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1000 results for “psychxr”
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La meva #CançóDelDia per al diumenge 15 de març és aquesta de les #BlackwaterHolylight #Portland #LosAngeles #DoomMetal #PsychRock 🟣!
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La meva #CançóDelDia per al diumenge 15 de març és aquesta de les #BlackwaterHolylight #Portland #LosAngeles #DoomMetal #PsychRock 🟣!
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AUDIOPHILE MAN - MUSIC ALERTS
Psych 7” colour vinyl, ECM-style jazz, Motörhead ’77, Tangerine Dream & No-Man reissued.
Click: https://youtu.be/ZSWGcfLpOqw
#VinylCommunity #NowSpinning #PsychRock #JazzVinyl #Motörhead #TangerineDream -
AUDIOPHILE MAN - MUSIC ALERTS
Psych 7” colour vinyl, ECM-style jazz, Motörhead ’77, Tangerine Dream & No-Man reissued.
Click: https://youtu.be/ZSWGcfLpOqw
#VinylCommunity #NowSpinning #PsychRock #JazzVinyl #Motörhead #TangerineDream -
🎸🔥 GARAŻE GITARY – NA ŻYWO Z BORÓW TUCHOLSKICH!
🎤 Luciano serwuje: #GarageRock #GaragePunk #PsychRock #NoiseRock
📻 Słuchaj na: pawarotaradio.pl oraz w aplikacji Radio Cult (z czatem na żywo!)
#GarażeGitary #MuzykaNaŻywo #Radio -
🎸🔥 GARAŻE GITARY – NA ŻYWO Z BORÓW TUCHOLSKICH!
🎤 Luciano serwuje: #GarageRock #GaragePunk #PsychRock #NoiseRock
📻 Słuchaj na: pawarotaradio.pl oraz w aplikacji Radio Cult (z czatem na żywo!)
#GarażeGitary #MuzykaNaŻywo #Radio -
🎸🔥 GARAŻE GITARY – NA ŻYWO Z BORÓW TUCHOLSKICH!
🎤 Luciano serwuje: #GarageRock #GaragePunk #PsychRock #NoiseRock
📻 Słuchaj na: pawarotaradio.pl oraz w aplikacji Radio Cult (z czatem na żywo!)
#GarażeGitary #MuzykaNaŻywo #Radio -
🎸🔥 GARAŻE GITARY – NA ŻYWO Z BORÓW TUCHOLSKICH!
🎤 Luciano serwuje: #GarageRock #GaragePunk #PsychRock #NoiseRock
📻 Słuchaj na: pawarotaradio.pl oraz w aplikacji Radio Cult (z czatem na żywo!)
#GarażeGitary #MuzykaNaŻywo #Radio -
🎸🔥 GARAŻE GITARY – NA ŻYWO Z BORÓW TUCHOLSKICH!
🎤 Luciano serwuje: #GarageRock #GaragePunk #PsychRock #NoiseRock
📻 Słuchaj na: pawarotaradio.pl oraz w aplikacji Radio Cult (z czatem na żywo!)
#GarażeGitary #MuzykaNaŻywo #Radio -
https://youtu.be/EZx-Px4-7YY?si=Htj8atjE1DTXUB1I
La meva #CançóDelDia per al dilluns 16 de febrer és aquesta de les #CocoRosie #Iowa #Hawai #FreakFolk #PsychRock #IndiePop #Electrònica 🤤!
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Polar Microbes and Climate Change by Alysson Wagner, 2025
A Molecular Understanding for Sustainable Future
Recent studies on #extremophiles have focused on #thermophiles, microbes that thrive in high temperatures, while #psychrophiles, which prefer cold environments, have received less attention. However, interest in cold-adapted microbes, especially those in polar regions, has increased significantly in recent decades.
#books
#nonfiction
#microbes
#PolarRegions
#ClimateChange
#Springer -
Polar Microbes and Climate Change by Alysson Wagner, 2025
A Molecular Understanding for Sustainable Future
Recent studies on #extremophiles have focused on #thermophiles, microbes that thrive in high temperatures, while #psychrophiles, which prefer cold environments, have received less attention. However, interest in cold-adapted microbes, especially those in polar regions, has increased significantly in recent decades.
#books
#nonfiction
#microbes
#PolarRegions
#ClimateChange
#Springer -
Polar Microbes and Climate Change by Alysson Wagner, 2025
A Molecular Understanding for Sustainable Future
Recent studies on #extremophiles have focused on #thermophiles, microbes that thrive in high temperatures, while #psychrophiles, which prefer cold environments, have received less attention. However, interest in cold-adapted microbes, especially those in polar regions, has increased significantly in recent decades.
#books
#nonfiction
#microbes
#PolarRegions
#ClimateChange
#Springer -
Italian Psych-Garage Band Bee Bee Sea Releases New Album “Stanzini Can Be Allright”
Italian psych-garage band Bee Bee Sea has released their new album, Stanzini Can Be Allright, via Wild Honey Records. A tribute to The Gizmos’ Midwest experience, the album is a diary of life in provincial Northern Italy, seen through a lens of irony and attachment. While still rooted in garage rock, the 12 tracks expand broadly, embracing diverse influences from egg punk to Guided By Voices and Sweeping Promises. The LP is a creative force born from a garage, proving that an isolated place can be “allright” when you set out to change it with music.
#beeBeeSea #garage #music #news #psychRock2 #psychedelicRock #rock
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Tema viejo agregado al Dopesmoker en la remasterización de 2022. 🔥
https://www.youtube.com/watch?v=n5NpesgJD5Q
#Sleep #StonerRock #DoomRock #PsychRock #DroneRock #BadassMagic #HeavyRock
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Tema viejo agregado al Dopesmoker en la remasterización de 2022. 🔥
https://www.youtube.com/watch?v=n5NpesgJD5Q
#Sleep #StonerRock #DoomRock #PsychRock #DroneRock #BadassMagic #HeavyRock
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Tema viejo agregado al Dopesmoker en la remasterización de 2022. 🔥
https://www.youtube.com/watch?v=n5NpesgJD5Q
#Sleep #StonerRock #DoomRock #PsychRock #DroneRock #BadassMagic #HeavyRock
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Share your research – submit today!
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Frankie & The Witch Fingers Announce European Tour
Photo by James DuranInfluential LA psych-punk powerhouse Frankie & The Witch Fingers are heading to Europe for a run of shows across the mainland and the UK. Riding the wild momentum of their new album Trash Classic, the band is set to ignite stages and melt minds across the pond. The tour promises the band’s high-energy performances, confirming their status as a compelling force in the garage and punk scene.
MAINLAND EUROPE / UK TOUR
AUTUMN 2025Nov 11 Tue Effenaar @ 7:30 PM Eindhoven, Netherlands
Nov 12 Wed L’Aéronef @ 7:30 PM Lille, France
Nov 13 Thu La Rodia @ 8:30 PM Besançon, France
Nov 14 Fri Trabendo @ 8:00 PM Paris, France
Nov 15 Sat Antipode Mjc @ 7:00 PM Rennes, France
Nov 16 Sun Le Tetris @ 7:00 PM Le Havre, France
Nov 18 Tue The Bodega @ 7:00 PM Nottingham, United Kingdom
Nov 19 Wed The Mash House @ 7:00 PM Edinburgh, United Kingdom
Nov 20 Thu Manchester Academy 3 @ 7:30 PM Heywood, United Kingdom
Nov 21 Fri The Garage, London @ 7:00 PM London, United Kingdom
Nov 22 Sat The Joiners @ 12:00 PM Southampton, United Kingdom
Nov 24 Mon Le Botanique @ 7:00 PM Bruxelles, Belgium
Nov 25 Tue Gebäude 9 @ 7:30 PM Cologne, Germany
Nov 26 Wed Lido @ 8:00 PM Berlin, Germany
Nov 27 Thu Vera @ 8:00 PM Groningen, Netherlands
Nov 28 Fri Vortex Surfer Musikclub @ 7:00 PM Siegen, Germany
Nov 29 Sat Patronaat @ 7:30 PM Haarlem, Netherlands
#FRANKIETHEWITCHFINGERS #MUSIC #NEWS #PSYCHPUNK #PSYCHROCK #PSYCHEDELICPUNK #PSYCHEDELICROCK
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Strange Pilgrim – Too Bright Planet
Strange Pilgrim’s Too Bright Planet resonates like a record written at sunset, when the sky is still glowing but shadows have already stretched across the ground, when clarity and mystery coexist. It is music that carries warmth and unease, an album that never tries to resolve tension but instead stays in it, letting beauty and disorientation play off one another. Josh Barnhart’s songwriting has always leaned toward atmosphere and inward reflection, but here he sounds less solitary. With Pat Spurgeon and Elliott Kay joining the fold, Strange Pilgrim expands from a one-man vision into a band with genuine range. The songs carry weight, but the weight of a group moving together, pulling each idea further than it could go alone. This is a patient album. Nothing rushes to the chorus, nothing panders to streaming-era attention spans. The songs stretch and bend, their structures closer to drift than formula. Guitars shimmer in one moment, unravel into feedback the next, bass lines move with understated insistence, always grounding the haze, while the drums lock into grooves that feel loose, never stiff or mechanical. It’s music that values texture over gloss.
Recorded live and mixed with just enough haze, the record sounds instantaneous but not pure. Instruments bleed into each other, creating a sense of closeness, so you can hear a band in conversation. That intimacy keeps the record leveled even when it turns expansive or leans into kaleidoscopic layers and drifting ambience.Thematically, Too Bright Planet leans into renewal and forward movement. Where the debut was preoccupied with alienation, this album is shaped by a different kind of searching. The lyrics reflect a willingness to move through confusion and accept transience rather than resist it. There’s melancholy here, as each song feels like it’s trying to hold onto something fragile, knowing it won’t last. The imagery, planets, light, shadow, and memory support this tension between the fleeting and the eternal. Strange Pilgrim’s influences like Fleetwood Mac, Luna, Velvet Underground, or Brian Eno are easy to trace here, but what makes the record work is how little it feels like a pastiche. Those touchstones are refracted, but not repeated. The band borrows language from psych rock and dream pop but filters it through their own sense of space and discretion, resulting in a familiar and uncanny at once, a music that nods to history but doesn’t get trapped in it.
Guest appearances from Maggie Morris, Cory Gray, and Caleb Nichols add color without pulling focus. They underscore the collaborative spirit. Too Bright Planet is not the work of one auteur bending everything to his will, but of musicians willing to let songs grow in unpredictable directions. That looseness bring its strength. Barnhart writes about night shifts, fleeting encounters, and the ordinary rhythms of life, but frames them in ways that reveal their strangeness. A moment as small as watching a planet appear in the sky becomes surreal, overwhelming. The record flourishes in this space, showing how wonder and fatigue, clarity and confusion, often occupy the same breath. There is no posturing or ironic detachment here. Too Bright Planet is earnest in its search for meaning. It doesn’t offer resolution or grand statements, but it offers moments like light bending through dust, shadows stretching across a sidewalk, or a melody that doesn’t try to dominate but instead wavers, waiting for you to notice. Too Bright Planet demands attention, not as background music but as a space to enter, and it asks the listener to slow down, to sit with ambiguity, to hear not just songs but the spaces between them. Too Bright Planet captures the fragile balance of being alive in uncertain times, exhausted but moving forward, disoriented but still searching for beauty. Strange Pilgrim have delivered a record that refuses to flatten experience into easy catharsis. Instead, they give us music that inhabits tension, that lounges in shadow, and makes the ordinary shimmer with strangeness. Too Bright Planet shines with many beautiful moments waiting for you to discover them, so you should immediately check out this brilliant piece of work.
#INDIEROCK #MUSIC #PSYCHROCK #PSYCHEDELICROCK #REVIEWS #STRANGEPILGRIM
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Strange Pilgrim – Too Bright Planet
Strange Pilgrim’s Too Bright Planet resonates like a record written at sunset, when the sky is still glowing but shadows have already stretched across the ground, when clarity and mystery coexist. It is music that carries warmth and unease, an album that never tries to resolve tension but instead stays in it, letting beauty and disorientation play off one another. Josh Barnhart’s songwriting has always leaned toward atmosphere and inward reflection, but here he sounds less solitary. With Pat Spurgeon and Elliott Kay joining the fold, Strange Pilgrim expands from a one-man vision into a band with genuine range. The songs carry weight, but the weight of a group moving together, pulling each idea further than it could go alone. This is a patient album. Nothing rushes to the chorus, nothing panders to streaming-era attention spans. The songs stretch and bend, their structures closer to drift than formula. Guitars shimmer in one moment, unravel into feedback the next, bass lines move with understated insistence, always grounding the haze, while the drums lock into grooves that feel loose, never stiff or mechanical. It’s music that values texture over gloss.
Recorded live and mixed with just enough haze, the record sounds instantaneous but not pure. Instruments bleed into each other, creating a sense of closeness, so you can hear a band in conversation. That intimacy keeps the record leveled even when it turns expansive or leans into kaleidoscopic layers and drifting ambience.Thematically, Too Bright Planet leans into renewal and forward movement. Where the debut was preoccupied with alienation, this album is shaped by a different kind of searching. The lyrics reflect a willingness to move through confusion and accept transience rather than resist it. There’s melancholy here, as each song feels like it’s trying to hold onto something fragile, knowing it won’t last. The imagery, planets, light, shadow, and memory support this tension between the fleeting and the eternal. Strange Pilgrim’s influences like Fleetwood Mac, Luna, Velvet Underground, or Brian Eno are easy to trace here, but what makes the record work is how little it feels like a pastiche. Those touchstones are refracted, but not repeated. The band borrows language from psych rock and dream pop but filters it through their own sense of space and discretion, resulting in a familiar and uncanny at once, a music that nods to history but doesn’t get trapped in it.
Guest appearances from Maggie Morris, Cory Gray, and Caleb Nichols add color without pulling focus. They underscore the collaborative spirit. Too Bright Planet is not the work of one auteur bending everything to his will, but of musicians willing to let songs grow in unpredictable directions. That looseness bring its strength. Barnhart writes about night shifts, fleeting encounters, and the ordinary rhythms of life, but frames them in ways that reveal their strangeness. A moment as small as watching a planet appear in the sky becomes surreal, overwhelming. The record flourishes in this space, showing how wonder and fatigue, clarity and confusion, often occupy the same breath. There is no posturing or ironic detachment here. Too Bright Planet is earnest in its search for meaning. It doesn’t offer resolution or grand statements, but it offers moments like light bending through dust, shadows stretching across a sidewalk, or a melody that doesn’t try to dominate but instead wavers, waiting for you to notice. Too Bright Planet demands attention, not as background music but as a space to enter, and it asks the listener to slow down, to sit with ambiguity, to hear not just songs but the spaces between them. Too Bright Planet captures the fragile balance of being alive in uncertain times, exhausted but moving forward, disoriented but still searching for beauty. Strange Pilgrim have delivered a record that refuses to flatten experience into easy catharsis. Instead, they give us music that inhabits tension, that lounges in shadow, and makes the ordinary shimmer with strangeness. Too Bright Planet shines with many beautiful moments waiting for you to discover them, so you should immediately check out this brilliant piece of work.
#INDIEROCK #MUSIC #PSYCHROCK #PSYCHEDELICROCK #REVIEWS #STRANGEPILGRIM
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Strange Pilgrim – Too Bright Planet
Strange Pilgrim’s Too Bright Planet resonates like a record written at sunset, when the sky is still glowing but shadows have already stretched across the ground, when clarity and mystery coexist. It is music that carries warmth and unease, an album that never tries to resolve tension but instead stays in it, letting beauty and disorientation play off one another. Josh Barnhart’s songwriting has always leaned toward atmosphere and inward reflection, but here he sounds less solitary. With Pat Spurgeon and Elliott Kay joining the fold, Strange Pilgrim expands from a one-man vision into a band with genuine range. The songs carry weight, but the weight of a group moving together, pulling each idea further than it could go alone. This is a patient album. Nothing rushes to the chorus, nothing panders to streaming-era attention spans. The songs stretch and bend, their structures closer to drift than formula. Guitars shimmer in one moment, unravel into feedback the next, bass lines move with understated insistence, always grounding the haze, while the drums lock into grooves that feel loose, never stiff or mechanical. It’s music that values texture over gloss.
Recorded live and mixed with just enough haze, the record sounds instantaneous but not pure. Instruments bleed into each other, creating a sense of closeness, so you can hear a band in conversation. That intimacy keeps the record leveled even when it turns expansive or leans into kaleidoscopic layers and drifting ambience.Thematically, Too Bright Planet leans into renewal and forward movement. Where the debut was preoccupied with alienation, this album is shaped by a different kind of searching. The lyrics reflect a willingness to move through confusion and accept transience rather than resist it. There’s melancholy here, as each song feels like it’s trying to hold onto something fragile, knowing it won’t last. The imagery, planets, light, shadow, and memory support this tension between the fleeting and the eternal. Strange Pilgrim’s influences like Fleetwood Mac, Luna, Velvet Underground, or Brian Eno are easy to trace here, but what makes the record work is how little it feels like a pastiche. Those touchstones are refracted, but not repeated. The band borrows language from psych rock and dream pop but filters it through their own sense of space and discretion, resulting in a familiar and uncanny at once, a music that nods to history but doesn’t get trapped in it.
Guest appearances from Maggie Morris, Cory Gray, and Caleb Nichols add color without pulling focus. They underscore the collaborative spirit. Too Bright Planet is not the work of one auteur bending everything to his will, but of musicians willing to let songs grow in unpredictable directions. That looseness bring its strength. Barnhart writes about night shifts, fleeting encounters, and the ordinary rhythms of life, but frames them in ways that reveal their strangeness. A moment as small as watching a planet appear in the sky becomes surreal, overwhelming. The record flourishes in this space, showing how wonder and fatigue, clarity and confusion, often occupy the same breath. There is no posturing or ironic detachment here. Too Bright Planet is earnest in its search for meaning. It doesn’t offer resolution or grand statements, but it offers moments like light bending through dust, shadows stretching across a sidewalk, or a melody that doesn’t try to dominate but instead wavers, waiting for you to notice. Too Bright Planet demands attention, not as background music but as a space to enter, and it asks the listener to slow down, to sit with ambiguity, to hear not just songs but the spaces between them. Too Bright Planet captures the fragile balance of being alive in uncertain times, exhausted but moving forward, disoriented but still searching for beauty. Strange Pilgrim have delivered a record that refuses to flatten experience into easy catharsis. Instead, they give us music that inhabits tension, that lounges in shadow, and makes the ordinary shimmer with strangeness. Too Bright Planet shines with many beautiful moments waiting for you to discover them, so you should immediately check out this brilliant piece of work.
#INDIEROCK #MUSIC #PSYCHROCK #PSYCHEDELICROCK #REVIEWS #STRANGEPILGRIM
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Strange Pilgrim – Too Bright Planet
Strange Pilgrim’s Too Bright Planet resonates like a record written at sunset, when the sky is still glowing but shadows have already stretched across the ground, when clarity and mystery coexist. It is music that carries warmth and unease, an album that never tries to resolve tension but instead stays in it, letting beauty and disorientation play off one another. Josh Barnhart’s songwriting has always leaned toward atmosphere and inward reflection, but here he sounds less solitary. With Pat Spurgeon and Elliott Kay joining the fold, Strange Pilgrim expands from a one-man vision into a band with genuine range. The songs carry weight, but the weight of a group moving together, pulling each idea further than it could go alone. This is a patient album. Nothing rushes to the chorus, nothing panders to streaming-era attention spans. The songs stretch and bend, their structures closer to drift than formula. Guitars shimmer in one moment, unravel into feedback the next, bass lines move with understated insistence, always grounding the haze, while the drums lock into grooves that feel loose, never stiff or mechanical. It’s music that values texture over gloss.
Recorded live and mixed with just enough haze, the record sounds instantaneous but not pure. Instruments bleed into each other, creating a sense of closeness, so you can hear a band in conversation. That intimacy keeps the record leveled even when it turns expansive or leans into kaleidoscopic layers and drifting ambience.Thematically, Too Bright Planet leans into renewal and forward movement. Where the debut was preoccupied with alienation, this album is shaped by a different kind of searching. The lyrics reflect a willingness to move through confusion and accept transience rather than resist it. There’s melancholy here, as each song feels like it’s trying to hold onto something fragile, knowing it won’t last. The imagery, planets, light, shadow, and memory support this tension between the fleeting and the eternal. Strange Pilgrim’s influences like Fleetwood Mac, Luna, Velvet Underground, or Brian Eno are easy to trace here, but what makes the record work is how little it feels like a pastiche. Those touchstones are refracted, but not repeated. The band borrows language from psych rock and dream pop but filters it through their own sense of space and discretion, resulting in a familiar and uncanny at once, a music that nods to history but doesn’t get trapped in it.
Guest appearances from Maggie Morris, Cory Gray, and Caleb Nichols add color without pulling focus. They underscore the collaborative spirit. Too Bright Planet is not the work of one auteur bending everything to his will, but of musicians willing to let songs grow in unpredictable directions. That looseness bring its strength. Barnhart writes about night shifts, fleeting encounters, and the ordinary rhythms of life, but frames them in ways that reveal their strangeness. A moment as small as watching a planet appear in the sky becomes surreal, overwhelming. The record flourishes in this space, showing how wonder and fatigue, clarity and confusion, often occupy the same breath. There is no posturing or ironic detachment here. Too Bright Planet is earnest in its search for meaning. It doesn’t offer resolution or grand statements, but it offers moments like light bending through dust, shadows stretching across a sidewalk, or a melody that doesn’t try to dominate but instead wavers, waiting for you to notice. Too Bright Planet demands attention, not as background music but as a space to enter, and it asks the listener to slow down, to sit with ambiguity, to hear not just songs but the spaces between them. Too Bright Planet captures the fragile balance of being alive in uncertain times, exhausted but moving forward, disoriented but still searching for beauty. Strange Pilgrim have delivered a record that refuses to flatten experience into easy catharsis. Instead, they give us music that inhabits tension, that lounges in shadow, and makes the ordinary shimmer with strangeness. Too Bright Planet shines with many beautiful moments waiting for you to discover them, so you should immediately check out this brilliant piece of work.
#INDIEROCK #MUSIC #PSYCHROCK #PSYCHEDELICROCK #REVIEWS #STRANGEPILGRIM
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Strawberry Alarm Clock Return With First New Single In Decades, “Monsters” Out October 3rd
Psychedelic rock legends Strawberry Alarm Clock are back with “Monsters,” their first new single in decades and debut release for Big Stir Records. Out October 3 on all digital platforms, the track reunites five members from the band’s original 1967 lineup, offering a tense exploration of imaginary fears with a trippy, cinematic edge. A shorter radio edit accompanies the release, along with exclusive B-side “White Light.” Timed with Big Stir’s Halloween celebration, “Monsters” signals an exciting new chapter for the band that helped define psychedelic rock’s golden age. Fans can stream the single worldwide this October.
#MUSIC #NEWS #PSYCHROCK #PSYCHEDELICROCK #STRAWBERRYALARMCLOCK
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CW: implied baby animal death
Krowk finds a hole in the ground and helps herself to the easy meals within.
#psychoraptor #hyenas #monster #ibispaint -
If Bob Dylan and Beck got together and formed a weird, lo-fi garage rock band that played rough, rowdy, raw, catchy songs that were recorded however & randomly cut off at the ends of em, they'd probably sound something like New Orleans' TWISTED TEENS. Bummed I missed this fantastic self-titled LP of theirs last year, but at least I have it #NowPlaying. Also Cake, Sonics or Wild Pink vibes sometimes, maybe. I suspect @jeffrey may dig.
https://cpnpc.bandcamp.com/album/twisted-teens
#GarageRock #PsychRock #NewOrleans #NewOrleansBands #LouisianaBands #punk #PunkRock
