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297 results for “TDreher”

  1. Kraynik, Ted: Synergic Light Buoys, 1968. Drawing. In 1968 Ted Kraynik planned to install buoys with lights in the harbor of Boston, which were to react to the number of telephone calls, to the street and subway traffic, and to the consumption of gas and power. More informations in: Dreher, Thomas: Lichtraum - Kunstraum - Stadtraum (1993), p.31f. PDF: dreher.netzliteratur.net/4_Lic #kraynikted #tedkraynik #thomasdreher #lightinstallation #electronicart #electroniarts #environmentart #synergicart

  2. Bunting, Heath: _readme – own, be owned, or remain invisible, 1998. Web project (screenshot 2012). More informations: Dreher, Thomas: History of Computer Art, chapter VI.3.2. HTML Art. Internet: iasl.uni-muenchen.de/links/GCA

  3. History of Computer Art, HTML versions in English and German with embedded videos: I updated the embed codes (YouTube, Vimeo and dailymotion changed them). Now you can see the videos within the text and go to the videos on the platforms - as it was before.
    All versions of the "History of Computer Art": URL: iasl.uni-muenchen.de/links/GCA #ComputerArt #ComputerGames #Animation #ComputerAnimation #ComputerGraphics #reactiveInstallations #Cybernetics #CyberneticSculptures

  4. Scott Draves: Electric Sheep, 1999. Internet-connected personal computers, screensaver (with updates until today). Screenshots 2011-2012. More informations: Dreher, Thomas: History of Computer Art, chapter IV.3.3 Fractal Flames. Internet: iasl.uni-muenchen.de/links/GCA #scottdraves #thomasdreher #evolutionaryart #generativeart #generativeartist #computerart #netart #screensaver #screensaverart #screensaverartwork #digitalart #digitalartist #digitalartists #computerart #computerartist

  5. John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: dreher.netzliteratur.net/1_Cag

  6. John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: dreher.netzliteratur.net/1_Cag #johncage #thomasdreher #chanceoperations #simultaneity #americanmusic #fiftiesmusic #experimentalnotation #experimentalnotations #experimentalmusic

  7. John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: dreher.netzliteratur.net/1_Cag #johncage #thomasdreher #chanceoperations #simultaneity #americanmusic #fiftiesmusic #experimentalnotation #experimentalnotations #experimentalmusic

  8. John Cage: Fontana Mix, 1958. Notation published by C.F. Peters Corp. (EP 6712). More informations: Dreher, Thomas: John Cage - kommentierte Chronology. In: Bischoff, Ulrich (ed.): Kunst als Grenzbeschreitung: John Cage und die Moderne. Cat. exhibit. Staatsgalerie moderner Kunst, Munich 1991, p.234. PDF: dreher.netzliteratur.net/1_Cag #johncage #thomasdreher #chanceoperations #simultaneity #americanmusic #fiftiesmusic #experimentalnotation #experimentalnotations #experimentalmusic

  9. Roy Ascott: La Plissure du Texte, ARTEX (The Artist´s Electronic Exchange Program), I.P. Sharp Associates Computer Timesharing Network, 1983. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter II.3 Textproduktion durch Kollaboration im Datennetz. Internet: dreher.netzliteratur.net/4_Med

  10. Roy Ascott: La Plissure du Texte, ARTEX (The Artist´s Electronic Exchange Program), I.P. Sharp Associates Computer Timesharing Network, 1983. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter II.3 Textproduktion durch Kollaboration im Datennetz. Internet: dreher.netzliteratur.net/4_Med #royascott #thomasdreher #netart #collaborativeart #digitalliterature #artandtext #digitalart #digitalartist #collaborativewriting #internetart

  11. John Cage: Water Music, spring 1952. Third: notation. First and second: David Tudor performing Water Music in Darmstadt, 1958. Photographer unknown. Collection Getty Museum, Los Angeles. More informations: Dreher, Thomas: John Cage - Kommentierte Chronologie, p.229f. PDF: dreher.netzliteratur.net/1_Cag #johncage #davidtudor #thomasdreher #chanceoperations #experimentalnotation #experimentalnotations #experimentalmusic #experimentalmusician #musicfifties #fiftiesmusic #actionmusic #soundart

  12. Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: dreher.netzliteratur.net/3_Kon

  13. Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: dreher.netzliteratur.net/3_Kon #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork

  14. Henry Flynt: Concept Art, 1963. In: Mac Low_Jackson/Young, La Monte (ed.): An Anthology of Chance Operations, New York 1963, unpaginated. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-1976, chapter Fluxus und "Concept Art". Internet: dreher.netzliteratur.net/3_Kon

  15. Henry Flynt: Concept Art, 1963. In: Mac Low_Jackson/Young, La Monte (ed.): An Anthology of Chance Operations, New York 1963, unpaginated. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-1976, chapter Fluxus und "Concept Art". Internet: dreher.netzliteratur.net/3_Kon #henryflynt #thomasdreher #fluxus #fluxusart #fluxusartist #fluxusanthology #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartworks #arttheory #sixtiesart

  16. Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: dreher.netzliteratur.net/3_Kon

  17. Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: dreher.netzliteratur.net/3_Kon #artandlanguage #lewiscarroll #thomasdreher #conceptart #conceptartist #conceptartists #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptualartwork #sixtiesart #artsixties #drawing #mapping #mapart

  18. On Kawara: Date Paintings, 1966, oil on canvas, photographed at artist's studio, 13th Street, New York, 1966. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Dematerialisierung und Textkunst. Internet: dreher.netzliteratur.net/3_Kon