#artandlanguage — Public Fediverse posts

Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang3.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork

Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang3.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork

Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #lewiscarroll #thomasdreher #conceptart #conceptartist #conceptartists #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptualartwork #sixtiesart #artsixties #drawing #mapping #mapart

Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #lewiscarroll #thomasdreher #conceptart #conceptartist #conceptartists #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptualartwork #sixtiesart #artsixties #drawing #mapping #mapart

Lawrence Weiner: One Quart Exterior Green Industrial Enamel Thrown On A Brick Wall, 1968 (Work-Nr. 002). Several realizations by different people as text on a wall (with text variations). More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #lawrenceweiner #thomasdreher #artandlanguage #weinertext #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #textinstallations

Lawrence Weiner: One Quart Exterior Green Industrial Enamel Thrown On A Brick Wall, 1968 (Work-Nr. 002). Several realizations by different people as text on a wall (with text variations). More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #lawrenceweiner #thomasdreher #artandlanguage #weinertext #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #textinstallations

Lawrence Weiner: One Quart Exterior Green Industrial Enamel Thrown On A Brick Wall, 1968 (Work-Nr. 002). Several realizations by different people as text on a wall (with text variations). More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #lawrenceweiner #thomasdreher #artandlanguage #weinertext #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #textinstallations

Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage

Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage

Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage