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#thehelp — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #thehelp, aggregated by home.social.

  1. 25 Modern Classics That’ll Actually Wreck You (In the Best Way)

    25 modern classic books that belong on every reading list, from gut-punch literary fiction to genre-bending thrillers. Cormac McCarthy, Zadie Smith, Gillian Flynn, and more. These aren't dusty assignments, they're the books people are still talking about. Here's your no-BS guide to what's actually worth reading.

    findsbydavidblog.wordpress.com

  2. 25 Modern Classics That’ll Actually Wreck You (In the Best Way)

    25 modern classic books that belong on every reading list, from gut-punch literary fiction to genre-bending thrillers. Cormac McCarthy, Zadie Smith, Gillian Flynn, and more. These aren't dusty assignments, they're the books people are still talking about. Here's your no-BS guide to what's actually worth reading.

    findsbydavidblog.wordpress.com

  3. 25 Modern Classics That’ll Actually Wreck You (In the Best Way)

    25 modern classic books that belong on every reading list, from gut-punch literary fiction to genre-bending thrillers. Cormac McCarthy, Zadie Smith, Gillian Flynn, and more. These aren't dusty assignments, they're the books people are still talking about. Here's your no-BS guide to what's actually worth reading.

    findsbydavidblog.wordpress.com

  4. 25 Modern Classics That’ll Actually Wreck You (In the Best Way)

    25 modern classic books that belong on every reading list, from gut-punch literary fiction to genre-bending thrillers. Cormac McCarthy, Zadie Smith, Gillian Flynn, and more. These aren't dusty assignments, they're the books people are still talking about. Here's your no-BS guide to what's actually worth reading.

    findsbydavidblog.wordpress.com

  5. 25 Modern Classics That’ll Actually Wreck You (In the Best Way)

    25 modern classic books that belong on every reading list, from gut-punch literary fiction to genre-bending thrillers. Cormac McCarthy, Zadie Smith, Gillian Flynn, and more. These aren't dusty assignments, they're the books people are still talking about. Here's your no-BS guide to what's actually worth reading.

    findsbydavidblog.wordpress.com

  6. Movie TV Tech Geeks #MovieFeatures #TheHelp #ViolaDavis Viola Davis Said That She Regretted Starring in This Movie That Earned Her an Oscar Nomination dlvr.it/TQ8frF

  7. 𝐀ctrice du 𝐉our

    𝐁𝐫𝐲𝐜𝐞 𝐃𝐚𝐥𝐥𝐚𝐬 𝐇𝐨𝐰𝐚𝐫𝐝
    Actrice Réalisatrice Scénariste Productrice Américaine Née en 1981

    #BryceDallasHoward c'est plus de 20 Films

    #ActriceDuJour #actress #actrice #cinegenres #cinema
    #Rocketman #LadyInTheWater #TerminatorSalvation #Hereafter #SpiderMan #TheHelp
    #JurassicWorld #Gold #Argylle #DeepCover

    𝐅ilmographie :
    youtube.com/watch?v=m1MJ2i7nVsk

  8. 𝐀ctrice du 𝐉our

    𝐁𝐫𝐲𝐜𝐞 𝐃𝐚𝐥𝐥𝐚𝐬 𝐇𝐨𝐰𝐚𝐫𝐝
    Actrice Réalisatrice Scénariste Productrice Américaine Née en 1981

    #BryceDallasHoward c'est plus de 20 Films

    #ActriceDuJour #actress #actrice #cinegenres #cinema
    #Rocketman #LadyInTheWater #TerminatorSalvation #Hereafter #SpiderMan #TheHelp
    #JurassicWorld #Gold #Argylle #DeepCover

    𝐅ilmographie :
    youtube.com/watch?v=m1MJ2i7nVsk

  9. 𝐀ctrice du 𝐉our

    𝐁𝐫𝐲𝐜𝐞 𝐃𝐚𝐥𝐥𝐚𝐬 𝐇𝐨𝐰𝐚𝐫𝐝
    Actrice Réalisatrice Scénariste Productrice Américaine Née en 1981

    #BryceDallasHoward c'est plus de 20 Films

    #ActriceDuJour #actress #actrice #cinegenres #cinema
    #Rocketman #LadyInTheWater #TerminatorSalvation #Hereafter #SpiderMan #TheHelp
    #JurassicWorld #Gold #Argylle #DeepCover

    𝐅ilmographie :
    youtube.com/watch?v=m1MJ2i7nVsk

  10. 𝐀ctrice du 𝐉our

    𝐁𝐫𝐲𝐜𝐞 𝐃𝐚𝐥𝐥𝐚𝐬 𝐇𝐨𝐰𝐚𝐫𝐝
    Actrice Réalisatrice Scénariste Productrice Américaine Née en 1981

    #BryceDallasHoward c'est plus de 20 Films

    #ActriceDuJour #actress #actrice #cinegenres #cinema
    #Rocketman #LadyInTheWater #TerminatorSalvation #Hereafter #SpiderMan #TheHelp
    #JurassicWorld #Gold #Argylle #DeepCover

    𝐅ilmographie :
    youtube.com/watch?v=m1MJ2i7nVsk

  11. Servants need help with their own brekkie. As usual, they forgot to set the porridge timer. #greyhounds #TheHelp

  12. Servants need help with their own brekkie. As usual, they forgot to set the porridge timer. #greyhounds #TheHelp

  13. Servants need help with their own brekkie. As usual, they forgot to set the porridge timer. #greyhounds #TheHelp

  14. Servants need help with their own brekkie. As usual, they forgot to set the porridge timer. #greyhounds #TheHelp

  15. Servants need help with their own brekkie. As usual, they forgot to set the porridge timer. #greyhounds #TheHelp

  16. This is quite an interesting article about #HattieMcDaniel.

    i remember a school outing to a cinema in the city (Naarm) to see #GoneWithTheWind. as a catholic schoolgirl in the 60s i was clueless about a lot of things, had no great idea what the story was about and most of what i remember is that i was bored witless.
    in later years, i did come to wonder about McDaniel’s participation in and poor treatment in such a crap industry.

    a parallel oscar story must surely be that of Octavia Spencer, best supporting actress winner for the 2011 film, #TheHelp. it’s a problematic film on lots of levels (white saviourism, for starters).
    I think i read somewhere that magazines re-write themselves every four years, cos there is a fixed number of topics/angles to explore. Don’t know what the cycle length is for film, but even white-ish movies like the help provide a service; they present each succeeding generation of mainly white audiences with a dose of truth they are unlikely to encounter elsewhere, and the help introduced people to the Jim Crow era all over again (as well as the economic class known as white trash, and the subservience of women generally).
    the help is mediocre and cringeworthy at times, but there were some knockout performances. Viola Davis was robbed - she deserved a best actress oscar for this, and Jessica Chastain should have got best supporting actress. the film has lots of cringeworthy moments, but giving the oscar to octavia spencer for playing a likeable maid who helped the poor white lady was the worst, just on principle. (None of this is to criticise Octavia Spencer or her performance, it’s just the oscar politics I’m on about here.)

    anyway, there are worse things in the world…

    carvehername.org.uk/hattie-mcd

  17. This is quite an interesting article about #HattieMcDaniel.

    i remember a school outing to a cinema in the city (Naarm) to see #GoneWithTheWind. as a catholic schoolgirl in the 60s i was clueless about a lot of things, had no great idea what the story was about and most of what i remember is that i was bored witless.
    in later years, i did come to wonder about McDaniel’s participation in and poor treatment in such a crap industry.

    a parallel oscar story must surely be that of Octavia Spencer, best supporting actress winner for the 2011 film, #TheHelp. it’s a problematic film on lots of levels (white saviourism, for starters).
    I think i read somewhere that magazines re-write themselves every four years, cos there is a fixed number of topics/angles to explore. Don’t know what the cycle length is for film, but even white-ish movies like the help provide a service; they present each succeeding generation of mainly white audiences with a dose of truth they are unlikely to encounter elsewhere, and the help introduced people to the Jim Crow era all over again (as well as the economic class known as white trash, and the subservience of women generally).
    the help is mediocre and cringeworthy at times, but there were some knockout performances. Viola Davis was robbed - she deserved a best actress oscar for this, and Jessica Chastain should have got best supporting actress. the film has lots of cringeworthy moments, but giving the oscar to octavia spencer for playing a likeable maid who helped the poor white lady was the worst, just on principle. (None of this is to criticise Octavia Spencer or her performance, it’s just the oscar politics I’m on about here.)

    anyway, there are worse things in the world…

    carvehername.org.uk/hattie-mcd

  18. This is quite an interesting article about #HattieMcDaniel.

    i remember a school outing to a cinema in the city (Naarm) to see #GoneWithTheWind. as a catholic schoolgirl in the 60s i was clueless about a lot of things, had no great idea what the story was about and most of what i remember is that i was bored witless.
    in later years, i did come to wonder about McDaniel’s participation in and poor treatment in such a crap industry.

    a parallel oscar story must surely be that of Octavia Spencer, best supporting actress winner for the 2011 film, #TheHelp. it’s a problematic film on lots of levels (white saviourism, for starters).
    I think i read somewhere that magazines re-write themselves every four years, cos there is a fixed number of topics/angles to explore. Don’t know what the cycle length is for film, but even white-ish movies like the help provide a service; they present each succeeding generation of mainly white audiences with a dose of truth they are unlikely to encounter elsewhere, and the help introduced people to the Jim Crow era all over again (as well as the economic class known as white trash, and the subservience of women generally).
    the help is mediocre and cringeworthy at times, but there were some knockout performances. Viola Davis was robbed - she deserved a best actress oscar for this, and Jessica Chastain should have got best supporting actress. the film has lots of cringeworthy moments, but giving the oscar to octavia spencer for playing a likeable maid who helped the poor white lady was the worst, just on principle. (None of this is to criticise Octavia Spencer or her performance, it’s just the oscar politics I’m on about here.)

    anyway, there are worse things in the world…

    carvehername.org.uk/hattie-mcd

  19. This is quite an interesting article about #HattieMcDaniel.

    i remember a school outing to a cinema in the city (Naarm) to see #GoneWithTheWind. as a catholic schoolgirl in the 60s i was clueless about a lot of things, had no great idea what the story was about and most of what i remember is that i was bored witless.
    in later years, i did come to wonder about McDaniel’s participation in and poor treatment in such a crap industry.

    a parallel oscar story must surely be that of Octavia Spencer, best supporting actress winner for the 2011 film, #TheHelp. it’s a problematic film on lots of levels (white saviourism, for starters).
    I think i read somewhere that magazines re-write themselves every four years, cos there is a fixed number of topics/angles to explore. Don’t know what the cycle length is for film, but even white-ish movies like the help provide a service; they present each succeeding generation of mainly white audiences with a dose of truth they are unlikely to encounter elsewhere, and the help introduced people to the Jim Crow era all over again (as well as the economic class known as white trash, and the subservience of women generally).
    the help is mediocre and cringeworthy at times, but there were some knockout performances. Viola Davis was robbed - she deserved a best actress oscar for this, and Jessica Chastain should have got best supporting actress. the film has lots of cringeworthy moments, but giving the oscar to octavia spencer for playing a likeable maid who helped the poor white lady was the worst, just on principle. (None of this is to criticise Octavia Spencer or her performance, it’s just the oscar politics I’m on about here.)

    anyway, there are worse things in the world…

    carvehername.org.uk/hattie-mcd

  20. This is quite an interesting article about #HattieMcDaniel.

    i remember a school outing to a cinema in the city (Naarm) to see #GoneWithTheWind. as a catholic schoolgirl in the 60s i was clueless about a lot of things, had no great idea what the story was about and most of what i remember is that i was bored witless.
    in later years, i did come to wonder about McDaniel’s participation in and poor treatment in such a crap industry.

    a parallel oscar story must surely be that of Octavia Spencer, best supporting actress winner for the 2011 film, #TheHelp. it’s a problematic film on lots of levels (white saviourism, for starters).
    I think i read somewhere that magazines re-write themselves every four years, cos there is a fixed number of topics/angles to explore. Don’t know what the cycle length is for film, but even white-ish movies like the help provide a service; they present each succeeding generation of mainly white audiences with a dose of truth they are unlikely to encounter elsewhere, and the help introduced people to the Jim Crow era all over again (as well as the economic class known as white trash, and the subservience of women generally).
    the help is mediocre and cringeworthy at times, but there were some knockout performances. Viola Davis was robbed - she deserved a best actress oscar for this, and Jessica Chastain should have got best supporting actress. the film has lots of cringeworthy moments, but giving the oscar to octavia spencer for playing a likeable maid who helped the poor white lady was the worst, just on principle. (None of this is to criticise Octavia Spencer or her performance, it’s just the oscar politics I’m on about here.)

    anyway, there are worse things in the world…

    carvehername.org.uk/hattie-mcd

  21. 🌟 Exciting News! 🌟 Just rewatched some classics featuring the incredible Bryce Dallas Howard! 🎥✨ From her captivating performance in #Twilight to her unforgettable role in #TheHelp, she never fails to amaze! 🙌❤️

    #BryceDallasHoward #MovieMarathon #IconicRoles

    Feel free to join the conversation and share your favorite Bryce moments! 🍿💬

  22. "Celebrating the incredible talent of #OctaviaSpencer! From her powerful performance in #ATimeToKill to her unforgettable role in #TheHelp, she continues to inspire and captivate us all. 🎬🙌✨ #ActingLegend #Inspiration"

  23. Just saw Octavia Spencer in A Time to Kill and The Help. Her performances were simply outstanding, showing her range and skill as an actress. A true talent on screen. #OctaviaSpencer #ATimeToKill #TheHelp 🎥🌟

  24. L’autre truc qui me gratouille c’est que si la Nation Osage est bien représentée - costumes, langue, traditions, diversité, complexité, lois, etc. - ce film reste un film d’homme blanc qui raconte l’histoire d’hommes blancs.
    Il reste largement au-dessus de #TheHelp car il n’essaie pas de faire croire à des alliés post-racisme.

    Si Hollywood pouvait ENFIN financer des histoires natives ce serait chouette.

  25. L’autre truc qui me gratouille c’est que si la Nation Osage est bien représentée - costumes, langue, traditions, diversité, complexité, lois, etc. - ce film reste un film d’homme blanc qui raconte l’histoire d’hommes blancs.
    Il reste largement au-dessus de #TheHelp car il n’essaie pas de faire croire à des alliés post-racisme.

    Si Hollywood pouvait ENFIN financer des histoires natives ce serait chouette.