Stephanie Syjuco (b.1974)
Stephanie Syjuco (b.1974) is a Filipino-born American conceptual artist and educator. via W #PalianSHOWhttps://palianshow.wordpress.com/2026/05/27/stephanie-syjuco/
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Stephanie Syjuco (b.1974)
Stephanie Syjuco (b.1974) is a Filipino-born American conceptual artist and educator. via W #PalianSHOWhttps://palianshow.wordpress.com/2026/05/27/stephanie-syjuco/
Mondays don't suck when you've recently re-designed your home office space.
It isn't just visuals, I feel 300% more productive in this new room.
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#conceptartist #videogames #conceptualartist #freelancers #artistconcept #artisticconcept #artstationhq #wacom
Every day is a choice.
How do you want to show up in the world?
How do you want to be remembered?
🦋
#choices #digitalart #digitalmixedmedia #blue #conceptualart #conceptualartist #howdoyouwanttoberemembered #howdoyouwanttolive
Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang3.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork
John Baldessari: Brutus Killed Caesar, 1976. book with spiral binding, b/w offset print, 35 pages. More informations: Dreher, Thomas: Ästhetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #johnbaldessari #thomasdreher #fotomontage #conceptualart #conceptart #conceptartist #conceptartists #conceptartwork #conceptartworks #conceptualart #conceptualartwork #conceptualartworks #conceptualartist #conceptualartists #allegoricmontage #allegoricalmontage
Henry Flynt: Concept Art, 1963. In: Mac Low_Jackson/Young, La Monte (ed.): An Anthology of Chance Operations, New York 1963, unpaginated. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-1976, chapter Fluxus und "Concept Art". Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #henryflynt #thomasdreher #fluxus #fluxusart #fluxusartist #fluxusanthology #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartworks #arttheory #sixtiesart
Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #lewiscarroll #thomasdreher #conceptart #conceptartist #conceptartists #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptualartwork #sixtiesart #artsixties #drawing #mapping #mapart
On Kawara: Date Paintings, 1966, oil on canvas, photographed at artist's studio, 13th Street, New York, 1966. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Dematerialisierung und Textkunst. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #onkawara #thomasdreher #datepaintings #conceptart #conceptualart #conceptualartist #conceptualartists #conceptualartwork #conceptualartworks #conceptartist #conceptartists #conceptartwork #conceptartworks #sixtiesart
Art & LanguageUK: Dialectical Materialism, 1974, photographic paper on walls, installation Museum of Modern Art, Oxford 1975. Illustration: one of several walls. More informations: Dreher, Thomas: Art & Language: Kontextreflexive Kunst im Kunstkontext, chapter Dialectical Materialism. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang.html #artandlanguage #thomasdreher #conceptualart #conceptualartist #conceptualartists #conceptualartwork #conceptualartworks #conceptart #conceptartist #conceptartists #artistsgroup
Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage
Robert Barry: Marcuse Pieces, 1970-71. Series of invitations (illustration: card with invitation Nr.6: gallery Eugenia Butler, Los Angeles). More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.88. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #robertbarry #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartist #conceptartists #contextart #contextartwork
Sol LeWitt: Serial Project No.1 (ABCD), 1966. Various realizations in different sizes and materials. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.263-274, ill.15. PDF: http://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #sollewitt #thomasdreher #sollewittsculpture #sollewittsculptures #conceptualart #conceptualartist #conceptualartists #conceptart #conceptartists #conceptualartworks #minimalart #minimalartist #minimalartists
Robert Barry: Closed Galleris, 1969. Invitation card, part of a series of invitations of galleries with the information "During the exhibition the gallery will be closed". More informations: Dreher, Thomas: Kontextreflexive Kunst. In: Weibel, Peter (ed.): Kontext Kunst. Kunst der 90er Jahre. Cologne 1994, p.87f. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #robertbarry #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartists #contextart #contextartwork
John Baldessari: Violent Space Series: Two Stares Making a Point but Blocked by a Plane (for Malevich), 1976. B&w photograph with montage on cardboard. The Nelson-Atkins Museum of Art, Kansas City. © Marion Goodman Gallery, New York. More Informations: Dreher, Thomas: Aesthetik des [Nicht-]Beweises, chapter Allegorische Montage. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #johnbaldessari #thomasdreher #photomontage #conceptualart #conceptualartist #conceptualartists #conceptartwork #montage #filmstill
Douglas Huebler: Variable Piece #90 Israel, 1974. Text sheet, contact proof, 2 photos, drawing. More informations: Dreher, Thomas: Aesthetik des [Nicht-]Beweises, chapter Dokumentationssysteme. Internet: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Aesthetik.html #douglashuebler #thomasdreher #documentationsystem #documentationsystems #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartists #conceptualphotography #conceptualartist #conceptualartworks
Harold Hurrell (Art & Language): Left: Fluidic Device, 1968. Right: The Cybernetic Art Work that Nobody Broke, 1969. More Informations: Dreher, Thomas: Conceptual Art and Software Art, chapter III.2. Internet: http://iasl.uni-muenchen.de/links/NAKSe.html #artandlanguage #conceptualart #conceptualartists #conceptart #conceptartist #conceptualartwork #conceptualartist #conceptartists #softwareart #softwareartwork #artandtechnology #cyberneticart #kineticart #kineticartwork #KineticArtworks #haroldhurrell #thomasdreher
Sol LeWitt: Object, 1969/70. Steel, sprayed white. Ulmer Museum, Ulm. More Informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.257f. PDF: https://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #sollewitt #thomasdreher #conceptualart #conceptualartwork #conceptualartist #conceptualartists #serialart #serialartwork #minimalart #minimalartists #minimalartist #ulmermuseum #sammlungkurtfried
Joseph Kosuth: The Second Investigation, 1968-1970. Multipart work in different media. More informations: Dreher, Thomas: Kontextreflexive Kunst: Selbst- und Fremdbezüge in intermedialen Präsentationsformen, p.88-91. PDF: https://dreher.netzliteratur.net/9_KontextKunst_Text.pdf #josephkosuth #conceptualart #conceptualartist #conceptualartwork #conceptualartworks #contextart #contextartwork #contextualart #thomasdreher #josephkosuthinvestigation
Mel Bochner: Theory of Painting, 1970. Blue spray paint on newspaper on floor, vinyl letters on wall. Size determined by installation. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1991, p. 229-244, ill.11. https://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #melbochner #conceptart #conceptartists #conceptartist #serialart #serialartist #serialartwork #installationart #installationartist #conceptualart #conceptualartist #thomasdreher
Joseph Kosuth: The Tenth Investigation, Proposition One,1974. Neue Galerie Kassel. More informations: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main 1992, p.281-294 (interpretation of the relations between the parts of the installation). PDF: https://dreher.netzliteratur.net/3_Konzeptkunst_Diss.pdf #josephkosuth #thomasdreher #ConceptArt #conceptartist #conceptartwork #conceptartworks #conceptualart #conceptualartist #conceptualartists #installationart #installationartwork
Bernhard Johannes Blume: Waldeslust, 1984/1986. Large photo sequence. Photo action with Anna Blume. Five b/w blow-ups. More informations in: Dreher, Thomas: Bernhard Johannes und Anna Maria Blume: Fotosequenzen. In: Artefactum, Nr.26, November/December 1988 - January 1989, p.19f. (German), p.63f. (French). PDF: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Blume.pdf
#annamariablume #bernhardblume #bernhardjohannesblume #conceptualartist #conceptart #conceptartist #blowup #photoart #thomasdreher
Victor Burgin: Park Edge, 1987, diptych (formica) and text panel, Courtesy John Weber Gallery, New York, illus. of hanging at John Weber Gallery, New York 1989.
More informations in: Dreher, Thomas: Victor Burgin. The Shadow of the Watchman - or: Memory-Operations.
Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Burgin_Mem.html
#victorburgin #conceptartist #conceptartists #conceptart #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptuartwork #thomasdreher #imageandicon #imageandtext #JacquesLacan
Victor Burgin: Memory Piece, 1967. Concept with instructions (above) and execution of these instructions in the form of two triangles of taut ropes (below). Length of the sides of these triangles: 10,97 m. More informations in: Thomas Dreher: The Shadow of the Watchman. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Burgin_Mem.html
#victorburgin #conceptart #conceptualart #conceptartist #thomasdreher #conceptartists #notation #notations #conceptualartist #conceptualartists
Art & Language (Terry Atkinson, Michael Baldwin): Print (2 sections A and B), 1966. A piece of paper for exhibitions asking "Is this piece of paper an art work?" More informations in: Thomas Dreher: Art & Language. Kontextreflexive Kunst im Kunstkontext. Plurifunktionale und mehrschichtige Bild- und Diskursmodelle. In: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang.html
#conceptart #conceptartist #conceptartwork #artandlanguage #contextart #contextualism #conceptualart #conceptualartist #conceptualartists