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16 results for “sheean”
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New #SheenaFujibayashi ( #TalesofSymphonia ) image pack: 472 pics
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Don't miss out!
#anime #NSFW #r18 #hentai #Rule34 -
Podcast: @John__Sheeran details the #Bengals personnel, including which players are the best matchups for Cin vs the #Ravens.
https://www.filmstudybaltimore.com/know-your-foe-bengals-10-25-26/
#Ravensflock #RavensflockMexico #RavensBRA @[email protected] @[email protected] @[email protected] @[email protected]
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Podcast: @John__Sheeran details the #Bengals personnel and scheme in advance of Sunday's game with #Ravens. For the first time in a while, the Bengals have more continuity and talent on the OL.
https://www.filmstudybaltimore.com/know-your-foe-bengals-10-25-26/
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Emilio Estevez – „Dein Weg“ (2010)Der einzige Grund für mich, diesen Film zu sehen, war die Konstellation: Martin Sheen vor der Kamera, Emilio Estevez als Regisseur dahinter. Vater und Sohn, die gemeinsam einen Film drehen, so direkt und sichtbar, ist eine Seltenheit in Hollywood. Der Jakobsweg dagegen hat eher wie eine Zumutung auf mich gewirkt. Überstrapaziert von Selbsterfahrungsberichten, überhöht von Kirchenfolklore und in Deutschland dann auch noch endgültig über-popularisiert durch Hape Kerkeling. Zumal meine sehr katholische Kindheit mir schon vor all dem ohnehin wenig Lust auf Pilgerwege hinterlassen hat. (ARD, Wh.)
Zum Blog: https://nexxtpress.de/mediathekperlen/emilio-estevez-martin-sheen-dein-weg-2010/ -
Time-lapse process for Day 24: Bake
Getting the icing sheen just right was very satisfying. Love the Frankie cookie. 🥰
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Jussi Pakkanen talking about Providing a Python library — the whole shebang
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Jussi Pakkanen talking about Providing a Python library — the whole shebang
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Macklemore Speaks Out on Palestine and ICE at First Show Since Ed Sheeran Tour Exit
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ARCHIVE: Robert Kraft, who called Ed Sheeran & made him kick Macklemore off his tour, was gifted a $1 million award from Israeli PM Benjamin Netanyahu. Kraft has donated millions to pro-Israel groups. In the words of Netanyahu: 'Israel does not have a more loyal friend than Robert Kraft'
https://xcancel.com/DoubleDownNews/status/2099568333909565716
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https://www.europesays.com/ie/747692/ Beoga on quitting Ed Sheeran’s tour: ‘You have to hold your friends accountable’ – The Irish Times #beoga #ChristyMoore #DanielLambert #EdSheeran #Éire #Entertainment #GazaStrip #IE #Ireland #IsraelHamasConflict #Kneecap #macklemore #Palestine #RteRadio1FolkAwards #SallyRooney #SineadOconnor #VicarStreet
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Ooh #guile scheme 3.0.11 on latest ubuntu lts version (26.04) has a built in #wisp mode (tbf I think it was around in prior version)
Setting wisp alias for:
'guile --language=wisp -x .w'Lets me play around with wisp in the repl and also execute standalone scripts at the same time.
The shebang header for the script needs to be:
#!/usr/bin/env -S guile --language=wisp -s
!# -
PENYRHEOL: ‘The Punch’ Colin Jones painted on the wall of his old boxing club
A giant portrait of boxing great Colin Jones has gone up on the wall of Penyrheol Boxing Club, the club he boxed for as an amateur.
It is the latest community mural by artist Steve Jenkins, who paints as Jenks.
The black and white portrait shows Jones mid-punch in red gloves and red shorts with “Colin” on the leg, against a packed arena under the lights.
Jenks shared photos of the finished wall on Facebook, writing: “This one is celebrating another local sporting legend, Colin Jones MBE.”
He said he’d had “a great time squeezing this one in during dry weather this week”, and that he had “some inside bits to do in the gym next”.
Jenks at the wall of Penyrheol Boxing Club. (Image: JenksArt)Colin Jones: from Penyrheol ABC to the Montreal Olympics and three world title fights
Jones was born in Gorseinon in 1959 and learned his boxing at Penyrheol ABC.
He was 17 when he boxed at the 1976 Olympics in Montreal, the youngest British boxer at the Games, according to the Welsh Sports Hall of Fame.
As a professional under manager Eddie Thomas, he won the British welterweight title in April 1980 by stopping Kirkland Laing at Wembley.
Commonwealth and European titles followed, the European belt won by stopping Hans Henrik Palm in Copenhagen.
In 1983 he fought Milton McCrory for the vacant WBC world title, drawing the first fight and losing the rematch on a split decision.
His third world title fight, against Don Curry in Birmingham in 1985, was stopped in the fourth round on cuts. He finished with 26 wins from 30 professional fights, 23 of them inside the distance.
Jones, known as “The Punch”, painted mid-jab. (Image: JenksArt)Known as “The Punch”, he went on to coach Welsh Commonwealth Games teams and the British Olympic squad. He entered the Welsh Sports Hall of Fame in 1999 and was made an MBE in 2020.
Jenks: the artist behind murals from Pontyates to Port Talbot
Jenks started out painting NHS tribute murals while furloughed from a factory job during lockdown, and went full-time as the requests kept coming.
He told Swansea Bay News that story in June, when he finished the Pontyates village mural, a wall packed with ideas from the village’s schoolchildren that he called his “gift to the community”. Among the pupils’ picks was EastEnders’ Dot Cotton, because actress June Brown was evacuated to Pontyates during the Second World War.
His other work includes a five-panel seafront mural in his home town of Llanelli, which he paid for himself, and a tribute in Port Talbot to Meyrick Sheen, the late father of actor Michael Sheen.
Back in 2023, he worked with pupils at Tŷ Trafle School in Gowerton to turn their own designs into a graffiti mural on the school wall.
Not every wall has lasted: his Brunel mural in Briton Ferry was painted over in July after the building’s owner objected.
For the Penyrheol wall, Jenks thanked councillors Andrew Stevens, Jan Curtice and Nicola Matthews “and of course Colin”.
Related stories from Swansea Bay News
Dot Cotton, dragons and miners: the Pontyates village mural
Jenks on the wall the village’s children designed, and how he went full-time.Jenks transforms Llanelli seaside wall with five-panel mural
The self-funded tribute to his home town.New Port Talbot mural pays tribute to Meyrick Sheen
#Art #boxing #CllrAndrewStevens #ColinJones #Gorseinon #Jenks #mural #streetArt
Jenks honours the late father of Michael Sheen on Forge Road. -
Beaten to Death – Vntrve Review By Dolphin WhispererThough it may only take you five or so minutes to read—well, one to skim, ten seconds to stare at the scores, another few to check whether the score safety counter still works, 30 seconds to draft a snarky “what is this site coming to” comment that you delete, a couple minutes to see what other bewildered folks have to say about something completely unrelated, and a final scan to skim the conclusions again—this article, and another 26 minutes to listen to Vntrve if you please, the beauty of Beaten to Death lies in that none of that will be enough time. In a genre of microblasts and unintelligible grunts and barks and bleats, this Norwegian exercise in twanged-out chaos delivers methodical and memorable vignettes of pure punk outpour. If there ever were a cure for stagnation, grindcore—particularly the buoyant and eclectic variety that Beaten to Death produces—would be it.
To this point, Vntrve true to legacy, Beaten to Death has never put out the same album twice. At first blush, between the booming Norwegian rap intro1 and groovier pacing to match (“Slosspit”), it feels as though Beaten to Death doesn’t even want to grind. The traditions of grind would, of course, feel like shackles to the wiles of these time-tested tricksters. Yet, blast-addled breakaways crash into reggaeton dembows (“Electrocuted by the Sky”), reverb-soaked sax wailing (“The Tolerator”), and twisted synth dial screeches (“Vntrve”). Near every song challenges the expectations of grind, right down to the continued inclusion of their trademarked “distort the bass only” aggression tactic, which Beaten to Death also manages to subvert with a doomy opening guitar boom on “Memento Sugo.” It’s Christian Svendsen’s (Doedsvangr, ex-Tsjuder) reckless kick and snare play, really, that keeps transitioning moments tied to the necessary whiplash of the base genre. If you know what’s coming next, it’s a result of repeated digestion of Vntrve’s nooks and crannies.
Even on first listen, Vntrve reveals its tendency for barbed hook and diverse expression. As if B2D didn’t already have an ear for unmistakable melodies, the kind of post-hardcore-imbued flutters that would feel at place scattered about a The Fall of Troy or Botch jam (“Electrocuted by the Sky,” “(Du er verken Jesus eller Buddha) Du er Ugmod”), their ability to frame these moments of beauty against crash cymbal overloaded gallops and tattered layers of barks allows each song’s thread to weave that much tighter. Now seven albums down this idiosyncratic path, Beaten to Death runs the risk of sounding too much like themselves. And it’s true that the main riffs to “The Tolerator,” “Scroll On, Homeboy,” and “Satan Spawn, the K-Pop Demon” wear that identity proudly. But when there are ten others songs that each bring their own ideas to the table, these brief retreads—and I do mean brief; this is still grind after all—do little to get in the way of frequent enjoyment, especially when that enjoyment means shouting “SCROLL OOOON! HOME-BOY!”
And a high frequency of playthroughs will reveal hidden treasures around every corner of Vntrve. On more than one occasion, as I played through the tapped-harmony transition of “Fångad i en Battle Vest,” I paused to find which Death song most fit as the proper object of homage and smiled as I could unite two legendary bands so closely in my head canon.2 The classic high and low vocal assault of “Fear of Being Included” rings very Napalm Death, which adds an irony to the track being the most straightforward grindcore piece of the whole set (and its stop-start uncertainty). And in stark contrast, the Abbath-ian croak that mic man Anders Bakke summons on “Sunburn Satanist”3 causes equal parts giddy black metal glee and pit-running abandon when it breaks back to grind on the back half. Though it’s easy to attribute parody to the cause, the play that B2D brings to their joking statements on aging in a metal world4 help bring each of these referential statements to a place of reverence.
In this stretch of the real experimental side of their career, their most progressive leanings spawning with 2020’s Laat maar, ik verhuis naar het bos, Vntrve strikes the best balance of simple structures with oddball asides. While the closing title track runs as almost the longest in the B2D discography, it showcases too how quickly Beaten to Death can flip a stuttering mosh rhythm into a panning, dissociating fizzle of sax and synth bound together by an urgent kick and scaffolding folk melody. Guided by speed, fueled by chaos, and honed by an undying urge to make it all work—you can call that a manifestation of an unyielding DIY attitude—Vntrve marks another triumph in the undercelebrated story of Norway’s best-kept secret.
Rating: 4.0/5.0
DR: 45 | Format Reviewed: 320 kb/s mp3
Label: Mas-Kina Recordings
Websites: beatentodeath.net | beatentodeath.bandcamp.com | facebook.com/beatentodeath
Releases Worldwide: October 23rd, 2026Alekhines Grind
Genre-defying, progressive, inscrutable, idiosyncratic, bizarre, and avant-garde are but a few of the superlatives laid at the feet of the Beaten to Death body of work. And why not? Since their first full-length in 2011, these Norwegians have dedicated their entire careers to upending and rewriting the building blocks of grindcore with manic glee. Waving middle fingers at genre conventions with tongue planted firmly in cheek, the band have unleashed one platter after another of fast-paced, ADHD-riddled music which offers up a cascade of color and sound that incites as much joy as violence upon the listener. Seventh album Vntrve reveals its mission statement in its title; itself a sendup of the ludicrous saturation of letter-abuse in modern-day metal nomenclature while being utterly self-aware in doing so. But this long into such a forward-thinking career, are the jokes running thin? Or do the boys still know how to make you smile through the pain?
If you’re new to the B2D sound, you may be surprised to learn that despite the outfits’ run-of-the-mill violent name, the music on offer is positively teeming with color and life, or at least pleasant surprise. Vntrve continues that trend, with the band gleefully snatching the listener from melodic leads and colorful tones to sudden, bone-savaging grooves without breaking a sweat. While personal favorite Laat Maar, ik verhuis naar het bos furrowed brows and turned frowns upside down thanks to weird sample use as much as song ideas (that dial-up tone, anyone?), for this outing B2D have stayed relatively stereotypical in their toolkit and pressed the gas on the competency of the compositions themselves. Highlight “Electrocuted by the Sky” alternates between melodic twanging and blackened leads only to punt in an eastern-sounding breakdown for no clear reason besides to show that they can, and it works. “And it works” is easily the best summary of their sound, as any selected track will have a sudden tonal shift, highlight, or riff switch-up which would be grounds for accusations of disjointed lack of focus in the hands of any other outfit.
One of the distinguishing factors of B2D is their unapologetic sense of humor. From the curious sporadic English lyrics peppering “Fanged i en Battle Vest” to straight-up subgenre parodies and goofy song titles, there’s small, blink and you’ll miss them references to various bands and sounds throughout the sphere of all things metal, all delivered with a knowing smirk. “Sunburnt Satanist” switches up its vocal stylings into much more Immortal-ized flair, coming replete with decipherable declarations of “rimfrosted kingdoms”. “Satan Spawn, the K-Pop Demon” doesn’t merely reference Deicide by way of Cannabis Corpse wordplay but goes so far as to double-track the vocal presentation to sound ripped right off of Legion (or Deicide, obviously). Even without direct and simplistic parody, there is a sparkling sense of delight in their compositions, as the vast majority of tracks come with clean tones, major keys, and melodic sheen both in contrast and companionship to all the bludgeonings which await.
And the bludgeoning exists in abundance, as each and every cut comes packed with at least one moment of raw violence, tweaked and sculpted to fit into the record’s dizzying and Vntrve nature. “The Tolerator” offers the most straightforward curbstomping breakdown, before sliding into a delirious saxophone crashout courtesy of Bendik Brænne. This is no Rivers of Nihil knockoff, as the sax resurfaces during the closing title track “Vntrve” in a climactic build of glorious, jazzy delirium. Beyond the expectedly-unexpected progressivisms, you also get swipes at djent (“Scroll On, Homeboy”) and straightforward hardcore (“Du er Umgod”) to say nothing of sporadic blackened leads and whammy abuse. This “chuck it in the blender” approach should be ghastly and unfocused, but B2D proved their identities as aural alchemists long ago, and Vntrve is a celebration of the band’s masterclass in whimsical wielding of the unpredictable and exuberant.
The last touch complimenting Vntrve is an appropriate one: a closing chime of bells, like a venue saying “thanks for coming out.” Beaten to Death keep their remarkable streak of creativity alive, offering up yet another release that makes for an enthralling, charming listen. Not every track smacks of the same cover-to-cover gloriousness, but with most landing in the traditional grind run of one to two and a half minutes, they at least each come with a highlight worthy of repeated listens and make for a package that could easily be called grin-inducing as much as mosh-worthy or violent. And how many other grind albums are you gonna find with psychedelic-looking flamingos on the cover? Beaten to Death remain as committed to the bit as ever, using a stereotypically ruthless subgenre to convey imagination and adventure with pulverization in equal measure; a remarkable declaration that though they can brawl with the best of them, they will always remain utterly Vntrve.
Rating: 4.0/5.0
#2026 #40 #Abbath #BeatenToDeath #Botch #Death #Deicide #Grind #Grindcore #Immortal #MasKinaRecordings #NapalmDeath #NorwegianMetal #Oct26 #Review #Reviews #TheFallOfTroy -
The newest issue of Shut Yer Pie Hole! is out. It[s the obsessive-compulsive issue. The cover may not be that graphically compelling, so I added a recent picture of the sunset and a picture of the last lunar eclipse. #zine #independent #sunset #beauty #moon #eclipse #lunareclipse #nightphotography
