#moseallison — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #moseallison, aggregated by home.social.
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Mose Allison, Mose Allison Sings, 1963 on Prestige
Compilation of tracks from Allison's first albums which had been released on Prestige between 1957 and 1959. Though he was first known as a pianist, he gradually sang more and more. This was the first compilation in which he sang on every track. All were recorded by Rudy Van Gelder, and Ira Gitler wrote the liner notes. My copy—via Mystery Train Records in Gloucester MA—is a mid-sixties (c1965) reissue on dark blue Prestige labels. You can see how the laminated cover has started to […]https://goatless.org/2026/06/05/mose-allison-mose-allison-sings-1963-on-prestige
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Mose Allison, Mose Allison Sings, 1963 on Prestige
Compilation of tracks from Allison's first albums which had been released on Prestige between 1957 and 1959. Though he was first known as a pianist, he gradually sang more and more. This was the first compilation in which he sang on every track. All were recorded by Rudy Van Gelder, and Ira Gitler wrote the liner notes. My copy—via Mystery Train Records in Gloucester MA—is a mid-sixties (c1965) reissue on dark blue Prestige labels. You can see how the laminated cover has started to […]https://goatless.org/2026/06/05/mose-allison-mose-allison-sings-1963-on-prestige
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Mose Allison, Mose Allison Sings, 1963 on Prestige
Compilation of tracks from Allison's first albums which had been released on Prestige between 1957 and 1959. Though he was first known as a pianist, he gradually sang more and more. This was the first compilation in which he sang on every track. All were recorded by Rudy Van Gelder, and Ira Gitler wrote the liner notes. My copy—via Mystery Train Records in Gloucester MA—is a mid-sixties (c1965) reissue on dark blue Prestige labels. You can see how the laminated cover has started to […]https://goatless.org/2026/06/05/mose-allison-mose-allison-sings-1963-on-prestige
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Mose Allison, Mose Allison Sings, 1963 on Prestige
Compilation of tracks from Allison's first albums which had been released on Prestige between 1957 and 1959. Though he was first known as a pianist, he gradually sang more and more. This was the first compilation in which he sang on every track. All were recorded by Rudy Van Gelder, and Ira Gitler wrote the liner notes. My copy—via Mystery Train Records in Gloucester MA—is a mid-sixties (c1965) reissue on dark blue Prestige labels. You can see how the laminated cover has started to […]https://goatless.org/2026/06/05/mose-allison-mose-allison-sings-1963-on-prestige
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Mose Allison, Mose Allison Sings, 1963 on Prestige
Compilation of tracks from Allison's first albums which had been released on Prestige between 1957 and 1959. Though he was first known as a pianist, he gradually sang more and more. This was the first compilation in which he sang on every track. All were recorded by Rudy Van Gelder, and Ira Gitler wrote the liner notes. My copy—via Mystery Train Records in Gloucester MA—is a mid-sixties (c1965) reissue on dark blue Prestige labels. You can see how the laminated cover has started to […]https://goatless.org/2026/06/05/mose-allison-mose-allison-sings-1963-on-prestige
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Mose Allison, Your Mind is On Vacation, 1976 on Atlantic
Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.https://goatless.org/2026/05/22/mose-allison-your-mind-is-on-vacation-1976-on-atlantic
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Mose Allison, Your Mind is On Vacation, 1976 on Atlantic
Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.https://goatless.org/2026/05/22/mose-allison-your-mind-is-on-vacation-1976-on-atlantic
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Mose Allison, Your Mind is On Vacation, 1976 on Atlantic
Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.https://goatless.org/2026/05/22/mose-allison-your-mind-is-on-vacation-1976-on-atlantic
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Mose Allison, Your Mind is On Vacation, 1976 on Atlantic
Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.https://goatless.org/2026/05/22/mose-allison-your-mind-is-on-vacation-1976-on-atlantic
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Mose Allison, Your Mind is On Vacation, 1976 on Atlantic
Allison's 10th record on Atlantic and 20th overall. Of course the rest of the title couplet is "but your mouth is working overtime." Great record, executive produced by Nesuhi Ertegun, with Jack Hannah (bass), Gerry Granelli (drums, Al Cohn & Joe Farrell (tenor sax), David Sanborn (alto sax), and Al Porcino (trumpet) - players vary by track. My copy—via Big Fun Records in Beverly MA—is a Presswell pressing with a promotional sticker on Atlantic labels.https://goatless.org/2026/05/22/mose-allison-your-mind-is-on-vacation-1976-on-atlantic
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Mose Allison, Back Country Suite, 1957 on Prestige
Mose Allison's debut album, recorded at Van Gelder's studio in Hackensack in March 1957, with Taylor La Fargue (bass) and Frank Isola (drums). Largely instrumental. The song titled here just "Blues" was later recorded on Live at Leeds by the Who as "Young Man Blues": Well a young man ain't got nothing in the world these days My copy—via Beverly Coin & Jewelry—is the 1983 reissue in the Original Jazz Classics series. The OJC series is a great way to find these Prestige records in good […]https://goatless.org/2026/05/18/mose-allison-back-country-suite-1957-on-prestige
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Mose Allison, Back Country Suite, 1957 on Prestige
Mose Allison's debut album, recorded at Van Gelder's studio in Hackensack in March 1957, with Taylor La Fargue (bass) and Frank Isola (drums). Largely instrumental. The song titled here just "Blues" was later recorded on Live at Leeds by the Who as "Young Man Blues": Well a young man ain't got nothing in the world these days My copy—via Beverly Coin & Jewelry—is the 1983 reissue in the Original Jazz Classics series. The OJC series is a great way to find these Prestige records in good […]https://goatless.org/2026/05/18/mose-allison-back-country-suite-1957-on-prestige
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🇺🇦 #NowPlaying on #KEXP's #JazzTheatre
Mose Allison:
🎵 Everybody's Cryin' Mercyhttps://jerrygranelli.bandcamp.com/track/everybodys-cryin-mercy
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🇺🇦 #NowPlaying on #KEXP's #JazzTheatre
Mose Allison:
🎵 Everybody's Cryin' Mercyhttps://jerrygranelli.bandcamp.com/track/everybodys-cryin-mercy
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🇺🇦 #NowPlaying on #KEXP's #JazzTheatre
Mose Allison:
🎵 Everybody's Cryin' Mercyhttps://jerrygranelli.bandcamp.com/track/everybodys-cryin-mercy
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🇺🇦 #NowPlaying on #KEXP's #JazzTheatre
Mose Allison:
🎵 Everybody's Cryin' Mercyhttps://jerrygranelli.bandcamp.com/track/everybodys-cryin-mercy
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🇺🇦 #NowPlaying on #KEXP's #JazzTheatre
Mose Allison:
🎵 Everybody's Cryin' Mercyhttps://jerrygranelli.bandcamp.com/track/everybodys-cryin-mercy
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#AlternateFridayMusic
This is for Jan 30, 2026, #KidThe Who, “The Kids Are Alright” soundtrack, 1979
I encountered this film at the height of my Who mania, and it was EVERYTHING to me. It has grainy black-and-white footage of early gigs, TV appearances including the moment on the Smothers Brothers when Keith destroyed Pete’s hearing with explosives (not a metaphor), performances at The Rolling Stones' Rock and Roll Circus and at Woodstock, the video for “Success Story,” an outstanding deep cut of John’s (with the studio recording from “Who By Numbers," not included on the soundtrack album), their last appearance with Keith at Shephardson Studios, staged expressly for the film, and more. What it didn't have is the song “The Kids Are Alright.” (Seems they’ve added it onto the later DVD and Blu-ray releases behind additional closing credits, but I liked their little joke better.)
One of the best segments of the film/selections on the album, and itself somewhat in keeping with the “kid” theme, is their performance of Mose Allison’s “Young Man’s Blues.” The attitude of the original was already pure punk; in The Who’s hands, this jazz/blues piano piece becomes muscular, even menacing.
They fucking kill it.
https://www.youtube.com/watch?v=N8Xy7qRffog
#TheWho #MoseAllison
#KeithMoon #PeteTownshend #JohnEntwistle #RogerDaltry
#SmothersBrothers #RollingStones #TheRollingStones #RockAndRollCircus #Woodstock
#60s #60sMusic #70s #70sMusic #Rock #RockMusic -
#AlternateFridayMusic
This is for Jan 30, 2026, #KidThe Who, “The Kids Are Alright” soundtrack, 1979
I encountered this film at the height of my Who mania, and it was EVERYTHING to me. It has grainy black-and-white footage of early gigs, TV appearances including the moment on the Smothers Brothers when Keith destroyed Pete’s hearing with explosives (not a metaphor), performances at The Rolling Stones' Rock and Roll Circus and at Woodstock, the video for “Success Story,” an outstanding deep cut of John’s (with the studio recording from “Who By Numbers," not included on the soundtrack album), their last appearance with Keith at Shephardson Studios, staged expressly for the film, and more. What it didn't have is the song “The Kids Are Alright.” (Seems they’ve added it onto the later DVD and Blu-ray releases behind additional closing credits, but I liked their little joke better.)
One of the best segments of the film/selections on the album, and itself somewhat in keeping with the “kid” theme, is their performance of Mose Allison’s “Young Man’s Blues.” The attitude of the original was already pure punk; in The Who’s hands, this jazz/blues piano piece becomes muscular, even menacing.
They fucking kill it.
https://www.youtube.com/watch?v=N8Xy7qRffog
#TheWho #MoseAllison
#KeithMoon #PeteTownshend #JohnEntwistle #RogerDaltry
#SmothersBrothers #RollingStones #TheRollingStones #RockAndRollCircus #Woodstock
#60s #60sMusic #70s #70sMusic #Rock #RockMusic -
#AlternateFridayMusic
This is for Jan 30, 2026, #KidThe Who, “The Kids Are Alright” soundtrack, 1979
I encountered this film at the height of my Who mania, and it was EVERYTHING to me. It has grainy black-and-white footage of early gigs, TV appearances including the moment on the Smothers Brothers when Keith destroyed Pete’s hearing with explosives (not a metaphor), performances at The Rolling Stones' Rock and Roll Circus and at Woodstock, the video for “Success Story,” an outstanding deep cut of John’s (with the studio recording from “Who By Numbers," not included on the soundtrack album), their last appearance with Keith at Shephardson Studios, staged expressly for the film, and more. What it didn't have is the song “The Kids Are Alright.” (Seems they’ve added it onto the later DVD and Blu-ray releases behind additional closing credits, but I liked their little joke better.)
One of the best segments of the film/selections on the album, and itself somewhat in keeping with the “kid” theme, is their performance of Mose Allison’s “Young Man’s Blues.” The attitude of the original was already pure punk; in The Who’s hands, this jazz/blues piano piece becomes muscular, even menacing.
They fucking kill it.
https://www.youtube.com/watch?v=N8Xy7qRffog
#TheWho #MoseAllison
#KeithMoon #PeteTownshend #JohnEntwistle #RogerDaltry
#SmothersBrothers #RollingStones #TheRollingStones #RockAndRollCircus #Woodstock
#60s #60sMusic #70s #70sMusic #Rock #RockMusic -
#AlternateFridayMusic
This is for Jan 30, 2026, #KidThe Who, “The Kids Are Alright” soundtrack, 1979
I encountered this film at the height of my Who mania, and it was EVERYTHING to me. It has grainy black-and-white footage of early gigs, TV appearances including the moment on the Smothers Brothers when Keith destroyed Pete’s hearing with explosives (not a metaphor), performances at The Rolling Stones' Rock and Roll Circus and at Woodstock, the video for “Success Story,” an outstanding deep cut of John’s (with the studio recording from “Who By Numbers," not included on the soundtrack album), their last appearance with Keith at Shephardson Studios, staged expressly for the film, and more. What it didn't have is the song “The Kids Are Alright.” (Seems they’ve added it onto the later DVD and Blu-ray releases behind additional closing credits, but I liked their little joke better.)
One of the best segments of the film/selections on the album, and itself somewhat in keeping with the “kid” theme, is their performance of Mose Allison’s “Young Man’s Blues.” The attitude of the original was already pure punk; in The Who’s hands, this jazz/blues piano piece becomes muscular, even menacing.
They fucking kill it.
https://www.youtube.com/watch?v=N8Xy7qRffog
#TheWho #MoseAllison
#KeithMoon #PeteTownshend #JohnEntwistle #RogerDaltry
#SmothersBrothers #RollingStones #TheRollingStones #RockAndRollCircus #Woodstock
#60s #60sMusic #70s #70sMusic #Rock #RockMusic -
#AlternateFridayMusic
This is for Jan 30, 2026, #KidThe Who, “The Kids Are Alright” soundtrack, 1979
I encountered this film at the height of my Who mania, and it was EVERYTHING to me. It has grainy black-and-white footage of early gigs, TV appearances including the moment on the Smothers Brothers when Keith destroyed Pete’s hearing with explosives (not a metaphor), performances at The Rolling Stones' Rock and Roll Circus and at Woodstock, the video for “Success Story,” an outstanding deep cut of John’s (with the studio recording from “Who By Numbers," not included on the soundtrack album), their last appearance with Keith at Shephardson Studios, staged expressly for the film, and more. What it didn't have is the song “The Kids Are Alright.” (Seems they’ve added it onto the later DVD and Blu-ray releases behind additional closing credits, but I liked their little joke better.)
One of the best segments of the film/selections on the album, and itself somewhat in keeping with the “kid” theme, is their performance of Mose Allison’s “Young Man’s Blues.” The attitude of the original was already pure punk; in The Who’s hands, this jazz/blues piano piece becomes muscular, even menacing.
They fucking kill it.
https://www.youtube.com/watch?v=N8Xy7qRffog
#TheWho #MoseAllison
#KeithMoon #PeteTownshend #JohnEntwistle #RogerDaltry
#SmothersBrothers #RollingStones #TheRollingStones #RockAndRollCircus #Woodstock
#60s #60sMusic #70s #70sMusic #Rock #RockMusic -
Mose Allison, Western Man, 1971 on Atlantic
Mose Allison from 1971 with Chuck Rainey and Billy Cobham, recorded at Atlantic Studios and Regent, and produced by Joel Dorn.
Great versions of “Do Nothing Till You Hear From Me” and “If You’ve Got The Money (I’ve Got The Time)” plus nine originals by Allison.
My copy, via Crossroads Records in Portland OR, is a reissue Presswell pressing with lacquer cut by George Piros at Atlantic Studios.
#1970s #1971 #Atlantic #BillyCobham #ChuckRainey #CrossroadsRecords #GeorgePiros #jazz #JoelDorn #MoseAllison #PortlandOR #Presswell #vinyl #vinylcollection #vinylfinds -
Mose Allison, Western Man, 1971 on Atlantic
Mose Allison from 1971 with Chuck Rainey and Billy Cobham, recorded at Atlantic Studios and Regent, and produced by Joel Dorn.
Great versions of “Do Nothing Till You Hear From Me” and “If You’ve Got The Money (I’ve Got The Time)” plus nine originals by Allison.
My copy, via Crossroads Records in Portland OR, is a reissue Presswell pressing with lacquer cut by George Piros at Atlantic Studios.
#1970s #1971 #Atlantic #BillyCobham #ChuckRainey #CrossroadsRecords #GeorgePiros #jazz #JoelDorn #MoseAllison #PortlandOR #Presswell #vinyl #vinylcollection #vinylfinds -
🇺🇦 #NowPlaying on #BBC6Music's #GuyGarveysFinestHour
Mose Allison:
🎵 Young Man's Blueshttps://moseallison.bandcamp.com/track/young-mans-blues-album-version-2
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🇺🇦 #NowPlaying on #BBC6Music's #GuyGarveysFinestHour
Mose Allison:
🎵 Young Man's Blueshttps://moseallison.bandcamp.com/track/young-mans-blues-album-version-2
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🇺🇦 #NowPlaying on #BBC6Music's #GuyGarveysFinestHour
Mose Allison:
🎵 Young Man's Blueshttps://moseallison.bandcamp.com/track/young-mans-blues-album-version-2
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🇺🇦 #NowPlaying on #BBC6Music's #GuyGarveysFinestHour
Mose Allison:
🎵 Young Man's Blueshttps://moseallison.bandcamp.com/track/young-mans-blues-album-version-2
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🇺🇦 #NowPlaying on #BBC6Music's #GuyGarveysFinestHour
Mose Allison:
🎵 Young Man's Blueshttps://moseallison.bandcamp.com/track/young-mans-blues-album-version-2
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Mose Allison, Middle Class White Boy, 1982 on Elektra Musician
First of two Mose Allison LPs out on Elektra Musician (the other was Lessons in Living) and (per the jacket notes) the 19th Mose Allison album. Allison plays Yamaha electric piano as well as traditional acoustic piano.
Allison is supported by Joe Farrell (tenor sax, flute), Phil Upchurch (guitar), Putter Smith (bass), John Dentz (drums), and Ron Powell (congas, percussion). Produced by Esmond Edwards.
My copy—via La Fin Du Vinyle in Montréal Québec—is a Canadian Cinram pressing (CR on label, Mfd and Distributed by WEA Music of Canada Ltd).
#1980s #1982 #Canada #Cinram #ElektraMusician #EsmondEdwards #JoeFarrell #JohnDentz #LaFinDuVinyle #MontrealQC #MoseAllison #PhilUpchurch #RonPowell #vinyl #vinylcollection #vinylfinds #WEAMusicOfCanadaLtd -
Mose Allison, Lessons in Living, 1983 on Elektra Musician
Recorded live at the Montreux Jazz Festival July 21st, 1982 with Jack Bruce (bass), Billy Cobham (drums), Lou Donaldson (alto sax), and Eric Gale (guitar) joining Allison.
Elektra Musician was a jazz oriented subsidiary of Elektra/Asylum, and started in 1982 – it was absorbed into Nonesuch in 1994.
My copy—via Aux 33 Tours in Montréal QC—is a Speciality pressing with a promo stamp and printed promotional use label.
#1980s #1982 #1983 #Aux33Tours #BillyCobham #Elektra #ElektraMusician #EricGale #JackBruce #LouDonaldson #MontrealQC #Montreux #MontreuxJazzFestival #MoseAllison #vinyl #vinylcollection #vinylfinds
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Mose Allison - Creek Bank
An older friend offered me some records she was going to toss, and this is one.
Mose is mostly a pianist (on this record), but sings as well, and played with a lot of the greats. The Clash covered one of his songs.
This 1958 Prestige recording was a year into his solo career, including Addison Farmer (bass, Art's twin brother), and Ronnie Free (drums), featuring some blues, swing, and hard bop.
#nowplaying #vinyl #jazz #blues #MoseAllison #AddisonFarmer #RonnieFree
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Mose Allison - Creek Bank
An older friend offered me some records she was going to toss, and this is one.
Mose is mostly a pianist (on this record), but sings as well, and played with a lot of the greats. The Clash covered one of his songs.
This 1958 Prestige recording was a year into his solo career, including Addison Farmer (bass, Art's twin brother), and Ronnie Free (drums), featuring some blues, swing, and hard bop.
#nowplaying #vinyl #jazz #blues #MoseAllison #AddisonFarmer #RonnieFree
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Mose Allison - Creek Bank
An older friend offered me some records she was going to toss, and this is one.
Mose is mostly a pianist (on this record), but sings as well, and played with a lot of the greats. The Clash covered one of his songs.
This 1958 Prestige recording was a year into his solo career, including Addison Farmer (bass, Art's twin brother), and Ronnie Free (drums), featuring some blues, swing, and hard bop.
#nowplaying #vinyl #jazz #blues #MoseAllison #AddisonFarmer #RonnieFree
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Mose Allison - Creek Bank
An older friend offered me some records she was going to toss, and this is one.
Mose is mostly a pianist (on this record), but sings as well, and played with a lot of the greats. The Clash covered one of his songs.
This 1958 Prestige recording was a year into his solo career, including Addison Farmer (bass, Art's twin brother), and Ronnie Free (drums), featuring some blues, swing, and hard bop.
#nowplaying #vinyl #jazz #blues #MoseAllison #AddisonFarmer #RonnieFree
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Mose Allison - Creek Bank
An older friend offered me some records she was going to toss, and this is one.
Mose is mostly a pianist (on this record), but sings as well, and played with a lot of the greats. The Clash covered one of his songs.
This 1958 Prestige recording was a year into his solo career, including Addison Farmer (bass, Art's twin brother), and Ronnie Free (drums), featuring some blues, swing, and hard bop.
#nowplaying #vinyl #jazz #blues #MoseAllison #AddisonFarmer #RonnieFree
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Mose Allison - I Don't Worry About A Thing
#JazzDeVille #Jazz #NowPlaying #MoseAllison -
Mose Allison, Down Home Piano, 1966 on Prestige
This 1966 release collects instrumental performances from six albums he released on Prestige in the late 50s and early 60s. There’s a similar Mose Allison Sings which collects “the vocal side of his talents.”
The performers include Allison, Addison Farmer (Art Farmer’s twin brother) on bass, and Ronnie Free / Nick Stabulas on drums. Liner notes by Jack McKinney, recordings by Rudy Van Gelder.
My copy, via La Fin Du Vinyle in Montreal QC, is an early 70s reissue “Remastered for Stereo.”
#1966 #AddisonFarmer #JackMcKinney #jazz #LaFinDuVinyle #MontrealQC #MoseAllison #NickStabulas #Prestige #RonnieFree #RudyVanGelder #vinyl #vinylcollection #vinylfinds
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Mose Allison, Down Home Piano, 1966 on Prestige
This 1966 release collects instrumental performances from six albums he released on Prestige in the late 50s and early 60s. There’s a similar Mose Allison Sings which collects “the vocal side of his talents.”
The performers include Allison, Addison Farmer (Art Farmer’s twin brother) on bass, and Ronnie Free / Nick Stabulas on drums. Liner notes by Jack McKinney, recordings by Rudy Van Gelder.
My copy, via La Fin Du Vinyle in Montreal QC, is an early 70s reissue “Remastered for Stereo.”
#1966 #AddisonFarmer #JackMcKinney #jazz #LaFinDuVinyle #MontrealQC #MoseAllison #NickStabulas #Prestige #RonnieFree #RudyVanGelder #vinyl #vinylcollection #vinylfinds
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Mose Allison, Down Home Piano, 1966 on Prestige
This 1966 release collects instrumental performances from six albums he released on Prestige in the late 50s and early 60s. There’s a similar Mose Allison Sings which collects “the vocal side of his talents.”
The performers include Allison, Addison Farmer (Art Farmer’s twin brother) on bass, and Ronnie Free / Nick Stabulas on drums. Liner notes by Jack McKinney, recordings by Rudy Van Gelder.
My copy, via La Fin Du Vinyle in Montreal QC, is an early 70s reissue “Remastered for Stereo.”
#1966 #AddisonFarmer #JackMcKinney #jazz #LaFinDuVinyle #MontrealQC #MoseAllison #NickStabulas #Prestige #RonnieFree #RudyVanGelder #vinyl #vinylcollection #vinylfinds
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Mose Allison, Down Home Piano, 1966 on Prestige
This 1966 release collects instrumental performances from six albums he released on Prestige in the late 50s and early 60s. There’s a similar Mose Allison Sings which collects “the vocal side of his talents.”
The performers include Allison, Addison Farmer (Art Farmer’s twin brother) on bass, and Ronnie Free / Nick Stabulas on drums. Liner notes by Jack McKinney, recordings by Rudy Van Gelder.
My copy, via La Fin Du Vinyle in Montreal QC, is an early 70s reissue “Remastered for Stereo.”
#1966 #AddisonFarmer #JackMcKinney #jazz #LaFinDuVinyle #MontrealQC #MoseAllison #NickStabulas #Prestige #RonnieFree #RudyVanGelder #vinyl #vinylcollection #vinylfinds
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The Clash, Sandanista!, 1980 on CBS Records
The Clash’s fourth album, released in 1980 on CBS Records, distributed by Epic in the US. Sprawling, six-sided 3xLP collection that truly is all over the map, including a cover of Mose Allison’s “Look Here.” The FSLN catalog number on the labels is a nod to Frente Sandinista de Liberación Nacional, the name of the Sandanistas in […]
#1980 #1980s #BeverlyCoinJewel #BeverlyMA #CBS #MoseAllison #punk #TheClash #UK #vinyl #vinylcollection #vinylfinds
https://wp.me/p4tTZ-6pU
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The Clash, Sandanista!, 1980 on CBS Records
The Clash’s fourth album, released in 1980 on CBS Records, distributed by Epic in the US. Sprawling, six-sided 3xLP collection that truly is all over the map, including a cover of Mose Allison’s “Look Here.” The FSLN catalog number on the labels is a nod to Frente Sandinista de Liberación Nacional, the name of the Sandanistas in […]
#1980 #1980s #BeverlyCoinJewel #BeverlyMA #CBS #MoseAllison #punk #TheClash #UK #vinyl #vinylcollection #vinylfinds
https://wp.me/p4tTZ-6pU
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The Clash, Sandanista!, 1980 on CBS Records
The Clash’s fourth album, released in 1980 on CBS Records, distributed by Epic in the US. Sprawling, six-sided 3xLP collection that truly is all over the map, including a cover of Mose Allison’s “Look Here.” The FSLN catalog number on the labels is a nod to Frente Sandinista de Liberación Nacional, the name of the Sandanistas in […]
#1980 #1980s #BeverlyCoinJewel #BeverlyMA #CBS #MoseAllison #punk #TheClash #UK #vinyl #vinylcollection #vinylfinds
https://wp.me/p4tTZ-6pU
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Mose Allison - Wild Man On The Loose.
#JazzDeVille #Jazz #NowPlaying #MoseAllison