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#mannerist — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #mannerist, aggregated by home.social.

  1. Saint Hilaire, eveque, 1630s

    etching 216 x 125 mm - Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1839

    #Saints #Vestments #Miters #Prayers #Faith #Worship #Altars #Christianity #ReligiousArt #Bishops #Mannerist #Print #Etching #Museums

  2. Saint Hilaire, eveque, 1630s

    etching 216 x 125 mm - Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1839

    #Saints #Vestments #Miters #Prayers #Faith #Worship #Altars #Christianity #ReligiousArt #Bishops #Mannerist #Print #Etching #Museums

  3. Saint Hilaire, eveque, 1630s

    etching 216 x 125 mm - Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki, bequest of Dr Walter Auburn, 1982
    Auckland Art Gallery Toi o Tāmaki via DigitalNZ

    api.digitalnz.org/records/1839

    #Saints #Vestments #Miters #Prayers #Faith #Worship #Altars #Christianity #ReligiousArt #Bishops #Mannerist #Print #Etching #Museums

  4. The death of Hercules Engraved by J. Vivares after a drawing attributed to Baccio Bandinelli, 1823 (etching and aquatint in colour on wove paper)
    #BaccioBandinelli #Hercules #etching #art #Rennaisance #Mannerist

  5. The death of Hercules Engraved by J. Vivares after a drawing attributed to Baccio Bandinelli, 1823 (etching and aquatint in colour on wove paper)
    #BaccioBandinelli #Hercules #etching #art #Rennaisance #Mannerist

  6. The death of Hercules Engraved by J. Vivares after a drawing attributed to Baccio Bandinelli, 1823 (etching and aquatint in colour on wove paper)
    #BaccioBandinelli #Hercules #etching #art #Rennaisance #Mannerist

  7. The death of Hercules Engraved by J. Vivares after a drawing attributed to Baccio Bandinelli, 1823 (etching and aquatint in colour on wove paper)
    #BaccioBandinelli #Hercules #etching #art #Rennaisance #Mannerist

  8. The death of Hercules Engraved by J. Vivares after a drawing attributed to Baccio Bandinelli, 1823 (etching and aquatint in colour on wove paper)
    #BaccioBandinelli #Hercules #etching #art #Rennaisance #Mannerist

  9. "The Fall of Man," Cornelis Corneliszoon van Haarlem, 1592.

    Van Haarlem (1562-1638) was a painter of the Dutch Golden Age, a leader of the Northern Mannerist style, and an important precursor to Frans Hals in the realm of portraiture.

    He started off as a painter of mythological subjects, with very Italian-inspired and fairly artificial styles, but later came to embrace a more Realist style favored in the Netherlands. He studied in France but was born in and spent his adult life in the city of Haarlem, where he became the official city painter, with a number of official commissions. He also was a noted portraitist, becoming an important influence on later painters, although his history, Biblical, and mythical scenes sometimes seem more like chances to paint naked bodies than anything else. Lots of bare limbs, buttocks thrust at the viewer, people being unclad for the sake of being unclad, to the point that the scene and its meaning get lost in all the flesh. I guess that's the Mannerist style for you...

    From the RIjksmuseum, Amsterdam.

    #Art #DutchGoldenAge #Mannerist #CornelisVanHaarlem #AdamAndEve #Nudity #Nekkid

  10. "The Fall of Man," Cornelis Corneliszoon van Haarlem, 1592.

    Van Haarlem (1562-1638) was a painter of the Dutch Golden Age, a leader of the Northern Mannerist style, and an important precursor to Frans Hals in the realm of portraiture.

    He started off as a painter of mythological subjects, with very Italian-inspired and fairly artificial styles, but later came to embrace a more Realist style favored in the Netherlands. He studied in France but was born in and spent his adult life in the city of Haarlem, where he became the official city painter, with a number of official commissions. He also was a noted portraitist, becoming an important influence on later painters, although his history, Biblical, and mythical scenes sometimes seem more like chances to paint naked bodies than anything else. Lots of bare limbs, buttocks thrust at the viewer, people being unclad for the sake of being unclad, to the point that the scene and its meaning get lost in all the flesh. I guess that's the Mannerist style for you...

    From the RIjksmuseum, Amsterdam.

    #Art #DutchGoldenAge #Mannerist #CornelisVanHaarlem #AdamAndEve #Nudity #Nekkid

  11. "The Fall of Man," Cornelis Corneliszoon van Haarlem, 1592.

    Van Haarlem (1562-1638) was a painter of the Dutch Golden Age, a leader of the Northern Mannerist style, and an important precursor to Frans Hals in the realm of portraiture.

    He started off as a painter of mythological subjects, with very Italian-inspired and fairly artificial styles, but later came to embrace a more Realist style favored in the Netherlands. He studied in France but was born in and spent his adult life in the city of Haarlem, where he became the official city painter, with a number of official commissions. He also was a noted portraitist, becoming an important influence on later painters, although his history, Biblical, and mythical scenes sometimes seem more like chances to paint naked bodies than anything else. Lots of bare limbs, buttocks thrust at the viewer, people being unclad for the sake of being unclad, to the point that the scene and its meaning get lost in all the flesh. I guess that's the Mannerist style for you...

    From the RIjksmuseum, Amsterdam.

    #Art #DutchGoldenAge #Mannerist #CornelisVanHaarlem #AdamAndEve #Nudity #Nekkid

  12. "The Fall of Man," Cornelis Corneliszoon van Haarlem, 1592.

    Van Haarlem (1562-1638) was a painter of the Dutch Golden Age, a leader of the Northern Mannerist style, and an important precursor to Frans Hals in the realm of portraiture.

    He started off as a painter of mythological subjects, with very Italian-inspired and fairly artificial styles, but later came to embrace a more Realist style favored in the Netherlands. He studied in France but was born in and spent his adult life in the city of Haarlem, where he became the official city painter, with a number of official commissions. He also was a noted portraitist, becoming an important influence on later painters, although his history, Biblical, and mythical scenes sometimes seem more like chances to paint naked bodies than anything else. Lots of bare limbs, buttocks thrust at the viewer, people being unclad for the sake of being unclad, to the point that the scene and its meaning get lost in all the flesh. I guess that's the Mannerist style for you...

    From the RIjksmuseum, Amsterdam.

    #Art #DutchGoldenAge #Mannerist #CornelisVanHaarlem #AdamAndEve #Nudity #Nekkid

  13. "The Fall of Man," Cornelis Corneliszoon van Haarlem, 1592.

    Van Haarlem (1562-1638) was a painter of the Dutch Golden Age, a leader of the Northern Mannerist style, and an important precursor to Frans Hals in the realm of portraiture.

    He started off as a painter of mythological subjects, with very Italian-inspired and fairly artificial styles, but later came to embrace a more Realist style favored in the Netherlands. He studied in France but was born in and spent his adult life in the city of Haarlem, where he became the official city painter, with a number of official commissions. He also was a noted portraitist, becoming an important influence on later painters, although his history, Biblical, and mythical scenes sometimes seem more like chances to paint naked bodies than anything else. Lots of bare limbs, buttocks thrust at the viewer, people being unclad for the sake of being unclad, to the point that the scene and its meaning get lost in all the flesh. I guess that's the Mannerist style for you...

    From the RIjksmuseum, Amsterdam.

    #Art #DutchGoldenAge #Mannerist #CornelisVanHaarlem #AdamAndEve #Nudity #Nekkid

  14. Spanish religious paintings of "Siglo De Oro" are #Mannerist and #Baroque and is the art of the counter-reformation -opposed to #Protestantism and Spanish "alumbrados"-
    In #Sevilla based school of painting there are already two paths: tenebrism of #ValdesLeal
    (1622-1690) with an allegorical sense of sin and future of human soul and sorta #Naturalism of Bartolomé Esteban #Murillo(1617-1682):his paintings reflect the enjoyment of life.
    So there are two ways

  15. Spanish religious paintings of "Siglo De Oro" are #Mannerist and #Baroque and is the art of the counter-reformation -opposed to #Protestantism and Spanish "alumbrados"-
    In #Sevilla based school of painting there are already two paths: tenebrism of #ValdesLeal
    (1622-1690) with an allegorical sense of sin and future of human soul and sorta #Naturalism of Bartolomé Esteban #Murillo(1617-1682):his paintings reflect the enjoyment of life.
    So there are two ways

  16. 1/ Apologies to Rodgers and Mr H, but "How do you solve a problem like El Greco?"

    Born Domḗnikos Theotokópoulos, #Byzantium #Art was his thing till, aged 26, he moved to Venice. Here, he admired the muscular figures, dramatic gestures and #Mannerist distortions of Tintoretto.

    But the money led to Rome. 7 yrs later he was run out of town for dissing #Michelangelo (a lot).

    Madrid next, but no luck at court. So he washed up in Toledo where, finally, he was much loved.

    More...

    #NationalGallery

  17. 1/ Apologies to Rodgers and Mr H, but "How do you solve a problem like El Greco?"

    Born Domḗnikos Theotokópoulos, #Byzantium #Art was his thing till, aged 26, he moved to Venice. Here, he admired the muscular figures, dramatic gestures and #Mannerist distortions of Tintoretto.

    But the money led to Rome. 7 yrs later he was run out of town for dissing #Michelangelo (a lot).

    Madrid next, but no luck at court. So he washed up in Toledo where, finally, he was much loved.

    More...

    #NationalGallery

  18. 1/ Apologies to Rodgers and Mr H, but "How do you solve a problem like El Greco?"

    Born Domḗnikos Theotokópoulos, #Byzantium #Art was his thing till, aged 26, he moved to Venice. Here, he admired the muscular figures, dramatic gestures and #Mannerist distortions of Tintoretto.

    But the money led to Rome. 7 yrs later he was run out of town for dissing #Michelangelo (a lot).

    Madrid next, but no luck at court. So he washed up in Toledo where, finally, he was much loved.

    More...

    #NationalGallery

  19. 1/ Apologies to Rodgers and Mr H, but "How do you solve a problem like El Greco?"

    Born Domḗnikos Theotokópoulos, #Byzantium #Art was his thing till, aged 26, he moved to Venice. Here, he admired the muscular figures, dramatic gestures and #Mannerist distortions of Tintoretto.

    But the money led to Rome. 7 yrs later he was run out of town for dissing #Michelangelo (a lot).

    Madrid next, but no luck at court. So he washed up in Toledo where, finally, he was much loved.

    More...

    #NationalGallery