#melodicpunkrock — Public Fediverse posts

DAVES – An Ode To Upper Management CD (Little Rocket Records)

If you have been keeping a close eye on the UK DIY scene lately, you know that Leeds is currently a pressure cooker of incredible talent. It’s a city that has always understood the assignment when it comes to blending spirit with intelligence, and the DAVES is the latest group to emerge from that northern powerhouse. This three-piece melodic punk rock outfit has just dropped their debut full-length, An Ode to Upper Management, and honestly, it is exactly what the DIY scene needs right now. Released on March 1st, 2026, fittingly enough on St. David’s Day, this 9-track collection exemplifies how to be confrontational without losing your sense of melody. The first thing that grabs you about An Ode to Upper Management is the raw punk attitude that saturates every second of the recording. They sound like a band thrashing it out in a rehearsal space, yet they possess a modern post-hardcore edge that keeps it feeling fresh and relevant. The title itself is a brilliant bit of wordplay, acting as both a sincere nod to their better halves who keep the wheels turning and a sharp critique of the hierarchical structures we all have to navigate in our daily lives. That duality of personal gratitude and social frustration makes this material so excellent.

When you dive into the vocal performance, you quickly realize that DAVES isn’t your average “three chords and a shout” punk band. The lead vocals are soulful, passionate, and incredibly emotional. The blend of vulnerability and aggression makes this performance even more appealing to the ears. With the additional back vocals and sing-alongs, it really pulls you into a whirlwind and forces you to sing with them. These layers create a communal vibe that makes you want to join the fray. It’s that classic punk rock trick of making the listener feel like part of the band, and DAVES executes it with perfection. The guitar work carries more than enough melody to satisfy the pop-punk crowd while maintaining a level of aggression that will please the hardcore purists. We are talking about excellent, catchy, and highly memorable chord progressions that serve as the bedrock for every track. The riffs are engaging and consciously constructed, avoiding the trap of mindless speed for the sake of speed. Instead, the guitar melodies act as hooks that stay lodged in your ears long after the final chord has rung out. There is a distinct post-hardcore influence in the way the guitars interact with the space in the songs, allowing for a more thought-provoking listening experience than your standard four-on-the-floor punk record.

Of course, a power trio is only as good as its rhythm section, and the engine room of DAVES is absolutely locked in. The bass guitar provides more than necessary groove, depth, and clarity. It doesn’t just sit in the background.  It’s a living, breathing entity that binds the melodic guitar flourishes to the percussive assault. You can hear every note, every run, and every transition with perfect clarity, exemplifying both the playing and the production. The bass acts as the glue that keeps the sound massive, even when the guitar breaks away for a lead or a more atmospheric passage. The drummer keeps everything in line with such precision while simultaneously dictating a pace that feels like a runaway freight train. You get a steady diet of well-accentuated beats, but the band also throws in plenty of breaks, fills, and other percussive acrobatics that keep the listener on their toes. The drums are an active participant in the storytelling, accentuating the emotional highs and lows of the lyrics.

Thematically, DAVES is a band with a lot on its mind. They aren’t interested in writing songs about nothing. An Ode to Upper Management is an exploration of the hierarchy of life, those invisible (and sometimes very visible) structures that dictate how we live, work, and interact. The lyrics are confrontational and designed to challenge the status quo, yet they are delivered through music that is inherently catchy. It’s a “sugar-coated pill” approach to social commentary. You come for the hooks, but you stay for the message. They touch upon the idea of comradeship, the necessity of a support system, and the friction of modern existence in a way that feels incredibly sincere. An Ode to Upper Management is a must for any true fan of melodic punk rock and alternative music. It’s an exceptional debut that proves you don’t need a million bells and whistles to make a profound statement, you just need three people, a lot of passion, and something important to say. DAVES is ready to take on the world, and after listening to this record, you’ll likely be ready to follow them.

Leeds has given us a lot of great bands over the decades, but DAVES feels like they are carrying a particularly bright torch. This is honest, energetic, and highly intelligent music that deserves a spot in your rotation. Do yourself a favor and check this one out immediately.

Interview: I.D.K.

Following the release of their latest single, “Nark 5,” we sat down I.D.K. to peel back the layers of their catchy, memorable, and energetic sound.

In this conversation, we dive deep into the thematics driving their lyrics, thoughtful songwriting and composing process that allows them to balance hardcore punk energy with a larger-than-life scale. We also get a glimpse into what’s next for the band, including their upcoming music video collaboration with Stone Fisted Production and their ambitious plans for the future.

Hello, thank you for taking the time to answer these questions. How have you been? 

I have been well. Can’t complain.

It’s been over a decade since your last original release. Coming back in late 2025, did “Nark 5” feel like the natural first choice for a comeback, or were there other tracks in contention?                                                                                                                              

No other tracks when we wrote Nark 5. Nark 5 was the spark that drew us out of the life cave and back into the creative expressive side of the world. We are working on more tracks now but at that time our goal was to get a fresh new tune out there.

You’ve cited Star Wars: Andor as the primary catalyst for this track.                              What was it about the Narkina 5 that specifically resonated with the punk rock ethos of I.D.K.? 

Just like in life, there’s always a fight. There’s always some force trying to wreck something good, trying to inject chaos into what’s working. It never stops. It’s always something.

To me, punk is about doing your thing and saying fuck everything else. Fuck the noise. Fuck the pressure. Fuck anyone trying to tell you who you’re supposed to be. The second you cross the line and violate my freedom — or anyone else’s — then it’s on. That’s when it shifts from punk rock to a hardcore beatdown, metaphorically speaking… or in the case of the prison break, literally.

Nark 5 is about the Empire’s bullying — about being pushed, controlled, and locked down — and then finally fighting back. It’s about breaking out and crushing the bully at the end of the prison break arc. That moment? That’s punk rock at its purest.

The song shifts between the perspectives of Cassian Andor (Keef Girgo) and Kino Loy. How did you approach translating those two very different emotional states, the confusion of capture versus the desperate leadership of an escape, into the music?

I feel like both situations share that same kind of crazy intensity. There’s the mental shock of being taken against your will, and then there’s the raw, survival-mode intensity of a life-or-death situation.

I knew right away that both of those moments matched the energy of the music. So what I did was split the song in half — the first half captures the abduction, and the second half drives the prison break.

You also plan to release a music video, done by Stone Fisted Production. How do you feel the visual narrative enhances the cinematic sound you were aiming for?

The video is almost finished. Nedd from Stone Fisted is doing an incredible job with it — he’s really bringing it to life. It’s currently in the post-production phase, and we’ll be announcing a premiere date soon.

I think people are really going to dig it. It’s a great blend of our live performance energy with the Narkina 5 imagery and concept woven throughout. We had a lot of people help us make it happen, and it’s definitely going to be a fun one.

How has the songwriting dynamic changed between you all since your 2008 releases? Is the process more collaborative now, or does it still start with a singular spark?

With Nark 5, the process was more collaborative. The initial spark came from Fabio and Mike, whereas I’m usually the primary songwriter.

Our 2008 EP was officially released in 2008, but it had actually been recorded a few years earlier. Those songs were created in a less collaborative environment, although all the members at the time still weighed in and gave their input on the material.

You’ve described the new sound as having cinematic dynamics. For a veteran hardcore punk band, how do you balance that grander, more polished scale without losing the raw, basement-show energy fans expect?

I’d say Nark 5, especially when combined with the video we’re making for it, has a very cinematic vibe. The song tells a story you can really visualize through the lyrics and the energy it gives off.

The video leans into that as well — there’s a strong cinematic feel, with storytelling woven into the visuals. That said, we feel it still falls right in line with our previous material sonically. The grit? That really comes out in our live shows — and that hasn’t changed.

Musically, “Nark 5” feels so precise. Did the long break change how you approach your instruments or the gear you use in the studio?

Not at all. In terms of playing and our overall approach, we stuck to what we’ve always done. 

“Nark 5” deals with the cost of freedom. In today’s political and social climate, do you find yourselves writing more about fictional resistances as a metaphor, or do real-world events still bleed into the lyrics?

A little of both. It’s nearly impossible to keep the real world from bleeding into the lyrics — especially with Nark 5, given the current political and social climate.

How does the North Jersey/Cliffside Park scene look to you in 2026 compared to when you were last active? Is that old guard spirit still there?

It absolutely is. I.D.K. will forever be associated with being one of — if not the first — hardcore/punk bands from the area to really make a mark.

There aren’t necessarily as many shows happening like there were back in the day, at least to our knowledge, but people remember. The spirit is still there, and it gets passed down to the younger kids.

Whenever we play gigs up in the North Jersey area, there are always Cliffside and Fairview people representing at the shows.

You’re now releasing via Scorpion Records across platforms like Spotify and Bandcamp, tools that weren’t the standard back in 2008. How has navigating the modern digital landscape changed your perspective on being an independent band?

It hasn’t necessarily changed our perspective. What it has done is give us more tools at our disposal when it comes to promoting and getting the music out there — which is cool.

Does it take a little away from the more socially organic way things used to work — passing music through friends, grabbing a physical CD or record, and not having access to it outside of that? Sure.

There are pluses and minuses to it.

Hardcore and punk have undergone numerous sub-genre shifts over the last 15 years. What’s your take on the current state of the genre? Is it healthier now than it was during your hiatus?

That’s hard to say. I’m an older head, so I’ll always love what I experienced growing up in the New Jersey hardcore scene in the ’90s. I don’t get out to see shows as much as I’d like to these days, so it’s tough to really speak on the current live gig vibe.

I do follow newer bands online, though, and there are a lot of great ones out there — especially the heavier beatdown and metal-influenced hardcore bands. From what I can see from a distance, that scene is raging.

I don’t see as many bands like us, with more of a traditional punk/hardcore influence in the style. But that could also just be me being a little out of touch, haha.

“Nark 5” is the lead-in for a new EP on Scorpion Records. Can we expect a full concept record based on similar themes, or will the EP explore different territories?

Good question. We’re in the process of putting the music together now. Once we get into writing the lyrics, we’ll see where it takes us. It’s hard to say right now.

Now that the music is out and the video is on its way, what do the touring plans look like for 2026? 

We haven’t played any gigs yet since the release of Nark 5, but we’re definitely excited to see how the crowds react — especially once the video drops.

How are the new tracks, especially “Nark 5,” translating to a live setting? Is there a specific moment in the song where you really feel the crowd rising up with you?

Again, we haven’t gigged since the releasee so, we shall see!

What do you want the “2020s era” of I.D.K. to be remembered for? Is this a one-off reunion, or is the engine fully restarted for the long haul?

I’d say we’re like an engine that moves steadily, going where it can, when it can. Yes — we’d love to keep this going for the long haul. Our pace and the way we approach it will ultimately determine that.

That’s it. Thank you so much for your time. Anything you would like to say to our readers at the end of this interview?

Absolutely. First, we want to shout out our friend—and sometimes sixth member—Scott Dorey, who’ll be helping with guitar duties at our upcoming March 7th gig in Morris Plains New Jersey at the Autodidact.

Also, Nedd Jacobs and Stone Fisted Productions, who directed our upcoming Nark 5 music video. He’s doing a great job, and we can’t wait to release it.

We also want to give a shout-out to Scott Earth of Scorpion Records to help with our releases and promotion.

Last but certainly not least, our families—for putting up with the noise and the scheduling. I.D.K. simply wouldn’t happen without their support.

Org Music Continues Its Comprehensive Descendents Reissue Series With “Enjoy!”

Org Music continues its comprehensive Descendents reissue series with Enjoy!, the third installment in the campaign celebrating the band’s foundational catalog and the latest release since the group reclaimed ownership of their master recordings. Originally released in 1986, Enjoy! captures Descendents pushing fully into their instincts, doubling down on short, fast, melody-driven songs that balance juvenile humor with sharpened songwriting and unmistakable urgency.

While the band had already helped define what would become pop punk, Enjoy! finds them expanding the formula without losing intensity. Tracks like “Hürtin’ Crüe” and “Get the Time” channel irreverence through speed, melody, and tension, while subtle new wave and pop touches—including a punked-up take on The Beach Boys’ “Wendy”—broaden the band’s sound without dulling its edge. Forty years on, Enjoy! remains a defining entry in the Descendents catalog and a crucial document of the band’s restless evolution.

This new edition arrives April 24, 2026 on LP, CD, and cassette, with multiple color-vinyl variants. Produced in close collaboration with the band, the reissue brings Enjoy! back into print across formats with careful attention to presentation and detail.

Among the vinyl offerings is a limited “Punk Note” edition featuring alternate packaging by John Yates (Stealworks), inspired by the iconic jazz designs of Reid Miles and Francis Wolff, whose work helped define the Blue Note label. This visual reimagining of punk classics continues the aesthetic series that began with Org Music’s Bad Brains reissues. Each “Punk Note” title includes new liner notes by BrooklynVegan senior editor Andrew Sacher and is housed in a deluxe case-wrapped jacket.

The Enjoy! reissue follows Org Music’s widely praised reissues of Milo Goes to College and I Don’t Want to Grow Up, forming the third chapter in an ongoing archival series dedicated to keeping Descendents’ core albums in print across formats for longtime fans and new listeners alike.

Pre-order: https://orgmusic.com/collections/descendents

Ugly Criers – Catching Spiders CD (Little Rocket Records)

The United Kingdom has consistently remained one of the most vital global epicenters for punk rock music, with specific regions developing their own distinct, highly recognizable sonic fingerprints. When you examine the lineage of the Sunderland punk scene, you uncover a rich history of bands prioritizing raw emotion, gritty realism, and definite melody over flashy commercialism. Ugly Criers carry this torch into 2026, a power trio that has mastered the art of doing more with less. Their latest compact disc offering, Catching Spiders, exemplifies straightforward, honest, and highly emotive music. By stripping away all unnecessary studio trickery and relying entirely on the core trinity of guitar, bass, and drums, the band has crafted an intimately relatable record. Recorded over a three-day session in July 2025 at Rocket Studios under the watchful eye of producer Graeme Philliskirk, a man whose resume includes legendary Northern acts like Roach Squad, Leatherface, and Bull Taco, this album perfectly captures the raw energy of a band thrashing it out in a sweaty basement. The production is completely transparent, allowing the natural grit and character of the instruments to shine through while maintaining a modern, punchy standard.

Lyrically, Catching Spiders completely bypasses the tired, cliché tropes of youthful rebellion or broad political sloganeering. Instead, Ugly Criers turn their conceptual lens sharply inward, focusing on the brutal, often exhausting realities of navigating modern adulthood. The lyrical framework of this record is exceptionally grounded and deeply poetic, which makes perfect sense considering the words are pulled directly from the poetry of drummer Nina Mackie and the creative mind of guitarist Greg Robson. Throughout the album’s runtime, the band explores highly relatable themes that resonate deeply with anyone trying to keep their head above water. They tackle the overwhelming, daily pressure of coping as a parent, dissecting the anxiety and unconditional love that comes with raising a child in an unpredictable world. They navigate the treacherous waters of relationship woes, offering a brutally honest look at the miscommunications and heartbreaks that occur between partners. Perhaps most poignantly, the band dives headfirst into the struggles of mental health, brilliantly conceptualized as battling the toys in your own head. This is working-class poetry delivered over overdriven amplifiers, making the entire listening experience incredibly cathartic for the everyday individual.

The vocal performance on this CD serves as the absolute perfect vehicle for such heavy emotional baggage. The lead delivery is marvelous, possessing a subtle, gravelly touch of genuine and lived-in rawness. When the emotional intensity of the lyrics demands a higher gear, the vocals break into a passionate, shouty register. These aggressive vocal outbursts perfectly convey the frustration, desperation, and exhaustion described in the lyrics, making sure that the listener feels every single word. However, the true magic of the Ugly Criers’ vocal attack lies in their brilliant use of contrast. Threaded throughout the gritty lead performances are highly catchy, anthemic additional female vocals. These harmonious sing-alongs provide a stunning, uplifting counterpoint to the rawness of the lead, elevating the choruses into massive, stadium-sized earworms. The interplay between the gruff lead and the melodic backing vocals ensures that these arrangements remain firmly lodged in your listening apparatus long after the CD stops spinning.

Operating as a three-piece band is a highly demanding endeavor. There is absolutely zero room for error, sloppy playing, or filler material, as there are no backing tracks or secondary guitarists to hide behind. The six-string execution on Catching Spiders is exceptional, expertly filling the entire sonic spectrum. You are treated to highly catchy, memorable, and engaging chord progressions that form the undeniable backbone of the classic Sunderland melodic punk sound. Instead of relying solely on simplistic, repetitive power chords, the guitar work frequently utilizes intricate, arpeggiated chord progressions and highly kinetic riffs. These sonic maneuvers provide a massive amount of melody and harmony, proving beyond a shadow of a doubt that a band can achieve a huge, rich soundscape with just one guitar. The tone is perfectly saturated, distorted enough to provide the necessary punk rock bite, but clean enough to allow every single note in the arpeggios to ring out clearly. A power trio relies entirely on a rock-solid rhythm section to maintain its structural integrity, and Ugly Criers boast a truly phenomenal duo holding down the low end. The bass guitar offers tremendous groove, depth, and clarity, entirely avoiding the amateur trap of simply mirroring the root notes of the guitar riffs. The basslines are warm, articulate, and highly active, acting as the crucial binding agent between the soaring melodic leads and the heavy percussive foundation.

Speaking of the percussive foundation, the drumming performance is the racing heartbeat of the entire record. The percussion keeps everything perfectly in line while expertly dictating the relentless groove and pace of the album. The drum tracking is loaded with well-accentuated beats, clever, unexpected breaks, and highly dynamic fills. There are plenty of percussive acrobatics that keep the energy levels redlined and the listener completely engaged, yet the playing remains incredibly tasteful, always serving the needs of the song first and foremost. Catching Spiders exemplifies straightforward, honest, and highly effective songwriting. By stripping away all pretense and focusing purely on the core elements of bass, drums, guitar, and truthful lyricism, Ugly Criers have crafted an incredibly thrilling piece of art. If you are a true fan of punk rock that speaks directly to the struggles of real life while keeping your head nodding and your foot tapping, this CD is a must listen. It is simple, effective, and deeply resonant. Ugly Criers have delivered a phenomenal record that demands your full attention, proving that sometimes the most profound musical statements are made in a sweaty basement with just three instruments.

Rise Against Launch Fan-Driven Community Initiative The A.R.T. Project (All Rise Together) 

Chicago-based alternative punk rock band Rise Against announce the launch of The A.R.T. Project (All Rise Together), a fan-driven creative initiative celebrating community, collaboration, and expression in support of their tenth studio album, Ricochet, out now via Loma Vista.

At its core, The A.R.T. Project is about bringing people together through music and creativity during divided times. Built on Rise Against’s long-held belief that music is a collective experience, the initiative invites fans into the band’s creative process to celebrate the community that has grown alongside them for over 25 years.

The short-form, sit-down conversation with the band was filmed on-site during an immersive art activation in Los Angeles to kick off the campaign. On that day, Rise Against invited dozens of dedicated fans to help shape a new visual world for Ricochet by creating original posters to serve as the backdrop in their new music videos. As the band performed standout tracks off the album, fans were featured alongside them and their artwork that was inspired by the record’s lyrics, themes, and emotional urgency.

https://youtu.be/g7HzQ3bCcuE?si=uaYsW22mSOKU6SLP

Few bands have built a connection with their fan base as lasting as Rise Against. The band has remained a steady and unifying presence, creating music that resonates across generations and brings people together through shared emotion and experience. Rise Against have cultivated a body of work rooted in empathy, urgency, and connection, balancing intensity with melody while reflecting the world around them and the communities that listen.

With Ricochet, Rise Against delivers what may be their most visceral, urgent, and high-stakes body of work to date. The album received praise from the likes of Billboard, Clash, Classic Rock, Consequence, Dork, The Guardian, Line of Best Fit, Metal Hammer, Rolling Stone, Vice, and more for its immediacy and emotional weight.

The A.R.T. Project launch marks the beginning of a series of new music videos from Ricochet rolling out in the coming weeks, ahead of the band’s upcoming headlining spring tour. Rise Against will kick off their headlining North American Tour on March 3 in Providence, RI with special guest Destroy Boys. They will be bringing the band’s signature sound and socially conscious music to stages across North America, including Toronto, Montreal, Vancouver, Pittsburgh, Madison, Spokane, and more.

Most recently, members of Rise Against joined Tom Morello in the “Defend Minnesota” benefit that took place this month. Tim discusses the event with 93xhere and The Current here.

A full list of tour dates can be found below. Tickets are on-sale now and available at https://riseagainst.com/tour

Pulley Released Video For “Torn Apart By Time”

Pulley & Negative Progression Records have released an incredible video today for the song “Torn Apart By Time.” This creative masterpiece was brought to life by Justin Wilson known for the “Filmage: The Story of Descendents/ALL” & “A Fat Wreck” documentaries, as well as videos for the bands Die Spitz and Riverboat Gamblers.

“Torn Apart By Time” off of their “Split Personality” 7” with Fire Sale is still available in the NPR webstore, so don’t forget to pick up that wax.

https://youtu.be/0OiCaADeDv4?si=J7Nk-xsKpnFwomT8

Pulley Released Video For “Torn Apart By Time”

Pulley & Negative Progression Records have released an incredible video today for the song “Torn Apart By Time.” This creative masterpiece was brought to life by Justin Wilson known for the “Filmage: The Story of Descendents/ALL” & “A Fat Wreck” documentaries, as well as videos for the bands Die Spitz and Riverboat Gamblers.

“Torn Apart By Time” off of their “Split Personality” 7” with Fire Sale is still available in the NPR webstore, so don’t forget to pick up that wax.

https://youtu.be/0OiCaADeDv4?si=J7Nk-xsKpnFwomT8

White Frogs Released Their Acclaimed Radio Session On CD Via Engineer Records

White Frogs, the influential Brazilian melodic hardcore band, is proud to announce the long-awaited physical release of their acclaimed Radio Session — for the first time ever on CD — through UK based independent label Engineer Records. Previously available only on streaming, the Radio Session captures White Frogs at their raw, honest, and electrifying best — a live-in-studio recording that distils the energy of the band’s celebrated live shows into a powerful, unfiltered format. This milestone release for the Santos, São Paulo, Brazil based band is available now, and the Radio Session CD marks a new chapter for White Frogs and a significant step-up in their international legacy, bringing their sound directly to new ears across Europe. “This session was one of our purest recordings,” says founding member João Veloso Jr. “It’s direct, urgent, and heartfelt — we’re thrilled it’s finally being made available as a physical release, especially through such a respected DIY label like Engineer Records.”

White Frogs Released Their Acclaimed Radio Session On CD Via Engineer Records

White Frogs, the influential Brazilian melodic hardcore band, is proud to announce the long-awaited physical release of their acclaimed Radio Session — for the first time ever on CD — through UK based independent label Engineer Records. Previously available only on streaming, the Radio Session captures White Frogs at their raw, honest, and electrifying best — a live-in-studio recording that distils the energy of the band’s celebrated live shows into a powerful, unfiltered format. This milestone release for the Santos, São Paulo, Brazil based band is available now, and the Radio Session CD marks a new chapter for White Frogs and a significant step-up in their international legacy, bringing their sound directly to new ears across Europe. “This session was one of our purest recordings,” says founding member João Veloso Jr. “It’s direct, urgent, and heartfelt — we’re thrilled it’s finally being made available as a physical release, especially through such a respected DIY label like Engineer Records.”

Good Riddance Return With New Single “There’s Still Tonight”

Punk veterans Good Riddance have announced their tenth studio album, Before The World Caves In, set for release on March 27th through Fat Wreck Chords. It is their first record since 2019, and the band has previewed the collection with the fierce new single, “There’s Still Tonight.”

Frontman Russ Rankin describes the new material as a deliberate attempt to meet the current historical moment with aggression and darkness. Experimenting with broader dynamics and building tension, the album aims to strike a chord with longtime fans and new listeners alike. In a world on the brink, Good Riddance proves they haven’t lost their flinch-free edge.

https://youtu.be/CHTqdlw9dHw?si=5qg4EHraIXN4JqEj

Canadian Skate Punk Group TeethOut Releases Cover Of Mazzy Star’s Classic “Fade Into You”

Skate-punk band TeethOut have released a newly reworked version of Mazzy Star’s “Fade Into You,” featuring PEI indie-pop powerhouse KINLEY, revisiting a cover that originally appeared on their 2025 EP Here We Go.

The original version marked a bold departure for TeethOut, reimagining the iconic track as a fast, melodic pop-punk anthem. While the band was proud of the release, they felt the song still had more potential to unlock.

“We always loved how big and anthemic it felt,” says the band. “But it still felt like it was missing something. Once we started talking about bringing KINLEY in, it became obvious what that missing piece was.”

Rather than scaling anything back, the collaboration pushes the song further. TeethOut’s punchy riffs, driving tempos, and sing-along choruses collide with KINLEY’s melodic strength and pop sensibility, resulting in a version that feels both explosive and emotionally grounded. The pairing bridges two distinct musical worlds while preserving the heart of the original.

“This version finally sounds like what we heard in our heads from the start,” the band adds. “It’s loud, melodic, and emotional in a way that feels complete now.”

San Pedro Punks Toys That Kill Return With New Video Via Recess Records

San Pedro’s own Toys That Kill are back with a brand-new song and video from their highly anticipated album, “Triple Threat,” arriving February 20th via Recess Records. Emerging from the legendary punk landscape of San Pedro—the same soil that birthed the Minutemen, frontman Todd Congelliere and company have mastered the art of the timeless chorus.

The band, which evolved from the raw, hardcore energy of F.Y.P in the summer of 2000, continues to deliver the signature “TTK thump.” This latest release showcases their ability to dissolve the pretension of rock ‘n’ roll into pure energy and heart. Drawing influences from the Buzzcocks, Thin Lizzy, and the Descendents, the new material captures a sound that is old, new, and undeniably authentic. With “Triple Threat,” Toys That Kill prove once again why they are the masters of broken-edged pop songs and high-velocity punk.

https://youtu.be/-es4A8a7l3o?si=s18mhLadKn_HY3hY

#melodicPunkRock #MUSIC #NEWS #PUNKROCK #TOYSTHATKILL

Leatherface – Peel Sessions LP (Little Rocket Records)

If you’ve spent any time at all browsing Thoughts Words Action, you know that my respect for the Sunderland scene begins and ends with one name: Leatherface. There are bands that play punk rock, and then there are bands that are punk rock, with that sound like they were forged in a shipyard and tempered in a pub at 2 AM. When we talk about the history of the UK melodic punk rock underground, these guys are a foundational pillar. So, when the opportunity arises to talk about the Peel Sessions LP, we are talking about a time capsule. We are talking about the collision of one of the greatest melodic punk bands to ever walk the earth and the undisputed gatekeeper of musical counter-culture, the legendary John Peel. This LP captures three distinct sessions recorded at the BBC Maida Vale Studios during the 90s, and let me tell you, it is a haunting, beautiful, and ferocious document of a band at the absolute peak of their powers. There is something mystical about the BBC Maida Vale studios. For those who aren’t familiar with the history, being invited by John Peel to record a session wasn’t just an ordinary gig. It meant your music had something, a spark, that bypassed the mainstream filters. For a band from Sunderland, entering those hallowed halls must have felt like a surreal pivot from the local clubs to the heart of the musical establishment, yet the beauty of Leatherface is that they never sounded like they were trying to fit in.

The sound captured on these sessions is something that simply cannot be replicated in a modern home studio. It has that chiselled in stone quality. It’s raw, live, and carries that specific BBC air, a combination of world-class equipment and a get-it-done haste that forced bands to play with a level of intensity they might not find in a pampered, months-long recording session. On this LP, you can practically hear the ghosts of the studio walls vibrating along with the amplifiers. Leatherface has always been defined by a very specific duality. On one hand, you have the sheer abrasiveness. The guitars on this LP carry that texture. They are thick, distorted, and heavy, carrying the weight of the industrial North. But then, there’s the melody. This isn’t the sweet pop-punk melody, but a weathered and triumphant melodic sensibility that feels well deserved. Throughout these three sessions, you can hear the band’s evolution, yet the core remains untouched. The guitar work is legendary for a reason. It’s complex, incorporating intricate leads around driving power chords, creating a loud and sophisticated wall of sound. These sessions highlight those guitar works perfectly. The live-to-tape nature of the Peel recordings means there is nowhere to hide. Every note of those cascading riffs is laid bare, and the band sounds tighter than a clenched fist.

The rhythm section provides the essential heartbeat. The bass is warm and prominent, providing a melodic counterpoint to the guitars rather than just following them, while the drumming is a relentless engine. It’s propulsive, dragging the listener through the heady days of radio at breakneck speed. If you are a fan of melodic punk rock, you know that the Leatherface vocal style is the gold standard. It is soulful, gravelly, and drenched in a poetic working-class melancholy. Hearing these performances in the context of a Peel Session adds a layer of closeness. There is a sincere, sandpaper-rough quality, rarely heard on the punk rock scene nowadays. On these recordings, the emotional weight of the lyricism shines through. Leatherface were always a poetic band, but never in a pretentious way. Their stories are about life, loss, and the struggle to remain human in a world that wants to grind you down. In the vacuum of the Maida Vale studios, away from the distractions of a standard studio production, that sincerity is amplified to the max. You can hear the strain, the passion, and the genuine belief in every word. It’s a soulful performance that reminds you why this band has influenced so many renowned bands that still play today. The Peel Sessions LP is an epic sonic voyage through the early career of a band that refused to compromise. By spanning different sessions across the ’90s, the record allows us to hear their growth, yet the Leatherface sound is so distinct that it remains a cohesive experience from scratch to finish.

John Peel had a gift for picking artists and bands who were timeless, and listening to this LP decades later, it’s clear he was right about these Sunderland legends. This music doesn’t sound dated. It doesn’t belong to a specific trend of the 90s. It sounds like it could have been recorded yesterday or forty years ago. It is musical stone, as I like to say. For those who grew up huddled around a radio, waiting for the crackle of a Peel Session to debut a new favourite band, this LP will have such a big value, while the younger fans will find an essential listen that explains why Leatherface were such a legendary melodic punk rock band. It shows how you can be melodic without being soft, and how you can be aggressive without being mindless. If you call yourself a punk rock fan and you don’t own a Leatherface record, you have a hole in your soul that needs filling, and if you want to hear them at their most unfiltered, the Peel Sessions LP is the way to do it. It captures their tremendous energy, the incredible musicianship, and the soulful grit of a band that John Peel himself recognized as something truly special. This is a mandatory purchase for the collectors, dreamers, and punk rockers in basement bands who want to know how it’s actually done. Leatherface in the 90s was a force of nature, and thanks to Mr Peel and the BBC, that storm has been preserved for all of us to experience. Sunderland’s finest have never sounded more vital. This is melodic punk rock in its purest, most honest form. Don’t let this one pass you by. Head to Little Rocket Records for more information about ordering this gem.

#LEATHERFACE #LITTLEROCKETRECORDS #melodicPunkRock #MUSIC #PUNKROCK #REVIEWS

Leatherface – Peel Sessions LP (Little Rocket Records)

If you’ve spent any time at all browsing Thoughts Words Action, you know that my respect for the Sunderland scene begins and ends with one name: Leatherface. There are bands that play punk rock, and then there are bands that are punk rock, with that sound like they were forged in a shipyard and tempered in a pub at 2 AM. When we talk about the history of the UK melodic punk rock underground, these guys are a foundational pillar. So, when the opportunity arises to talk about the Peel Sessions LP, we are talking about a time capsule. We are talking about the collision of one of the greatest melodic punk bands to ever walk the earth and the undisputed gatekeeper of musical counter-culture, the legendary John Peel. This LP captures three distinct sessions recorded at the BBC Maida Vale Studios during the 90s, and let me tell you, it is a haunting, beautiful, and ferocious document of a band at the absolute peak of their powers. There is something mystical about the BBC Maida Vale studios. For those who aren’t familiar with the history, being invited by John Peel to record a session wasn’t just an ordinary gig. It meant your music had something, a spark, that bypassed the mainstream filters. For a band from Sunderland, entering those hallowed halls must have felt like a surreal pivot from the local clubs to the heart of the musical establishment, yet the beauty of Leatherface is that they never sounded like they were trying to fit in.

The sound captured on these sessions is something that simply cannot be replicated in a modern home studio. It has that chiselled in stone quality. It’s raw, live, and carries that specific BBC air, a combination of world-class equipment and a get-it-done haste that forced bands to play with a level of intensity they might not find in a pampered, months-long recording session. On this LP, you can practically hear the ghosts of the studio walls vibrating along with the amplifiers. Leatherface has always been defined by a very specific duality. On one hand, you have the sheer abrasiveness. The guitars on this LP carry that texture. They are thick, distorted, and heavy, carrying the weight of the industrial North. But then, there’s the melody. This isn’t the sweet pop-punk melody, but a weathered and triumphant melodic sensibility that feels well deserved. Throughout these three sessions, you can hear the band’s evolution, yet the core remains untouched. The guitar work is legendary for a reason. It’s complex, incorporating intricate leads around driving power chords, creating a loud and sophisticated wall of sound. These sessions highlight those guitar works perfectly. The live-to-tape nature of the Peel recordings means there is nowhere to hide. Every note of those cascading riffs is laid bare, and the band sounds tighter than a clenched fist.

The rhythm section provides the essential heartbeat. The bass is warm and prominent, providing a melodic counterpoint to the guitars rather than just following them, while the drumming is a relentless engine. It’s propulsive, dragging the listener through the heady days of radio at breakneck speed. If you are a fan of melodic punk rock, you know that the Leatherface vocal style is the gold standard. It is soulful, gravelly, and drenched in a poetic working-class melancholy. Hearing these performances in the context of a Peel Session adds a layer of closeness. There is a sincere, sandpaper-rough quality, rarely heard on the punk rock scene nowadays. On these recordings, the emotional weight of the lyricism shines through. Leatherface were always a poetic band, but never in a pretentious way. Their stories are about life, loss, and the struggle to remain human in a world that wants to grind you down. In the vacuum of the Maida Vale studios, away from the distractions of a standard studio production, that sincerity is amplified to the max. You can hear the strain, the passion, and the genuine belief in every word. It’s a soulful performance that reminds you why this band has influenced so many renowned bands that still play today. The Peel Sessions LP is an epic sonic voyage through the early career of a band that refused to compromise. By spanning different sessions across the ’90s, the record allows us to hear their growth, yet the Leatherface sound is so distinct that it remains a cohesive experience from scratch to finish.

John Peel had a gift for picking artists and bands who were timeless, and listening to this LP decades later, it’s clear he was right about these Sunderland legends. This music doesn’t sound dated. It doesn’t belong to a specific trend of the 90s. It sounds like it could have been recorded yesterday or forty years ago. It is musical stone, as I like to say. For those who grew up huddled around a radio, waiting for the crackle of a Peel Session to debut a new favourite band, this LP will have such a big value, while the younger fans will find an essential listen that explains why Leatherface were such a legendary melodic punk rock band. It shows how you can be melodic without being soft, and how you can be aggressive without being mindless. If you call yourself a punk rock fan and you don’t own a Leatherface record, you have a hole in your soul that needs filling, and if you want to hear them at their most unfiltered, the Peel Sessions LP is the way to do it. It captures their tremendous energy, the incredible musicianship, and the soulful grit of a band that John Peel himself recognized as something truly special. This is a mandatory purchase for the collectors, dreamers, and punk rockers in basement bands who want to know how it’s actually done. Leatherface in the 90s was a force of nature, and thanks to Mr Peel and the BBC, that storm has been preserved for all of us to experience. Sunderland’s finest have never sounded more vital. This is melodic punk rock in its purest, most honest form. Don’t let this one pass you by. Head to Little Rocket Records for more information about ordering this gem.

#LEATHERFACE #LITTLEROCKETRECORDS #melodicPunkRock #MUSIC #PUNKROCK #REVIEWS

Roach Squad – Roach Squad LP (Little Rocket Records)

If you’ve spent any significant amount of time digging through the crates or scouring the digital archives of Thoughts Words Action, you know that there is a very specific subgenre of melodic punk rock that hits you squarely in the chest. It’s that grit-under-the-fingernails, gravel-in-the-throat sound that flourished in the nineties and early 2000s, often dubbed “orgcore” by the internet pundits, but known to the rest of us as just damn good songwriting. Today, I’m diving into the self-titled LP from Roach Squad, an international collective of a long-lost brotherhood finally finding its way home. When you see the DNA involved here, veterans from legendary outfits like Leatherface, The Sainte Catherines, and The Murderburgers, you already know the bar is set incredibly high. But let’s be clear, this isn’t a supergroup vanity project, but a classic sound wrapped in modern production without losing original fire. The production captures the rawness of a basement show in Sunderland or Montreal, but also a clarity that modern technology allows. This record carries those abrasive, sandpaper-textured properties of nineties melodic punk, but it’s polished just enough to let the intricacies of the performances shine through.

The guitar work on this record is, frankly, spectacular. We’re talking about a duality hard to find in modern bands. On one hand, you have these heavy, crushing chord progressions that provide a thick wall of sound, the stuff that makes you want to lean into the monitor at a show. On the other hand, there’s an incredible sense of melody. The themes, melodies, and harmonies are catchy, weaving in and out of the aggression. It reminds me of the best moments of the UK melodic scene mixed with that frantic, North American energy. And speaking of storytelling, the lyricism here is top-tier. This isn’t your standard pizza and skateboards punk rock. There is a poetic, sincere, and deeply emotional core to these songs. It feels like reading a well-worn diary of someone who has seen the world, suffered the bruises, and lived to write about it. It’s storytelling in its purest form, set to a tempo that refuses to let you sit still. You can’t talk about this album without mentioning the vocal performance. It is, in a word, soulful. There is a gravelly, passionate delivery here that instantly brings to mind the greats of the genre. It’s the voice that sounds like it’s been cured in cigarette smoke and late-night tour van conversations, yet it remains incredibly vulnerable. You can hear the sincerity in every rasp and every elongated note. It’s a performance that doesn’t hide behind effects, it stands front and center, demanding that you listen to the weight of the words.

The basslines are a particular highlight for me. They have this warm, analog growl that adds a massive amount of depth to the compositions. Instead of just following the guitars, the bass provides a groovy, melodic counterpoint that makes the songs feel full. It’s that classic orgcore warmth, thick enough to feel in your ears but agile enough to keep the pace. The drumming is equally impressive. It’s propulsive and powerful, acting as the engine that pushes these songs into new heights. There’s a technicality there that stays hidden behind the sheer force of the performance, it’s busy when it needs to be, but always serves the song first. When the band hits those high-energy peaks, the percussion makes the hair on your arms stand up. Roach Squad captures some of my favorite melodic punk rock elements: aggression, melody, and heart. It’s an album that will immediately resonate with fans of the gruff-voiced, emotional punk rock that came out of the Little Rocket Records, No Idea Records, or Jade Tree eras, but it doesn’t feel like a nostalgia trip. It feels more like a band taking the lessons learned from decades on the road and distilling them into twelve or so tracks of pure, undiluted punk rock gold.

Whether you call it melodic punk, emo-adjacent, or orgcore, the labels don’t really matter when the songs are this strong. This is music for the long drives, the late nights, and the moments when you need punk rock music that can still be sophisticated and poetic without losing its edge. It’s rare to find a record that feels this cohesive, especially with an international lineup, but the chemistry here is undeniable. It’s a must-listen for anyone who misses the days when melodic punk had some dirt on its face and something heavy on its mind. Roach Squad LP is a raw, melodic, and deeply moving record. If you’ve ever found yourself shouting along to a chorus in a crowded room with a beer in your hand and a lump in your throat, this is the record you’ve been waiting for. Don’t sleep on this one, it’s easily one of the most vital melodic punk releases of 2025. Roach Squad has the soul of the global underground. Grab a copy, crank the volume, and let these songs do what they were meant to do: break your heart and put it back together again. Head to Little Rocket Records for more information about ordering.

#EMO #LITTLEROCKETRECORDS #melodicPunkRock #MUSIC #ORGCORE #PUNKROCK #REVIEWS #ROACHSQUAD

Italian Emo Core Band JAGUERO Share New Single “LIT,” Paving The Way For Their First Full-Length Album

Jaguero return with “Lit,” a new single that marks the beginning of a fresh chapter for the punk/emo band from Vicenza and fuels anticipation for their debut full-length — a highly awaited release following two widely acclaimed EPs

Born during the early post–“New Love” sessions (their second EP, released in 2023), the track has accompanied the band through a significant stretch of their creative path. It went through numerous versions, reshaping itself multiple times before reaching its final form just weeks before entering the studio. An unusual process for Jaguero — who often define their songs quickly — but one that allowed them to dig deeper into the emotional layers of the piece.

The band themselves describe the heart of the new single:

“‘Lit’ is a dedication to that person who manages to see us even when we struggle to see ourselves, to the one who sparks that flame that gets us moving again even in our heaviest moments. It’s an anthem to the strength that comes from genuine human connections — the kind that can turn a fragile instant into a new beginning.”

https://open.spotify.com/track/5JKHF1PKwuyBW6SdZSGWNJ?si=59aa9763a2404dbe

#EMO #EMOCORE #JAGUERO #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Dial Drive – Dial Drive LP (SBÄM)

Florida has always been a heavy hitter in the punk rock game, but sometimes you need a band to come along and remind you exactly why. Dial Drive has done that with their latest self-titled LP. If you’ve been looking for an album that sounds like the best days of the Warped Tour but decorated with fresh, unique, innovative, exciting moves, this LP will be right up your alley. Self-titling an album is a wise move. It’s basically saying, “This is us. This is the definitive version of our sound.” And honestly, Dial Drive earned it. They’ve stripped away all the nonsense and delivered a lean, mean melodic machine. It’s energetic, incredibly catchy, and it carries that specific kind of sunshine-soaked aggression that makes you want to drive fast with the windows down. It’s escapism, but it’s anchored by some seriously impressive musicianship. The vocals are the first thing that pulls you in, and man, do they steer the ship. In a genre that lives or dies by the quality of the melody, the lead vocal performance here is absolutely killer. It guides you through the whole sonic journey with its infectious confidence. The singer nails that sweet spot between punk rock power and pop sensibility. There’s enough rawness in the voice to let you know they mean it, but the melody is always king. The verses build this great tension, and then the choruses just release it all in a flood of hooks that you’ll be humming for days.

The way they use harmonies and layers makes this material even more appealing to the ears. They deploy these additional vocal layers exactly when they need to, turning the choruses into massive, anthemic moments. We’re not talking about subtle background noise here, but about thick, robust harmonies that make everything feel huge. It gives the record that communal, gang vocal vibe that is the heartbeat of all great pop punk music. You can practically hear a sweaty club crowd shouting these lines back at the band, even when you’re just listening on headphones. Of course, a great vocalist needs a solid wall of sound to stand on, and the guitars on this LP deliver the goods. They shape the perfect backdrop for the vocals to shine. The guitar work covers all the bases. On one hand, it’s heavy and aggressive, the rhythm guitar chugs with this satisfying crunch that hits you right in the chest, providing that driving power that keeps the punk side of things front and center. But Dial Drive knows that heavy riffs aren’t enough if you don’t have the tunes to back them up. The guitarists have packed this thing with stacks of leads, themes, and melodies. The riffs are catchy as hell, often acting like secondary hooks that rival the vocals. There are these cool moments of intricate lead work and clever chord progressions that show these guys really know how to write a song. The interplay between the rhythm and lead guitars creates this rich, textured sound that’s way more interesting than your standard three-chord bash. They thread these intricate melodic lines right through the aggression, so there’s always something cool happening in the mix.

The bass guitar holds everything together, and it’s doing way more than just following the root notes. The  bass always gets buried, but here it’s vividly hearable in the mix. It contributes all this warmth, depth, and groove that the tracks desperately need. The bassist acts as the glue between the high-flying guitars and the frantic drums. There’s a warmth to the tone that rounds everything out, giving the album a fullness and physical weight that feels so great. Plus, the bass adds these nice little details, runs and fills that pop out when you aren’t expecting them, layers of groove that keep your head nodding even when the tempo is flying. Finally, we have to give it up for the drums. The drumming performance is energetic, dynamic, and groovy, providing the relentless motion that drives the whole record. The drummer packs every song with marvelous accentuations that lock in perfectly with the guitar riffs and vocal hits. All these expertly executed beats, fills, and sharp breaks keep you constantly on your toes. The rhythmic choices are smart, too, switching from rapid punk beats to half-time grooves that let the melody breathe. The drumming dictates the energy, pushing the tempo to breakneck speeds one minute and letting the groove take over the next.

Dial Drive’s self-titled LP exemplifies how modern melodic punk should sound. The band combined the raw punk rock energy with the catchy pop punk sensibilities, and they played the hell out of it. The production is crisp and punchy, making every instrument shine in the limelight. This is a must-have album for anyone who calls themselves a melodic punk rock fan. If you like bands that can write a giant hook as well as they can start a circle pit, Dial Drive has delivered your new favorite record. It’s catchy, heavy, and fun. Florida does it again. Head to SBAM for more information about ordering.

#DIALDRIVE #melodicPunkRock #MUSIC #POPPUNK #PUNKROCK #REVIEWS #SBAM

San Pedro Punk Rockers Toys That Kill Unleash Two New Tracks From Upcoming Album “Triple Threat”

San Pedro’s Toys That Kill have released two songs from their highly anticipated upcoming album, Triple Threat, due out February 20th via Recess Records. Born from the ashes of the influential F.Y.P, the band—led by Todd Congelliere—delivers gigantic songs with heart-stopping choruses that blend the spirit of Thin Lizzy and The Buzzcocks. Known for their “TTK thump,” Toys That Kill strips away pretension, translating influences from The Ramones to The Replacements into timeless, melodic punk rock and roll.

#melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #TOYSTHATKILL

Late ’90s Nostalgia: Wasting Time Drops Anthemic New Melodic Punk Single “Ripped Blue Jeans”

Toronto’s melodic punk lifers Wasting Time are back with their new single, “Ripped Blue Jeans,” out December 12th via People of Punk Rock Records. The track is a nostalgic rush of anthemic hooks that captures the heart-on-sleeve energy of the late ’90s punk era, echoing the honesty and grit of bands like Alkaline Trio and No Use for a Name. Serving as the first taste of their upcoming full-length, Are You Out Of Your God Damn Mind?, the single is a reminder of a simpler time, before algorithms, soundtracked by sweat, stale beer, and powerful melodic pop-punk.

https://youtu.be/rwNuq8N8ndg?si=HFBY2vWY2wdpB90m

#melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #WASTINGTIME

Late ’90s Nostalgia: Wasting Time Drops Anthemic New Melodic Punk Single “Ripped Blue Jeans”

Toronto’s melodic punk lifers Wasting Time are back with their new single, “Ripped Blue Jeans,” out December 12th via People of Punk Rock Records. The track is a nostalgic rush of anthemic hooks that captures the heart-on-sleeve energy of the late ’90s punk era, echoing the honesty and grit of bands like Alkaline Trio and No Use for a Name. Serving as the first taste of their upcoming full-length, Are You Out Of Your God Damn Mind?, the single is a reminder of a simpler time, before algorithms, soundtracked by sweat, stale beer, and powerful melodic pop-punk.

https://youtu.be/rwNuq8N8ndg?si=HFBY2vWY2wdpB90m

#melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #WASTINGTIME

The Flatliners Drop Brand New Single “Misanthropy & Me”

JUNO Award-nominated, Toronto-bred punk mainstays The Flatliners have released their brand new single, “Misanthropy & Me.” The track is described as an “all-new anthem of apathy,” examining the shared human condition where hope and one’s sense of purpose begin to dissolve. The band reassures fans that their spirit is not broken, just worn out. The release precedes their December headline shows, including their annual year-end performance, The Holiday Melee, featuring acts like The Lawrence Arms and Fucked Up.

DECEMBER 2025
06 — Chicago, IL — Metro ^
12 — Toronto, ON — The Holiday Melee at Danforth Music Hall *
13 — Montreal, QC — Club Soda ~

JUNE 2026
21 — Dresden, DE — Farewell Youth Fest #
26 — Ysselsteyn, NL — Jera On Air #
27 — Munster, De — Vainstream #
28 — Tabor, CZ — Mighty Sounds Festival #

^ — w/ The Lawrence Arms
* — w/ Fucked Up, Samiam, Dead Broke
~ — w/ The Planet Smashers, Wine Lips
# — Festival appearance

#indiePunk #melodicPunkRock #music #news #theFlatliners

Sharper Hooks, Brighter Melodies: Descendents’ “I Don’t Want To Grow Up” Gets 40th Anniversary Reissue

Org Music proudly announces the reissue of I Don’t Want To Grow Up, the landmark second album from legendary punk pioneers Descendents, arriving November 21, 2025. Released just in time for its 40th anniversary, this new edition follows the acclaimed reissue of Milo Goes To College. Originally released in 1985, the album, with its brighter melodies and sharper hooks, cemented Descendents’ status as one of punk’s most influential voices and avoided the dreaded sophomore slump.

#descendents #melodicPunkRock #music #news #popPunk #powerPop #punkRock

90s Skatepunk Nostalgia: Teeth Out Drops Instantly Catchy New Single “Here We Go”

Charlottetown skate-punk band Teeth Out has released a new track, “Here We Go,” and announced a new label partnership with High End Denim Records. Fueled by 90s punk nostalgia and cheap coffee, the five-piece plays fast, melodic, and chaotic, proving growing older doesn’t mean slowing down. Vocalist Josh Lavigne says the track was built around a simple hook and the high-energy pop punk feel they grew up on, aiming for something “instantly catchy that people could sing along to after one listen.”

#melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #SKATEPUNK #TEETHOUT

Antillectual Drop New EP

Antillectual is releasing their first-ever Dutch EP, Antillectueel, today, featuring around 9 tracks in their direct native language. This leftist-populist, counterculture punk release is designed to help listeners process recent election results. The songs tackle local symptoms of global issues, including the shift to the right, populist figures, and tax evasion, using the in-your-face Dutch language as the perfect medium. Side A features new tracks, while Side B is a mixed bag of pseudo-covers and re-interpretations.

To support their EP Antillectual will embark on an exclusive Dutch tour. This occasion will be the only chance to see the band play their Dutch songs live:

Nov 28 Eindhoven, Burgers
Dec 05 Den Haag, Musicon
Dec 07 Drachten, Iduna
Dec 13 Nijmegen, Friends First Fest
Jan 09 Utrecht, dB’s
Jan 10 Leiden, Resistor
Jan 29 Haarlem, Patronaat
Apr 11 Zwolle, Skroetfest

#ANTILLECTUAL #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Interview: Barking Poets

We recently had a blast chatting with the guys from Barking Poets, the melodic punk rock trio straight out of London! We dove deep into their recent ripper of a single, “Pure Blood,” talking about how they cook up their songs, what their main influences are, and pretty much everything else. Time to crank it up and hear what this powerful trio had to say!

Thank you for taking the time to answer these questions. How have you been?

We’ve been pretty good, surviving London life as usual. We just got done with the HRH Punk festival in Leicester a couple of weeks ago, that was a lot of fun. Our latest single “Pure Blood” has been out now for a couple of weeks and is being very well received, at the moment we are writing and demoing new songs for our debut full length album to be released next year. That is our main focus now.                               

Your previous single “Change Our Ways” was an energetic punk rock anthem, but “Pure Blood” has a noticeably darker, more reflective tone. Was shifting to this vibe a conscious decision, or did the mood of the music dictate the direction? 

It was a conscious decision for sure. I’ve always loved those bass driven, mid-tempo songs with big choruses, we didn’t have that kind of song in the Barking Poets catalogue so it was interesting to see if we could pull it off, still make it sound like Barking Poets. I think we did a great job along with Paul Tipler in the studio. The lyrics came after, they needed to be quite dark, gloomy to suit the atmospheric sound of the recording. I don’t think lyrics about Carebears or Teletubbies would have worked too well……or maybe they would?

Let’s talk about the lyrics for “Pure Blood.” What’s the core story or feeling driving this song? What themes were you exploring when writing the words?

It’s written about the Pandemic period of 2020-2022. If you replace the lyric “party” (in the first line of verse 1) with “pandemic” then the song’s meaning opens up in a more direct light. It’s a reflective look back at the damage done by the head scratching decisions of “leaders” and I use that term very loosely.

https://youtu.be/VLO8tyqqASE?si=_VuyEifIPSucBKwW

The track features a powerful, rising chorus. What was the dynamic in the studio when you were composing that specific section? Did you have a sense that you were creating a massive moment?

We knew we wanted the chorus to sound huge. We had worked on the song in rehearsals and did a home recording demo so it was about getting the song as close to what the demo sounded as possible. Paul Tipler comes from that world of indie/alternative so he got it straight away. We tend to work very fast in the studio, we don’t overthink things.

We hear a subtle change in your sound on this track, venturing into a more indie rock territory. What inspired you to explore this sonic direction compared to your earlier work?

I’ve always been a lover of most guitar music, if it’s metal, punk, indie, country, I’ll dig it if it’s honest, a band playing together and has great songwriting dynamics and lyrics. I heard a song by the U.S. band Brand New called Sic Transit Gloria for the first time in years, it blew me away. It has a very cool bass driven verse and a huge shouty chorus. It inspired me to try to write something in that ballpark for Barking Poets which was a challenge because we hadn’t done anything like that before. 

The new sound is drawing comparisons to bands like Brand New, Alkaline Trio, and The Stranglers. Are those artists you actively listen to, and how do they inform the DNA of the song?

Yes, for sure. I have loved Alkaline Trio and Brand New for years now and I’ve really started to get into The Stranglers in the past couple of years. “Always the Sun” is such a perfect song. Like any artist, your subconscious absorbs absolutely every piece of music you have ever heard so when you go to write, those influences of what you have been listening to more regularly cannot help but form part of the DNA of every song that you write. Pure Blood is no different. 

Beyond the usual suspects, what artists or bands are you currently spinning that might surprise your fans? Who’s influencing the sound of Barking Poets right now?

I’ve been listening to the new Kathleen Edwards album a lot recently. Neil has been listening to Terrence Trent D’arby and is going to see him live soon so they may be a bit of a surprise. Regarding influencing Barking Poets at the moment, The Hives, Wavves and Alkaline Trio’s new albums have all made an impact. We’re definitely leaning into short, loud, fast no-nonsense songs on our new album.

Could you walk us through the general process of how a Barking Poets song typically comes to life? Does it start with a guitar riff, a beat, or a lyrical idea?

In Barking Poets we have 2 main songwriters (Conor H and Neil). We’ll tend to write completely separately. We’re both similar in that we will usually write a song melody on guitar, a verse, chorus and maybe a middle eight, bridge or breakdown. Then once the structure is done, we’ll add the lyrics afterwards. We’ll then do a home made demo of the song before sharing it to see what the general consensus is. If we all like it, we’ll work on it in the rehearsal room where we will all add our individual parts to it musically.  We do have one brand new song that the three of us all chipped in on and that was fun, Conor T came up with a bass melody, Neil added a guitar part and vocal melody then Conor H added some lyrics and the overriding theme of the song. 

Specifically for “Pure Blood,” what was the first element that kicked off the composition of the song? You worked again with renowned producer Paul Tipler. What unique perspective or sound does he bring to the table that makes him the right fit for your band?

Once I had the clear idea of the kind of song I wanted to write, the first element was the drum track as the foundation. Once I had that down, I put a one string simple bass track on top, already it was sounding fantastic. The rest came quickly after. Paul Tipler was ideal for this track in particular, he’s worked with so many amazing indie/alternative bands like Idlewild, Placebo, Reuben so he totally got what we wanted to do. He’s a great taskmaster, he’s all about the band being tight, knowing their parts, being competent at what you’re playing and not putting too much studio effects or trickery on. The more organic, the better.

Considering the brooding, anxiety-driven nature of the song, what was the general atmosphere like during the recording sessions at Unit 13 studios this summer?

I would love to say it was a tense, anxiety driven atmosphere, with late night alcohol/drug fuelled sessions but alas, it was all very straight forward, sober and drama free. The drums were done on a weekday afternoon then the bass/guitars and vocals on a separate weekday in the summer. Terribly professional unfortunately. We’re waiting for our Los Angeles adventures to activate our inner debauched rock stars!

You shot a video for “Pure Blood” in Greenwich featuring a masked crusader with a briefcase. What’s the narrative thread of the video, and how does it connect visually to the meaning of the track?

We have done so many “band performance” videos so it seemed like a good opportunity to do something different. I can’t even remember where the idea came from, I have a luchador wrestling mask in my apartment and thought visually it would look cool to use in a video. The narrative is loosely, a mysterious figure who works in the City of London, possibly in the financial sector who has done a dodgy deal or has stolen cash during a heist or deal gone wrong perhaps? It’s white collar crime. A metaphor for all the billions of dollars made by politicians & grifters during the covid pandemic. We certainly raised a few eyebrows from passers by while we were shooting.

Neil, since you directed and edited the video, how did the visual ideas develop?

We’d wanted to do a video of someone perpetually running for a while, although originally it was going to be me singing the song while running, either in the dark in the open, or through the Greenwich Tunnel – we really liked the tunnel idea though, and once me and Conor scouted it out, we realised it would work really well, as long as we could get there when there weren’t many people around. Which led to two musicians having to get up early in the morning, so we were a bit out of our element! Conor came up with our besuited & masked hero and the suitcase full of money, to symbolise corruption, and away we went. I’ve found with a lot of the videos, it comes together in the edit (the Change Our Ways video with the animated dogs changed a lot from our original concept there) depending on what the footage comes out like. With this one though, it stayed pretty true to our original concept.

The visual style is very cinematic. Were there any specific films or directors you had in mind while you were planning the shots for the video?

We definitely wanted really stark black and white, ‘cos we really like the photographic and video style of Anton Corbijn, who did all those classic Depeche Mode, U2 & Tom Waits photos back in the 80s and 90s. And the running thing was inspired by a couple of things, like Radiohead’s Karma Police video, Crowded House’s Locked Out, and gritty black & white espionage movies like the Third Man or The Ipcress File. It was great how quickly it came together. I’m really looking forward to doing more conceptual videos in the future, instead of just performance ones now…

 How does “Pure Blood” translate live? How are you finding ways to incorporate this intensity alongside your more upbeat power-punk anthems in your setlist?

We have never played it live before and I’m not sure we will get a chance to. Most set lengths we play are 30mins to 45mins so it’s difficult to fit quite a long, mid tempo song like Pure Blood in there. It also really needs two guitarists to really give it justice live, maybe down the line we may add another guitarist and pop it in the set sometime next year. It would be fun to play for sure!

With all those strong singles out, are you sitting on more new music? What’s the plan for the near future? Any possible extended plays or a full album, or are you just focusing on touring?

Yes, we have about 8 or 9 brand new songs ready to go onto our debut full length album. We are still writing and demoing more songs so we’re a bit of a song factory at the moment. A full length 12 track album is our main focus and goal at the moment, hopefully we can get it finished in the first part of next year. We are currently booking shows and reaching out to festivals for 2026 so next year is shaping up to be our busiest year yet. 

Thank you for your time. Anything you would like to say to our readers at the end of this interview?

If you have made it to the end of this interview, thanks! We really really appreciate anyone taking the time out of their day to listen, watch, read about Barking Poets. Stay tuned for our debut full length album next year and come see us live when we roll into your town. Thanks to you Djordje for the continued support!

#ALTERNATIVE #BARKINGPOETS #ENGINEERRECORDS #INDIE #indiePunk #INTERVIEWS #melodicPunkRock #MUSIC #POPPUNK #PUNKROCK

Moonraker Drops Cover Of The Smoking Popes Punk Classic

Southern California punks Moonraker have dropped a surprise Halloween single: a fiery, harmony-laced cover of The Smoking Popes’ classic, “Rubella.” The digital-only track injects Moonraker’s trademark blend of grit and heart into the 1995 favorite, reimagining its bittersweet melody with punchy guitars and soaring dual vocals. Drummer/vocalist David Green noted the cover was originally intended for a tribute compilation that never materialized, making it a perfect surprise pop-punk treat for Halloween.

https://open.spotify.com/track/2w0Bw2Z2h3MMlMwgjv2Wt0?si=86e1b641a4f14ddf

#melodicPunkRock #MOONRAKER #MUSIC #NEWS #POPPUNK #PUNKROCK

Barking Poets – Pure Blood

Nearly a month ago, Barking Poets released their latest standalone single, once again proving they’re not only a prolific band but one of those exceptional punk rock trios that always break all the rules and shapeshift the boundaries of their sound. Although their recent works, such as “Change Our Ways,” “Losing Contact,” “The Mess I Made,” and “Arizona,” all sound equally good, “Pure Blood” further showcases their ability to transform modern punk rock music into something wild, unique, innovative, and completely new. And even when you know these folks are all about that catchy, addictive, hypnotic melodic punk rock, there are some surprises lurking beneath the surface that make this track even more appealing to the ears. Whether it’s that magnificent ’90s rock ambiance roaming around, sweet rawness borrowed from garage rock sound, subtle hard rock details notable in the rhythm section, anthemic alternative rock choruses, or tender indie melodies, “Pure Blood” is one of those songs that will make you return once again for another round of brilliant ideas and superb musicianship. This is a proper, modern London punk rock sound that we have all loved and followed for decades, and Barking Poets made sure to pay homage to it while infusing all those qualities that made them one of the finest UK bands today.

“Pure Blood” is packed with tastefully assembled, flawlessly performed, and perfectly recorded instrumentations. As soon as you press play, you’ll stumble upon all those warm, detailed, vividly hearable basslines, slowly introducing you into the subtly dark yet immensely melodic ambiance of this song. Those low-ends are solely responsible for why this song shines with all the warmth, depth, clarity, and heaviness, as all those luxuriant, deep, dense, and heavy notes hit the right spots and offer more groove and detail. You’ll also hear how these basslines counterbalance guitar works and also act as a binding element that connects the mentioned instrumentations with rhythmic patterns. The excellent drumming performance, based upon all those well-accentuated, perfectly arranged, and expertly performed beats, breaks, and fills, provides a rock-solid rhythmic backdrop that keeps everything in line while dictating a moderate pace and more groove. Each hit of the snare cuts the ambiance, each kick of the bass drum sits in the mix where it is supposed to be, and all those accentuations over hi-hats and other cymbals are decorations every fan of this important instrument will appreciate. Of course, both bass and drums serve as the backbone of this track while the guitars roam around, shaping a perfect backdrop for all the vocals to shine upon.

The guitar layers have multiple purposes here. At first, you’ll notice how they shape the ambiance with subtle yet vividly hearable microphony lurking around while the bass guitar contributes the main melody. During the choruses, the guitars ring with raw, abrasive, gritty power chords, making this track as powerful as possible. These guitar works expand to the main theme, melodies, and harmonies during the second verse and jangly, angular, arpeggiated chord progressions during the bridge, gradually introducing the catchy, memorable, beautiful solo that unquestionably decorates and elevates this marvelous track even more. Harvey’s voice brings even more melody over the top, with all those lines balancing low, mid, and high notes with such precision and finesse. He maintains his voice sometimes between clean and subtly raw harmonies, a technique that not only suits this particular song but also their previous works. This vocal technique packs melody and aggression equally, continiously levitating between power pop or indie punk and classic London punk rock style. It’s a wise move that works like a charm, proving that Harvey and the gang thought about everything while writing, composing, arranging, recording, and producing this melodic punk rock anthem.

Barking Poets never cease to amaze with their ideas and musicianship, and that’s the case with “Pure Blood” as well. This track packs everything you ever needed from a modern melodic punk rock song while simultaneously paying homage to the London sound. Their experience, knowledge, creativity, talent, and skills are on full display here, proving that these folks are one of the finest punk rock bands you’ll stumble upon nowadays. Highly recommended for anyone who appreciates sharp lyricism, anthemic choruses, beautiful melodies, intricate basslines, and excellent drumming. Head to your favorite streaming platform and listen to it loud!

https://song.link/s/6ziHjUaiHAWbCIBZZXRRTl

https://open.spotify.com/track/6ziHjUaiHAWbCIBZZXRRTl?si=baa5ab732a5846af

#ALTERNATIVE #BARKINGPOETS #ENGINEERRECORDS #INDIE #INDIEROCK #melodicPunkRock #MUSIC #PUNKROCK #REVIEWS

Heavy Seas – By Degrees LP (Engineer Records)

By Degrees carries so much weight, emotion, and power at the same time. Heavy Seas distilled over a decade of melodic punk and emo core practice into a comprehensive collection of meaningful, soulful, marvelous songs. From the first notes and beats, it’s more than clear you’re dealing with the band working at the intersection of immediacy and control, pulling your listening apparatus into a carefully crafted sonic universe. As soon as it commences, By Degrees  moves through tension and release with the precision and finesse of a band that knows exactly where it wants to land. Guitar work dominates the sound without ever overpowering it. Jeff Dean’s lines are thoughtful and purposeful, cutting between rhythm and melodies. He knows when to let a chord hang, when to strike with aggression, and let harmonics ring in the space between riffs. Each sonic gesture supports the emotional logic of the song. Even in denser moments, the guitars remain articulate and clean, giving shape to the tension that carries this material forward. J.Robbins’ basslines are warm and round, carrying low-end weight without dominating the mix. Robbins plays in dialogue with Dean’s guitar performance, sometimes locking in with rhythm, sometimes threading melodic layers, resulting in marvelous low-end support that immensely contributes to the emotional texture, while also giving depth to the quieter, reflective moments. Ronnie Dicola’s drumming is tight, thoughtful, and unflashy, but you’ll hear how every hit counts. He shifts between dynamic, groovy sections and supports the subtler dynamics that emerge when songs breathe. The drums never call attention to themselves unnecessarily, but they amplify the emotional stakes of the music. The interplay between Dicola and Robbins proves that rhythm here is not only about timekeeping, but a dance between tension, release, and emotional propulsion.

There’s rawness and control in the vocal performance that makes this material profoundly soulful, emotional, and meaningful. Jeff Dean conveys frustration and reflection with such precision and intention. He occupies the middle ground between melodic punk rock aggression and emo tenderness, and his phrasing often mirrors the guitar lines, reinforcing melody while amplifying emotional richness. Even in quieter moments, those vocal harmonies carry tremendous weight, proving that intensity does not always demand volume. Guitar and vocal lines intertwine with subtle shifts that demand careful listening, revealing their impressive attention to detail. Hooks are built from tension rather than thrown over the top. and even the quietest interludes carry harmonic complexity, giving this record a depth that separates it from many contemporary melodic punk releases. Robbins’ dual role as bassist and producer allows these performances to feel more alive without sacrificing emotional and instrumental clarity. The mix gives every instrument room to breathe while preserving the aggression and warmth central to the character of this marvelous material. Strings have resonance, drums have punch, and the vocals sit forward enough to carry the emotional weight without overpowering the orchestrations. There are no imperfections, just three outstanding musicians giving their best performance. Lyrically, the LP confronts self-reflection and existential weight without excess. Themes of uncertainty, introspection, and emotional responsibility emerge organically. The words are direct, paired with the dynamics so that the listener feels the emotional pull without being told what to feel. Dean’s writing is immediate, clear, and emotionally intelligent, mirroring the tension and release present in the instrumentation.

Even the pacing of the record is so natural that there is no sense of filler, no songs that exist outside the flow of the album. By Degrees demands your patience through consistency, intensity, and the subtle interplay of performance, composition, and production. Listening to this material feels like watching a skilled trio respond to each other in real time, each element measured but completely full of life. There is confidence in their performance in the pacing and compositional choices. It’s modern punk rock that carries historical awareness but refuses nostalgia, embracing melody and emotion while infusing so much aggression, rawness, and power. Heavy Seas have crafted a record where vocal, sonic, and rhythmic maneuvers feel so intentional, emotional resonance pairs technical skill, and intensity is earned through thoughtful, beautiful, precise instrumentation. By Degrees is not flashy, and it doesn’t rely on exaggerated gestures or trend-chasing. Its power comes from clarity of vision, cohesion of execution, and the honest articulation of human tension. Heavy Seas constructed a record that holds space for frustration, reflection, and catharsis simultaneously. It is a perfect full-length album, feeling so alive while refusing to compromise.  By Degrees asserts itself through subtlety, precision, and emotional intelligence. It is the work of a band that understands their instrumental, rhythmic, and vocal abilities and the emotional architecture of their genre. Heavy Seas delivered a heartfelt and intelligent blueprint for what modern melodic punk and emo can achieve when executed with thought, heart, and clarity. Head to Engineer Records for more information about ordering this gem on vinyl.

#ALTERNATIVE #EMO #ENGINEERRECORDS #HEAVYSEAS #melodicPunkRock #MUSIC #POSTHARDCORE #PUNKROCK #REVIEWS

Long Island Punk Band Half Dizzy Preview Debut Album With “Darkest Days”

Long Island punk group Half Dizzy release “Darkest Days,” a melodic yet gritty new single from their upcoming debut album Yard Sale, out December 12 on Punkerton Records. Produced by Pete Steinkopf (The Bouncing Souls) at Little Eden Studios, the track combines punchy, anthemic guitars with emotionally charged lyrics. “Darkest Days” showcases Half Dizzy’s ability to blend punk aggression with heartfelt storytelling, revealing both vulnerability and resilience. Following early releases that cemented their reputation in the local scene, the band continues to deliver authentic, hard-hitting punk. The single is available now on all streaming platforms.

https://open.spotify.com/track/3l0KDLYA5H1Zjd6FyLTGbL?si=bc5ee45ad6594806

#HALFDIZZY #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Elway Deliver Politically Charged Punk Masterpiece “Nobody’s Going To Heaven”

Colorado’s Elway unleash “Nobody’s Going To Heaven” via Red Scare Industries, their most politically potent album to date. Mixed and mastered at The Blasting Room, the band’s seventh full-length blends melodic ferocity with lyrical precision. Frontman Tim Browne turns frustration into art, taking aim at capitalism, apathy, and the absurdities of American life. The result is a melodic think-piece disguised as punk, catchy yet caustic, anthemic yet introspective. With sharp songwriting and unstoppable energy, Elway transform outrage into melody, proving that punk’s protest spirit burns as bright as ever.

#ELWAY #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Dutch Punk Trio Antillectual Unleash Politically Charged Single “Voorrang Voor Rechts”

Dutch melodic punks Antillectual drop their first-ever song in Dutch, “Voorrang Voor Rechts,” tackling the alarming global shift toward right-wing politics. Arriving just days before the Dutch elections, the track’s furious pace and biting commentary reflect the nation’s growing unrest. With Geert Wilders’ PVV leading the polls, the accompanying video captures real-life chaos between nationalist riots and massive pro-Palestine protests. “Voorrang Voor Rechts” will appear on Antillectual’s new EP — a fully Dutch project due November 11 via vinyl and digital formats. Expect a fierce blend of activism and urgency that defines modern European punk.

https://youtu.be/YZ6xir_azAA?si=_J3r_4JfclxUYv3I

Tour:

Nov 28 Eindhoven, Burgers
Dec 05 Den Haag, Musicon
Dec 13 Nijmegen, De Onderbroek
Jan 09 Utrecht, dB’s
Jan 10 Leiden, Resistor
Apr 11 Zwolle, Hedon

#ANTILLECTUAL #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Premiere: Barking Poets Share New Video For “Pure Blood”

Hot on the heels of their previous party anthem “Change Our Ways” London’s finest power punk rockers release brand new single “Pure Blood”

As the summer tans fade, the days grow colder, the hangover sets in, the dark night of the soul creeps up, a time for reflection? Perhaps?

Pure Blood is the not too often seen (nor heard) darkside of Barking Poets. Four and a half minutes of brooding, anxiety driven indie rock with the chorus crescendo of the year! Pure Blood sees Barking Poets venturing into the darkness, briefcase in hand, stumbling into the territory of bands like Brand New, Alkaline Trio and The Stranglers.

Once again produced by renowned U.K. rock/indie producer Paul Tipler (Idlewild, Placebo, Reuben) at Unit 13 studios in London during the summer of 2024.

“Pure Blood” is set for release via (Engineer Records) worldwide on all major streaming platforms on Friday October 3rd 2025. The official video was shot in Greenwich, London in September 2025 starring a mysterious disheveled masked crusader with briefcase in hand. Directed and edited by lead singer Neil Murray, it’s a Tarantino meets The Cohen Brothers special. A must see!

Catch Barking Poets live at the 02 Academy, Leicester on October 4th as part of the HRH Punk Festival along with many amazing acts.

https://youtu.be/VLO8tyqqASE?si=dzTWkPT5VvQI6U4G

#BARKINGPOETS #melodicPunkRock #MUSIC #NEWS #POPPUNK #POWERPOP #PREMIERES #PUNKROCK

Half Dizzy To Release Raw, Reflective Punk LP “Yard Sale” On December 12th

Long Island punks Half Dizzy deliver Yard Sale, a 14-track exploration of isolation, resilience, and personal growth. Combining reflective lyricism with gritty, high-energy punk, the album tackles themes of loss, fleeting joy, and survival. Tracks like “All or None” and “Darkest Days” confront emotional hardship, while “Fade Away” and “Easton” celebrate human connection. The record reflects the band’s evolution, blending classic punk with a modern, raw edge. Fronted by a fearless commitment to authenticity, Half Dizzy channels lived experience into unfiltered, compelling songs, producing a record that resonates with listeners navigating life’s highs and lows while asserting individuality and defiance. The official release date is December 12th.

#HALFDIZZY #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Alkaline Trio Release New Single And Video “Bleeding Out” Produced By Travis Barker

Alkaline Trio have unveiled their new single “Bleeding Out,” produced by Blink-182’s Travis Barker and available now on all streaming platforms. The track delivers the Trio’s signature blend of dark lyricism and melodic hooks, driven by explosive rhythms and anthemic choruses. Accompanied by a video directed by Mark Eaton, “Bleeding Out” captures the raw energy of the band in performance. The single follows “Oblivion” as part of a three-song series from their sessions with Barker and Adam Hawkins. A limited-edition vinyl 7-inch is also set for release. Alkaline Trio are currently on tour with Blink-182 across the U.S.

https://youtu.be/Zk5odqEbkII?feature=shared

#ALKALINETRIO #BLINK182 #melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #TRAVISBARKER

Alkaline Trio Release New Single And Video “Bleeding Out” Produced By Travis Barker

Alkaline Trio have unveiled their new single “Bleeding Out,” produced by Blink-182’s Travis Barker and available now on all streaming platforms. The track delivers the Trio’s signature blend of dark lyricism and melodic hooks, driven by explosive rhythms and anthemic choruses. Accompanied by a video directed by Mark Eaton, “Bleeding Out” captures the raw energy of the band in performance. The single follows “Oblivion” as part of a three-song series from their sessions with Barker and Adam Hawkins. A limited-edition vinyl 7-inch is also set for release. Alkaline Trio are currently on tour with Blink-182 across the U.S.

https://youtu.be/Zk5odqEbkII?feature=shared

#ALKALINETRIO #BLINK182 #melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #TRAVISBARKER

Alkaline Trio Release New Single And Video “Bleeding Out” Produced By Travis Barker

Alkaline Trio have unveiled their new single “Bleeding Out,” produced by Blink-182’s Travis Barker and available now on all streaming platforms. The track delivers the Trio’s signature blend of dark lyricism and melodic hooks, driven by explosive rhythms and anthemic choruses. Accompanied by a video directed by Mark Eaton, “Bleeding Out” captures the raw energy of the band in performance. The single follows “Oblivion” as part of a three-song series from their sessions with Barker and Adam Hawkins. A limited-edition vinyl 7-inch is also set for release. Alkaline Trio are currently on tour with Blink-182 across the U.S.

https://youtu.be/Zk5odqEbkII?feature=shared

#ALKALINETRIO #BLINK182 #melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #TRAVISBARKER

Alkaline Trio Release New Single And Video “Bleeding Out” Produced By Travis Barker

Alkaline Trio have unveiled their new single “Bleeding Out,” produced by Blink-182’s Travis Barker and available now on all streaming platforms. The track delivers the Trio’s signature blend of dark lyricism and melodic hooks, driven by explosive rhythms and anthemic choruses. Accompanied by a video directed by Mark Eaton, “Bleeding Out” captures the raw energy of the band in performance. The single follows “Oblivion” as part of a three-song series from their sessions with Barker and Adam Hawkins. A limited-edition vinyl 7-inch is also set for release. Alkaline Trio are currently on tour with Blink-182 across the U.S.

https://youtu.be/Zk5odqEbkII?feature=shared

#ALKALINETRIO #BLINK182 #melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #TRAVISBARKER

Alkaline Trio Release New Single And Video “Bleeding Out” Produced By Travis Barker

Alkaline Trio have unveiled their new single “Bleeding Out,” produced by Blink-182’s Travis Barker and available now on all streaming platforms. The track delivers the Trio’s signature blend of dark lyricism and melodic hooks, driven by explosive rhythms and anthemic choruses. Accompanied by a video directed by Mark Eaton, “Bleeding Out” captures the raw energy of the band in performance. The single follows “Oblivion” as part of a three-song series from their sessions with Barker and Adam Hawkins. A limited-edition vinyl 7-inch is also set for release. Alkaline Trio are currently on tour with Blink-182 across the U.S.

https://youtu.be/Zk5odqEbkII?feature=shared

#ALKALINETRIO #BLINK182 #melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #TRAVISBARKER

Dutch Melodic Punk Rock Trio Antillectual Breaks Language Barrier With New EP “Antillectueel”

Dutch punk trio Antillectual are reclaiming their mother tongue on their upcoming EP Antillectueel, out November 11 on vinyl and digital formats. After more than 20 years of writing and performing exclusively in English, the band makes a radical and timely shift, responding to the politics of exclusion and the global swing to the right. By embracing Dutch, Antillectual channel their anger and urgency directly into the local discourse, transforming personal frustration into political song.

Known for their conceptual EPs, acoustic reinterpretations, covers, and viral Netherpunk jingles, the band continue their tradition with Antillectueel, mixing repurposed favorites with brand-new originals. Ahead of the release, they will drop the single Voorrang Voor Rechts on October 18, strategically aligned with the Dutch elections. With this record, Antillectual don’t just sing against injustice, they sing in a language meant to spark immediate resonance at home, while staying true to punk’s internationalist spirit.

#ANTILLECTUAL #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Long Island Punk Band Half Dizzy Share Anthemic New Track

Long Island punk outfit Half Dizzy have released “Easton,” a heartfelt anthem celebrating the bonds of friendship. The track combines grit and melody, delivering energy and nostalgia in equal measure.

“This upbeat, heartfelt track captures the joy of reminiscing about unforgettable times with friends who are no longer nearby,” says vocalist/guitarist Daniel Marchelewski. “It’s a feel-good ode to lasting memories and the bonds that distance can’t break.”

With “Easton,” Half Dizzy show why they’ve become fan favorites: raw, unpretentious punk rooted in community and authenticity. Known for their no-frills live shows, the band channels real-life frustrations into cathartic and deeply relatable music.

Blending classic punk influences with a modern edge, Half Dizzy’s sound feels timeless yet modern. “Easton” not only recalls the joy of youth and friendship but also serves as an invitation to reconnect, to reach out, and to keep building memories despite distance or time apart.

https://open.spotify.com/track/6tFnCuwupmfniKxmIj0Q85?si=f36e6cf724bb4363

#HALFDIZZY #melodicPunkRock #MUSIC #NEWS #PUNKROCK

Post vom July 20, 2023 at 12:00PM

Seit gestern höre ich die neue Platte "Dive" der Band "Itchy". Melodischer Punkrock. Ich bin gespannt. Excited. #itchy #dive #musik #punkrock #poppunk #punk #melodicpunkrock #musikhören #listeningtomusic #love #photooftheday #picoftheday #photography #instagood #madsen #music #lagwagon #diving #germany #concert #fatwreckchords #berlin #art #travel #boat #rap #festival #metal #vinyl #instapic Anschauen im Original:

https://oliverschreibt.wordpress.com/2023/07/20/post-vom-july-20-2023-at-1200pm/

Just posted something new: Seit gestern höre ich die neue Platte "Dive" der Band "Itchy". Melodischer Punkrock. Ich bin gespannt. Excited.

#itchy #dive #musik #punkrock #poppunk #punk #melodicpunkrock #musikhören #listeningtomusic #love #photooftheday #picoftheday #photography #instagood #madsen #music #lagwagon #diving #germany #concert #fatwreckchords #berlin #art #travel #boat #rap #festival #metal #vinyl #instapic - https://scontent-iad3-2.xx.fbcdn.net/v/t39.30808-6/362226904_794779852273230_4277024736555880266_n.jpg?_nc_cat=103