#farfisa — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #farfisa, aggregated by home.social.
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smoke signals / nerduban. 1968 [full album • double lp • analog psych noir rock]
Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”
This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
Double LP – Reel-to-Reel Archive Edition🎵 FULL TRACKLIST:
- REEL A – Side One
00:00:00 — 1. Signal in the Dust
00:02:22 — 2. The Light Stays On
00:07:02 — 3. Down from the Rooftop
00:11:54 — 4. She Spoke in Tremolo
00:15:54 — 5. Only the Drums Remember
00:19:43 — 6. Room Full of Nothing
00:23:27 — 7. Half a Cigarette
00:27:20 — 8. Ash on the Snare- REEL A – Side Two
00:30:03 — 9. Ceiling Fan Waltz
00:33:17 — 10. Farfisa Lullaby
00:36:52 — 11. The Back Door Swings
00:40:01 — 12. No One Said Goodbye
00:43:09 — 13. Velour Transmission
00:45:42 — 14. Crying Through the Spring Tank
00:48:31 — 15. Don’t Wake the Light- REEL B – Side Three
00:51:20 — 16. Dust Tape Bloom
00:57:00 — 17. Violet Matches
00:59:44 — 18. Flicker Hour
01:04:14 — 19. Echo Static Love Song
01:07:03 — 20. Ashtray Weather
01:10:43 — 21. Mirage in 7/4
01:15:58 — 22. Midnight Is a Window
01:20:02 — 23. Farfisa of Babylon- REEL B – Side Four
01:23:52 — 24. Ghosts Hum in B Minor
01:28:12 — 25. She Left Before the Downbeat
01:32:29 — 26. Tape Deck Gospel
01:36:14 — 27. No Key, Just Room Tone
01:40:44 — 28. Amp Sleeps with One Eye Open
01:44:58 — 29. Last Call at the Violet Lantern
01:48:23 — 30. Smoke Signals (Title Track)——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle
LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing: “Nerduban never played for the crowd. They played for the shadows in the room.”
Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025
#PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel
#1960sRock #1968 #abstract #Ambient #analog #analogPsych #analogPsychNoirRock #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #fullAlbum #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noir #noirPsychedelia #noirRock #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern
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#AlternateFridayMusic
May 9 2025
The prompt is #JerkCaesar’s Palace, “Jerk It Out” from "Love for the Streets" 2002
This track is utterly, totally derivative of #60s early psychedelia, and utterly, totally perfect, from the swirling #Farfisa #organ out front to those shakers chasing and spicing the beat.
You may know this Swedish band as #Caesars but they originally recorded under the name Caesar’s Palace (with a couple of US releases as The Twelve Caesars).
This track first appeared on their 2002 release Love for the Streets, and they wisely included it on the rebranded band’s ‘debut’ album “Paper Tigers” in 2005, where it’s most widely available (albeit not on the sole vinyl release, nor the Swedish CD).
I knew them first from Paper Tigers, #PowerPop that makes it hard to sit still, with some of their earlier, grittier #GarageRock feel still intact. Whatever the name, wherever you find them, these guys get the job done.