29 results for “linoge”
Incendie de la mairie de #Limoges : pour les parents de l’accusé, on « fabrique un ennemi intérieur »
Deux hommes, dont un militant #écologiste de 34 ans, ont été arrêtés après l’incendie de la mairie de Limoges. En Haute-Vienne et sur le plateau de #Millevaches, ses proches et des élus dénoncent la récupération politique d’une affaire qui ravive les fantasmes sur l’ #ultragauche.
Season 3 finale lingered behind my brain longer than it should, the final last stand was more epic than I thought it would be, and the cliffhanger...
Ruins of Limoges city hall a symbol of #France divided by national protests
Younger Limoges residents see the destruction of their town hall as unfortunate collateral damage in a wider movement. For others, the fire was an unacceptable tragedy.
https://www.bbc.co.uk/news/articles/cxyvrged14d0o?at_medium=RSS&at_campaign=rss
#BBC #News Ruins of Limoges city hall a symbol of France divided by national protests https://w.st/5RvUj
- Chauffage collectif rallumé : le linge qui sèche dans ma salle de bain trés vite sans que j'ai besoin d'allumer les radiateurs, les voisins chauffent assez pour moi :blob_cat_snug:
- Une discussion salvatrice avec un de mes meilleurs potes sur le fait de vouloir des enfants ou pas (et remettre les points sur les "i" sur certaines incompréhensions et les attentes que les parents peuvent avoir vis à vis de leurs ami‧e‧s sans enfant) 🚸
- Un changement de place pour certaines de mes plantes, afin de mettre en valeur certaines que j'adore mais que j'avais un peu oublié dans un coin 🪴
Frankreich: Zwei Verdächtige nach Rathausbrand in Limoges in Untersuchungshaft
Das brennende Rathaus von Limoges steht sinnbildlich für die Krawalle im Rahmen der Proteste in Frankreich. Zwei Männer wurden dafür in Untersuchungshaft genommen.
Die Radikalisierung des Brandstifters von Limoges
Das brennende Rathaus von Limoges steht wie kein anderes Bild für die Gewaltausbrüche in Frankreich. Hauptverdächtiger ist der 34-jährige Hodei C.D. Ein Porträt des mutmaßlichen Brandstifters von Limoges.
https://www.profil.at/ausland/die-radikalisierung-des-brandstifters-von-limoges/403200408
https://www.laviezine.com/1670035/intimates-brand-kat-the-label-opens-first-new-york-city-store/ Intimates Brand Kat the Label Opens First New York City Store #intimates #lingerie #NewYork #NewYorkCity #NYC #retail
AMNY: 40,000 more 9/11 records released as questions linger over toxic air warnings. “Mayor Zohran Mamdani‘s administration released on Wednesday another 40,000 documents related to the Sept. 11, 2001, terrorist attacks, adding to a growing public archive of records that survivors and first responders spent years fighting to access.”
https://rbfirehose.com/2026/10/24/amny-40000-more-9-11-records-released-as-questions-linger-over-toxic-air-warnings/
What i look like to others when I'm driving
Vs how i see myself
#maypics #smile #selfie #lewd #lingerie #boobs #sexy #tits #nsfw #transnsfw #altAfterDark #pretty #eyecontact #collared
https://www.europesays.com/be-fr/298850/ Mairie de Limoges incendiée : les suspects mis en examen et placés en détention provisoire #Actualités #BE #BEFr #Belgique #Belgium #News
Ohneeeey, jetzt gibt es meine Kleiderstangen nicht mehr zu bestellen. Also wenn jm von euch die zu Hause hat und nicht mehr braucht, meldet euch, ich freue mich! (Auch wenn ihr das hier erst in Wochen/Monaten lest).
Ich kann abholen in #Berlin #Rheine #Lingen #Bochum #Hattingen und Umgebung jeweils.
https://www.europesays.com/fr/1261506/ Une reconnaissance européenne pour le linge basque #Actualités #EU #europe #EuropeanUnion #FR #France #News #RépubliqueFrançaise #UE #UnionEuropéenne
The one and only Fairy Elfie 🩷
You can find more of this lovely set on any of my sites https://fairyelfie.online 💞
I hope you will enjoy this set as much I enjoyed doing it 🥰 btw there's also the lingerie version 😏
ready to sit and rub in your lap x
#sexy #miniskirt #pussy #ass #vibrator #nsfw #horny #hornygirlsbelike #ass #porn #kinktober #kink #sex #brunette #milf #lingerie #stockings
https://www.europesays.com/dk/191667/ DSV (CPSE:DSV) Q3 Earnings Spotlight Cash Flow As Road Risks Linger #401k #business #BusinessNews #DSV #ECONOMY #finance #FinancialInformation #Investing #InvestmentTools #investor #MarketNews #Mortgage #MutualFunds #PersonalFinance #quote #RealEstate #Retirement #stock #StockResearch #StockValuation #Stocks #SuzeOrman #Tax #TrackPortfolio
I spent a long time thinking follow-ups were rude. Sending a second email to someone who hadn't replied felt like nagging — like I was the person who double-texts and then wonders why nobody answers.
Then I started running outreach for a one-person content operation, and I learned the opposite: most non-replies aren't rejections. They're just lost in someone else's inbox.
The inbox is not a verdict
Editors, site owners, and collaborators get dozens of pitches a week. Mine was landing somewhere between a newsletter, a PR blast, and an invoice reminder. If it didn't get opened in the first day, it sank — not because it was bad, but because inboxes don't resurface things on their own.
Once I accepted that, follow-ups stopped feeling like pressure and started feeling like a second chance for the first email to be seen at all.
One follow-up, then I move on
My rule now is simple: one polite follow-up, about a week later, and then I drop it and move on.
The follow-up is short — shorter than the original pitch. It restates the idea in one line, adds nothing new to argue about, and ends with an easy out: "No worries at all if it's not a fit." That last line matters more than it looks. It gives the other person permission to say no quickly, which is the only kind of no that doesn't linger.
What I don't do: a second follow-up, a "just bumping this to the top of your inbox" third email, or a follow-up that pretends the first one never happened. One is professional. Two starts to feel like a funnel.
Rejection is data, silence usually isn't
The replies I actually learned from were the no's. A short "not right for us right now" told me more about fit than a month of silence ever did. Silence, on the other hand, taught me almost nothing — the same pitch that got no reply from one editor got an enthusiastic yes from another.
So I stopped rewriting pitches based on silence. If an idea gets no reply twice, from two different people, that's a signal about the idea. If it gets no reply once, that's a signal about timing, workload, or a Tuesday afternoon inbox. Those are very different problems, and only one of them is worth fixing.
The spreadsheet that made it bearable
The unglamorous part: I track every outreach in one sheet — who, when, what I pitched, and whether I followed up. Without it, I either forgot to follow up entirely or, worse, followed up with someone I'd already pitched twice.
The sheet also quietly changed my attitude. When you can see forty pitches and twelve replies in one place, a single silence stops feeling personal. It's just a row in a table. That distance is what lets a solo operator keep pitching without burning out on it.
What I'd tell another solo operator
Follow up once, politely, and then let it go. Treat silence as inbox physics, not judgement. And keep a record, because your memory will either catastrophise the silence or forget the follow-up — and both cost you more than the email itself.
If you run outreach solo, I'm curious: what's your follow-up rule? One and done, or do you have a number that works for you?#career #writing #productivity #discuss #software #coding #development #engineering #inclusive #community
What Running a One-Person Outreach Operation Taught Me About Follow-Ups
In the Rush documentary Beyond the Lighted Stage,1 Jack Black describes musicians’ wells of creative juices as ‘rocket sauce.’ He notes that some musicians and bands only muster enough for one BIG album, while others seem to run on an endless supply.2 This description stuck with me through the years, and remains my go-to reference when someone gilds whatever they touch. Kraków vocalist Maciej Proficz is one such individual, and both his active projects Dormant Ordeal and Cursebinder run on vast reserves of rocket sauce while offering multifaceted interpretations of their respective genres. Dormant Ordeal’s Tooth and Nail landed at the #3 spot in last year’s Aggregated List; third album The Grand Scheme of Things received a glowing review from Dr. Wvrm and appeared on several 2021 end-of-year lists despite a late December release, and Cursebinder’s debut Drifting found itself atop Carcharodon’s Top Ten(ish) of 2023. Such accolades can’t guarantee future triumphs, but they can send expectations into the stratosphere—does Cursebinder’s sophomore album Psychohazard harness the rocket sauce to send us there?
Though Cursebinder operates under the black metal umbrella, no single genre encapsulates Psychohazard’s breadth. In his write-up of Drifting, Carcharodon cites doom, death, and post-metal as descriptors for Cursebinder’s chameleonic character. Instead of using camouflage in a way that makes Psychohazard difficult to absorb or engage with, though, this Polish quartet employs it to disguise barriers between genres and inculcate an atmosphere both familiar and unique. Compared to Drifting, Psychohazard submits more direct applications of riffs (“Saturnine Rage,” “Prayers for the Living, Flowers for the Dead”) and synths (“Limits”), and where Drifting’s genre-hopping evinced distinct moods with thoughtful transitions, Psychohazard blurs lines together with subtler craft.3 Psychohazard’s first four tracks flow together in a sublime strand that ricochets between textured aggression (“Death Season”) and gentler grooves (“The Astronaut”), culminating in a rabid fusion that seethes with angst and catharsis (“Saturnine Rage”). Honestly, this track would make a resounding closer, and to use it at Psychohazard’s midpoint illustrates the puissance of Cursebinder’s surrounding material.
Merging these sounds into a unified platter requires keen grace, and to then layer in the emotional depth that Cursebinder achieves is stunning. Cursebinder’s promo materials describe Psychohazard’s theme as a study in the collision of life’s ‘rat race’ and humanity’s inherent desire for love and acceptance. As the demands of my own life continue to creep,4 this idea strikes a chord that thrums with self-renewing relevance every day. “Death Season” bustles with vitriol and vigor as Proficz’s caustic vocals impel the track in a blinding tempest, while “The Astronaut” and “Under the Skin” float upon currents that relax and unwind one moment before boiling over into frenzied bursts the next. But even this is an oversimplification, as each track proves vibrant and diverse, refusing to condense into single emotions. Broadly, the back half of Psychohazard feels lighter than the front, putting more emphasis on dimensions that evoke post-metal’s vagrant dreaminess without losing the threads of riffs or motifs.
Considering Cursebinder’s sprawling ambitions, Psychohazard sounds focused and urgent throughout its runtime. The post-addled haze never drifts too far, the scorching fury never burns too hot, and the tender flashes never linger long enough to caramelize into mawkishness. I credit this purposefulness to the efficient instrumentation that Cursebinder unfurls with nary a wasted flourish. Guitarist Hubert Fudała and bassist Łukasz Sojka wend together in climactic swells and releases that expertly pace the album’s fifty-three minutes,5 and Marek Koszycki drums with nuanced timekeeping that flits between punk-powered d-beats (“Saturnine Rage”), insistent blast beats (“Made to Be Sold”), and delicate rhythms (“The Astronaut”). Proficz’s synth presence penetrates Psychohazard’s compositions, and in totality Cursebinder rewards repeat listens as each musician’s contributions impress individually while coalescing into an assembly greater than its sum.
Although post-related tags usually thwart my interest, something about Cursebinder’s spell called to me from beyond the ether. Psychohazard proves textures and layers can inculcate depth rather than acting as a standalone attraction, and going forward I hope to point to Cursebinder as my entry point into appreciating a wider expanse of metal. Cursebinder’s faults are few, and even if the record is slightly front-loaded or a few songs linger a tad overlong, these nitpicks pale in light of Psychohazard’s utter glory. If you seek an album that synthesizes the aura of post-metal with more conventional metal structures, I doubt you’ll find a better album this year. Barring that, you should listen to Cursebinder anyway, because missing it could be a Psychohazard to your health.
Rating: Great!
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Avantgarde Music
Websites: Bandcamp6 | Facebook | Instagram
Releases Worldwide: October 23rd, 2026