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#eddington — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #eddington, aggregated by home.social.

  1. I hope people will look back in a few years and realise how on the nose Ari Aster was with Eddington!

    #AriAster #Eddington #film #A24 #datacenter

  2. I hope people will look back in a few years and realise how on the nose Ari Aster was with Eddington!

    #AriAster #Eddington #film #A24 #datacenter

  3. Eddington
    2025
    Aktuell nur käuflich

    Irish:
    Eddington ist eine Kleinstadt in New Mexico. Mitten in der COVID-Pandemie im Jahr 2020 geraten Sheriff Joe und Bürgermeister Ted aneinander. Es entsteht eine Eskalationsspirale, die nicht mehr aufzuhalten ist. Ari Aster hat wiederum gezaubert, ist aber nicht sein bester Film. Trotz seiner 145 Minuten ist er spannend, mit guter Sozialkritik und voller schwarzem Humor. Lohnt sich.
    3,5 % vol von 5
    #molleundaction #filmkritik #horrorfilm #horror #eddington

  4. #Eddington - Rabenschwarze Action-Horror-Western-Komödie; raffiniert konstruiert, aber nichts für schwache Nerven.

    📺 Jetzt auf myfilm.ch zu sehen: myfilm.ch/asset/eddington

  5. CW: "Eddington" Review - ★★★

    Add it to the pile of "ruined in the 3rd act" movies

    #Movies #Eddington letterboxd.com/rodhilton/film/

  6. CW: "Eddington" Review - ★★★

    Add it to the pile of "ruined in the 3rd act" movies

    #Movies #Eddington letterboxd.com/rodhilton/film/

  7. 🎞 #Eddington - Rabenschwarze Action-Horror-Western-Komödie; raffiniert konstruiert, aber nichts für schwache Nerven.

    📺 Jetzt mit #JoaquinPhoenix & #EmmaStone auf myfilm.ch im #Heimkino die Spannung geniessen: myfilm.ch/asset/eddington

  8. Movie TV Tech Geeks #MovieNews #Eddington #PedroPascal #A24 'Yellowstone' Star's Satirical Neo-Western Finds Streaming Success After Box Office Struggles dlvr.it/TR1Qpg

  9. Es ist angerichtet… zu einem #Filmmenü-#Podcast mit ausnahmsweise mal durchweg guten bis sehr guten Filmen vom Jahresende 2025, über die Daniel Pook nun Anfang 2026 noch mal kurz aneinandergereiht etwas zu sagen hat: #DieMyLove, #Eddington, #TheChange (aka #Anniversary) und als besonderes Highlight #SentimentalValue.

    dieletzte.website/filmkritik/2

    #Review #Filmkritik #Rezension #Kritik #Kino #Filme #Film #Podcasts #Filmcast

  10. Overmassive black holes from the early Universe - too big for the galaxies that they inhabit.

    Super-Eddington accretion phase is defined by extreme (mass inflow) rates exceeding the so-called classical "Eddington Limit".

    It's like seeing a family walking down the street, and they have two six-foot teenagers, but they also have with them a six-foot-tall toddler. That's a bit of a problem. How did the toddler get so tall? And it's the same for supermassive black holes in the universe. How did they get so massive so quickly?

    space.com/astronomy/black-hole

    #Eddington #Blackhole #SupermassiveBlackHole #OvermassiveBlackHole #Science #Space #JWST

  11. Overmassive black holes from the early Universe - too big for the galaxies that they inhabit.

    Super-Eddington accretion phase is defined by extreme (mass inflow) rates exceeding the so-called classical "Eddington Limit".

    It's like seeing a family walking down the street, and they have two six-foot teenagers, but they also have with them a six-foot-tall toddler. That's a bit of a problem. How did the toddler get so tall? And it's the same for supermassive black holes in the universe. How did they get so massive so quickly?

    space.com/astronomy/black-hole

    #Eddington #Blackhole #SupermassiveBlackHole #OvermassiveBlackHole #Science #Space #JWST

  12. Disappointed in the Oscar nominations this morning. I think Sinners deserved all of its categories except for screenplay, but Eddington deserved, at the very minimum, Best Picture, Best Actor, Best Screenplay & Best Editing. To see F1 get Best Picture over it was a little aggravating.

    I also think Leo should not have gotten the nomination.

    #Oscars #movies #film #sinners #eddington

  13. Disappointed in the Oscar nominations this morning. I think Sinners deserved all of its categories except for screenplay, but Eddington deserved, at the very minimum, Best Picture, Best Actor, Best Screenplay & Best Editing. To see F1 get Best Picture over it was a little aggravating.

    I also think Leo should not have gotten the nomination.

    #Oscars #movies #film #sinners #eddington

  14. "Eddington" (2025) is a story of a small-town sheriff who, in the midst of COVID-19 pandemics, decides to run for the mayor. At first, it seemed that was going to be the plot, but as the movie progressed, the plot was expanding its scope, mixing a lot of stuff in (like conspiracy theories and Antifa, albeit with artistic licence). Overall, it was interesting because it was not possible to predict what will happen next.

    #Eddington

  15. "Eddington" (2025) is a story of a small-town sheriff who, in the midst of COVID-19 pandemics, decides to run for the mayor. At first, it seemed that was going to be the plot, but as the movie progressed, the plot was expanding its scope, mixing a lot of stuff in (like conspiracy theories and Antifa, albeit with artistic licence). Overall, it was interesting because it was not possible to predict what will happen next.

    #Eddington

  16. Vous ne trouverez donc pas dans ce top : #Nosferatu, #TheBrutalist, #Sinners, #Materialists, #Eddington, #TheSmashingMachine, #ChainsawMan, ni aucun des deux phénomènes horrifiques de l’été, #Weapons (« Évanouis ») et #BringHerBack (« Substitution »).

  17. Vous ne trouverez donc pas dans ce top : #Nosferatu, #TheBrutalist, #Sinners, #Materialists, #Eddington, #TheSmashingMachine, #ChainsawMan, ni aucun des deux phénomènes horrifiques de l’été, #Weapons (« Évanouis ») et #BringHerBack (« Substitution »).

  18. My Viewing and Reading Picks for 2025

    Another year comes to an end. A new one gets ready to begin. 2025 felt less complex than 2024. Lines weren’t as blurry with one exception that I’ll get to later. In a year when the rush to redefine and compete for the lowest common denominator felt like a three-legged sack race over broken glass complexity again drew my attention and stuck with me. There’s a great leveling happening, whether intentional or not. But as long as we can advertise against whatever the content is, it seems to matter less and less what the content is or how it’s made.

    When it comes to viewing entertainment it was a year when the quality line between movies and streaming TV blurred even more as excellent series work competing with the big screen for some of my favorite viewing. The Pitt and Adolescence were two of the finest things I watched this year.

    There are a number of titles in these lists that would qualify for what is being called Resistance Cinema. Each one is deserving of inclusion in that list for immediacy. Any lasting impact will only be determined with the passage of time and all of what we’re currently resisting either cements or cracks.

    I don’t believe in “best of” lists. There’s good stuff being created amidst all of the mediocrity and my judgement on what’s good is probably not yours. I pick what attracts and holds my attention. I also don’t see or read everything and the holiday release schedule geared to coming in under the wire for awards recognition is a silly game for insiders and not for me. There also may be a title or two that I didn’t catch until 2025 even though it was released in previous years. Goodness knows there are books waiting to be read.

    If there’s a link with a title, I took the time to write about it. I should have done that more. So here’s a list in no particular ranking order of what I found most intriguing throughout the year.

    Movies

    Streaming TV

    Books

    • 1929 by Andrew Ross Sorkin
    • The Mission by Time Weiner
    • Apple In China by Patrick McGee
    • The Director by Daniel Kehlmann

    Have a Happy New Year!

    You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.

    #2025 #Adolescence #books #Culture #Eddington #entertainment #Film #Frankenstein #horror #Movies #NewYear #OneBattleAfterAnother #Pluribus #Streaming #ThePitt #TV #WickedForGood

  19. My Viewing and Reading Picks for 2025

    Another year comes to an end. A new one gets ready to begin. 2025 felt less complex than 2024. Lines weren’t as blurry with one exception that I’ll get to later. In a year when the rush to redefine and compete for the lowest common denominator felt like a three-legged sack race over broken glass complexity again drew my attention and stuck with me. There’s a great leveling happening, whether intentional or not. But as long as we can advertise against whatever the content is, it seems to matter less and less what the content is or how it’s made.

    When it comes to viewing entertainment it was a year when the quality line between movies and streaming TV blurred even more as excellent series work competing with the big screen for some of my favorite viewing. The Pitt and Adolescence were two of the finest things I watched this year.

    There are a number of titles in these lists that would qualify for what is being called Resistance Cinema. Each one is deserving of inclusion in that list for immediacy. Any lasting impact will only be determined with the passage of time and all of what we’re currently resisting either cements or cracks.

    I don’t believe in “best of” lists. There’s good stuff being created amidst all of the mediocrity and my judgement on what’s good is probably not yours. I pick what attracts and holds my attention. I also don’t see or read everything and the holiday release schedule geared to coming in under the wire for awards recognition is a silly game for insiders and not for me. There also may be a title or two that I didn’t catch until 2025 even though it was released in previous years. Goodness knows there are books waiting to be read.

    If there’s a link with a title, I took the time to write about it. I should have done that more. So here’s a list in no particular ranking order of what I found most intriguing throughout the year.

    Movies

    Streaming TV

    Books

    • 1929 by Andrew Ross Sorkin
    • The Mission by Time Weiner
    • Apple In China by Patrick McGee
    • The Director by Daniel Kehlmann

    Have a Happy New Year!

    You can also find more of my writings on a variety of topics on Medium at this link, including in the publications Ellemeno and Rome. I can also be found on social media under my name as above.

    #2025 #Adolescence #books #Culture #Eddington #entertainment #Film #Frankenstein #horror #Movies #NewYear #OneBattleAfterAnother #Pluribus #Streaming #ThePitt #TV #WickedForGood

  20. Too long and too disjointed but also awesome. Loved it and hated it.

    A ★★★½ review of Eddington (2025)

    boxd.it/chBGRf

    > It's like spending 2½ hours on Twitter in the spring of 2020.

    #Movies #eddington

  21. Too long and too disjointed but also awesome. Loved it and hated it.

    A ★★★½ review of Eddington (2025)

    boxd.it/chBGRf

    > It's like spending 2½ hours on Twitter in the spring of 2020.

    #Movies #eddington

  22. 🎞 #Eddington - Rabenschwarze Action-Horror-Western-Komödie mit 🎭 #JoaquinPhoenix & #EmmaStone in den Hauptrollen ist raffiniert konstruiert, aber nichts für schwache Nerven.

    👉 Jetzt im kult.kino zu sehen: kultkino.ch/film/eddington/

  23. #Eddington gesehen. Ein unrunder, in sich widersprüchlicher Film, der deswegen schlechte Laune macht. Dessen Grundintention es aber ebenfalls ist, schlechte Laune zu machen. Eine verfilmte Twitter-Timeline.

    Habe sehr viel daran wirklich nicht gemocht. Schlecht, dabei aber sehenswert.

  24. Today's #ride improved my #Eddington number for the first time since the start of 2016, nearly 10 years ago.

    Now it is 33.

    In 2026 I'd like to get it to 40. Only 18 rides required. That should be achievable (today's ride was 41k)

  25. 📰 | „Eddington“: Bei der #Corona-Aufarbeitung knallt es fast schon Rambo-mäßig

    #Eddington“ bringt gerade das #Feuilleton zum Kochen. Der Film von Ari Aster scheidet die Geister - nicht zuletzt, weil er sich mit #Verschwörungsdenken, der #PostTruth-Gesellschaft und der Corona-Pandemie befasst. Was Bernd von ihm hält, und ob er für Skeptiker:innen interessant ist, lest ihr im #SkeptixBlog!

    skeptix.org/2025/11/23/eddingt

  26. 📰 | „Eddington“: Bei der #Corona-Aufarbeitung knallt es fast schon Rambo-mäßig

    #Eddington“ bringt gerade das #Feuilleton zum Kochen. Der Film von Ari Aster scheidet die Geister - nicht zuletzt, weil er sich mit #Verschwörungsdenken, der #PostTruth-Gesellschaft und der Corona-Pandemie befasst. Was Bernd von ihm hält, und ob er für Skeptiker:innen interessant ist, lest ihr im #SkeptixBlog!

    skeptix.org/2025/11/23/eddingt

  27. #Eddington #A24 #HBOmax
    The new neo-western thriller film Eddington is now streaming on HBOmax and will air tomorrow night on HBO at 8pm eastern.

    Eddington | Official Trailer HD | A24
    SUBSCRIBE: Written and directed by Ari Aster and starring Joaquin Phoenix, Pedro Pascal, Luke Grimes, Deirdre O'Connell, Micheal Wa...
    youtu.be/oL6jZqExlIk?si=iz1Vtu

  28. #Eddington #A24 #HBOmax
    The new neo-western thriller film Eddington is now streaming on HBOmax and will air tomorrow night on HBO at 8pm eastern.

    Eddington | Official Trailer HD | A24
    SUBSCRIBE: Written and directed by Ari Aster and starring Joaquin Phoenix, Pedro Pascal, Luke Grimes, Deirdre O'Connell, Micheal Wa...
    youtu.be/oL6jZqExlIk?si=iz1Vtu

  29. Movie TV Tech Geeks #MovieNews #Eddington #PedroPascal Pedro Pascal’s $25 Million Box Office Bomb Finally Sets Streaming Release Date dlvr.it/TNqkBL

  30. #Eddington #HBOmax
    The new A24 thriller film 'Eddington' will be available on HBOmax on November 14th and will air the next day on HBO.

    Pedro Pascal And Joaquin Phoenix’s ‘Eddington’ Gets HBO Max Date

    "Eddington," a COVID-era drama starring Pedro Pascal, Joaquin Phoenix and Emma Stone from filmmaker Ari Aster, is coming soon to streaming on HBO Max. Find out when you can watch the movie on the platform.
    forbes.com/sites/timlammers/20

  31. #Eddington #HBOmax
    The new A24 thriller film 'Eddington' will be available on HBOmax on November 14th and will air the next day on HBO.

    Pedro Pascal And Joaquin Phoenix’s ‘Eddington’ Gets HBO Max Date

    "Eddington," a COVID-era drama starring Pedro Pascal, Joaquin Phoenix and Emma Stone from filmmaker Ari Aster, is coming soon to streaming on HBO Max. Find out when you can watch the movie on the platform.
    forbes.com/sites/timlammers/20

  32. Ari Aster's "Eddington", starring Joaquin Phoenix and Pedro Pascal, will make its streaming debut exclusively on HBO Max Friday, November 24. Visit Hotchka's Affiliates page to subscribe!

    hotchkaplus.com/p/affiliates.h

    #Eddington #JoaquinPhoenix #PedroPascal #A24 #HBOMax #Entertainment #Movies #Film #Streaming

  33. Tartışmalı Beau Is Afraid'in ardından Ari Aster, karanlık hiciv ve kışkırtıcılığa dönüşü simgeleyen Eddington ile yönetmen koltuğuna geri dönüyor .: Tartışmalı Beau Is Afraid'in ardından Ari Aster, karanlık hiciv ve kışkırtıcılığa dönüşü simgeleyen Eddington ile yönetmen koltuğuna geri dönüyor .

    Çok az yönetmenin gerçekten cesaret edebildiği bir dönemde, Aster türler arasında korkusuzca geçiş… eshahaber.com.tr/haber/tartism EshaHaber.com.tr #AriAster #Eddington #BeauIsAfraid #film #korku

  34. Festa del Cinema 2025: Here We Go!

    Cronache dall’Auditorium (Mercoledì 15 Ottobre)
    La sentite anche voi quest’aria strana? C’è qualcosa intorno a noi, un po’ come nel sottosopra di Stranger Things. Ma dove siamo finiti? Temo di conoscere la risposta: dev’essere di nuovo quel periodo dell’anno. Deve essere tornata la Festa del Cinema di Roma. E queste devono essere di nuovo le mie Cronache dall’Auditorium, quel diario di bordo, quel taccuino di viaggio che condivido con voi, amici cinefili e amiche cinefile, lungo tutta la Festa del Cinema di Roma. Diamoci dentro, allora. Come direbbe Fabrizio Romano: HERE WE GO!

    Non comincerò come sempre dicendovi che la prima volta che ho messo piede alla Festa del Cinema ero uno studentello di 25 anni, con uno zaino pieno di sogni e di belle speranze. Avevo detto che non lo avrei detto, ma mentivo: siamo all’edizione numero 20 e io c’ero, Gandalf, quando nel 2006 Nicole Kidman, Martin Scorsese e Leo DiCaprio aprivano le danze alla prima edizione, ero lì il giorno in cui la forza degli uomini venne meno (soprattutto vedendo Monica Bellucci nel suo prime passeggiare sul tappeto rosso), ero lì quando Viggo Mortensen si fermava davanti alla mia videocamera per farsi intervistare. Quando pensavo che per quell’intervista avrei vinto il Pulitzer. Ero pieno di sogni, ve l’avevo detto. Detto ciò, diciannove anni dopo, rieccoci sempre qui, con molti meno sogni e speranze decisamente imbruttite, ma con quella cosa che mi butta giù dal letto dopo cinque o sei ore di sonno per andarmi a vedere un gruppo di persone che si muovono e parlano dentro uno schermo. La chiamano passione, dicono.

    Le cose della vita mi hanno riportato, temporaneamente, nella poco ridente Monte Mario, quartiere più alto di Roma ma decisamente più vicino alla Festa del Cinema rispetto al gioiello di Roma Sud, la Garbatella, che mi ha visto risiedere felicemente per ben dodici anni (seppur costringendomi ad attraversare Roma alle 8 del mattina in auto o in bici per raggiungere l’Auditorium). Essendo a dieci minuti d’auto dalla Festa, ho il tempo di fare colazione con comodo, una doccia che avrebbe dovuto cacciare il bisogno di dormire ancora e sedermi al pc per prenotare le proiezioni di dopodomani (se avete seguito il diario degli anni scorsi, saprete che c’è una cosa diabolica chiamata Boxol, un sito sopra il quale ogni mattina alle 8 è possibile prenotare un posto per gli eventi del dopodomani). Per essere sicuro di fare refresh nel momento esatto in cui escono i posti, quest’anno mi sono attrezzato con un orologio atomico che mi permetterà di essere uno dei primi ad entrare sulla piattaforma, per evitare la coda e soprattutto non perdermi l’evento per il quale spero di aprire gli occhi ogni mattina: l’incontro con Richard Linklater di lunedì prossimo (lo potrò prenotare sabato mattina, se ci riesco).

    Dopo aver agevolmente prenotato le tre proiezioni che intendo seguire venerdì prossimo, mi metto in macchina e, insieme alla mia fidata Bobby Jean (la mia Panda rossa), sfreccio in discesa verso il quartiere Flaminio. Stamattina la Festa apre alle 8.30, visto che Eddington, il film di Ari Aster con Joaquin Phoenix, Pedro Pascal ed Emma Stone, dura 2 ore e mezza (e le proiezioni successive cominciano alle 11, per chi ci dovrà o vorrà andare). Quando arrivo sembra tutto uguale: certo, è cambiato il manifesto e di conseguenza ci sono pannelli differenti affissi alle pareti e sugli stand, ma a parte questo mi sento già risucchiato nel sottosopra della Festa del Cinema. Non ho il tempo di soffermarmi troppo sui dettagli perché sono quasi le 8.30 e il film sta per cominciare. Mi dirigo verso il Teatro Studio e, davanti alle porte della sala, salgo i gradini che mi porteranno alla poltroncina che avevo prenotato due giorni fa. Arrivato all’ultimo scalino mi trovo davanti la folla di giornalisti, conoscenti, amici, che ogni anno popola la rassegna romana: la sensazione mi ricorda quella di quando sali gli scalini dello Stadio Olimpico e, improvvisamente, la scena si apre sulle tribune e sulle curve, gremite, vive, rumorose. Insomma, mi sono sentito a casa.

    Parlavamo di Eddington, dunque. Siamo in un piccolo villaggio del New Mexico, dove Joaquin Phoenix è sceriffo di una centrale di polizia composta solo da lui e da altri due elementi, Pedro Pascal è il sindaco che vuole appoggiare la costruzione di un enorme data center sul terreno comunale, Emma Stone è la moglie dello sceriffo, depressa, apatica, vagamente interessata a strampalate teorie del complotto. In tutto questo siamo in piena pandemia Covid, con le sue paure e qualche episodio di isteria collettiva. A sconquassare la quotidianità della cittadina c’è anche il caso dell’assassinio d George Floyd, che scatena focolai di protesta tra gli attivisti più giovani. In questa enorme quantità di carne sul fuoco, si dipana la vera storyline del film: Joaquin Phoenix, stufo di ciò che vede, decide di candidarsi come nuovo sindaco della città. Come spesso capita nei film di Ari Aster (vedi Midsommar), il tema (anzi, i temi) del film e ciò che si vuole raccontare è molto più interessante rispetto alla storia che viene mostrata. Detto ciò, il film funziona bene, ha anche due o tre momenti piuttosto spassosi, ma si regge interamente sulle possenti spalle di Joaquin Phoenix, che fa davvero il bello e il cattivo tempo, facendosi amare, poi odiare, poi compatire e via dicendo. Dai, è un buon inizio per la Festa del Cinema.

    Oggi è andata così, non ho visto altro, ma da che mondo è mondo il primo giorno si guarda sempre e solo un film, un po’ per riabituarsi a certi ritmi, per riprendere confidenza con le scomodissime poltroncine dell’Auditorium, per ritrovare un po’ di quell’aria di cui vi parlavo in apertura. Il programma di domani prevede tre film, il mio quarantaquattresimo compleanno (spero di trovare il tempo per un brindisi!) e la presenza di Ari Aster sul tappeto rosso. Restate nei dintorni, perché ne vedrete delle belle.

    [Se l’articolo ti è piaciuto, offrimi un caffè o magari una colazione,
    una piccola mancia per aiutarmi a sostenere il sito!]

    “Apriamo sta ventesima edizione, su”

    #2025 #ariAster #auditorium #Cinema #cronache #diario #eddington #festaDelCinemaDiRoma #film #joaquinPhoenix #roff20

  35. Movie TV Tech Geeks #MovieNews #FreakyTales #PedroPascal #Eddington Pedro Pascal's Quirky Sleeper Hit Finds Its Audience After Bombing at the Box Office dlvr.it/TMZL0y

  36. #TheLever is definetly a great media and its podcasts are both radical and unbiased (yes, it is possible).

    Listening to the latest podcast of Augut 11th 2025, I discovered a movie from #AriAster, #Eddington

    "You might recognize director Ari Aster from his groundbreaking horror films like Hereditary and Midsommar.

    But Aster just dropped the scariest film of his career: Eddington, a dark COVID-19 comedy starring #JoaquinPhoenix, #PedroPascal, and #EmmaStone, about social media-driven polarization, gun violence, and the looming tech takeover.

    Today on Lever Time, David Sirota speaks with Aster about the inspiration behind his all-too-prescient film.

    Did the coronavirus pandemic break our brains, leaving our communities with no commonly accepted set of facts?
    How do we navigate today’s AI slop-driven informational hellscape?
    And is it possible to avoid the twisted fate of Eddington, Aster’s fictional New Mexico town?"

    Listen to the podcast, it's 35 minutes of intelligent interview and thoughtful answers.

    And, oh, go and see the movie, I definitely will, I will be the first time in ages I'll pay for a ticket rather than qBit it.

    levernews.com/ari-aster-thinks

    #MassManipulation #NewMexico #Movies #Pandemic #Coronavirus #Covid19

  37. #TheLever is definetly a great media and its podcasts are both radical and unbiased (yes, it is possible).

    Listening to the latest podcast of Augut 11th 2025, I discovered a movie from #AriAster, #Eddington

    "You might recognize director Ari Aster from his groundbreaking horror films like Hereditary and Midsommar.

    But Aster just dropped the scariest film of his career: Eddington, a dark COVID-19 comedy starring #JoaquinPhoenix, #PedroPascal, and #EmmaStone, about social media-driven polarization, gun violence, and the looming tech takeover.

    Today on Lever Time, David Sirota speaks with Aster about the inspiration behind his all-too-prescient film.

    Did the coronavirus pandemic break our brains, leaving our communities with no commonly accepted set of facts?
    How do we navigate today’s AI slop-driven informational hellscape?
    And is it possible to avoid the twisted fate of Eddington, Aster’s fictional New Mexico town?"

    Listen to the podcast, it's 35 minutes of intelligent interview and thoughtful answers.

    And, oh, go and see the movie, I definitely will, I will be the first time in ages I'll pay for a ticket rather than qBit it.

    levernews.com/ari-aster-thinks

    #MassManipulation #NewMexico #Movies #Pandemic #Coronavirus #Covid19