order now on limited edition lavender eco-mix vinyl, only 200 copies pressed. Each record features stunning artwork by Stella Vickland-Davis, depicting mannequin pieces controlled by box elder bugs, a visual metaphor for the unseen forces that guide us through uncertain times.

Preorder here.

Another single from the band hits digital streaming platforms on March 6. Look for “Chucklefuck” wherever you listen to music.

Catch the band live:

Thursday, March 5, 2026, Pearl on Fifth, Midvale, Utah
Friday, May 15, 2026, The Sugar Maple, Milwaukee, Wisconsin

Org Music Continues Its Comprehensive Descendents Reissue Series With “Enjoy!”

Org Music continues its comprehensive Descendents reissue series with Enjoy!, the third installment in the campaign celebrating the band’s foundational catalog and the latest release since the group reclaimed ownership of their master recordings. Originally released in 1986, Enjoy! captures Descendents pushing fully into their instincts, doubling down on short, fast, melody-driven songs that balance juvenile humor with sharpened songwriting and unmistakable urgency.

While the band had already helped define what would become pop punk, Enjoy! finds them expanding the formula without losing intensity. Tracks like “Hürtin’ Crüe” and “Get the Time” channel irreverence through speed, melody, and tension, while subtle new wave and pop touches—including a punked-up take on The Beach Boys’ “Wendy”—broaden the band’s sound without dulling its edge. Forty years on, Enjoy! remains a defining entry in the Descendents catalog and a crucial document of the band’s restless evolution.

This new edition arrives April 24, 2026 on LP, CD, and cassette, with multiple color-vinyl variants. Produced in close collaboration with the band, the reissue brings Enjoy! back into print across formats with careful attention to presentation and detail.

Among the vinyl offerings is a limited “Punk Note” edition featuring alternate packaging by John Yates (Stealworks), inspired by the iconic jazz designs of Reid Miles and Francis Wolff, whose work helped define the Blue Note label. This visual reimagining of punk classics continues the aesthetic series that began with Org Music’s Bad Brains reissues. Each “Punk Note” title includes new liner notes by BrooklynVegan senior editor Andrew Sacher and is housed in a deluxe case-wrapped jacket.

The Enjoy! reissue follows Org Music’s widely praised reissues of Milo Goes to College and I Don’t Want to Grow Up, forming the third chapter in an ongoing archival series dedicated to keeping Descendents’ core albums in print across formats for longtime fans and new listeners alike.

Pre-order: https://orgmusic.com/collections/descendents

Ugly Criers – Catching Spiders CD (Little Rocket Records)

The United Kingdom has consistently remained one of the most vital global epicenters for punk rock music, with specific regions developing their own distinct, highly recognizable sonic fingerprints. When you examine the lineage of the Sunderland punk scene, you uncover a rich history of bands prioritizing raw emotion, gritty realism, and definite melody over flashy commercialism. Ugly Criers carry this torch into 2026, a power trio that has mastered the art of doing more with less. Their latest compact disc offering, Catching Spiders, exemplifies straightforward, honest, and highly emotive music. By stripping away all unnecessary studio trickery and relying entirely on the core trinity of guitar, bass, and drums, the band has crafted an intimately relatable record. Recorded over a three-day session in July 2025 at Rocket Studios under the watchful eye of producer Graeme Philliskirk, a man whose resume includes legendary Northern acts like Roach Squad, Leatherface, and Bull Taco, this album perfectly captures the raw energy of a band thrashing it out in a sweaty basement. The production is completely transparent, allowing the natural grit and character of the instruments to shine through while maintaining a modern, punchy standard.

Lyrically, Catching Spiders completely bypasses the tired, cliché tropes of youthful rebellion or broad political sloganeering. Instead, Ugly Criers turn their conceptual lens sharply inward, focusing on the brutal, often exhausting realities of navigating modern adulthood. The lyrical framework of this record is exceptionally grounded and deeply poetic, which makes perfect sense considering the words are pulled directly from the poetry of drummer Nina Mackie and the creative mind of guitarist Greg Robson. Throughout the album’s runtime, the band explores highly relatable themes that resonate deeply with anyone trying to keep their head above water. They tackle the overwhelming, daily pressure of coping as a parent, dissecting the anxiety and unconditional love that comes with raising a child in an unpredictable world. They navigate the treacherous waters of relationship woes, offering a brutally honest look at the miscommunications and heartbreaks that occur between partners. Perhaps most poignantly, the band dives headfirst into the struggles of mental health, brilliantly conceptualized as battling the toys in your own head. This is working-class poetry delivered over overdriven amplifiers, making the entire listening experience incredibly cathartic for the everyday individual.

The vocal performance on this CD serves as the absolute perfect vehicle for such heavy emotional baggage. The lead delivery is marvelous, possessing a subtle, gravelly touch of genuine and lived-in rawness. When the emotional intensity of the lyrics demands a higher gear, the vocals break into a passionate, shouty register. These aggressive vocal outbursts perfectly convey the frustration, desperation, and exhaustion described in the lyrics, making sure that the listener feels every single word. However, the true magic of the Ugly Criers’ vocal attack lies in their brilliant use of contrast. Threaded throughout the gritty lead performances are highly catchy, anthemic additional female vocals. These harmonious sing-alongs provide a stunning, uplifting counterpoint to the rawness of the lead, elevating the choruses into massive, stadium-sized earworms. The interplay between the gruff lead and the melodic backing vocals ensures that these arrangements remain firmly lodged in your listening apparatus long after the CD stops spinning.

Operating as a three-piece band is a highly demanding endeavor. There is absolutely zero room for error, sloppy playing, or filler material, as there are no backing tracks or secondary guitarists to hide behind. The six-string execution on Catching Spiders is exceptional, expertly filling the entire sonic spectrum. You are treated to highly catchy, memorable, and engaging chord progressions that form the undeniable backbone of the classic Sunderland melodic punk sound. Instead of relying solely on simplistic, repetitive power chords, the guitar work frequently utilizes intricate, arpeggiated chord progressions and highly kinetic riffs. These sonic maneuvers provide a massive amount of melody and harmony, proving beyond a shadow of a doubt that a band can achieve a huge, rich soundscape with just one guitar. The tone is perfectly saturated, distorted enough to provide the necessary punk rock bite, but clean enough to allow every single note in the arpeggios to ring out clearly. A power trio relies entirely on a rock-solid rhythm section to maintain its structural integrity, and Ugly Criers boast a truly phenomenal duo holding down the low end. The bass guitar offers tremendous groove, depth, and clarity, entirely avoiding the amateur trap of simply mirroring the root notes of the guitar riffs. The basslines are warm, articulate, and highly active, acting as the crucial binding agent between the soaring melodic leads and the heavy percussive foundation.

Speaking of the percussive foundation, the drumming performance is the racing heartbeat of the entire record. The percussion keeps everything perfectly in line while expertly dictating the relentless groove and pace of the album. The drum tracking is loaded with well-accentuated beats, clever, unexpected breaks, and highly dynamic fills. There are plenty of percussive acrobatics that keep the energy levels redlined and the listener completely engaged, yet the playing remains incredibly tasteful, always serving the needs of the song first and foremost. Catching Spiders exemplifies straightforward, honest, and highly effective songwriting. By stripping away all pretense and focusing purely on the core elements of bass, drums, guitar, and truthful lyricism, Ugly Criers have crafted an incredibly thrilling piece of art. If you are a true fan of punk rock that speaks directly to the struggles of real life while keeping your head nodding and your foot tapping, this CD is a must listen. It is simple, effective, and deeply resonant. Ugly Criers have delivered a phenomenal record that demands your full attention, proving that sometimes the most profound musical statements are made in a sweaty basement with just three instruments.

Las Vegas Punk Trio Crimson Riot Release Powerful Protest Anthem “State Of Despair”

Las Vegas punk rock trio Crimson Riot return with their most urgent and uncompromising single to date. “State Of Despair,” out February 20, is the second single from the band’s forthcoming full-length album Third Time’s A Charm, arriving March 20, 2026 via Leg Lamp Records.

https://youtu.be/mJUtPGDYHz4?si=PjxhN4insDBCMWYl

Blistering, confrontational, and fueled by conviction, “State Of Despair” finds Crimson Riot channeling frustration and clarity into a fast, melodic punk anthem that refuses to sit quietly in the face of rising division. The band initially planned the song as a later single, but current events pushed them to release it now — unapologetically and without compromise.

“This track was originally scheduled to be our fourth single off ‘Third Time’s A Charm,’ but with what is happening in the United States currently, we could not sit by and stay silent,” the band explains. “For years we’ve watched hate and division be celebrated, and citizens’ rights trampled by those creating that division. We have a voice and we choose to use it. This is no longer about left or right — it’s about morals.”

“Our message is clear: we are against sexism, bigotry, racism, and fascism. If you believe in any of these things, we are not the band for you. Real change starts when real people run for office and take power back from corporations. We choose to stand on the right side of history, even if it costs us fans.”

Formed in 2017 and famously dubbed the “Punk Rock Partridge Family” by iHeartRadio’s Bobby Bones, Crimson Riot is made up of guitarist/vocalist Roxy Gunn, bassist/vocalist Chris Reject, and drummer Ryan J — Roxy’s father. Though officially a Las Vegas band, the trio has been playing together for over 15 years, creating a chemistry that’s both tight and explosive.

“State Of Despair” continues the momentum building toward Third Time’s A Charm, Crimson Riot’s most focused and fully realized album to date. The twelve-song LP balances blistering, confrontational punk with more melodic and reflective moments, featuring guest appearances from members of Buck-O-Nine and Lo(u)ser. The record also marks the band’s first-ever vinyl release.

Their previous single “Cross The Line” received early airplay on Rodney Bingenheimer’s show on Little Steven’s Underground Garage and on 92.3 KOMP’s Homegrown Show in Las Vegas, while New Noise Magazine praised the band as “rip-roaring punk with a driving energy that demonstrates the band’s fiery passion and precise delivery.”

“‘Third Time’s A Charm’ is our appropriately named third album and probably some of our best work,” says Roxy Gunn. “We really dug into the recording process and focused on achieving a big, full sound without going over the top. This is the album that stands out. Third time’s a charm.”

Upcoming Shows
March 20, 2026 – Grey Witch – Henderson, NV – Album Release Show – 8PM – 21+
Spring Tour – TBA

Rise Against Launch Fan-Driven Community Initiative The A.R.T. Project (All Rise Together) 

Chicago-based alternative punk rock band Rise Against announce the launch of The A.R.T. Project (All Rise Together), a fan-driven creative initiative celebrating community, collaboration, and expression in support of their tenth studio album, Ricochet, out now via Loma Vista.

At its core, The A.R.T. Project is about bringing people together through music and creativity during divided times. Built on Rise Against’s long-held belief that music is a collective experience, the initiative invites fans into the band’s creative process to celebrate the community that has grown alongside them for over 25 years.

The short-form, sit-down conversation with the band was filmed on-site during an immersive art activation in Los Angeles to kick off the campaign. On that day, Rise Against invited dozens of dedicated fans to help shape a new visual world for Ricochet by creating original posters to serve as the backdrop in their new music videos. As the band performed standout tracks off the album, fans were featured alongside them and their artwork that was inspired by the record’s lyrics, themes, and emotional urgency.

https://youtu.be/g7HzQ3bCcuE?si=uaYsW22mSOKU6SLP

Few bands have built a connection with their fan base as lasting as Rise Against. The band has remained a steady and unifying presence, creating music that resonates across generations and brings people together through shared emotion and experience. Rise Against have cultivated a body of work rooted in empathy, urgency, and connection, balancing intensity with melody while reflecting the world around them and the communities that listen.

With Ricochet, Rise Against delivers what may be their most visceral, urgent, and high-stakes body of work to date. The album received praise from the likes of Billboard, Clash, Classic Rock, Consequence, Dork, The Guardian, Line of Best Fit, Metal Hammer, Rolling Stone, Vice, and more for its immediacy and emotional weight.

The A.R.T. Project launch marks the beginning of a series of new music videos from Ricochet rolling out in the coming weeks, ahead of the band’s upcoming headlining spring tour. Rise Against will kick off their headlining North American Tour on March 3 in Providence, RI with special guest Destroy Boys. They will be bringing the band’s signature sound and socially conscious music to stages across North America, including Toronto, Montreal, Vancouver, Pittsburgh, Madison, Spokane, and more.

Most recently, members of Rise Against joined Tom Morello in the “Defend Minnesota” benefit that took place this month. Tim discusses the event with 93xhere and The Current here.

A full list of tour dates can be found below. Tickets are on-sale now and available at https://riseagainst.com/tour

Pulley Released Video For “Torn Apart By Time”

Pulley & Negative Progression Records have released an incredible video today for the song “Torn Apart By Time.” This creative masterpiece was brought to life by Justin Wilson known for the “Filmage: The Story of Descendents/ALL” & “A Fat Wreck” documentaries, as well as videos for the bands Die Spitz and Riverboat Gamblers.

“Torn Apart By Time” off of their “Split Personality” 7” with Fire Sale is still available in the NPR webstore, so don’t forget to pick up that wax.

https://youtu.be/0OiCaADeDv4?si=J7Nk-xsKpnFwomT8

Greek Punk Rockers The Overjoyed Released New Self-Titled Album

The Athens-based punk rock band The Overjoyed is back with a vengeance. Their third studio album is an uncompromising statement that embodies the group’s DIY spirit more strongly than ever.

Since their formation, The Overjoyed have carved out a solid place for themselves on the international scene with relentless touring across Europe, high-energy shows, and honest, melodic punk rock. Blogs and scene magazines regularly praise the band for their raw energy, their connection with the audience, and their unwavering independence.

White Frogs Released Their Acclaimed Radio Session On CD Via Engineer Records

White Frogs, the influential Brazilian melodic hardcore band, is proud to announce the long-awaited physical release of their acclaimed Radio Session — for the first time ever on CD — through UK based independent label Engineer Records. Previously available only on streaming, the Radio Session captures White Frogs at their raw, honest, and electrifying best — a live-in-studio recording that distils the energy of the band’s celebrated live shows into a powerful, unfiltered format. This milestone release for the Santos, São Paulo, Brazil based band is available now, and the Radio Session CD marks a new chapter for White Frogs and a significant step-up in their international legacy, bringing their sound directly to new ears across Europe. “This session was one of our purest recordings,” says founding member João Veloso Jr. “It’s direct, urgent, and heartfelt — we’re thrilled it’s finally being made available as a physical release, especially through such a respected DIY label like Engineer Records.”

Dealing With Damage Drops ‘The Inconvenience Of Democracy’ EP

Dealing With Damage has released The Inconvenience of Democracy EP via Serial Bowl Records. The title track serves as a preview for the band’s third album, The London Particular, which is scheduled for release on February 27.

Singer and guitarist Ed Wenn notes that the song was inspired by the simplification of complex issues in modern populist politics. In addition to the title track, the EP features two live recordings, “Walking Backwards” and “John’s Gone.” This release highlights the band’s ability to combine sharp political commentary with high-energy punk rock.

Good Riddance Return With New Single “There’s Still Tonight”

Punk veterans Good Riddance have announced their tenth studio album, Before The World Caves In, set for release on March 27th through Fat Wreck Chords. It is their first record since 2019, and the band has previewed the collection with the fierce new single, “There’s Still Tonight.”

Frontman Russ Rankin describes the new material as a deliberate attempt to meet the current historical moment with aggression and darkness. Experimenting with broader dynamics and building tension, the album aims to strike a chord with longtime fans and new listeners alike. In a world on the brink, Good Riddance proves they haven’t lost their flinch-free edge.

https://youtu.be/CHTqdlw9dHw?si=5qg4EHraIXN4JqEj

Californian Punk Rockers Last Ditch Effort Share A Cover Of Violent Femmes’ Classic “Blister In The Sun”

San Jose, California political punks Last Ditch Effort have released a cover of the iconic Violent Femme’s song “Blister in the Sun.” This standalone cover is just a tease before they drop their upcoming EP “Imminent Demise” which will be released independently on February 27.

“Do you love Sabrina the Teenage Witch? Or have a soft spot for the 90s? Well then you’ll love LDE’s new cover of the Violent Femme’s Blister in the Sun!”

Last Ditch Effort hit the streets in 2023 with a goal of bringing back the sound and social fury of the scenes of the past decades. With charged lyrics and heavy rhythms, Last Ditch Effort hopes to inspire dissent and disorder. Most recently, the band released an EP entitled “Twenty-25” to critical acclaim.

https://open.spotify.com/track/115AVhjzgWMGAwpUMwTcGL?si=7a56beb45e5e4511

Canadian Skate Punk Group TeethOut Releases Cover Of Mazzy Star’s Classic “Fade Into You”

Skate-punk band TeethOut have released a newly reworked version of Mazzy Star’s “Fade Into You,” featuring PEI indie-pop powerhouse KINLEY, revisiting a cover that originally appeared on their 2025 EP Here We Go.

The original version marked a bold departure for TeethOut, reimagining the iconic track as a fast, melodic pop-punk anthem. While the band was proud of the release, they felt the song still had more potential to unlock.

“We always loved how big and anthemic it felt,” says the band. “But it still felt like it was missing something. Once we started talking about bringing KINLEY in, it became obvious what that missing piece was.”

Rather than scaling anything back, the collaboration pushes the song further. TeethOut’s punchy riffs, driving tempos, and sing-along choruses collide with KINLEY’s melodic strength and pop sensibility, resulting in a version that feels both explosive and emotionally grounded. The pairing bridges two distinct musical worlds while preserving the heart of the original.

“This version finally sounds like what we heard in our heads from the start,” the band adds. “It’s loud, melodic, and emotional in a way that feels complete now.”

Box Elder shares “As The Story Goes” From Forthcoming Debut Album For Steadfast Records And Sweet Cheetah Records

Salt Lake City, Utah’s Box Elder shares “As The Story Goes,” a track from its forthcoming debut, self-titled LP. Listen to it here.

“‘As The Story Goes’ is about a toxic relationship I was involved in where I ended up ultimately feeling like I didn’t know the person I was standing next to in the end,” says vocalist/guitarist Christopher Archuleta.

Box Elder’s LP, out April 10 via Steadfast Records and Sweet Cheetah Records, marks a profound evolution for the Salt Lake City project. What began as Chris Archuleta’s solo bedroom endeavor during the isolation of Covid has blossomed into a full-band collaboration that captures the raw emotional landscape of personal struggle and growth.

Across these tracks, Box Elder explores the turbulent territory of mental health, charting the ebbs and flows of anxiety, the ache of love lost, and the persistent fear of never quite finding where you belong. These songs are born from four years of experiences, transformed into anthems of vulnerability and resilience.

This is the first Box Elder album shaped by the creative input of each member, bringing new dimensions to Archuleta’s songwriting. The result is a sound that channels the melodic urgency of The Get Up Kids and Jimmy Eat World while carving out distinctly personal terrain. Recorded by Archuleta himself (his first major self-production undertaking), the album balances raw intimacy with polish that honors the emotional weight of these songs.

The striking cover artwork by Stella Vickland-Davis features mannequin pieces controlled by box elder bugs, a visual metaphor that perfectly captures the album’s themes of agency, transformation, and the small forces that guide us through uncertain times.

For fifteen years of making music, this LP represents Archuleta’s most complete artistic statement and a powerful new chapter for Box Elder.

#BOXELDER #melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK

Storm Boy Celebrates “Beast Machine Theory” With New Music Video

To mark the arrival of their debut full-length album, Beast Machine Theory, Storm Boy has released a brand-new music video for a long-standing live favorite. Directed by the band’s own Chas Roberts, the video was a true community effort, featuring cinematography from various collaborators, including Lisa Koenig of Grrrizzly.

https://youtu.be/W3MIiAIK9d4?si=jjsVlbfLXS1HMq6v

The song and video celebrate the power of finding your passion and letting a community help bring it to life. While the album saw its digital and physical release on January 15, the band has notably opted to keep their music off Spotify, choosing instead to prioritize platforms like Bandcamp. For fans seeking authentic, community-driven rock, Beast Machine Theory is a essential physical and digital addition to your collection.

#melodicPunkRock #MUSIC #NEWS #PUNKROCK #STORMBOY

Premiere: Verse, Chorus, Inferno. Share Video For “Bars”

Get ready to crack a cold one. Today, we are thrilled to premiere the music video for “Bars,” the high-octane opening track from Verse, Chorus, Inferno.‘s side of their brand-new split LP, Weekend Inferno.

Created alongside their long-time tour mates Weekend Cigarettes, this record exemplifies their DIY spirit. The two bands forged a bond while sharing stages across Italy and Europe, resulting in 13 tracks that perfectly capture the punk rock spirit. “Bars” itself is a straightforward, unapologetic pop-punk anthem dedicated to the simple joys of life: good beer and the sanctuary of a local dive.

This international collaboration is a massive physical release, pressed on striking colored vinyl and supported by a global syndicate of six labels: Engineer Records (UK), Cat’s Claw Records (UK), I Buy Records (IT), Punk Rock Radar (USA), Pasidaryk Pats Records (LT), and High End Denim Records (CA).

https://youtu.be/h0W-Qd9f918?si=GqsTnJEbFCPf0b_w

#melodicPunkRock #MUSIC #PREMIERE #PUNKROCK #VERSECHORUSINFERNO

Top 40 Releases Of 2025

As we close the book on a phenomenal year of sound, we’re looking back at the records that defined our playlists and pushed the boundaries of what music can be. We had a blast diving into these releases over the past year, and narrowing them down to a final list was no small feat. Here are 40 records that demand your attention.

#garageRock #HARDCORE #HARDCOREPUNK #INDIE #INDIEPOP #INDIEROCK #JAZZ #melodicPunkRock #MUSIC #NEWS #NOISEROCK #POPPUNK #POSTHARDCORE #PSYCHROCK #PSYCHEDELICROCK #PUNKROCK #SKA #SKATEPUNK #SPECIAL

Greek Punk Rockers The Overjoyed To Release New Album On February 20th

Athens-based punk rock band The Overjoyed are back with their most intense and honest release to date. Their third studio album will be released on February 20th, 2026, capturing the band’s raw DIY ethos and unstoppable energy.

Known across Europe for their relentless touring, explosive live shows and no-bullshit attitude, The Overjoyed have built a reputation as one of the hardest-working underground punk bands of recent years. Blogs and zines regularly praise their authenticity, emotional songwriting and fierce independence.

This new album marks a major shift in the band’s creative process. Frontman Leo explains:

“I’m so excited about this album. It’s the first time we collaborated 100% in the writing process.”

True to their roots, the band once again handled production themselves:

“As always (cause we never really had a producer) we produced this whole album our selves with the help of our friend and most amazing upcoming engineer/mixer in Athens Marios Adamopoulos.”

Lyrically, the record dives deep into personal struggle, mental health, addiction and identity. Opening track “Can’t Write Music” sets the tone with brutal honesty:

“I was in a really dark place… struggling with self-identity, drugs, a break-up… while living in a world recovering from a world-wide epidemic and a social-political mass hysteria.”

Tracks like “Spark” bring back the defiant spirit the band is known for:

“It’s a reminder, that we still got it and that we still don’t give a shit about most of the people that are trying to put you down.”

The album also pays tribute to classic punk influences such as Buzzcocks, while staying unmistakably The Overjoyed.

With “Sleep”, one of the band’s oldest songs finally finds its place on record – a haunting reflection on comedowns, emotional collapse and the fragile search for escape.

The upcoming album is raw, self-produced, deeply personal and unapologetically punk.

Release date: February 20th, 2026
Extensive European touring to follow.

#melodicPunkRock #MUSIC #NEWS #PUNKROCK #THEOVERJOYED

San Diego Punk Rockers Wanted Noise Release New Single “Burn The Time Away”

Pacific Beach punk mainstays Wanted Noise are kicking off 2026 with their explosive new single “Burn The Time Away,” out January 6. The track marks the first taste of the band’s upcoming studio album Easy Listening and adds a deeper emotional punch to their signature skate-punk, surf-punk, SoCal-bred sound.

Formed in 2014, Wanted Noise have carved out their own lane within Southern California’s alternative music scene, blending high-energy punk with the genre-blurring influences that first defined them. The band has performed everywhere from Baja, Mexico up the U.S. West Coast to Vancouver, Canada, and across to Arizona and Colorado—sharing stages with The Ataris, Punk Rock Karaoke, and appearing at the 2025 Punk Rock Rodeo headlined by Guttermouth. In recent years they launched their own DIY touring concept, “Hit the Slopes, Hit the Stage,” a punk-rock snowboarding tour that pushes their dream of combining music, surf trips, and mountain weekends into a full-time reality.

https://youtu.be/OpQiZv0MlXE?si=239y7HwrMBPRaCjK

#melodicPunkRock #MUSIC #NEWS #PUNKROCK #WANTEDNOISE

Canadian Punk Rockers Calling All Captains Return With New EP

Canadian punk-rock mainstays Calling All Captains have officially released their long-awaited EP, The Things That I’ve Lost, via New Damage Records. Known for their explosive energy and melodic precision, the quartet, led by vocalist Luc Gauthier—describes this collection as their most personal work to date.

The EP finds the band reflecting on years of personal and professional hurdles, distilling those struggles into a raw, cathartic listening experience. “These songs came from reflecting on everything we’ve been through,” Gauthier shares, “It’s raw, but it’s real.” By pairing deep vulnerability with the high-octane sound fans have come to love, Calling All Captains reinforces their reputation as a vital voice in the modern punk scene. For those seeking music that balances emotional honesty with a heavy-hitting delivery, The Things That I’ve Lost is a must-stream this January.

https://open.spotify.com/album/4zkwJAt5ZJAJUyQjrCtMUi?si=agEHFPX3TouavPBRVDqi4g

#CALLINGALLCAPTAINS #melodicPunkRock #MUSIC #NEWS #PUNKROCK

San Pedro Punks Toys That Kill Return With New Video Via Recess Records

San Pedro’s own Toys That Kill are back with a brand-new song and video from their highly anticipated album, “Triple Threat,” arriving February 20th via Recess Records. Emerging from the legendary punk landscape of San Pedro—the same soil that birthed the Minutemen, frontman Todd Congelliere and company have mastered the art of the timeless chorus.

The band, which evolved from the raw, hardcore energy of F.Y.P in the summer of 2000, continues to deliver the signature “TTK thump.” This latest release showcases their ability to dissolve the pretension of rock ‘n’ roll into pure energy and heart. Drawing influences from the Buzzcocks, Thin Lizzy, and the Descendents, the new material captures a sound that is old, new, and undeniably authentic. With “Triple Threat,” Toys That Kill prove once again why they are the masters of broken-edged pop songs and high-velocity punk.

https://youtu.be/-es4A8a7l3o?si=s18mhLadKn_HY3hY

#melodicPunkRock #MUSIC #NEWS #PUNKROCK #TOYSTHATKILL

The Books We Read In 2025

As we wrapped up 2025, it’s the perfect time to look back at the books that really hit home this year. Our reading list has been a massive deep dive into the heart of subculture, covering everything from the history of anarcho-punk scene and legendary tour diaries to experimental poetry and street fiction.

It’s been a year of discovering the stories behind the noise, focusing on those DIY voices that usually stay under the radar. Whether you’re here for the scene histories or the honest, no-holds-barred memoirs, this collection represents the best of the underground literature we’ve explored over the last twelve months.

Anarcho-Punk: Music and Resistance in London 1977-1988 by David Insurrection

This book chronicles the transformative power of a scene that sought to change the world through more than just music. David Insurrection leads readers through the key locations and events that inspired a generation of activists and artists. It is a vital distillation of the spirit of revolt that defined the post-1977 London underground.

An Anarchy of Demons by Charlie Harper

The legendary leader of the U.K. Subs shares his life story in this highly anticipated autobiography, ranging from his roots to his adventures on the road. Harper’s unique voice guides readers through his turbulent personal life and prolific musical career. Enhanced by unseen photos, it is a definitive look at a punk rock icon.

Poems about Love and Punk Rock by Joe McNally

McNally blends memoir and poetry to recount his years touring with bands like Voodoo Glow Skulls and Green Day. Rather than focusing on fame, the book explores the raw reality of addiction and the journey toward sixteen years of sobriety. It is a powerful reflection on finding clarity after a life of chaos.

Days and Days: A Story about Sunderland’s Leatherface and the Ties That Bind

This narrative weaves a backpacking adventure through the UK with an exploration of the influential band Leatherface. It explores how punk and poetry can forge lifelong friendships and inspire creative paths. The book offers a melancholy yet witty look at the greatest British punk band of the modern era.

I Heartbreak The Ramones by Nick Cooper

Nick Cooper provides a blunt, unfiltered account of his years touring and recording as the bandmate of Marky Ramone. The memoir explores the disintegrating friendship between a fan and his idol amidst the pressures of the music industry. It reads like a “warts and all” documentary that pulls no punches about life on the road.

Unscripted Moments: Conversations with Propagandhi (2020-2025) by Greg Soden

Based on the popular podcast, this book explores the history and social influence of the legendary Canadian band Propagandhi. It features deep dives into their discography along with insights from collaborators and fans regarding the band’s anti-fascist and pro-feminist legacy. It is an essential companion for those inspired by the band’s four-decade career.

Jinxed: How Not To Rock ‘n’ Roll by Del Greening

Del Greening shares a humorous, “glory-free” account of his 45-year journey through the highs and lows of the music industry. From his time with Peter and the Test Tube Babies to Flesh for Lulu, the book is a chaotic tour through rock ‘n’ roll hell. It is a smirk-filled memoir for anyone who appreciates the “slippery walk of shame” in show business.

Soul Salvation: A Gen X Love Letter To The English Beat by Marc Wasserman

Part memoir and part oral history, this book examines the profound influence of the album Special Beat Service on American fans and musicians alike. It features interviews with band members and notable fans like Eddie Vedder and Elvis Costello. It stands as the first comprehensive exploration of the English Beat’s role in the birth of 80s indie rock.

Toxic Shock Records, Assassin of Mediocrity by Bill Sassenberger

This book tells the bittersweet story of running an independent record shop and label dedicated to outsider music from 1981 to 2014. Sassenberger details the “do it yourself” triumphs and financial struggles of supporting underground culture over three decades. It is a nostalgic and honest look at a lifetime spent in the musical trenches.

The Revolution Will Be Televised by Ray Stuart

Ray Stuart offers a collection of sharp, laconic thoughts on topics ranging from the monarchy to authority. His fierce indignation is balanced by witticisms and a progressive call for readers to organize and rise up. The book serves as a discursive and provocative challenge to the status quo.

My Altercation: The Bandung Melodic Punk Scene 1995-2008 by Prabu Pramayougha

This work provides a unique insider’s perspective on the development of the melodic punk underground in Indonesia. Pramayougha, a music journalist and musician, explores the cultural shifts and key figures that shaped Bandung’s youth scene. It is essential reading for understanding the global reach and local roots of punk culture.

Scream Therapy by Jason Schreurs

Schreurs explores the intersection of punk rock and mental health, showing how the subculture provides catharsis for those dealing with trauma and bipolar disorder. Through personal stories and interviews with health practitioners, the book positions punk as a vital support network. It is an inspiring look at how creativity and community can aid in wellness and recovery.

What If We Were Water by Ricky Frost

This hundred-page collection of poetry and short stories aims to tackle generational trauma and promote self-care. Frost explores themes of love, loss, and healing, offering readers the strength to break negative cycles. It is a reflective work that emphasizes the importance of looking after one another through life’s “relentless waves.”

Spent by Paul Case

Spent is a searing collection of punk poetry and stories set against a backdrop of radical politics and substance abuse. Case uses gallows wit and nightmarish absurdism to explore the underbelly of capitalism. Despite the darkness, the work remains a humane testament to the “bloody-minded hope” that keeps people striving.

In Pursuit of Expression by Martin Appleby

This honest collection spans nearly a decade of Appleby’s life, capturing the messy transition from his 20s to the brink of 40. Filled with heartbreak, hangovers, and punk-rock sensibility, these poems offer a raw look at modern life. It is a heartfelt journey that promises to move readers to both laughter and tears.

A Poke In The Third Eye by Sam Marsh

Marsh delivers nearly two hundred poems that blend punk attitude with Buddhist insight to dissect the minutiae of daily life. The collection tackles diverse subjects like social media, the environment, and spousal abuse with a vivid, “off-the-stabilizers” energy. It is a unique, irreverent ride designed for those who prefer to forge their own flow.

Poets Day Dream by James Domestic

This book takes a cynical yet poignant look at the two institutions that dominate our time: school and work. Domestic explores how these systems aim to instill obedience and drain the life out of the weekly drudge. It is a relatable critique for anyone wondering if there is more to life than the Monday-to-Friday toil.

Sometimes I’m The Bull, Sometimes I’m The China Shop by Leon the poet

Leon’s debut collection is a wide-ranging swing at life in 2024, covering everything from fatherhood and soft plays to suicide and the far right. The work is described as insightful and highly readable, balancing personal vulnerability with sharp cultural commentary. It is a heartfelt exploration of the chaos and beauty found in the modern world.

Daft Punk Verse and a flick of the V’s by Ian Shipley

After decades fronting bands, Shipley returns to his roots with a collection of “daft” and outrageous punk poetry. These thirty-nine poems celebrate a hard-lived life involving fights, beer, and everyday peculiarities with a compassionate, street-level style. It is a defiant “flick of the V’s” at the traditional poetry establishment.

Distraction: Out Of The Silent Suburb by Andrew Coombs

Set during the final decade of the Cold War, this thriller follows the hunt for a missing girl while a nuclear countdown looms. The story weaves together a mystery involving a clergyman’s son and a former soldier being hunted by a vengeful terrorist. It is a darkly comic and realistic page-turner that captures the tension of a potential Armageddon.

Bag of Tricks by Ruby Dee Philippa

The first in a trilogy, this book offers a series of gritty vignettes centered on San Francisco’s punk scene in the early 80s. Readers follow characters like The Shits and their groupies as they navigate drugs, squats, and the cracks of society. It provides an authentic, “mostly true” look at the raw reality of life on the streets.

Tricky Business by Ruby Dee Philippa

This second installment continues the adventures of Val, Marco, and the rest of the gang as they spread out across San Francisco. The stories delve deeper into the mischief and survival tactics required to live on the outskirts of society. It serves as a compelling bridge in the trilogy, focusing on the enduring bonds of the punk community.

Old Tricks, New Treats by Ruby Dee Philippa

The final chapter of the Bag of Tricks trilogy follows the rag-tag gang as they hit new highs and devastating lows. Philippa pulls back the curtain on the darker side of the 70s and 80s punk scene, including estrangement and heavy addiction. It is a sobering yet essential conclusion for those seeking to understand the uncharted lives of street punks.

My life song by song: The story of Dr Strange Records by Bill ‘Doc’ Plaster

“Doc” Plaster shares the heartfelt and often painful origin story of Southern California’s iconic Dr. Strange Records. The book is packed with personal anecdotes and rare 35mm photos of legendary bands like the Dead Kennedys and Bad Brains. It is a definitive history of a mail-order and label empire built at the epicenter of US punk.

Three And A Half Minutes of Fame by Alex Boucher

Boucher recounts his chaotic seven-year quest for stardom after signing a record deal at seventeen. The memoir navigates the 90s cultural landscape, featuring encounters with everyone from Suede to neo-Nazis and boy bands. It is an authentic look at the “last decade before social media,” marked by both industry glitz and personal tragedy.

Mrs Wilson’s Children: Adventures at The Welly Club by Caraline Brown

Caraline Brown provides an insider’s look at promoting some of the most iconic post-punk bands at Hull’s famous Welly Club. The book recounts her experiences staging gigs for acts like The Specials, The Fall, and UK Subs between 1979 and 1981. It is a vibrant celebration of a unique era in the UK’s alternative music history.

Heavy Sounds in the West by Hans Verbeke and Onno Hesselink

This massive, 400-page full-color book chronicles the explosion of heavy metal and hardcore in West Flanders. It features over 300 photos and firsthand accounts of legendary bands like Metallica, Slayer, and Motörhead playing in the Belgian province. It is a comprehensive, “warts and all” tribute to a regional musical awakening.

You Can’t Cheat Karma: The Punk Quiz Book by Martin Punktilious

This carefully researched quiz book challenges both veterans and newcomers with deep-cut trivia from the history of punk. Moving beyond common knowledge, it offers “punktilious” details on everything from Mark E. Smith to Kathleen Hanna. It is a pulsating page-turner designed to grace any punk-rocker’s bedside table.

#BOOK #BOOKS #DIY #LIFESTYLE #LITERATURE #melodicPunkRock #MENTALHEALTH #MUSIC #NEWS #POETRY #PUNKROCK #SPECIAL

Leatherface – Peel Sessions LP (Little Rocket Records)

If you’ve spent any time at all browsing Thoughts Words Action, you know that my respect for the Sunderland scene begins and ends with one name: Leatherface. There are bands that play punk rock, and then there are bands that are punk rock, with that sound like they were forged in a shipyard and tempered in a pub at 2 AM. When we talk about the history of the UK melodic punk rock underground, these guys are a foundational pillar. So, when the opportunity arises to talk about the Peel Sessions LP, we are talking about a time capsule. We are talking about the collision of one of the greatest melodic punk bands to ever walk the earth and the undisputed gatekeeper of musical counter-culture, the legendary John Peel. This LP captures three distinct sessions recorded at the BBC Maida Vale Studios during the 90s, and let me tell you, it is a haunting, beautiful, and ferocious document of a band at the absolute peak of their powers. There is something mystical about the BBC Maida Vale studios. For those who aren’t familiar with the history, being invited by John Peel to record a session wasn’t just an ordinary gig. It meant your music had something, a spark, that bypassed the mainstream filters. For a band from Sunderland, entering those hallowed halls must have felt like a surreal pivot from the local clubs to the heart of the musical establishment, yet the beauty of Leatherface is that they never sounded like they were trying to fit in.

The sound captured on these sessions is something that simply cannot be replicated in a modern home studio. It has that chiselled in stone quality. It’s raw, live, and carries that specific BBC air, a combination of world-class equipment and a get-it-done haste that forced bands to play with a level of intensity they might not find in a pampered, months-long recording session. On this LP, you can practically hear the ghosts of the studio walls vibrating along with the amplifiers. Leatherface has always been defined by a very specific duality. On one hand, you have the sheer abrasiveness. The guitars on this LP carry that texture. They are thick, distorted, and heavy, carrying the weight of the industrial North. But then, there’s the melody. This isn’t the sweet pop-punk melody, but a weathered and triumphant melodic sensibility that feels well deserved. Throughout these three sessions, you can hear the band’s evolution, yet the core remains untouched. The guitar work is legendary for a reason. It’s complex, incorporating intricate leads around driving power chords, creating a loud and sophisticated wall of sound. These sessions highlight those guitar works perfectly. The live-to-tape nature of the Peel recordings means there is nowhere to hide. Every note of those cascading riffs is laid bare, and the band sounds tighter than a clenched fist.

The rhythm section provides the essential heartbeat. The bass is warm and prominent, providing a melodic counterpoint to the guitars rather than just following them, while the drumming is a relentless engine. It’s propulsive, dragging the listener through the heady days of radio at breakneck speed. If you are a fan of melodic punk rock, you know that the Leatherface vocal style is the gold standard. It is soulful, gravelly, and drenched in a poetic working-class melancholy. Hearing these performances in the context of a Peel Session adds a layer of closeness. There is a sincere, sandpaper-rough quality, rarely heard on the punk rock scene nowadays. On these recordings, the emotional weight of the lyricism shines through. Leatherface were always a poetic band, but never in a pretentious way. Their stories are about life, loss, and the struggle to remain human in a world that wants to grind you down. In the vacuum of the Maida Vale studios, away from the distractions of a standard studio production, that sincerity is amplified to the max. You can hear the strain, the passion, and the genuine belief in every word. It’s a soulful performance that reminds you why this band has influenced so many renowned bands that still play today. The Peel Sessions LP is an epic sonic voyage through the early career of a band that refused to compromise. By spanning different sessions across the ’90s, the record allows us to hear their growth, yet the Leatherface sound is so distinct that it remains a cohesive experience from scratch to finish.

John Peel had a gift for picking artists and bands who were timeless, and listening to this LP decades later, it’s clear he was right about these Sunderland legends. This music doesn’t sound dated. It doesn’t belong to a specific trend of the 90s. It sounds like it could have been recorded yesterday or forty years ago. It is musical stone, as I like to say. For those who grew up huddled around a radio, waiting for the crackle of a Peel Session to debut a new favourite band, this LP will have such a big value, while the younger fans will find an essential listen that explains why Leatherface were such a legendary melodic punk rock band. It shows how you can be melodic without being soft, and how you can be aggressive without being mindless. If you call yourself a punk rock fan and you don’t own a Leatherface record, you have a hole in your soul that needs filling, and if you want to hear them at their most unfiltered, the Peel Sessions LP is the way to do it. It captures their tremendous energy, the incredible musicianship, and the soulful grit of a band that John Peel himself recognized as something truly special. This is a mandatory purchase for the collectors, dreamers, and punk rockers in basement bands who want to know how it’s actually done. Leatherface in the 90s was a force of nature, and thanks to Mr Peel and the BBC, that storm has been preserved for all of us to experience. Sunderland’s finest have never sounded more vital. This is melodic punk rock in its purest, most honest form. Don’t let this one pass you by. Head to Little Rocket Records for more information about ordering this gem.

#LEATHERFACE #LITTLEROCKETRECORDS #melodicPunkRock #MUSIC #PUNKROCK #REVIEWS

Roach Squad – Roach Squad LP (Little Rocket Records)

If you’ve spent any significant amount of time digging through the crates or scouring the digital archives of Thoughts Words Action, you know that there is a very specific subgenre of melodic punk rock that hits you squarely in the chest. It’s that grit-under-the-fingernails, gravel-in-the-throat sound that flourished in the nineties and early 2000s, often dubbed “orgcore” by the internet pundits, but known to the rest of us as just damn good songwriting. Today, I’m diving into the self-titled LP from Roach Squad, an international collective of a long-lost brotherhood finally finding its way home. When you see the DNA involved here, veterans from legendary outfits like Leatherface, The Sainte Catherines, and The Murderburgers, you already know the bar is set incredibly high. But let’s be clear, this isn’t a supergroup vanity project, but a classic sound wrapped in modern production without losing original fire. The production captures the rawness of a basement show in Sunderland or Montreal, but also a clarity that modern technology allows. This record carries those abrasive, sandpaper-textured properties of nineties melodic punk, but it’s polished just enough to let the intricacies of the performances shine through.

The guitar work on this record is, frankly, spectacular. We’re talking about a duality hard to find in modern bands. On one hand, you have these heavy, crushing chord progressions that provide a thick wall of sound, the stuff that makes you want to lean into the monitor at a show. On the other hand, there’s an incredible sense of melody. The themes, melodies, and harmonies are catchy, weaving in and out of the aggression. It reminds me of the best moments of the UK melodic scene mixed with that frantic, North American energy. And speaking of storytelling, the lyricism here is top-tier. This isn’t your standard pizza and skateboards punk rock. There is a poetic, sincere, and deeply emotional core to these songs. It feels like reading a well-worn diary of someone who has seen the world, suffered the bruises, and lived to write about it. It’s storytelling in its purest form, set to a tempo that refuses to let you sit still. You can’t talk about this album without mentioning the vocal performance. It is, in a word, soulful. There is a gravelly, passionate delivery here that instantly brings to mind the greats of the genre. It’s the voice that sounds like it’s been cured in cigarette smoke and late-night tour van conversations, yet it remains incredibly vulnerable. You can hear the sincerity in every rasp and every elongated note. It’s a performance that doesn’t hide behind effects, it stands front and center, demanding that you listen to the weight of the words.

The basslines are a particular highlight for me. They have this warm, analog growl that adds a massive amount of depth to the compositions. Instead of just following the guitars, the bass provides a groovy, melodic counterpoint that makes the songs feel full. It’s that classic orgcore warmth, thick enough to feel in your ears but agile enough to keep the pace. The drumming is equally impressive. It’s propulsive and powerful, acting as the engine that pushes these songs into new heights. There’s a technicality there that stays hidden behind the sheer force of the performance, it’s busy when it needs to be, but always serves the song first. When the band hits those high-energy peaks, the percussion makes the hair on your arms stand up. Roach Squad captures some of my favorite melodic punk rock elements: aggression, melody, and heart. It’s an album that will immediately resonate with fans of the gruff-voiced, emotional punk rock that came out of the Little Rocket Records, No Idea Records, or Jade Tree eras, but it doesn’t feel like a nostalgia trip. It feels more like a band taking the lessons learned from decades on the road and distilling them into twelve or so tracks of pure, undiluted punk rock gold.

Whether you call it melodic punk, emo-adjacent, or orgcore, the labels don’t really matter when the songs are this strong. This is music for the long drives, the late nights, and the moments when you need punk rock music that can still be sophisticated and poetic without losing its edge. It’s rare to find a record that feels this cohesive, especially with an international lineup, but the chemistry here is undeniable. It’s a must-listen for anyone who misses the days when melodic punk had some dirt on its face and something heavy on its mind. Roach Squad LP is a raw, melodic, and deeply moving record. If you’ve ever found yourself shouting along to a chorus in a crowded room with a beer in your hand and a lump in your throat, this is the record you’ve been waiting for. Don’t sleep on this one, it’s easily one of the most vital melodic punk releases of 2025. Roach Squad has the soul of the global underground. Grab a copy, crank the volume, and let these songs do what they were meant to do: break your heart and put it back together again. Head to Little Rocket Records for more information about ordering.

#EMO #LITTLEROCKETRECORDS #melodicPunkRock #MUSIC #ORGCORE #PUNKROCK #REVIEWS #ROACHSQUAD

4th Fingers Return With New Single “Better Days”

4th Fingers return with a brand new single called “Better Days.” You can check it out below.

https://open.spotify.com/track/5eJTqP1wMu0PUw2K8oNi8I?si=b08706c19a3949c7

#4THFINGERS #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Italian Emo Core Band JAGUERO Share New Single “LIT,” Paving The Way For Their First Full-Length Album

Jaguero return with “Lit,” a new single that marks the beginning of a fresh chapter for the punk/emo band from Vicenza and fuels anticipation for their debut full-length — a highly awaited release following two widely acclaimed EPs

Born during the early post–“New Love” sessions (their second EP, released in 2023), the track has accompanied the band through a significant stretch of their creative path. It went through numerous versions, reshaping itself multiple times before reaching its final form just weeks before entering the studio. An unusual process for Jaguero — who often define their songs quickly — but one that allowed them to dig deeper into the emotional layers of the piece.

The band themselves describe the heart of the new single:

“‘Lit’ is a dedication to that person who manages to see us even when we struggle to see ourselves, to the one who sparks that flame that gets us moving again even in our heaviest moments. It’s an anthem to the strength that comes from genuine human connections — the kind that can turn a fragile instant into a new beginning.”

https://open.spotify.com/track/5JKHF1PKwuyBW6SdZSGWNJ?si=59aa9763a2404dbe

#EMO #EMOCORE #JAGUERO #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Dial Drive – Dial Drive LP (SBÄM)

Florida has always been a heavy hitter in the punk rock game, but sometimes you need a band to come along and remind you exactly why. Dial Drive has done that with their latest self-titled LP. If you’ve been looking for an album that sounds like the best days of the Warped Tour but decorated with fresh, unique, innovative, exciting moves, this LP will be right up your alley. Self-titling an album is a wise move. It’s basically saying, “This is us. This is the definitive version of our sound.” And honestly, Dial Drive earned it. They’ve stripped away all the nonsense and delivered a lean, mean melodic machine. It’s energetic, incredibly catchy, and it carries that specific kind of sunshine-soaked aggression that makes you want to drive fast with the windows down. It’s escapism, but it’s anchored by some seriously impressive musicianship. The vocals are the first thing that pulls you in, and man, do they steer the ship. In a genre that lives or dies by the quality of the melody, the lead vocal performance here is absolutely killer. It guides you through the whole sonic journey with its infectious confidence. The singer nails that sweet spot between punk rock power and pop sensibility. There’s enough rawness in the voice to let you know they mean it, but the melody is always king. The verses build this great tension, and then the choruses just release it all in a flood of hooks that you’ll be humming for days.

The way they use harmonies and layers makes this material even more appealing to the ears. They deploy these additional vocal layers exactly when they need to, turning the choruses into massive, anthemic moments. We’re not talking about subtle background noise here, but about thick, robust harmonies that make everything feel huge. It gives the record that communal, gang vocal vibe that is the heartbeat of all great pop punk music. You can practically hear a sweaty club crowd shouting these lines back at the band, even when you’re just listening on headphones. Of course, a great vocalist needs a solid wall of sound to stand on, and the guitars on this LP deliver the goods. They shape the perfect backdrop for the vocals to shine. The guitar work covers all the bases. On one hand, it’s heavy and aggressive, the rhythm guitar chugs with this satisfying crunch that hits you right in the chest, providing that driving power that keeps the punk side of things front and center. But Dial Drive knows that heavy riffs aren’t enough if you don’t have the tunes to back them up. The guitarists have packed this thing with stacks of leads, themes, and melodies. The riffs are catchy as hell, often acting like secondary hooks that rival the vocals. There are these cool moments of intricate lead work and clever chord progressions that show these guys really know how to write a song. The interplay between the rhythm and lead guitars creates this rich, textured sound that’s way more interesting than your standard three-chord bash. They thread these intricate melodic lines right through the aggression, so there’s always something cool happening in the mix.

The bass guitar holds everything together, and it’s doing way more than just following the root notes. The  bass always gets buried, but here it’s vividly hearable in the mix. It contributes all this warmth, depth, and groove that the tracks desperately need. The bassist acts as the glue between the high-flying guitars and the frantic drums. There’s a warmth to the tone that rounds everything out, giving the album a fullness and physical weight that feels so great. Plus, the bass adds these nice little details, runs and fills that pop out when you aren’t expecting them, layers of groove that keep your head nodding even when the tempo is flying. Finally, we have to give it up for the drums. The drumming performance is energetic, dynamic, and groovy, providing the relentless motion that drives the whole record. The drummer packs every song with marvelous accentuations that lock in perfectly with the guitar riffs and vocal hits. All these expertly executed beats, fills, and sharp breaks keep you constantly on your toes. The rhythmic choices are smart, too, switching from rapid punk beats to half-time grooves that let the melody breathe. The drumming dictates the energy, pushing the tempo to breakneck speeds one minute and letting the groove take over the next.

Dial Drive’s self-titled LP exemplifies how modern melodic punk should sound. The band combined the raw punk rock energy with the catchy pop punk sensibilities, and they played the hell out of it. The production is crisp and punchy, making every instrument shine in the limelight. This is a must-have album for anyone who calls themselves a melodic punk rock fan. If you like bands that can write a giant hook as well as they can start a circle pit, Dial Drive has delivered your new favorite record. It’s catchy, heavy, and fun. Florida does it again. Head to SBAM for more information about ordering.

#DIALDRIVE #melodicPunkRock #MUSIC #POPPUNK #PUNKROCK #REVIEWS #SBAM

Calling All Captains Drop New Video For “Blood For Blood”

Canadian punk-rock mainstays Calling All Captains have unveiled a raw official music video for their latest single, “Blood For Blood.” Documenting the unfiltered chaos of their sold-out hometown show at Edmonton’s Union Hall, the video bypasses polished production in favor of pure, high-octane energy. Filmed during the legendary Ten Second Epic reunion, the visuals capture a crowd fully locked into the band’s visceral sound. It’s a testament to the band’s “no-scripts” philosophy, proving that Calling All Captains remains one of the most authentic and hard-hitting forces in the modern melodic punk scene.

https://youtu.be/50z9pBkJCn0?si=24YKf84DSES6Ihks

#CALLINGALLCAPTAINS #melodicPunkRock #MUSIC #NEWS #PUNKROCK

San Pedro Punk Rockers Toys That Kill Unleash Two New Tracks From Upcoming Album “Triple Threat”

San Pedro’s Toys That Kill have released two songs from their highly anticipated upcoming album, Triple Threat, due out February 20th via Recess Records. Born from the ashes of the influential F.Y.P, the band—led by Todd Congelliere—delivers gigantic songs with heart-stopping choruses that blend the spirit of Thin Lizzy and The Buzzcocks. Known for their “TTK thump,” Toys That Kill strips away pretension, translating influences from The Ramones to The Replacements into timeless, melodic punk rock and roll.

#melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #TOYSTHATKILL

Late ’90s Nostalgia: Wasting Time Drops Anthemic New Melodic Punk Single “Ripped Blue Jeans”

Toronto’s melodic punk lifers Wasting Time are back with their new single, “Ripped Blue Jeans,” out December 12th via People of Punk Rock Records. The track is a nostalgic rush of anthemic hooks that captures the heart-on-sleeve energy of the late ’90s punk era, echoing the honesty and grit of bands like Alkaline Trio and No Use for a Name. Serving as the first taste of their upcoming full-length, Are You Out Of Your God Damn Mind?, the single is a reminder of a simpler time, before algorithms, soundtracked by sweat, stale beer, and powerful melodic pop-punk.

https://youtu.be/rwNuq8N8ndg?si=HFBY2vWY2wdpB90m

#melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #WASTINGTIME

Melodic Punk Rock Introspection: Navigating Faded Friendships With Sludder’s Latest Release

“Nothing but Strangers” is the haunting new single from Sludder. The track is born from a melancholic realization: the people who once held immense meaning in our lives can slowly drift into becoming unfamiliar shadows. Rather than a dramatic break, Sludder explores how life quietly rearranges itself, leaving an explainable void. The song emphasizes clarity over despair, using melodic punk rock sensibilities to soundtrack the feeling of moving through familiar spaces with entirely different coordinates. It is a poignant exploration of loneliness and fading human connection.

https://open.spotify.com/track/2Qplmt0uHxndVNM0m5xfjq?si=50b104d190774363

#indie #melodicPunkRock #music #news #punkRock #sludder

NOFX Unveils First Installment “A To H” Of A To Z Album Series

Legendary punk band NOFX has released “A to H,” the first installment in their ambitious triple album project titled “A to Z.” The series is packed with rarities, demos, and never-before-heard tracks spanning the band’s storied career. The artwork design for the project was created by the legendary artist SHAG. This expansive release is a must-have for punk rock aficionados, offering an unprecedented look into the depth of one of the genre’s most influential and enduring acts.

https://open.spotify.com/album/5pUkSUz92gUxkgVsI79PmP?si=E2SEYXcfR5K2WJjtqz-K3A

#melodicPunkRock #music #news #nofx #punkRock

Will Romeo And The 1984 Draft Release Split 7″

Will Romeo (Neckscars) and Dayton’s The 1984 Draft have teamed up for a limited-edition lathe-cut 7″ split covering ’90s alt-rock classics, released digitally and physically on December 5th via Sweet Cheetah and Poptek Records. Romeo converts Sponge’s “Plowed” into a relaxed, emotionally present Americana tune, while The 1984 Draft gives Jawbreaker’s “Jet Black” a bigger, grittier indie-rock sound with dual lead vocals. Both acts honor the source material while making the tracks uniquely their own.

https://open.spotify.com/album/2DZeRyaLn6NGmcLuvDSnIx?si=TRJh8rbJQWGyb3Owp_9imA

#melodicPunkRock #music #news #punkRock #the1984Draft #willRomeo

Burn The Time Away: Pacific Beach Skate Punks Wanted Noise Announce New Single

Pacific Beach punk mainstays Wanted Noise are kicking off 2026 early with their explosive new single, “Burn The Time Away,” out January 6. The track is the first taste of their upcoming studio album, Easy Listening, adding a deeper emotional punch to their signature skate-punk, surf-punk, SoCal-bred sound. Known for high-energy shows and their DIY touring concept “Hit the Slopes, Hit the Stage,” Wanted Noise continues to blend punk and lifestyle.

#melodicPunkRock #music #news #punkRock #skatePunk #wantedNoise

Horace Pinker Returns With First New LP Since 2011

Veteran punk outfit Horace Pinker has released the official music video for “Three Against Me,” the standout single from their new LP, Now and the Future (People of Punk Rock Records). Fresh off a high-energy appearance at FEST 23, this first full-length since 2011 finds the band sounding revitalized, purposeful, and as melodic-and-ferocious as ever. Horace Pinker is pushing their legacy forward with one of their sharpest, most urgent releases to date.

https://youtu.be/JMZk7WhK0PU?si=vTq0CtJyvqO5b2Ag

#horacePinker #melodicPunkRock #music #news #punkRock

Cornerstone Of Melodic Punk Rock: Trust Records Reissues SNFU’s Seminal Debut LP

Trust Records is announcing the 40th anniversary reissue of SNFU’s bonafide classic debut LP, …And No One Else Wanted to Play, available this Friday. A cornerstone of skate punk and a monument to punk rock, the album helped usher in the burgeoning genre of melodic hardcore. Featuring the sung vocals of Mr. Chi Pig, the deluxe edition includes a rarities LP and a 104-page book of unseen early photos and oral history, proving that frenetic hardcore pacing and genuine catchiness are not mutually exclusive.

https://youtu.be/lb7Zd9s8GlY?si=N53kpVCRIsDafj5s

#melodicPunkRock #music #news #punkRock #snfu

The Flatliners Drop Brand New Single “Misanthropy & Me”

JUNO Award-nominated, Toronto-bred punk mainstays The Flatliners have released their brand new single, “Misanthropy & Me.” The track is described as an “all-new anthem of apathy,” examining the shared human condition where hope and one’s sense of purpose begin to dissolve. The band reassures fans that their spirit is not broken, just worn out. The release precedes their December headline shows, including their annual year-end performance, The Holiday Melee, featuring acts like The Lawrence Arms and Fucked Up.

DECEMBER 2025
06 — Chicago, IL — Metro ^
12 — Toronto, ON — The Holiday Melee at Danforth Music Hall *
13 — Montreal, QC — Club Soda ~

JUNE 2026
21 — Dresden, DE — Farewell Youth Fest #
26 — Ysselsteyn, NL — Jera On Air #
27 — Munster, De — Vainstream #
28 — Tabor, CZ — Mighty Sounds Festival #

^ — w/ The Lawrence Arms
* — w/ Fucked Up, Samiam, Dead Broke
~ — w/ The Planet Smashers, Wine Lips
# — Festival appearance

#indiePunk #melodicPunkRock #music #news #theFlatliners

Model Martel – A Thousand Couple Times LP (Snappy Little Numbers)

You know that feeling when a band just gets it? Not just the energy, but the architecture of a great song? That’s exactly what Cleveland, Ohio’s Model Martel has delivered with their new full-length, A Thousand Couple Times. It’s a carefully calculated blend of melodic punk rock, indie punk, and emo, executed with such precision and finesse that it redefines what “melodic” truly means. Model Martel successfully combines some of the finest properties of these three genres. They take the driving, immediate energy of melodic punk rock, fuse it with the thoughtful, structural smarts of indie punk, and infuse the entire project with the emotional honesty of modern emo, resulting in a polished and deeply personal sound. They give you the velocity you need for a late-night drive, but also the lyrical and harmonic depth required for serious, repeat listening. They’re building anthems on a foundation of genuine musical intelligence. The lead vocals are marvelous, clean, strong, and intensely melodic. Model Martel offers a vocal performance that is pure and powerful, carrying the weight of the emotion through flawless pitch and delivery. These clean vocal harmonies allow the sentiment of the lyrics to cut through the surrounding instrumental aggression with perfect clarity. It invites the listener directly into the emotional core of the record. This clarity is crucial, making the emotional themes so direct and effective.

It’s also good to mention occasional sing-alongs. They are huge, memorable gang vocals designed to transform the chorus into an anthemic moment, even if you’re just listening alone in your car. These sing-alongs are flawlessly timed and executed, turning private melancholy into a collective shout of strength. They provide the necessary cathartic release that elevates the tracks from great songs to unforgettable anthems. The guitars are where the emphasis on precision and finesse really comes into play. You get marvelous power chords, but they are delivered with such rhythmic precision and sonic finesse that they feel perfectly placed, never just hammered out. This controlled aggression is balanced by a wealth of additional guitar themes, melodies, and harmonies. The guitarist weaves intricate, layered melodies that dance above the power chords, adding surprising harmonic depth and complexity that speak directly to their indie punk influences. The basslines are consistently warm-sounding, providing a crucial, velvety foundation for the entire sound. When you have power chords and layers of melodic themes flying around, you need the low end to ground the track, and the bassist does this perfectly. The warm tone adds a deep, physical presence to the music, preventing the aggression from sounding too thin or brittle. Furthermore, they are supportive and detailed, locking in with the drums to provide an unshakeable, complex, and deeply satisfying groove. The drummer is the dynamic regulator for the entire record, showcasing a remarkable range that keeps the album constantly engaging. The performance fluidly ranges from moderate rhythmic patterns, which underscore the more thoughtful, indie-leaning verses, to more energetic beats that propel the anthemic choruses and faster punk sections. This control over tempo and intensity is key to the album’s variety. The drumming is tight, creative, and highly impactful, using expertly placed breaks and fills to enhance the groove and dictate the emotional pace. The drummer makes sure that whether the band is leaning into emo contemplation or pure punk rock speed, the energy is flawless and the speed is unconditional.

A Thousand Couple Times is a defining album for Model Martel, proving that you don’t have to sacrifice melodic brilliance for punk rock dynamics. This album is a cohesive, finely-tuned machine that successfully synthesizes emotional honesty with technical precision. It captures the energy of the best of the late ’90s underground while sounding completely fresh and vital today. It is a record that deserves to be studied by any band trying to successfully walk the line between melodic punk rock, emo, and indie. Model Martel delivers powerful, catchy hooks wrapped in intelligent, dynamic compositions. If you’re looking for a highly refined, deeply emotive, and utterly obligatory addition to your collection, look no further. This one’s a keeper. Head to Snappy Little Number for more information about ordering.

#emo #indiePunk #melodicPunkRock #modelMartel #music #punkRock #reviews #snappyLittleNumbers

ZEPHR – Past Lives LP (Snappy Little Numbers)

Let’s just be honest here, there’s so much noise out there, so many bands trying to sound like three different subgenres at once, that sometimes you just want the straight goods. You want the raw emotion, the loud guitars, and the chorus that makes you involuntarily punch the air. That’s where ZEPHR steps in with Past Lives. Coming from Denver, Colorado, this album exemplifies why melodic punk rock is still essential. It’s an immediate, loud, and deeply sincere record that combines melody and aggression without sacrificing an ounce of either. If your heart beats faster when you hear the gruff sincerity of Hot Water Music, the unstoppable acceleration of The Ship Thieves, or the anthemic sprawl of Red City Radio, then congratulations, you’ve found your next obsession. Past Lives lives squarely in that beautiful, messy intersection where earnest emo vulnerability meets punk rock energy. This is the soundtrack to deciding you’re going to face whatever mess life threw at you yesterday, only louder and with more distortion. This is an excellent melodic punk rock band showing everyone how it’s done. The first thing that hits you, and I mean really hits you, is the vocal performance. It sounds like it’s been strained by honest living and too many late nights. The singer projects emotion with an authentic, raw power, maintaining the edge and intensity, while the underlying melodic structure ensures that every single line is memorable. This is the core of ZEPHR’s appeal, they give you the cathartic release of a scream, but with a hook that you’ll be humming for days. It’s gruff, but it’s catchy, and it carries the entire emotional weight of the album.

The guitar work here is fantastic because it knows exactly what the songs need, which is often two things at once. You get those marvelous power chords, the big, thick, driving strokes that give the music its head-down, propulsive energy. But the real skill is how these raw power chords are instantly blended with shimmering melodies. The guitars inject thoughtful, intricate melodic lines and themes that thread through the aggression. Every riff, every ringing harmony is there to serve the emotional depth of the track. They manage to be both heavy and hooky, which is the golden ticket in this style. It’s punk rock with a brain for songwriting structure. It’s an intellectually written punk rock that works to the advantage of these songs. Down in the engine room, you have the rhythm section, which acts as the warm, reliable anchor. Starting with the bass, you immediately notice the warm-sounding low ends. This is crucial because when the guitars are blasting with power chords and distortion, you need that low-end body to stop the whole thing from sounding thin and tinny. The bassist provides that thick, consistent warmth, giving the album its substantial groove and depth. These basslines are constantly moving with an intricate flow, adding detail and subtle rhythm changes that keep the listener engaged on a subconscious level. It’s the sonic foundation that allows the guitars and vocals to operate at their most aggressive while still feeling full and rounded. The drums are the pace-setter and the dynamic regulator for the entire record. It’s an intelligent, powerhouse drumming. The beats are steady, perfectly accentuated, and packed with expertly executed breaks and fills that never feel gratuitous. The drummer is constantly enhancing the groove, pushing the speed forward, and ensuring that even in the most melodic passages, the rhythmic intensity is absolutely relentless. The performance is key to combining that melody and aggression, because the drumming is the constant, driving force that never lets the energy drop, giving the aggressive shouts and melodic chord changes the rock-solid platform they need to fully explode.

Past Lives feels like a culmination of years spent sweating in small clubs and pouring genuine emotion into songs. There are no pretenses here, no studio tricks to hide behind, just four musicians delivering an authentic, high-impact performance. The way they seamlessly pivot between shouting angst and ringing melody is what makes this album stand out in a crowded field. It carries the emotional honesty of old school emo but delivers it with the undeniable, driving power of true punk rock. It’s an album that demands to be played loud, start to finish. If you’re looking for a record that will hit you hard but also give you something deeply melodic to cling to, grab Past Lives. Head over to Snappy Little Numbers for more information about ordering.

#emo #melodicPunkRock #music #orgcore #punkRock #reviews #snappyLittleNumbers #zephr

Feder – S/T LP (Grazil Records)

Feder, the Austrian trio based in Graz, released their self-titled album back in May this year. This fine piece of sonic artistry is the sound of existential dread being set to an anthem, a brilliant collision of noise and nuance. You get the raw, uncompromising punch of punk rock, but instead of straight-up street fury, you get something deeply cinematic, dark, and riddled with melody. This album proves that you can be abrasive and thoughtful at the same time, hitting hard while simultaneously making you think about why you got hit. Get ready to have your ears and your expectations rearranged, because this isn’t your classic three-chord punk rock album. Feder’s core style is unquestionably anthemic, melodic punk rock, but it possesses a brooding depth that pulls it closer to the post-punk or hardcore punk sphere, even while retaining the sharp, immediate haste of the genre. There’s a darkness that pervades the soundscapes, yet it’s always delivered with a melodic lifeline. The occasional, subtle touch of hardcore is included along the way, injecting bursts of pure intensity that prevent the sound from becoming too comfortable or predictable. It’s a collection of songs you can shout along to, but also one you can quietly obsess over under headphones. This is a superb, dark punk rock from an exceptional trio.

The vocalist achieves a remarkable balance, constantly levitating between raw aggression and structured harmony. When the vocals dive into the aggressive register, they feel genuine and projective, channeling the core emotional friction, yet, just as the fury peaks, the delivery shifts, allowing a profound melodicism to surface. This interplay prevents the sound from becoming monotonous. The melody is the hook that keeps you invested in the rage. You’ll also notice how the additional sing-alongs add another vital layer to the experience. These are perfectly timed injections of unified energy, providing anthemic vibes during the choruses that transform individual pain into collective, cathartic release. They are the moments where the listener is explicitly invited into the band’s internal dialogue, making the music feel more communal. The guitar performance is impressive in its range and dexterity. It constantly oscillates between two distinct poles. On one side, the guitar delivers profoundly melodic moments, often surprisingly beautiful themes, and leads that provide the emotional context. These passages are complex and thoughtful, showcasing a progressive edge beneath the punk exterior. On the other side, the guitar unleashes powerful, riff-driven segments that hold the sound in sheer punk force. These riffs are tight, impactful, and designed for maximum sonic density. You’ll also hear a generous serving of distortion used throughout the album. This heavy fuzz contributes immensely to the essential rawness of the material, creating an inherently abrasive and uncompromising ambiance that gives a dark edge.

The bass guitar serves its fundamental tonal role, essential to all the grooves you’ll hear throughout. It offers crucial warmth, depth, and a significant amount of low-end heaviness. The bass player infuses the sound with a resonant body that prevents the high-register aggression and distortion from becoming brittle. This warmth and depth make sure that when the band leans into its darkest moments, the music feels physically imposing and three-dimensional. These orchestrations are dynamic and supportive, locking in with the drums to provide a powerful, unwavering foundation. Of course, the drummer is a master of percussive acrobatics, executing excellent, wisely crafted beats, sharp breaks, and complex fills that constantly enhance the energy and flow of the album. The drumming is thoughtful, providing intricate detail and groove that makes sure the rhythmic structure is always evolving. But what truly sets this drumming apart, and gives the album its unique textural feel, is the continuous use of cymbal splashes. These constant percussive accents provide an almost ambient layer of noise and shimmer to the atmosphere. It’s an aggressive, chaotic hiss that contributes to the dark, abrasive ambiance of the entire record, making the rhythm section a source of textural complexity as well.

The synergy between these three musicians elevates Feder beyond a simple punk band. The way the melodic guitar themes emerge from the distortion-soaked riffs, the bass provides ballast against the high-pitched cymbal wash, and vocals bridge the gap between fury and harmony, it all coalesces into a singular, uncompromising soundscape. It’s an album that mercilessly explores deep emotional wounds while simultaneously providing the power and momentum needed to shout them out loudly. This album is a powerful, meaningful, dark statement from an exceptional trio. It gives you all the aggression and power you crave from a great punk record, but wraps it in a challenging, atmospheric shroud that keeps you coming back to decode its depths. This is punk rock delivered with a profound sense of purpose, perfectly utilizing every tool, from anthemic harmony to abrasive distortion, to achieve its commanding, unforgettable sound. Head to Grazil Records for more information about ordering this gem on vinyl.

#feder #grazilRecords #hardcorePunk #melodicPunkRock #music #reviews

Sharper Hooks, Brighter Melodies: Descendents’ “I Don’t Want To Grow Up” Gets 40th Anniversary Reissue

Org Music proudly announces the reissue of I Don’t Want To Grow Up, the landmark second album from legendary punk pioneers Descendents, arriving November 21, 2025. Released just in time for its 40th anniversary, this new edition follows the acclaimed reissue of Milo Goes To College. Originally released in 1985, the album, with its brighter melodies and sharper hooks, cemented Descendents’ status as one of punk’s most influential voices and avoided the dreaded sophomore slump.

#descendents #melodicPunkRock #music #news #popPunk #powerPop #punkRock

90s Skatepunk Nostalgia: Teeth Out Drops Instantly Catchy New Single “Here We Go”

Charlottetown skate-punk band Teeth Out has released a new track, “Here We Go,” and announced a new label partnership with High End Denim Records. Fueled by 90s punk nostalgia and cheap coffee, the five-piece plays fast, melodic, and chaotic, proving growing older doesn’t mean slowing down. Vocalist Josh Lavigne says the track was built around a simple hook and the high-energy pop punk feel they grew up on, aiming for something “instantly catchy that people could sing along to after one listen.”

#melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #SKATEPUNK #TEETHOUT

Ben Quad Leaves Midwest Emo Structure For Hopeful New Album “Wisher”

Ben Quad has released their new album, ‘Wisher,’ on November 14th via Pure Noise Records. The album follows their debut and reflects a more hopeful perspective, with the title symbolizing the wish for a better future, offering growth where their earlier work held doubt. To bring the album to life, the band left the Sooner State for New Jersey, connecting with producer Jon Markson in an idyllic farm/studio setting. Tracks like “It’s Just A Title” musically lean into pop elements and heavy synths, breaking away from strict Midwest emo and punk structures.

https://open.spotify.com/album/0EfjNXqCOimYUWpx3xkr4O?si=RfxP0kPCR-6h6FbYFA3TqQ

#BENQUAD #EMO #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Antillectual Drop New EP

Antillectual is releasing their first-ever Dutch EP, Antillectueel, today, featuring around 9 tracks in their direct native language. This leftist-populist, counterculture punk release is designed to help listeners process recent election results. The songs tackle local symptoms of global issues, including the shift to the right, populist figures, and tax evasion, using the in-your-face Dutch language as the perfect medium. Side A features new tracks, while Side B is a mixed bag of pseudo-covers and re-interpretations.

To support their EP Antillectual will embark on an exclusive Dutch tour. This occasion will be the only chance to see the band play their Dutch songs live:

Nov 28 Eindhoven, Burgers
Dec 05 Den Haag, Musicon
Dec 07 Drachten, Iduna
Dec 13 Nijmegen, Friends First Fest
Jan 09 Utrecht, dB’s
Jan 10 Leiden, Resistor
Jan 29 Haarlem, Patronaat
Apr 11 Zwolle, Skroetfest

#ANTILLECTUAL #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Interview: Barking Poets

We recently had a blast chatting with the guys from Barking Poets, the melodic punk rock trio straight out of London! We dove deep into their recent ripper of a single, “Pure Blood,” talking about how they cook up their songs, what their main influences are, and pretty much everything else. Time to crank it up and hear what this powerful trio had to say!

Thank you for taking the time to answer these questions. How have you been?

We’ve been pretty good, surviving London life as usual. We just got done with the HRH Punk festival in Leicester a couple of weeks ago, that was a lot of fun. Our latest single “Pure Blood” has been out now for a couple of weeks and is being very well received, at the moment we are writing and demoing new songs for our debut full length album to be released next year. That is our main focus now.                               

Your previous single “Change Our Ways” was an energetic punk rock anthem, but “Pure Blood” has a noticeably darker, more reflective tone. Was shifting to this vibe a conscious decision, or did the mood of the music dictate the direction? 

It was a conscious decision for sure. I’ve always loved those bass driven, mid-tempo songs with big choruses, we didn’t have that kind of song in the Barking Poets catalogue so it was interesting to see if we could pull it off, still make it sound like Barking Poets. I think we did a great job along with Paul Tipler in the studio. The lyrics came after, they needed to be quite dark, gloomy to suit the atmospheric sound of the recording. I don’t think lyrics about Carebears or Teletubbies would have worked too well……or maybe they would?

Let’s talk about the lyrics for “Pure Blood.” What’s the core story or feeling driving this song? What themes were you exploring when writing the words?

It’s written about the Pandemic period of 2020-2022. If you replace the lyric “party” (in the first line of verse 1) with “pandemic” then the song’s meaning opens up in a more direct light. It’s a reflective look back at the damage done by the head scratching decisions of “leaders” and I use that term very loosely.

https://youtu.be/VLO8tyqqASE?si=_VuyEifIPSucBKwW

The track features a powerful, rising chorus. What was the dynamic in the studio when you were composing that specific section? Did you have a sense that you were creating a massive moment?

We knew we wanted the chorus to sound huge. We had worked on the song in rehearsals and did a home recording demo so it was about getting the song as close to what the demo sounded as possible. Paul Tipler comes from that world of indie/alternative so he got it straight away. We tend to work very fast in the studio, we don’t overthink things.

We hear a subtle change in your sound on this track, venturing into a more indie rock territory. What inspired you to explore this sonic direction compared to your earlier work?

I’ve always been a lover of most guitar music, if it’s metal, punk, indie, country, I’ll dig it if it’s honest, a band playing together and has great songwriting dynamics and lyrics. I heard a song by the U.S. band Brand New called Sic Transit Gloria for the first time in years, it blew me away. It has a very cool bass driven verse and a huge shouty chorus. It inspired me to try to write something in that ballpark for Barking Poets which was a challenge because we hadn’t done anything like that before. 

The new sound is drawing comparisons to bands like Brand New, Alkaline Trio, and The Stranglers. Are those artists you actively listen to, and how do they inform the DNA of the song?

Yes, for sure. I have loved Alkaline Trio and Brand New for years now and I’ve really started to get into The Stranglers in the past couple of years. “Always the Sun” is such a perfect song. Like any artist, your subconscious absorbs absolutely every piece of music you have ever heard so when you go to write, those influences of what you have been listening to more regularly cannot help but form part of the DNA of every song that you write. Pure Blood is no different. 

Beyond the usual suspects, what artists or bands are you currently spinning that might surprise your fans? Who’s influencing the sound of Barking Poets right now?

I’ve been listening to the new Kathleen Edwards album a lot recently. Neil has been listening to Terrence Trent D’arby and is going to see him live soon so they may be a bit of a surprise. Regarding influencing Barking Poets at the moment, The Hives, Wavves and Alkaline Trio’s new albums have all made an impact. We’re definitely leaning into short, loud, fast no-nonsense songs on our new album.

Could you walk us through the general process of how a Barking Poets song typically comes to life? Does it start with a guitar riff, a beat, or a lyrical idea?

In Barking Poets we have 2 main songwriters (Conor H and Neil). We’ll tend to write completely separately. We’re both similar in that we will usually write a song melody on guitar, a verse, chorus and maybe a middle eight, bridge or breakdown. Then once the structure is done, we’ll add the lyrics afterwards. We’ll then do a home made demo of the song before sharing it to see what the general consensus is. If we all like it, we’ll work on it in the rehearsal room where we will all add our individual parts to it musically.  We do have one brand new song that the three of us all chipped in on and that was fun, Conor T came up with a bass melody, Neil added a guitar part and vocal melody then Conor H added some lyrics and the overriding theme of the song. 

Specifically for “Pure Blood,” what was the first element that kicked off the composition of the song? You worked again with renowned producer Paul Tipler. What unique perspective or sound does he bring to the table that makes him the right fit for your band?

Once I had the clear idea of the kind of song I wanted to write, the first element was the drum track as the foundation. Once I had that down, I put a one string simple bass track on top, already it was sounding fantastic. The rest came quickly after. Paul Tipler was ideal for this track in particular, he’s worked with so many amazing indie/alternative bands like Idlewild, Placebo, Reuben so he totally got what we wanted to do. He’s a great taskmaster, he’s all about the band being tight, knowing their parts, being competent at what you’re playing and not putting too much studio effects or trickery on. The more organic, the better.

Considering the brooding, anxiety-driven nature of the song, what was the general atmosphere like during the recording sessions at Unit 13 studios this summer?

I would love to say it was a tense, anxiety driven atmosphere, with late night alcohol/drug fuelled sessions but alas, it was all very straight forward, sober and drama free. The drums were done on a weekday afternoon then the bass/guitars and vocals on a separate weekday in the summer. Terribly professional unfortunately. We’re waiting for our Los Angeles adventures to activate our inner debauched rock stars!

You shot a video for “Pure Blood” in Greenwich featuring a masked crusader with a briefcase. What’s the narrative thread of the video, and how does it connect visually to the meaning of the track?

We have done so many “band performance” videos so it seemed like a good opportunity to do something different. I can’t even remember where the idea came from, I have a luchador wrestling mask in my apartment and thought visually it would look cool to use in a video. The narrative is loosely, a mysterious figure who works in the City of London, possibly in the financial sector who has done a dodgy deal or has stolen cash during a heist or deal gone wrong perhaps? It’s white collar crime. A metaphor for all the billions of dollars made by politicians & grifters during the covid pandemic. We certainly raised a few eyebrows from passers by while we were shooting.

Neil, since you directed and edited the video, how did the visual ideas develop?

We’d wanted to do a video of someone perpetually running for a while, although originally it was going to be me singing the song while running, either in the dark in the open, or through the Greenwich Tunnel – we really liked the tunnel idea though, and once me and Conor scouted it out, we realised it would work really well, as long as we could get there when there weren’t many people around. Which led to two musicians having to get up early in the morning, so we were a bit out of our element! Conor came up with our besuited & masked hero and the suitcase full of money, to symbolise corruption, and away we went. I’ve found with a lot of the videos, it comes together in the edit (the Change Our Ways video with the animated dogs changed a lot from our original concept there) depending on what the footage comes out like. With this one though, it stayed pretty true to our original concept.

The visual style is very cinematic. Were there any specific films or directors you had in mind while you were planning the shots for the video?

We definitely wanted really stark black and white, ‘cos we really like the photographic and video style of Anton Corbijn, who did all those classic Depeche Mode, U2 & Tom Waits photos back in the 80s and 90s. And the running thing was inspired by a couple of things, like Radiohead’s Karma Police video, Crowded House’s Locked Out, and gritty black & white espionage movies like the Third Man or The Ipcress File. It was great how quickly it came together. I’m really looking forward to doing more conceptual videos in the future, instead of just performance ones now…

 How does “Pure Blood” translate live? How are you finding ways to incorporate this intensity alongside your more upbeat power-punk anthems in your setlist?

We have never played it live before and I’m not sure we will get a chance to. Most set lengths we play are 30mins to 45mins so it’s difficult to fit quite a long, mid tempo song like Pure Blood in there. It also really needs two guitarists to really give it justice live, maybe down the line we may add another guitarist and pop it in the set sometime next year. It would be fun to play for sure!

With all those strong singles out, are you sitting on more new music? What’s the plan for the near future? Any possible extended plays or a full album, or are you just focusing on touring?

Yes, we have about 8 or 9 brand new songs ready to go onto our debut full length album. We are still writing and demoing more songs so we’re a bit of a song factory at the moment. A full length 12 track album is our main focus and goal at the moment, hopefully we can get it finished in the first part of next year. We are currently booking shows and reaching out to festivals for 2026 so next year is shaping up to be our busiest year yet. 

Thank you for your time. Anything you would like to say to our readers at the end of this interview?

If you have made it to the end of this interview, thanks! We really really appreciate anyone taking the time out of their day to listen, watch, read about Barking Poets. Stay tuned for our debut full length album next year and come see us live when we roll into your town. Thanks to you Djordje for the continued support!

#ALTERNATIVE #BARKINGPOETS #ENGINEERRECORDS #INDIE #indiePunk #INTERVIEWS #melodicPunkRock #MUSIC #POPPUNK #PUNKROCK

The Mendozaz – The Completely Fictional History Of This Great Nation Of Canada CD

If you’ve ever wondered what Canadian history sounds like when filtered through a furious pop-punk lens, fueled by cheap beer and a commitment to chaos, The Mendozaz have finally delivered your answer. Toronto’s punk powerhouse, fronted by the core trio of Jonny, Michael, and Dic, has dropped their most audacious and hilariously unhinged work to date, the eight-song concept EP, The Completely Fictional History of This Great Nation of Canada. Released on Cartridge Heart, this CD is a glorious, reckless experiment in how much melodic punk rock can be jammed into a short format without shattering the very fabric of reality. The Mendozaz have long carved out a name for themselves in the Toronto scene with wild, frenetic live shows, and this record is a perfect distillation of that mayhem. It takes the familiar thrill of their gang shouts and anthems built for beer spills and cranks the ambition up to eleven, proving that self-aware wit and razor-sharp hooks are the best weapons against life’s absurdity. The style is pure, concentrated pop-punk, but executed with the aggression and speed of genuine melodic punk rock. This record is intentionally bigger, faster, and louder than anything they’ve tackled before. The Mendozaz are masters of the gang shout, ensuring every single chorus is ready for a furious singalong in any basement, bar, or festival stage they hit. What sets this record apart is the exceptional quality of the music itself, beneath the layers of jokes and absurdity. The arrangements are sharp, pushing their storytelling into stranger, funnier territory without ever losing the necessary edge. These are expertly crafted songs designed to be high-impact, energetic, and addictive. The production captures that essential reckless charm of their live show while giving the overall sound enough punch and clarity to showcase the their tight musicianship. Working with Matt Gauthier on recording, mixing, and mastering ensured that every massive hook and ultra-heavy riff lands exactly where it should, maintaining that crucial balance between polished power and raw, untamed punk energy.

The EP’s concept, a fabricated, ridiculous history of the North, is the perfect vehicle for their unique brand of satire. The Mendozaz take completely invented Canadian legends and treat them with courageous commitment. “A Piercing Shriek Of Death,” for instance, sets the tone by tackling a “very true” story about ice fishers being eaten alive by a school of great white sharks near Hudson Bay. This is exactly the kind of absurd commitment that defines the whole record. The wit is self-aware, but the commitment to the bit is total, which makes it funnier than simple parody. The lyrics are storytelling vehicles for heavy riffs and unexpected dynamic shifts, proving that the band can channel whatever they please and still come out sounding purely like themselves. It’s an infectious mix of total silliness and resolute commitment to energetic pop-punk. The vocal dynamic is another key ingredient in the chaos. Frontman Jonny is backed by the vocal work of bassist Michael, creating those massive, layered choruses that are their trademark. However, on this release, the preposterously profane nature of the songs necessitated bringing in reinforcements. Members of Joan Smith and the Jane Does and The Meringues joined the recording to provide these huge, anthemic moments of musical swearing that feel cathartic at some points. This collaborative element demonstrates their dedication to making the sound that matches the mission of the record; everything should be a shared, loud, chaotic frenzy.

The Completely Fictional History of This Great Nation of Canada CD sounds amazing because The Mendozaz know exactly how to use high-octane punk rock energy in the service of pure, unadulterated fun. They’ve successfully pushed their songwriting and arrangements into sharper, stranger territory without sacrificing the huge, catchy pop-punk hooks they’re known for. This EP is essential listening for anyone who appreciates fast music that’s also laugh-out-loud funny. It’s a record that understands the importance of grinning through the chaos, and it provides the perfect soundtrack for doing exactly that. This Toronto powerhouse has delivered an absolute gem that belongs right at the top of your playlist, guaranteeing every listen feels like a wild, spontaneous night out with your favorite, most irresponsible friends. Head to The Mendozaz Bandcamp page for more information on ordering this gem on CD.

#melodicPunkRock #MUSIC #POPPUNK #PUNKROCK #REVIEWS #THEMENDOZAZ

Moonraker Drops Cover Of The Smoking Popes Punk Classic

Southern California punks Moonraker have dropped a surprise Halloween single: a fiery, harmony-laced cover of The Smoking Popes’ classic, “Rubella.” The digital-only track injects Moonraker’s trademark blend of grit and heart into the 1995 favorite, reimagining its bittersweet melody with punchy guitars and soaring dual vocals. Drummer/vocalist David Green noted the cover was originally intended for a tribute compilation that never materialized, making it a perfect surprise pop-punk treat for Halloween.

https://open.spotify.com/track/2w0Bw2Z2h3MMlMwgjv2Wt0?si=86e1b641a4f14ddf

#melodicPunkRock #MOONRAKER #MUSIC #NEWS #POPPUNK #PUNKROCK

Barking Poets – Pure Blood

Nearly a month ago, Barking Poets released their latest standalone single, once again proving they’re not only a prolific band but one of those exceptional punk rock trios that always break all the rules and shapeshift the boundaries of their sound. Although their recent works, such as “Change Our Ways,” “Losing Contact,” “The Mess I Made,” and “Arizona,” all sound equally good, “Pure Blood” further showcases their ability to transform modern punk rock music into something wild, unique, innovative, and completely new. And even when you know these folks are all about that catchy, addictive, hypnotic melodic punk rock, there are some surprises lurking beneath the surface that make this track even more appealing to the ears. Whether it’s that magnificent ’90s rock ambiance roaming around, sweet rawness borrowed from garage rock sound, subtle hard rock details notable in the rhythm section, anthemic alternative rock choruses, or tender indie melodies, “Pure Blood” is one of those songs that will make you return once again for another round of brilliant ideas and superb musicianship. This is a proper, modern London punk rock sound that we have all loved and followed for decades, and Barking Poets made sure to pay homage to it while infusing all those qualities that made them one of the finest UK bands today.

“Pure Blood” is packed with tastefully assembled, flawlessly performed, and perfectly recorded instrumentations. As soon as you press play, you’ll stumble upon all those warm, detailed, vividly hearable basslines, slowly introducing you into the subtly dark yet immensely melodic ambiance of this song. Those low-ends are solely responsible for why this song shines with all the warmth, depth, clarity, and heaviness, as all those luxuriant, deep, dense, and heavy notes hit the right spots and offer more groove and detail. You’ll also hear how these basslines counterbalance guitar works and also act as a binding element that connects the mentioned instrumentations with rhythmic patterns. The excellent drumming performance, based upon all those well-accentuated, perfectly arranged, and expertly performed beats, breaks, and fills, provides a rock-solid rhythmic backdrop that keeps everything in line while dictating a moderate pace and more groove. Each hit of the snare cuts the ambiance, each kick of the bass drum sits in the mix where it is supposed to be, and all those accentuations over hi-hats and other cymbals are decorations every fan of this important instrument will appreciate. Of course, both bass and drums serve as the backbone of this track while the guitars roam around, shaping a perfect backdrop for all the vocals to shine upon.

The guitar layers have multiple purposes here. At first, you’ll notice how they shape the ambiance with subtle yet vividly hearable microphony lurking around while the bass guitar contributes the main melody. During the choruses, the guitars ring with raw, abrasive, gritty power chords, making this track as powerful as possible. These guitar works expand to the main theme, melodies, and harmonies during the second verse and jangly, angular, arpeggiated chord progressions during the bridge, gradually introducing the catchy, memorable, beautiful solo that unquestionably decorates and elevates this marvelous track even more. Harvey’s voice brings even more melody over the top, with all those lines balancing low, mid, and high notes with such precision and finesse. He maintains his voice sometimes between clean and subtly raw harmonies, a technique that not only suits this particular song but also their previous works. This vocal technique packs melody and aggression equally, continiously levitating between power pop or indie punk and classic London punk rock style. It’s a wise move that works like a charm, proving that Harvey and the gang thought about everything while writing, composing, arranging, recording, and producing this melodic punk rock anthem.

Barking Poets never cease to amaze with their ideas and musicianship, and that’s the case with “Pure Blood” as well. This track packs everything you ever needed from a modern melodic punk rock song while simultaneously paying homage to the London sound. Their experience, knowledge, creativity, talent, and skills are on full display here, proving that these folks are one of the finest punk rock bands you’ll stumble upon nowadays. Highly recommended for anyone who appreciates sharp lyricism, anthemic choruses, beautiful melodies, intricate basslines, and excellent drumming. Head to your favorite streaming platform and listen to it loud!

https://song.link/s/6ziHjUaiHAWbCIBZZXRRTl

https://open.spotify.com/track/6ziHjUaiHAWbCIBZZXRRTl?si=baa5ab732a5846af

#ALTERNATIVE #BARKINGPOETS #ENGINEERRECORDS #INDIE #INDIEROCK #melodicPunkRock #MUSIC #PUNKROCK #REVIEWS

No Comply Builds Hype For Upcoming LP With New Single “Falling From Above”

Belgrade pop-punk band No Comply has released a new video for their single “Falling From Above.” The track is the latest preview from their highly anticipated self-titled album, NO COMPLY, which is set for release on November 28, 2025. The video builds excitement for the forthcoming record, which promises more of the band’s energetic and catchy pop-punk sound.

https://youtu.be/xINpl3YR754?si=bTZHG46vFq6xIy6i

#melodicPunkRock #MUSIC #NEWS #NOCOMPLY #POPPUNK #PUNKROCK