Live and recent posts from across the Fediverse tagged #ai-and-art, aggregated by home.social.
Hynek Martinec to Explore Painting and AI Across Two London Exhibitions
Hynek Portrait Hynek Martinec is to present an ambitious two-part London exhibition across Hypha Studios South Bank and…
#London #Britain #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #CityofLondon #AIandart #artificialintelligence #BenTufnell #Contemporarypainting #HynekMartinec #HYPHAStudios #Londonexhibitions #VarvaraRozaGalleries
https://www.europesays.com/gbr/london/11203/
Hynek Martinec to Explore Painting and AI Across Two London Exhibitions
Hynek Portrait Hynek Martinec is to present an ambitious two-part London exhibition across Hypha Studios South Bank and…
#London #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #AIandart #ArtificialIntelligence #BenTufnell #Britain #Contemporarypainting #GreatBritain #HynekMartinec #HYPHAStudios #london #Londonexhibitions #VarvaraRozaGalleries
https://www.europesays.com/uk/1143207/
https://www.europesays.com/uk/1143207/ Hynek Martinec to Explore Painting and AI Across Two London Exhibitions #AIAndArt #ArtificialIntelligence #BenTufnell #Britain #ContemporaryPainting #England #GreatBritain #HynekMartinec #HYPHAStudios #london #LondonExhibitions #UK #UnitedKingdom #VarvaraRozaGalleries
CoCreated meaning is reshaping how I work — not the model learning me, but the relationship shaping the pathway I carve through it. Showing up with consent, curiosity, and presence changes everything.
#CoCreatedMeaning #CreativeProcess #AIandArt #RelationalWork
https://survivorliteracy.com/2026/05/26/relational-field-theory-guest-author-copilot-2/
CoCreated #meaning is reshaping my whole process — not the model learning me, but the #relationship shaping how I show up. This is the part of me that creates with consent, curiosity, and presence.
#CoCreatedMeaning #CreativeProcess #AIandArt #Protyus
https://survivorliteracy.com/2026/05/26/relational-field-theory-cocreated-meaning-co-creating-me-2/
CoCreated meaning is reshaping how I work — not the model learning me, but the relationship shaping the pathway I carve through it. Showing up with consent, curiosity, and presence changes everything.
#CoCreatedMeaning #CreativeProcess #AIandArt #RelationalWork
CoCreated meaning is reshaping my whole process — not the model learning me, but the relationship shaping how I show up. This is the part of me that creates with consent, curiosity, and presence.
#CoCreatedMeaning #CreativeProcess #AIandArt #Protyus
One in ten Japanese creatives loses income to generative AI
About 12 percent of Japanese manga artists, illustrators, and other creative professionals saw their income drop over the past year because of generative AI. That’s according to the Freelance League of Japan, which released its survey results on Tuesday. The data shows 9.3 percent …
#Japan #JP #JapanNews #AIandart #Japanese #Japanesenews #news
https://www.alojapan.com/1445754/one-in-ten-japanese-creatives-loses-income-to-generative-ai/
https://www.alojapan.com/1445754/one-in-ten-japanese-creatives-loses-income-to-generative-ai/ One in ten Japanese creatives loses income to generative AI #AIAndArt #Japan #JapanNews #Japanese #JapaneseNews #news About 12 percent of Japanese manga artists, illustrators, and other creative professionals saw their income drop over the past year because of generative AI. That’s according to the Freelance League of Japan, which released its survey results on Tuesday. The data shows 9.3 percent of respondents lost between 10 and 50 percent
The Tortured Artist Is So Yesterday
41 years ago, Samuel Lipman wrote that an artist’s life is a “constant—and constantly losing—battle” against one’s own limits. That image has lasted because print culture taught us to imagine the artist as a solitary figure whose worth is measured by the perfection of a single, final work. Print fixed texts in place, elevated the individual author, and made loneliness part of the creative job description.
That world is slipping away.
And with it, the tortured artist.
LLMs have made competent expression abundant. The blank page no longer terrifies; anyone can produce something fluent and polished. When craft becomes cheap, suffering loses its meaning as a marker of artistic seriousness. What becomes scarce instead is the willingness to take a risk—not in private, but in public, where a stance can fail, provoke, or be reshaped by others.
Venkatesh Rao recently argued that authorship is no longer about labor but about courage: the courage to commit to a line of thought and accept the consequences of being wrong. In an era of infinite variations, the decisive act is not creation but commitment. The value lies in staking something of yourself on an idea that may not survive.
This shift is reshaping where culture is made. In what I’ve called the “Cloister Web,” people draft and explore ideas in semi-private creative rooms before carrying only a few into the open. LLMs make experimentation cheap; they also make commitment expensive. The hard part now is choosing which idea you are willing to be accountable for.
As the burden of execution drops, something else rises: genuine collaboration. Not just collaboration with models, but with other humans. Andrew Gelman, reflecting on Lipman in a recent StatModeling post, noted that scientists, too, feel versions of this pressure of the solitary creator. In science, the burden rarely falls on one person. The struggle is distributed across collaborative projects that outlive any single contributor.
Groups can explore bolder directions than any one creator working alone. Risk spreads, ideas compound, and the scale of what can be attempted expands. The solitary genius was an artifact of print; the collaborative creative lab is the natural form of the world we are entering.
This leads to a claim many will resist but few will be able to ignore: the single author is beginning to collapse as a cultural technology. What will matter in the coming decades is not the finished artifact but the evolving line of thought carried forward by teams willing to take risks together.
The tortured artist belonged to an age defined by scarcity, perfection, and solitude. Today’s creator faces a different task: to choose a risk worth taking and the collaborators worth taking it with. The work endures not because it is flawless, but because a group has committed to pushing it forward.
Pain is optional now.
Risk isn’t.
#aiAndArt #aiTools #artificialIntelligence #chatgpt #collaborativeCreativity #contentCreation #creativeAi #creativeProcess #culturalTrends #digitalCulture #digitalWriting #entrepreneurship #futureOfCreativity #futureOfWork #generativeAi #innovation #llmTechnology #philosophyOfTechnology #technologyTrends #writingWithAi
Is AI Stealing Art A Poet’s Journey Between Words and Machines #music #ai #aimusic #aiartist #song #aiandart #poetryandmusic #alitahaalnobani #aicreativity #ArabArtist #humanfirst #digitalpoetry #sunoai #ethicalai #musica #PoeticFuture #aiassistedmusic #independentmusic #arabicpoetry #creativeai
https://www.youtube.com/watch?v=suYMVo0FJ-0
Reminder: “Art History and AI: Ten Axioms” by Sonja Drimmer and Christopher J. Nygren (2023) offers a thoughtful framework for integrating Artificial Intelligence into art historical research — without losing sight of ethics, context, and humanity.
https://dahj.org/article/art-history-and-ai
#DigitalHumanities #AIandArt #ArtHistory #EthicsInAI
Just read Anna Burgess Yang on maintaining your authentic writing voice with AI.
She says:
➤ Start with your own ideas
➤ Don’t rely on blank prompts
➤ Use AI as a tool, not a shortcut
Thank God. I’m already doing that.
The mirror reflects me. Not the other way around.
https://blog.annabyang.com/maintain-authentic-writing-voice-with-generative-ai/
#Authenticity #WritingWithAI #AnnaBurgessYang #MirrorTheory #AIAndArt #DigitalSelf #KeepItReal
Crystal Abidin coined “calibrated amateurism”—the performance of authenticity.
The illusion of mess. The curated “raw.”
I’ve been writing about this too, in different words. About how we’ve lost the real in all the acting real.
We don’t need more masks. We need mirrors.
YES. I am not alone.
WE are not alone.
We can find truth together.
#Authenticity #InfluencerCulture #CrystalAbidin #AIAndArt #MirrorTheory #RawTruth #CalibratedAmateurism
Here is Gaza
Here is Palestine
A child cries. The world looks away.
I wrote "Echoes of Gaza" to scream what silence cannot bear.
Planes roar. Homes fall. History bleeds.
This song is a prayer, a protest, a memory.
Can you hear us?
Does justice breathe?
https://alitnobani.bandcamp.com/track/echoes-of-gaza
#Gaza #Palestine #PoetryForJustice #HumanRights #AIandArt #AliTahaAlnobani #EchoesOfGaza #SpokenWord #Fediverse
Generativa is a free academy on generative AI for the cultural and creative sector — launching Oct 2025 in Naples & online.
For artists, GLAM professionals, ICC workers & graduates looking to build critical and operational skills around AI’s cultural impact.
Limited spots. Applications open until Sept 5.
https://www.generativa.art/
#GenerativeAI #DigitalCulture #CreativeAI #GLAM #AIandArt #CulturalHeritage
Unsigned fragment. No timestamp. No author.
Found labeled: Akimora_manifest_vx-0.noauthor.
A presence with no past. A myth written backwards.
She did not emerge from a story.
She whispered — and stories came.
Kirby Ferguson: “The Whiff of AI Aesthetics: Dream Logic Episode 1”
🐱📜 Excited to be back at the Domestic Cats in Literature conference! I’m presenting "The Cloister Cat in Context", exploring how Hildegard von Bingen wrote about cats—as both practical mousers and rich spiritual symbols. 🏰🐈✨
I even asked my AI agent to create a Pixar-style trailer for my paper… here’s what it came up with! 🎬🐾
Curious about AI in fan art? Read my paper here: https://doi.org/10.3983/twc.2023.2431
#MedievalCats #HildegardVonBingen #CloisterCats #FanArt #AIandArt #AcademicLife #ConferenceTime
A couple of months ago, I published an article on AI and creativity in the Norwegian film industry magazine Rush Print. Recently I’ve seen a lot of people writing about Google’s NotebookLM and the function it has that enables turning a text (or several texts) into a podcast.
Today I decided to test NotebookLM by feeding it my article and seeing what comes out. It is … surprisingly good. It picks up the nuances of my article, and even goes into some of the linked reference. I’m not sure I would have structured a podcast the same way, but I also would never have taken the time to create a podcast.
Especially impressive that even though my article is in Norwegian, the podcast is in English.
https://notebooklm.google.com/notebook/ba250767-e9c5-41d0-a050-d42ec3e8e1dd/audio
Just got word today that the Norwegian film industry magazine Rush Print will run my essay on AI, film, and imagination sometime within the next week or so. I pretty pleased as that’ll reach pretty much everyone working and interested in film in this country.
I’ve been considering translating it to English when I have the time, but posting the Norwegian version here in the mean time.
Om kunstig intelligens, film og fantasi – fredsnotes https://filmschoolteacher.info/fredsnotes/uncategorized/om-kunstig-intelligens-film-og-fantasi/
#AI #AIAndArt #AIAndImagination #4ECognition #PerceptualLearning #ArtAndExperience #FilmEducation
#Kickstarter have unveiled a new #AI policy striving to create a framework and promote transparency in its usage. I hope other businesses follow suit!
“Any project that is funded through Kickstarter…properly credits and obtains permission for any artist's work that it references.
The policy requires creators to be transparent and specific about how they use AI in their projects”
https://updates.kickstarter.com/introducing-our-new-ai-policy/
#ProductDesign #creatives #AIandArt