#buttonfactory — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #buttonfactory, aggregated by home.social.
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Richard Youngs + Katie G. O'Neill
Curveball, Saturday, March 21 at 08:00 PM GMT
“THE iconic figure of the modern UK underground … Richard Youngs evolves in the shadows where most won’t look, but those who do will forever be dazzled and amazed” – The Quietus
Enthusiastic Eunuch Proudly Presents
Richard Youngs
with special guest
Katie Gerardine O’Neill
Curveball (Button Factory)
Saturday 21st March
Doors 8pm
Tickets €20 via https://billetto.ie/e/richard-youngs-katie-gerardine-o-neill-tickets-1769521
Richard Youngs (b. 1966, Cambridge, England) is a musician based in Glasgow, Scotland. In a career spanning more than 40 years, his diverse and prolific output defies the existence of any definitive biography or discography.
https://www.youtube.com/watch?v=sExWf-FoB0w
Primarily recognised as a solo artist and writer of extended song, he is also an active cross-genre collaborator. Recent work includes "deep wallpaper" music with Daniel O'Sullivan, and the potentially global site-specific Here Is A Big Place project with Raymond MacDonald.
Initially a rare live performer, he now embraces the stage.
Born in Cambridge and raised in the Fens, Richard Youngs began making music at the start of the seventies. His early work centred on the family piano. When this was sold in the late seventies, however, the classical guitar and cassette recorder became his instruments of choice, along with anything at hand that made a sound. From then on he has played any number of roles with bands such as Astral Social Club, Concrete Hedge, No Deserts, Jandek and Future Pilot A.K.A. Recent collaborative work with Andrew Paine, Heatsick, Kawabata Makoto and John Clyde-Evans also show him as a highly social musician.
His catalogue of releases wanders into all kinds of zones over a vast array of albums on various labels including his No Fans imprint: they include accapella, guitars, pipes or electronics and come out of solitude and in partnership with atmospheres that range from fragmental folk to all-out fuzz.
Katie Gerardine O'Neill
Katie Gerardine O'Neill is a multidisciplinary artist based in Dublin. O'Neill holds a Photography B.A. from T.U.D (2012). She is best known for her audio-visual installations, sound art, theatrical performance, and video.
Her work seeks to probe the workings of the human psyche and acts as a mode of disruption, troubling and at times providing relief from the physical and emotional restrictions that isolate and alienate the modern individual.
O’Neill’s uses art as a means of radical self-expression and resistance.
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Stereo MC’s Announce 2025–26 ‘True To Life’ UK and Ireland Tour, Marking First Full European Run in a Decade https://www.byteseu.com/1457051/ #ArtsClub #birmingham #Bristol #BrudenellSocialClub #ButtonFactory #CathCoffey #CruelWorldFestival #Dreamland #dublin #EpicStudios #Glasgow #Ireland #JimmyFallon #Leeds #Liverpool #london #Manchester #Margate #NickHallam #Norwich #O2Academy2 #O2Ritz #RobBirch #Shepherd’sBushEmpire #StLukes #StereoMC’s #TansayOmar #trinity
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A Walk on the Benjamin Park Trans Canada Trail with Tanis MacDonald
My walk with poet, essayist and newly retired English professor Tanis MacDonald was a masterclass in paying attention to details and place. When I arrived at the Benjamin Park section of the Trans Canada Trail, MacDonald already had something to show me.
“Look,” MacDonald said. “Bug sex. I thought it was one, but it’s two.”
On the green leaf attached to a fence were indeed two beetles with red markings, working to ensure the propagation of their species.
Setting out on this trail where MacDonald promised to show me all the “weird bits,” we spotted bees, the elegant curl of a vine and an unexpected cluster of mushrooms worthy of photographing.
“I like to get outside and walk around and look at shit,” MacDonald said. “[Walking is] a good art practice. Because you have to practice noticing.”
She grew up on the prairies in Manitoba, where she walked regularly with her mother.
The habit continued when MacDonald was a student in Toronto as she often saved the transit fare and chose to walk instead. Walking provided cheap entertainment and became a tool to get to know a place and inspire creativity.“I didn’t do a degree in Creative Writing,” MacDonald said. “There was no such thing when I was an undergrad.”
She found her way to writing through a poet’s workshop run by Susan Ioannou out of the University of Toronto, a workshop that was revelatory for MacDonald. She took the workshop three times, then sought out guidance and community in other writing classes.
When MacDonald moved to Victoria for school a few years later, she connected with the poetry scene there and began going to regular readings, eventually landing a feature performance spot. In 1996, she won a chapbook competition, and her first full-length book of poetry, Holding Ground, was published in 2000.
In 2006, MacDonald joined the Department of English and Film Studies at Wilfrid Laurier University as a professor and taught academic courses.
“In about 2013…the department said that they wanted to offer more creative writing courses,” MacDonald said. “I said I would design a creative writing minor and concentration.”
Although MacDonald began her writing career as a poet, eventually she felt the pull of another form of written expression, creative nonfiction.
“I had a very long apprenticeship in poetry,” MacDonald said. “Then in scholarly writing. And…the creative nonfiction came together when I thought, ‘Isn’t there some place that these two discourses meet in the middle?’”
The place they met provided material for two books of essays: Out Of Line: Daring to Be an Artist Outside the Big City, published in 2018, and Straggle: Adventures in Walking While Female, published in 2022.
“I think a lot about my place in the world,” MacDonald said. “My literal space that I take up, and what happens when you pass through a space and do it repeatedly.”
For MacDonald, community is at the core of her writing practice. From the beginning MacDonald has sought out the company
of other writers, joining and forming writing groups with diverse memberships to give and receive feedback.
“It’s not enough to say it’s good,” MacDonald said. “You have to
say what you like, because that’s how people know what to keep and what to change…what can I pull off…how can we break this apart…what’s risky and what isn’t.”The trail offered us community as well, signs of the people nearby that MacDonald was quick to notice. A birdhouse in the tree. A bridge made from slabs of stone to allow for a dry crossing. And the community art project Squeak the Sneak; a serpent made of painted rocks that anyone could contribute to.
Walking has provided more than inspiration and a sense of place for MacDonald. It also provided healing assistance when she struggled with mental health challenges during the pandemic.
“[My doctor] prescribed me some medication, and she
also prescribed me a walk,” MacDonald said. “It was mainly to understand that I was not living in a bubble where I would die. I was living in a much broader universe.”This September, MacDonald will not be heading back to the university classroom to teach. She retired on July 1, and in addition to multiple writing projects, including a full-length book of poetry titled Tall, Grass, Girl, coming out next year, MacDonald is branching out artistically.
She has been taking classes at the Button Factory in painting and linocut. She is looking to expand her bird watching and
is working on ideas for a new podcast. And she will continue to walk the trails of Waterloo Region, paying careful attention to the weird bits.
#birdhouseInTheTree #ButtonFactory #Column #linocut #LocalArt #LocalArtist #manitoba #outOfLineDaringToBeAnArtistOutsideTheBigCity #serpantPaintedRocks #squeakTheSneak #StraggleAdventuresInWalkingWhileFemale #tallGrassGirl #TanisMacDonald #transCanadaTrail #walkInThePark #waterlooRegion
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A Walk on the Benjamin Park Trans Canada Trail with Tanis MacDonald
My walk with poet, essayist and newly retired English professor Tanis MacDonald was a masterclass in paying attention to details and place. When I arrived at the Benjamin Park section of the Trans Canada Trail, MacDonald already had something to show me.
“Look,” MacDonald said. “Bug sex. I thought it was one, but it’s two.”
On the green leaf attached to a fence were indeed two beetles with red markings, working to ensure the propagation of their species.
Setting out on this trail where MacDonald promised to show me all the “weird bits,” we spotted bees, the elegant curl of a vine and an unexpected cluster of mushrooms worthy of photographing.
“I like to get outside and walk around and look at shit,” MacDonald said. “[Walking is] a good art practice. Because you have to practice noticing.”
She grew up on the prairies in Manitoba, where she walked regularly with her mother.
The habit continued when MacDonald was a student in Toronto as she often saved the transit fare and chose to walk instead. Walking provided cheap entertainment and became a tool to get to know a place and inspire creativity.“I didn’t do a degree in Creative Writing,” MacDonald said. “There was no such thing when I was an undergrad.”
She found her way to writing through a poet’s workshop run by Susan Ioannou out of the University of Toronto, a workshop that was revelatory for MacDonald. She took the workshop three times, then sought out guidance and community in other writing classes.
When MacDonald moved to Victoria for school a few years later, she connected with the poetry scene there and began going to regular readings, eventually landing a feature performance spot. In 1996, she won a chapbook competition, and her first full-length book of poetry, Holding Ground, was published in 2000.
In 2006, MacDonald joined the Department of English and Film Studies at Wilfrid Laurier University as a professor and taught academic courses.
“In about 2013…the department said that they wanted to offer more creative writing courses,” MacDonald said. “I said I would design a creative writing minor and concentration.”
Although MacDonald began her writing career as a poet, eventually she felt the pull of another form of written expression, creative nonfiction.
“I had a very long apprenticeship in poetry,” MacDonald said. “Then in scholarly writing. And…the creative nonfiction came together when I thought, ‘Isn’t there some place that these two discourses meet in the middle?’”
The place they met provided material for two books of essays: Out Of Line: Daring to Be an Artist Outside the Big City, published in 2018, and Straggle: Adventures in Walking While Female, published in 2022.
“I think a lot about my place in the world,” MacDonald said. “My literal space that I take up, and what happens when you pass through a space and do it repeatedly.”
For MacDonald, community is at the core of her writing practice. From the beginning MacDonald has sought out the company
of other writers, joining and forming writing groups with diverse memberships to give and receive feedback.
“It’s not enough to say it’s good,” MacDonald said. “You have to
say what you like, because that’s how people know what to keep and what to change…what can I pull off…how can we break this apart…what’s risky and what isn’t.”The trail offered us community as well, signs of the people nearby that MacDonald was quick to notice. A birdhouse in the tree. A bridge made from slabs of stone to allow for a dry crossing. And the community art project Squeak the Sneak; a serpent made of painted rocks that anyone could contribute to.
Walking has provided more than inspiration and a sense of place for MacDonald. It also provided healing assistance when she struggled with mental health challenges during the pandemic.
“[My doctor] prescribed me some medication, and she
also prescribed me a walk,” MacDonald said. “It was mainly to understand that I was not living in a bubble where I would die. I was living in a much broader universe.”This September, MacDonald will not be heading back to the university classroom to teach. She retired on July 1, and in addition to multiple writing projects, including a full-length book of poetry titled Tall, Grass, Girl, coming out next year, MacDonald is branching out artistically.
She has been taking classes at the Button Factory in painting and linocut. She is looking to expand her bird watching and
is working on ideas for a new podcast. And she will continue to walk the trails of Waterloo Region, paying careful attention to the weird bits.
#birdhouseInTheTree #ButtonFactory #Column #linocut #LocalArt #LocalArtist #manitoba #outOfLineDaringToBeAnArtistOutsideTheBigCity #serpantPaintedRocks #squeakTheSneak #StraggleAdventuresInWalkingWhileFemale #tallGrassGirl #TanisMacDonald #transCanadaTrail #walkInThePark #waterlooRegion
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A Walk on the Benjamin Park Trans Canada Trail with Tanis MacDonald
My walk with poet, essayist and newly retired English professor Tanis MacDonald was a masterclass in paying attention to details and place. When I arrived at the Benjamin Park section of the Trans Canada Trail, MacDonald already had something to show me.
“Look,” MacDonald said. “Bug sex. I thought it was one, but it’s two.”
On the green leaf attached to a fence were indeed two beetles with red markings, working to ensure the propagation of their species.
Setting out on this trail where MacDonald promised to show me all the “weird bits,” we spotted bees, the elegant curl of a vine and an unexpected cluster of mushrooms worthy of photographing.
“I like to get outside and walk around and look at shit,” MacDonald said. “[Walking is] a good art practice. Because you have to practice noticing.”
She grew up on the prairies in Manitoba, where she walked regularly with her mother.
The habit continued when MacDonald was a student in Toronto as she often saved the transit fare and chose to walk instead. Walking provided cheap entertainment and became a tool to get to know a place and inspire creativity.“I didn’t do a degree in Creative Writing,” MacDonald said. “There was no such thing when I was an undergrad.”
She found her way to writing through a poet’s workshop run by Susan Ioannou out of the University of Toronto, a workshop that was revelatory for MacDonald. She took the workshop three times, then sought out guidance and community in other writing classes.
When MacDonald moved to Victoria for school a few years later, she connected with the poetry scene there and began going to regular readings, eventually landing a feature performance spot. In 1996, she won a chapbook competition, and her first full-length book of poetry, Holding Ground, was published in 2000.
In 2006, MacDonald joined the Department of English and Film Studies at Wilfrid Laurier University as a professor and taught academic courses.
“In about 2013…the department said that they wanted to offer more creative writing courses,” MacDonald said. “I said I would design a creative writing minor and concentration.”
Although MacDonald began her writing career as a poet, eventually she felt the pull of another form of written expression, creative nonfiction.
“I had a very long apprenticeship in poetry,” MacDonald said. “Then in scholarly writing. And…the creative nonfiction came together when I thought, ‘Isn’t there some place that these two discourses meet in the middle?’”
The place they met provided material for two books of essays: Out Of Line: Daring to Be an Artist Outside the Big City, published in 2018, and Straggle: Adventures in Walking While Female, published in 2022.
“I think a lot about my place in the world,” MacDonald said. “My literal space that I take up, and what happens when you pass through a space and do it repeatedly.”
For MacDonald, community is at the core of her writing practice. From the beginning MacDonald has sought out the company
of other writers, joining and forming writing groups with diverse memberships to give and receive feedback.
“It’s not enough to say it’s good,” MacDonald said. “You have to
say what you like, because that’s how people know what to keep and what to change…what can I pull off…how can we break this apart…what’s risky and what isn’t.”The trail offered us community as well, signs of the people nearby that MacDonald was quick to notice. A birdhouse in the tree. A bridge made from slabs of stone to allow for a dry crossing. And the community art project Squeak the Sneak; a serpent made of painted rocks that anyone could contribute to.
Walking has provided more than inspiration and a sense of place for MacDonald. It also provided healing assistance when she struggled with mental health challenges during the pandemic.
“[My doctor] prescribed me some medication, and she
also prescribed me a walk,” MacDonald said. “It was mainly to understand that I was not living in a bubble where I would die. I was living in a much broader universe.”This September, MacDonald will not be heading back to the university classroom to teach. She retired on July 1, and in addition to multiple writing projects, including a full-length book of poetry titled Tall, Grass, Girl, coming out next year, MacDonald is branching out artistically.
She has been taking classes at the Button Factory in painting and linocut. She is looking to expand her bird watching and
is working on ideas for a new podcast. And she will continue to walk the trails of Waterloo Region, paying careful attention to the weird bits.
#birdhouseInTheTree #ButtonFactory #Column #linocut #LocalArt #LocalArtist #manitoba #outOfLineDaringToBeAnArtistOutsideTheBigCity #serpantPaintedRocks #squeakTheSneak #StraggleAdventuresInWalkingWhileFemale #tallGrassGirl #TanisMacDonald #transCanadaTrail #walkInThePark #waterlooRegion
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A Walk on the Benjamin Park Trans Canada Trail with Tanis MacDonald
My walk with poet, essayist and newly retired English professor Tanis MacDonald was a masterclass in paying attention to details and place. When I arrived at the Benjamin Park section of the Trans Canada Trail, MacDonald already had something to show me.
“Look,” MacDonald said. “Bug sex. I thought it was one, but it’s two.”
On the green leaf attached to a fence were indeed two beetles with red markings, working to ensure the propagation of their species.
Setting out on this trail where MacDonald promised to show me all the “weird bits,” we spotted bees, the elegant curl of a vine and an unexpected cluster of mushrooms worthy of photographing.
“I like to get outside and walk around and look at shit,” MacDonald said. “[Walking is] a good art practice. Because you have to practice noticing.”
She grew up on the prairies in Manitoba, where she walked regularly with her mother.
The habit continued when MacDonald was a student in Toronto as she often saved the transit fare and chose to walk instead. Walking provided cheap entertainment and became a tool to get to know a place and inspire creativity.“I didn’t do a degree in Creative Writing,” MacDonald said. “There was no such thing when I was an undergrad.”
She found her way to writing through a poet’s workshop run by Susan Ioannou out of the University of Toronto, a workshop that was revelatory for MacDonald. She took the workshop three times, then sought out guidance and community in other writing classes.
When MacDonald moved to Victoria for school a few years later, she connected with the poetry scene there and began going to regular readings, eventually landing a feature performance spot. In 1996, she won a chapbook competition, and her first full-length book of poetry, Holding Ground, was published in 2000.
In 2006, MacDonald joined the Department of English and Film Studies at Wilfrid Laurier University as a professor and taught academic courses.
“In about 2013…the department said that they wanted to offer more creative writing courses,” MacDonald said. “I said I would design a creative writing minor and concentration.”
Although MacDonald began her writing career as a poet, eventually she felt the pull of another form of written expression, creative nonfiction.
“I had a very long apprenticeship in poetry,” MacDonald said. “Then in scholarly writing. And…the creative nonfiction came together when I thought, ‘Isn’t there some place that these two discourses meet in the middle?’”
The place they met provided material for two books of essays: Out Of Line: Daring to Be an Artist Outside the Big City, published in 2018, and Straggle: Adventures in Walking While Female, published in 2022.
“I think a lot about my place in the world,” MacDonald said. “My literal space that I take up, and what happens when you pass through a space and do it repeatedly.”
For MacDonald, community is at the core of her writing practice. From the beginning MacDonald has sought out the company
of other writers, joining and forming writing groups with diverse memberships to give and receive feedback.
“It’s not enough to say it’s good,” MacDonald said. “You have to
say what you like, because that’s how people know what to keep and what to change…what can I pull off…how can we break this apart…what’s risky and what isn’t.”The trail offered us community as well, signs of the people nearby that MacDonald was quick to notice. A birdhouse in the tree. A bridge made from slabs of stone to allow for a dry crossing. And the community art project Squeak the Sneak; a serpent made of painted rocks that anyone could contribute to.
Walking has provided more than inspiration and a sense of place for MacDonald. It also provided healing assistance when she struggled with mental health challenges during the pandemic.
“[My doctor] prescribed me some medication, and she
also prescribed me a walk,” MacDonald said. “It was mainly to understand that I was not living in a bubble where I would die. I was living in a much broader universe.”This September, MacDonald will not be heading back to the university classroom to teach. She retired on July 1, and in addition to multiple writing projects, including a full-length book of poetry titled Tall, Grass, Girl, coming out next year, MacDonald is branching out artistically.
She has been taking classes at the Button Factory in painting and linocut. She is looking to expand her bird watching and
is working on ideas for a new podcast. And she will continue to walk the trails of Waterloo Region, paying careful attention to the weird bits.
#birdhouseInTheTree #ButtonFactory #Column #linocut #LocalArt #LocalArtist #manitoba #outOfLineDaringToBeAnArtistOutsideTheBigCity #serpantPaintedRocks #squeakTheSneak #StraggleAdventuresInWalkingWhileFemale #tallGrassGirl #TanisMacDonald #transCanadaTrail #walkInThePark #waterlooRegion
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A Walk on the Benjamin Park Trans Canada Trail with Tanis MacDonald
My walk with poet, essayist and newly retired English professor Tanis MacDonald was a masterclass in paying attention to details and place. When I arrived at the Benjamin Park section of the Trans Canada Trail, MacDonald already had something to show me.
“Look,” MacDonald said. “Bug sex. I thought it was one, but it’s two.”
On the green leaf attached to a fence were indeed two beetles with red markings, working to ensure the propagation of their species.
Setting out on this trail where MacDonald promised to show me all the “weird bits,” we spotted bees, the elegant curl of a vine and an unexpected cluster of mushrooms worthy of photographing.
“I like to get outside and walk around and look at shit,” MacDonald said. “[Walking is] a good art practice. Because you have to practice noticing.”
She grew up on the prairies in Manitoba, where she walked regularly with her mother.
The habit continued when MacDonald was a student in Toronto as she often saved the transit fare and chose to walk instead. Walking provided cheap entertainment and became a tool to get to know a place and inspire creativity.“I didn’t do a degree in Creative Writing,” MacDonald said. “There was no such thing when I was an undergrad.”
She found her way to writing through a poet’s workshop run by Susan Ioannou out of the University of Toronto, a workshop that was revelatory for MacDonald. She took the workshop three times, then sought out guidance and community in other writing classes.
When MacDonald moved to Victoria for school a few years later, she connected with the poetry scene there and began going to regular readings, eventually landing a feature performance spot. In 1996, she won a chapbook competition, and her first full-length book of poetry, Holding Ground, was published in 2000.
In 2006, MacDonald joined the Department of English and Film Studies at Wilfrid Laurier University as a professor and taught academic courses.
“In about 2013…the department said that they wanted to offer more creative writing courses,” MacDonald said. “I said I would design a creative writing minor and concentration.”
Although MacDonald began her writing career as a poet, eventually she felt the pull of another form of written expression, creative nonfiction.
“I had a very long apprenticeship in poetry,” MacDonald said. “Then in scholarly writing. And…the creative nonfiction came together when I thought, ‘Isn’t there some place that these two discourses meet in the middle?’”
The place they met provided material for two books of essays: Out Of Line: Daring to Be an Artist Outside the Big City, published in 2018, and Straggle: Adventures in Walking While Female, published in 2022.
“I think a lot about my place in the world,” MacDonald said. “My literal space that I take up, and what happens when you pass through a space and do it repeatedly.”
For MacDonald, community is at the core of her writing practice. From the beginning MacDonald has sought out the company
of other writers, joining and forming writing groups with diverse memberships to give and receive feedback.
“It’s not enough to say it’s good,” MacDonald said. “You have to
say what you like, because that’s how people know what to keep and what to change…what can I pull off…how can we break this apart…what’s risky and what isn’t.”The trail offered us community as well, signs of the people nearby that MacDonald was quick to notice. A birdhouse in the tree. A bridge made from slabs of stone to allow for a dry crossing. And the community art project Squeak the Sneak; a serpent made of painted rocks that anyone could contribute to.
Walking has provided more than inspiration and a sense of place for MacDonald. It also provided healing assistance when she struggled with mental health challenges during the pandemic.
“[My doctor] prescribed me some medication, and she
also prescribed me a walk,” MacDonald said. “It was mainly to understand that I was not living in a bubble where I would die. I was living in a much broader universe.”This September, MacDonald will not be heading back to the university classroom to teach. She retired on July 1, and in addition to multiple writing projects, including a full-length book of poetry titled Tall, Grass, Girl, coming out next year, MacDonald is branching out artistically.
She has been taking classes at the Button Factory in painting and linocut. She is looking to expand her bird watching and
is working on ideas for a new podcast. And she will continue to walk the trails of Waterloo Region, paying careful attention to the weird bits.
#birdhouseInTheTree #ButtonFactory #Column #linocut #LocalArt #LocalArtist #manitoba #outOfLineDaringToBeAnArtistOutsideTheBigCity #serpantPaintedRocks #squeakTheSneak #StraggleAdventuresInWalkingWhileFemale #tallGrassGirl #TanisMacDonald #transCanadaTrail #walkInThePark #waterlooRegion
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Alabaster dePlume in the Button Factory. Also in the pictures are Michelle O'Rourke (vocals), Ciara-Lee Jenkinson (bodhrán), and Brendan Doherty (drums). At least I think it is Brendan Doherty - I am happy to be corrected on this.
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Alabaster dePlume in the Button Factory. Also in the pictures are Michelle O'Rourke (vocals), Ciara-Lee Jenkinson (bodhrán), and Brendan Doherty (drums). At least I think it is Brendan Doherty - I am happy to be corrected on this.
-
Alabaster dePlume in the Button Factory. Also in the pictures are Michelle O'Rourke (vocals), Ciara-Lee Jenkinson (bodhrán), and Brendan Doherty (drums). At least I think it is Brendan Doherty - I am happy to be corrected on this.
-
Alabaster dePlume in the Button Factory. Also in the pictures are Michelle O'Rourke (vocals), Ciara-Lee Jenkinson (bodhrán), and Brendan Doherty (drums). At least I think it is Brendan Doherty - I am happy to be corrected on this.
-
Alabaster dePlume in the Button Factory. Also in the pictures are Michelle O'Rourke (vocals), Ciara-Lee Jenkinson (bodhrán), and Brendan Doherty (drums). At least I think it is Brendan Doherty - I am happy to be corrected on this.
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The Residents in the Button Factory.
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The Residents in the Button Factory.
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The Residents in the Button Factory.
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GIGS #GIGS GIGS
🔸 TONIGHT 🔸
⚡ SATURDAY⚡️🟡
#HAAi
#CentrePoint
#ButtonFactory
#Dublin🟤
#AoifeNessaFrances
#RoisinDubh
#Galway🗓️
all here:
https://www.gildedalm.com/GildedGigsList.pdf#️⃣
#irishmastodon #irishtwitter #newmusic #irishmusic #independentmusic #independentlabels
#mastodaoine #ireland -
GIGS #GIGS GIGS
🔸 TONIGHT 🔸
⚡ SATURDAY⚡️🟡
#HAAi
#CentrePoint
#ButtonFactory
#Dublin🟤
#AoifeNessaFrances
#RoisinDubh
#Galway🗓️
all here:
https://www.gildedalm.com/GildedGigsList.pdf#️⃣
#irishmastodon #irishtwitter #newmusic #irishmusic #independentmusic #independentlabels
#mastodaoine #ireland -
GIGS #GIGS GIGS
⚡️TONIGHT⚡️
FRIDAY
in Dublin & Limerick🔴 #ConfidenceMan
#NationalStadium
#Dublin🔵 #WorkingMensClub
#Academy
#Dublin⚫ #JoyOrbison
#CentrePoint @
#ButtonFactory
#Dublin⚪ #AoifeNessaFrances
#Dolans
#Limerick🗓️
all here:
https://www.gildedalm.com/GildedGigsList.pdf#️⃣
#irishmastodon #irishtwitter #newmusic #irishmusic #independentmusic #independentlabels
#mastodaoine #ireland -
GIGS #GIGS GIGS
⚡️TONIGHT⚡️
FRIDAY
in Dublin & Limerick🔴 #ConfidenceMan
#NationalStadium
#Dublin🔵 #WorkingMensClub
#Academy
#Dublin⚫ #JoyOrbison
#CentrePoint @
#ButtonFactory
#Dublin⚪ #AoifeNessaFrances
#Dolans
#Limerick🗓️
all here:
https://www.gildedalm.com/GildedGigsList.pdf#️⃣
#irishmastodon #irishtwitter #newmusic #irishmusic #independentmusic #independentlabels
#mastodaoine #ireland