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#heavyrock — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #heavyrock, aggregated by home.social.

  1. Mastodon – Marrow Deep Review By Saunders

    Anchored by a somber weight and deep emotional pain impacting the connective tissue binding Mastodon over the decades, Marrow Deep signals a new era for the Atlanta heavyweights. Ninth album, and first since 2021’s bloated and occasionally brilliant double opus, Hushed and Grim arrives on the back of turbulent and traumatic times. Enigmatic founding member, uber-talented axeman/vocalist, and all-round wild man Brent Hinds parted ways in tense circumstances in March twenty-twenty-five, before tragically passing away in a motorcycle accident in August of the same year. The tragedy surrounding Hinds’ premature death hangs heavily over Marrow Deep’s conception. The remaining core trio of bassist/vocalist Troy Sanders, drummer/vocalist Brann Dailor, and guitarist Bill Kelliher composed the album, fleshing out the material with fresh members, guitarist Nick Johnston and keyboardist/synth player João Nogueira. Marrow Deep exorcises tense emotional grief, and like its predecessor, pulls on the heartstrings.

    Listeners who tapped out following Crack the Skye will find little here to bring them back into the fold. Following the exhaustive length of Hushed and Grim, cut down to size, Marrow Deep still sports a hefty 65-minute runtime. Peppering their progressive metal and sludge rock core with heady psych and stoner influences, alongside mellower rock and prog fare, Marrow Deep is also frequently direct and punchy. “Your Ghost Again” signals a fitting tribute to their fallen brother, anchored by urgent, driving verses, blossoming into haunting melodies, playful prog and a crushing climax. Fellow singles also fare well, such as the keyboard freakout and effective, minimalist cameo from Josh Homme (Queens of the Stone Age) on “Snakes for Dinner,” or the impressively raw, gut-wrenching Sanders vocal performance on the doomy ” Ruins,” inspired by the personal events of Hurricane Helene.

    Dailor’s smooth, though divisive, melodic vocals, alongside the deceptively dynamic bellows and rough vox of Sanders, sound confident, impassioned, and familiar, while the increased integration of keys and synths enlivens the Mastodon formula, adding texture and swirling psychedelia into the sludge rock and progressive metal populating infectious, riff-driven songcraft. Heavier and more energetic than its predecessor Marrow Deep often hits with impact. Featuring a bending, genuinely heavy swagger, opener “Barbarians Blood” eventually unleashes a turbo-charged, thrashy, punk-metal groove that goes hard. Equally potent, “Poisonous Weapons” demonstrates Mastodon can still crush and destroy through dense, riffy sludge with a bitter edge. Upping the aggressive ante, Nate Newton (Converge/Cave In) and Randy Blythe (Lamb of God) lend their vocal talents to the fiery blast of “A Vampire’s Demeanor.” Elsewhere, the legendary Geezer Butler (Black Sabbath) supplies signature, tasty bass licks on the intro to the trippy, psych-leaning odyssey of “The Vanishing,” while Clutch’s Neil Fallon showcases his gruff preaching on jam-infested finale, ‘The Three Fates.” Gears shift on “Golden Spires,” sweetly balancing the album’s melodic sways and heavier surges through towering riffs and striking dynamics.

    Loaded with technical and progressive flair listeners have come to expect, performances are super tight. Johnston fills the Hinds void admirably, without simply replicating his admired predecessor. A hugely competent shredder, Johnston puts his own stamp on Marrow Deep, getting a particular opportunity to exhibit his classy soloing on Marrow Deep’s more exploratory, psych and stoner heavy tunes (“The Vanishing,” “Moth and Bone,” and monolithic closer “The Three Fates”). Dailor’s drumming is as intricate and creative as ever, without overplaying his hand, and the Dailor/Sanders vocal combo sounds confident and assured. Unfortunately, Marrow Deep is saddled with a crunchy but overly clean production and compressed mastering job sapping some of the album’s sonic power. Concerning self-editing issues also surface, and while most the material lands, there are occasional lulls and plods suggesting some shrewder editing may have been required.

    For all of Marrow Deep’s strengths and fresh designs, the absence of Hinds is strongly felt. Whether through his songwriting contributions or unique guitar style, which cleverly incorporated outside influences, such as bluegrass and southern rock twang, into Mastodon’s progressive sludge formula. Meanwhile, his hugely expressive, soulful soloing and unmistakable vocals feel odd to be missing; moments occur where you half expect a Hinds vocal to pop up. Gripes aside, Marrow Deep is a better album than expected considering the massive hole left by Hinds’. Credit to the remaining members and new blood for forging ahead with optimism, crafting an entertaining opus. Time will tell where Marrow Deep fits in the greater Mastodon canon. As it stands, Marrow Deep marks a rejuvenated, cathartic, nerve-poking transitional turn from Mastodon.

    Rating: 3.5/5.0
    DR: N/A | Format Reviewed: Lousy Stream
    Label: Lorna Vista Recordings
    Websites: mastodonrocks.com | Bandcamp
    Releases Worldwide: August 28th, 2026

    #2026 #35 #AmericanMetal #BlackSabbath #CaveIn #Clutch #Converge #HeavyRock #LornaVistaRecordings #MarrowDeep #Mastodon #ProgressiveMetal #QueensOfTheStoneAge #Review #Reviews #Sludge
  2. The Queen Is Dead Volume 219 – Sons Of Ghidorah, Mandy Manala, Maneating Orchid

    Sons Of Ghidorah, Mandy Manala e Maneating Orchid: 3 dischi
    Da New York alla Finlandia fino a Bangalore: Sons Of Ghidorah, Mandy Manala e Maneating Orchid travolgono doom, occult rock e mathcore senza alcuna tregua.

    @sonsofghidorah @mandymanala @maneatingorchid
    #SonsOfGhidorah #MandyManala #ManeatingOrchid #DoomMetal #OccultRock #Mathcore #HeavyRock #NoiseHardcore #MusicaEstrema #ScenaUnderground #RecensioniMusicali #DischiDaAscoltare

    #thequeenisdead #sonsofghidorah #mandymanala #maneatingorchid #heavyrockdoom #occultorock #mathcorehardcore

    iyezine.com/sons-of-ghidorah-m

    #iye #iyezine #inyoureyesezine

  3. Madness in #Stevenage at the moment #HeavyRock festival at Knebworth this weekend expecting general gridlock - going to upset the M&S breakfast crew. Oasis is planned to return at some point to #Knebworth & I hear they like M&S food hall - #rocknroll !

  4. #HeavyRock is now trending across Mastodon

    #Spyro is now trending across Mastodon

  5. Good memories from Spliff'n'Riff at Neue Zukunft.

    Can't wait until we're playing again! Luckily that's on Friday already, yay!

    22.05.2026
    @ Drugstore (Rockhaus in Lichtenberg)
    Doors: 20:00
    Doom: 21:00

    Photos by Khaled 🖤
    khaledalshannan.wordpress.com/

    #band #concert #PsychDoom #StonerDoom #PsychedelicRock #DoomMetal #PsychedelicDoom #Sludge #StonerRock #HeavyRock

  6. Hoaxed – Death Knocks Review By Maddog

    Death Knocks isn’t the most extreme album out there, but it straddles the metal boundary more than enough to earn a spot here. While I hadn’t heard of Hoaxed before, their new release caught my eye through its album art and its impressive lead single, “Where the Seas Fall Silent.” This three-piece from Portland plays metal-edged occult rock that aims for an eerie atmosphere as much as for melodic gems. Simple and concise, Death Knocks isn’t revolutionary, but it’s a worthwhile half-hour coven excursion.

    Hoaxed plays a familiar brand of bass-heavy, mid-paced doomy rock. In contrast with much of the genre, Hoaxed’s guitars might be the most understated part of their sound. Alternating between more aggressive riffs that recall Sumerlands and sparser melodies, Kat Keo’s guitar work is simple but tinged with evil. New bassist April Dimmick (Soul Grinder) brings her thrash experience to bear with aggressive thumping bass lines that often steal the show. Keo also handles lead clean vocals, while Dimmick alternates between clean harmonizing and harsh growls. These vocal melodies serve as a backbone, offering straightforward but engaging hooks to hold songs together. Rounded out by occasional synth backing, Death Knocks’ style of Gothic rock reminds me of Avatarium or a slowed-down Unto Others. It’s not an unheard-of style, but it’s one that works.

    Death Knocks by Hoaxed

    Death Knocks revels in its simplicity. Keo and Dimmick’s vocal work shines through its power rather than any technical gymnastics. The catchy melodies grab my attention throughout, even when other pieces falter; for instance, the rising and falling vocals of “Kill Switch” single-handedly redeem a track that struggles otherwise. Keo’s serene vocal approach sometimes reminds me of Myrkur’s folkier work (“The Fallen”). Similarly, Dimmick’s vocal harmonies aren’t earth-shattering, but they add a layer of depth throughout the album. Meanwhile, her bass riffs don’t hesitate to take center stage, adding oomph and variety (“Wretched”). But the real star of this show might be the drums. Kim Coffel’s tom-heavy and hi-hat-heavy kit attack displays a mastery of groove and creativity without feigning a technical clinic. The drums evolve constantly both within verses and between them, adding fluidity even in melodically simple moments (“Dead Ringer”). Coupled with a rich sound, Death Knocks’ drums are the most memorable part of the album, which I rarely ever say.

    Straightforward songs are Hoaxed’s strength, but they can get old. Death Knocks’ song structures are cookie-cutter, with verses and choruses interspersed with instrumental interludes. While this poppy approach can work fine, it quickly loses me when the underlying melodies aren’t bulletproof (“Promised to Me”). Similarly, Hoaxed struggles to have creative outros even on their stronger tracks (“The Fallen”), making it seem like they came up with great ideas but weren’t sure how to stitch them together. Keo’s guitar melodies stand out on the opener “Where the Seas Fall Silent” and the fantastic “The Family,” but in the middle of the album, they tend to lose my interest through repetition. Death Knocks is consistently competent, but would benefit from more variety in its songwriting.

    It’d be tough to argue that Death Knocks rewrites the book on anything. But with catchy vocal harmonies, engaging guitar and bass lines, and a stand-out drum performance, it’s a worthy addition to your collection. Death Knocks is also a triumph of conciseness; if this album had been 50 minutes long rather than 31, the bloat would have made it more of a chore to get through. As it stands, while Hoaxed has room to grow in their musical diversity, Death Knocks is a perfectly entertaining and ghoulish listen.

    Rating: 3.0/5.0
    DR: N/A | Format Reviewed: Stream
    Label: Relapse Records
    Websites: hoaxed.bandcamp.com | hoaxedband.com | facebook.com/hoaxedband
    Releases Worldwide: February 13th, 2026

    #2026 #30 #AmericanMetal #Avatarium #DeathKnocks #DoomRock #Feb26 #HardRock #HeavyMetal #HeavyRock #Hoaxed #Myrkur #OccultRock #RelapseRecords #Review #Reviews #Sumerlands #UntoOthers
  7. DarkCompass 9th Aug 2024 hardrockhellradio.com/2024/08/
    New music from Helle, Enmy, Exist Immortal and more. Broadcast on Hard Rock Hell Radio 9th August 2024 No children were harmedContinue reading …
    #DesertTock #doom #HardRock #HeavyRock #NewMetal #podcast #punk #stiner
    #hrhrocks

  8. DarkCompass 9th Aug 2024 hardrockhellradio.com/2024/08/
    New music from Helle, Enmy, Exist Immortal and more. Broadcast on Hard Rock Hell Radio 9th August 2024 No children were harmedContinue reading …
    #DesertTock #doom #HardRock #HeavyRock #NewMetal #podcast #punk #stiner
    #hrhrocks

  9. DarkCompass 9th Aug 2024 hardrockhellradio.com/2024/08/
    New music from Helle, Enmy, Exist Immortal and more. Broadcast on Hard Rock Hell Radio 9th August 2024 No children were harmedContinue reading …
    #DesertTock #doom #HardRock #HeavyRock #NewMetal #podcast #punk #stiner
    #hrhrocks

  10. DarkCompass 9th Aug 2024 hardrockhellradio.com/2024/08/
    New music from Helle, Enmy, Exist Immortal and more. Broadcast on Hard Rock Hell Radio 9th August 2024 No children were harmedContinue reading …
    #DesertTock #doom #HardRock #HeavyRock #NewMetal #podcast #punk #stiner
    #hrhrocks