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Imprinted Image: Comics Link Roundup April 24
Why aren’t there more fan comics?
John Byrne, the artist behind some of the most classic X-Men stories like the Dark Phoenix Saga and Days of Future Past, has X-Men fan-fiction. Quite literally, he drew something like 30 issues of comics for his website under the premise “what if I never left the franchise?” Incredibly, Marvel is actually collecting and publishing this material! Beyond the Byrne of it all, however, this does make me wonder: why aren’t there more fan-fiction comics?
In Japan, for example, there is a thriving scene of doujinshi, self-published print works that often use copy-written characters. Many amateur mangaka get their start in this scene, and even professionals participate to avoid the strictures of formal publishing. The market for such works in the US is paltry, comparatively. Artists like Jeremy Hyler have done Batman fan-comics that they sell on their websites, but there aren’t major conventions like there are in Japan. Perhaps it is the difference in copyright culture in America.
I think there is something to the difference in scenes. In the US, the underground comix scene is, painting with a broad brush, positioned against the superhero comics industry. The people who go to zine fests and other self-published conventions in the US usually aren’t the same people who want to draw Spider-Man. Similarly, while you do see some “derivative” work in the webcomics space, it usually isn’t trying to do the same thing as “mainstream” comics. They’ll use superheroes, but for gag pages. Occasionally you’ll see a slice-of-life fan-fiction comic. I’m not as well-versed in this scene, but I could imagine that there is more of a priority placed on original characters and content in the US webcomic space.
Finally, drawing is incredibly time intensive. Compare it to the amount of time it takes to write fan-fiction and you could see why artists might not want to spend their limited free time on works that they don’t feel passionate about. Additionally, drawing arguably takes more time to get good at than writing. Certainly it is more readily apparent when it is “bad.” Ease of entry is one of the drivers for sharing fan-fiction, and even a small difference in difficulty could lead to a massive difference in amount shared online.
What are your thoughts? Am I even correct that there aren’t many fan-fiction comics akin to Japanese doujinshi, or have I not looked in the right spaces? Let me know in the comments!
Last week, I made a comic! It’s a two-page mini-zine, and you can read it for free here. But! If you would like a cool print version mailed you, there are two ways you can do that. Either support me on Patreon to get this and any future physical media I do, or buy it on Ko-fi for as low as $ 1.
I also have a behind the scenes video previewing the physical mini-comic, as well as some behind-the-scenes information on my inspiration.
Welcome to Imprinted Image, my semi-weekly comics newsletter. If this is your first time, welcome! This is the best way to keep up with my comics blog. After links to my most recent writing, I’ll provide a roundup of comics industry links. This can be news, media, criticism, or anything that I personally found interesting.
Please don’t forget about the resources tab on this website. It’s a collection of reading guides, tutorials, and free legal resources like public domain image archives. I want this to be as useful as possible, so if you have any additions please send them my way.
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I have a Patreon! For as little as $3 a month, you can keep the lights on at this blog and get your name at the bottom of every article. At higher tiers, you can vote in monthly Patreon polls and more! Anything you can offer means the world to me, and I cherish all my supporters.
Support Divining Comics on PatreonComics Challenge YouTube
I designed and am participating in a comics challenge this year, alongside some friends in the My Marvelous Year community. I have picked 52 comics from 52 categories, shown below. I’d love for you to participate and comment along as you are reading! Note that on this list, categories that match with episodes from the Extra Issues podcast.
Comic Challenge Extra Issues Edition 2026DownloadI decided to create a YouTube documenting my reading journey! MAGAZINE MARCH has almost concluded. Recently I published videos on SIN CITY and JACK KIRBY’S FOURTH WORLD, the latter of which was done in conversation with Matt Bernico of the Magnificast Podcast. Pre-order his book!
I’ve also been doing little shorts where I poorly read a scene I liked from these comics. I guess shortform video gets juiced in the algorithm because they have been blowing up. You can check out the playlist of them here.
It would mean the world to me if, in addition to watching this video, you subscribed to my channel and gave the video a like. No one knows exactly how the black box of social media algorithms work, but I do know that if you interact with the video in different ways, YouTube might show it to more people who would be interested. The other easy way you can help is by sharing this video with a comic fan in your life!
Link Roundup
News:
Disney Layoffs
Disney fired a massive number of their workers. This includes a number of people at Marvel comics, like former Head of Sales David Gabriel and 3 comics editors.Awards
Several comics won the LA Times Book Prize, including LIFE DRAWING by Jaime Hernandez and ANGELICA by Trung Le Nguyen.Jeopardy
Comics writer Tini Howard was on Jeopardy!Comics, Adapted (Into New Comics)
SOMETHING IS KILLING THE CHILDREN is coming to Webtoon. A number of Western, print-original comics are getting adapted into infinite-scroll digital comics. This is an interesting trend worth keeping an eye on.Social Media Sucks
Syundei, the creator of a popular manga, GO FOR IT NAKAMURA!, was bullied off of Twitter.Writing:
SKTCHD interviewed Rafael Albequerque on his design work for ABSOLUTE GREEN ARROW and Ram V. on the new series he is writing, DECIDIUM.
Shelfdust published a David Brothers piece looking at GINGER, a pay-what-you-want comic by Victor Santos available on Panel Syndicate, Brian K. Vaughan, Marcos Martin, and Muntsa Vicente’s website to publish digital-first comics. They also published a piece on the history of Batman’s wealth, noting the times when it started to become a problem for the narrative.
Anime Herald published an article examining an interesting question: why aren’t there more anime and manga about marijuana?
Comic Book Herald updated his Best Superhero Comics of All Time list with his favorite superhero comics of 2026.
Humble Bundle has a few packs of digital comics you can buy for cheap: Complete Terry Moore. Kana-Manga Mini Bundle.
Similar site Digifile has a huge collection of pre-Absolute Image comics from Absolute creators.Other News Roundups:
SKTCHD’s Comics Disassembled: 4/17.
Comics Beat’s biweekly Digest: 4/14. 4/17. 4/21.
The Comics Journal’s weekly links to New, Reviews, and Interviews: 4/17. 4/24.Very Limited Data Bestseller Lists from the past few weeks:
Weekly Top 400 Bestseller List from Prana / Comic Shop Assistant: 4/17.
Weekly Bestseller List from Bleeding Cool / ComicHub: 4/11. 4/19.Weekly “Hottest Comics” from Bleeding Cool / Covrprice: 4/14. 4/21.
Most Anticipated Comics from Bleeding Cool / League of Comic Geeks: 4/13. 4/19.
Top March Comics from ICv2 / Circana Bookscan: Author, Manga, and Superhero Graphic Novels. Adults Graphic Novels.BEN TEN # 1 sold 82,000 copies to comic shops. An enterprising data nerd could take that data, combine it will the charts that map sales as a percentage of the top seller, and calculate actual market size.
Image puts out their Top 10 selling comics for March.
Popverse gets in to just how many units are being sold of each issue of ABSOLUTE BATMAN. Spoiler alert – it’s more than each issue of the New 52 BATMAN was selling.
DC expands its market share over Marvel in 2026 Q1.
My favorite video and podcasts:
Podcasts:
OFF PANEL had on Julia Wertz to discuss BURY ME ALREADY and Pornsak Pichetshote about ABSOLUTE GREEN ARROW.
LET’S TALK COMICS had on Charlie Adlard to talk OF THE EARTH.
MY MARVELOUS YEAR posted 2014 pt. 3 covering DEADPOOL, DR. STRANGE, and THE ILLUMINATI, and 2014 pt. 4, talking DAREDEVIL and the debut of MS. MARVEL. Their sister podcast EXTRA ISSUES posted to the public feed Osamu Tezuka pt 4: AYOKO and BUDDHA and to the early access Patreon feed a smattering of Don Rosa SCROOGE issues.
YouTube:
MATTTT (that’s Matt with 4 Ts) has a new channel, MATTTTTTTT (Matt with 8 Ts) where he posts more casual videos, like a critique of the “Blind Bag” trend, a look at John Byrne’s ELSEWHEN X-Men fan comics, and his 14 favorite Graphic Novels of 2025.
COMICTROPES had a video on Spider-Man’s marriage.
COMICBOOK COUPLE’S COUNSELING continued season 2 of their miniseries “The Stacks,” where they have industry people select comics to talk about from the shelves of Third Eye Comics, like the Criterion Closet, with Tony Fleecs (writer of STRAY DOGS and FERAL), and Curt Pires (writer of LOST FANTASY and FIREBORN)
SKTCHD published a video conversation with Chip Zdarsky.
What the hell, I’ll plug my YouTube again. Watch me talk about SIN CITY and JACK KIRBY’S FOURTH WORLD.
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Movie TV Tech Geeks #TVFeatures #PerfectMatch #Netflix #TheBachelor 3 Seasons Later, ‘Perfect Match’s Cast Just Busted Production for Interference http://dlvr.it/TMYSK5
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Movie TV Tech Geeks #TVFeatures #TheSimpsons #MattGroening #Disney After 37 Seasons, ‘The Simpsons’ Still Has 1 Advantage No Other TV Show Can Match http://dlvr.it/TR72mf
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#USA #women’s #basketball has an #out #coach, and #scout, in the #Paris #Olympics #goldmedal #match
#CherylReeve and #CurtMiller are two #out #gay #leaders for the team, and were focused on #winning #gold at the Paris Olympics.
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#USA #women’s #basketball has an #out #coach, and #scout, in the #Paris #Olympics #goldmedal #match
#CherylReeve and #CurtMiller are two #out #gay #leaders for the team, and were focused on #winning #gold at the Paris Olympics.
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#USA #women’s #basketball has an #out #coach, and #scout, in the #Paris #Olympics #goldmedal #match
#CherylReeve and #CurtMiller are two #out #gay #leaders for the team, and were focused on #winning #gold at the Paris Olympics.
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#USA #women’s #basketball has an #out #coach, and #scout, in the #Paris #Olympics #goldmedal #match
#CherylReeve and #CurtMiller are two #out #gay #leaders for the team, and were focused on #winning #gold at the Paris Olympics.
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Movie TV Tech Geeks #MovieNews #Unforgiven #ClintEastwood Clint Eastwood’s '90s Western Masterpiece Just Met Its Match at the Box Office http://dlvr.it/TRFZkT
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Movie TV Tech Geeks #TVNews #TaylorSheridan #TulsaKing Taylor Sheridan's 'Tulsa King' Officially Confirms Mitch Keller's Fate Ahead of Season 4 http://dlvr.it/TRl0xt
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What pre-1985 science fiction are you reading? + Update No. XXVIII
First update post of 2026! What pre-1985 science fiction adventures have you started this year? Any great reads? Disappointing ones? Intriguing discoveries? Here’s the November 2025 installment of this column.
- A selection of read volumes from my shelf
Exciting news! Rachel S. Cordasco, who occasionally joins me to review older SF short stories in translation, will soon launch Small Planet: The SF in Translation Magazine. As the announcement on File 770 states, “the magazine will come out 4 times per year (February, May, August, and November) and include columns on such topics as: interesting upcoming books and notable reviews, interviews with authors, translators, editors, translators talking about books they’d like to see in English, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, pieces on interesting translation conundrums, notes on what’s happening in other countries in SF. It will be available for free on Cordasco’s Speculative Fiction in Translation website.”
Missing from the list will be my reviews of vintage SF in translation! The plan is to have one review in each issue for at least the next year or for as long as I can keep up a schedule (schedules and I do not mesh). I’ve already tracked down some lesser known gems from German, Norway, and Italy.
The Photograph (with links to reviews and brief thoughts)
- Robert Silverberg’s Thorns (1967). Generally considered one of his first great novels — I thoroughly his rumination on two psychologically devastated characters who are set up to fall in love for the entertainment of the world. Harrowing stuff. Recommended.
- J. G. Ballard’s The Terminal Beach (1964). Never managed to review this top-notch Ballard collection. I should just reread it… Coincidentally, I wrote a short story as a college student with a very similar premise to Ballard’s “The Drowned Giant” (1964).
- Judith Merril’s Survival Ship and Other Stories (1974). Notably contains the three short stories that Merril planned to transform into a generation ship novel — “Survival Ship” (1951), “Wish Upon a Star” (1958), and “The Lonely” (1963). If she had, it would have been the first gen ship novel by a woman. According to my index, the first solo-written generation ship novel by a woman is Pamela Sargent’s YA novel Earthseed (1983).
- Robert Sheckley’s The Status Civilization (1960). I found his short novel an interesting intersection of pulp narrative and “artfully constructed satire.”
What am I writing about?
While I have not had the most productive 2026, here are few notable reviews I’ve written recently in case you missed them: two interesting 50s short stories on race in America, Alan E. Nourse’s “Marley’s Chain” (1952) and Edward W. Ludwig’s “The Rocket Man” (1951); Fritz Leiber, Jr.’s Gather, Darkness! (1943, novelized 1950) and Gillian Freeman’s The Leader (1965); William Tenn’s collection Time in Advance (1958); and another installment on my survey of all pre-1985 generation ship stories available in English, Mari Wolf’s “The First Day of Spring” (1954) and Francis G. Rayer’s “Continuity Man” (1959).
As I mentioned earlier, I am writing reviews for Rachel’s online magazine on SF in translation. When they go live I’ll double-post them on the site and link the other goodies that are sure to grace the pages.
What am I reading?
I recently finished Matthew I. Thompson’s fascinating monograph On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). He explores the intersection of popular science works by Rachel Carson and Paul R. Ehrlich and dystopia SF film with ecological themes. If you missed my interview with Thompson, I highly recommend you check it out. The interview surveys the main theoretical premises of the work and the main films he covers. I should rewatch Soylent Green (1972), David Cronenberg’s Shivers (1975), and Douglas Trumbull’s Silent Running (1972).
- Matthew I. Thompson’s On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). Photographed by me on a hike in Pembroke, VA.
A Curated List of SF Birthdays from the Last Two Weeks [names link to The Internet Speculative Fiction Database for bibliographical info]
March 22nd: Raymond Z. Gallun (1911-1994).
- Johnny Bruck’s canvas for Perry Rhodan, #270: Ultimatum an Unbekannt (1966)
March 22nd: German cover artist Johnny Bruck (1921-1995). He’s easily one of the most prolific German cover artists.
March 22nd: Rudy Rucker (1946-).
March 23nd: H. Beam Piper (1904-1964). I recently (sort of) covered my first Piper story on the site: H. Beam Piper and John J. McGuire’s “Hunter Patrol” (1959). I have another one planned this year.
March 23nd: Sheila MacLeod (1939-).
March 23nd: Elizabeth Ann Scarborough (1947-). I enjoyed her Acorna sequence books (written with Anne McCaffrey) was a child. Most of her published solo work is outside my area of focus. I placed her novel The Healer’s War (1988-) on my Vietnam War-inspired SFF list.
March 23rd: Kim Stanley Robinson (1952-). I recently reviewed Icehenge (1984). I really enjoyed it. Perhaps more than his Mars Trilogy, albeit, they are very different books…
- David K. Stone’s cover for the 1978 edition of The Stainless Steel Rat Wants You (1978)
March 24th: Cover artist David K. Stone (1922-2001).
March 24th: Peter George (1924-1966).
March 25th: Jacqueline Lichtenberg (1942-)
March 26th: Edward Bellamy (1850-1898). Author of Looking Backward: 2000–1887 (1888), the highly influential utopian SF novel that inspired countless sequels and prequels and rebuttals by other authors.
March 26th: David J. Lake (1929-2016)
March 26th: K. W. Jeter (1950-)
March 27th: Artist Stanley Meltzoff (1917-2006)
- Still from René Laloux’s Fantastic Planet (1973)
March 27th: Stefan Wul (1922-2003). A French SF author best known for writing Oms en série (1957), the source material for Fantastic Planet (1973).
March 27th: Helmut Wenske (1940-).
March 28th: A. Bertram Chandler (1912-1984)
March 28th: Cover artist George Ziel (1914-1982)
March 29th: Lino Aldani (1926-2009). I adored Aldani’s “Good Night, Sophie” (1963, trans. 1973). He represents one of the many reasons why Rachel’s magazine to promote SF in translation is such a great idea. Despite his ability to craft a masterpiece, only ONE additional short story exists in English translation.
- Walt Miller’s cover for the July 1953 issue of Astounding Science Fiction
March 29th: Artist Walt Miller (1928-2015).
March 29th: Artist Johann Peter Reuter (1949-).
March 29th: Mary Gentle (1956-).
March 30th: Artist Curt Caesar (1906-1974).
March 30th: Alice Eleanor Jones (1916-1981). While she only published five science fiction short stories, “Created He Them” (1955) is a 50s masterpiece.
- Art Sussman’s cover for the 1957 edition of Murray Leinster’s The Planet Explorer (variant title: Colonial Survey) (1956)
March 30th: Artist Art Sussman (1927-2008). Another underrated SF artist with a beguiling surrealist streat– I put together a post on his work in 2017.
March 30th: Chad Oliver (1928-1993). Most recently I covered his two generation ship stories: “Stardust” (1952) and “The Wind Blows Free” (1957).
March 31st: Marge Piercy (1936-). Dance the Eagle To Sleep (1970) is not to be missed!
April 1st: Anne McCaffrey (1926-2011). I adored her work as a kid. I read everything I could get my hands on–even from the lowest points in her career i.e. the Acorna Universe sequence and co-written Dragonriders of Pern novels with her son.
April 1st: Samuel R. Delany (1942-).
April 2nd: Artist Mitchell Hooks (1923-2013). One of the underrated SF artists of the 50s-70s in my view. For a lovely example, check out my recent review of William Tenn’s Time in Advance (1958).
- Murray Tinkelman’s cover for the 1978 edition of John Brunner’s The Squares of the City (1965)
April 2nd: Artist Murray Tinkelman (1933-2016). Another underrated SF artist… How can your forget his iconic cover for Brunner’s The Sheep Look Up?
April 2nd: Joan D. Vinge (1948-)
April 3nd: Noel Loomis (1905-1969).
April 3rd: Colin Kapp (1928-2007). As I’ve said before, “want to push my buttons? Recommend stories for me to read like Kapp’s “Hunger Over Sweet Waters” (1965). You’ll have to read my review (an exercise in snark) to find out why.”
- Jack Faragasso’s cover for the 1972 edition of The Thinking Seat (1969)
April 3rd: Peter Tate (1940-). One of those British New Wave authors I should read more of… Tate’s The Thinking Seat (1969) is on the burner for later this year.
April 4th: Stanley G. Weinbaum (1902-1935). Best known for his early classic “A Martian Odyssey” (1934).
April 4th: Artist Tim White (1952-2020).
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1970s #avantGarde #bookReviews #JGBallard #JudithMerril #paperbacks #RobertSheckley #RobertSilverberg #sciFi #scienceFiction #spaceships -
What pre-1985 science fiction are you reading? + Update No. XXVIII
First update post of 2026! What pre-1985 science fiction adventures have you started this year? Any great reads? Disappointing ones? Intriguing discoveries? Here’s the November 2025 installment of this column.
- A selection of read volumes from my shelf
Exciting news! Rachel S. Cordasco, who occasionally joins me to review older SF short stories in translation, will soon launch Small Planet: The SF in Translation Magazine. As the announcement on File 770 states, “the magazine will come out 4 times per year (February, May, August, and November) and include columns on such topics as: interesting upcoming books and notable reviews, interviews with authors, translators, editors, translators talking about books they’d like to see in English, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, pieces on interesting translation conundrums, notes on what’s happening in other countries in SF. It will be available for free on Cordasco’s Speculative Fiction in Translation website.”
Missing from the list will be my reviews of vintage SF in translation! The plan is to have one review in each issue for at least the next year or for as long as I can keep up a schedule (schedules and I do not mesh). I’ve already tracked down some lesser known gems from German, Norway, and Italy.
The Photograph (with links to reviews and brief thoughts)
- Robert Silverberg’s Thorns (1967). Generally considered one of his first great novels — I thoroughly his rumination on two psychologically devastated characters who are set up to fall in love for the entertainment of the world. Harrowing stuff. Recommended.
- J. G. Ballard’s The Terminal Beach (1964). Never managed to review this top-notch Ballard collection. I should just reread it… Coincidentally, I wrote a short story as a college student with a very similar premise to Ballard’s “The Drowned Giant” (1964).
- Judith Merril’s Survival Ship and Other Stories (1974). Notably contains the three short stories that Merril planned to transform into a generation ship novel — “Survival Ship” (1951), “Wish Upon a Star” (1958), and “The Lonely” (1963). If she had, it would have been the first gen ship novel by a woman. According to my index, the first solo-written generation ship novel by a woman is Pamela Sargent’s YA novel Earthseed (1983).
- Robert Sheckley’s The Status Civilization (1960). I found his short novel an interesting intersection of pulp narrative and “artfully constructed satire.”
What am I writing about?
While I have not had the most productive 2026, here are few notable reviews I’ve written recently in case you missed them: two interesting 50s short stories on race in America, Alan E. Nourse’s “Marley’s Chain” (1952) and Edward W. Ludwig’s “The Rocket Man” (1951); Fritz Leiber, Jr.’s Gather, Darkness! (1943, novelized 1950) and Gillian Freeman’s The Leader (1965); William Tenn’s collection Time in Advance (1958); and another installment on my survey of all pre-1985 generation ship stories available in English, Mari Wolf’s “The First Day of Spring” (1954) and Francis G. Rayer’s “Continuity Man” (1959).
As I mentioned earlier, I am writing reviews for Rachel’s online magazine on SF in translation. When they go live I’ll double-post them on the site and link the other goodies that are sure to grace the pages.
What am I reading?
I recently finished Matthew I. Thompson’s fascinating monograph On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). He explores the intersection of popular science works by Rachel Carson and Paul R. Ehrlich and dystopia SF film with ecological themes. If you missed my interview with Thompson, I highly recommend you check it out. The interview surveys the main theoretical premises of the work and the main films he covers. I should rewatch Soylent Green (1972), David Cronenberg’s Shivers (1975), and Douglas Trumbull’s Silent Running (1972).
- Matthew I. Thompson’s On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). Photographed by me on a hike in Pembroke, VA.
A Curated List of SF Birthdays from the Last Two Weeks [names link to The Internet Speculative Fiction Database for bibliographical info]
March 22nd: Raymond Z. Gallun (1911-1994).
- Johnny Bruck’s canvas for Perry Rhodan, #270: Ultimatum an Unbekannt (1966)
March 22nd: German cover artist Johnny Bruck (1921-1995). He’s easily one of the most prolific German cover artists.
March 22nd: Rudy Rucker (1946-).
March 23nd: H. Beam Piper (1904-1964). I recently (sort of) covered my first Piper story on the site: H. Beam Piper and John J. McGuire’s “Hunter Patrol” (1959). I have another one planned this year.
March 23nd: Sheila MacLeod (1939-).
March 23nd: Elizabeth Ann Scarborough (1947-). I enjoyed her Acorna sequence books (written with Anne McCaffrey) was a child. Most of her published solo work is outside my area of focus. I placed her novel The Healer’s War (1988-) on my Vietnam War-inspired SFF list.
March 23rd: Kim Stanley Robinson (1952-). I recently reviewed Icehenge (1984). I really enjoyed it. Perhaps more than his Mars Trilogy, albeit, they are very different books…
- David K. Stone’s cover for the 1978 edition of The Stainless Steel Rat Wants You (1978)
March 24th: Cover artist David K. Stone (1922-2001).
March 24th: Peter George (1924-1966).
March 25th: Jacqueline Lichtenberg (1942-)
March 26th: Edward Bellamy (1850-1898). Author of Looking Backward: 2000–1887 (1888), the highly influential utopian SF novel that inspired countless sequels and prequels and rebuttals by other authors.
March 26th: David J. Lake (1929-2016)
March 26th: K. W. Jeter (1950-)
March 27th: Artist Stanley Meltzoff (1917-2006)
- Still from René Laloux’s Fantastic Planet (1973)
March 27th: Stefan Wul (1922-2003). A French SF author best known for writing Oms en série (1957), the source material for Fantastic Planet (1973).
March 27th: Helmut Wenske (1940-).
March 28th: A. Bertram Chandler (1912-1984)
March 28th: Cover artist George Ziel (1914-1982)
March 29th: Lino Aldani (1926-2009). I adored Aldani’s “Good Night, Sophie” (1963, trans. 1973). He represents one of the many reasons why Rachel’s magazine to promote SF in translation is such a great idea. Despite his ability to craft a masterpiece, only ONE additional short story exists in English translation.
- Walt Miller’s cover for the July 1953 issue of Astounding Science Fiction
March 29th: Artist Walt Miller (1928-2015).
March 29th: Artist Johann Peter Reuter (1949-).
March 29th: Mary Gentle (1956-).
March 30th: Artist Curt Caesar (1906-1974).
March 30th: Alice Eleanor Jones (1916-1981). While she only published five science fiction short stories, “Created He Them” (1955) is a 50s masterpiece.
- Art Sussman’s cover for the 1957 edition of Murray Leinster’s The Planet Explorer (variant title: Colonial Survey) (1956)
March 30th: Artist Art Sussman (1927-2008). Another underrated SF artist with a beguiling surrealist streat– I put together a post on his work in 2017.
March 30th: Chad Oliver (1928-1993). Most recently I covered his two generation ship stories: “Stardust” (1952) and “The Wind Blows Free” (1957).
March 31st: Marge Piercy (1936-). Dance the Eagle To Sleep (1970) is not to be missed!
April 1st: Anne McCaffrey (1926-2011). I adored her work as a kid. I read everything I could get my hands on–even from the lowest points in her career i.e. the Acorna Universe sequence and co-written Dragonriders of Pern novels with her son.
April 1st: Samuel R. Delany (1942-).
April 2nd: Artist Mitchell Hooks (1923-2013). One of the underrated SF artists of the 50s-70s in my view. For a lovely example, check out my recent review of William Tenn’s Time in Advance (1958).
- Murray Tinkelman’s cover for the 1978 edition of John Brunner’s The Squares of the City (1965)
April 2nd: Artist Murray Tinkelman (1933-2016). Another underrated SF artist… How can your forget his iconic cover for Brunner’s The Sheep Look Up?
April 2nd: Joan D. Vinge (1948-)
April 3nd: Noel Loomis (1905-1969).
April 3rd: Colin Kapp (1928-2007). As I’ve said before, “want to push my buttons? Recommend stories for me to read like Kapp’s “Hunger Over Sweet Waters” (1965). You’ll have to read my review (an exercise in snark) to find out why.”
- Jack Faragasso’s cover for the 1972 edition of The Thinking Seat (1969)
April 3rd: Peter Tate (1940-). One of those British New Wave authors I should read more of… Tate’s The Thinking Seat (1969) is on the burner for later this year.
April 4th: Stanley G. Weinbaum (1902-1935). Best known for his early classic “A Martian Odyssey” (1934).
April 4th: Artist Tim White (1952-2020).
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1970s #avantGarde #bookReviews #books #fiction #JGBallard #JudithMerril #paperbacks #RobertSheckley #RobertSilverberg #sciFi #scienceFiction #spaceships -
What pre-1985 science fiction are you reading? + Update No. XXVIII
First update post of 2026! What pre-1985 science fiction adventures have you started this year? Any great reads? Disappointing ones? Intriguing discoveries? Here’s the November 2025 installment of this column.
- A selection of read volumes from my shelf
Exciting news! Rachel S. Cordasco, who occasionally joins me to review older SF short stories in translation, will soon launch Small Planet: The SF in Translation Magazine. As the announcement on File 770 states, “the magazine will come out 4 times per year (February, May, August, and November) and include columns on such topics as: interesting upcoming books and notable reviews, interviews with authors, translators, editors, translators talking about books they’d like to see in English, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, pieces on interesting translation conundrums, notes on what’s happening in other countries in SF. It will be available for free on Cordasco’s Speculative Fiction in Translation website.”
Missing from the list will be my reviews of vintage SF in translation! The plan is to have one review in each issue for at least the next year or for as long as I can keep up a schedule (schedules and I do not mesh). I’ve already tracked down some lesser known gems from German, Norway, and Italy.
The Photograph (with links to reviews and brief thoughts)
- Robert Silverberg’s Thorns (1967). Generally considered one of his first great novels — I thoroughly his rumination on two psychologically devastated characters who are set up to fall in love for the entertainment of the world. Harrowing stuff. Recommended.
- J. G. Ballard’s The Terminal Beach (1964). Never managed to review this top-notch Ballard collection. I should just reread it… Coincidentally, I wrote a short story as a college student with a very similar premise to Ballard’s “The Drowned Giant” (1964).
- Judith Merril’s Survival Ship and Other Stories (1974). Notably contains the three short stories that Merril planned to transform into a generation ship novel — “Survival Ship” (1951), “Wish Upon a Star” (1958), and “The Lonely” (1963). If she had, it would have been the first gen ship novel by a woman. According to my index, the first solo-written generation ship novel by a woman is Pamela Sargent’s YA novel Earthseed (1983).
- Robert Sheckley’s The Status Civilization (1960). I found his short novel an interesting intersection of pulp narrative and “artfully constructed satire.”
What am I writing about?
While I have not had the most productive 2026, here are few notable reviews I’ve written recently in case you missed them: two interesting 50s short stories on race in America, Alan E. Nourse’s “Marley’s Chain” (1952) and Edward W. Ludwig’s “The Rocket Man” (1951); Fritz Leiber, Jr.’s Gather, Darkness! (1943, novelized 1950) and Gillian Freeman’s The Leader (1965); William Tenn’s collection Time in Advance (1958); and another installment on my survey of all pre-1985 generation ship stories available in English, Mari Wolf’s “The First Day of Spring” (1954) and Francis G. Rayer’s “Continuity Man” (1959).
As I mentioned earlier, I am writing reviews for Rachel’s online magazine on SF in translation. When they go live I’ll double-post them on the site and link the other goodies that are sure to grace the pages.
What am I reading?
I recently finished Matthew I. Thompson’s fascinating monograph On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). He explores the intersection of popular science works by Rachel Carson and Paul R. Ehrlich and dystopia SF film with ecological themes. If you missed my interview with Thompson, I highly recommend you check it out. The interview surveys the main theoretical premises of the work and the main films he covers. I should rewatch Soylent Green (1972), David Cronenberg’s Shivers (1975), and Douglas Trumbull’s Silent Running (1972).
- Matthew I. Thompson’s On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). Photographed by me on a hike in Pembroke, VA.
A Curated List of SF Birthdays from the Last Two Weeks [names link to The Internet Speculative Fiction Database for bibliographical info]
March 22nd: Raymond Z. Gallun (1911-1994).
- Johnny Bruck’s canvas for Perry Rhodan, #270: Ultimatum an Unbekannt (1966)
March 22nd: German cover artist Johnny Bruck (1921-1995). He’s easily one of the most prolific German cover artists.
March 22nd: Rudy Rucker (1946-).
March 23nd: H. Beam Piper (1904-1964). I recently (sort of) covered my first Piper story on the site: H. Beam Piper and John J. McGuire’s “Hunter Patrol” (1959). I have another one planned this year.
March 23nd: Sheila MacLeod (1939-).
March 23nd: Elizabeth Ann Scarborough (1947-). I enjoyed her Acorna sequence books (written with Anne McCaffrey) was a child. Most of her published solo work is outside my area of focus. I placed her novel The Healer’s War (1988-) on my Vietnam War-inspired SFF list.
March 23rd: Kim Stanley Robinson (1952-). I recently reviewed Icehenge (1984). I really enjoyed it. Perhaps more than his Mars Trilogy, albeit, they are very different books…
- David K. Stone’s cover for the 1978 edition of The Stainless Steel Rat Wants You (1978)
March 24th: Cover artist David K. Stone (1922-2001).
March 24th: Peter George (1924-1966).
March 25th: Jacqueline Lichtenberg (1942-)
March 26th: Edward Bellamy (1850-1898). Author of Looking Backward: 2000–1887 (1888), the highly influential utopian SF novel that inspired countless sequels and prequels and rebuttals by other authors.
March 26th: David J. Lake (1929-2016)
March 26th: K. W. Jeter (1950-)
March 27th: Artist Stanley Meltzoff (1917-2006)
- Still from René Laloux’s Fantastic Planet (1973)
March 27th: Stefan Wul (1922-2003). A French SF author best known for writing Oms en série (1957), the source material for Fantastic Planet (1973).
March 27th: Helmut Wenske (1940-).
March 28th: A. Bertram Chandler (1912-1984)
March 28th: Cover artist George Ziel (1914-1982)
March 29th: Lino Aldani (1926-2009). I adored Aldani’s “Good Night, Sophie” (1963, trans. 1973). He represents one of the many reasons why Rachel’s magazine to promote SF in translation is such a great idea. Despite his ability to craft a masterpiece, only ONE additional short story exists in English translation.
- Walt Miller’s cover for the July 1953 issue of Astounding Science Fiction
March 29th: Artist Walt Miller (1928-2015).
March 29th: Artist Johann Peter Reuter (1949-).
March 29th: Mary Gentle (1956-).
March 30th: Artist Curt Caesar (1906-1974).
March 30th: Alice Eleanor Jones (1916-1981). While she only published five science fiction short stories, “Created He Them” (1955) is a 50s masterpiece.
- Art Sussman’s cover for the 1957 edition of Murray Leinster’s The Planet Explorer (variant title: Colonial Survey) (1956)
March 30th: Artist Art Sussman (1927-2008). Another underrated SF artist with a beguiling surrealist streat– I put together a post on his work in 2017.
March 30th: Chad Oliver (1928-1993). Most recently I covered his two generation ship stories: “Stardust” (1952) and “The Wind Blows Free” (1957).
March 31st: Marge Piercy (1936-). Dance the Eagle To Sleep (1970) is not to be missed!
April 1st: Anne McCaffrey (1926-2011). I adored her work as a kid. I read everything I could get my hands on–even from the lowest points in her career i.e. the Acorna Universe sequence and co-written Dragonriders of Pern novels with her son.
April 1st: Samuel R. Delany (1942-).
April 2nd: Artist Mitchell Hooks (1923-2013). One of the underrated SF artists of the 50s-70s in my view. For a lovely example, check out my recent review of William Tenn’s Time in Advance (1958).
- Murray Tinkelman’s cover for the 1978 edition of John Brunner’s The Squares of the City (1965)
April 2nd: Artist Murray Tinkelman (1933-2016). Another underrated SF artist… How can your forget his iconic cover for Brunner’s The Sheep Look Up?
April 2nd: Joan D. Vinge (1948-)
April 3nd: Noel Loomis (1905-1969).
April 3rd: Colin Kapp (1928-2007). As I’ve said before, “want to push my buttons? Recommend stories for me to read like Kapp’s “Hunger Over Sweet Waters” (1965). You’ll have to read my review (an exercise in snark) to find out why.”
- Jack Faragasso’s cover for the 1972 edition of The Thinking Seat (1969)
April 3rd: Peter Tate (1940-). One of those British New Wave authors I should read more of… Tate’s The Thinking Seat (1969) is on the burner for later this year.
April 4th: Stanley G. Weinbaum (1902-1935). Best known for his early classic “A Martian Odyssey” (1934).
April 4th: Artist Tim White (1952-2020).
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1970s #avantGarde #bookReviews #books #fiction #JGBallard #JudithMerril #paperbacks #RobertSheckley #RobertSilverberg #sciFi #scienceFiction #spaceships -
What pre-1985 science fiction are you reading? + Update No. XXVIII
First update post of 2026! What pre-1985 science fiction adventures have you started this year? Any great reads? Disappointing ones? Intriguing discoveries? Here’s the November 2025 installment of this column.
- A selection of read volumes from my shelf
Exciting news! Rachel S. Cordasco, who occasionally joins me to review older SF short stories in translation, will soon launch Small Planet: The SF in Translation Magazine. As the announcement on File 770 states, “the magazine will come out 4 times per year (February, May, August, and November) and include columns on such topics as: interesting upcoming books and notable reviews, interviews with authors, translators, editors, translators talking about books they’d like to see in English, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, pieces on interesting translation conundrums, notes on what’s happening in other countries in SF. It will be available for free on Cordasco’s Speculative Fiction in Translation website.”
Missing from the list will be my reviews of vintage SF in translation! The plan is to have one review in each issue for at least the next year or for as long as I can keep up a schedule (schedules and I do not mesh). I’ve already tracked down some lesser known gems from German, Norway, and Italy.
The Photograph (with links to reviews and brief thoughts)
- Robert Silverberg’s Thorns (1967). Generally considered one of his first great novels — I thoroughly his rumination on two psychologically devastated characters who are set up to fall in love for the entertainment of the world. Harrowing stuff. Recommended.
- J. G. Ballard’s The Terminal Beach (1964). Never managed to review this top-notch Ballard collection. I should just reread it… Coincidentally, I wrote a short story as a college student with a very similar premise to Ballard’s “The Drowned Giant” (1964).
- Judith Merril’s Survival Ship and Other Stories (1974). Notably contains the three short stories that Merril planned to transform into a generation ship novel — “Survival Ship” (1951), “Wish Upon a Star” (1958), and “The Lonely” (1963). If she had, it would have been the first gen ship novel by a woman. According to my index, the first solo-written generation ship novel by a woman is Pamela Sargent’s YA novel Earthseed (1983).
- Robert Sheckley’s The Status Civilization (1960). I found his short novel an interesting intersection of pulp narrative and “artfully constructed satire.”
What am I writing about?
While I have not had the most productive 2026, here are few notable reviews I’ve written recently in case you missed them: two interesting 50s short stories on race in America, Alan E. Nourse’s “Marley’s Chain” (1952) and Edward W. Ludwig’s “The Rocket Man” (1951); Fritz Leiber, Jr.’s Gather, Darkness! (1943, novelized 1950) and Gillian Freeman’s The Leader (1965); William Tenn’s collection Time in Advance (1958); and another installment on my survey of all pre-1985 generation ship stories available in English, Mari Wolf’s “The First Day of Spring” (1954) and Francis G. Rayer’s “Continuity Man” (1959).
As I mentioned earlier, I am writing reviews for Rachel’s online magazine on SF in translation. When they go live I’ll double-post them on the site and link the other goodies that are sure to grace the pages.
What am I reading?
I recently finished Matthew I. Thompson’s fascinating monograph On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). He explores the intersection of popular science works by Rachel Carson and Paul R. Ehrlich and dystopia SF film with ecological themes. If you missed my interview with Thompson, I highly recommend you check it out. The interview surveys the main theoretical premises of the work and the main films he covers. I should rewatch Soylent Green (1972), David Cronenberg’s Shivers (1975), and Douglas Trumbull’s Silent Running (1972).
- Matthew I. Thompson’s On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). Photographed by me on a hike in Pembroke, VA.
A Curated List of SF Birthdays from the Last Two Weeks [names link to The Internet Speculative Fiction Database for bibliographical info]
March 22nd: Raymond Z. Gallun (1911-1994).
- Johnny Bruck’s canvas for Perry Rhodan, #270: Ultimatum an Unbekannt (1966)
March 22nd: German cover artist Johnny Bruck (1921-1995). He’s easily one of the most prolific German cover artists.
March 22nd: Rudy Rucker (1946-).
March 23nd: H. Beam Piper (1904-1964). I recently (sort of) covered my first Piper story on the site: H. Beam Piper and John J. McGuire’s “Hunter Patrol” (1959). I have another one planned this year.
March 23nd: Sheila MacLeod (1939-).
March 23nd: Elizabeth Ann Scarborough (1947-). I enjoyed her Acorna sequence books (written with Anne McCaffrey) was a child. Most of her published solo work is outside my area of focus. I placed her novel The Healer’s War (1988-) on my Vietnam War-inspired SFF list.
March 23rd: Kim Stanley Robinson (1952-). I recently reviewed Icehenge (1984). I really enjoyed it. Perhaps more than his Mars Trilogy, albeit, they are very different books…
- David K. Stone’s cover for the 1978 edition of The Stainless Steel Rat Wants You (1978)
March 24th: Cover artist David K. Stone (1922-2001).
March 24th: Peter George (1924-1966).
March 25th: Jacqueline Lichtenberg (1942-)
March 26th: Edward Bellamy (1850-1898). Author of Looking Backward: 2000–1887 (1888), the highly influential utopian SF novel that inspired countless sequels and prequels and rebuttals by other authors.
March 26th: David J. Lake (1929-2016)
March 26th: K. W. Jeter (1950-)
March 27th: Artist Stanley Meltzoff (1917-2006)
- Still from René Laloux’s Fantastic Planet (1973)
March 27th: Stefan Wul (1922-2003). A French SF author best known for writing Oms en série (1957), the source material for Fantastic Planet (1973).
March 27th: Helmut Wenske (1940-).
March 28th: A. Bertram Chandler (1912-1984)
March 28th: Cover artist George Ziel (1914-1982)
March 29th: Lino Aldani (1926-2009). I adored Aldani’s “Good Night, Sophie” (1963, trans. 1973). He represents one of the many reasons why Rachel’s magazine to promote SF in translation is such a great idea. Despite his ability to craft a masterpiece, only ONE additional short story exists in English translation.
- Walt Miller’s cover for the July 1953 issue of Astounding Science Fiction
March 29th: Artist Walt Miller (1928-2015).
March 29th: Artist Johann Peter Reuter (1949-).
March 29th: Mary Gentle (1956-).
March 30th: Artist Curt Caesar (1906-1974).
March 30th: Alice Eleanor Jones (1916-1981). While she only published five science fiction short stories, “Created He Them” (1955) is a 50s masterpiece.
- Art Sussman’s cover for the 1957 edition of Murray Leinster’s The Planet Explorer (variant title: Colonial Survey) (1956)
March 30th: Artist Art Sussman (1927-2008). Another underrated SF artist with a beguiling surrealist streat– I put together a post on his work in 2017.
March 30th: Chad Oliver (1928-1993). Most recently I covered his two generation ship stories: “Stardust” (1952) and “The Wind Blows Free” (1957).
March 31st: Marge Piercy (1936-). Dance the Eagle To Sleep (1970) is not to be missed!
April 1st: Anne McCaffrey (1926-2011). I adored her work as a kid. I read everything I could get my hands on–even from the lowest points in her career i.e. the Acorna Universe sequence and co-written Dragonriders of Pern novels with her son.
April 1st: Samuel R. Delany (1942-).
April 2nd: Artist Mitchell Hooks (1923-2013). One of the underrated SF artists of the 50s-70s in my view. For a lovely example, check out my recent review of William Tenn’s Time in Advance (1958).
- Murray Tinkelman’s cover for the 1978 edition of John Brunner’s The Squares of the City (1965)
April 2nd: Artist Murray Tinkelman (1933-2016). Another underrated SF artist… How can your forget his iconic cover for Brunner’s The Sheep Look Up?
April 2nd: Joan D. Vinge (1948-)
April 3nd: Noel Loomis (1905-1969).
April 3rd: Colin Kapp (1928-2007). As I’ve said before, “want to push my buttons? Recommend stories for me to read like Kapp’s “Hunger Over Sweet Waters” (1965). You’ll have to read my review (an exercise in snark) to find out why.”
- Jack Faragasso’s cover for the 1972 edition of The Thinking Seat (1969)
April 3rd: Peter Tate (1940-). One of those British New Wave authors I should read more of… Tate’s The Thinking Seat (1969) is on the burner for later this year.
April 4th: Stanley G. Weinbaum (1902-1935). Best known for his early classic “A Martian Odyssey” (1934).
April 4th: Artist Tim White (1952-2020).
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1970s #avantGarde #bookReviews #JGBallard #JudithMerril #paperbacks #RobertSheckley #RobertSilverberg #sciFi #scienceFiction #spaceships -
What pre-1985 science fiction are you reading? + Update No. XXVIII
First update post of 2026! What pre-1985 science fiction adventures have you started this year? Any great reads? Disappointing ones? Intriguing discoveries? Here’s the November 2025 installment of this column.
- A selection of read volumes from my shelf
Exciting news! Rachel S. Cordasco, who occasionally joins me to review older SF short stories in translation, will soon launch Small Planet: The SF in Translation Magazine. As the announcement on File 770 states, “the magazine will come out 4 times per year (February, May, August, and November) and include columns on such topics as: interesting upcoming books and notable reviews, interviews with authors, translators, editors, translators talking about books they’d like to see in English, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, essays on Anglophone awards, databases, and publishers that should recognize translators/SFT, pieces on interesting translation conundrums, notes on what’s happening in other countries in SF. It will be available for free on Cordasco’s Speculative Fiction in Translation website.”
Missing from the list will be my reviews of vintage SF in translation! The plan is to have one review in each issue for at least the next year or for as long as I can keep up a schedule (schedules and I do not mesh). I’ve already tracked down some lesser known gems from German, Norway, and Italy.
The Photograph (with links to reviews and brief thoughts)
- Robert Silverberg’s Thorns (1967). Generally considered one of his first great novels — I thoroughly his rumination on two psychologically devastated characters who are set up to fall in love for the entertainment of the world. Harrowing stuff. Recommended.
- J. G. Ballard’s The Terminal Beach (1964). Never managed to review this top-notch Ballard collection. I should just reread it… Coincidentally, I wrote a short story as a college student with a very similar premise to Ballard’s “The Drowned Giant” (1964).
- Judith Merril’s Survival Ship and Other Stories (1974). Notably contains the three short stories that Merril planned to transform into a generation ship novel — “Survival Ship” (1951), “Wish Upon a Star” (1958), and “The Lonely” (1963). If she had, it would have been the first gen ship novel by a woman. According to my index, the first solo-written generation ship novel by a woman is Pamela Sargent’s YA novel Earthseed (1983).
- Robert Sheckley’s The Status Civilization (1960). I found his short novel an interesting intersection of pulp narrative and “artfully constructed satire.”
What am I writing about?
While I have not had the most productive 2026, here are few notable reviews I’ve written recently in case you missed them: two interesting 50s short stories on race in America, Alan E. Nourse’s “Marley’s Chain” (1952) and Edward W. Ludwig’s “The Rocket Man” (1951); Fritz Leiber, Jr.’s Gather, Darkness! (1943, novelized 1950) and Gillian Freeman’s The Leader (1965); William Tenn’s collection Time in Advance (1958); and another installment on my survey of all pre-1985 generation ship stories available in English, Mari Wolf’s “The First Day of Spring” (1954) and Francis G. Rayer’s “Continuity Man” (1959).
As I mentioned earlier, I am writing reviews for Rachel’s online magazine on SF in translation. When they go live I’ll double-post them on the site and link the other goodies that are sure to grace the pages.
What am I reading?
I recently finished Matthew I. Thompson’s fascinating monograph On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). He explores the intersection of popular science works by Rachel Carson and Paul R. Ehrlich and dystopia SF film with ecological themes. If you missed my interview with Thompson, I highly recommend you check it out. The interview surveys the main theoretical premises of the work and the main films he covers. I should rewatch Soylent Green (1972), David Cronenberg’s Shivers (1975), and Douglas Trumbull’s Silent Running (1972).
- Matthew I. Thompson’s On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). Photographed by me on a hike in Pembroke, VA.
A Curated List of SF Birthdays from the Last Two Weeks [names link to The Internet Speculative Fiction Database for bibliographical info]
March 22nd: Raymond Z. Gallun (1911-1994).
- Johnny Bruck’s canvas for Perry Rhodan, #270: Ultimatum an Unbekannt (1966)
March 22nd: German cover artist Johnny Bruck (1921-1995). He’s easily one of the most prolific German cover artists.
March 22nd: Rudy Rucker (1946-).
March 23nd: H. Beam Piper (1904-1964). I recently (sort of) covered my first Piper story on the site: H. Beam Piper and John J. McGuire’s “Hunter Patrol” (1959). I have another one planned this year.
March 23nd: Sheila MacLeod (1939-).
March 23nd: Elizabeth Ann Scarborough (1947-). I enjoyed her Acorna sequence books (written with Anne McCaffrey) was a child. Most of her published solo work is outside my area of focus. I placed her novel The Healer’s War (1988-) on my Vietnam War-inspired SFF list.
March 23rd: Kim Stanley Robinson (1952-). I recently reviewed Icehenge (1984). I really enjoyed it. Perhaps more than his Mars Trilogy, albeit, they are very different books…
- David K. Stone’s cover for the 1978 edition of The Stainless Steel Rat Wants You (1978)
March 24th: Cover artist David K. Stone (1922-2001).
March 24th: Peter George (1924-1966).
March 25th: Jacqueline Lichtenberg (1942-)
March 26th: Edward Bellamy (1850-1898). Author of Looking Backward: 2000–1887 (1888), the highly influential utopian SF novel that inspired countless sequels and prequels and rebuttals by other authors.
March 26th: David J. Lake (1929-2016)
March 26th: K. W. Jeter (1950-)
March 27th: Artist Stanley Meltzoff (1917-2006)
- Still from René Laloux’s Fantastic Planet (1973)
March 27th: Stefan Wul (1922-2003). A French SF author best known for writing Oms en série (1957), the source material for Fantastic Planet (1973).
March 27th: Helmut Wenske (1940-).
March 28th: A. Bertram Chandler (1912-1984)
March 28th: Cover artist George Ziel (1914-1982)
March 29th: Lino Aldani (1926-2009). I adored Aldani’s “Good Night, Sophie” (1963, trans. 1973). He represents one of the many reasons why Rachel’s magazine to promote SF in translation is such a great idea. Despite his ability to craft a masterpiece, only ONE additional short story exists in English translation.
- Walt Miller’s cover for the July 1953 issue of Astounding Science Fiction
March 29th: Artist Walt Miller (1928-2015).
March 29th: Artist Johann Peter Reuter (1949-).
March 29th: Mary Gentle (1956-).
March 30th: Artist Curt Caesar (1906-1974).
March 30th: Alice Eleanor Jones (1916-1981). While she only published five science fiction short stories, “Created He Them” (1955) is a 50s masterpiece.
- Art Sussman’s cover for the 1957 edition of Murray Leinster’s The Planet Explorer (variant title: Colonial Survey) (1956)
March 30th: Artist Art Sussman (1927-2008). Another underrated SF artist with a beguiling surrealist streat– I put together a post on his work in 2017.
March 30th: Chad Oliver (1928-1993). Most recently I covered his two generation ship stories: “Stardust” (1952) and “The Wind Blows Free” (1957).
March 31st: Marge Piercy (1936-). Dance the Eagle To Sleep (1970) is not to be missed!
April 1st: Anne McCaffrey (1926-2011). I adored her work as a kid. I read everything I could get my hands on–even from the lowest points in her career i.e. the Acorna Universe sequence and co-written Dragonriders of Pern novels with her son.
April 1st: Samuel R. Delany (1942-).
April 2nd: Artist Mitchell Hooks (1923-2013). One of the underrated SF artists of the 50s-70s in my view. For a lovely example, check out my recent review of William Tenn’s Time in Advance (1958).
- Murray Tinkelman’s cover for the 1978 edition of John Brunner’s The Squares of the City (1965)
April 2nd: Artist Murray Tinkelman (1933-2016). Another underrated SF artist… How can your forget his iconic cover for Brunner’s The Sheep Look Up?
April 2nd: Joan D. Vinge (1948-)
April 3nd: Noel Loomis (1905-1969).
April 3rd: Colin Kapp (1928-2007). As I’ve said before, “want to push my buttons? Recommend stories for me to read like Kapp’s “Hunger Over Sweet Waters” (1965). You’ll have to read my review (an exercise in snark) to find out why.”
- Jack Faragasso’s cover for the 1972 edition of The Thinking Seat (1969)
April 3rd: Peter Tate (1940-). One of those British New Wave authors I should read more of… Tate’s The Thinking Seat (1969) is on the burner for later this year.
April 4th: Stanley G. Weinbaum (1902-1935). Best known for his early classic “A Martian Odyssey” (1934).
April 4th: Artist Tim White (1952-2020).
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1970s #avantGarde #bookReviews #books #fiction #JGBallard #JudithMerril #paperbacks #RobertSheckley #RobertSilverberg #sciFi #scienceFiction #spaceships -
The colour commentator on these #CBC Gem #university #hockey games sounds a lot like former WWF wrestler, the late "Mr. Perfect" Curt Hennig.
I'm waiting for him to, at any moment, challenge Brutus "The Barber" Beefcake to a no holds barred steel cage match.
#CBCGem -
Movie TV Tech Geeks #TVReviews #Elsbeth #CarriePreston #SteveBuscemi 'Elsbeth' Season 3 Episode 13 Review: Steve Buscemi Meets His Match With Carrie Preston http://dlvr.it/TRSY5Z
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Movie TV Tech Geeks #Movie #Horror #LaurenLaVera #DjimonHounsou The Terrifier Franchise’s Final Girl Meets Her Match in First ‘Twisted’ Trailer for New Horror Movie http://dlvr.it/TQMrdb
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(MLE) Natural Allies CH. 6
The crunch of snow beneath their boots echoed through the dense, snow-laden Silverwood forest. Alaric led the way, his piercing blue eyes scanning the foreboding landscape ahead. Crystalline breaths hung in the crisp winter air, the only sign of life amidst the skeletal trees draped in icy cloaks of white.
As they ventured forth, a sudden vibration emanated from Alaric’s satchel. He reached inside, retrieving the small magical communication device. S’vyrra’s voice crackled through, urgent and strained. “Alaric, news from the eastern shore expedition. Rivlet reports strange disturbances and unnatural weather patterns. They request further guidance.”
Alaric’s brow furrowed, the weight of this new development settling upon his shoulders like an unwelcome burden. He tucked the device away, his jaw clenched with determination. “We press on,” he declared, his voice rumbled steadily despite the mounting concerns. “Elyria’s fate depends on us.”
The group trudged onward, their steps heavier now, laden with the knowledge of the challenges that lay ahead. The forest seemed to close in around them, the twisted branches reaching out like gnarled fingers, eager to ensnare and entrap.
Suddenly, a shimmering mist began to swirl and coalesce before them. Ancient forms emerged, their bark-encrusted bodies blending seamlessly with the surrounding trees. The Ethereal Treants stood tall and imposing, their faces etched with the wisdom of centuries.
“Greetings, travelers,” the largest Treant rumbled, its voice deep and resonant, like the groaning of ancient timbers. “We have watched your progress through our domain. However, A darkness spreads, corrupting the very heart of these woods.”
Alaric stepped forward, his hand resting upon the hilt of his sword. “We seek to rid these lands of the evil that is spreading from the east, ancient ones. What aid can you offer us in this quest?”
The Treant’s eyes, glowing like embers in the depths of its wooden visage, fixed upon Alaric. “Our strength is yours, young king, but we too require assistance. The corruption gnaws at our roots, threatening to consume us all. Help us purge this malevolence, and only then shall we stand with you against the coming storm.”
Alaric nodded solemnly, the weight of this new alliance settling upon his shoulders. He turned to his companions, their faces etched with determination and resolve. “We have much to discuss,” he said, his voice low but filled with purpose. “The fate of Elyria hangs in the balance.”
As the group gathered around the Treants, the ancient beings began to share their knowledge, their words painting a grim picture of the challenges that lay ahead. Alaric listened intently, his mind racing with strategies and plans, even as the icy tendrils of fear threaded through his heart.
In the depths of the Silverwood forest, amidst the snow-laden boughs and the whispers of ancient magic, a new chapter in their quest had begun. The path ahead was shrouded in uncertainty, but with the wisdom of the Treants and the strength of their bond, Alaric and his companions stood ready to face whatever trials awaited them in the coming days.
While the group was traveling down a well beaten path, Lysandra’s eyes narrowed as she spotted a familiar figure among the small traveling group they just stumbled across deep within the Silverwood forest. The man’s features, though weathered by time and hardship, were etched into her memory like a scar that refused to fade. Her heart quickened, a tumultuous mix of anger and unresolved emotions surging through her veins.
She stepped forward, her hand instinctively reaching for the blade at her hip. “Roran,” she called out, her voice tinged with bitterness. “I never thought I’d see your face again.”
The man’s eyes widened in recognition, a flicker of fear dancing across his face before being quickly masked by a façade of nonchalance. “Lysandra,” he replied, his tone even. “It’s been a long time.”
Gareth tensed beside her, sensing the unspoken history between them. He glanced at Lysandra, concern etched into his features, but remained silent, allowing her to take the lead.
Lysandra closed the distance between them, her emerald eyes blazing with intensity. “Not long enough,” she spat, her words laced with venom. “You have some nerve showing your face after what you did.”
Roran held up his hands in a placating gesture, a wry smile tugging at the corners of his mouth. “Now, now, Lysandra. Let’s not dwell on the past. We both did what we had to do to survive.”
A mirthless laugh escaped her lips. “Is that what you call it? Survival? You betrayed me, Roran. You sold me out for a handful of coins.”
The revelation hung heavy in the air, the weight of her words pressing down upon them all. Gareth’s jaw clenched, a flash of anger crossing his face as he understood the depth of Roran’s treachery.
Roran’s gaze darted between Lysandra and her companions, calculating his next move. “It was nothing personal, love. Just business.”
Lysandra’s hand tightened around the hilt of her blade, the leather of her gloves creaking with the force of her grip. She wanted nothing more than to make him pay for his betrayal, to watch him suffer as she had suffered. But as she looked into his eyes, she saw a flicker of something else—regret, perhaps, or a hint of the man she had once loved.
She released her grip on the blade, her shoulders slumping slightly. “Leave,” she said, her voice barely above a whisper. “Leave now, and pray our paths never cross again.”
Roran hesitated for a moment, his gaze lingering on Lysandra’s face. Then, with a curt nod, he turned and signaled to his traveling companions. They melted back into the forest, disappearing as quickly as they had appeared.
Lysandra stood motionless, her eyes fixed on the spot where Roran had stood. Gareth stepped closer, his hand reaching out to touch her shoulder. “Are you alright?” he asked softly, his voice laced with concern.
She shook her head, a bitter smile tugging at her lips. “No,” she admitted, her voice barely audible over the rustling of the leaves. “But I will be.”
As they turned to rejoin their companions, Lysandra felt the weight of her past bearing down upon her. The betrayal still stung, a wound that had never truly healed. But as she looked at Gareth, at the unwavering support and understanding in his eyes, she knew that she was no longer alone. Together, they would face whatever challenges lay ahead, their bond stronger than any betrayal from the past.
Gareth’s heart ached as he watched Lysandra’s shoulders sag, the weight of her past visible in the slump of her posture. He wanted nothing more than to gather her in his arms, to shield her from the pain that haunted her emerald eyes. But he held back, unsure of how she would react, afraid of crossing a line that might shatter the fragile bond between them.
Lysandra took a deep breath, squaring her shoulders as she turned to face the group. “We should keep moving,” she said, her voice steady despite the turmoil Gareth knew she must be feeling. “The Treants are waiting for us.”
Alaric nodded, his piercing blue eyes softening with understanding. “Lead the way,” he said, gesturing for Lysandra to take point.
As they trekked deeper into the Silverwood forest, Gareth found himself gravitating towards Lysandra, his steps falling in sync with hers. He searched for the right words, wanting to offer comfort but unsure of how to broach the subject.
“You know,” he began, his voice low and gentle, “if you ever need to talk about… anything, I’m here for you.”
Lysandra glanced at him, a flicker of surprise in her eyes. “I appreciate the offer,” she said, a small smile tugging at the corner of her mouth, “but I’m fine, Gareth. Really.”
Gareth raised an eyebrow, his expression skeptical. “Are you sure about that?” he asked, his tone laced with a hint of dry sarcasm. “Because from where I’m standing, it looks like you’re carrying the weight of the world on those shoulders of yours.”
Lysandra’s eyes widened, a blush creeping up her neck at Gareth’s bold words. She opened her mouth to retort, but Gareth held up a hand, his expression softening.
“I’m not trying to pry,” he said, his voice earnest. “I just want you to know that you don’t have to face this alone. We’re a team, Lysandra. We’ve got your back, no matter what.”
For a moment, Lysandra was silent, her gaze searching Gareth’s face. Then, with a sigh, she nodded. “Thank you,” she said, her voice barely above a whisper. “I… I’ll keep that in mind.”
Gareth smiled, swelling with a mixture of relief and affection. He knew that Lysandra was not one to easily accept help, but the fact that she had acknowledged his offer meant more to him than he could express.
As they continued their journey, Gareth found himself stealing glances at Lysandra, admiring the way the dappled sunlight played across her chestnut hair, the determined set of her jaw as she navigated the treacherous terrain. He knew that his feelings for her were growing stronger with each passing day, but he also knew that now was not the time to act on them. Lysandra needed a friend, not a lovesick fool pining after her.
Unbeknownst to Gareth, Eadric had been observing the exchange between him and Lysandra with a knowing smile. The silver-haired scholar fell into step beside Gareth, his voice low and conspiratorial.
“You know,” he said, his brown eyes twinkling with mischief, “I’ve seen the way you look at her.”
Gareth’s head snapped towards Eadric, his eyes wide with surprise. “I don’t know what you’re talking about,” he said, his voice gruff.
Eadric chuckled, shaking his head. “Of course you don’t,” he said, his tone teasing. “But let me give you a piece of advice, my friend. Life is too short to waste time denying your heart’s desires.”
Gareth opened his mouth to protest, but Eadric held up a hand, his expression turning serious. “Trust me,” he said, his eyes distant with memory. “I know a thing or two about regret. Don’t let fear hold you back, Gareth. Embrace the moment, for you never know when it might slip away never to return.”
With those words, Eadric clapped Gareth on the shoulder and strode ahead, leaving the swordsman to ponder his advice. Gareth’s gaze drifted back to Lysandra. Perhaps Eadric was right. Perhaps it was time to stop hiding from his feelings and take a chance on someone.
But for now, they had a mission to complete, a kingdom to save. Gareth squared his shoulders, his hand resting on the hilt of his sword. Whatever the future held, he would face it head-on, with Lysandra by his side and the strength of their bond to guide them through the darkness.
Meanwhile, Alaric found himself seeking out Eadric’s counsel, the weight of his responsibilities heavy on his shoulders. The silver-haired scholar smiled as the king approached along the path, his brown eyes warm with understanding.
“What troubles you, my liege?” Eadric asked, his voice gentle.
Alaric sighed, running a hand through his dark hair. “Everything,” he admitted, his voice low. “The fate of Elyria rests on our shoulders, and I fear that I am not strong enough to bare the burden this time.”
Eadric placed a hand on Alaric’s shoulder, his touch comforting. “You are not alone in this, Alaric,” he said, his voice firm. “You have the support of your people, the loyalty of your companions, and the wisdom of those who came before you.”
Alaric’s brow furrowed, his blue eyes searching Eadric’s face. “You speak of my father,” he said, his voice barely above a whisper.
Eadric nodded, a wistful smile playing across his lips. “Your father was a great man,” he said, his voice distant with memory. “He faced many challenges during his reign, but he never lost sight of what truly mattered: the well-being of his people and the strength of his convictions.”
Alaric’s shoulders slumped, the weight of his father’s legacy bearing down upon him. “I fear that I will never live up to his example,” he confessed, his voice raw with emotion.
Eadric shook his head, his expression fierce. “You are not your father, Alaric,” he said, his voice strong and sure. “You are your own man, with your own strengths and your own path to forge. Your father would be proud of the leader you have become, of the courage and compassion you show in the face of adversity.”
Alaric’s eyes glistened with unshed tears, his throat tight with emotion. “Thank you, Eadric,” he said, his voice hoarse. “Your words mean more to me than you can know.”
Eadric smiled, his brown eyes soft with understanding. “I am here for you, my liege,” he said, his voice warm. “Always.”
As they continued their journey through the Silverwood forest, Alaric felt a renewed sense of purpose.
The ancient trees of Silverwood loomed above them, their gnarled branches reaching out like twisted fingers. Eadric’s brow furrowed as he studied the tome in his hands, Kaelithorne’s intricate script glimmering in the dappled sunlight. The book was a trove of knowledge, a guide through the treacherous terrain that lay ahead.
“The King of Dragons speaks of hidden paths,” Eadric murmured, his finger tracing the faded ink. “Trails that wind through the heart of the forest, known only to those who bear the mark of the ancient ones.”
Alaric stepped closer, his eyes scanning the dense undergrowth. “Can you decipher the riddles?” he asked, his voice low and urgent.
Eadric nodded, his gaze still fixed on the pages. “I believe so,” he said, his mind already working through the cryptic clues. “The first marker should be just ahead, a stone carved with the symbol of the moon.”
As they ventured deeper into the woods, Eadric took the lead, his keen eyes searching for the signs described in Kaelithorne’s tome. The group followed close behind, their senses heightened and their weapons at the ready.
Suddenly, a flurry of movement caught their attention. Tiny, luminous creatures darted through the air, their wings a blur of iridescent color. The Sprites hovered before them, their eyes glittering with mischief and mystery.
“Beware, travelers,” one of the Sprites whispered, its voice like the rustling of leaves. “The path ahead is fraught with danger, with traps that snare the unwary and creatures that hunger for flesh.”
Lysandra’s hand tightened on the hilt of her dagger, her eyes narrowing. “What sort of dangers?” she asked, her voice edged with suspicion.
The Sprite tilted its head, a cryptic smile playing across its delicate features. “The forest hides many secrets,” it replied, its voice a haunting melody. “Some are ancient, some are dark, and some are best left undisturbed.”
With those enigmatic words, the Sprites vanished, leaving only a faint shimmer in the air.
During a brief respite, Alaric stepped away from the group, his hand reaching for the magical communication device tucked beneath his tunic. The crystal pulsed with a soft, blue light as he activated it, his thoughts already reaching out to S’vyrra and the others left behind.
“S’vyrra,” he murmured, his voice low and urgent. “What news from the east?”
The device hummed, and S’vyrra’s voice echoed in his mind, her words tinged with concern. “My King,” she replied, her tone formal yet strained. “Ithic and Rivlet are preparing for their journey to the eastern shore. They have gathered a small group of our most skilled warriors, but the reports from the coast grow more troubling by the day.”
Alaric frowned, his brow furrowed. “What have you learned?” he asked, his grip tightening on the device.
“The darkness spreads,” S’vyrra said, her voice heavy with worry. “Villages have fallen silent, and strange creatures have been spotted along the shoreline. We must act quickly, my King, before the evil takes root.”
Alaric nodded, his jaw clenched with determination. “Understood,” he said, his voice firm. “Tell Ithic and Rivlet to proceed with caution, but to waste no time. We will continue our quest here, but the fate of the kingdom rests on their success. Once we finish our quest, we will regroup and meet up with Rivlet and his Regiment.”
As the connection faded, Alaric turned back to the group, his eyes shadowed with urgency. “We must press on,” he said, his voice ringing with authority. “The dangers we face here pale in comparison to the threat that looms on the eastern shore.”
The group waded through the snow-laden forest, their boots sinking into the soft carpet of powdery white that blanketed the ground. The underbrush was dense, the trees towering overhead, casting long shadows over the trail. The air was crisp and biting, carrying with it the fresh scent of pine needles and frosty breaths. The silence was deafening, broken only by the crunch of snow underfoot and the occasional whispered exchange between the members.
As they trudged deeper into the woods, a sense of foreboding began to settle over them like a heavy cloak. The path ahead was obscured by thick fog, swirling and dancing around the trees like ethereal ghosts. The air grew colder still as they pushed onward; an icy chill creeping up their spines despite the warmth from their coats and firewood packs.
Suddenly there was movement ahead; something large crashing through the underbrush towards them. Their hearts pounded in their chests as they readied their weapons and peered into the foggy gloom ahead. Whatever it was, it was coming straight for them – fast!
The silence was shattered by a blood-curdling scream that echoed through the forest. Out of the darkness, a horde of twisted creatures emerged, their distorted forms illuminated by the dim light of the moon. Their bodies were grotesque, resembling a fusion of rotting flesh and bone, with jagged protrusions jutting out at odd angles. The stench of decay and rot was overwhelming, making it difficult to breathe. As they advanced towards the group, their eyes glowed with a malevolent green light, reflecting their hunger and malice. Their claws scraped against the trees, leaving behind trails of slime and gore in the snow. You could hear the low growls emanating from their throats. These monstrous beings that seemed to have emerged from the depths of hell itself.
Lysandra not hesitating moved like a blur, her daggers flashing in the dappled sunlight. She danced among the creatures, her movements graceful and deadly as she teleported in and out, striking at their weak points with ruthless precision.
Gareth’s heart raced as he charged through the thick of the battle, his Holy sword slicing through the air with a resounding clang. The corrupted swarm writhed before him, their twisted flesh offering little resistance against his powerful strikes. He could feel the heat emanating from his sword as it cleaved deeper into the putrid mass, releasing an acrid stench that burned his nostrils.
Despite the ferocity of the onslaught, Gareth stood tall, his powerful holy magic and imposing frame serving as a bulwark against the relentless assault. However, there were just to many. The creatures landed heavy blows upon him, their claws tearing into his armor and leaving gashes in his flesh. But each time they struck, he shrugged off the pain with a grunt of determination, leaving behind bruises and cuts that only served to fuel his rage.
With every step forward, Gareth could feel the ground shake beneath him as he pressed deeper into the heart of darkness. His mind was focused on one thing alone – to end this abomination once and for all. And with each swing of his sword, he drew closer to achieving that goal.
Eadric’s voice boomed above the chaos, resonating with a demonic power. His hands moved in intricate patterns, tracing symbols that glimmered with ethereal light. The air around him crackled with energy as he chanted under his breath, weaving a tapestry of magic.
Suddenly, walls of flame erupted from the ground, forming a fiery barrier that shielded his companions from the onslaught of monstrous creatures. The heat was palpable, searing the skin and singeing hair. The smell of burning flesh and sulfur filled the air, mingling with the sound of screeching beasts and clashing steel. the ground smoked from the intense flash of fire.
In response to the flames, bolts of lightning danced across the sky, illuminating the battlefield in brilliant flashes. They struck down violently upon the monsters, leaving scorch marks in their wake. The thunderous booms echoed through the hills, shaking the very ground beneath their feet.
Despite the ferocity of the attack, Eadric remained calm and focused. His eyes glowed with an devilish determination as he continued to weave his spellwork. With each passing moment, the creatures grew more desperate, their attacks becoming more frenzied. But still they were no match for the power of Eadric’s magic.
Meanwhile Alaric was fighting with a grim resolve, his two swords dancing through the air in a deadly ballet of steel and blood. The battlefield was a chaotic mess of screams and clashing blades, but he moved through it like a ghost, his nimble footwork allowing him to dodge and weave past the grasping claws and snapping jaws of the monstrous creatures that assailed him. His eyes were fierce orbs of determination, scanning the battlefield for any sign of weakness or opportunity.
His voice cut through the din of battle, a commanding roar that rallied his companions to greater heights. They followed him into the fray, their swords and axes echoing his rhythm as they struck true against their foes. Together, they formed a wall of steel and courage, holding back the overwhelming tide of darkness that threatened to engulf them all.
The battle raged on, the air filled with the clash of steel and the howls of the twisted beasts. The group fought with a desperate ferocity, their skills pushed to the limit as they struggled to hold back the tide of corruption.
Just when it felt like the evil horde would overwhelm them, a thunderous crash echoed through the trees. The forest guardians had arrived, crashing into the fray with ferocity. Their presence turned the tide of battle, providing a much-needed reprieve for Gareth and his companions.
The final blow echoed through the battlefield as the last creature collapsed, its lifeless form disintegrating into a thick, malodorous sludge that oozed into the cracked earth beneath their feet. The air was heavy with the acrid stench of death and decay, mingling with the metallic tang of freshly drawn blood. The group stood in silence, their heaving chests rising and falling in unison as they struggled to catch their breath. Sweat dripped from their brows, stinging their eyes as they surveyed the carnage around them. Their weapons and armor were caked with the dark, viscous residue of their enemies, each groove and crevice bearing testament to the ferocity of the battle they had just survived. and just as fast as the Forest Guardians appeared they vanished into thin air leaving behind specks of flickering golden light for a moment as they vanished.
Lysandra’s body sagged against the rough bark of the tree, her eyes glazed over with fatigue. Each breath she took was heavy as if she carried the weight of the world on her shoulders. A deep gash carved through her armor, exposing a raw and bloody wound on her outer upper thigh. The metallic scent of blood mingled with the earthy smell of freshly turned soil, making it difficult for Gareth to swallow past the lump forming in his throat. He limped towards her, his own injuries momentarily forgotten as he reached out to steady her trembling form.
“Are you alright?” he asked gruffly, his brow furrowed with concern.
Lysandra managed a weak smile. “I’ve had worse,” she quipped, but the pain in her eyes belied her casual tone.
Eadric moved among the group, his hands glowing with a soft, golden light as he tended to their wounds. The magic knitting flesh and soothing aches. Yet even as he worked, a deep unease settled over him.
“This is only the beginning,” he murmured, his gaze distant. “The corruption spreads like a cancer, tainting all it touches. We must find a way to stop it, before it consumes everything.”
Alaric nodded grimly, his face etched with weariness. He pulled a small vile from his pack and threw it back. slowly his wounds started to close up. “We’ll take a few days to rest and gather our strength,” he said, his voice heavy and worn. “Then we press on. We cannot falter, not now.”
The group made camp in a small clearing, tending to their injuries and repairing their gear. The mood was somber, the reality of their quest settling over them like a shroud.
Lysandra sat by the fire, her eyes fixed on the dancing flames. Her mind wandered to the stranger they had encountered earlier, the one who had stirred up old memories and unresolved feelings. She shook her head, pushing the thoughts aside. There was no time for distractions she thought.
Gareth watched Lysandra from across the camp, unsure if he should talk to her. He knew that their mission demanded all of their focus, all of their strength. Yet in moments like these, when the shadows closed in and the future seemed so uncertain, he couldn’t help but wonder what might have been.
As the day passed and their wounds fully healed, the group repacked their gear ready to continue the quest. They knew that the road ahead would be long and perilous, that the forces arrayed against them were vast and terrible. But they also knew that they had each other, and that together, they just might stand a chance.
Gareth approached Lysandra, his steps slow and measured. He sat down beside her, the warmth of the fire a welcome respite from the chill that had settled in his bones. For a moment, they sat in silence, each lost in their own thoughts.
“I’m sorry,” Gareth said at last, his voice low and gruff. “For earlier. I shouldn’t have…”
Lysandra looked at Gareth dead eyed for a moment then shook her head, a rueful smile playing at the corners of her mouth. “No, it’s not your fault. I just… I have a lot of baggage, you know? Things I’ve done. It’s not easy to let that go. Nor is it easy to explain it.”
Gareth nodded, his eyes fixed on the flames. “We all have our secrets, our regrets. But that’s not who you are, not anymore. You’re one of us now, an Iron Guardian, and we’ve got your back, no matter what.”
Lysandra felt a warmth bloom in her stomach, a feeling she’d thought long dead. “Thank you,” she whispered, her voice thick with emotion. “I kinda figured that back at that creepy abandoned town though.” she said as she looked at the fire slowly grabbing Gareth’s hand and gently holding it with hers as they sat.
They sat like that for a while, their fingers intertwined, the crackling of the fire the only sound in the stillness of the night. Lysandra felt a tension building between them, a yearning that she knew they could never act upon. Not now, not with so much at stake.
As if sensing her thoughts, Gareth cleared his throat and stood up slowly, his armor clinking softly. “I should get some rest,” he said, his voice gruff once more. “The Treants said they had something to show us in the morning.”
Lysandra nodded, pushing herself to her feet. She knew that whatever lay ahead, they would face it together, bound by a bond stronger than any magic.
As dawn broke over Silverwood Forest, an ethereal chill swept through the camp. The Treants stood at its edge, their eyes glistening with a pale light that danced in the early morning mist. One of them spoke, its voice rustling like leaves in autumn winds.
“You have done us a great service,” they said solemnly. “In return for your help saving our home, we offer you a clear path – a way forward through this darkness. It will not be safe, nor will it be quick.”
With a powerful gesture that caused the air around them to shimmer and shift like water rippling on a pond, they revealed a hidden trail that wound deeper into the heart of the forest – towards Snowmelt Trade City. But this was no ordinary path; it was fraught with more danger – corruption spread like a plague here; creatures twisted by its influence lurked in every shadowy corner. The Treants warned them to be vigilant and brave as they embarked on this perilous journey – their survival depended on it…
Alaric stepped forward, his eyes hard with determination. “This darkness, this evil has spread faster than I imagined. We understand the risks, that’s why we’re hear” he said, his voice steady. “But we have no choice. We must press on, no matter the cost.”
The Treant nodded, its branches swaying in the breeze. “Then go with our blessing, and may the gods watch over you.”
As the group gathered their gear and prepared to set out, Lysandra caught Gareth’s eye. In that moment, a silent understanding passed between them – a promise that no matter what lay ahead, they would face it together, bound by a love that could never be spoken aloud.
With a final nod to the Treants, they stepped onto the hidden path, the unknown stretching out before them like a vast and uncharted sea. The Silverwood forest closed in around them, its secrets whispering in the wind, and they knew that their journey had only just begun.
The crunch of snow beneath their boots echoed through the stillness of the forest as they moved forward, the ancient trees looming over them like silent sentinels. Alaric led the way, his hand resting on the hilt of his sword, his eyes scanning the shadows for any sign of danger.
Behind him, Lysandra and Gareth walked side by side, their shoulders brushing with each step. The tension between them was palpable, a crackling energy that seemed to dance in the air like static.
Eadric was bringing up the rear, looking back as the path entrance sealed up.
“Do you think we’ll make it to Snowmelt before winter sets in fully?” Gareth asked, his deep voice cutting through the silence.
Alaric glanced back over his shoulder, his brow furrowed. “It’s hard to say,” he replied. “The Treants warned us that the path is treacherous, and we have no way of knowing what obstacles we may face.”
Eadric nodded, his expression grave. “We must be prepared for anything,” he said, his fingers tightening around his staff. “The corruption that plagues these woods is not to be underestimated. It will only grow stronger the closer we get to the source of the magic.” he said just above a whisper, cautiously with a look of unease in his eyes.
As they pressed deeper into the forest, the trees seemed to close in around them, their branches reaching out like grasping fingers. The air grew colder, and a thin mist began to swirl around their feet, obscuring the path ahead.
Lysandra shivered, pulling her cloak tighter around her shoulders. She could feel the weight of the forest’s gaze upon her, as if the very trees were watching their every move. Beside her, Gareth’s hand brushed against hers, and she felt a jolt of electricity shoot through her veins.
“Are you alright?” Gareth murmured, his voice low and intimate.
She nodded, not trusting herself to speak. The memory of their earlier conversation hung between them, the unspoken words thick in the air.
Suddenly, a twig snapped in the undergrowth, and the group froze, their hands flying to their weapons. Alaric held up a hand, his eyes narrowed as he scanned the surrounding trees.
“What was that?” Lysandra whispered, her heart pounding in her chest.
Gareth shook his head, his jaw clenched. “I don’t know,” he replied, his voice tense. “But whatever it is, it’s close.”
They waited, barely daring to breathe, as the seconds ticked by. The forest seemed to hold its breath, the only sound the distant cry of a raven.
And then, without warning, the attack came.
Spellwork crackled through the air, a volatile energy pulsing with each casting. The creatures lunged and snarled, their vicious attacks growing more frenzied by the moment. Eadric stood firm, his magic a shield against their onslaught.
In the heart of the chaos, Alaric moved with lethal grace, his blades a symphony of death in the tumultuous dance of battle. The clang of steel and roar of beasts blended into a cacophony around him, but he remained a ghostly figure, dodging and striking with precision.
“Watch your left, Alaric!” Lysandra’s voice cut through the clamor as she fought back-to-back with Gareth, their movements synchronized in a deadly rhythm. Their weapons flashed in the dim light, each strike finding its mark.
Gareth let out a grunt as he swung his massive sword, his muscles bulging with each blow. “Just hold them back for a moment!” He yelled to Lysandra, his voice strained. Quickly, he dropped down onto one knee and drove his sword into the ground.
“Alaric, behind you!” Eadric’s warning came just in time as Alaric spun to parry a massive clawed strike, his swords ringing out in protest against the creature’s hide.
“Stay focused! We can do this!” Alaric bellowed, his voice a commanding presence amidst the chaos. His companions rallied around him, their resolve unwavering.
Lysandra dancing around Gareth throwing dagger after dagger faster and faster trying to keep up with the unsightly creatures. Her breath came in ragged gasps as she parried another blow from an unseen foe before spinning away just in time to avoid being impaled upon some foul creature’s tusk or talon – sweat glistening on skin already slick with blood from earlier wounds sustained during this never-ending dance through hell itself where death lurked around every corner waiting patiently for its next meal
“I CAST YOU FROM THIS PLANE!” Gareth commanded at the creatures. With a flick of his wrist, a faint blue glow emanated from the weapon before a powerful burst of energy exploded outward vaporizing anything evil within it.
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Imprinted Image: Why aren’t there more fan comics?
Comics Link Roundup April 24
John Byrne, the artist behind some of the most classic X-Men stories like the Dark Phoenix Saga and Days of Future Past, has X-Men fan-fiction. Quite literally, he drew something like 30 issues of comics for his website under the premise “what if I never left the franchise?” Incredibly, Marvel is actually collecting and publishing this material! Beyond the Byrne of it all, however, this does make me wonder: why aren’t there more fan-fiction comics?
In Japan, for example, there is a thriving scene of doujinshi, self-published print works that often use copy-written characters. Many amateur mangaka get their start in this scene, and even professionals participate to avoid the strictures of formal publishing. The market for such works in the US is paltry, comparatively. Artists like Jeremy Hyler have done Batman fan-comics that they sell on their websites, but there aren’t major conventions like there are in Japan. Perhaps it is the difference in copyright culture in America.
I think there is something to the difference in scenes. In the US, the underground comix scene is, painting with a broad brush, positioned against the superhero comics industry. The people who go to zine fests and other self-published conventions in the US usually aren’t the same people who want to draw Spider-Man. Similarly, while you do see some “derivative” work in the webcomics space, it usually isn’t trying to do the same thing as “mainstream” comics. They’ll use superheroes, but for gag pages. Occasionally you’ll see a slice-of-life fan-fiction comic. I’m not as well-versed in this scene, but I could imagine that there is more of a priority placed on original characters and content in the US webcomic space.
Finally, drawing is incredibly time intensive. Compare it to the amount of time it takes to write fan-fiction and you could see why artists might not want to spend their limited free time on works that they don’t feel passionate about. Additionally, drawing arguably takes more time to get good at than writing. Certainly it is more readily apparent when it is “bad.” Ease of entry is one of the drivers for sharing fan-fiction, and even a small difference in difficulty could lead to a massive difference in amount shared online.
What are your thoughts? Am I even correct that there aren’t many fan-fiction comics akin to Japanese doujinshi, or have I not looked in the right spaces? Let me know in the comments!
Last week, I made a comic! It’s a two-page mini-zine, and you can read it for free here. But! If you would like a cool print version mailed you, there are two ways you can do that. Either support me on Patreon to get this and any future physical media I do, or buy it on Ko-fi for as low as $ 1.
I also have a behind the scenes video previewing the physical mini-comic, as well as some behind-the-scenes information on my inspiration.
Welcome to Imprinted Image, my semi-weekly comics newsletter. If this is your first time, welcome! This is the best way to keep up with my comics blog. After links to my most recent writing, I’ll provide a roundup of comics industry links. This can be news, media, criticism, or anything that I personally found interesting.
Please don’t forget about the resources tab on this website. It’s a collection of reading guides, tutorials, and free legal resources like public domain image archives. I want this to be as useful as possible, so if you have any additions please send them my way.
Divining Comics is sponsored by readers like you
I have a Patreon! For as little as $3 a month, you can keep the lights on at this blog and get your name at the bottom of every article. At higher tiers, you can vote in monthly Patreon polls and more! Anything you can offer means the world to me, and I cherish all my supporters.
Support Divining Comics on PatreonComics Challenge YouTube
I designed and am participating in a comics challenge this year, alongside some friends in the My Marvelous Year community. I have picked 52 comics from 52 categories, shown below. I’d love for you to participate and comment along as you are reading! Note that on this list, categories that match with episodes from the Extra Issues podcast.
Comic Challenge Extra Issues Edition 2026DownloadI decided to create a YouTube documenting my reading journey! MAGAZINE MARCH has almost concluded. Recently I published videos on SIN CITY and JACK KIRBY’S FOURTH WORLD, the latter of which was done in conversation with Matt Bernico of the Magnificast Podcast. Pre-order his book!
I’ve also been doing little shorts where I poorly read a scene I liked from these comics. I guess shortform video gets juiced in the algorithm because they have been blowing up. You can check out the playlist of them here.
It would mean the world to me if, in addition to watching this video, you subscribed to my channel and gave the video a like. No one knows exactly how the black box of social media algorithms work, but I do know that if you interact with the video in different ways, YouTube might show it to more people who would be interested. The other easy way you can help is by sharing this video with a comic fan in your life!
Link Roundup
News:
Disney Layoffs
Disney fired a massive number of their workers. This includes a number of people at Marvel comics, like former Head of Sales David Gabriel and 3 comics editors.Awards
Several comics won the LA Times Book Prize, including LIFE DRAWING by Jaime Hernandez and ANGELICA by Trung Le Nguyen.Jeopardy
Comics writer Tini Howard was on Jeopardy!Comics, Adapted (Into New Comics)
SOMETHING IS KILLING THE CHILDREN is coming to Webtoon. A number of Western, print-original comics are getting adapted into infinite-scroll digital comics. This is an interesting trend worth keeping an eye on.Social Media Sucks
Syundei, the creator of a popular manga, GO FOR IT NAKAMURA!, was bullied off of Twitter.Writing:
SKTCHD interviewed Rafael Albequerque on his design work for ABSOLUTE GREEN ARROW and Ram V. on the new series he is writing, DECIDIUM.
Shelfdust published a David Brothers piece looking at GINGER, a pay-what-you-want comic by Victor Santos available on Panel Syndicate, Brian K. Vaughan, Marcos Martin, and Muntsa Vicente’s website to publish digital-first comics. They also published a piece on the history of Batman’s wealth, noting the times when it started to become a problem for the narrative.
Anime Herald published an article examining an interesting question: why aren’t there more anime and manga about marijuana?
Comic Book Herald updated his Best Superhero Comics of All Time list with his favorite superhero comics of 2026.
Humble Bundle has a few packs of digital comics you can buy for cheap: Complete Terry Moore. Kana-Manga Mini Bundle.
Similar site Digifile has a huge collection of pre-Absolute Image comics from Absolute creators.Other News Roundups:
SKTCHD’s Comics Disassembled: 4/17.
Comics Beat’s biweekly Digest: 4/14. 4/17. 4/21.
The Comics Journal’s weekly links to New, Reviews, and Interviews: 4/17. 4/24.Very Limited Data Bestseller Lists from the past few weeks:
Weekly Top 400 Bestseller List from Prana / Comic Shop Assistant: 4/17.
Weekly Bestseller List from Bleeding Cool / ComicHub: 4/11. 4/19.Weekly “Hottest Comics” from Bleeding Cool / Covrprice: 4/14. 4/21.
Most Anticipated Comics from Bleeding Cool / League of Comic Geeks: 4/13. 4/19.
Top March Comics from ICv2 / Circana Bookscan: Author, Manga, and Superhero Graphic Novels. Adults Graphic Novels.BEN TEN # 1 sold 82,000 copies to comic shops. An enterprising data nerd could take that data, combine it will the charts that map sales as a percentage of the top seller, and calculate actual market size.
Image puts out their Top 10 selling comics for March.
Popverse gets in to just how many units are being sold of each issue of ABSOLUTE BATMAN. Spoiler alert – it’s more than each issue of the New 52 BATMAN was selling.
DC expands its market share over Marvel in 2026 Q1.
My favorite video and podcasts:
Podcasts:
OFF PANEL had on Julia Wertz to discuss BURY ME ALREADY and Pornsak Pichetshote about ABSOLUTE GREEN ARROW.
LET’S TALK COMICS had on Charlie Adlard to talk OF THE EARTH.
MY MARVELOUS YEAR posted 2014 pt. 3 covering DEADPOOL, DR. STRANGE, and THE ILLUMINATI, and 2014 pt. 4, talking DAREDEVIL and the debut of MS. MARVEL. Their sister podcast EXTRA ISSUES posted to the public feed Osamu Tezuka pt 4: AYOKO and BUDDHA and to the early access Patreon feed a smattering of Don Rosa SCROOGE issues.
YouTube:
MATTTT (that’s Matt with 4 Ts) has a new channel, MATTTTTTTT (Matt with 8 Ts) where he posts more casual videos, like a critique of the “Blind Bag” trend, a look at John Byrne’s ELSEWHEN X-Men fan comics, and his 14 favorite Graphic Novels of 2025.
COMICTROPES had a video on Spider-Man’s marriage.
COMICBOOK COUPLE’S COUNSELING continued season 2 of their miniseries “The Stacks,” where they have industry people select comics to talk about from the shelves of Third Eye Comics, like the Criterion Closet, with Tony Fleecs (writer of STRAY DOGS and FERAL), and Curt Pires (writer of LOST FANTASY and FIREBORN)
SKTCHD published a video conversation with Chip Zdarsky.
What the hell, I’ll plug my YouTube again. Watch me talk about SIN CITY and JACK KIRBY’S FOURTH WORLD.
Divining Comics is brought to you by generous support from the “Best Friends of Divining Comics,” Alex Seubert.
Divining Comics is also brought to you by the support of the “Friends of Divining Comics,” Comic Book Herald.
If you would like to add your name to the list of friends, best friends, or best friends forever, support this work for less than the cost of one cup of coffee a month at patreon.com/diviningcomics. You can also leave a one-time tip/buy my zines at ko-fi.com/spikestonehand. Follow me on YouTube, Twitter, Instagram, and Bluesky and share my posts there.
#art #books #ComicBooks #comics #criticism #dcComics #fiction #graphicNovels #ImprintedImage #links #marvel #marvelComics #reviews #Writing -
Imprinted Image: Comics Link Roundup April 24
Why aren’t there more fan comics?
John Byrne, the artist behind some of the most classic X-Men stories like the Dark Phoenix Saga and Days of Future Past, has X-Men fan-fiction. Quite literally, he drew something like 30 issues of comics for his website under the premise “what if I never left the franchise?” Incredibly, Marvel is actually collecting and publishing this material! Beyond the Byrne of it all, however, this does make me wonder: why aren’t there more fan-fiction comics?
In Japan, for example, there is a thriving scene of doujinshi, self-published print works that often use copy-written characters. Many amateur mangaka get their start in this scene, and even professionals participate to avoid the strictures of formal publishing. The market for such works in the US is paltry, comparatively. Artists like Jeremy Hyler have done Batman fan-comics that they sell on their websites, but there aren’t major conventions like there are in Japan. Perhaps it is the difference in copyright culture in America.
I think there is something to the difference in scenes. In the US, the underground comix scene is, painting with a broad brush, positioned against the superhero comics industry. The people who go to zine fests and other self-published conventions in the US usually aren’t the same people who want to draw Spider-Man. Similarly, while you do see some “derivative” work in the webcomics space, it usually isn’t trying to do the same thing as “mainstream” comics. They’ll use superheroes, but for gag pages. Occasionally you’ll see a slice-of-life fan-fiction comic. I’m not as well-versed in this scene, but I could imagine that there is more of a priority placed on original characters and content in the US webcomic space.
Finally, drawing is incredibly time intensive. Compare it to the amount of time it takes to write fan-fiction and you could see why artists might not want to spend their limited free time on works that they don’t feel passionate about. Additionally, drawing arguably takes more time to get good at than writing. Certainly it is more readily apparent when it is “bad.” Ease of entry is one of the drivers for sharing fan-fiction, and even a small difference in difficulty could lead to a massive difference in amount shared online.
What are your thoughts? Am I even correct that there aren’t many fan-fiction comics akin to Japanese doujinshi, or have I not looked in the right spaces? Let me know in the comments!
Last week, I made a comic! It’s a two-page mini-zine, and you can read it for free here. But! If you would like a cool print version mailed you, there are two ways you can do that. Either support me on Patreon to get this and any future physical media I do, or buy it on Ko-fi for as low as $ 1.
I also have a behind the scenes video previewing the physical mini-comic, as well as some behind-the-scenes information on my inspiration.
Welcome to Imprinted Image, my semi-weekly comics newsletter. If this is your first time, welcome! This is the best way to keep up with my comics blog. After links to my most recent writing, I’ll provide a roundup of comics industry links. This can be news, media, criticism, or anything that I personally found interesting.
Please don’t forget about the resources tab on this website. It’s a collection of reading guides, tutorials, and free legal resources like public domain image archives. I want this to be as useful as possible, so if you have any additions please send them my way.
Divining Comics is sponsored by readers like you
I have a Patreon! For as little as $3 a month, you can keep the lights on at this blog and get your name at the bottom of every article. At higher tiers, you can vote in monthly Patreon polls and more! Anything you can offer means the world to me, and I cherish all my supporters.
Support Divining Comics on PatreonComics Challenge YouTube
I designed and am participating in a comics challenge this year, alongside some friends in the My Marvelous Year community. I have picked 52 comics from 52 categories, shown below. I’d love for you to participate and comment along as you are reading! Note that on this list, categories that match with episodes from the Extra Issues podcast.
Comic Challenge Extra Issues Edition 2026DownloadI decided to create a YouTube documenting my reading journey! MAGAZINE MARCH has almost concluded. Recently I published videos on SIN CITY and JACK KIRBY’S FOURTH WORLD, the latter of which was done in conversation with Matt Bernico of the Magnificast Podcast. Pre-order his book!
I’ve also been doing little shorts where I poorly read a scene I liked from these comics. I guess shortform video gets juiced in the algorithm because they have been blowing up. You can check out the playlist of them here.
It would mean the world to me if, in addition to watching this video, you subscribed to my channel and gave the video a like. No one knows exactly how the black box of social media algorithms work, but I do know that if you interact with the video in different ways, YouTube might show it to more people who would be interested. The other easy way you can help is by sharing this video with a comic fan in your life!
Link Roundup
News:
Disney Layoffs
Disney fired a massive number of their workers. This includes a number of people at Marvel comics, like former Head of Sales David Gabriel and 3 comics editors.Awards
Several comics won the LA Times Book Prize, including LIFE DRAWING by Jaime Hernandez and ANGELICA by Trung Le Nguyen.Jeopardy
Comics writer Tini Howard was on Jeopardy!Comics, Adapted (Into New Comics)
SOMETHING IS KILLING THE CHILDREN is coming to Webtoon. A number of Western, print-original comics are getting adapted into infinite-scroll digital comics. This is an interesting trend worth keeping an eye on.Social Media Sucks
Syundei, the creator of a popular manga, GO FOR IT NAKAMURA!, was bullied off of Twitter.Writing:
SKTCHD interviewed Rafael Albequerque on his design work for ABSOLUTE GREEN ARROW and Ram V. on the new series he is writing, DECIDIUM.
Shelfdust published a David Brothers piece looking at GINGER, a pay-what-you-want comic by Victor Santos available on Panel Syndicate, Brian K. Vaughan, Marcos Martin, and Muntsa Vicente’s website to publish digital-first comics. They also published a piece on the history of Batman’s wealth, noting the times when it started to become a problem for the narrative.
Anime Herald published an article examining an interesting question: why aren’t there more anime and manga about marijuana?
Comic Book Herald updated his Best Superhero Comics of All Time list with his favorite superhero comics of 2026.
Humble Bundle has a few packs of digital comics you can buy for cheap: Complete Terry Moore. Kana-Manga Mini Bundle.
Similar site Digifile has a huge collection of pre-Absolute Image comics from Absolute creators.Other News Roundups:
SKTCHD’s Comics Disassembled: 4/17.
Comics Beat’s biweekly Digest: 4/14. 4/17. 4/21.
The Comics Journal’s weekly links to New, Reviews, and Interviews: 4/17. 4/24.Very Limited Data Bestseller Lists from the past few weeks:
Weekly Top 400 Bestseller List from Prana / Comic Shop Assistant: 4/17.
Weekly Bestseller List from Bleeding Cool / ComicHub: 4/11. 4/19.Weekly “Hottest Comics” from Bleeding Cool / Covrprice: 4/14. 4/21.
Most Anticipated Comics from Bleeding Cool / League of Comic Geeks: 4/13. 4/19.
Top March Comics from ICv2 / Circana Bookscan: Author, Manga, and Superhero Graphic Novels. Adults Graphic Novels.BEN TEN # 1 sold 82,000 copies to comic shops. An enterprising data nerd could take that data, combine it will the charts that map sales as a percentage of the top seller, and calculate actual market size.
Image puts out their Top 10 selling comics for March.
Popverse gets in to just how many units are being sold of each issue of ABSOLUTE BATMAN. Spoiler alert – it’s more than each issue of the New 52 BATMAN was selling.
DC expands its market share over Marvel in 2026 Q1.
My favorite video and podcasts:
Podcasts:
OFF PANEL had on Julia Wertz to discuss BURY ME ALREADY and Pornsak Pichetshote about ABSOLUTE GREEN ARROW.
LET’S TALK COMICS had on Charlie Adlard to talk OF THE EARTH.
MY MARVELOUS YEAR posted 2014 pt. 3 covering DEADPOOL, DR. STRANGE, and THE ILLUMINATI, and 2014 pt. 4, talking DAREDEVIL and the debut of MS. MARVEL. Their sister podcast EXTRA ISSUES posted to the public feed Osamu Tezuka pt 4: AYOKO and BUDDHA and to the early access Patreon feed a smattering of Don Rosa SCROOGE issues.
YouTube:
MATTTT (that’s Matt with 4 Ts) has a new channel, MATTTTTTTT (Matt with 8 Ts) where he posts more casual videos, like a critique of the “Blind Bag” trend, a look at John Byrne’s ELSEWHEN X-Men fan comics, and his 14 favorite Graphic Novels of 2025.
COMICTROPES had a video on Spider-Man’s marriage.
COMICBOOK COUPLE’S COUNSELING continued season 2 of their miniseries “The Stacks,” where they have industry people select comics to talk about from the shelves of Third Eye Comics, like the Criterion Closet, with Tony Fleecs (writer of STRAY DOGS and FERAL), and Curt Pires (writer of LOST FANTASY and FIREBORN)
SKTCHD published a video conversation with Chip Zdarsky.
What the hell, I’ll plug my YouTube again. Watch me talk about SIN CITY and JACK KIRBY’S FOURTH WORLD.
Divining Comics is brought to you by generous support from the “Best Friends of Divining Comics,” Alex Seubert.
Divining Comics is also brought to you by the support of the “Friends of Divining Comics,” Comic Book Herald.
If you would like to add your name to the list of friends, best friends, or best friends forever, support this work for less than the cost of one cup of coffee a month at patreon.com/diviningcomics. You can also leave a one-time tip/buy my zines at ko-fi.com/spikestonehand. Follow me on YouTube, Twitter, Instagram, and Bluesky and share my posts there.
#art #books #ComicBooks #comics #criticism #dcComics #fiction #graphicNovels #ImprintedImage #links #marvel #marvelComics #reviews #Writing -
Imprinted Image: Why aren’t there more fan comics?
Comics Link Roundup April 24
John Byrne, the artist behind some of the most classic X-Men stories like the Dark Phoenix Saga and Days of Future Past, has X-Men fan-fiction. Quite literally, he drew something like 30 issues of comics for his website under the premise “what if I never left the franchise?” Incredibly, Marvel is actually collecting and publishing this material! Beyond the Byrne of it all, however, this does make me wonder: why aren’t there more fan-fiction comics?
In Japan, for example, there is a thriving scene of doujinshi, self-published print works that often use copy-written characters. Many amateur mangaka get their start in this scene, and even professionals participate to avoid the strictures of formal publishing. The market for such works in the US is paltry, comparatively. Artists like Jeremy Hyler have done Batman fan-comics that they sell on their websites, but there aren’t major conventions like there are in Japan. Perhaps it is the difference in copyright culture in America.
I think there is something to the difference in scenes. In the US, the underground comix scene is, painting with a broad brush, positioned against the superhero comics industry. The people who go to zine fests and other self-published conventions in the US usually aren’t the same people who want to draw Spider-Man. Similarly, while you do see some “derivative” work in the webcomics space, it usually isn’t trying to do the same thing as “mainstream” comics. They’ll use superheroes, but for gag pages. Occasionally you’ll see a slice-of-life fan-fiction comic. I’m not as well-versed in this scene, but I could imagine that there is more of a priority placed on original characters and content in the US webcomic space.
Finally, drawing is incredibly time intensive. Compare it to the amount of time it takes to write fan-fiction and you could see why artists might not want to spend their limited free time on works that they don’t feel passionate about. Additionally, drawing arguably takes more time to get good at than writing. Certainly it is more readily apparent when it is “bad.” Ease of entry is one of the drivers for sharing fan-fiction, and even a small difference in difficulty could lead to a massive difference in amount shared online.
What are your thoughts? Am I even correct that there aren’t many fan-fiction comics akin to Japanese doujinshi, or have I not looked in the right spaces? Let me know in the comments!
Last week, I made a comic! It’s a two-page mini-zine, and you can read it for free here. But! If you would like a cool print version mailed you, there are two ways you can do that. Either support me on Patreon to get this and any future physical media I do, or buy it on Ko-fi for as low as $ 1.
I also have a behind the scenes video previewing the physical mini-comic, as well as some behind-the-scenes information on my inspiration.
Welcome to Imprinted Image, my semi-weekly comics newsletter. If this is your first time, welcome! This is the best way to keep up with my comics blog. After links to my most recent writing, I’ll provide a roundup of comics industry links. This can be news, media, criticism, or anything that I personally found interesting.
Please don’t forget about the resources tab on this website. It’s a collection of reading guides, tutorials, and free legal resources like public domain image archives. I want this to be as useful as possible, so if you have any additions please send them my way.
Divining Comics is sponsored by readers like you
I have a Patreon! For as little as $3 a month, you can keep the lights on at this blog and get your name at the bottom of every article. At higher tiers, you can vote in monthly Patreon polls and more! Anything you can offer means the world to me, and I cherish all my supporters.
Support Divining Comics on PatreonComics Challenge YouTube
I designed and am participating in a comics challenge this year, alongside some friends in the My Marvelous Year community. I have picked 52 comics from 52 categories, shown below. I’d love for you to participate and comment along as you are reading! Note that on this list, categories that match with episodes from the Extra Issues podcast.
Comic Challenge Extra Issues Edition 2026DownloadI decided to create a YouTube documenting my reading journey! MAGAZINE MARCH has almost concluded. Recently I published videos on SIN CITY and JACK KIRBY’S FOURTH WORLD, the latter of which was done in conversation with Matt Bernico of the Magnificast Podcast. Pre-order his book!
I’ve also been doing little shorts where I poorly read a scene I liked from these comics. I guess shortform video gets juiced in the algorithm because they have been blowing up. You can check out the playlist of them here.
It would mean the world to me if, in addition to watching this video, you subscribed to my channel and gave the video a like. No one knows exactly how the black box of social media algorithms work, but I do know that if you interact with the video in different ways, YouTube might show it to more people who would be interested. The other easy way you can help is by sharing this video with a comic fan in your life!
Link Roundup
News:
Disney Layoffs
Disney fired a massive number of their workers. This includes a number of people at Marvel comics, like former Head of Sales David Gabriel and 3 comics editors.Awards
Several comics won the LA Times Book Prize, including LIFE DRAWING by Jaime Hernandez and ANGELICA by Trung Le Nguyen.Jeopardy
Comics writer Tini Howard was on Jeopardy!Comics, Adapted (Into New Comics)
SOMETHING IS KILLING THE CHILDREN is coming to Webtoon. A number of Western, print-original comics are getting adapted into infinite-scroll digital comics. This is an interesting trend worth keeping an eye on.Social Media Sucks
Syundei, the creator of a popular manga, GO FOR IT NAKAMURA!, was bullied off of Twitter.Writing:
SKTCHD interviewed Rafael Albequerque on his design work for ABSOLUTE GREEN ARROW and Ram V. on the new series he is writing, DECIDIUM.
Shelfdust published a David Brothers piece looking at GINGER, a pay-what-you-want comic by Victor Santos available on Panel Syndicate, Brian K. Vaughan, Marcos Martin, and Muntsa Vicente’s website to publish digital-first comics. They also published a piece on the history of Batman’s wealth, noting the times when it started to become a problem for the narrative.
Anime Herald published an article examining an interesting question: why aren’t there more anime and manga about marijuana?
Comic Book Herald updated his Best Superhero Comics of All Time list with his favorite superhero comics of 2026.
Humble Bundle has a few packs of digital comics you can buy for cheap: Complete Terry Moore. Kana-Manga Mini Bundle.
Similar site Digifile has a huge collection of pre-Absolute Image comics from Absolute creators.Other News Roundups:
SKTCHD’s Comics Disassembled: 4/17.
Comics Beat’s biweekly Digest: 4/14. 4/17. 4/21.
The Comics Journal’s weekly links to New, Reviews, and Interviews: 4/17. 4/24.Very Limited Data Bestseller Lists from the past few weeks:
Weekly Top 400 Bestseller List from Prana / Comic Shop Assistant: 4/17.
Weekly Bestseller List from Bleeding Cool / ComicHub: 4/11. 4/19.Weekly “Hottest Comics” from Bleeding Cool / Covrprice: 4/14. 4/21.
Most Anticipated Comics from Bleeding Cool / League of Comic Geeks: 4/13. 4/19.
Top March Comics from ICv2 / Circana Bookscan: Author, Manga, and Superhero Graphic Novels. Adults Graphic Novels.BEN TEN # 1 sold 82,000 copies to comic shops. An enterprising data nerd could take that data, combine it will the charts that map sales as a percentage of the top seller, and calculate actual market size.
Image puts out their Top 10 selling comics for March.
Popverse gets in to just how many units are being sold of each issue of ABSOLUTE BATMAN. Spoiler alert – it’s more than each issue of the New 52 BATMAN was selling.
DC expands its market share over Marvel in 2026 Q1.
My favorite video and podcasts:
Podcasts:
OFF PANEL had on Julia Wertz to discuss BURY ME ALREADY and Pornsak Pichetshote about ABSOLUTE GREEN ARROW.
LET’S TALK COMICS had on Charlie Adlard to talk OF THE EARTH.
MY MARVELOUS YEAR posted 2014 pt. 3 covering DEADPOOL, DR. STRANGE, and THE ILLUMINATI, and 2014 pt. 4, talking DAREDEVIL and the debut of MS. MARVEL. Their sister podcast EXTRA ISSUES posted to the public feed Osamu Tezuka pt 4: AYOKO and BUDDHA and to the early access Patreon feed a smattering of Don Rosa SCROOGE issues.
YouTube:
MATTTT (that’s Matt with 4 Ts) has a new channel, MATTTTTTTT (Matt with 8 Ts) where he posts more casual videos, like a critique of the “Blind Bag” trend, a look at John Byrne’s ELSEWHEN X-Men fan comics, and his 14 favorite Graphic Novels of 2025.
COMICTROPES had a video on Spider-Man’s marriage.
COMICBOOK COUPLE’S COUNSELING continued season 2 of their miniseries “The Stacks,” where they have industry people select comics to talk about from the shelves of Third Eye Comics, like the Criterion Closet, with Tony Fleecs (writer of STRAY DOGS and FERAL), and Curt Pires (writer of LOST FANTASY and FIREBORN)
SKTCHD published a video conversation with Chip Zdarsky.
What the hell, I’ll plug my YouTube again. Watch me talk about SIN CITY and JACK KIRBY’S FOURTH WORLD.
Divining Comics is brought to you by generous support from the “Best Friends of Divining Comics,” Alex Seubert.
Divining Comics is also brought to you by the support of the “Friends of Divining Comics,” Comic Book Herald.
If you would like to add your name to the list of friends, best friends, or best friends forever, support this work for less than the cost of one cup of coffee a month at patreon.com/diviningcomics. You can also leave a one-time tip/buy my zines at ko-fi.com/spikestonehand. Follow me on YouTube, Twitter, Instagram, and Bluesky and share my posts there.
#art #books #ComicBooks #comics #criticism #dcComics #fiction #graphicNovels #ImprintedImage #links #marvel #marvelComics #reviews #Writing -
@pluralistic mentions reidentification attacks in his latest post, and it gives me hope that privacy attacks more generally (linkage, database reconstruction, etc.) and their risks are becoming more widely known and understood.
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Movie TV Tech Geeks #Exclusives #MinionsMonsters The Minions Have Met Their Match in New Look at Bonkers Monster Movie http://dlvr.it/TSmJfK
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Movie TV Tech Geeks #TV #FX #FXonHulu #TheBear 8 FX Shows Where Every Episode Is a Masterpiece http://dlvr.it/TSVRR4
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Movie TV Tech Geeks #TVNews #TheBear #JamieLeeCurtis #FXonHulu 'The Bear' Star’s Cryptic Post Has Fans Convinced Season 5 Will Be the End http://dlvr.it/TR3B5Y
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Movie TV Tech Geeks #TVFeatures #TheBear #FXonHulu Now's the Time To Binge FX's Greatest Ever "Comedy" Series Before Season 5 Burns Up the Charts http://dlvr.it/TPpsDz
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Movie TV Tech Geeks #Movie #Letterboxd #Babygirl #M3GAN 10 Genuinely Great Movies With Way-Too-Low Letterboxd Ratings http://dlvr.it/TQHd3c
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Movie TV Tech Geeks #Movie #Letterboxd #Babygirl #M3GAN 10 Genuinely Great Movies With Way-Too-Low Letterboxd Ratings http://dlvr.it/TQHd3c