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#johnbaldessari — Public Fediverse posts

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  1. Ferrari x2 Is the Buzziest Gallery in London That Doesn’t Actually Exist

    Photo courtesy of Ferrari x2. Writer Sofia Hallström goes hunting for answers about London’s newest, most mysterious gallery,…
    #London #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #Art #Britain #ferrarix2 #Gallery #GeorgeW.Bush #GreatBritain #JohnBaldessari #london #LouiseBourgeois
    europesays.com/uk/1181161/

  2. The Meeting That Could’ve Been an Email 🪑 📩

    A study in corporate absurdity?

    At the John Baldessari retrospective: Parables, Fables, and Other Tall Tales

    #JohnBaldessari #Bozar #Brussels #artHumor #Art #FediArt #OfficeLife

  3. Making a banner for a gig we're DJing tomorrow. Needed a weight to hold down a letter while the adhesive sets. Grabbed what was heavy and nearby. I'd like to think this is Baldessari approved. #radio #liveradio #djing #contemporaryart #johnbaldessari #readymade

  4. Making a banner for a gig we're DJing tomorrow. Needed a weight to hold down a letter while the adhesive sets. Grabbed what was heavy and nearby. I'd like to think this is Baldessari approved.

  5. John Baldessari: Violent Space Series: Two Stares Making a Point but Blocked by a Plane (for Malevich), 1976. B&w photograph with montage on cardboard. The Nelson-Atkins Museum of Art, Kansas City. © Marion Goodman Gallery, New York. More Informations: Dreher, Thomas: Aesthetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: dreher.netzliteratur.net/8_Kon

  6. John Baldessari: Violent Space Series: Two Stares Making a Point but Blocked by a Plane (for Malevich), 1976. B&w photograph with montage on cardboard. The Nelson-Atkins Museum of Art, Kansas City. © Marion Goodman Gallery, New York. More Informations: Dreher, Thomas: Aesthetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: dreher.netzliteratur.net/8_Kon #johnbaldessari #thomasdreher #photomontage #conceptualart #conceptualartist #conceptualartists #conceptartwork #montage #filmstill

  7. John Baldessari: A painting that is it's own documentation, Acrylic on canvas, 1968. Collection Molly Barnes, Los Angeles.
    Informations in: Thomas Dreher: Kontextreflexive Kunst: Selbst- und Fremdbezüge in intermedialen Präsentationsformen. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.87f.
    PDF: dreher.netzliteratur.net/9_Kon