#latour — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #latour, aggregated by home.social.
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La Tour-en-Jarez. Alexandre Donzel : « Oeuvrer pour le bien commun »
…pour lire la suite, rejoignez notre communauté d’abonnés et accédez à l’intégralité de nos articles sur le site…
#SaintEtienne #FR #France #Actu #News #Europe #EU #Saint-Étienne #actu #Actualités #Auvergne-Rhône-Alpes #ÉditionLoireSud #europe #LaTour-en-Jarez #Républiquefrançaise #Saint-Etienne-bassin #Société #Vieassociative
https://www.europesays.com/fr/908608/ -
My threading is terrible, sorry everyone! At least my hashtagging went okay. Here's the citation:
Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory,
Clarendon Lectures in Management Studies (Oxford: Oxford University Press, 2005, digital rpt 2023). -
My threading is terrible, sorry everyone! At least my hashtagging went okay. Here's the citation:
Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory,
Clarendon Lectures in Management Studies (Oxford: Oxford University Press, 2005, digital rpt 2023). -
My threading is terrible, sorry everyone! At least my hashtagging went okay. Here's the citation:
Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory,
Clarendon Lectures in Management Studies (Oxford: Oxford University Press, 2005, digital rpt 2023). -
My threading is terrible, sorry everyone! At least my hashtagging went okay. Here's the citation:
Bruno Latour, Reassembling the Social: An Introduction to Actor-Network-Theory,
Clarendon Lectures in Management Studies (Oxford: Oxford University Press, 2005, digital rpt 2023). -
Latour's "new paradigm" cont:
"Who would be silly enough to deduct from the total sum of action the influence of pointing something out? The more influence, the better."
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Latour's "new paradigm" cont:
"Who would be silly enough to deduct from the total sum of action the influence of pointing something out? The more influence, the better."
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Latour's "new paradigm" cont:
"Who would be silly enough to deduct from the total sum of action the influence of pointing something out? The more influence, the better."
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Latour's "new paradigm" cont:
"Who would be silly enough to deduct from the total sum of action the influence of pointing something out? The more influence, the better."
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Latour's "new paradigm" cont:
"Who would be silly enough to deduct from the total sum of action the influence of pointing something out? The more influence, the better."
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Latour's "new paradigm":
"the more attachments the better! Is this not the most common experience? You watch a painting; a friend of yours points out a feature you had not noticed; you are thus made to see something.
Who is seeing it? You, of course. And yet, wouldn’t you freely acknowledge that you would have not seen it without your friend. So who has seen the delicate feature? Is it you or your friend? The question is absurd."
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Latour's "new paradigm":
"the more attachments the better! Is this not the most common experience? You watch a painting; a friend of yours points out a feature you had not noticed; you are thus made to see something.
Who is seeing it? You, of course. And yet, wouldn’t you freely acknowledge that you would have not seen it without your friend. So who has seen the delicate feature? Is it you or your friend? The question is absurd."
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Latour's "new paradigm":
"the more attachments the better! Is this not the most common experience? You watch a painting; a friend of yours points out a feature you had not noticed; you are thus made to see something.
Who is seeing it? You, of course. And yet, wouldn’t you freely acknowledge that you would have not seen it without your friend. So who has seen the delicate feature? Is it you or your friend? The question is absurd."
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Latour's "new paradigm":
"the more attachments the better! Is this not the most common experience? You watch a painting; a friend of yours points out a feature you had not noticed; you are thus made to see something.
Who is seeing it? You, of course. And yet, wouldn’t you freely acknowledge that you would have not seen it without your friend. So who has seen the delicate feature? Is it you or your friend? The question is absurd."
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Latour:
"Interactions do not resemble a picnic where all the food is gathered on the spot by the participants, but rather a reception given by some unknown sponsors who have staged everything down to the last detail—even the place to sit might be already pre-inscribed by some attentive keeper."
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Latour:
"Interactions do not resemble a picnic where all the food is gathered on the spot by the participants, but rather a reception given by some unknown sponsors who have staged everything down to the last detail—even the place to sit might be already pre-inscribed by some attentive keeper."
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Latour:
"Interactions do not resemble a picnic where all the food is gathered on the spot by the participants, but rather a reception given by some unknown sponsors who have staged everything down to the last detail—even the place to sit might be already pre-inscribed by some attentive keeper."
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Latour:
"Interactions do not resemble a picnic where all the food is gathered on the spot by the participants, but rather a reception given by some unknown sponsors who have staged everything down to the last detail—even the place to sit might be already pre-inscribed by some attentive keeper."
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Latour:
"To add in a messy way to a messy account of a messy world does not seem like a very grandiose activity. But we are not after grandeur: the goal is to produce a science of the social uniquely suited to the specificity of the social."
I may be from a different discipline, but yes, yes, yes: adding in a messy way to a messy account of a messy world: that's the thing we do!
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Latour:
"To add in a messy way to a messy account of a messy world does not seem like a very grandiose activity. But we are not after grandeur: the goal is to produce a science of the social uniquely suited to the specificity of the social."
I may be from a different discipline, but yes, yes, yes: adding in a messy way to a messy account of a messy world: that's the thing we do!
-
Latour:
"To add in a messy way to a messy account of a messy world does not seem like a very grandiose activity. But we are not after grandeur: the goal is to produce a science of the social uniquely suited to the specificity of the social."
I may be from a different discipline, but yes, yes, yes: adding in a messy way to a messy account of a messy world: that's the thing we do!
-
Latour:
"To add in a messy way to a messy account of a messy world does not seem like a very grandiose activity. But we are not after grandeur: the goal is to produce a science of the social uniquely suited to the specificity of the social."
I may be from a different discipline, but yes, yes, yes: adding in a messy way to a messy account of a messy world: that's the thing we do!
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And again with Latour:
"when I say ‘read’, it does not mean ‘understood’, ‘put to use’, ‘acknowledged’, but rather ‘perused’, ‘glanced at’, ‘alluded to’, ‘quoted’, ‘shelved somewhere in a pile’."
So says Latour, but to my mind, reading can be fleeting indeed, and yet that's not what ultimately satiates the reader's desire. Even academic prose deserves immersive reading -- understood, yes, and used with or without agreement. As here. Quod erat demonstrandum,,,
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And again with Latour:
"when I say ‘read’, it does not mean ‘understood’, ‘put to use’, ‘acknowledged’, but rather ‘perused’, ‘glanced at’, ‘alluded to’, ‘quoted’, ‘shelved somewhere in a pile’."
So says Latour, but to my mind, reading can be fleeting indeed, and yet that's not what ultimately satiates the reader's desire. Even academic prose deserves immersive reading -- understood, yes, and used with or without agreement. As here. Quod erat demonstrandum,,,
-
And again with Latour:
"when I say ‘read’, it does not mean ‘understood’, ‘put to use’, ‘acknowledged’, but rather ‘perused’, ‘glanced at’, ‘alluded to’, ‘quoted’, ‘shelved somewhere in a pile’."
So says Latour, but to my mind, reading can be fleeting indeed, and yet that's not what ultimately satiates the reader's desire. Even academic prose deserves immersive reading -- understood, yes, and used with or without agreement. As here. Quod erat demonstrandum,,,
-
And again with Latour:
"when I say ‘read’, it does not mean ‘understood’, ‘put to use’, ‘acknowledged’, but rather ‘perused’, ‘glanced at’, ‘alluded to’, ‘quoted’, ‘shelved somewhere in a pile’."
So says Latour, but to my mind, reading can be fleeting indeed, and yet that's not what ultimately satiates the reader's desire. Even academic prose deserves immersive reading -- understood, yes, and used with or without agreement. As here. Quod erat demonstrandum,,,
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More Latour-isms:
"Groups are not silent things, but rather the provisional product of a constant uproar made by the millions of contradictory voices about what is a group and who pertains to what."
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More Latour-isms:
"Groups are not silent things, but rather the provisional product of a constant uproar made by the millions of contradictory voices about what is a group and who pertains to what."
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More Latour-isms:
"Groups are not silent things, but rather the provisional product of a constant uproar made by the millions of contradictory voices about what is a group and who pertains to what."
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More Latour-isms:
"Groups are not silent things, but rather the provisional product of a constant uproar made by the millions of contradictory voices about what is a group and who pertains to what."
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More Latour-isms:
"Groups are not silent things, but rather the provisional product of a constant uproar made by the millions of contradictory voices about what is a group and who pertains to what."
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Maison à #LaTour (#AlpesMaritimes) Façade avec fenêtres géminées : inscription par arrêté du 2 mai 1927.
Suite 👉 https://monumentum.fr/monument-historique/pa00080885/la-tour-maison
#Patrimoine #MonumentHistorique
Photo CC-BY-SA 4.0 : MOSSOT -
Maison à #LaTour (#AlpesMaritimes) Façade avec fenêtres géminées : inscription par arrêté du 2 mai 1927.
Suite 👉 https://monumentum.fr/monument-historique/pa00080885/la-tour-maison
#Patrimoine #MonumentHistorique
Photo CC-BY-SA 4.0 : MOSSOT -
Maison à #LaTour (#AlpesMaritimes) Façade avec fenêtres géminées : inscription par arrêté du 2 mai 1927.
Suite 👉 https://monumentum.fr/monument-historique/pa00080885/la-tour-maison
#Patrimoine #MonumentHistorique
Photo CC-BY-SA 4.0 : MOSSOT -
Maison à #LaTour (#AlpesMaritimes) Façade avec fenêtres géminées : inscription par arrêté du 2 mai 1927.
Suite 👉 https://monumentum.fr/monument-historique/pa00080885/la-tour-maison
#Patrimoine #MonumentHistorique
Photo CC-BY-SA 4.0 : MOSSOT -
La Tour-de-Salvagny. La 20e traversée de Lyon bien arrosée, le marché de l’automobile ancienne est-il en train de caler ?
Les caprices de la météo et la flambée des prix à la pompe ont freiné la participation, dimanche…
#Lyon #FR #France #Actu #News #Europe #EU #actu #Actualités #Auvergne-Rhône-Alpes #ÉditionOuestLyonnais #europe #LaTour-de-Salvagny #Républiquefrançaise #Sport #Tassin-la-Demi-Lune-bassin
https://www.europesays.com/fr/867045/ -
https://www.europesays.com/ch-fr/80230/ “J’étais nulle” : Pascale de La Tour du Pin revient sur son expérience de chroniqueuse dans “Touche pas à mon poste” avec Cyril Hanouna #CyrilHanouna #Divertissement #Entertainment #EricDussart #JournalisteRadio #LaTour #PascaleDeLaTourDuPin #Suisse #Television
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https://www.europesays.com/be-fr/67059/ “J’étais nulle” : Pascale de La Tour du Pin revient sur son expérience de chroniqueuse dans “Touche pas à mon poste” avec Cyril Hanouna #BE #BEFr #Belgique #Belgium #CyrilHanouna #Divertissement #Entertainment #EricDussart #JournalisteRadio #LaTour #PascaleDeLaTourDuPin #Television
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20ème Traversée de Lyon – Radio SCOOP
Rendez-vous dimanche 12 avril 2026 dès 8h30, au Parc de l’Hippodrome de La Tour de Salvagny. La TdL…
#Lyon #FR #France #Actu #News #Europe #EU #équipages #actu #Actualités #ambiance #Animations #aperitif #Auvergne-Rhône-Alpes #deprestige #europe #LaTour-de-Salvagny #Parcdel’Hippodrome #pontsdelyon #radioscoop #Républiquefrançaise #tdl #TraverséedeLyon #traverse #vehiculesanciens
https://www.europesays.com/fr/833285/ -
#13Marzo Tal día como hoy de 1593 nació Georges de #LaTour, pintor barroco francés que perfeccionó un particular juego de iluminación, normalmente a base de #velas o candiles, que proporcionan a muchos de sus cuadros profundidad y #misticismo
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comment retrouver un équilibre économique sur le marché ?
Comment se …
#Grenoble #FR #France #Actu #News #Europe #EU #Achatetventeimmobilier #actu #Actualités #Auvergne-Rhône-Alpes #Bourgoin-Jallieu-bassin #Économie #ÉditionBourgoin-Jallieu/Nord-Dauphiné #ÉditionLaTour-du-Pin/Nord-Dauphiné #ÉditionVienne/Roussillon #europe #FilInfo #FilWeb #FranceMonde #immobilier #Isère #LaTour-du-Pin-bassin #Magazine #MagazineImmobilier #Républiquefrançaise #Vienne-bassin
https://www.europesays.com/fr/767865/ -
Out of Light Adjust Share: Caravaggio, La Tour, and the Art of Attention
https://harpers.org/archive/2026/03/out-of-light-nicole-krauss-caravaggio-georges-de-la-tour/
#HackerNews #Art #History #Caravaggio #LaTour #Attention #Economy #VisualArts
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Out of Light Adjust Share: Caravaggio, La Tour, and the Art of Attention
https://harpers.org/archive/2026/03/out-of-light-nicole-krauss-caravaggio-georges-de-la-tour/
#HackerNews #Art #History #Caravaggio #LaTour #Attention #Economy #VisualArts
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Out of Light Adjust Share: Caravaggio, La Tour, and the Art of Attention
https://harpers.org/archive/2026/03/out-of-light-nicole-krauss-caravaggio-georges-de-la-tour/
#HackerNews #Art #History #Caravaggio #LaTour #Attention #Economy #VisualArts
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Out of Light Adjust Share: Caravaggio, La Tour, and the Art of Attention
https://harpers.org/archive/2026/03/out-of-light-nicole-krauss-caravaggio-georges-de-la-tour/
#HackerNews #Art #History #Caravaggio #LaTour #Attention #Economy #VisualArts
