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1000 results for “Toeters_en_Bellen_straatorkest”
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If you are newly arrived to #Mastodon from #Twitter and nerd some guidance, please feel free to let me know how I can help.
I think just about any existing #tooters would be the same way, so if you are up for answering questions from new users maybe use a hashtag like #AskMe or something and see if we can make an informal Mastodon #help network during activity spikes like tonight.
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In Oostende plant men vanaf april '25 nachtophaling voor #huisvuil ( #afval )
Men zou die in #Oostende starten om 22:00hr.Zijn er Tooters waar de ophaling in hun gemeentel gedurende de #nacht is?
'k Vrees een beetje voor verstoorde nachtrust. 't #geluid van dat piepen en kraken van de vuilkar is nu overdag kantje boord #overlast #meeuwen -
On today's (3/18) show - Puppies! Man destroys art! The economy teeters. The Fed! The Oil! #IowaPolitics #JeffStein! Bye CVS! Minnesota shrimp? Mullin is a massive, stupid idiot. Walz's plan. A horrible story out of Rogers. Paige is awesome! https://soundcloud.com/user-587903571/the-matt-mcneil-show-march-18
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We waren in Amsterdam, theaterbezoek.... ☺
Gekeken bij de #PrideAmsterdam.
Wat een enorme aanstekelijke vrolijkheid, tooters!!
Er zijn echt véél mensen die lachen, zingen, dansen en die andere mensen láten, zoals ik dat ook wil....#Vrij 🏳️🌈
#Positief #PositieveToot -
We waren in Amsterdam, theaterbezoek.... ☺
Gekeken bij de #PrideAmsterdam.
Wat een enorme aanstekelijke vrolijkheid, tooters!!
Er zijn echt véél mensen die lachen, zingen, dansen en die andere mensen láten, zoals ik dat ook wil....#Vrij 🏳️🌈
#Positief #PositieveToot -
We waren in Amsterdam, theaterbezoek.... ☺
Gekeken bij de #PrideAmsterdam.
Wat een enorme aanstekelijke vrolijkheid, tooters!!
Er zijn echt véél mensen die lachen, zingen, dansen en die andere mensen láten, zoals ik dat ook wil....#Vrij 🏳️🌈
#Positief #PositieveToot -
We waren in Amsterdam, theaterbezoek.... ☺
Gekeken bij de #PrideAmsterdam.
Wat een enorme aanstekelijke vrolijkheid, tooters!!
Er zijn echt véél mensen die lachen, zingen, dansen en die andere mensen láten, zoals ik dat ook wil....#Vrij 🏳️🌈
#Positief #PositieveToot -
We waren in Amsterdam, theaterbezoek.... ☺
Gekeken bij de #PrideAmsterdam.
Wat een enorme aanstekelijke vrolijkheid, tooters!!
Er zijn echt véél mensen die lachen, zingen, dansen en die andere mensen láten, zoals ik dat ook wil....#Vrij 🏳️🌈
#Positief #PositieveToot -
Good morning tooters
Yesterday evening's Petanque match was almost, but not quite, a disaster. Our team lost both matches, but the second one went to 12-13. I played dreadfully, although I'll admit to a couple of good balls.
It was really cold, and I wasn't dressed for it.Today I'm going out on an #AudaxUK 50km bike ride. I've booked a DIY ride out from home south toward Bruntingthorpe. The weather is looking benevolent.
I will be a blob of exhausted sweat later I expect!
Enjoy your endeavours
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Good morning tooters
Yesterday evening's Petanque match was almost, but not quite, a disaster. Our team lost both matches, but the second one went to 12-13. I played dreadfully, although I'll admit to a couple of good balls.
It was really cold, and I wasn't dressed for it.Today I'm going out on an #AudaxUK 50km bike ride. I've booked a DIY ride out from home south toward Bruntingthorpe. The weather is looking benevolent.
I will be a blob of exhausted sweat later I expect!
Enjoy your endeavours
-
Good morning tooters
Yesterday evening's Petanque match was almost, but not quite, a disaster. Our team lost both matches, but the second one went to 12-13. I played dreadfully, although I'll admit to a couple of good balls.
It was really cold, and I wasn't dressed for it.Today I'm going out on an #AudaxUK 50km bike ride. I've booked a DIY ride out from home south toward Bruntingthorpe. The weather is looking benevolent.
I will be a blob of exhausted sweat later I expect!
Enjoy your endeavours
-
Good morning tooters
Yesterday evening's Petanque match was almost, but not quite, a disaster. Our team lost both matches, but the second one went to 12-13. I played dreadfully, although I'll admit to a couple of good balls.
It was really cold, and I wasn't dressed for it.Today I'm going out on an #AudaxUK 50km bike ride. I've booked a DIY ride out from home south toward Bruntingthorpe. The weather is looking benevolent.
I will be a blob of exhausted sweat later I expect!
Enjoy your endeavours
-
Good morning tooters
Yesterday evening's Petanque match was almost, but not quite, a disaster. Our team lost both matches, but the second one went to 12-13. I played dreadfully, although I'll admit to a couple of good balls.
It was really cold, and I wasn't dressed for it.Today I'm going out on an #AudaxUK 50km bike ride. I've booked a DIY ride out from home south toward Bruntingthorpe. The weather is looking benevolent.
I will be a blob of exhausted sweat later I expect!
Enjoy your endeavours
-
Good morning tooters. Not too warm last night & woke up to 15c, we’re heading to 26c with maybe a storm later which means I may not need to water the garden. I’ll top up the birdbath though just in case.
A couple of weeks ago my eldest granddaughters mother got in touch asking if I wanted a ticket to her year 12 valedictory & I said yes. Tickets were limited & I knew that it may not happen & when I didn’t hear back, made the assumption. Then last night, I heard & apologies for not getting back to me - it’s tonight from 6pm until 11pm 😳. Trying to work out what to wear now! I haven’t been to one of these things since my own daughter did hers 16yrs ago.
Also a couple of months ago a friend asked if I would go with her to hear Jelena Dokic speak & I said yes to that too. It’s this Thursday night - it doesn’t rain but it pours & if I’m perfectly honest I really don’t like going out at night, especially not late nights - but I will.
So, off for a haircut this morning, grocery shopping & car filling & if I can, a spot of Christmas shopping.
I feel busy all of a sudden 😲.
Have a wonderful #Wednesday everyone, hope you all have a lovely day 🌻. #Weather #Graduation #Granddaughter #BusyWeek -
SBIR PROGRAM used to support small companies is fighting for its life. Launched in 1982 and administered by the SBA, it provides seed funding to small businesses for technology development.
https://rosecoveredglasses.wordpress.com/2025/10/14/small-business-fund-used-by-dod-teeters-on-the-edge/
#SBIR #FundingRequired -
SBIR PROGRAM used to support small companies is fighting for its life. Launched in 1982 and administered by the SBA, it provides seed funding to small businesses for technology development.
https://rosecoveredglasses.wordpress.com/2025/10/14/small-business-fund-used-by-dod-teeters-on-the-edge/
#SBIR #FundingRequired -
SBIR PROGRAM used to support small companies is fighting for its life. Launched in 1982 and administered by the SBA, it provides seed funding to small businesses for technology development.
https://rosecoveredglasses.wordpress.com/2025/10/14/small-business-fund-used-by-dod-teeters-on-the-edge/
#SBIR #FundingRequired -
SBIR PROGRAM used to support small companies is fighting for its life. Launched in 1982 and administered by the SBA, it provides seed funding to small businesses for technology development.
https://rosecoveredglasses.wordpress.com/2025/10/14/small-business-fund-used-by-dod-teeters-on-the-edge/
#SBIR #FundingRequired -
I’m still learning how to use Mastodon. Working on ‘lists’ now, which seem useful for gathering toots/tooters that I don’t want to miss. The #islet #research community is not very big compared to some others. I have a list of 11 islet biologists that I can currently find here. Are there more? Let me know you’re here and I’ll add. #diabetes #pancreas Boost please?
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@davetroy my twitter experience was terrible! I never really found a place or any meaningful engagement. I was very late to the party though! So perhaps, the bots and the trolls had already taken over. Quite pleased to be able to start fresh on #mastodon #FreshStart #Tooters #FollowFriday #TrySomethingNew
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Good morning tooters.
Took a covid test this morning. I’m negative & kind of knew I would be, but last night I was very stuffed up, snotty & headachy & the same this morning. I did mow my lawns yesterday though & I seem to get like this each time I mow at this time of year. I take a test each time too - just in case. So Claratyne it will be & thankful it’s not covid.
#NotCovid #HayFever #GardenWork -
Karnivool – In Verses Review By SaundersFollowing a string of setbacks, barriers, and logistical complications, Aussie progressive rock/metal juggernaut Karnivool finally return with their hotly anticipated fourth opus, In Verses. After nearly thirteen years between drinks, the crafty quartet, from the far reaches and musical hotbed of Perth, Western Australia, make a welcome return for prog aficionados and longtime fans of the veteran collective, who flourished from crunchy alt metal and nü flavored beginnings, into a revered progressive band through three previous LPs of high quality. From the clever arrangements and blockbuster hooks of 2005’s Themata, through to the accomplished, complex Toolisms and evolving textures of stunning sophomore platter Sound Awake (2009), to the rawer, experimental edge of 2013’s Asymmetry, Karnivool’s discography is sparse yet undeniably excellent.
Approaching In Verses feels a little strange initially. Karnivool’s curious decision to gradually drip-feed half the album’s songs across numerous months lends a familiarity to those without the willpower to give in to temptation, ensuring several of the songs are well lived in before giving the entire opus full attention. Take, for instance, the stormy rhythmic thrust and instantly gratifying hooks of lead single “Drone” (released in July 2025) or the revamped, stuttering crunch of “All It Takes,” originally released back in 2021. These higher energy songs are scattered throughout an album that pivots into more measured, subdued progressive pathways, courtesy of several longer form melodic odysseys, rich in detail, slow burning builds, and emotive, gorgeous vocals from silky voiced frontman Ian Kenny.
Opener “Ghost” unfurls at a relaxed pace, ramping up tension before a delightfully heavy, Middle Eastern-esque groove kicks in. After doing the rounds in their live shows, it is cool to finally hear the song in its studio form. Its complex arrangement and grinding edge lend a darker, off-kilter punch before the infectious burst of “Drone” makes its impressive mark. In Verses largely maintains momentum, sequencing quibbles aside. The softer material and prog power balladry roughly consume half the album, finding Karnivool snaking down introspective, heartfelt pathways, while compromising elements of Karnivool’s signature heavier, energetic fare, leading to pangs of initial disappointment. Over time, these feelings subsided as the brooding tones, glistening melodies, and gentle swells washed over. Soaring mid-album cut “Conversations” comes replete with delicate guitar work undercutting earworm hooks that cut deep. From noodling, melancholic builds, to crunchier undertones and hooks that eventually penetrate the brain and prove tough to dislodge, “Reanimation” culminates with an epic, soul-tingling solo from prog veteran Guthrie Govan (The Aristocrats, Steven Wilson).
Following the infectious grooves and bright melodies of “Remote Self-Control”, In Verses wraps up with a pair of wrenching, lighter in the air ballads (“Opal,” and haunting, bagpiped-adorned “Salva”). Again, displaying the slow-burning unfurl, structural subtleties and pop sensibilities featuring prominently across the album’s mellower cuts. Kenny’s powerhouse singing has been a staple of the Aussie music scene for decades now, both with Karnivool and high-profile rockers (now the questionably pop-inclined) Birds of Tokyo. It’s another highlight reel performance, bolstering Karnivool’s muscular, progressive rock/metallic core with blockbuster hooks, singalong anthems, and an emotionally raw delivery. Drummer Steve Judd and bassist Jon Stockman lay a mighty foundation, through a complex, tightly synced mix of tricky rhythms and driving grooves, paving way for guitarists Drew Goddard and Mark Hosking to delve into their bag of tricks. Supplementing crushing bursts of technical riffage and chunky grooves with understated layers of texture and noodling prog excursions, the duo perform impressively.
Over an hour-long runtime, Karnivool mostly get things right, though astute editing in patches and sequencing to more effectively disperse the mellower fare and energetic numbers, creates lingering nitpicks. Thus, In Verses proves difficult to score. Much of the material achieves, or at least teeters on the cusp of greatness, though the minor bloat, uneven pacing, and ballad-heavy approach compromise the album’s undeniable strengths. Regardless, In Verses marks a nuanced, introspective step in Karnivool’s evolution, rewarding patience, while retaining the signature hallmarks, intelligent songwriting, and hooky accessibility curated over the past couple of decades. Definitely a grower, In Verses won’t change the minds of listeners previously unmoved by Karnivool. Another singular entry into the band’s outstanding repertoire, In Verses stays true to the winning facets that have led to Karnivool’s revered status. Falling narrowly short of the lofty heights of Themata or Sound Awake, flaws and all, In Verses triumphs on its own merits.
Rating: 3.5/5.0
#2026 #35 #AustralianMetal #BirdsOfTokyo #CymaticRecords #Feb26 #InVerses #Karnivool #ProgressiveMetal #ProgressiveRock #Review #Reviews #SonyMusic #StevenWilson #TheAristocrats #Tool
DR: N/A | Format Reviewed: Stream
Label: Cymatic Records
Websites: Official | Facebook
Releases Worldwide: February 6th, 2026 -
Karnivool – In Verses Review By SaundersFollowing a string of setbacks, barriers, and logistical complications, Aussie progressive rock/metal juggernaut Karnivool finally return with their hotly anticipated fourth opus, In Verses. After nearly thirteen years between drinks, the crafty quartet, from the far reaches and musical hotbed of Perth, Western Australia, make a welcome return for prog aficionados and longtime fans of the veteran collective, who flourished from crunchy alt metal and nü flavored beginnings, into a revered progressive band through three previous LPs of high quality. From the clever arrangements and blockbuster hooks of 2005’s Themata, through to the accomplished, complex Toolisms and evolving textures of stunning sophomore platter Sound Awake (2009), to the rawer, experimental edge of 2013’s Asymmetry, Karnivool’s discography is sparse yet undeniably excellent.
Approaching In Verses feels a little strange initially. Karnivool’s curious decision to gradually drip-feed half the album’s songs across numerous months lends a familiarity to those without the willpower to give in to temptation, ensuring several of the songs are well lived in before giving the entire opus full attention. Take, for instance, the stormy rhythmic thrust and instantly gratifying hooks of lead single “Drone” (released in July 2025) or the revamped, stuttering crunch of “All It Takes,” originally released back in 2021. These higher energy songs are scattered throughout an album that pivots into more measured, subdued progressive pathways, courtesy of several longer form melodic odysseys, rich in detail, slow burning builds, and emotive, gorgeous vocals from silky voiced frontman Ian Kenny.
Opener “Ghost” unfurls at a relaxed pace, ramping up tension before a delightfully heavy, Middle Eastern-esque groove kicks in. After doing the rounds in their live shows, it is cool to finally hear the song in its studio form. Its complex arrangement and grinding edge lend a darker, off-kilter punch before the infectious burst of “Drone” makes its impressive mark. In Verses largely maintains momentum, sequencing quibbles aside. The softer material and prog power balladry roughly consume half the album, finding Karnivool snaking down introspective, heartfelt pathways, while compromising elements of Karnivool’s signature heavier, energetic fare, leading to pangs of initial disappointment. Over time, these feelings subsided as the brooding tones, glistening melodies, and gentle swells washed over. Soaring mid-album cut “Conversations” comes replete with delicate guitar work undercutting earworm hooks that cut deep. From noodling, melancholic builds, to crunchier undertones and hooks that eventually penetrate the brain and prove tough to dislodge, “Reanimation” culminates with an epic, soul-tingling solo from prog veteran Guthrie Govan (The Aristocrats, Steven Wilson).
Following the infectious grooves and bright melodies of “Remote Self-Control”, In Verses wraps up with a pair of wrenching, lighter in the air ballads (“Opal,” and haunting, bagpiped-adorned “Salva”). Again, displaying the slow-burning unfurl, structural subtleties and pop sensibilities featuring prominently across the album’s mellower cuts. Kenny’s powerhouse singing has been a staple of the Aussie music scene for decades now, both with Karnivool and high-profile rockers (now the questionably pop-inclined) Birds of Tokyo. It’s another highlight reel performance, bolstering Karnivool’s muscular, progressive rock/metallic core with blockbuster hooks, singalong anthems, and an emotionally raw delivery. Drummer Steve Judd and bassist Jon Stockman lay a mighty foundation, through a complex, tightly synced mix of tricky rhythms and driving grooves, paving way for guitarists Drew Goddard and Mark Hosking to delve into their bag of tricks. Supplementing crushing bursts of technical riffage and chunky grooves with understated layers of texture and noodling prog excursions, the duo perform impressively.
Over an hour-long runtime, Karnivool mostly get things right, though astute editing in patches and sequencing to more effectively disperse the mellower fare and energetic numbers, creates lingering nitpicks. Thus, In Verses proves difficult to score. Much of the material achieves, or at least teeters on the cusp of greatness, though the minor bloat, uneven pacing, and ballad-heavy approach compromise the album’s undeniable strengths. Regardless, In Verses marks a nuanced, introspective step in Karnivool’s evolution, rewarding patience, while retaining the signature hallmarks, intelligent songwriting, and hooky accessibility curated over the past couple of decades. Definitely a grower, In Verses won’t change the minds of listeners previously unmoved by Karnivool. Another singular entry into the band’s outstanding repertoire, In Verses stays true to the winning facets that have led to Karnivool’s revered status. Falling narrowly short of the lofty heights of Themata or Sound Awake, flaws and all, In Verses triumphs on its own merits.
Rating: 3.5/5.0
#2026 #35 #AustralianMetal #BirdsOfTokyo #CymaticRecords #Feb26 #InVerses #Karnivool #ProgressiveMetal #ProgressiveRock #Review #Reviews #SonyMusic #StevenWilson #TheAristocrats #Tool
DR: N/A | Format Reviewed: Stream
Label: Cymatic Records
Websites: Official | Facebook
Releases Worldwide: February 6th, 2026 -
Karnivool – In Verses Review By SaundersFollowing a string of setbacks, barriers, and logistical complications, Aussie progressive rock/metal juggernaut Karnivool finally return with their hotly anticipated fourth opus, In Verses. After nearly thirteen years between drinks, the crafty quartet, from the far reaches and musical hotbed of Perth, Western Australia, make a welcome return for prog aficionados and longtime fans of the veteran collective, who flourished from crunchy alt metal and nü flavored beginnings, into a revered progressive band through three previous LPs of high quality. From the clever arrangements and blockbuster hooks of 2005’s Themata, through to the accomplished, complex Toolisms and evolving textures of stunning sophomore platter Sound Awake (2009), to the rawer, experimental edge of 2013’s Asymmetry, Karnivool’s discography is sparse yet undeniably excellent.
Approaching In Verses feels a little strange initially. Karnivool’s curious decision to gradually drip-feed half the album’s songs across numerous months lends a familiarity to those without the willpower to give in to temptation, ensuring several of the songs are well lived in before giving the entire opus full attention. Take, for instance, the stormy rhythmic thrust and instantly gratifying hooks of lead single “Drone” (released in July 2025) or the revamped, stuttering crunch of “All It Takes,” originally released back in 2021. These higher energy songs are scattered throughout an album that pivots into more measured, subdued progressive pathways, courtesy of several longer form melodic odysseys, rich in detail, slow burning builds, and emotive, gorgeous vocals from silky voiced frontman Ian Kenny.
Opener “Ghost” unfurls at a relaxed pace, ramping up tension before a delightfully heavy, Middle Eastern-esque groove kicks in. After doing the rounds in their live shows, it is cool to finally hear the song in its studio form. Its complex arrangement and grinding edge lend a darker, off-kilter punch before the infectious burst of “Drone” makes its impressive mark. In Verses largely maintains momentum, sequencing quibbles aside. The softer material and prog power balladry roughly consume half the album, finding Karnivool snaking down introspective, heartfelt pathways, while compromising elements of Karnivool’s signature heavier, energetic fare, leading to pangs of initial disappointment. Over time, these feelings subsided as the brooding tones, glistening melodies, and gentle swells washed over. Soaring mid-album cut “Conversations” comes replete with delicate guitar work undercutting earworm hooks that cut deep. From noodling, melancholic builds, to crunchier undertones and hooks that eventually penetrate the brain and prove tough to dislodge, “Reanimation” culminates with an epic, soul-tingling solo from prog veteran Guthrie Govan (The Aristocrats, Steven Wilson).
Following the infectious grooves and bright melodies of “Remote Self-Control”, In Verses wraps up with a pair of wrenching, lighter in the air ballads (“Opal,” and haunting, bagpiped-adorned “Salva”). Again, displaying the slow-burning unfurl, structural subtleties and pop sensibilities featuring prominently across the album’s mellower cuts. Kenny’s powerhouse singing has been a staple of the Aussie music scene for decades now, both with Karnivool and high-profile rockers (now the questionably pop-inclined) Birds of Tokyo. It’s another highlight reel performance, bolstering Karnivool’s muscular, progressive rock/metallic core with blockbuster hooks, singalong anthems, and an emotionally raw delivery. Drummer Steve Judd and bassist Jon Stockman lay a mighty foundation, through a complex, tightly synced mix of tricky rhythms and driving grooves, paving way for guitarists Drew Goddard and Mark Hosking to delve into their bag of tricks. Supplementing crushing bursts of technical riffage and chunky grooves with understated layers of texture and noodling prog excursions, the duo perform impressively.
Over an hour-long runtime, Karnivool mostly get things right, though astute editing in patches and sequencing to more effectively disperse the mellower fare and energetic numbers, creates lingering nitpicks. Thus, In Verses proves difficult to score. Much of the material achieves, or at least teeters on the cusp of greatness, though the minor bloat, uneven pacing, and ballad-heavy approach compromise the album’s undeniable strengths. Regardless, In Verses marks a nuanced, introspective step in Karnivool’s evolution, rewarding patience, while retaining the signature hallmarks, intelligent songwriting, and hooky accessibility curated over the past couple of decades. Definitely a grower, In Verses won’t change the minds of listeners previously unmoved by Karnivool. Another singular entry into the band’s outstanding repertoire, In Verses stays true to the winning facets that have led to Karnivool’s revered status. Falling narrowly short of the lofty heights of Themata or Sound Awake, flaws and all, In Verses triumphs on its own merits.
Rating: 3.5/5.0
#2026 #35 #AustralianMetal #BirdsOfTokyo #CymaticRecords #Feb26 #InVerses #Karnivool #ProgressiveMetal #ProgressiveRock #Review #Reviews #SonyMusic #StevenWilson #TheAristocrats #Tool
DR: N/A | Format Reviewed: Stream
Label: Cymatic Records
Websites: Official | Facebook
Releases Worldwide: February 6th, 2026 -
Karnivool – In Verses Review By SaundersFollowing a string of setbacks, barriers, and logistical complications, Aussie progressive rock/metal juggernaut Karnivool finally return with their hotly anticipated fourth opus, In Verses. After nearly thirteen years between drinks, the crafty quartet, from the far reaches and musical hotbed of Perth, Western Australia, make a welcome return for prog aficionados and longtime fans of the veteran collective, who flourished from crunchy alt metal and nü flavored beginnings, into a revered progressive band through three previous LPs of high quality. From the clever arrangements and blockbuster hooks of 2005’s Themata, through to the accomplished, complex Toolisms and evolving textures of stunning sophomore platter Sound Awake (2009), to the rawer, experimental edge of 2013’s Asymmetry, Karnivool’s discography is sparse yet undeniably excellent.
Approaching In Verses feels a little strange initially. Karnivool’s curious decision to gradually drip-feed half the album’s songs across numerous months lends a familiarity to those without the willpower to give in to temptation, ensuring several of the songs are well lived in before giving the entire opus full attention. Take, for instance, the stormy rhythmic thrust and instantly gratifying hooks of lead single “Drone” (released in July 2025) or the revamped, stuttering crunch of “All It Takes,” originally released back in 2021. These higher energy songs are scattered throughout an album that pivots into more measured, subdued progressive pathways, courtesy of several longer form melodic odysseys, rich in detail, slow burning builds, and emotive, gorgeous vocals from silky voiced frontman Ian Kenny.
Opener “Ghost” unfurls at a relaxed pace, ramping up tension before a delightfully heavy, Middle Eastern-esque groove kicks in. After doing the rounds in their live shows, it is cool to finally hear the song in its studio form. Its complex arrangement and grinding edge lend a darker, off-kilter punch before the infectious burst of “Drone” makes its impressive mark. In Verses largely maintains momentum, sequencing quibbles aside. The softer material and prog power balladry roughly consume half the album, finding Karnivool snaking down introspective, heartfelt pathways, while compromising elements of Karnivool’s signature heavier, energetic fare, leading to pangs of initial disappointment. Over time, these feelings subsided as the brooding tones, glistening melodies, and gentle swells washed over. Soaring mid-album cut “Conversations” comes replete with delicate guitar work undercutting earworm hooks that cut deep. From noodling, melancholic builds, to crunchier undertones and hooks that eventually penetrate the brain and prove tough to dislodge, “Reanimation” culminates with an epic, soul-tingling solo from prog veteran Guthrie Govan (The Aristocrats, Steven Wilson).
Following the infectious grooves and bright melodies of “Remote Self-Control”, In Verses wraps up with a pair of wrenching, lighter in the air ballads (“Opal,” and haunting, bagpiped-adorned “Salva”). Again, displaying the slow-burning unfurl, structural subtleties and pop sensibilities featuring prominently across the album’s mellower cuts. Kenny’s powerhouse singing has been a staple of the Aussie music scene for decades now, both with Karnivool and high-profile rockers (now the questionably pop-inclined) Birds of Tokyo. It’s another highlight reel performance, bolstering Karnivool’s muscular, progressive rock/metallic core with blockbuster hooks, singalong anthems, and an emotionally raw delivery. Drummer Steve Judd and bassist Jon Stockman lay a mighty foundation, through a complex, tightly synced mix of tricky rhythms and driving grooves, paving way for guitarists Drew Goddard and Mark Hosking to delve into their bag of tricks. Supplementing crushing bursts of technical riffage and chunky grooves with understated layers of texture and noodling prog excursions, the duo perform impressively.
Over an hour-long runtime, Karnivool mostly get things right, though astute editing in patches and sequencing to more effectively disperse the mellower fare and energetic numbers, creates lingering nitpicks. Thus, In Verses proves difficult to score. Much of the material achieves, or at least teeters on the cusp of greatness, though the minor bloat, uneven pacing, and ballad-heavy approach compromise the album’s undeniable strengths. Regardless, In Verses marks a nuanced, introspective step in Karnivool’s evolution, rewarding patience, while retaining the signature hallmarks, intelligent songwriting, and hooky accessibility curated over the past couple of decades. Definitely a grower, In Verses won’t change the minds of listeners previously unmoved by Karnivool. Another singular entry into the band’s outstanding repertoire, In Verses stays true to the winning facets that have led to Karnivool’s revered status. Falling narrowly short of the lofty heights of Themata or Sound Awake, flaws and all, In Verses triumphs on its own merits.
Rating: 3.5/5.0
#2026 #35 #AustralianMetal #BirdsOfTokyo #CymaticRecords #Feb26 #InVerses #Karnivool #ProgressiveMetal #ProgressiveRock #Review #Reviews #SonyMusic #StevenWilson #TheAristocrats #Tool
DR: N/A | Format Reviewed: Stream
Label: Cymatic Records
Websites: Official | Facebook
Releases Worldwide: February 6th, 2026 -
#Canadian tooters - or any tooters really who are into world #music - might be interested to listen to this podcast of Quebecoise music curated by #Putumayo #Quebec
https://on.soundcloud.com/q11xj -
Any #UK tooters with an interest in #environment and particularly #ChalkStream and river #habitat studies might like to check out this opportunity for a funded #phdPosition at ARU in #Cambridge. I love all my local #rivers and streams so I'm particularly keen to see someone awesome take this up!
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#SaveMyanmar #WhatsHappeninglnMyanmar ‘Why should I kill our own?’: Thousands of soldiers surrender as Myanmar junta shaken by rebel advances https://www.theguardian.com/global-development/2024/jan/29/myanmar-military-junta-totters-as-battalions-surrender?CMP=share_btn_tw https://nitter.hongkongers.net/benedictrogers/status/1752323574688260481#m
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As Cuban Government Teeters, Fidel Castro’s Daughter Alina Fernández Revuelta Reflects On “Absurd” Revolution Her Father Led – Miami Film Festival
#Documentary #Festivals #News #AlinaFernándezRevuelta #Cuba #FidelCastro #MiamiFilmFestival #Revolution039sDaughter #ThaddeusDMatulahttps://deadline.com/2026/04/revolutions-daughter-world-premiere-miami-film-festival-1236858191/
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DSP and control theory tooters, how do you smooth a tach signal?
I'm measuring a sequence of tachometer pulses, and I want to turn that into a smoothed current speed number. Everything I know about DSP uses a fixed sampling interval, but these aren't fixed -- the interval is the signal.
This has to be a well known problem with well known solutions...
Thank you.