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33 results for “mathetos”
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I’m speaking with @ipstenu and @mathetos on #WPProductTalk today LIVE NOW!
We'll deviate from our normal format to talk about the WordPress Plugin Directory, the recent .com/.org SEO controversy, and how product owners leverage the Plugin Directory effectively and considerately.
🕜 Noon EST
🗓️ TODAYTune in live to add your voice to the discussion!
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Join Piccia Neri, @mathetos, and me today at noon Eastern time on #WPProductTalk to discuss deceptive patterns in design!
This is gonna be an Awesome episode.
#WordPress #UX #Marketing #Design #DeceptivePatterns
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🚀 Taking a WordPress product from alpha to launch is a wild ride—are you ready?
Join us LIVE in 15 minutes with Jonathan Jernigan of Pie Calendar and my co-host @mathetos to learn how to ship with confidence!
https://wpproducttalk.com/podcast/how-to-develop-your-product-from-alpha-to-launch/
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I’m cohosting #WPProductTalk today on a topic I’m excited to get into: How to create an unforgettable logo to boost your WordPress product's identity
Join Joel Butler from #StellarWP and my co-host @mathetos for tips & insights to power up your next product launch!
📆 SPECIAL TIME‼️
Today @ 2:15 ET / 19:15pm UTChttps://wpproducttalk.com/podcast/how-to-create-a-logo-for-your-next-wordpress-product/
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New on #WPProductTalk tomorrow! Get ready to crush your Black Friday sales 🛒🛒
It's a COHOSTS-only episode!
Join @mathetos, @[email protected] & me as we share our top BFCM strategies for 2023.📆 Oct 18
🕛 Noon ESTSee you there!
https://www.youtube.com/watch?v=WgoeSYzbXgg -
Ooooh it’s official now! 😁 I’m excited to be part of #WPProductTalk! https://fosstodon.org/@mathetos/110661580982337278
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New on #WPProductTalk! Get ready to crush your Black Friday sales 🛒🛒
It's a COHOSTS only episode!
Join me, @katiekeithbarn2 & @zackkatz as we share our top BFCM strategies.📆 Oct 18
🕛 Noon ESTSee you there!
https://www.youtube.com/watch?v=WgoeSYzbXgg -
🔥 Today on #WPProductTalk:
Join us with Vikas Singhal from @insta_wp to discuss Effective Live Product Demos!
For any WP product owner thinking about live demos, this is a convo you won't want to miss.
📆 Today!
🕛 Noon EST -
#WPProductTalk on the "Trials and Tribulations of hosting your product on the .org Plugin Directory" with @ipstenu and
@zackkatz🕜 Noon EST
🗓️ TODAYTune in live to add your voice to the discussion.
https://www.youtube.com/live/67_teHT58t4?si=4KW_5Qbw0xE_PP6V -
🔥 This week on #WPProductTalk
Unlock the power of customer feedback! Join us with @miriamschwab from Strattic & Elementor to discuss "How Customer Feedback Loops Benefit your Bottom Line." 🎯
📆TODAY
🕛Noon ESTWatch live and chime in here:
https://www.youtube.com/watch?v=Fz3wuo7Dr1U -
A certain WordPress product owner talk show just crossed 100 subscribers!! For such a small niche audience I'm really proud of this milestone.
🥳Shout outs to Kim Coleman, @katiekeithbarn2 @amberhinds
@zackkatz and all our guests for this accomplishment!#WPProductTalk is where every week we interview an experienced WP product owner on tip, experiences, failures, and successes of running successful and thriving WordPress product businesses.
Subscribe here:
https://www.youtube.com/@wpproducttalk -
💸 Curious about paid ads for your WordPress product? Let Drew Griswold, Director of Digital Marketing at StellarWP show you the ropes in today's #WPProductTalk!
Learn the HOW and WHY of paid advertising 🚀
Join @zackkatz & I today for actionable insights!
📆Today
🕧 6pm CET
https://www.youtube.com/live/9I_kExNUc3E?feature=share -
🎉 New #WPProductTalk alert! Join us as Lindsay Halsey from Pathfinder SEO shares how to use SEO to grow your WP product business.
📆7/19/23
⌚ Noon ESTCo-hosted by @heyamberhinds and @zackkatz . Don't miss it!
https://www.youtube.com/live/T_Ad8tbE1_Y?feature=share -
🚀 New on #WPProductTalk! TODAY we're raising the bar with Vito Peleg from Atarim!
Dive in as we explore how to "Elevate Your Game: Secure Investors and Grow Your WordPress Product"!
Co-hosted by
@katiekeithbarn2 and myself📆Today
🕧 Noon EST
https://www.youtube.com/live/6jaVXYsiLP0?feature=share -
New #WPProductTalk intro to include ALL our new co-hosts.
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Tuesday the Sky – Indoor Enthusiast Review
By Baguette of Bodom
Jim Matheos is not the kind of artist to sit still in one place for long. Best known for his splendid guitar work in amorphous US progressive metal band Fates Warning, he also wields a vast assortment of offshoots and side projects, some closer to his usual style than others. Instrumental solo effort Tuesday the Sky is one of Matheos’ more distant adventures with its ambient post-rock soundscapes and touches of electronica. Debut album Drift spawned in 2017 in the wake of Theories of Flight’s writing sessions. Moody 2021 follow-up The Blurred Horizon largely eschewed the more explosive bits, leaving one Huck n Roll with respectful but mixed feelings. Now, four more years later, Matheos is revisiting Tuesday the Sky again with third album Indoor Enthusiast. How enthusiastic should fans of Matheos be for the return of this questionably named project?1
Crafting delicate atmospheres remains Tuesday the Sky’s bread and butter. Taking notes from Sigur Rós and Brian Eno alike, Indoor Enthusiast drifts between moods and genres. On the minimalistic end of the spectrum, dreamy and introspective electronica tracks like “Zugzwang” and “The Last Lonely Lamppost” act as the base sound for the album. Drums and guitars provide additional instrumentation as counterbalance in both accentuating and maximalist ways, occasionally entering familiar metal territory (“The Nearest Exit May Be Behind You,” “Set Fire to the Stars”). While Matheos experimented with things like this alongside Kevin Moore in OSI, the material on Indoor Enthusiast is generally more low-key than OSI’s most somber moments. And sans vocals, the onus is even more on the songwriting to prove the album’s worth.
Indoor Enthusiast takes much better advantage of layers and texture than prior works. Drift kept its loadout of strange but exciting ideas separate, and most of The Blurred Horizon stuck to a quiet, minimalistic gloom. In contrast, Indoor Enthusiast fuses its elements together more often in both subtle and unsubtle ways. This leads to a stronger active experience while still making sense album flow-wise. Improved composition allows some of the quieter material to shine and pop (“Get Lost,” “Between Wind and Water”), and “Does It Need to Be So Loud?” even brings back the electronic alt-rock gloom of Disconnected. Deep build-ups lead to satisfying crescendos, with “Set Fire to the Stars” using the record’s full arsenal to make a case for the strongest Tuesday the Sky song yet. Not all of the record’s quirks land equally well. For instance, some of the glitchier effects used (“The Nearest Exit May Be Behind You,” “Memento Mori”) are distracting and take away from the album’s introspective vibe. But overall, Indoor Enthusiast’s songs have both the variety and quality to be distinct and interesting.
The instrumentation of Tuesday the Sky sounds as crisp as ever, a quality expected of Matheos. The rock instruments sound excellent, accentuating the wide variety of electronic effects at the core of the album. The album’s elements combine naturally and have plenty of room to breathe. Though wonderfully produced, it does feel like there is too much downtime between Indoor Enthusiast’s highlights. Matheos’ greatest strength is undoubtedly his tasteful and subtly complex guitar wizardry, and sometimes the nature of a project like Tuesday the Sky gets in the way of that strength—the back-to-back of twins “Ghost Train” and “Zugzwang” slowing down momentum early on. The second half of the album, fortunately, avoids the “background music” pitfall. While I do feel like the album still leaves something on the table, its strong highlights make the record a pleasant experience front to back.
Though wandering slightly off course at times, Indoor Enthusiast is the most cohesive Tuesday the Sky record yet. Its individual ingredients of rock, metal, and ambient electronic mix together better than before, with memorable dynamic shifts keeping things going. Compared to last year’s North Sea Echoes debut, Matheos has certainly improved the minimalistic experimental side of his songwriting; the album as a whole feels like it develops towards something. I do still think he can do even better, but he is making it work. I don’t know what direction Tuesday the Sky will go to next—if any—but Indoor Enthusiast gives this side of Matheos a fresh and solid foundation.
Rating: Good!
DR: 9 | Format Reviewed: 256 kbps mp3
Label: Metal Blade Records
Websites: tuesdaythesky.bandcamp.com | tuesdaythesky.com | facebook.com/TuesdaytheSky
Releases Worldwide: October 24th, 2025#2025 #30 #Ambient #AmericanMetal #BrianEno #Electronica #FatesWarning #IndoorEnthusiast #Instrumental #InstrumentalMetal #MetalBladeRecords #NorthSeaEchoes #Oct25 #OSI #PostRock #ProgressiveMetal #ProgressiveRock #Review #Reviews #SigurRÃS #TuesdayTheSky
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Junior hat 24 von 27 Punkten in seinem allerersten Mathetest 💪
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#TheMetalDogArticleList
#BLABBERMOUTH
KINGS OF MERCIA Feat. FATES WARNING's JIM MATHEOS, FM's STEVE OVERLAND: 'Battle Scars' Album Announced -
#TheMetalDogArticleList
#BLABBERMOUTH
KINGS OF MERCIA Feat. FATES WARNING's JIM MATHEOS, FM's STEVE OVERLAND: 'Battle Scars' Album Announced -
#TheMetalDogArticleList
#BLABBERMOUTH
KINGS OF MERCIA Feat. FATES WARNING's JIM MATHEOS, FM's STEVE OVERLAND: 'Battle Scars' Album Announced -
#TheMetalDogArticleList
#BLABBERMOUTH
KINGS OF MERCIA Feat. FATES WARNING's JIM MATHEOS, FM's STEVE OVERLAND: 'Battle Scars' Album Announced -
#TheMetalDogArticleList
#BLABBERMOUTH
KINGS OF MERCIA Feat. FATES WARNING's JIM MATHEOS, FM's STEVE OVERLAND: 'Battle Scars' Album Announced -
Schon seit ein paar Wochen bin ich ein Album der Woche schuldig. Weil ich wegen anderer Dinge nicht so richtig Zeit fand zum bewussten Musikhören, rotierte »Really Good Terrible Things« von North Sea Echos (erschienen 2024) hier mehrere Wochen im Player. Alder/Matheos (früher Fates Warning) machen mal wieder ein eigenes Ding, sie haben sich dieses Mal aber der ruhigen Töne gewidmet. Mir zu langweilig. #rocknroll #albumderwoche #northseaechoes #fateswarning
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Metal Blade Video 🤘 Tuesday The Sky's new album, 'Indoor Enthusiast' is out now! #progmetal #instrumental #fateswarning: The one and only Jim Matheos puts together another mesmerizing Tuesday The Sky record! 'Indoor Enthusiast'. Eleven songs of pure Matheos-patented playing and passion.
Stream/order your copy on CD here: https://www.metalblade.com/tuesdaythesky/ http://dlvr.it/TNsf8F LinkInBio for More 🤘 #MetalBladeRecords #HeavyMetal #Metal
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kapier ich nicht; der #spucktest ist ja eigentlich der einfachste aller schultests - geht ja auch niemand hin und sagt "nö, mathetest machen wir nicht weil mein kind vlt schlecht in mathe sein könnte"
https://www.blick.ch/schweiz/wer-nicht-spuckt-fliegt-eltern-laufen-sturm-gegen-testpflicht-an-zuger-schulen-id16333842.html -
Kings of Mercia – Battle Scars Review
By Dolphin Whisperer
Having already this decade released a Tuesday the Sky album, new project North Sea Echoes, and, now, the second Kings of Mercia album Battle Scars, it’s clear Fates Warning founding guitarist Jim Matheos does not wander this Earth without a load of sonic ideas. While many of his offshoots have skewed ambient or atmospheric in some regard, Kings of Mercia follows a different path. Featuring the classically AOR vocal styles of the highly-credited, little-celebrated Steve Overland (FM, Shadowman),1 Kings of Mercia aims neither for the head nor the heart, leaning instead into the hip-swaying, gentle head nodding of warm-toned Dad metal. So you ask then how they got those scars? Probably in a fight with a hammer and a shelf that concluded with all parties splayed about the floor.
As an homage to a simpler time in metal history, a lot of what Kings of Mercia puts out feels obligatory. Now, this doesn’t mean that Matheos can’t write a song—far from it. Cuts like “Eye for an Eye,” “Legend,” and “Cold” have more than enough slick riffage and sneaky modulations that they carry their weight from start to finish with little effort and high intrigue. But both confined in traditional chorus-focused rock structures and firmly in the box of 80s-minded impact, Battle Scars needs to succeed on the few elements that it handles with delicate personal twists. And in that limited scope, its chance to break away the shopping mall hits list from the likes of a bouncing Toto jam or a sultry Whitesnake burner leaves Battle Scars out the gate with a handicap.
But Matheos and co. seem to concern themselves very little with how relevant or earth-shaking Kings of Mercia will be, continuing to focus on coating Battle Scars with well-toned, snazzy refrains that frame Overland’s time-tested pipes with an unbreakable groove. As a master of warping crunchy amp character against layered, syncopated riffs, Matheos builds an amplified immediacy that opens up with each of Overland’s title-laden chorus calls (“Guns and Ammunition,” “Eye for an Eye,” “Cold”). And when slowing things down to a bluesy bounce, rhythm stalwarts Joey Vera (Fates Warning, Armored Saint) and Simon Phillips (Toto) play up simpler guitar craft with a hammering march and growling pulse (“Between Two Worlds,” “Hell ‘n’ Back”). Matheos continues too to explore looped guitar patterns and chunky industrial tones with the alt-edged “Aftermath,” lending a higher diversity to the back half. Rare is the moment on Battle Scars that displeases the ears.
For an album that strikes as immediate, Battle Scars’ biggest fault remains its lowest moment segregating a serviceable open from a promising close. Much like the criticism that ol’ Huck laid out of their debut, Kings of Mercia’s adherence to the aged inclusion of a full sap ballad returns as an offense. The titular apex of the first half pushes—shakers and crying clean guitars hitting at full sweetness—an unwelcome aura of sadness into the pleasant romp that otherwise develops throughout Battle Scars. But this downcast element, at least, gives Kings of Mercia an edge that doesn’t usually persist in the 80s worship of the modern day. With lyrical content that ranges from dissatisfaction with certain sociopolitical happenings in the world (“Guns and Ammunition”), coming to terms with aging (“Between Two Worlds”), and acknowledging the duality of life choices (“Angels & Demons”), albeit in light-hearted phrasing,2 Kings of Mercia tells stories much differently than the big hair and arena anthemics of the past.
With this grounded energy, Battle Scars escapes a potential fault in remaining too saccharine. At brightest, Kings of Mercia evades the gruel of a closing second ballad, letting “Angels & Demons” turn down the lights with a resonating acoustic guitar melody and cello duet that simmers into a riff-handed statement of triumph. The harder-hitting, more diverse B-side at large highlights the plodding similarities of Overland’s vocal patterns and the overwrought nature of King of Mercia’s softest elements. So while it’s true that Matheos can build accessible distorted rockers with a progressive flair, it’ll take more than a little high-gain ear candy with a hint of melancholy for Kings of Mercia to sail away with a fuller vote of confidence.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Metal Blade Records | Bandcamp
Websites: kingsofmercia.com | kingsofmercia.bandcamp.com
Releases Worldwide: October 4th, 2024#25 #2024 #AOR #BattleScars #FatesWarning #FM #HardRock #HeavyMetal #InternationalMetal #KingsOfMercia #MetalBladeRecords #Oct24 #ProgressiveRock #Review #Reviews #Toto #Whitesnake
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Kings of Mercia – Battle Scars Review
By Dolphin Whisperer
Having already this decade released a Tuesday the Sky album, new project North Sea Echoes, and, now, the second Kings of Mercia album Battle Scars, it’s clear Fates Warning founding guitarist Jim Matheos does not wander this Earth without a load of sonic ideas. While many of his offshoots have skewed ambient or atmospheric in some regard, Kings of Mercia follows a different path. Featuring the classically AOR vocal styles of the highly-credited, little-celebrated Steve Overland (FM, Shadowman),1 Kings of Mercia aims neither for the head nor the heart, leaning instead into the hip-swaying, gentle head nodding of warm-toned Dad metal. So you ask then how they got those scars? Probably in a fight with a hammer and a shelf that concluded with all parties splayed about the floor.
As an homage to a simpler time in metal history, a lot of what Kings of Mercia puts out feels obligatory. Now, this doesn’t mean that Matheos can’t write a song—far from it. Cuts like “Eye for an Eye,” “Legend,” and “Cold” have more than enough slick riffage and sneaky modulations that they carry their weight from start to finish with little effort and high intrigue. But both confined in traditional chorus-focused rock structures and firmly in the box of 80s-minded impact, Battle Scars needs to succeed on the few elements that it handles with delicate personal twists. And in that limited scope, its chance to break away the shopping mall hits list from the likes of a bouncing Toto jam or a sultry Whitesnake burner leaves Battle Scars out the gate with a handicap.
But Matheos and co. seem to concern themselves very little with how relevant or earth-shaking Kings of Mercia will be, continuing to focus on coating Battle Scars with well-toned, snazzy refrains that frame Overland’s time-tested pipes with an unbreakable groove. As a master of warping crunchy amp character against layered, syncopated riffs, Matheos builds an amplified immediacy that opens up with each of Overland’s title-laden chorus calls (“Guns and Ammunition,” “Eye for an Eye,” “Cold”). And when slowing things down to a bluesy bounce, rhythm stalwarts Joey Vera (Fates Warning, Armored Saint) and Simon Phillips (Toto) play up simpler guitar craft with a hammering march and growling pulse (“Between Two Worlds,” “Hell ‘n’ Back”). Matheos continues too to explore looped guitar patterns and chunky industrial tones with the alt-edged “Aftermath,” lending a higher diversity to the back half. Rare is the moment on Battle Scars that displeases the ears.
For an album that strikes as immediate, Battle Scars’ biggest fault remains its lowest moment segregating a serviceable open from a promising close. Much like the criticism that ol’ Huck laid out of their debut, Kings of Mercia’s adherence to the aged inclusion of a full sap ballad returns as an offense. The titular apex of the first half pushes—shakers and crying clean guitars hitting at full sweetness—an unwelcome aura of sadness into the pleasant romp that otherwise develops throughout Battle Scars. But this downcast element, at least, gives Kings of Mercia an edge that doesn’t usually persist in the 80s worship of the modern day. With lyrical content that ranges from dissatisfaction with certain sociopolitical happenings in the world (“Guns and Ammunition”), coming to terms with aging (“Between Two Worlds”), and acknowledging the duality of life choices (“Angels & Demons”), albeit in light-hearted phrasing,2 Kings of Mercia tells stories much differently than the big hair and arena anthemics of the past.
With this grounded energy, Battle Scars escapes a potential fault in remaining too saccharine. At brightest, Kings of Mercia evades the gruel of a closing second ballad, letting “Angels & Demons” turn down the lights with a resonating acoustic guitar melody and cello duet that simmers into a riff-handed statement of triumph. The harder-hitting, more diverse B-side at large highlights the plodding similarities of Overland’s vocal patterns and the overwrought nature of King of Mercia’s softest elements. So while it’s true that Matheos can build accessible distorted rockers with a progressive flair, it’ll take more than a little high-gain ear candy with a hint of melancholy for Kings of Mercia to sail away with a fuller vote of confidence.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Metal Blade Records | Bandcamp
Websites: kingsofmercia.com | kingsofmercia.bandcamp.com
Releases Worldwide: October 4th, 2024#25 #2024 #AOR #BattleScars #FatesWarning #FM #HardRock #HeavyMetal #InternationalMetal #KingsOfMercia #MetalBladeRecords #Oct24 #ProgressiveRock #Review #Reviews #Toto #Whitesnake
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Kings of Mercia – Battle Scars Review
By Dolphin Whisperer
Having already this decade released a Tuesday the Sky album, new project North Sea Echoes, and, now, the second Kings of Mercia album Battle Scars, it’s clear Fates Warning founding guitarist Jim Matheos does not wander this Earth without a load of sonic ideas. While many of his offshoots have skewed ambient or atmospheric in some regard, Kings of Mercia follows a different path. Featuring the classically AOR vocal styles of the highly-credited, little-celebrated Steve Overland (FM, Shadowman),1 Kings of Mercia aims neither for the head nor the heart, leaning instead into the hip-swaying, gentle head nodding of warm-toned Dad metal. So you ask then how they got those scars? Probably in a fight with a hammer and a shelf that concluded with all parties splayed about the floor.
As an homage to a simpler time in metal history, a lot of what Kings of Mercia puts out feels obligatory. Now, this doesn’t mean that Matheos can’t write a song—far from it. Cuts like “Eye for an Eye,” “Legend,” and “Cold” have more than enough slick riffage and sneaky modulations that they carry their weight from start to finish with little effort and high intrigue. But both confined in traditional chorus-focused rock structures and firmly in the box of 80s-minded impact, Battle Scars needs to succeed on the few elements that it handles with delicate personal twists. And in that limited scope, its chance to break away the shopping mall hits list from the likes of a bouncing Toto jam or a sultry Whitesnake burner leaves Battle Scars out the gate with a handicap.
But Matheos and co. seem to concern themselves very little with how relevant or earth-shaking Kings of Mercia will be, continuing to focus on coating Battle Scars with well-toned, snazzy refrains that frame Overland’s time-tested pipes with an unbreakable groove. As a master of warping crunchy amp character against layered, syncopated riffs, Matheos builds an amplified immediacy that opens up with each of Overland’s title-laden chorus calls (“Guns and Ammunition,” “Eye for an Eye,” “Cold”). And when slowing things down to a bluesy bounce, rhythm stalwarts Joey Vera (Fates Warning, Armored Saint) and Simon Phillips (Toto) play up simpler guitar craft with a hammering march and growling pulse (“Between Two Worlds,” “Hell ‘n’ Back”). Matheos continues too to explore looped guitar patterns and chunky industrial tones with the alt-edged “Aftermath,” lending a higher diversity to the back half. Rare is the moment on Battle Scars that displeases the ears.
For an album that strikes as immediate, Battle Scars’ biggest fault remains its lowest moment segregating a serviceable open from a promising close. Much like the criticism that ol’ Huck laid out of their debut, Kings of Mercia’s adherence to the aged inclusion of a full sap ballad returns as an offense. The titular apex of the first half pushes—shakers and crying clean guitars hitting at full sweetness—an unwelcome aura of sadness into the pleasant romp that otherwise develops throughout Battle Scars. But this downcast element, at least, gives Kings of Mercia an edge that doesn’t usually persist in the 80s worship of the modern day. With lyrical content that ranges from dissatisfaction with certain sociopolitical happenings in the world (“Guns and Ammunition”), coming to terms with aging (“Between Two Worlds”), and acknowledging the duality of life choices (“Angels & Demons”), albeit in light-hearted phrasing,2 Kings of Mercia tells stories much differently than the big hair and arena anthemics of the past.
With this grounded energy, Battle Scars escapes a potential fault in remaining too saccharine. At brightest, Kings of Mercia evades the gruel of a closing second ballad, letting “Angels & Demons” turn down the lights with a resonating acoustic guitar melody and cello duet that simmers into a riff-handed statement of triumph. The harder-hitting, more diverse B-side at large highlights the plodding similarities of Overland’s vocal patterns and the overwrought nature of King of Mercia’s softest elements. So while it’s true that Matheos can build accessible distorted rockers with a progressive flair, it’ll take more than a little high-gain ear candy with a hint of melancholy for Kings of Mercia to sail away with a fuller vote of confidence.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Metal Blade Records | Bandcamp
Websites: kingsofmercia.com | kingsofmercia.bandcamp.com
Releases Worldwide: October 4th, 2024#25 #2024 #AOR #BattleScars #FatesWarning #FM #HardRock #HeavyMetal #InternationalMetal #KingsOfMercia #MetalBladeRecords #Oct24 #ProgressiveRock #Review #Reviews #Toto #Whitesnake
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@quantensalat @KM_BW Ich finde den Grundgedanken von #Kompass4 sehr gut. Und wie soll man auch die Hochschuleignung abklopfen, wenn nicht mit einer angedeuteten Klausurphase? Der sprechende Hut prüft schließlich nur in Hogwarts.
Dass die Leistungen der Viertklässler im Jahr 2024 schlecht ausfallen, ist zu erwarten. Kalibriert das Werkzeug nicht an Singularitäten.
Die Generation #Corona ist eine verlorene Generation.
Die Gesellschaft hat sie stigmatisiert,
das Bildungswesen hat sie durch die allein gelassene Polarität des Lehrerspektrums aufgespleißt,
ihre Sozialisierung wurde auf Eis gelegt
und das neue Normal ist Unterrichtsausfall wegen Krankheit.
Da muss man sich eher noch wundern, dass die Kinder nicht ganz anders unangenehm auffallen.Bitte nicht falsch verstehen, wir als Familie sind geimpft und haben brav (fast) immer alle Regeln befolgt. Wir hatten auch mittleres bis großes Glück mit den Lehrern, vor denen ich teilweise tief den Hut ziehe.
Aber wir waren sehenden Auges dabei. Und vergessen nicht.
Ich vergesse nicht die Diskussionen, ob die Kinder mit Maske auf dem Einkaufswagen sitzend in den Baumarkt dürfen, obwohl Kinder explizit durch ein Schild am Eingang verboten sind wie reudige Hunde.
Ich vergesse nicht den hilflosen Zorn meiner maskierten Frau, die unsere maskierten teils-U3- Kinder alleine an der viel befahrenen Straße stehen lassen musste, weil die Pedantinnen in der Postfiliale maximal 2 Kunden im Innenraum erlaubten, während ich in Präsenz arbeiten musste.
Ich vergesse nicht die eilig erlaubten Flüge zum Ballermann für alle ohne Homeschoolingzwang und Geldsorgen, die hochrangigen Gartenpartys unter Verbotspolitikern und Vetternwirtschaftsexperten und den Ekel in der Stimme kinderloser Mitmenschen bei der Proletariatsabwehr.An meinem Grimm gemessen ist ein schlechter Mathetest bei Viertklässlern das Glimpflichste, was diese Gesellschaft zu verantworten hat.
Ich schweife ab.
Das neue Verfahren hat das Zeug dazu, das gerechteste im deutschen Flickenteppich zu werden. Für 2 Jahre aufs Gymi geklagte Werkrealschüler könnte es genauso verhindern wie Nasenbewertungen launischer Lehrer. Indem es #GenerationCorona schlecht bewertet, hat es den Plausibilitätstest bestanden.
Leider ist es aufs Peinlichste unfertig und offensichtlich überhastet hingekorkst. Refrain jeder Infoveranstaltung: "..., aber die Dokumente vom Kultusministerium liegen uns noch nicht vor."#BaWü ist zu wünschen, dass wenigstens die nächsten Durchläufe flutschen.
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@quantensalat @KM_BW Ich finde den Grundgedanken von #Kompass4 sehr gut. Und wie soll man auch die Hochschuleignung abklopfen, wenn nicht mit einer angedeuteten Klausurphase? Der sprechende Hut prüft schließlich nur in Hogwarts.
Dass die Leistungen der Viertklässler im Jahr 2024 schlecht ausfallen, ist zu erwarten. Kalibriert das Werkzeug nicht an Singularitäten.
Die Generation #Corona ist eine verlorene Generation.
Die Gesellschaft hat sie stigmatisiert,
das Bildungswesen hat sie durch die allein gelassene Polarität des Lehrerspektrums aufgespleißt,
ihre Sozialisierung wurde auf Eis gelegt
und das neue Normal ist Unterrichtsausfall wegen Krankheit.
Da muss man sich eher noch wundern, dass die Kinder nicht ganz anders unangenehm auffallen.Bitte nicht falsch verstehen, wir als Familie sind geimpft und haben brav (fast) immer alle Regeln befolgt. Wir hatten auch mittleres bis großes Glück mit den Lehrern, vor denen ich teilweise tief den Hut ziehe.
Aber wir waren sehenden Auges dabei. Und vergessen nicht.
Ich vergesse nicht die Diskussionen, ob die Kinder mit Maske auf dem Einkaufswagen sitzend in den Baumarkt dürfen, obwohl Kinder explizit durch ein Schild am Eingang verboten sind wie reudige Hunde.
Ich vergesse nicht den hilflosen Zorn meiner maskierten Frau, die unsere maskierten teils-U3- Kinder alleine an der viel befahrenen Straße stehen lassen musste, weil die Pedantinnen in der Postfiliale maximal 2 Kunden im Innenraum erlaubten, während ich in Präsenz arbeiten musste.
Ich vergesse nicht die eilig erlaubten Flüge zum Ballermann für alle ohne Homeschoolingzwang und Geldsorgen, die hochrangigen Gartenpartys unter Verbotspolitikern und Vetternwirtschaftsexperten und den Ekel in der Stimme kinderloser Mitmenschen bei der Proletariatsabwehr.An meinem Grimm gemessen ist ein schlechter Mathetest bei Viertklässlern das Glimpflichste, was diese Gesellschaft zu verantworten hat.
Ich schweife ab.
Das neue Verfahren hat das Zeug dazu, das gerechteste im deutschen Flickenteppich zu werden. Für 2 Jahre aufs Gymi geklagte Werkrealschüler könnte es genauso verhindern wie Nasenbewertungen launischer Lehrer. Indem es #GenerationCorona schlecht bewertet, hat es den Plausibilitätstest bestanden.
Leider ist es aufs Peinlichste unfertig und offensichtlich überhastet hingekorkst. Refrain jeder Infoveranstaltung: "..., aber die Dokumente vom Kultusministerium liegen uns noch nicht vor."#BaWü ist zu wünschen, dass wenigstens die nächsten Durchläufe flutschen.