#dopethrone — Public Fediverse posts

Tarlung – Axis Mundi Review

Vienna, Austria’s Tarlung has been coughing up thick clouds of resinous doom and smoky sludge since 2013, when,…
#NewsBeep #News #Music #2026 #3.5 #ArgonautaRecords #AustrianMetal #AxisMundi #Crowbar #DoomMetal #Dopethrone #Entertainment #HighonFire #Jan26 #review #SludgeMetal #StonerDoom #Tarlung #UK #UnitedKingdom
https://www.newsbeep.com/uk/409471/

Tarlung – Axis Mundi Review

Vienna, Austria’s Tarlung has been coughing up thick clouds of resinous doom and smoky sludge since 2013, when,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #3.5 #ArgonautaRecords #AustrianMetal #AxisMundi #Crowbar #DoomMetal #Dopethrone #Entertainment #HighonFire #Jan26 #review #SludgeMetal #StonerDoom #Tarlung
https://www.newsbeep.com/us/450682/

Tarlung – Axis Mundi Review

Vienna, Austria’s Tarlung has been coughing up thick clouds of resinous doom and smoky sludge since 2013, when,…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #3.5 #ArgonautaRecords #AustrianMetal #AxisMundi #Crowbar #DoomMetal #Dopethrone #Entertainment #HighonFire #Jan26 #review #SludgeMetal #StonerDoom #Tarlung
https://www.newsbeep.com/us/450682/

https://www.europesays.com/uk/744240/ Tarlung – Axis Mundi Review #2026 #3.5 #ArgonautaRecords #AustrianMetal #AxisMundi #Crowbar #DoomMetal #Dopethrone #Entertainment #HighOnFire #Jan26 #music #Review #SludgeMetal #StonerDoom #Tarlung #UK #UnitedKingdom

Vienna, Austria’s Tarlung has been coughing up thick clouds of resinous doom and smoky sludge since 2013, when, after just six months in existence and having never performed live, they released their eponymous debut album. Now, with two additional full-lengths—2017’s Beyond the Black Pyramid and 2021’s Architect—and some healthy touring under their belts, Tarlung braces to bring their fourth album in nearly five years, Axis Mundi, to the masses. With a catalog predicated on fair to middling sludgy doom, I was curious to hear if Axis Mundi would be the product of a Tarlung doing more of the same, or if the album would represent a defining ‘center’ in the discography and, per its namesake, link the Tarlung of old to the Tarlung that’s progressing into the future.

Tarlung remains devoted to the almighty riff, but with a sound that has become increasingly less fuzzy over the years. Guitarists Rotten and Phillip Seiler deliver massive doses of ear-drum damage via swampy, thick riffs bristling with taut, chuggy muscle (“State Noise,” “Between the Earth and Moon”) and bluesy swagger (“Swans”), which serve as the bong water for most of these melodies to bubble up through. Seiler’s chesty, Akerfeldtian roars are ever-present, which, along with Marian Weibl’s beastly drum beatings, provide the excess sonic weight Tarlung has become increasingly known for. Purveyors of Crowbar, High on Fire, and Dopethrone will find warm pockets of familiarity here. Yet, Axis Mundi indeed signals a progression as Tarlung evolves its sound, introducing elements of refined psychedelia and vocal variation.

Axis Mundi by TarLung

Axis Mundi takes marked steps to set itself apart from the rest of Tarlung’s catalog. With an airy, soft-strummed melody and some subdued, clean vocals to start, “Burning Out” evokes a feeling akin to lying alone in a country field, exhaling smoky clouds of organic green and staring at kaleidoscopic prisms of light as they filter through dew drops on sun-dappled daffodils. Even after the track picks up a little steam with a chugging riff that seems to build more speed than it does, and Seiler’s growls return, the warm feeling doesn’t dissipate. Follow-up “Sea of Drowned Souls” continues down an experimental path, as its mournful melodies merge with clean vocals from Thérèse Lanz and Casey Rogers of Mares of Thrace in pensive passages that keep giving me Alice in Chains vibes. Particularly effective here, too, is the vocal interplay between Seiler and Lantz as each takes brutal swipes at the mic; Lantz’s visceral, blackened screams serving as a satisfying counterpoint to Seiler’s guttural grumblings. These two tracks really stood out to me and make up the core of my overall Axis Mundi experience.

Axis Mundi represents Tarlung operating at its most mature. Beautifully simplistic and wildly effective songwriting that, with repeated spins, did nothing but chip away at my critiques. What first seemed like a lagging back half continued to sink its claws into my brain. Before long, I was looking forward to the laid-back melodies of “Full Circle,” where Seiler channels his inner Matt Pike (High on Fire) to significant effect, and anticipating the very Crowbaric pounding of album closer “Axis Mundi.” Running just thirty-eight minutes, it became easier and easier to hit that replay button every time. There are moments when the melodies seem to trip over themselves, like on the bluesy main riff of “Swans,” which gets a bit muddy at times, but not so much that it took me out of the experience.

Fans of Tarlung are in for a special surprise, and if you’re just now getting to the party, Axis Mundi is an excellent place to get started. I hadn’t spent any time at all with this power trio before writing this review, and I can wholeheartedly say Tarlung has won me over. After a more than cursory dive into the bands previous efforts I can say without a doubt, Axis Mundi is the best Tarlung album to date. A slow-paced ride that delivers riffs for days and melodies that settle in, wrapping you in blankets of crushing warmth for one helluva satisfying experience.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Argonauta Records
Websites: Bandcamp | Facebook
Releases Worldwide: January 30th, 2026

Vienna, Austria’s Tarlung has been coughing up thick clouds of resinous doom and smoky sludge since 2013, when, after just six months in existence and having never performed live, they released their eponymous debut album. Now, with two additional full-lengths—2017’s Beyond the Black Pyramid and 2021’s Architect—and some healthy touring under their belts, Tarlung braces to bring their fourth album in nearly five years, Axis Mundi, to the masses. With a catalog predicated on fair to middling sludgy doom, I was curious to hear if Axis Mundi would be the product of a Tarlung doing more of the same, or if the album would represent a defining ‘center’ in the discography and, per its namesake, link the Tarlung of old to the Tarlung that’s progressing into the future.

Tarlung remains devoted to the almighty riff, but with a sound that has become increasingly less fuzzy over the years. Guitarists Rotten and Phillip Seiler deliver massive doses of ear-drum damage via swampy, thick riffs bristling with taut, chuggy muscle (“State Noise,” “Between the Earth and Moon”) and bluesy swagger (“Swans”), which serve as the bong water for most of these melodies to bubble up through. Seiler’s chesty, Akerfeldtian roars are ever-present, which, along with Marian Weibl’s beastly drum beatings, provide the excess sonic weight Tarlung has become increasingly known for. Purveyors of Crowbar, High on Fire, and Dopethrone will find warm pockets of familiarity here. Yet, Axis Mundi indeed signals a progression as Tarlung evolves its sound, introducing elements of refined psychedelia and vocal variation.

Axis Mundi by TarLung

Axis Mundi takes marked steps to set itself apart from the rest of Tarlung’s catalog. With an airy, soft-strummed melody and some subdued, clean vocals to start, “Burning Out” evokes a feeling akin to lying alone in a country field, exhaling smoky clouds of organic green and staring at kaleidoscopic prisms of light as they filter through dew drops on sun-dappled daffodils. Even after the track picks up a little steam with a chugging riff that seems to build more speed than it does, and Seiler’s growls return, the warm feeling doesn’t dissipate. Follow-up “Sea of Drowned Souls” continues down an experimental path, as its mournful melodies merge with clean vocals from Thérèse Lanz and Casey Rogers of Mares of Thrace in pensive passages that keep giving me Alice in Chains vibes. Particularly effective here, too, is the vocal interplay between Seiler and Lantz as each takes brutal swipes at the mic; Lantz’s visceral, blackened screams serving as a satisfying counterpoint to Seiler’s guttural grumblings. These two tracks really stood out to me and make up the core of my overall Axis Mundi experience.

Axis Mundi represents Tarlung operating at its most mature. Beautifully simplistic and wildly effective songwriting that, with repeated spins, did nothing but chip away at my critiques. What first seemed like a lagging back half continued to sink its claws into my brain. Before long, I was looking forward to the laid-back melodies of “Full Circle,” where Seiler channels his inner Matt Pike (High on Fire) to significant effect, and anticipating the very Crowbaric pounding of album closer “Axis Mundi.” Running just thirty-eight minutes, it became easier and easier to hit that replay button every time. There are moments when the melodies seem to trip over themselves, like on the bluesy main riff of “Swans,” which gets a bit muddy at times, but not so much that it took me out of the experience.

Fans of Tarlung are in for a special surprise, and if you’re just now getting to the party, Axis Mundi is an excellent place to get started. I hadn’t spent any time at all with this power trio before writing this review, and I can wholeheartedly say Tarlung has won me over. After a more than cursory dive into the bands previous efforts I can say without a doubt, Axis Mundi is the best Tarlung album to date. A slow-paced ride that delivers riffs for days and melodies that settle in, wrapping you in blankets of crushing warmth for one helluva satisfying experience.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Argonauta Records
Websites: Bandcamp | Facebook
Releases Worldwide: January 30th, 2026

Vienna, Austria’s Tarlung has been coughing up thick clouds of resinous doom and smoky sludge since 2013, when, after just six months in existence and having never performed live, they released their eponymous debut album. Now, with two additional full-lengths—2017’s Beyond the Black Pyramid and 2021’s Architect—and some healthy touring under their belts, Tarlung braces to bring their fourth album in nearly five years, Axis Mundi, to the masses. With a catalog predicated on fair to middling sludgy doom, I was curious to hear if Axis Mundi would be the product of a Tarlung doing more of the same, or if the album would represent a defining ‘center’ in the discography and, per its namesake, link the Tarlung of old to the Tarlung that’s progressing into the future.

Tarlung remains devoted to the almighty riff, but with a sound that has become increasingly less fuzzy over the years. Guitarists Rotten and Phillip Seiler deliver massive doses of ear-drum damage via swampy, thick riffs bristling with taut, chuggy muscle (“State Noise,” “Between the Earth and Moon”) and bluesy swagger (“Swans”), which serve as the bong water for most of these melodies to bubble up through. Seiler’s chesty, Akerfeldtian roars are ever-present, which, along with Marian Weibl’s beastly drum beatings, provide the excess sonic weight Tarlung has become increasingly known for. Purveyors of Crowbar, High on Fire, and Dopethrone will find warm pockets of familiarity here. Yet, Axis Mundi indeed signals a progression as Tarlung evolves its sound, introducing elements of refined psychedelia and vocal variation.

Axis Mundi by TarLung

Axis Mundi takes marked steps to set itself apart from the rest of Tarlung’s catalog. With an airy, soft-strummed melody and some subdued, clean vocals to start, “Burning Out” evokes a feeling akin to lying alone in a country field, exhaling smoky clouds of organic green and staring at kaleidoscopic prisms of light as they filter through dew drops on sun-dappled daffodils. Even after the track picks up a little steam with a chugging riff that seems to build more speed than it does, and Seiler’s growls return, the warm feeling doesn’t dissipate. Follow-up “Sea of Drowned Souls” continues down an experimental path, as its mournful melodies merge with clean vocals from Thérèse Lanz and Casey Rogers of Mares of Thrace in pensive passages that keep giving me Alice in Chains vibes. Particularly effective here, too, is the vocal interplay between Seiler and Lantz as each takes brutal swipes at the mic; Lantz’s visceral, blackened screams serving as a satisfying counterpoint to Seiler’s guttural grumblings. These two tracks really stood out to me and make up the core of my overall Axis Mundi experience.

Axis Mundi represents Tarlung operating at its most mature. Beautifully simplistic and wildly effective songwriting that, with repeated spins, did nothing but chip away at my critiques. What first seemed like a lagging back half continued to sink its claws into my brain. Before long, I was looking forward to the laid-back melodies of “Full Circle,” where Seiler channels his inner Matt Pike (High on Fire) to significant effect, and anticipating the very Crowbaric pounding of album closer “Axis Mundi.” Running just thirty-eight minutes, it became easier and easier to hit that replay button every time. There are moments when the melodies seem to trip over themselves, like on the bluesy main riff of “Swans,” which gets a bit muddy at times, but not so much that it took me out of the experience.

Fans of Tarlung are in for a special surprise, and if you’re just now getting to the party, Axis Mundi is an excellent place to get started. I hadn’t spent any time at all with this power trio before writing this review, and I can wholeheartedly say Tarlung has won me over. After a more than cursory dive into the bands previous efforts I can say without a doubt, Axis Mundi is the best Tarlung album to date. A slow-paced ride that delivers riffs for days and melodies that settle in, wrapping you in blankets of crushing warmth for one helluva satisfying experience.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Argonauta Records
Websites: Bandcamp | Facebook
Releases Worldwide: January 30th, 2026

Vienna, Austria’s Tarlung has been coughing up thick clouds of resinous doom and smoky sludge since 2013, when, after just six months in existence and having never performed live, they released their eponymous debut album. Now, with two additional full-lengths—2017’s Beyond the Black Pyramid and 2021’s Architect—and some healthy touring under their belts, Tarlung braces to bring their fourth album in nearly five years, Axis Mundi, to the masses. With a catalog predicated on fair to middling sludgy doom, I was curious to hear if Axis Mundi would be the product of a Tarlung doing more of the same, or if the album would represent a defining ‘center’ in the discography and, per its namesake, link the Tarlung of old to the Tarlung that’s progressing into the future.

Tarlung remains devoted to the almighty riff, but with a sound that has become increasingly less fuzzy over the years. Guitarists Rotten and Phillip Seiler deliver massive doses of ear-drum damage via swampy, thick riffs bristling with taut, chuggy muscle (“State Noise,” “Between the Earth and Moon”) and bluesy swagger (“Swans”), which serve as the bong water for most of these melodies to bubble up through. Seiler’s chesty, Akerfeldtian roars are ever-present, which, along with Marian Weibl’s beastly drum beatings, provide the excess sonic weight Tarlung has become increasingly known for. Purveyors of Crowbar, High on Fire, and Dopethrone will find warm pockets of familiarity here. Yet, Axis Mundi indeed signals a progression as Tarlung evolves its sound, introducing elements of refined psychedelia and vocal variation.

Axis Mundi by TarLung

Axis Mundi takes marked steps to set itself apart from the rest of Tarlung’s catalog. With an airy, soft-strummed melody and some subdued, clean vocals to start, “Burning Out” evokes a feeling akin to lying alone in a country field, exhaling smoky clouds of organic green and staring at kaleidoscopic prisms of light as they filter through dew drops on sun-dappled daffodils. Even after the track picks up a little steam with a chugging riff that seems to build more speed than it does, and Seiler’s growls return, the warm feeling doesn’t dissipate. Follow-up “Sea of Drowned Souls” continues down an experimental path, as its mournful melodies merge with clean vocals from Thérèse Lanz and Casey Rogers of Mares of Thrace in pensive passages that keep giving me Alice in Chains vibes. Particularly effective here, too, is the vocal interplay between Seiler and Lantz as each takes brutal swipes at the mic; Lantz’s visceral, blackened screams serving as a satisfying counterpoint to Seiler’s guttural grumblings. These two tracks really stood out to me and make up the core of my overall Axis Mundi experience.

Axis Mundi represents Tarlung operating at its most mature. Beautifully simplistic and wildly effective songwriting that, with repeated spins, did nothing but chip away at my critiques. What first seemed like a lagging back half continued to sink its claws into my brain. Before long, I was looking forward to the laid-back melodies of “Full Circle,” where Seiler channels his inner Matt Pike (High on Fire) to significant effect, and anticipating the very Crowbaric pounding of album closer “Axis Mundi.” Running just thirty-eight minutes, it became easier and easier to hit that replay button every time. There are moments when the melodies seem to trip over themselves, like on the bluesy main riff of “Swans,” which gets a bit muddy at times, but not so much that it took me out of the experience.

Fans of Tarlung are in for a special surprise, and if you’re just now getting to the party, Axis Mundi is an excellent place to get started. I hadn’t spent any time at all with this power trio before writing this review, and I can wholeheartedly say Tarlung has won me over. After a more than cursory dive into the bands previous efforts I can say without a doubt, Axis Mundi is the best Tarlung album to date. A slow-paced ride that delivers riffs for days and melodies that settle in, wrapping you in blankets of crushing warmth for one helluva satisfying experience.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Argonauta Records
Websites: Bandcamp | Facebook
Releases Worldwide: January 30th, 2026

Vienna, Austria’s Tarlung has been coughing up thick clouds of resinous doom and smoky sludge since 2013, when, after just six months in existence and having never performed live, they released their eponymous debut album. Now, with two additional full-lengths—2017’s Beyond the Black Pyramid and 2021’s Architect—and some healthy touring under their belts, Tarlung braces to bring their fourth album in nearly five years, Axis Mundi, to the masses. With a catalog predicated on fair to middling sludgy doom, I was curious to hear if Axis Mundi would be the product of a Tarlung doing more of the same, or if the album would represent a defining ‘center’ in the discography and, per its namesake, link the Tarlung of old to the Tarlung that’s progressing into the future.

Tarlung remains devoted to the almighty riff, but with a sound that has become increasingly less fuzzy over the years. Guitarists Rotten and Phillip Seiler deliver massive doses of ear-drum damage via swampy, thick riffs bristling with taut, chuggy muscle (“State Noise,” “Between the Earth and Moon”) and bluesy swagger (“Swans”), which serve as the bong water for most of these melodies to bubble up through. Seiler’s chesty, Akerfeldtian roars are ever-present, which, along with Marian Weibl’s beastly drum beatings, provide the excess sonic weight Tarlung has become increasingly known for. Purveyors of Crowbar, High on Fire, and Dopethrone will find warm pockets of familiarity here. Yet, Axis Mundi indeed signals a progression as Tarlung evolves its sound, introducing elements of refined psychedelia and vocal variation.

Axis Mundi by TarLung

Axis Mundi takes marked steps to set itself apart from the rest of Tarlung’s catalog. With an airy, soft-strummed melody and some subdued, clean vocals to start, “Burning Out” evokes a feeling akin to lying alone in a country field, exhaling smoky clouds of organic green and staring at kaleidoscopic prisms of light as they filter through dew drops on sun-dappled daffodils. Even after the track picks up a little steam with a chugging riff that seems to build more speed than it does, and Seiler’s growls return, the warm feeling doesn’t dissipate. Follow-up “Sea of Drowned Souls” continues down an experimental path, as its mournful melodies merge with clean vocals from Thérèse Lanz and Casey Rogers of Mares of Thrace in pensive passages that keep giving me Alice in Chains vibes. Particularly effective here, too, is the vocal interplay between Seiler and Lantz as each takes brutal swipes at the mic; Lantz’s visceral, blackened screams serving as a satisfying counterpoint to Seiler’s guttural grumblings. These two tracks really stood out to me and make up the core of my overall Axis Mundi experience.

Axis Mundi represents Tarlung operating at its most mature. Beautifully simplistic and wildly effective songwriting that, with repeated spins, did nothing but chip away at my critiques. What first seemed like a lagging back half continued to sink its claws into my brain. Before long, I was looking forward to the laid-back melodies of “Full Circle,” where Seiler channels his inner Matt Pike (High on Fire) to significant effect, and anticipating the very Crowbaric pounding of album closer “Axis Mundi.” Running just thirty-eight minutes, it became easier and easier to hit that replay button every time. There are moments when the melodies seem to trip over themselves, like on the bluesy main riff of “Swans,” which gets a bit muddy at times, but not so much that it took me out of the experience.

Fans of Tarlung are in for a special surprise, and if you’re just now getting to the party, Axis Mundi is an excellent place to get started. I hadn’t spent any time at all with this power trio before writing this review, and I can wholeheartedly say Tarlung has won me over. After a more than cursory dive into the bands previous efforts I can say without a doubt, Axis Mundi is the best Tarlung album to date. A slow-paced ride that delivers riffs for days and melodies that settle in, wrapping you in blankets of crushing warmth for one helluva satisfying experience.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Argonauta Records
Websites: Bandcamp | Facebook
Releases Worldwide: January 30th, 2026

Party d'Halloween Gore en Esti

Foufounes Electriques, Friday, October 31 at 07:00 PM EDT

Extensive Enterprise présente

Party d'Halloween Gore en Esti avec

DOPETHRONE
WARKRUSHER
SEUM

31 octobre 2025
Foufounes Électriques - 87 Sainte-Catherine Est

Portes: 7:00 PM
Spectacle: 8:00 PM
18+

Billets en vente maintenant au www.eemontreal.com

https://montreal.askapunk.net/event/party-dhalloween-gore-en-esti

Party d'Halloween Gore en Esti

Foufounes Electriques, Friday, October 31 at 07:00 PM EDT

Extensive Enterprise présente

Party d'Halloween Gore en Esti avec

DOPETHRONE
WARKRUSHER
SEUM

31 octobre 2025
Foufounes Électriques - 87 Sainte-Catherine Est

Portes: 7:00 PM
Spectacle: 8:00 PM
18+

Billets en vente maintenant au www.eemontreal.com

https://montreal.askapunk.net/event/party-dhalloween-gore-en-esti

Party d'Halloween Gore en Esti

Foufounes Electriques, Friday, October 31 at 07:00 PM EDT

Extensive Enterprise présente

Party d'Halloween Gore en Esti avec

DOPETHRONE
WARKRUSHER
SEUM

31 octobre 2025
Foufounes Électriques - 87 Sainte-Catherine Est

Portes: 7:00 PM
Spectacle: 8:00 PM
18+

Billets en vente maintenant au www.eemontreal.com

https://montreal.askapunk.net/event/party-dhalloween-gore-en-esti

Neulich #Karavan aus #Norwegen als Vorband von #Dopethrone in #HH gesehen. WAS NE GEILE #SLUDGE #STONER #DOOM BAND und live ne absolute Walze!
https://karavandoom.bandcamp.com/album/unholy-mountain

Gezien: Dopethrone, Merleyn

#dopethrone #concert #merleyn #nijmegen

https://tbeest.com/2024/08/14/gezien-dopethrone-merleyn/

Gezien: Dopethrone, Merleyn

#dopethrone #concert #merleyn #nijmegen

https://tbeest.com/2024/08/14/gezien-dopethrone-merleyn/

#TheMetalDogArticleList
#louder
“Did we do drugs in the studio? Of course. What could be better than three or four bongs before you start recording?”: how stoner-doom kings Electric Wizard made the classic Dopethrone album
Electric Wizard frontman Jus Osborn on the making of the weed enthusiasts’ classic third album Dopethrone

https://www.loudersound.com/features/electric-wizard-dopethrone-album-interview

#ElectricWizard #Dopethrone

#TheMetalDogArticleList
#MetalSucks
Sh*t That Comes Out Today – May 24, 2024
Featuring new releases from Abrams, Bring Me The Horizon, and Rotting Christ. The post Sh*t That Comes Out Today –

https://www.metalsucks.net/2024/05/24/sht-that-comes-out-today-may-24-2024/

#shitthatcomesouttoday #abramsbluescity #bluesfuneralrecordings #denverband #baroness #bringmethehorizon #nexgen #posthuman #totemcatrecords #dopethrone #brokesabbath #totemcatrecords #sludgemetal #rottingchrist #proxristou #seasonofmist #greeks #empirefall

#TheMetalDogArticleList
#MetalSucks
Sh*t That Comes Out Today – May 24, 2024
Featuring new releases from Abrams, Bring Me The Horizon, and Rotting Christ. The post Sh*t That Comes Out Today –

https://www.metalsucks.net/2024/05/24/sht-that-comes-out-today-may-24-2024/

#shitthatcomesouttoday #abramsbluescity #bluesfuneralrecordings #denverband #baroness #bringmethehorizon #nexgen #posthuman #totemcatrecords #dopethrone #brokesabbath #totemcatrecords #sludgemetal #rottingchrist #proxristou #seasonofmist #greeks #empirefall

#TheMetalDogArticleList
#MetalSucks
Sh*t That Comes Out Today – May 24, 2024
Featuring new releases from Abrams, Bring Me The Horizon, and Rotting Christ. The post Sh*t That Comes Out Today –

https://www.metalsucks.net/2024/05/24/sht-that-comes-out-today-may-24-2024/

#shitthatcomesouttoday #abramsbluescity #bluesfuneralrecordings #denverband #baroness #bringmethehorizon #nexgen #posthuman #totemcatrecords #dopethrone #brokesabbath #totemcatrecords #sludgemetal #rottingchrist #proxristou #seasonofmist #greeks #empirefall

#TheMetalDogArticleList
#MetalSucks
Sh*t That Comes Out Today – May 24, 2024
Featuring new releases from Abrams, Bring Me The Horizon, and Rotting Christ. The post Sh*t That Comes Out Today –

https://www.metalsucks.net/2024/05/24/sht-that-comes-out-today-may-24-2024/

#shitthatcomesouttoday #abramsbluescity #bluesfuneralrecordings #denverband #baroness #bringmethehorizon #nexgen #posthuman #totemcatrecords #dopethrone #brokesabbath #totemcatrecords #sludgemetal #rottingchrist #proxristou #seasonofmist #greeks #empirefall

#TheMetalDogArticleList
#MetalSucks
Sh*t That Comes Out Today – May 24, 2024
Featuring new releases from Abrams, Bring Me The Horizon, and Rotting Christ. The post Sh*t That Comes Out Today –

https://www.metalsucks.net/2024/05/24/sht-that-comes-out-today-may-24-2024/

#shitthatcomesouttoday #abramsbluescity #bluesfuneralrecordings #denverband #baroness #bringmethehorizon #nexgen #posthuman #totemcatrecords #dopethrone #brokesabbath #totemcatrecords #sludgemetal #rottingchrist #proxristou #seasonofmist #greeks #empirefall

#currentlylistening to these folks https://riseaboverecords.com/artists/riseaboveartists/electricwizard/ h/t @adamgreenfield I think? *Friday night vibes #Dopethrone

DOPETHRONE - RIFF DEALER

https://dopethrone.bandcamp.com/track/riff-dealer-2

#Dopethrone #Hochelaga
#Stoner #Doom #UltraBlues #Sludge #Metal
#AznörthMusique #PouëtRadio

DOPETHRONE - RIFF DEALER

https://dopethrone.bandcamp.com/track/riff-dealer-2

#Dopethrone #Hochelaga
#Stoner #Doom #UltraBlues #Sludge #Metal
#AznörthMusique #PouëtRadio

DOPETHRONE - RIFF DEALER

https://dopethrone.bandcamp.com/track/riff-dealer-2

#Dopethrone #Hochelaga
#Stoner #Doom #UltraBlues #Sludge #Metal
#AznörthMusique #PouëtRadio

DOPETHRONE - RIFF DEALER

https://dopethrone.bandcamp.com/track/riff-dealer-2

#Dopethrone #Hochelaga
#Stoner #Doom #UltraBlues #Sludge #Metal
#AznörthMusique #PouëtRadio

Ain't no sunshine when he's gone..

https://iv.melmac.space/watch?v=18jdpeD2tp4

#radio27 #music #DopeThrone #sludge #StonerDoom #StonerMetal #StonerRock #DoomMetal #SludgeMetal #crust

New vinyl haul! One of these albums is one of my all time top favorites - can you guess which?

#aphextwin #syro
#chatpile #godscountry
#electricwizard #dopethrone

#vinylrecords #electronicmusic #idm #metal #sludge

New vinyl haul! One of these albums is one of my all time top favorites - can you guess which?

#aphextwin #syro
#chatpile #godscountry
#electricwizard #dopethrone

#vinylrecords #electronicmusic #idm #metal #sludge

New vinyl haul! One of these albums is one of my all time top favorites - can you guess which?

#aphextwin #syro
#chatpile #godscountry
#electricwizard #dopethrone

#vinylrecords #electronicmusic #idm #metal #sludge

New vinyl haul! One of these albums is one of my all time top favorites - can you guess which?

#aphextwin #syro
#chatpile #godscountry
#electricwizard #dopethrone

#vinylrecords #electronicmusic #idm #metal #sludge

New vinyl haul! One of these albums is one of my all time top favorites - can you guess which?

#aphextwin #syro
#chatpile #godscountry
#electricwizard #dopethrone

#vinylrecords #electronicmusic #idm #metal #sludge

Z’avais oublié comment que ce morceau était lourd.

Electric Wizard - Funeralopolis

https://www.youtube.com/watch?v=ZdlEIlq9nZg

Issu de l’album Dopethrone, sorti en 2000. Tout pile.

#ElectricWizard #Dopethrone (ces conflits que ça peut faire entre les morceaux, albums et groupes qui ont ces noms)
#Doom #Stoner #Heavy #soHeavy #Metal #Classic #Musique #DoomCheck

#PouetRadio

Z’avais oublié comment que ce morceau était lourd.

Electric Wizard - Funeralopolis

https://www.youtube.com/watch?v=ZdlEIlq9nZg

Issu de l’album Dopethrone, sorti en 2000. Tout pile.

#ElectricWizard #Dopethrone (ces conflits que ça peut faire entre les morceaux, albums et groupes qui ont ces noms)
#Doom #Stoner #Heavy #soHeavy #Metal #Classic #Musique #DoomCheck

#PouetRadio

Review: Dopethrone - "Transcandian Anger", 2018

"But what follows is the album’s masterstroke, Snort Dagger, a stripped down, relentless and utterly devastating cokehead anthem that smacks the listener over the head with its core riff, and refuses to stop until you like it."

https://lownotesmusic.blogspot.com/2018/05/review-dopethrone-transcanadian-anger.html

#doom #sludge #dopethrone #metal #review

#PouetRadio #NowListening

Electric Wizard - We Hate You
https://www.youtube.com/watch?v=G5GXS8jMSgI

Issu de l'album d'Electric Wizard "Dopethrone", sorti en 2000.

#ElectricWizard #Dopethrone
#DoomMetal #Stoner #Metal #Music