home.social

#reeltoreel — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #reeltoreel, aggregated by home.social.

  1. This mid century reel to real tape recorder had been at the local goodwill for months, calling to me. I finally persuaded my husband that it belongs in our house, so here it finally is! We have NO idea if it still works, we'll worry about that later 😁

    #midcentury #oldschool #oldschoolcool #reeltoreel #taperecorder #grundig #grundigreporter #1950s #vintage #vintageaudioequipment

  2. I checked the azimuth with the same 16kHz signal and the oscilloscope and the phases are rock solid with the fixed roller rather the ball bearing in the left tape guide. That is a clear win for the factory configuration. #RevoxB77 #AnalogAudio #MagneticRecording #ReelToReel #HiFi #Tape

  3. I checked the azimuth with the same 16kHz signal and the oscilloscope and the phases are rock solid with the fixed roller rather the ball bearing in the left tape guide. That is a clear win for the factory configuration. #RevoxB77 #AnalogAudio #MagneticRecording #ReelToReel #HiFi #Tape

  4. I checked the azimuth with the same 16kHz signal and the oscilloscope and the phases are rock solid with the fixed roller rather the ball bearing in the left tape guide. That is a clear win for the factory configuration. #RevoxB77 #AnalogAudio #MagneticRecording #ReelToReel #HiFi #Tape

  5. I checked the azimuth with the same 16kHz signal and the oscilloscope and the phases are rock solid with the fixed roller rather the ball bearing in the left tape guide. That is a clear win for the factory configuration. #RevoxB77 #AnalogAudio #MagneticRecording #ReelToReel #HiFi #Tape

  6. I checked the azimuth with the same 16kHz signal and the oscilloscope and the phases are rock solid with the fixed roller rather the ball bearing in the left tape guide. That is a clear win for the factory configuration. #RevoxB77 #AnalogAudio #MagneticRecording #ReelToReel #HiFi #Tape

  7. Hi to all, I updated the page about the #RevoxB77 mk II on my home site. I studyed the effect of the popular mod that consists in replacing the original fixed roller on the right tape guide with a ball bearing. The results seem marginally better with the original factory configuration, though.

    davbucci.chez-alice.fr/index.p

    #AnalogAudio #MagneticRecording #ReelToReel #HiFi #Tape

  8. Hi to all, I updated the page about the #RevoxB77 mk II on my home site. I studyed the effect of the popular mod that consists in replacing the original fixed roller on the right tape guide with a ball bearing. The results seem marginally better with the original factory configuration, though.

    davbucci.chez-alice.fr/index.p

    #AnalogAudio #MagneticRecording #ReelToReel #HiFi #Tape

  9. Hi to all, I updated the page about the #RevoxB77 mk II on my home site. I studyed the effect of the popular mod that consists in replacing the original fixed roller on the right tape guide with a ball bearing. The results seem marginally better with the original factory configuration, though.

    davbucci.chez-alice.fr/index.p

    #AnalogAudio #MagneticRecording #ReelToReel #HiFi #Tape

  10. Hi to all, I updated the page about the #RevoxB77 mk II on my home site. I studyed the effect of the popular mod that consists in replacing the original fixed roller on the right tape guide with a ball bearing. The results seem marginally better with the original factory configuration, though.

    davbucci.chez-alice.fr/index.p

    #AnalogAudio #MagneticRecording #ReelToReel #HiFi #Tape

  11. Hi to all, I updated the page about the #RevoxB77 mk II on my home site. I studyed the effect of the popular mod that consists in replacing the original fixed roller on the right tape guide with a ball bearing. The results seem marginally better with the original factory configuration, though.

    davbucci.chez-alice.fr/index.p

    #AnalogAudio #MagneticRecording #ReelToReel #HiFi #Tape

  12. I used my reel to reel recorder as a tape delay in Soupçons, you can hear it in the drum machine track at the very beginning (further processed via a bandpass filter driven almost to self oscillate and a chorus). I created a tape loop that was quite flimsy and the imperfections added a lot to the character 😍#ReelToReel #MusicProduction #AnalogAudio #RevoxB77

  13. I used my reel to reel recorder as a tape delay in Soupçons, you can hear it in the drum machine track at the very beginning (further processed via a bandpass filter driven almost to self oscillate and a chorus). I created a tape loop that was quite flimsy and the imperfections added a lot to the character 😍#ReelToReel #MusicProduction #AnalogAudio #RevoxB77

  14. I used my reel to reel recorder as a tape delay in Soupçons, you can hear it in the drum machine track at the very beginning (further processed via a bandpass filter driven almost to self oscillate and a chorus). I created a tape loop that was quite flimsy and the imperfections added a lot to the character 😍#ReelToReel #MusicProduction #AnalogAudio #RevoxB77

  15. I used my reel to reel recorder as a tape delay in Soupçons, you can hear it in the drum machine track at the very beginning (further processed via a bandpass filter driven almost to self oscillate and a chorus). I created a tape loop that was quite flimsy and the imperfections added a lot to the character 😍#ReelToReel #MusicProduction #AnalogAudio #RevoxB77

  16. I used my reel to reel recorder as a tape delay in Soupçons, you can hear it in the drum machine track at the very beginning (further processed via a bandpass filter driven almost to self oscillate and a chorus). I created a tape loop that was quite flimsy and the imperfections added a lot to the character 😍#ReelToReel #MusicProduction #AnalogAudio #RevoxB77

  17. If you are curious to listen to the difference, here is Réminescence bounced back from the #ReelToReel recorder. It is a mp3, unfortunately, but you can compare with a previous toot, that included the digitally produced file. #Music #AnalogAudio #RevoxB77 #MastoArt #MastoMusic With the #dbx type I noise reduction active, the dynamic range approaches the 90dB 😳

  18. If you are curious to listen to the difference, here is Réminescence bounced back from the #ReelToReel recorder. It is a mp3, unfortunately, but you can compare with a previous toot, that included the digitally produced file. #Music #AnalogAudio #RevoxB77 #MastoArt #MastoMusic With the #dbx type I noise reduction active, the dynamic range approaches the 90dB 😳

  19. If you are curious to listen to the difference, here is Réminescence bounced back from the #ReelToReel recorder. It is a mp3, unfortunately, but you can compare with a previous toot, that included the digitally produced file. #Music #AnalogAudio #RevoxB77 #MastoArt #MastoMusic With the #dbx type I noise reduction active, the dynamic range approaches the 90dB 😳

  20. If you are curious to listen to the difference, here is Réminescence bounced back from the #ReelToReel recorder. It is a mp3, unfortunately, but you can compare with a previous toot, that included the digitally produced file. #Music #AnalogAudio #RevoxB77 #MastoArt #MastoMusic With the #dbx type I noise reduction active, the dynamic range approaches the 90dB 😳

  21. If you are curious to listen to the difference, here is Réminescence bounced back from the #ReelToReel recorder. It is a mp3, unfortunately, but you can compare with a previous toot, that included the digitally produced file. #Music #AnalogAudio #RevoxB77 #MastoArt #MastoMusic With the #dbx type I noise reduction active, the dynamic range approaches the 90dB 😳

  22. And since I like a lot to have some physical medium in my hands when I finish the production of a new piece of #music, I transferred Réminescence on tape au 15 ips with dbx type I. I had to install a new reel on a #LPR90 pancake 🧐 I like working with the recorder for a final bounce, even if most of my production chain is digital. #ReelToReel #RevoxB77 #AnalogAudio

  23. And since I like a lot to have some physical medium in my hands when I finish the production of a new piece of #music, I transferred Réminescence on tape au 15 ips with dbx type I. I had to install a new reel on a #LPR90 pancake 🧐 I like working with the recorder for a final bounce, even if most of my production chain is digital. #ReelToReel #RevoxB77 #AnalogAudio

  24. And since I like a lot to have some physical medium in my hands when I finish the production of a new piece of #music, I transferred Réminescence on tape au 15 ips with dbx type I. I had to install a new reel on a #LPR90 pancake 🧐 I like working with the recorder for a final bounce, even if most of my production chain is digital. #ReelToReel #RevoxB77 #AnalogAudio

  25. And since I like a lot to have some physical medium in my hands when I finish the production of a new piece of #music, I transferred Réminescence on tape au 15 ips with dbx type I. I had to install a new reel on a #LPR90 pancake 🧐 I like working with the recorder for a final bounce, even if most of my production chain is digital. #ReelToReel #RevoxB77 #AnalogAudio

  26. And since I like a lot to have some physical medium in my hands when I finish the production of a new piece of #music, I transferred Réminescence on tape au 15 ips with dbx type I. I had to install a new reel on a #LPR90 pancake 🧐 I like working with the recorder for a final bounce, even if most of my production chain is digital. #ReelToReel #RevoxB77 #AnalogAudio

  27. "Moment in Time" - reel-to-reel tape loop installation by @tisa_world (Tisa Neža Herlec) at BRUTUS Rotterdam, 11th July 2021

    [moving images from high-speed still photographs}

    spectra.video/w/hqimUc3bYShQVg

    full archive: archive.org/details/moving-ima

    #audio #soundinstallation #reeltoreel #tapeloop

  28. I bouced all my New Star album on a #RevoxB77 mk II reel to reel recorder at 15 ips and created a #YouTube video.
    If you like this kind of things, have a look at it: youtube.com/watch?v=nYFKCRBrnV #music #indiemusic #ReelToReel #MastoArt #MastoMusic #Synth #SM900

  29. smoke signals / nerduban. 1968 [full album • double lp • analog psych noir rock]

    Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”

    This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
    Double LP – Reel-to-Reel Archive Edition

    🎵 FULL TRACKLIST:

    • REEL A – Side One

    00:00:00 — 1. Signal in the Dust
    00:02:22 — 2. The Light Stays On
    00:07:02 — 3. Down from the Rooftop
    00:11:54 — 4. She Spoke in Tremolo
    00:15:54 — 5. Only the Drums Remember
    00:19:43 — 6. Room Full of Nothing
    00:23:27 — 7. Half a Cigarette
    00:27:20 — 8. Ash on the Snare

    • REEL A – Side Two

    00:30:03 — 9. Ceiling Fan Waltz
    00:33:17 — 10. Farfisa Lullaby
    00:36:52 — 11. The Back Door Swings
    00:40:01 — 12. No One Said Goodbye
    00:43:09 — 13. Velour Transmission
    00:45:42
    — 14. Crying Through the Spring Tank
    00:48:31 — 15. Don’t Wake the Light

    • REEL B – Side Three

    00:51:20 — 16. Dust Tape Bloom
    00:57:00 — 17. Violet Matches
    00:59:44 — 18. Flicker Hour
    01:04:14 — 19. Echo Static Love Song
    01:07:03 — 20. Ashtray Weather
    01:10:43 — 21. Mirage in 7/4
    01:15:58 — 22. Midnight Is a Window
    01:20:02 — 23. Farfisa of Babylon

    • REEL B – Side Four

    01:23:52 — 24. Ghosts Hum in B Minor
    01:28:12 — 25. She Left Before the Downbeat
    01:32:29 — 26. Tape Deck Gospel
    01:36:14 — 27. No Key, Just Room Tone
    01:40:44 — 28. Amp Sleeps with One Eye Open
    01:44:58 — 29. Last Call at the Violet Lantern
    01:48:23 — 30. Smoke Signals (Title Track)

    ——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle

    LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing:Nerduban never played for the crowd. They played for the shadows in the room.”

    Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025 

    #PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel

    #1960sRock #1968 #abstract #Ambient #analog #analogPsych #analogPsychNoirRock #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #fullAlbum #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noir #noirPsychedelia #noirRock #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern

  30. nerduban – smoke signals (1968) [full album • double lp • analog psych noir rock]

    Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”

    This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
    Double LP – Reel-to-Reel Archive Edition

    🎵 FULL TRACKLIST:

    • REEL A – Side One

    00:00:00 — 1. Signal in the Dust
    00:02:22 — 2. The Light Stays On
    00:07:02 — 3. Down from the Rooftop
    00:11:54 — 4. She Spoke in Tremolo
    00:15:54 — 5. Only the Drums Remember
    00:19:43 — 6. Room Full of Nothing
    00:23:27 — 7. Half a Cigarette
    00:27:20 — 8. Ash on the Snare

    • REEL A – Side Two

    00:30:03 — 9. Ceiling Fan Waltz
    00:33:17 — 10. Farfisa Lullaby
    00:36:52 — 11. The Back Door Swings
    00:40:01 — 12. No One Said Goodbye
    00:43:09 — 13. Velour Transmission
    00:45:42
    — 14. Crying Through the Spring Tank
    00:48:31 — 15. Don’t Wake the Light

    • REEL B – Side Three

    00:51:20 — 16. Dust Tape Bloom
    00:57:00 — 17. Violet Matches
    00:59:44 — 18. Flicker Hour
    01:04:14 — 19. Echo Static Love Song
    01:07:03 — 20. Ashtray Weather
    01:10:43 — 21. Mirage in 7/4
    01:15:58 — 22. Midnight Is a Window
    01:20:02 — 23. Farfisa of Babylon

    • REEL B – Side Four

    01:23:52 — 24. Ghosts Hum in B Minor
    01:28:12 — 25. She Left Before the Downbeat
    01:32:29 — 26. Tape Deck Gospel
    01:36:14 — 27. No Key, Just Room Tone
    01:40:44 — 28. Amp Sleeps with One Eye Open
    01:44:58 — 29. Last Call at the Violet Lantern
    01:48:23 — 30. Smoke Signals (Title Track)

    ——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle

    LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing:Nerduban never played for the crowd. They played for the shadows in the room.”

    Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025 

    #PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel

    #1960sRock #1968 #abstract #Ambient #analog #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noirPsychedelia #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern

  31. smoke signals / nerduban. 1968 [full album • double lp • analog psych noir rock]

    Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”

    This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
    Double LP – Reel-to-Reel Archive Edition

    🎵 FULL TRACKLIST:

    • REEL A – Side One

    00:00:00 — 1. Signal in the Dust
    00:02:22 — 2. The Light Stays On
    00:07:02 — 3. Down from the Rooftop
    00:11:54 — 4. She Spoke in Tremolo
    00:15:54 — 5. Only the Drums Remember
    00:19:43 — 6. Room Full of Nothing
    00:23:27 — 7. Half a Cigarette
    00:27:20 — 8. Ash on the Snare

    • REEL A – Side Two

    00:30:03 — 9. Ceiling Fan Waltz
    00:33:17 — 10. Farfisa Lullaby
    00:36:52 — 11. The Back Door Swings
    00:40:01 — 12. No One Said Goodbye
    00:43:09 — 13. Velour Transmission
    00:45:42
    — 14. Crying Through the Spring Tank
    00:48:31 — 15. Don’t Wake the Light

    • REEL B – Side Three

    00:51:20 — 16. Dust Tape Bloom
    00:57:00 — 17. Violet Matches
    00:59:44 — 18. Flicker Hour
    01:04:14 — 19. Echo Static Love Song
    01:07:03 — 20. Ashtray Weather
    01:10:43 — 21. Mirage in 7/4
    01:15:58 — 22. Midnight Is a Window
    01:20:02 — 23. Farfisa of Babylon

    • REEL B – Side Four

    01:23:52 — 24. Ghosts Hum in B Minor
    01:28:12 — 25. She Left Before the Downbeat
    01:32:29 — 26. Tape Deck Gospel
    01:36:14 — 27. No Key, Just Room Tone
    01:40:44 — 28. Amp Sleeps with One Eye Open
    01:44:58 — 29. Last Call at the Violet Lantern
    01:48:23 — 30. Smoke Signals (Title Track)

    ——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle

    LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing:Nerduban never played for the crowd. They played for the shadows in the room.”

    Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025 

    #PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel

    #1960sRock #1968 #abstract #Ambient #analog #analogPsych #analogPsychNoirRock #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #fullAlbum #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noir #noirPsychedelia #noirRock #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern

  32. nerduban – smoke signals (1968) [full album • double lp • analog psych noir rock]

    Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”

    This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
    Double LP – Reel-to-Reel Archive Edition

    🎵 FULL TRACKLIST:

    • REEL A – Side One

    00:00:00 — 1. Signal in the Dust
    00:02:22 — 2. The Light Stays On
    00:07:02 — 3. Down from the Rooftop
    00:11:54 — 4. She Spoke in Tremolo
    00:15:54 — 5. Only the Drums Remember
    00:19:43 — 6. Room Full of Nothing
    00:23:27 — 7. Half a Cigarette
    00:27:20 — 8. Ash on the Snare

    • REEL A – Side Two

    00:30:03 — 9. Ceiling Fan Waltz
    00:33:17 — 10. Farfisa Lullaby
    00:36:52 — 11. The Back Door Swings
    00:40:01 — 12. No One Said Goodbye
    00:43:09 — 13. Velour Transmission
    00:45:42
    — 14. Crying Through the Spring Tank
    00:48:31 — 15. Don’t Wake the Light

    • REEL B – Side Three

    00:51:20 — 16. Dust Tape Bloom
    00:57:00 — 17. Violet Matches
    00:59:44 — 18. Flicker Hour
    01:04:14 — 19. Echo Static Love Song
    01:07:03 — 20. Ashtray Weather
    01:10:43 — 21. Mirage in 7/4
    01:15:58 — 22. Midnight Is a Window
    01:20:02 — 23. Farfisa of Babylon

    • REEL B – Side Four

    01:23:52 — 24. Ghosts Hum in B Minor
    01:28:12 — 25. She Left Before the Downbeat
    01:32:29 — 26. Tape Deck Gospel
    01:36:14 — 27. No Key, Just Room Tone
    01:40:44 — 28. Amp Sleeps with One Eye Open
    01:44:58 — 29. Last Call at the Violet Lantern
    01:48:23 — 30. Smoke Signals (Title Track)

    ——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle

    LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing:Nerduban never played for the crowd. They played for the shadows in the room.”

    Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025 

    #PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel

    #1960sRock #1968 #abstract #Ambient #analog #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noirPsychedelia #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern

  33. smoke signals / nerduban. 1968 [full album • double lp • analog psych noir rock]

    Unearthed from a forgotten reel-to-reel tape labeled “Nerduban – Violet Lantern Sessions.”

    This 30-track double LP was tracked in Spring 1968 at The Violet Lantern Club, South Side Chicago — a nocturnal journey of analog tremolo guitars, swirling Farfisa organs, brushed snares, modal jazz fragments, and hypnotic noir psychedelia. -Captured straight to mono tape — no edits, no overdubs. -All bleed, hiss, and hum left intact. -Restored carefully from decayed tape and analog drift. – Let the echo pull you in.
    Double LP – Reel-to-Reel Archive Edition

    🎵 FULL TRACKLIST:

    • REEL A – Side One

    00:00:00 — 1. Signal in the Dust
    00:02:22 — 2. The Light Stays On
    00:07:02 — 3. Down from the Rooftop
    00:11:54 — 4. She Spoke in Tremolo
    00:15:54 — 5. Only the Drums Remember
    00:19:43 — 6. Room Full of Nothing
    00:23:27 — 7. Half a Cigarette
    00:27:20 — 8. Ash on the Snare

    • REEL A – Side Two

    00:30:03 — 9. Ceiling Fan Waltz
    00:33:17 — 10. Farfisa Lullaby
    00:36:52 — 11. The Back Door Swings
    00:40:01 — 12. No One Said Goodbye
    00:43:09 — 13. Velour Transmission
    00:45:42
    — 14. Crying Through the Spring Tank
    00:48:31 — 15. Don’t Wake the Light

    • REEL B – Side Three

    00:51:20 — 16. Dust Tape Bloom
    00:57:00 — 17. Violet Matches
    00:59:44 — 18. Flicker Hour
    01:04:14 — 19. Echo Static Love Song
    01:07:03 — 20. Ashtray Weather
    01:10:43 — 21. Mirage in 7/4
    01:15:58 — 22. Midnight Is a Window
    01:20:02 — 23. Farfisa of Babylon

    • REEL B – Side Four

    01:23:52 — 24. Ghosts Hum in B Minor
    01:28:12 — 25. She Left Before the Downbeat
    01:32:29 — 26. Tape Deck Gospel
    01:36:14 — 27. No Key, Just Room Tone
    01:40:44 — 28. Amp Sleeps with One Eye Open
    01:44:58 — 29. Last Call at the Violet Lantern
    01:48:23 — 30. Smoke Signals (Title Track)

    ——Recorded: Spring 1968. Location: The Violet Lantern Club, South Side Chicago 🛠️ Format: Mono • Tape-Saturated • Raw Analog Mix. Restored by: Nerduban Archive Circle

    LINER NOTES: From the inner sleeve of the 1968 Violet Lantern pressing:Nerduban never played for the crowd. They played for the shadows in the room.”

    Recorded in the spring of 1968 inside the dim-lit rehearsal chamber of Chicago’s Violet Lantern Club, Smoke Signals captures a moment that feels both ancient and eerily current. This isn’t music made for the radio, but for the tape deck of a forgotten basement — where echo swirls, tremolo pulses, and stories never find their endings. Every hiss you hear is real. Every amp buzz, every tape drift, every ghost in the left channel — it all stayed. No edits. No second takes. This was Nerduban at their most honest: ambient, abstract, moody, raw. With analog equipment humming just past the point of breakdown, they mapped out a noir-psychedelic terrain that sways between modal jazz and smoke-drenched rock séance. You don’t listen to this record — you drift through it. — W. K. HEINGART Archivist & Engineer Nerduban Archive Circle, 2025 

    #PsychedelicRock #NoirRock #1960sRock #AnalogTape #Nerduban #SmokeSignals1968 #LostAlbum #FarfisaOrgan #TremoloGuitar #MonoMix #ReelToReel

    #1960sRock #1968 #abstract #Ambient #analog #analogPsych #analogPsychNoirRock #AnalogTape #doubleLp #Farfisa #FarfisaOrgans #FarfisaOrgan #fullAlbum #HKHeingart #jazz #jazzFragments #LostAlbum #mono #monoRecording #MonoMix #moody #music #musica #Nerduban #NerdubanArchive #NerdubanArchiveCircle #noir #noirPsychedelia #noirRock #NoirRock #psychedelia #PsychedelicRock #RAW #rawAnalog #recording #reelToReel #reelToReelTape #ReelToReel #restoredRecording #SmokeSignals1968 #sound #SouthSideChicago #tape #TremoloGuitar #VioletLantern

  34. My TEAC 32-2B is home and operational again. Turns out it’s a rare one, actually being a Tascam X-10 disguised as a TEAC 32-2. I guess that’s why they added the “B.” It has 2 drive belts instead of 1, but the kicker is that it supports both NAB (North American) and IEC (European) EQ with a push button on the front panel.

  35. We watched "Late Night with the Devil" (2023) tonight. I posted a #5SecondMovieReview of it earlier. We enjoyed it.

    However... one little thing about it is nagging at me, like a splinter in the mind's eye.

    It's a period piece, set in the #1970s. The major thread of the story includes a psychologist and her sessions with a patient, which are #recorded. Part of one is played back as part of a #television show, and onscreen during that #playback is an open-reel (aka reel-to-reel) #tape #deck playing a tape.

    1970s, open-reel recording - it's #retro, it's #cool, it's period-authentic, right?

    I can't shake the feeling that whoever put the visual together has never actually seen an open-reel tape recorder in operation. This picture is lousy, because it's a screencap from the movie, which is supposed to be showing a television broadcast in good old analog SD - but it gets the point across.

    See anything wrong?

    The takeup #reel, on the right, turns clockwise, the opposite direction of the (normal) direction of the supply reel. So the tape wraps onto the inner side of the takeup reel, and ends up "inside out".

    There's also no tension arm on the supply side, and an apparent #tension arm on the takeup side, but it's not actually in the tape path.

    I don't think any machines were actually made like this, but I'm not an #expert. Can anyone identify the deck they butchered or digi-simmed to create this #sin against nature? 😉

    #OpenReel #ReelToReel #audio #audiophile #TapeDeck

  36. We watched "Late Night with the Devil" (2023) tonight. I posted a #5SecondMovieReview of it earlier. We enjoyed it.

    However... one little thing about it is nagging at me, like a splinter in the mind's eye.

    It's a period piece, set in the #1970s. The major thread of the story includes a psychologist and her sessions with a patient, which are #recorded. Part of one is played back as part of a #television show, and onscreen during that #playback is an open-reel (aka reel-to-reel) #tape #deck playing a tape.

    1970s, open-reel recording - it's #retro, it's #cool, it's period-authentic, right?

    I can't shake the feeling that whoever put the visual together has never actually seen an open-reel tape recorder in operation. This picture is lousy, because it's a screencap from the movie, which is supposed to be showing a television broadcast in good old analog SD - but it gets the point across.

    See anything wrong?

    The takeup #reel, on the right, turns clockwise, the opposite direction of the (normal) direction of the supply reel. So the tape wraps onto the inner side of the takeup reel, and ends up "inside out".

    There's also no tension arm on the supply side, and an apparent #tension arm on the takeup side, but it's not actually in the tape path.

    I don't think any machines were actually made like this, but I'm not an #expert. Can anyone identify the deck they butchered or digi-simmed to create this #sin against nature? 😉

    #OpenReel #ReelToReel #audio #audiophile #TapeDeck

  37. We watched "Late Night with the Devil" (2023) tonight. I posted a #5SecondMovieReview of it earlier. We enjoyed it.

    However... one little thing about it is nagging at me, like a splinter in the mind's eye.

    It's a period piece, set in the #1970s. The major thread of the story includes a psychologist and her sessions with a patient, which are #recorded. Part of one is played back as part of a #television show, and onscreen during that #playback is an open-reel (aka reel-to-reel) #tape #deck playing a tape.

    1970s, open-reel recording - it's #retro, it's #cool, it's period-authentic, right?

    I can't shake the feeling that whoever put the visual together has never actually seen an open-reel tape recorder in operation. This picture is lousy, because it's a screencap from the movie, which is supposed to be showing a television broadcast in good old analog SD - but it gets the point across.

    See anything wrong?

    The takeup #reel, on the right, turns clockwise, the opposite direction of the (normal) direction of the supply reel. So the tape wraps onto the inner side of the takeup reel, and ends up "inside out".

    There's also no tension arm on the supply side, and an apparent #tension arm on the takeup side, but it's not actually in the tape path.

    I don't think any machines were actually made like this, but I'm not an #expert. Can anyone identify the deck they butchered or digi-simmed to create this #sin against nature? 😉

    #OpenReel #ReelToReel #audio #audiophile #TapeDeck

  38. We watched "Late Night with the Devil" (2023) tonight. I posted a #5SecondMovieReview of it earlier. We enjoyed it.

    However... one little thing about it is nagging at me, like a splinter in the mind's eye.

    It's a period piece, set in the #1970s. The major thread of the story includes a psychologist and her sessions with a patient, which are #recorded. Part of one is played back as part of a #television show, and onscreen during that #playback is an open-reel (aka reel-to-reel) #tape #deck playing a tape.

    1970s, open-reel recording - it's #retro, it's #cool, it's period-authentic, right?

    I can't shake the feeling that whoever put the visual together has never actually seen an open-reel tape recorder in operation. This picture is lousy, because it's a screencap from the movie, which is supposed to be showing a television broadcast in good old analog SD - but it gets the point across.

    See anything wrong?

    The takeup #reel, on the right, turns clockwise, the opposite direction of the (normal) direction of the supply reel. So the tape wraps onto the inner side of the takeup reel, and ends up "inside out".

    There's also no tension arm on the supply side, and an apparent #tension arm on the takeup side, but it's not actually in the tape path.

    I don't think any machines were actually made like this, but I'm not an #expert. Can anyone identify the deck they butchered or digi-simmed to create this #sin against nature? 😉

    #OpenReel #ReelToReel #audio #audiophile #TapeDeck

  39. We watched "Late Night with the Devil" (2023) tonight. I posted a #5SecondMovieReview of it earlier. We enjoyed it.

    However... one little thing about it is nagging at me, like a splinter in the mind's eye.

    It's a period piece, set in the #1970s. The major thread of the story includes a psychologist and her sessions with a patient, which are #recorded. Part of one is played back as part of a #television show, and onscreen during that #playback is an open-reel (aka reel-to-reel) #tape #deck playing a tape.

    1970s, open-reel recording - it's #retro, it's #cool, it's period-authentic, right?

    I can't shake the feeling that whoever put the visual together has never actually seen an open-reel tape recorder in operation. This picture is lousy, because it's a screencap from the movie, which is supposed to be showing a television broadcast in good old analog SD - but it gets the point across.

    See anything wrong?

    The takeup #reel, on the right, turns clockwise, the opposite direction of the (normal) direction of the supply reel. So the tape wraps onto the inner side of the takeup reel, and ends up "inside out".

    There's also no tension arm on the supply side, and an apparent #tension arm on the takeup side, but it's not actually in the tape path.

    I don't think any machines were actually made like this, but I'm not an #expert. Can anyone identify the deck they butchered or digi-simmed to create this #sin against nature? 😉

    #OpenReel #ReelToReel #audio #audiophile #TapeDeck

  40. Holy cow! I received yesterday the #ArturiaDrumbruteImpact and the association with the #Microfreak is just amazing 🤩 I spent an evening playing some chords with the arpeggiator and playing on them using strings patches on the #Proteus/1 the results can be hypnotic and emotional. I’m amazed. I think I will get this configuration for a few days, recording the results with the #ReelToReel tape machine. It’s incredibly effective 😍🥰🤯 #dawless is the future 🤫

  41. I enjoyed this Moog-Sound-Studio-into-reel-to-reel recording set up from a few weeks ago so much that I thought I’d give it another go.

    youtu.be/FTODJrZOLmI?si=7YXDbi

    #moog #eurorack #reeltoreel #modular #music #homestudio #synth #synthtember