#artsixties — Public Fediverse posts

Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang3.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork

Art & Language (Terry Atkinson, Michael Baldwin): Map to not Indicate, 1967. Linotype on paper. Edition: 50. Tate Gallery, London. More informations: Dreher, Thomas: Art & Language und Luhmanns "Theorie der Beobachtung": "redescriptions", chapter II.1 Maps. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang3.html #artandlanguage #michaelbaldwin #terryatkinson #thomasdreher #conceptart #conceptartist #conceptartwork #conceptualart #conceptualartist #conceptualartwork #sixtiesart #artsixties #printart #printartwork

Otto Mühl: Gerümpelskulpturen/junk sculptures, Blutorgel, Vienna, Perinetkeller, 1962. More informations: Dreher, Thomas: Aktionstheater als Provokation, chapter Kadaver, ab 1962. Internet: https://dreher.netzliteratur.net/2_Performance_Aktionismus.html #ottomuehl #ottomühl #thomasdreher #viennaactionism #wieneraktionismus #blutorgel #installationart #expandedsculpture #sculptureexpanded #viennaart #viennaartist #sixtiesart #sixtiesartwork #austrianart #austrianartists #austrianartist #artsixties #artinthesixties #sixtiessculpture

Otto Mühl: Gerümpelskulpturen/junk sculptures, Blutorgel, Vienna, Perinetkeller, 1962. More informations: Dreher, Thomas: Aktionstheater als Provokation, chapter Kadaver, ab 1962. Internet: https://dreher.netzliteratur.net/2_Performance_Aktionismus.html #ottomuehl #ottomühl #thomasdreher #viennaactionism #wieneraktionismus #blutorgel #installationart #expandedsculpture #sculptureexpanded #viennaart #viennaartist #sixtiesart #sixtiesartwork #austrianart #austrianartists #austrianartist #artsixties #artinthesixties #sixtiessculpture

Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #lewiscarroll #thomasdreher #conceptart #conceptartist #conceptartists #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptualartwork #sixtiesart #artsixties #drawing #mapping #mapart

Art&Language (Atkinson, Terry/Baldwin, Michael): Map of the Sahara Desert after Lewis Carroll, 1967. India ink on graph paper. Collection Art & Language. More informations: Dreher, Thomas: Art & LanguageUK (1966-72): Maps and Models. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Art_Lang2.html #artandlanguage #lewiscarroll #thomasdreher #conceptart #conceptartist #conceptartists #conceptartwork #conceptualart #conceptualartist #conceptualartists #conceptualartwork #sixtiesart #artsixties #drawing #mapping #mapart

Joseph Beuys: Hasengrab/Rabbit Grave, 1962/67. Various materials. Lenbachhaus Munich. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p.261f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00260.html #josephbeuys #thomasdreher #beuyshare #beuyshase #objectart #artsixties #Eurasia #beuyseurasia #theaterofobjects #sixtiesart

Joseph Beuys: Hasengrab/Rabbit Grave, 1962/67. Various materials. Lenbachhaus Munich. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p.261f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00260.html #josephbeuys #thomasdreher #beuyshare #beuyshase #objectart #artsixties #Eurasia #beuyseurasia #theaterofobjects #sixtiesart

Joseph Beuys: Hasengrab/Rabbit Grave, 1962/67. Various materials. Lenbachhaus Munich. More informations: Dreher, Thomas: Performance Art seit 1945. Aktionstheater und Intermedia. Munich 2001, p.261f. Internet: https://digi20.digitale-sammlungen.de/de/fs1/object/display/bsb00041413_00260.html #josephbeuys #thomasdreher #beuyshare #beuyshase #objectart #artsixties #Eurasia #beuyseurasia #theaterofobjects #sixtiesart

Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage

Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage

Sol LeWitt: Red Square White Letters, 1962. Oil on canvas. Museum Ludwig, Cologne. More informations in: Dreher, Thomas: Konzeptuelle Kunst in Amerika und England 1963-76, chapter Selbst- und Fremdbezug. Internet: https://dreher.netzliteratur.net/3_Konzeptkunst_Text.html #sollewitt #thomasdreher #conceptart #conceptualart #conceptualartist #conceptualartists #conceptartwork #conceptartworks #minimalart #minimalartist #minimalartists #minimalartwork #minimalartworks #artsixties #artofthesixties #paintingsixties #artandlanguage

Nake, Frieder: Walk-Through-Raster, series 2.1, four realisations, 1966, plotter drawings. More informations: Dreher, Thomas: History of Computer Art, chap. III.2. Internet: http://iasl.uni-muenchen.de/links/GCA-III.2e.html #friedernake #thomasdreher #computerart #computergraphics #computerartist #computerartists #artsixties #artofthesixties #sixtiesart #computerartwork #computerartsixties

Nake, Frieder: Walk-Through-Raster, series 2.1, four realisations, 1966, plotter drawings. More informations: Dreher, Thomas: History of Computer Art, chap. III.2. Internet: http://iasl.uni-muenchen.de/links/GCA-III.2e.html #friedernake #thomasdreher #computerart #computergraphics #computerartist #computerartists #artsixties #artofthesixties #sixtiesart #computerartwork #computerartsixties

Nake, Frieder: Walk-Through-Raster, series 2.1, four realisations, 1966, plotter drawings. More informations: Dreher, Thomas: History of Computer Art, chap. III.2. Internet: http://iasl.uni-muenchen.de/links/GCA-III.2e.html #friedernake #thomasdreher #computerart #computergraphics #computerartist #computerartists #artsixties #artofthesixties #sixtiesart #computerartwork #computerartsixties