#eurorackmodular — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #eurorackmodular, aggregated by home.social.
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#eurorackmodular ? #cigarbox #modular.
Working out a better way to store, use, and busk with my beasties.
#bastl #teenageengineering #instruo
#cablemanagement #someday -
#eurorackmodular ? #cigarbox #modular.
Working out a better way to store, use, and busk with my beasties.
#bastl #teenageengineering #instruo
#cablemanagement #someday -
#eurorackmodular ? #cigarbox #modular.
Working out a better way to store, use, and busk with my beasties.
#bastl #teenageengineering #instruo
#cablemanagement #someday -
#eurorackmodular ? #cigarbox #modular.
Working out a better way to store, use, and busk with my beasties.
#bastl #teenageengineering #instruo
#cablemanagement #someday -
#eurorackmodular ? #cigarbox #modular.
Working out a better way to store, use, and busk with my beasties.
#bastl #teenageengineering #instruo
#cablemanagement #someday -
Controls [from the archives, 9 May 2021]. Originally performed and recorded for the Modular World 1st anniversary show (8-9 May 2021) which was a massive livestream event of 33+ hrs during the pandemic lockdowns.
During the lockdown years, Modular World became one example of a fairly niche thing gathering people together worldwide to make experimental art online - when it was not possible to organize the usual small local performances - to create something positive and reach more people than they ever could individually. As the pandemic finally, thankfully, subsided, however, it seems that people went back to the enclosed local communities, and these types of global online communities lost their drive.
Also the rapidly accelerating #enshittification cycle of the past few years has buried the visibility of these kinds of communities from all major social media platforms. Of course, as Cory Doctorow ( @pluralistic ) has been pointing out for years, the enshittification of these platforms started much earlier. But somehow amid the pandemic, this niche scene still seemed to flourish, and it was only after Silicon Valley lined up to kiss the ring that the aggressive changes to the algorithms really seemed to change things.
Maybe this is correlation more than causation, but as activity at such niche scenes is often also created by fairly principled DIY-oriented people, it seems that many (myself included) have struggled with justifying why we keep feeding these platforms. This disillusionment is further exacerbated by the rise of the AI-slopmachine that will rip off all the non-commercial work from these platforms just like everything else. Online activity that gathers enough momentum to actually keep things active has in these types of niche scenes been very much dependent on instagram and youtube. Over the past few years, the visibility of this type on stuff that doesn’t try to optimise for the alorithm has plummeted.
Perhaps all of this has resulted in events such as the Modular World shows reaching fewer and fewer people. As wonderful as the promise of #Fediverse is, so far it seems that we’re very far from reaching the critical mass where it would actually start reaching new people. If the utopian enclave remains enclosed, it eventually dwindles away.
But we can try! I’m posting these weird little Johannes Karkia mini music videos and performances here bit by bit. It’s a transfer of archive, posted on insta & youtube over th years, and also new work now & then.
But also Modular World does still exist! Go check out their channel: https://www.youtube.com/live/07ErB3AjlAo?is=qr9q2pXlhWm7Hie2 (Full performance of this piece, and interview with MW’s Johno Wells there on the Modular World youtube channel and on the Johannes Karkia youtube channel [link in the bio above], audio track also on Bandcamp).
#enshittification #fediverse #modularsynth #modularworld #anniversary #liveshow #electronicmusic #modulartechno #covid19 #pandemic #darkwave #eurorackmodular #community #surveillancecapitalism #platformcapitalism #algorithm #bigtech #siliconvalley #kissthering #socialmedia #utopianenclave #utopianism
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Controls [from the archives, 9 May 2021]. Originally performed and recorded for the Modular World 1st anniversary show (8-9 May 2021) which was a massive livestream event of 33+ hrs during the pandemic lockdowns.
During the lockdown years, Modular World became one example of a fairly niche thing gathering people together worldwide to make experimental art online - when it was not possible to organize the usual small local performances - to create something positive and reach more people than they ever could individually. As the pandemic finally, thankfully, subsided, however, it seems that people went back to the enclosed local communities, and these types of global online communities lost their drive.
Also the rapidly accelerating #enshittification cycle of the past few years has buried the visibility of these kinds of communities from all major social media platforms. Of course, as Cory Doctorow ( @pluralistic ) has been pointing out for years, the enshittification of these platforms started much earlier. But somehow amid the pandemic, this niche scene still seemed to flourish, and it was only after Silicon Valley lined up to kiss the ring that the aggressive changes to the algorithms really seemed to change things.
Maybe this is correlation more than causation, but as activity at such niche scenes is often also created by fairly principled DIY-oriented people, it seems that many (myself included) have struggled with justifying why we keep feeding these platforms. This disillusionment is further exacerbated by the rise of the AI-slopmachine that will rip off all the non-commercial work from these platforms just like everything else. Online activity that gathers enough momentum to actually keep things active has in these types of niche scenes been very much dependent on instagram and youtube. Over the past few years, the visibility of this type on stuff that doesn’t try to optimise for the alorithm has plummeted.
Perhaps all of this has resulted in events such as the Modular World shows reaching fewer and fewer people. As wonderful as the promise of #Fediverse is, so far it seems that we’re very far from reaching the critical mass where it would actually start reaching new people. If the utopian enclave remains enclosed, it eventually dwindles away.
But we can try! I’m posting these weird little Johannes Karkia mini music videos and performances here bit by bit. It’s a transfer of archive, posted on insta & youtube over th years, and also new work now & then.
But also Modular World does still exist! Go check out their channel: https://www.youtube.com/live/07ErB3AjlAo?is=qr9q2pXlhWm7Hie2 (Full performance of this piece, and interview with MW’s Johno Wells there on the Modular World youtube channel and on the Johannes Karkia youtube channel [link in the bio above], audio track also on Bandcamp).
#enshittification #fediverse #modularsynth #modularworld #anniversary #liveshow #electronicmusic #modulartechno #covid19 #pandemic #darkwave #eurorackmodular #community #surveillancecapitalism #platformcapitalism #algorithm #bigtech #siliconvalley #kissthering #socialmedia #utopianenclave #utopianism
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Controls [from the archives, 9 May 2021]. Originally performed and recorded for the Modular World 1st anniversary show (8-9 May 2021) which was a massive livestream event of 33+ hrs during the pandemic lockdowns.
During the lockdown years, Modular World became one example of a fairly niche thing gathering people together worldwide to make experimental art online - when it was not possible to organize the usual small local performances - to create something positive and reach more people than they ever could individually. As the pandemic finally, thankfully, subsided, however, it seems that people went back to the enclosed local communities, and these types of global online communities lost their drive.
Also the rapidly accelerating #enshittification cycle of the past few years has buried the visibility of these kinds of communities from all major social media platforms. Of course, as Cory Doctorow ( @pluralistic ) has been pointing out for years, the enshittification of these platforms started much earlier. But somehow amid the pandemic, this niche scene still seemed to flourish, and it was only after Silicon Valley lined up to kiss the ring that the aggressive changes to the algorithms really seemed to change things.
Maybe this is correlation more than causation, but as activity at such niche scenes is often also created by fairly principled DIY-oriented people, it seems that many (myself included) have struggled with justifying why we keep feeding these platforms. This disillusionment is further exacerbated by the rise of the AI-slopmachine that will rip off all the non-commercial work from these platforms just like everything else. Online activity that gathers enough momentum to actually keep things active has in these types of niche scenes been very much dependent on instagram and youtube. Over the past few years, the visibility of this type on stuff that doesn’t try to optimise for the alorithm has plummeted.
Perhaps all of this has resulted in events such as the Modular World shows reaching fewer and fewer people. As wonderful as the promise of #Fediverse is, so far it seems that we’re very far from reaching the critical mass where it would actually start reaching new people. If the utopian enclave remains enclosed, it eventually dwindles away.
But we can try! I’m posting these weird little Johannes Karkia mini music videos and performances here bit by bit. It’s a transfer of archive, posted on insta & youtube over th years, and also new work now & then.
But also Modular World does still exist! Go check out their channel: https://www.youtube.com/live/07ErB3AjlAo?is=qr9q2pXlhWm7Hie2 (Full performance of this piece, and interview with MW’s Johno Wells there on the Modular World youtube channel and on the Johannes Karkia youtube channel [link in the bio above], audio track also on Bandcamp).
#enshittification #fediverse #modularsynth #modularworld #anniversary #liveshow #electronicmusic #modulartechno #covid19 #pandemic #darkwave #eurorackmodular #community #surveillancecapitalism #platformcapitalism #algorithm #bigtech #siliconvalley #kissthering #socialmedia #utopianenclave #utopianism
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Controls [from the archives, 9 May 2021]. Originally performed and recorded for the Modular World 1st anniversary show (8-9 May 2021) which was a massive livestream event of 33+ hrs during the pandemic lockdowns.
During the lockdown years, Modular World became one example of a fairly niche thing gathering people together worldwide to make experimental art online - when it was not possible to organize the usual small local performances - to create something positive and reach more people than they ever could individually. As the pandemic finally, thankfully, subsided, however, it seems that people went back to the enclosed local communities, and these types of global online communities lost their drive.
Also the rapidly accelerating #enshittification cycle of the past few years has buried the visibility of these kinds of communities from all major social media platforms. Of course, as Cory Doctorow ( @pluralistic ) has been pointing out for years, the enshittification of these platforms started much earlier. But somehow amid the pandemic, this niche scene still seemed to flourish, and it was only after Silicon Valley lined up to kiss the ring that the aggressive changes to the algorithms really seemed to change things.
Maybe this is correlation more than causation, but as activity at such niche scenes is often also created by fairly principled DIY-oriented people, it seems that many (myself included) have struggled with justifying why we keep feeding these platforms. This disillusionment is further exacerbated by the rise of the AI-slopmachine that will rip off all the non-commercial work from these platforms just like everything else. Online activity that gathers enough momentum to actually keep things active has in these types of niche scenes been very much dependent on instagram and youtube. Over the past few years, the visibility of this type on stuff that doesn’t try to optimise for the alorithm has plummeted.
Perhaps all of this has resulted in events such as the Modular World shows reaching fewer and fewer people. As wonderful as the promise of #Fediverse is, so far it seems that we’re very far from reaching the critical mass where it would actually start reaching new people. If the utopian enclave remains enclosed, it eventually dwindles away.
But we can try! I’m posting these weird little Johannes Karkia mini music videos and performances here bit by bit. It’s a transfer of archive, posted on insta & youtube over th years, and also new work now & then.
But also Modular World does still exist! Go check out their channel: https://www.youtube.com/live/07ErB3AjlAo?is=qr9q2pXlhWm7Hie2 (Full performance of this piece, and interview with MW’s Johno Wells there on the Modular World youtube channel and on the Johannes Karkia youtube channel [link in the bio above], audio track also on Bandcamp).
#enshittification #fediverse #modularsynth #modularworld #anniversary #liveshow #electronicmusic #modulartechno #covid19 #pandemic #darkwave #eurorackmodular #community #surveillancecapitalism #platformcapitalism #algorithm #bigtech #siliconvalley #kissthering #socialmedia #utopianenclave #utopianism
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Controls [from the archives, 9 May 2021]. Originally performed and recorded for the Modular World 1st anniversary show (8-9 May 2021) which was a massive livestream event of 33+ hrs during the pandemic lockdowns.
During the lockdown years, Modular World became one example of a fairly niche thing gathering people together worldwide to make experimental art online - when it was not possible to organize the usual small local performances - to create something positive and reach more people than they ever could individually. As the pandemic finally, thankfully, subsided, however, it seems that people went back to the enclosed local communities, and these types of global online communities lost their drive.
Also the rapidly accelerating #enshittification cycle of the past few years has buried the visibility of these kinds of communities from all major social media platforms. Of course, as Cory Doctorow ( @pluralistic ) has been pointing out for years, the enshittification of these platforms started much earlier. But somehow amid the pandemic, this niche scene still seemed to flourish, and it was only after Silicon Valley lined up to kiss the ring that the aggressive changes to the algorithms really seemed to change things.
Maybe this is correlation more than causation, but as activity at such niche scenes is often also created by fairly principled DIY-oriented people, it seems that many (myself included) have struggled with justifying why we keep feeding these platforms. This disillusionment is further exacerbated by the rise of the AI-slopmachine that will rip off all the non-commercial work from these platforms just like everything else. Online activity that gathers enough momentum to actually keep things active has in these types of niche scenes been very much dependent on instagram and youtube. Over the past few years, the visibility of this type on stuff that doesn’t try to optimise for the alorithm has plummeted.
Perhaps all of this has resulted in events such as the Modular World shows reaching fewer and fewer people. As wonderful as the promise of #Fediverse is, so far it seems that we’re very far from reaching the critical mass where it would actually start reaching new people. If the utopian enclave remains enclosed, it eventually dwindles away.
But we can try! I’m posting these weird little Johannes Karkia mini music videos and performances here bit by bit. It’s a transfer of archive, posted on insta & youtube over th years, and also new work now & then.
But also Modular World does still exist! Go check out their channel: https://www.youtube.com/live/07ErB3AjlAo?is=qr9q2pXlhWm7Hie2 (Full performance of this piece, and interview with MW’s Johno Wells there on the Modular World youtube channel and on the Johannes Karkia youtube channel [link in the bio above], audio track also on Bandcamp).
#enshittification #fediverse #modularsynth #modularworld #anniversary #liveshow #electronicmusic #modulartechno #covid19 #pandemic #darkwave #eurorackmodular #community #surveillancecapitalism #platformcapitalism #algorithm #bigtech #siliconvalley #kissthering #socialmedia #utopianenclave #utopianism
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Surfaces [from the archives, 5 May 2021]
#industrial #cyberpunk #radiosputnik #errorinstruments #dronescape #eurorackmodular #darkwave #paalutus #doomsdaybassoon #oilrefinery #petrocapitalism #necrocapitalism #burningbones #shinkansen #japan
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Surfaces [from the archives, 5 May 2021]
#industrial #cyberpunk #radiosputnik #errorinstruments #dronescape #eurorackmodular #darkwave #paalutus #doomsdaybassoon #oilrefinery #petrocapitalism #necrocapitalism #burningbones #shinkansen #japan
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Surfaces [from the archives, 5 May 2021]
#industrial #cyberpunk #radiosputnik #errorinstruments #dronescape #eurorackmodular #darkwave #paalutus #doomsdaybassoon #oilrefinery #petrocapitalism #necrocapitalism #burningbones #shinkansen #japan
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Segments [from the archives, exactly 5 years ago in the midst of Covid lockdowns, 18 April 2021]
#innsbruck #bondvillains #fortressofsolitude #moogdfam #radiosputnik #drone #industrial #darkwave #modularsystem #eurorackmodular #doomsdaybassoon #modulartechno #doombeats #covidtimes #pandemic #lockdown
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Segments [from the archives, exactly 5 years ago in the midst of Covid lockdowns, 18 April 2021]
#innsbruck #bondvillains #fortressofsolitude #moogdfam #radiosputnik #drone #industrial #darkwave #modularsystem #eurorackmodular #doomsdaybassoon #modulartechno #doombeats #covidtimes #pandemic #lockdown
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Segments [from the archives, exactly 5 years ago in the midst of Covid lockdowns, 18 April 2021]
#innsbruck #bondvillains #fortressofsolitude #moogdfam #radiosputnik #drone #industrial #darkwave #modularsystem #eurorackmodular #doomsdaybassoon #modulartechno #doombeats #covidtimes #pandemic #lockdown
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Segments [from the archives, exactly 5 years ago in the midst of Covid lockdowns, 18 April 2021]
#innsbruck #bondvillains #fortressofsolitude #moogdfam #radiosputnik #drone #industrial #darkwave #modularsystem #eurorackmodular #doomsdaybassoon #modulartechno #doombeats #covidtimes #pandemic #lockdown
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Segments [from the archives, exactly 5 years ago in the midst of Covid lockdowns, 18 April 2021]
#innsbruck #bondvillains #fortressofsolitude #moogdfam #radiosputnik #drone #industrial #darkwave #modularsystem #eurorackmodular #doomsdaybassoon #modulartechno #doombeats #covidtimes #pandemic #lockdown
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Jori Larres - Far (digital, 17 April 2026).
https://jorilarres.bandcamp.com/album/far
#JoriLarres #ambient #drone #IDM #experimental #electronic #cinematic #Eurorack #modular #EurorackModular #Finland
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Jori Larres - Far (digital, 17 April 2026).
https://jorilarres.bandcamp.com/album/far
#JoriLarres #ambient #drone #IDM #experimental #electronic #cinematic #Eurorack #modular #EurorackModular #Finland
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Jori Larres - Far (digital, 17 April 2026).
https://jorilarres.bandcamp.com/album/far
#JoriLarres #ambient #drone #IDM #experimental #electronic #cinematic #Eurorack #modular #EurorackModular #Finland
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Orators [from the archives, 31 March 2021]
#Ichneumonidae #Rhyssapersuasoria #sabrewasp #rhetoric #persuasion #loqueliciteritas #radiosputnik #industrial #batteryacid #modularsystem #blackandwhite #dronescape #basimilusiteritasalter #insects #distortion #comareactor #darkwave #doomsdaybassoon #modulartechno #eurorackmodular #doombeats
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Magnets [from the archives 20 Mar 2021]
#gieskes #zachteman #radiosputnik #uvb76 #drone #industrial #modularsystem #blackandwhite #dronescape #hotels #basimilusiteritasalter #distortion #comareactor #darkwave #cinematic #doomsdaybassoon #tapeloop #walkman #mellotron #eurorackmodular #blacklodge
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Impend
[from the archives, 21 Jan 2021] #modularsynth #eurorackmodular #industrial #electronicmusic #noiseengineering #springreverb #video #losthighway #techno #dco #archive -
Impend
[from the archives, 21 Jan 2021] #modularsynth #eurorackmodular #industrial #electronicmusic #noiseengineering #springreverb #video #losthighway #techno #dco #archive -
#esittely #introduction (Scroll down for English)
Johannes Karkia syntyi korona-aikana lopullisen modulaarisyntetisaattorikaninkoloon sukeltamisen seurauksena. Eurorack- ja muilla syntetisaattoreilla tehtyä elektro-tekno-ambient-industrialia tms. Toinen puolisko Karkia Walo -runomusiikkiduosta @aikako kanssa. Mastodoniin tilin tekeminen lienee yritys lähteä vapauttamaan tätäkin projektia paskoontuneiden kaupallisten alustojen ikeen alta.
Johannes Karkia was born during the lockdowns as a result of diving down the modular synth rabbit hole. Elecro/techno/ambient/industrial made on eurorack modular synthesizers. Also half of the Karkia Walo poetry music duo with @aikako. Coming here is an attempt to start freeing this project from under the yoke of enshittified commercial platforms.
#modularsynth #eurorackmodular #electronicmusic #poetrymusic #audiovisualart
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#esittely #introduction (Scroll down for English)
Johannes Karkia syntyi korona-aikana modulaarisyntetisaattorikaninkoloon sukeltamisen seurauksena. Eurorack- ja muilla syntetisaattoreilla tehtyä elektro-tekno-ambient-industrialia tms. Toinen puolisko Karkia Walo -runomusiikkiduosta @aikako kanssa. Mastodoniin tilin tekeminen lienee yritys lähteä vapauttamaan tätäkin projektia paskoontuneiden kaupallisten alustojen ikeen alta.
Johannes Karkia was born during the lockdowns as a result of diving down the modular synth rabbit hole. Elecro/techno/ambient/industrial made on eurorack modular synthesizers. Also half of the Karkia Walo poetry music duo with @aikako. Coming here is an attempt to start freeing this project from under the yoke of enshittified commercial platforms.
#modularsynth #eurorackmodular #electronicmusic #eurorack #poetrymusic #audiovisualart
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#esittely #introduction (Scroll down for English)
Johannes Karkia syntyi korona-aikana lopullisen modulaarisyntetisaattorikaninkoloon sukeltamisen seurauksena. Eurorack- ja muilla syntetisaattoreilla tehtyä elektro-tekno-ambient-industrialia tms. Toinen puolisko Karkia Walo -runomusiikkiduosta @aikako kanssa. Mastodoniin tilin tekeminen lienee yritys lähteä vapauttamaan tätäkin projektia paskoontuneiden kaupallisten alustojen ikeen alta.
Johannes Karkia was born during the lockdowns as a result of diving down the modular synth rabbit hole. Elecro/techno/ambient/industrial made on eurorack modular synthesizers. Also half of the Karkia Walo poetry music duo with @aikako. Coming here is an attempt to start freeing this project from under the yoke of enshittified commercial platforms.
#modularsynth #eurorackmodular #electronicmusic #poetrymusic #audiovisualart
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#esittely #introduction (Scroll down for English)
Johannes Karkia syntyi korona-aikana modulaarisyntetisaattorikaninkoloon sukeltamisen seurauksena. Eurorack- ja muilla syntetisaattoreilla tehtyä elektro-tekno-ambient-industrialia tms. Toinen puolisko Karkia Walo -runomusiikkiduosta @aikako kanssa. Mastodoniin tilin tekeminen lienee yritys lähteä vapauttamaan tätäkin projektia paskoontuneiden kaupallisten alustojen ikeen alta.
Johannes Karkia was born during the lockdowns as a result of diving down the modular synth rabbit hole. Elecro/techno/ambient/industrial made on eurorack modular synthesizers. Also half of the Karkia Walo poetry music duo with @aikako. Coming here is an attempt to start freeing this project from under the yoke of enshittified commercial platforms.
#modularsynth #eurorackmodular #electronicmusic #eurorack #poetrymusic #audiovisualart
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#esittely #introduction (Scroll down for English)
Johannes Karkia syntyi korona-aikana modulaarisyntetisaattorikaninkoloon sukeltamisen seurauksena. Eurorack- ja muilla syntetisaattoreilla tehtyä elektro-tekno-ambient-industrialia tms. Toinen puolisko Karkia Walo -runomusiikkiduosta @aikako kanssa. Mastodoniin tilin tekeminen lienee yritys lähteä vapauttamaan tätäkin projektia paskoontuneiden kaupallisten alustojen ikeen alta.
Johannes Karkia was born during the lockdowns as a result of diving down the modular synth rabbit hole. Elecro/techno/ambient/industrial made on eurorack modular synthesizers. Also half of the Karkia Walo poetry music duo with @aikako. Coming here is an attempt to start freeing this project from under the yoke of enshittified commercial platforms.
#modularsynth #eurorackmodular #electronicmusic #poetrymusic #audiovisualart
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Mon nouveau transducteur de données astronomiques est physiquement prêt. Encore un brin de programmation et je serai prêt pour de nouvelles performances de correspondance avec l’outre-espace 🪐
#modular #eurorack #eurorackmodular #dataart #myinnerouterspace
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Hopefully repairing this Doepfer PLL module with a new OpAmp, since that's most likely the thing broken, but we'll see. The two logic chips are bigger and I don't have any of them, but I do have some spare NE5532P opamps.
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Hopefully repairing this Doepfer PLL module with a new OpAmp, since that's most likely the thing broken, but we'll see. The two logic chips are bigger and I don't have any of them, but I do have some spare NE5532P opamps.
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Hopefully repairing this Doepfer PLL module with a new OpAmp, since that's most likely the thing broken, but we'll see. The two logic chips are bigger and I don't have any of them, but I do have some spare NE5532P opamps.
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Hopefully repairing this Doepfer PLL module with a new OpAmp, since that's most likely the thing broken, but we'll see. The two logic chips are bigger and I don't have any of them, but I do have some spare NE5532P opamps.
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Hopefully repairing this Doepfer PLL module with a new OpAmp, since that's most likely the thing broken, but we'll see. The two logic chips are bigger and I don't have any of them, but I do have some spare NE5532P opamps.
-
Weekend build a success, this 1U tile three channel passive mixer. And it's working great!! Built specifically for the sidecar synth shown here to kick it up a dimension. Made only from spare parts I had lying around on a Saturday (which explains the weird knob layout and also that they are wired backwards so that I could use the traces efficiently on the project board).
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Weekend build a success, this 1U tile three channel passive mixer. And it's working great!! Built specifically for the sidecar synth shown here to kick it up a dimension. Made only from spare parts I had lying around on a Saturday (which explains the weird knob layout and also that they are wired backwards so that I could use the traces efficiently on the project board).
-
Weekend build a success, this 1U tile three channel passive mixer. And it's working great!! Built specifically for the sidecar synth shown here to kick it up a dimension. Made only from spare parts I had lying around on a Saturday (which explains the weird knob layout and also that they are wired backwards so that I could use the traces efficiently on the project board).
-
Weekend build a success, this 1U tile three channel passive mixer. And it's working great!! Built specifically for the sidecar synth shown here to kick it up a dimension. Made only from spare parts I had lying around on a Saturday (which explains the weird knob layout and also that they are wired backwards so that I could use the traces efficiently on the project board).
-
Weekend build a success, this 1U tile three channel passive mixer. And it's working great!! Built specifically for the sidecar synth shown here to kick it up a dimension. Made only from spare parts I had lying around on a Saturday (which explains the weird knob layout and also that they are wired backwards so that I could use the traces efficiently on the project board).
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The Maneco Minilooper (EHX 16 Seconds clone) and the Winterbloom Sol fit in the 4ms Modbap without damaging the backs by using these little brass risers. I had enough from an old RPi cluster build and the threading matched, so a formerly very limited case has gained some functionality!
This is a perfect format for the Minilooper because it really does act and operate like a guitar pedal.
#eurorackmodular #minilooper #winterbloomsol #4msModbap #SynthDIY
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The Maneco Minilooper (EHX 16 Seconds clone) and the Winterbloom Sol fit in the 4ms Modbap without damaging the backs by using these little brass risers. I had enough from an old RPi cluster build and the threading matched, so a formerly very limited case has gained some functionality!
This is a perfect format for the Minilooper because it really does act and operate like a guitar pedal.
#eurorackmodular #minilooper #winterbloomsol #4msModbap #SynthDIY
-
The Maneco Minilooper (EHX 16 Seconds clone) and the Winterbloom Sol fit in the 4ms Modbap without damaging the backs by using these little brass risers. I had enough from an old RPi cluster build and the threading matched, so a formerly very limited case has gained some functionality!
This is a perfect format for the Minilooper because it really does act and operate like a guitar pedal.
#eurorackmodular #minilooper #winterbloomsol #4msModbap #SynthDIY
