Search
1000 results for “byron_miller”
-
#introduction:
I am a Lecturer and #NewPI at the #UniversityOfManchester #UoM
I am interested in how cellular interactions with the tumour microenvironment control fundamental aspects of cancer cell behaviour, including regulation of gene expression.
In @thebyronlab, we combine #proteomics, #sequencing, #bioinformatics, functional #CellBiology, super-resolution #imaging and #cancer models, to discover new properties of cancer #CellAdhesion #networks. -
Oregon Depot program Aug. 30 to cover Byron Nuclear Plant – Shaw Local https://www.byteseu.com/1329122/ #Byron #Nuclear #OgleCounty #OgleCountyFrontHeadlines
-
🚨 La advertencia de la Guardia Civil sobre la 'droga zombie'
"El #fentanilo es 50 veces más fuerte que la #heroína y 100 veces más que la #morfina..." ➡ http://atres.red/cum6r2 -
Bygone – Bygone Review By Creeping IvyBeing a non-native Bostonian in Beantown allows me to exercise a dispassionate objectivity towards the city’s musical culture. I vicariously experience the pride of housing The Pixies but don’t feel the shame of inhabiting Aerosmith Land.1 And yet, I’m always curious about local artists who can obliterate this objectivity, making me feel proud of Boston. Bygone, a heavy metal/hard rock sextet, may be able to liberate my revolutionary heart from its Tory shackles. Despite being Boston-based, Bygone have just dropped their debut album on Svart Records, an independent label based in Finland. Svart’s solid track record, coupled with that pulpy sci-fi cover, gives me more than a feeling that Bygone will deliver.
As per their name, Bygone is not really interested in revolution. These Bostonians serve a heavier-than-usual hard rock that had its heyday in the 1970s. But as the band itself so enticingly puts it, Bygone ’feels not so much of the historical past as it does the never-quite-was.’2 To this end, guitarists Noah Stormbringer and Chris Corry lay down driving riffs that feel like a chuggier Deep Purple (“Lightspeed Nights,” “City Living”). The powerful mid-range of vocalist James Kirn fronts a Uriah Heep with more heft than David Byron or John Lawton (“Shadow Rising,” “Take Me Home”). All the while, bassist Cecelia Hale and drummer Connor Donegan hover like a steadier UFO (“Fire in You Fire in Me”). With production wetter than the Charles River, Bygone sounds like the 70s proto-metal record that never was, but now is.
Bygone packs a tasty psychedelic flavor, largely stemming from its synths. Keyboardist Renato is a key fixture of Bygone, sonically fulfilling the spacey atmosphere suggested by the album cover. His tones span the cosmos, sounding like the stars, the interstellar spaceships traveling to them, and everything in between. “Lightspeed Nights” perfectly exemplifies Renato’s dual role in Bygone. Sometimes, he provides atmospheric background for the sparkling guitars; other times, he’s front and center, swirling like Saturnian rings around the band. But Bygone’s highlights, far and away, come from Renato’s interplays with guitarists Stormbringer and Corry. The bridge of “Shadow Rising,” for example, amplifies its time signature change with some nifty call-and-response triplets. Similarly, but more expansively, “Take Me Home” builds a progressive guitar/keyboard conversation into its DNA. On account of its psychedelic synths, Bygone becomes an album that pairs well with some Green Monster.
Bygone doesn’t go by without flaws. As mentioned, Kirn is a powerful vocalist, harboring a flexible mid-range that can satisfyingly hit higher notes. His verses and choruses, however, often need stronger hooks to differentiate themselves from the infectious guitar and keyboard melodies (“Lightspeed Nights”). Bygone also has some pacing issues. Despite being a fairly consistent 43 minutes, it lacks show-stopping highs (though “Take Me Home” comes close). Some midpoint lag (“Into the Gleam,” “The Last Horses of Avalon”) makes the album feel longer than it is. “City Living,” however, picks things back up before the closer. “Fire in You Fire in Me” stands as the most unique track on Bygone, with gentler, warmer tones recalling Procol Harum. Bygone would do well to make way for more variety of this kind.
Bygone is a good (though not wicked good) debut from a promising band. These Bostonians demonstrate keen awareness of what makes modern retro rock/metal work. Tone is tantamount but not totalizing; you need riffs, and Bygone holds plenty. Fans of the band’s 70s influences and other such contemporaries dealing in musical antiques will love the galactically vintage tones on display here. With a bit more songwriting variety and vocal hooks, Bygone should make Boston (and its iconoclastic transplants) more than proud.
Rating: 3.0/5.0
#2025 #30 #Aerosmith #Bygone #Dec25 #DeepPurple #HardRock #HeavyMetal #ProcolHarum #ProtoMetal #PsychedelicRock #Review #Reviews #SvartRecords #ThePixies #UFO #UriahHeep #USMetal
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Svart Records
Website: Bandcamp
Releases Worldwide: December 12th, 2025 -
Bygone – Bygone Review By Creeping IvyBeing a non-native Bostonian in Beantown allows me to exercise a dispassionate objectivity towards the city’s musical culture. I vicariously experience the pride of housing The Pixies but don’t feel the shame of inhabiting Aerosmith Land.1 And yet, I’m always curious about local artists who can obliterate this objectivity, making me feel proud of Boston. Bygone, a heavy metal/hard rock sextet, may be able to liberate my revolutionary heart from its Tory shackles. Despite being Boston-based, Bygone have just dropped their debut album on Svart Records, an independent label based in Finland. Svart’s solid track record, coupled with that pulpy sci-fi cover, gives me more than a feeling that Bygone will deliver.
As per their name, Bygone is not really interested in revolution. These Bostonians serve a heavier-than-usual hard rock that had its heyday in the 1970s. But as the band itself so enticingly puts it, Bygone ’feels not so much of the historical past as it does the never-quite-was.’2 To this end, guitarists Noah Stormbringer and Chris Corry lay down driving riffs that feel like a chuggier Deep Purple (“Lightspeed Nights,” “City Living”). The powerful mid-range of vocalist James Kirn fronts a Uriah Heep with more heft than David Byron or John Lawton (“Shadow Rising,” “Take Me Home”). All the while, bassist Cecelia Hale and drummer Connor Donegan hover like a steadier UFO (“Fire in You Fire in Me”). With production wetter than the Charles River, Bygone sounds like the 70s proto-metal record that never was, but now is.
Bygone packs a tasty psychedelic flavor, largely stemming from its synths. Keyboardist Renato is a key fixture of Bygone, sonically fulfilling the spacey atmosphere suggested by the album cover. His tones span the cosmos, sounding like the stars, the interstellar spaceships traveling to them, and everything in between. “Lightspeed Nights” perfectly exemplifies Renato’s dual role in Bygone. Sometimes, he provides atmospheric background for the sparkling guitars; other times, he’s front and center, swirling like Saturnian rings around the band. But Bygone’s highlights, far and away, come from Renato’s interplays with guitarists Stormbringer and Corry. The bridge of “Shadow Rising,” for example, amplifies its time signature change with some nifty call-and-response triplets. Similarly, but more expansively, “Take Me Home” builds a progressive guitar/keyboard conversation into its DNA. On account of its psychedelic synths, Bygone becomes an album that pairs well with some Green Monster.
Bygone doesn’t go by without flaws. As mentioned, Kirn is a powerful vocalist, harboring a flexible mid-range that can satisfyingly hit higher notes. His verses and choruses, however, often need stronger hooks to differentiate themselves from the infectious guitar and keyboard melodies (“Lightspeed Nights”). Bygone also has some pacing issues. Despite being a fairly consistent 43 minutes, it lacks show-stopping highs (though “Take Me Home” comes close). Some midpoint lag (“Into the Gleam,” “The Last Horses of Avalon”) makes the album feel longer than it is. “City Living,” however, picks things back up before the closer. “Fire in You Fire in Me” stands as the most unique track on Bygone, with gentler, warmer tones recalling Procol Harum. Bygone would do well to make way for more variety of this kind.
Bygone is a good (though not wicked good) debut from a promising band. These Bostonians demonstrate keen awareness of what makes modern retro rock/metal work. Tone is tantamount but not totalizing; you need riffs, and Bygone holds plenty. Fans of the band’s 70s influences and other such contemporaries dealing in musical antiques will love the galactically vintage tones on display here. With a bit more songwriting variety and vocal hooks, Bygone should make Boston (and its iconoclastic transplants) more than proud.
Rating: 3.0/5.0
#2025 #30 #Aerosmith #Bygone #Dec25 #DeepPurple #HardRock #HeavyMetal #ProcolHarum #ProtoMetal #PsychedelicRock #Review #Reviews #SvartRecords #ThePixies #UFO #UriahHeep #USMetal
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Svart Records
Website: Bandcamp
Releases Worldwide: December 12th, 2025 -
Bygone – Bygone Review By Creeping IvyBeing a non-native Bostonian in Beantown allows me to exercise a dispassionate objectivity towards the city’s musical culture. I vicariously experience the pride of housing The Pixies but don’t feel the shame of inhabiting Aerosmith Land.1 And yet, I’m always curious about local artists who can obliterate this objectivity, making me feel proud of Boston. Bygone, a heavy metal/hard rock sextet, may be able to liberate my revolutionary heart from its Tory shackles. Despite being Boston-based, Bygone have just dropped their debut album on Svart Records, an independent label based in Finland. Svart’s solid track record, coupled with that pulpy sci-fi cover, gives me more than a feeling that Bygone will deliver.
As per their name, Bygone is not really interested in revolution. These Bostonians serve a heavier-than-usual hard rock that had its heyday in the 1970s. But as the band itself so enticingly puts it, Bygone ’feels not so much of the historical past as it does the never-quite-was.’2 To this end, guitarists Noah Stormbringer and Chris Corry lay down driving riffs that feel like a chuggier Deep Purple (“Lightspeed Nights,” “City Living”). The powerful mid-range of vocalist James Kirn fronts a Uriah Heep with more heft than David Byron or John Lawton (“Shadow Rising,” “Take Me Home”). All the while, bassist Cecelia Hale and drummer Connor Donegan hover like a steadier UFO (“Fire in You Fire in Me”). With production wetter than the Charles River, Bygone sounds like the 70s proto-metal record that never was, but now is.
Bygone packs a tasty psychedelic flavor, largely stemming from its synths. Keyboardist Renato is a key fixture of Bygone, sonically fulfilling the spacey atmosphere suggested by the album cover. His tones span the cosmos, sounding like the stars, the interstellar spaceships traveling to them, and everything in between. “Lightspeed Nights” perfectly exemplifies Renato’s dual role in Bygone. Sometimes, he provides atmospheric background for the sparkling guitars; other times, he’s front and center, swirling like Saturnian rings around the band. But Bygone’s highlights, far and away, come from Renato’s interplays with guitarists Stormbringer and Corry. The bridge of “Shadow Rising,” for example, amplifies its time signature change with some nifty call-and-response triplets. Similarly, but more expansively, “Take Me Home” builds a progressive guitar/keyboard conversation into its DNA. On account of its psychedelic synths, Bygone becomes an album that pairs well with some Green Monster.
Bygone doesn’t go by without flaws. As mentioned, Kirn is a powerful vocalist, harboring a flexible mid-range that can satisfyingly hit higher notes. His verses and choruses, however, often need stronger hooks to differentiate themselves from the infectious guitar and keyboard melodies (“Lightspeed Nights”). Bygone also has some pacing issues. Despite being a fairly consistent 43 minutes, it lacks show-stopping highs (though “Take Me Home” comes close). Some midpoint lag (“Into the Gleam,” “The Last Horses of Avalon”) makes the album feel longer than it is. “City Living,” however, picks things back up before the closer. “Fire in You Fire in Me” stands as the most unique track on Bygone, with gentler, warmer tones recalling Procol Harum. Bygone would do well to make way for more variety of this kind.
Bygone is a good (though not wicked good) debut from a promising band. These Bostonians demonstrate keen awareness of what makes modern retro rock/metal work. Tone is tantamount but not totalizing; you need riffs, and Bygone holds plenty. Fans of the band’s 70s influences and other such contemporaries dealing in musical antiques will love the galactically vintage tones on display here. With a bit more songwriting variety and vocal hooks, Bygone should make Boston (and its iconoclastic transplants) more than proud.
Rating: 3.0/5.0
#2025 #30 #Aerosmith #Bygone #Dec25 #DeepPurple #HardRock #HeavyMetal #ProcolHarum #ProtoMetal #PsychedelicRock #Review #Reviews #SvartRecords #ThePixies #UFO #UriahHeep #USMetal
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Svart Records
Website: Bandcamp
Releases Worldwide: December 12th, 2025 -
Bygone – Bygone Review By Creeping IvyBeing a non-native Bostonian in Beantown allows me to exercise a dispassionate objectivity towards the city’s musical culture. I vicariously experience the pride of housing The Pixies but don’t feel the shame of inhabiting Aerosmith Land.1 And yet, I’m always curious about local artists who can obliterate this objectivity, making me feel proud of Boston. Bygone, a heavy metal/hard rock sextet, may be able to liberate my revolutionary heart from its Tory shackles. Despite being Boston-based, Bygone have just dropped their debut album on Svart Records, an independent label based in Finland. Svart’s solid track record, coupled with that pulpy sci-fi cover, gives me more than a feeling that Bygone will deliver.
As per their name, Bygone is not really interested in revolution. These Bostonians serve a heavier-than-usual hard rock that had its heyday in the 1970s. But as the band itself so enticingly puts it, Bygone ’feels not so much of the historical past as it does the never-quite-was.’2 To this end, guitarists Noah Stormbringer and Chris Corry lay down driving riffs that feel like a chuggier Deep Purple (“Lightspeed Nights,” “City Living”). The powerful mid-range of vocalist James Kirn fronts a Uriah Heep with more heft than David Byron or John Lawton (“Shadow Rising,” “Take Me Home”). All the while, bassist Cecelia Hale and drummer Connor Donegan hover like a steadier UFO (“Fire in You Fire in Me”). With production wetter than the Charles River, Bygone sounds like the 70s proto-metal record that never was, but now is.
Bygone packs a tasty psychedelic flavor, largely stemming from its synths. Keyboardist Renato is a key fixture of Bygone, sonically fulfilling the spacey atmosphere suggested by the album cover. His tones span the cosmos, sounding like the stars, the interstellar spaceships traveling to them, and everything in between. “Lightspeed Nights” perfectly exemplifies Renato’s dual role in Bygone. Sometimes, he provides atmospheric background for the sparkling guitars; other times, he’s front and center, swirling like Saturnian rings around the band. But Bygone’s highlights, far and away, come from Renato’s interplays with guitarists Stormbringer and Corry. The bridge of “Shadow Rising,” for example, amplifies its time signature change with some nifty call-and-response triplets. Similarly, but more expansively, “Take Me Home” builds a progressive guitar/keyboard conversation into its DNA. On account of its psychedelic synths, Bygone becomes an album that pairs well with some Green Monster.
Bygone doesn’t go by without flaws. As mentioned, Kirn is a powerful vocalist, harboring a flexible mid-range that can satisfyingly hit higher notes. His verses and choruses, however, often need stronger hooks to differentiate themselves from the infectious guitar and keyboard melodies (“Lightspeed Nights”). Bygone also has some pacing issues. Despite being a fairly consistent 43 minutes, it lacks show-stopping highs (though “Take Me Home” comes close). Some midpoint lag (“Into the Gleam,” “The Last Horses of Avalon”) makes the album feel longer than it is. “City Living,” however, picks things back up before the closer. “Fire in You Fire in Me” stands as the most unique track on Bygone, with gentler, warmer tones recalling Procol Harum. Bygone would do well to make way for more variety of this kind.
Bygone is a good (though not wicked good) debut from a promising band. These Bostonians demonstrate keen awareness of what makes modern retro rock/metal work. Tone is tantamount but not totalizing; you need riffs, and Bygone holds plenty. Fans of the band’s 70s influences and other such contemporaries dealing in musical antiques will love the galactically vintage tones on display here. With a bit more songwriting variety and vocal hooks, Bygone should make Boston (and its iconoclastic transplants) more than proud.
Rating: 3.0/5.0
#2025 #30 #Aerosmith #Bygone #Dec25 #DeepPurple #HardRock #HeavyMetal #ProcolHarum #ProtoMetal #PsychedelicRock #Review #Reviews #SvartRecords #ThePixies #UFO #UriahHeep #USMetal
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Svart Records
Website: Bandcamp
Releases Worldwide: December 12th, 2025 -
Michael Moline reveals a surprising shift in Florida's Republican gubernatorial race. U.S. Rep. Byron Donalds now holds a 44%-25% lead over Casey DeSantis, bolstered by Donald Trump's endorsement. Initially, DeSantis had a narrow edge, but her potential candidacy stirs scrutiny amid allegations linked to her charitable work. With other candidates trailing, Donalds has raised $12 million since his announcement. For more insights, read the full article. https://www.alternet.org/casey-desantis-trump/ #ByronDonalds #CaseyDeSantis #Trump #FloridaPolitics #2026Elections #PublicOpinion #GubernatorialRace
-
I'm glad these cool people are out there doing what they do.
Alec Watson | https://youtube.com/@TechnologyConnections
Kari Byron and Tory Belleci | https://youtube.com/@MythfitsPod
Steve Burns | https://youtube.com/@AlivewithSteveBurns
#science #curiosity #criticalThinking #authenticity #weirdness
-
I'm glad these cool people are out there doing what they do.
Alec Watson | https://youtube.com/@TechnologyConnections
Kari Byron and Tory Belleci | https://youtube.com/@MythfitsPod
Steve Burns | https://youtube.com/@AlivewithSteveBurns
#science #curiosity #criticalThinking #authenticity #weirdness
-
I'm glad these cool people are out there doing what they do.
Alec Watson | https://youtube.com/@TechnologyConnections
Kari Byron and Tory Belleci | https://youtube.com/@MythfitsPod
Steve Burns | https://youtube.com/@AlivewithSteveBurns
#science #curiosity #criticalThinking #authenticity #weirdness
-
I'm glad these cool people are out there doing what they do.
Alec Watson | https://youtube.com/@TechnologyConnections
Kari Byron and Tory Belleci | https://youtube.com/@MythfitsPod
Steve Burns | https://youtube.com/@AlivewithSteveBurns
#science #curiosity #criticalThinking #authenticity #weirdness
-
I'm glad these cool people are out there doing what they do.
Alec Watson | https://youtube.com/@TechnologyConnections
Kari Byron and Tory Belleci | https://youtube.com/@MythfitsPod
Steve Burns | https://youtube.com/@AlivewithSteveBurns
#science #curiosity #criticalThinking #authenticity #weirdness
-
Byron Buxton Explains Minnesota Twins’ Resilience After Win Against Rays https://www.rawchili.com/mlb/663696/ #Baseball #ByronBuxton #JoshBell #JuniorCaminero #KansasCity #MickAbel #Minnesota #MinnesotaTwins #MinnesotaTwins #MLB #RoyceLewis #RyanMountcastle #StevenMatz #TampaBay #TampaBayRays #TargetField #TristanGray #Twins
-
Byron Buxton Explains Minnesota Twins’ Resilience After Win Against Rays https://www.rawchili.com/mlb/663696/ #Baseball #ByronBuxton #JoshBell #JuniorCaminero #KansasCity #MickAbel #Minnesota #MinnesotaTwins #MinnesotaTwins #MLB #RoyceLewis #RyanMountcastle #StevenMatz #TampaBay #TampaBayRays #TargetField #TristanGray #Twins
-
Few Players Have Had Byron Buxton’s Talent, and Awards Show That – Twins https://www.rawchili.com/mlb/421886/ #Baseball #ByronBuxton #Minnesota #MinnesotaTwins #MinnesotaTwins #MLB #ToriiHunter #Twins
-
Few Players Have Had Byron Buxton’s Talent, and Awards Show That – Twins https://www.rawchili.com/mlb/421886/ #Baseball #ByronBuxton #Minnesota #MinnesotaTwins #MinnesotaTwins #MLB #ToriiHunter #Twins
-
Byron Mann, Milo Ventimiglia, Ashley Greene & Anson Mount To Topline Sci-Fi Actioner ‘Kill Him ‘Til He’s Dead’
#Casting #AnsonMount #AshleyGreene #ByronMann #KillHimTilHesDead #MiloVentimiglia -
I watched Guillermo del Toro’s Frankenstein, and what comes to mind is: misquoted. As well-made as the film is, I’m left with a strong sense of disappointment.
Ho visto il Frankenstein di Guillermo del Toro, e la parola che mi viene in mente è: travisato. Per quanto il film sia ben fatto, alla fine mi resta un forte disappunto.
One detail, in particular, strikes: Del Toro ends his film inspired by Mary Shelley with a quote by Lord Byron!?
Un dettaglio, in particolare, colpisce: Del Toro chiude il suo film ispirato a Mary Shelley con una citazione di Lord Byron!?
A symbolic gesture, but symbols matter.
Un gesto simbolico, ma i simboli contano.Today, you, director, draw inspiration from a woman who, at eighteen, wrote a masterpiece that continues to inspire readers, writers, musicians, and filmmakers… and what do you do? You end your film with a quote by Lord Byron? As if Mary Shelley hadn’t written countless lines that left a mark. As if Mary Shelley had ever needed a man to legitimise her. Seriously?
Oggi, tu, regista, trai spunto da una donna che a 18 anni ha scritto un capolavoro che continua a ispirare lettori, scrittori, musicisti, registi… e cosa fai? Chiudi con una citazione di Lord Byron? Come se Mary Shelley non avesse scritto un’infinità di frasi che hanno lasciato il segno. Come se Mary Shelley avesse mai avuto bisogno di essere legittimata da un uomo. Ma davvero?
If this isn’t patriarchal culture…
Se non è cultura patriarcale questa…Ne ho scritto più approfonditamente sul mio blog.
I wrote about this in more depth on my blog.🔗 EN → https://tinyurl.com/msc74hc7
🔗 IT → https://tinyurl.com/2pyk3ud2#GuillermoDelToro #Frankenstein #MaryShelley #patriarchy #filmreview #LiteraryAnalysis #patriarcato #books #feminism
-
A quotation from Byron, George Gordon, Lord:
«
With just enough of learning to misquote.
»Full quote, sourcing, notes:
https://wist.info/byron/62350/#quote #quotes #quotation #education #error #learning #misquotation #sophomore
-
A quotation from Byron, George Gordon, Lord:
«
With just enough of learning to misquote.
»Full quote, sourcing, notes:
https://wist.info/byron/62350/#quote #quotes #quotation #education #error #learning #misquotation #sophomore
-
It's here! My copy of my daughter's new book! I'll Come to You by Jennifer L. Strand.
Link:
https://www.amazon.com/Ill-Come-You-Jennifer-Strand-ebook/dp/B0D5NHDC6W#historical #historicalromancebook #historicalromance #historicalromanceauthors #historicalromancereadersofinstagram #romance #romancebooks #romancebookstagram #romancereader #bookstagram #spicybooks #spicybookstagram #spicybookrecs #indieauthor #indieauthorsofinstagram #smalltownromance #cowboyromance
-
#PhantastikPrompts 16. Was ist durch das "zweite" Fenster, dass in deiner Geschichte vorkommt, zu sehen - und wer schaut hindurch?
Da hab ich ein kurzes Zitat aus #tangoundtod mitgebracht ❤️, das im September erscheinen wird. Tamás (aus dessen Sicht die Geschichte erzählt wird), ist auch so ein #greenflag Charakter, aber anders als Byron, der auch in "Tango und Tod" auftritt und einen eher roughen Männlichkeitstyp symbolisiert.
-
Tiny fortress, endless ocean.
Byron Bay, New South Wales, Australia.
Photo and edit by Kev.
© 𝓐𝓵𝓵 𝓡𝓲𝓰𝓱𝓽𝓼 𝓡𝓮𝓼𝓮𝓻𝓿𝓮𝓭 𝓫𝔂 𝟐 𝓟𝓮𝓮𝓹𝓼 𝓪𝓷𝓭 𝓪 𝓒𝓪𝓶𝓮𝓻𝓪.
(𝒟ℴ𝓊𝒷𝓁ℯ 𝓉𝒽ℯ 𝒫ℯℯ𝓅𝓈, 𝒹ℴ𝓊𝒷𝓁ℯ 𝓉𝒽ℯ 𝓅ℯ𝓇𝓈𝓅ℯ𝒸𝓉𝒾𝓋ℯ!)
#photo #photography #2peepsandacamera #australia #nsw #Sandcastle #BeachArt #ByronBay #SandSculpture #beach
-
Summer sunset on the Columbia River. I took this photo back in 2007 with my Nikon D80 and manual focus Series E 75-150 f3.5 lens!
#Sunset #ColumbiaRiver #Oregon #NikonD80 #CCDsensor -
8/ Via Chris Geidner:
Biggs is still Donalds, so, I’m not sure McCarthy changed anything.
...
Reese Gorman:
On 7th ballot Brecheen votes for Byron Donalds.
Earlier:
Just spoke with #OK02 @RepBrecheen who has consistently been one of the 20 votes against McCarthy.He told me there is a “pathway” for him to support McCarthy for Speaker but he’s “not there yet.”
Said there needs to be more concessions from McCarthy on cutting Govmnt. spending
-
#KATHLEEN #BYRON aepiot.ro/advanced-sea... #ALEXX #EKUBO www.perplexity.ai/search/new?q... Semantic SEO: The Bridge between Humans and AI. Bluesky: bsky.app/profile/glob...
MultiSearch Tag Explorer -
#KATHLEEN #BYRON aepiot.ro/advanced-sea... #ALEXX #EKUBO www.perplexity.ai/search/new?q... Semantic SEO: The Bridge between Humans and AI. Bluesky: bsky.app/profile/glob...
MultiSearch Tag Explorer -
creates semantic nodes and clusters #BYRON #GOMEZ headlines-world.com/advanced-sea... AÉPIOT: INDEPENDENT SEMANTIC WEB 4.0 INFRASTRUCTURE (EST. 2009): aepiot.ro
MultiSearch Tag Explorer -
creates semantic nodes and clusters #BYRON #GOMEZ headlines-world.com/advanced-sea... AÉPIOT: INDEPENDENT SEMANTIC WEB 4.0 INFRASTRUCTURE (EST. 2009): aepiot.ro
MultiSearch Tag Explorer