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#installationartists — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #installationartists, aggregated by home.social.

  1. Hans Haacke: Photo-Electric Viewer-Programmed Coordinate System, 1968. 14 infrared projectors, 14 photoelectronic cells, 28 white light bulbs. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.1. Internet: dreher.netzliteratur.net/4_Med

  2. Hans Haacke: Photo-Electric Viewer-Programmed Coordinate System, 1968. 14 infrared projectors, 14 photoelectronic cells, 28 white light bulbs. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.1. Internet: dreher.netzliteratur.net/4_Med #hanshaacke #thomasdreher #artandtechnology #kineticart #cyberneticart #lightinstallation #lightart #lightartist #lightartists #installationart #installationartist #installationartists

  3. Hans Haacke: Photo-Electric Viewer-Programmed Coordinate System, 1968. 14 infrared projectors, 14 photoelectronic cells, 28 white light bulbs. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.1. Internet: dreher.netzliteratur.net/4_Med #hanshaacke #thomasdreher #artandtechnology #kineticart #cyberneticart #lightinstallation #lightart #lightartist #lightartists #installationart #installationartist #installationartists

  4. Frank Gillette/Ira Schneider: Wipe Cycle, installation with 9 monitors and a live camera, Howard Wise Gallery, New York 1969. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.2 Closed-Circuits. Internet: dreher.netzliteratur.net/4_Med

  5. Frank Gillette/Ira Schneider: Wipe Cycle, installation with 9 monitors and a live camera, Howard Wise Gallery, New York 1969. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.2 Closed-Circuits. Internet: dreher.netzliteratur.net/4_Med #frankgillette #iraschneider #closedcircuit #videoclosedcircuits #videoinstallation #videoart #videoartists #thomasdreher #videosculpture #installationart #installationartists

  6. Frank Gillette/Ira Schneider: Wipe Cycle, installation with 9 monitors and a live camera, Howard Wise Gallery, New York 1969. More informations: Dreher, Thomas: Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen, chapter III.2 Closed-Circuits. Internet: dreher.netzliteratur.net/4_Med #frankgillette #iraschneider #closedcircuit #videoclosedcircuits #videoinstallation #videoart #videoartists #thomasdreher #videosculpture #installationart #installationartists

  7. Allan Kaprow: Words, Installation, Smolin Gallery, New York 1962 (photos: Robert Mc Elroy/Licensed by VAGA, New York). More informations in: Dreher, Thomas: Allan Kaprow versus Robert Morris. Ansätze zu einer Kunstgeschichte als Mediengeschichte. Internet: dreher.netzliteratur.net/1_Kap

  8. Richter, Gerhard: Atlas der Fotos, Collagen und Skizzen. Städtische Galerie im Lenbachhaus, München 1989. More Informations: Dreher, Thomas: Atlas der Fotos, Collagen und Skizzen, In: das kunstwerk, December 1989 (Nr.4/XLII), p.105f. Internet: dreher.netzliteratur.net/1_Ric

  9. Pask, Gordon: Musicolour, Boltons Theatre Club, South Kensington 1954.
    Left: Stage with a projection screen for Musicolour.
    Right: Moon-Music, playbill.
    More informations: Dreher, Thomas: Cybernetics and the Pioneers of Computer Art. Internet: dreher.netzliteratur.net/4_Med

  10. Robert Morris: Untitled, 1968-1969, installation. 200 pieces, felt, copper, rubber, zinc, nickel, aluminum, corten and stainless steel.
    More informations in: Dreher, Thomas:
    Allan Kaprow versus Robert Morris:
    Ansätze zu einer Kunstgeschichte als Mediengeschichte. Internet: dreher.netzliteratur.net/1_Kap