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#farfisa — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #farfisa, aggregated by home.social.

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  1. RE: beige.party/@fuzzy/11680364449

    3/…

    The 1970s. Early childhood. I remember occasional home visits from a blind piano tuner.

    We also had a Farfisa electric organ. Then, in my early teens, I occasionally played a Hammond organ (badly) at a pub on Canvey Island. Tremolo involved some colossal thing rotating, I guess that it was a Leslie speaker <en.wikipedia.org/wiki/Leslie_s>.

    In my late teens, a Hohner Clavinet. Nice idea, but it was so heavy that when I sulkily quit a band, during rehearsal, I had to pay a passing schoolchild fifty pence to help me carry it to a bus stop.

    Now: my sister and her husband adore their grandchildren, who enjoy playing piano. They also discarded a traditional upright piano, non-electric, years before the grandchildren were born.

    I still have my grandparents' piano, which hasn't been tuned since the 1970s. It needs to go, I doubt that it's saleable, I'll probably have to pay a team of four people to take it for scrap metal.

    Fifty years later: in the absence of traditional pianos to tune, what profession might the same blind person choose? Would it involve AI? I wonder.

    I'm nostalgic about the past, but future technologies have been making traditional stuff redundant for decades.

    With regard to the piano tuning profession: I'm a number one offender, because I never bothered to pay someone.

    #AI #piano #electronic #Hammond #Farfisa #tremolo #Leslie

  2. RE: beige.party/@fuzzy/11680364449

    3/…

    The 1970s. Early childhood. I remember occasional home visits from a blind piano tuner.

    We also had a Farfisa electric organ. Then, in my early teens, I occasionally played a Hammond organ (badly) at a pub on Canvey Island. Tremolo involved some colossal thing rotating, I guess that it was a Leslie speaker <en.wikipedia.org/wiki/Leslie_s>.

    In my late teens, a Hohner Clavinet. Nice idea, but it was so heavy that when I sulkily quit a band, during rehearsal, I had to pay a passing schoolchild fifty pence to help me carry it to a bus stop.

    Now: my sister and her husband adore their grandchildren, who enjoy playing piano. They also discarded a traditional upright piano, non-electric, years before the grandchildren were born.

    I still have my grandparents' piano, which hasn't been tuned since the 1970s. It needs to go, I doubt that it's saleable, I'll probably have to pay a team of four people to take it for scrap metal.

    Fifty years later: in the absence of traditional pianos to tune, what profession might the same blind person choose? Would it involve AI? I wonder.

    I'm nostalgic about the past, but future technologies have been making traditional stuff redundant for decades.

    With regard to the piano tuning profession: I'm a number one offender, because I never bothered to pay someone.

    #AI #piano #electronic #Hammond #Farfisa #tremolo #Leslie

  3. RE: beige.party/@fuzzy/11680364449

    3/…

    The 1970s. Early childhood. I remember occasional home visits from a blind piano tuner.

    We also had a Farfisa electric organ. Then, in my early teens, I occasionally played a Hammond organ (badly) at a pub on Canvey Island. Tremolo involved some colossal thing rotating, I guess that it was a Leslie speaker <en.wikipedia.org/wiki/Leslie_s>.

    In my late teens, a Hohner Clavinet. Nice idea, but it was so heavy that when I sulkily quit a band, during rehearsal, I had to pay a passing schoolchild fifty pence to help me carry it to a bus stop.

    Now: my sister and her husband adore their grandchildren, who enjoy playing piano. They also discarded a traditional upright piano, non-electric, years before the grandchildren were born.

    I still have my grandparents' piano, which hasn't been tuned since the 1970s. It needs to go, I doubt that it's saleable, I'll probably have to pay a team of four people to take it for scrap metal.

    Fifty years later: in the absence of traditional pianos to tune, what profession might the same blind person choose? Would it involve AI? I wonder.

    I'm nostalgic about the past, but future technologies have been making traditional stuff redundant for decades.

    With regard to the piano tuning profession: I'm a number one offender, because I never bothered to pay someone.

    #AI #piano #electronic #Hammond #Farfisa #tremolo #Leslie

  4. RE: beige.party/@fuzzy/11680364449

    3/…

    The 1970s. Early childhood. I remember occasional home visits from a blind piano tuner.

    We also had a Farfisa electric organ. Then, in my early teens, I occasionally played a Hammond organ (badly) at a pub on Canvey Island. Tremolo involved some colossal thing rotating, I guess that it was a Leslie speaker <en.wikipedia.org/wiki/Leslie_s>.

    In my late teens, a Hohner Clavinet. Nice idea, but it was so heavy that when I sulkily quit a band, during rehearsal, I had to pay a passing schoolchild fifty pence to help me carry it to a bus stop.

    Now: my sister and her husband adore their grandchildren, who enjoy playing piano. They also discarded a traditional upright piano, non-electric, years before the grandchildren were born.

    I still have my grandparents' piano, which hasn't been tuned since the 1970s. It needs to go, I doubt that it's saleable, I'll probably have to pay a team of four people to take it for scrap metal.

    Fifty years later: in the absence of traditional pianos to tune, what profession might the same blind person choose? Would it involve AI? I wonder.

    I'm nostalgic about the past, but future technologies have been making traditional stuff redundant for decades.

    With regard to the piano tuning profession: I'm a number one offender, because I never bothered to pay someone.

    #AI #piano #electronic #Hammond #Farfisa #tremolo #Leslie

  5. RE: beige.party/@fuzzy/11680364449

    3/…

    The 1970s. Early childhood. I remember occasional home visits from a blind piano tuner.

    We also had a Farfisa electric organ. Then, in my early teens, I occasionally played a Hammond organ (badly) at a pub on Canvey Island. Tremolo involved some colossal thing rotating, I guess that it was a Leslie speaker <en.wikipedia.org/wiki/Leslie_s>.

    In my late teens, a Hohner Clavinet. Nice idea, but it was so heavy that when I sulkily quit a band, during rehearsal, I had to pay a passing schoolchild fifty pence to help me carry it to a bus stop.

    Now: my sister and her husband adore their grandchildren, who enjoy playing piano. They also discarded a traditional upright piano, non-electric, years before the grandchildren were born.

    I still have my grandparents' piano, which hasn't been tuned since the 1970s. It needs to go, I doubt that it's saleable, I'll probably have to pay a team of four people to take it for scrap metal.

    Fifty years later: in the absence of traditional pianos to tune, what profession might the same blind person choose? Would it involve AI? I wonder.

    I'm nostalgic about the past, but future technologies have been making traditional stuff redundant for decades.

    With regard to the piano tuning profession: I'm a number one offender, because I never bothered to pay someone.

    #AI #piano #electronic #Hammond #Farfisa #tremolo #Leslie

  6. Cute little piece by Rick. Funny he mentions #Farfisa, I wonder which model he meant?
    youtube.com/watch?v=oIuJZhDDfB

  7. Cute little piece by Rick. Funny he mentions #Farfisa, I wonder which model he meant?
    youtube.com/watch?v=oIuJZhDDfB

  8. Cute little piece by Rick. Funny he mentions #Farfisa, I wonder which model he meant?
    youtube.com/watch?v=oIuJZhDDfB

  9. Cute little piece by Rick. Funny he mentions #Farfisa, I wonder which model he meant?
    youtube.com/watch?v=oIuJZhDDfB

  10. Cute little piece by Rick. Funny he mentions #Farfisa, I wonder which model he meant?
    youtube.com/watch?v=oIuJZhDDfB

  11. Deep Listening Day #37 — Human Switchboard: Who's Landing in My Hangar? (1981). I listened to this album a lot back in college. I felt I was in my own one person secret society. it still sounds great. a less punk rock version of X plus #Farfisa organ.

    #DeepListening #HumanSwitchboard #WhosLandingInMyHangar

  12. Deep Listening Day #37 — Human Switchboard: Who's Landing in My Hangar? (1981). I listened to this album a lot back in college. I felt I was in my own one person secret society. it still sounds great. a less punk rock version of X plus #Farfisa organ.

    #DeepListening #HumanSwitchboard #WhosLandingInMyHangar

  13. Deep Listening Day #37 — Human Switchboard: Who's Landing in My Hangar? (1981). I listened to this album a lot back in college. I felt I was in my own one person secret society. it still sounds great. a less punk rock version of X plus #Farfisa organ.

    #DeepListening #HumanSwitchboard #WhosLandingInMyHangar

  14. nerduban – smoke signals (1968) [full album • double lp • analog psych noir rock]

    Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”

    This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
    Double LP – Reel-to-Reel Archive Edition

    🎵 FULL TRACKLIST:

    • REEL A – Side One

    00:00:00 — 1. Signal in the Dust
    00:02:22 — 2. The Light Stays On
    00:07:02 — 3. Down from the Rooftop
    00:11:54 — 4. She Spoke in Tremolo
    00:15:54 — 5. Only the Drums Remember
    00:19:43 — 6. Room Full of Nothing
    00:23:27 — 7. Half a Cigarette
    00:27:20 — 8. Ash on the Snare

    • REEL A – Side Two

    00:30:03 — 9. Ceiling Fan Waltz
    00:33:17 — 10. Farfisa Lullaby
    00:36:52 — 11. The Back Door Swings
    00:40:01 — 12. No One Said Goodbye
    00:43:09 — 13. Velour Transmission
    00:45:42
    — 14. Crying Through the Spring Tank
    00:48:31 — 15. Don’t Wake the Light

    • REEL B – Side Three

    00:51:20 — 16. Dust Tape Bloom
    00:57:00 — 17. Violet Matches
    00:59:44 — 18. Flicker Hour
    01:04:14 — 19. Echo Static Love Song
    01:07:03 — 20. Ashtray Weather
    01:10:43 — 21. Mirage in 7/4
    01:15:58 — 22. Midnight Is a Window
    01:20:02 — 23. Farfisa of Babylon

    • REEL B – Side Four

    01:23:52 — 24. Ghosts Hum in B Minor
    01:28:12 — 25. She Left Before the Downbeat
    01:32:29 — 26. Tape Deck Gospel
    01:36:14 — 27. No Key, Just Room Tone
    01:40:44 — 28. Amp Sleeps with One Eye Open
    01:44:58 — 29. Last Call at the Violet Lantern
    01:48:23 — 30. Smoke Signals (Title Track)

    ——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle

    LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing:Nerduban never played for the crowd. They played for the shadows in the room.”

    Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025 

    #PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel

    #1960sRock #1968 #abstract #Ambient #analog #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noirPsychedelia #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern

  15. smoke signals / nerduban. 1968 [full album • double lp • analog psych noir rock]

    Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”

    This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
    Double LP – Reel-to-Reel Archive Edition

    🎵 FULL TRACKLIST:

    • REEL A – Side One

    00:00:00 — 1. Signal in the Dust
    00:02:22 — 2. The Light Stays On
    00:07:02 — 3. Down from the Rooftop
    00:11:54 — 4. She Spoke in Tremolo
    00:15:54 — 5. Only the Drums Remember
    00:19:43 — 6. Room Full of Nothing
    00:23:27 — 7. Half a Cigarette
    00:27:20 — 8. Ash on the Snare

    • REEL A – Side Two

    00:30:03 — 9. Ceiling Fan Waltz
    00:33:17 — 10. Farfisa Lullaby
    00:36:52 — 11. The Back Door Swings
    00:40:01 — 12. No One Said Goodbye
    00:43:09 — 13. Velour Transmission
    00:45:42
    — 14. Crying Through the Spring Tank
    00:48:31 — 15. Don’t Wake the Light

    • REEL B – Side Three

    00:51:20 — 16. Dust Tape Bloom
    00:57:00 — 17. Violet Matches
    00:59:44 — 18. Flicker Hour
    01:04:14 — 19. Echo Static Love Song
    01:07:03 — 20. Ashtray Weather
    01:10:43 — 21. Mirage in 7/4
    01:15:58 — 22. Midnight Is a Window
    01:20:02 — 23. Farfisa of Babylon

    • REEL B – Side Four

    01:23:52 — 24. Ghosts Hum in B Minor
    01:28:12 — 25. She Left Before the Downbeat
    01:32:29 — 26. Tape Deck Gospel
    01:36:14 — 27. No Key, Just Room Tone
    01:40:44 — 28. Amp Sleeps with One Eye Open
    01:44:58 — 29. Last Call at the Violet Lantern
    01:48:23 — 30. Smoke Signals (Title Track)

    ——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle

    LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing:Nerduban never played for the crowd. They played for the shadows in the room.”

    Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025 

    #PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel

    #1960sRock #1968 #abstract #Ambient #analog #analogPsych #analogPsychNoirRock #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #fullAlbum #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noir #noirPsychedelia #noirRock #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern

  16. smoke signals / nerduban. 1968 [full album • double lp • analog psych noir rock]

    Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”

    This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
    Double LP – Reel-to-Reel Archive Edition

    🎵 FULL TRACKLIST:

    • REEL A – Side One

    00:00:00 — 1. Signal in the Dust
    00:02:22 — 2. The Light Stays On
    00:07:02 — 3. Down from the Rooftop
    00:11:54 — 4. She Spoke in Tremolo
    00:15:54 — 5. Only the Drums Remember
    00:19:43 — 6. Room Full of Nothing
    00:23:27 — 7. Half a Cigarette
    00:27:20 — 8. Ash on the Snare

    • REEL A – Side Two

    00:30:03 — 9. Ceiling Fan Waltz
    00:33:17 — 10. Farfisa Lullaby
    00:36:52 — 11. The Back Door Swings
    00:40:01 — 12. No One Said Goodbye
    00:43:09 — 13. Velour Transmission
    00:45:42
    — 14. Crying Through the Spring Tank
    00:48:31 — 15. Don’t Wake the Light

    • REEL B – Side Three

    00:51:20 — 16. Dust Tape Bloom
    00:57:00 — 17. Violet Matches
    00:59:44 — 18. Flicker Hour
    01:04:14 — 19. Echo Static Love Song
    01:07:03 — 20. Ashtray Weather
    01:10:43 — 21. Mirage in 7/4
    01:15:58 — 22. Midnight Is a Window
    01:20:02 — 23. Farfisa of Babylon

    • REEL B – Side Four

    01:23:52 — 24. Ghosts Hum in B Minor
    01:28:12 — 25. She Left Before the Downbeat
    01:32:29 — 26. Tape Deck Gospel
    01:36:14 — 27. No Key, Just Room Tone
    01:40:44 — 28. Amp Sleeps with One Eye Open
    01:44:58 — 29. Last Call at the Violet Lantern
    01:48:23 — 30. Smoke Signals (Title Track)

    ——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle

    LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing:Nerduban never played for the crowd. They played for the shadows in the room.”

    Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025 

    #PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel

    #1960sRock #1968 #abstract #Ambient #analog #analogPsych #analogPsychNoirRock #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #fullAlbum #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noir #noirPsychedelia #noirRock #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern

  17. nerduban – smoke signals (1968) [full album • double lp • analog psych noir rock]

    Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”

    This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
    Double LP – Reel-to-Reel Archive Edition

    🎵 FULL TRACKLIST:

    • REEL A – Side One

    00:00:00 — 1. Signal in the Dust
    00:02:22 — 2. The Light Stays On
    00:07:02 — 3. Down from the Rooftop
    00:11:54 — 4. She Spoke in Tremolo
    00:15:54 — 5. Only the Drums Remember
    00:19:43 — 6. Room Full of Nothing
    00:23:27 — 7. Half a Cigarette
    00:27:20 — 8. Ash on the Snare

    • REEL A – Side Two

    00:30:03 — 9. Ceiling Fan Waltz
    00:33:17 — 10. Farfisa Lullaby
    00:36:52 — 11. The Back Door Swings
    00:40:01 — 12. No One Said Goodbye
    00:43:09 — 13. Velour Transmission
    00:45:42
    — 14. Crying Through the Spring Tank
    00:48:31 — 15. Don’t Wake the Light

    • REEL B – Side Three

    00:51:20 — 16. Dust Tape Bloom
    00:57:00 — 17. Violet Matches
    00:59:44 — 18. Flicker Hour
    01:04:14 — 19. Echo Static Love Song
    01:07:03 — 20. Ashtray Weather
    01:10:43 — 21. Mirage in 7/4
    01:15:58 — 22. Midnight Is a Window
    01:20:02 — 23. Farfisa of Babylon

    • REEL B – Side Four

    01:23:52 — 24. Ghosts Hum in B Minor
    01:28:12 — 25. She Left Before the Downbeat
    01:32:29 — 26. Tape Deck Gospel
    01:36:14 — 27. No Key, Just Room Tone
    01:40:44 — 28. Amp Sleeps with One Eye Open
    01:44:58 — 29. Last Call at the Violet Lantern
    01:48:23 — 30. Smoke Signals (Title Track)

    ——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle

    LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing:Nerduban never played for the crowd. They played for the shadows in the room.”

    Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025 

    #PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel

    #1960sRock #1968 #abstract #Ambient #analog #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noirPsychedelia #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern

  18. #AlternateFridayMusic
    May 9 2025
    The prompt is #Jerk

    Caesar’s Palace, “Jerk It Out” from "Love for the Streets" 2002

    This track is utterly, totally derivative of #60s early psychedelia, and utterly, totally perfect, from the swirling #Farfisa #organ out front to those shakers chasing and spicing the beat.

    You may know this Swedish band as #Caesars but they originally recorded under the name Caesar’s Palace (with a couple of US releases as The Twelve Caesars).

    This track first appeared on their 2002 release Love for the Streets, and they wisely included it on the rebranded band’s ‘debut’ album “Paper Tigers” in 2005, where it’s most widely available (albeit not on the sole vinyl release, nor the Swedish CD).

    I knew them first from Paper Tigers, #PowerPop that makes it hard to sit still, with some of their earlier, grittier #GarageRock feel still intact. Whatever the name, wherever you find them, these guys get the job done.

    youtube.com/watch?v=w869Avr_fX

    #2000s #2000sMusic #SwedishRock

  19. #AlternateFridayMusic
    May 9 2025
    The prompt is #Jerk

    Caesar’s Palace, “Jerk It Out” from "Love for the Streets" 2002

    This track is utterly, totally derivative of #60s early psychedelia, and utterly, totally perfect, from the swirling #Farfisa #organ out front to those shakers chasing and spicing the beat.

    You may know this Swedish band as #Caesars but they originally recorded under the name Caesar’s Palace (with a couple of US releases as The Twelve Caesars).

    This track first appeared on their 2002 release Love for the Streets, and they wisely included it on the rebranded band’s ‘debut’ album “Paper Tigers” in 2005, where it’s most widely available (albeit not on the sole vinyl release, nor the Swedish CD).

    I knew them first from Paper Tigers, #PowerPop that makes it hard to sit still, with some of their earlier, grittier #GarageRock feel still intact. Whatever the name, wherever you find them, these guys get the job done.

    youtube.com/watch?v=w869Avr_fX

    #2000s #2000sMusic #SwedishRock

  20. #AlternateFridayMusic
    May 9 2025
    The prompt is #Jerk

    Caesar’s Palace, “Jerk It Out” from "Love for the Streets" 2002

    This track is utterly, totally derivative of #60s early psychedelia, and utterly, totally perfect, from the swirling #Farfisa #organ out front to those shakers chasing and spicing the beat.

    You may know this Swedish band as #Caesars but they originally recorded under the name Caesar’s Palace (with a couple of US releases as The Twelve Caesars).

    This track first appeared on their 2002 release Love for the Streets, and they wisely included it on the rebranded band’s ‘debut’ album “Paper Tigers” in 2005, where it’s most widely available (albeit not on the sole vinyl release, nor the Swedish CD).

    I knew them first from Paper Tigers, #PowerPop that makes it hard to sit still, with some of their earlier, grittier #GarageRock feel still intact. Whatever the name, wherever you find them, these guys get the job done.

    youtube.com/watch?v=w869Avr_fX

    #2000s #2000sMusic #SwedishRock

  21. #AlternateFridayMusic
    May 9 2025
    The prompt is #Jerk

    Caesar’s Palace, “Jerk It Out” from "Love for the Streets" 2002

    This track is utterly, totally derivative of #60s early psychedelia, and utterly, totally perfect, from the swirling #Farfisa #organ out front to those shakers chasing and spicing the beat.

    You may know this Swedish band as #Caesars but they originally recorded under the name Caesar’s Palace (with a couple of US releases as The Twelve Caesars).

    This track first appeared on their 2002 release Love for the Streets, and they wisely included it on the rebranded band’s ‘debut’ album “Paper Tigers” in 2005, where it’s most widely available (albeit not on the sole vinyl release, nor the Swedish CD).

    I knew them first from Paper Tigers, #PowerPop that makes it hard to sit still, with some of their earlier, grittier #GarageRock feel still intact. Whatever the name, wherever you find them, these guys get the job done.

    youtube.com/watch?v=w869Avr_fX

    #2000s #2000sMusic #SwedishRock

  22. #AlternateFridayMusic
    May 9 2025
    The prompt is #Jerk

    Caesar’s Palace, “Jerk It Out” from "Love for the Streets" 2002

    This track is utterly, totally derivative of #60s early psychedelia, and utterly, totally perfect, from the swirling #Farfisa #organ out front to those shakers chasing and spicing the beat.

    You may know this Swedish band as #Caesars but they originally recorded under the name Caesar’s Palace (with a couple of US releases as The Twelve Caesars).

    This track first appeared on their 2002 release Love for the Streets, and they wisely included it on the rebranded band’s ‘debut’ album “Paper Tigers” in 2005, where it’s most widely available (albeit not on the sole vinyl release, nor the Swedish CD).

    I knew them first from Paper Tigers, #PowerPop that makes it hard to sit still, with some of their earlier, grittier #GarageRock feel still intact. Whatever the name, wherever you find them, these guys get the job done.

    youtube.com/watch?v=w869Avr_fX

    #2000s #2000sMusic #SwedishRock

  23. This is one of the best albums I've heard ALL year.

    youtu.be/k9p3qud-cQo?si=CxJMY0

    It's from 1972, from a French group I did not know...

    A group who clearly set out to make the Farfisa an artistic marvel.

    Spoiler: they succeeded.

    #catharsis #vinyl #1972 #farfisa #magic

  24. This is one of the best albums I've heard ALL year.

    youtu.be/k9p3qud-cQo?si=CxJMY0

    It's from 1972, from a French group I did not know...

    A group who clearly set out to make the Farfisa an artistic marvel.

    Spoiler: they succeeded.

    #catharsis #vinyl #1972 #farfisa #magic

  25. This is one of the best albums I've heard ALL year.

    youtu.be/k9p3qud-cQo?si=CxJMY0

    It's from 1972, from a French group I did not know...

    A group who clearly set out to make the Farfisa an artistic marvel.

    Spoiler: they succeeded.

    #catharsis #vinyl #1972 #farfisa #magic

  26. This is one of the best albums I've heard ALL year.

    youtu.be/k9p3qud-cQo?si=CxJMY0

    It's from 1972, from a French group I did not know...

    A group who clearly set out to make the Farfisa an artistic marvel.

    Spoiler: they succeeded.

    #catharsis #vinyl #1972 #farfisa #magic

  27. This is one of the best albums I've heard ALL year.

    youtu.be/k9p3qud-cQo?si=CxJMY0

    It's from 1972, from a French group I did not know...

    A group who clearly set out to make the Farfisa an artistic marvel.

    Spoiler: they succeeded.

    #catharsis #vinyl #1972 #farfisa #magic

  28. #FortnightFridayMusic
    February 23 2024
The prompt is Wild

    Holy Wave, “Wet & Wild” from “Relax” 2014

    Bless #AustinTX for being a bastion of free thinking in the midst of a state about which I shall not editorialize here.

    This last track on #Austin's Holy Wave’s second album ends it perfectly, its melody suggesting a coda. This is #PsychedelicRock that just drips essence of #60s, complete with what sounds like a classic #farfisa organ; maybe it’s the disaffected #StreamOfConsciousness lyrics that keep it feeling modern.
    youtube.com/watch?v=cPWeI5VQTH

  29. #FortnightFridayMusic
    February 23 2024
The prompt is Wild

    Holy Wave, “Wet & Wild” from “Relax” 2014

    Bless #AustinTX for being a bastion of free thinking in the midst of a state about which I shall not editorialize here.

    This last track on #Austin's Holy Wave’s second album ends it perfectly, its melody suggesting a coda. This is #PsychedelicRock that just drips essence of #60s, complete with what sounds like a classic #farfisa organ; maybe it’s the disaffected #StreamOfConsciousness lyrics that keep it feeling modern.
    youtube.com/watch?v=cPWeI5VQTH

  30. #FortnightFridayMusic
    February 23 2024
The prompt is Wild

    Holy Wave, “Wet & Wild” from “Relax” 2014

    Bless #AustinTX for being a bastion of free thinking in the midst of a state about which I shall not editorialize here.

    This last track on #Austin's Holy Wave’s second album ends it perfectly, its melody suggesting a coda. This is #PsychedelicRock that just drips essence of #60s, complete with what sounds like a classic #farfisa organ; maybe it’s the disaffected #StreamOfConsciousness lyrics that keep it feeling modern.
    youtube.com/watch?v=cPWeI5VQTH

  31. #FortnightFridayMusic
    February 23 2024
The prompt is Wild

    Holy Wave, “Wet & Wild” from “Relax” 2014

    Bless #AustinTX for being a bastion of free thinking in the midst of a state about which I shall not editorialize here.

    This last track on #Austin's Holy Wave’s second album ends it perfectly, its melody suggesting a coda. This is #PsychedelicRock that just drips essence of #60s, complete with what sounds like a classic #farfisa organ; maybe it’s the disaffected #StreamOfConsciousness lyrics that keep it feeling modern.
    youtube.com/watch?v=cPWeI5VQTH

  32. #FortnightFridayMusic
    February 23 2024
The prompt is Wild

    Holy Wave, “Wet & Wild” from “Relax” 2014

    Bless #AustinTX for being a bastion of free thinking in the midst of a state about which I shall not editorialize here.

    This last track on #Austin's Holy Wave’s second album ends it perfectly, its melody suggesting a coda. This is #PsychedelicRock that just drips essence of #60s, complete with what sounds like a classic #farfisa organ; maybe it’s the disaffected #StreamOfConsciousness lyrics that keep it feeling modern.
    youtube.com/watch?v=cPWeI5VQTH

  33. @adtothebone @UkuleleG3orge
    I thought I mentioned the #Pianaccord in my #AccordionRevolution history of the #accordion 📚 but I guess not?

    I may have only learned about them when I was researching electronic Accordions for a talk after I published

    That was fun 🤩 ❤️‍🔥🪗

    Here’s a few of the hits from that including ones from #farfisa (started as an accordion company) and #Hohner (who made millions of #harmonicas 😬 accordions and #keyboards like the #clavinet)

    But I really want a #Multimonica!

  34. @adtothebone @UkuleleG3orge
    I thought I mentioned the #Pianaccord in my #AccordionRevolution history of the #accordion 📚 but I guess not?

    I may have only learned about them when I was researching electronic Accordions for a talk after I published

    That was fun 🤩 ❤️‍🔥🪗

    Here’s a few of the hits from that including ones from #farfisa (started as an accordion company) and #Hohner (who made millions of #harmonicas 😬 accordions and #keyboards like the #clavinet)

    But I really want a #Multimonica!

  35. @adtothebone @UkuleleG3orge
    I thought I mentioned the #Pianaccord in my #AccordionRevolution history of the #accordion 📚 but I guess not?

    I may have only learned about them when I was researching electronic Accordions for a talk after I published

    That was fun 🤩 ❤️‍🔥🪗

    Here’s a few of the hits from that including ones from #farfisa (started as an accordion company) and #Hohner (who made millions of #harmonicas 😬 accordions and #keyboards like the #clavinet)

    But I really want a #Multimonica!

  36. @adtothebone @UkuleleG3orge
    I thought I mentioned the #Pianaccord in my #AccordionRevolution history of the #accordion 📚 but I guess not?

    I may have only learned about them when I was researching electronic Accordions for a talk after I published

    That was fun 🤩 ❤️‍🔥🪗

    Here’s a few of the hits from that including ones from #farfisa (started as an accordion company) and #Hohner (who made millions of #harmonicas 😬 accordions and #keyboards like the #clavinet)

    But I really want a #Multimonica!

  37. @adtothebone @UkuleleG3orge
    I thought I mentioned the #Pianaccord in my #AccordionRevolution history of the #accordion 📚 but I guess not?

    I may have only learned about them when I was researching electronic Accordions for a talk after I published

    That was fun 🤩 ❤️‍🔥🪗

    Here’s a few of the hits from that including ones from #farfisa (started as an accordion company) and #Hohner (who made millions of #harmonicas 😬 accordions and #keyboards like the #clavinet)

    But I really want a #Multimonica!