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Helms Deep – Chasing the Dragon Review
By ClarkKent
Helms Deep made quite a splash with their debut, Treacherous Ways, thanks to their high-energy ode to speed metal acts of the ’70s and ’80s. Now they’re back with a little extra firepower in the form of guitarist Ray DeTone and a more progressive-minded drummer in Hal Aponte (Ice Age). The remaining two players make their return, including bassist John Gallagher, who AMG writers have attempted to lure back into the comments section since his infamous critique of Huck N Roll’s review of Raven’s Metal City. Finally, there’s Helms Deep founder and frontman, Alex Sciortino, whose impressive vocals help propel this project to the next level. On Chasing the Dragon, Sciortino promises a new focus while still maintaining their modern take on old-school thrash and traditional heavy metal.
Initially, Chasing the Dragon doesn’t actually sound all that different from Treacherous Ways. Early Satan and Savatage remain strong influences, and you’ll hear classic Iron Maiden, especially on the galloping “Chasing the Dragon.” Judas Priest makes their presence felt on the chugging opener of “Frozen Solid”, while mid-tempo cuts like “Cursed” have a Ride the Lightning-era Metallica feel to them. These songs have a relentless energy with fast, pounding drums and endless riffs oozing from all three guitarists. There are also some new additions to the already impressive Helms Deep sonic repertoire. You’ll first hear it in the final minutes of “Craze of the Vampire,” when the guitar tone takes on a noticeably spacey, prog-like Pink Floyd hue. This turns out to be no accident, as “Red Planet” also dabbles in psychedelia that features arpeggios so fast and fun they’ll make you want to mix your LSD with speed. Even with these psychedelic tones, Helms Deep still promises speed first.
Chasing the Dragon boasts crystal-clear production, allowing the 12-string guitars ample room to soar. Close listens will reward lovers of guitar riffs, and Helms Deep goes buck wild on most songs. “Craze of the Vampire” is a perfect example of the artful fretwork on display, beginning with classical-sounding tremolos, moving into creative rhythm riffs, and putting the icing on the cake with frantic arpeggios during the chorus. It’s not just the 12-string guitars that steal the show. Gallagher’s groovy bass is also prominent. Just listen to the opening of “Black Sefirot” and feel your heart pumping as Gallagher’s noodling prepares you for combat. Sciortino’s riveting voice will spur you onward to battle fierce space dragons as he switches from gruff to high-pitched on the turn of a dime. My one complaint is the drums. Aponte’s work on the kit comes off a bit more repetitive than Mike Heller’s, who handled drums on Treacherous Ways, and gives some songs the feeling that they’re dragging on at parts.
If there’s anything that prevents Chasing the Dragon from achieving greatness, it’s that Helms Deep has pulled a (minor) Senjutsu. While Holdeneye felt that their prior record was “a tad long” at 50 minutes, this one clocks in at almost an hour. The problem with having not one but two 12-string guitars is that musicians don’t want to waste that firepower, and so they play nonstop, almost aimless solos. A number of tracks, such as “Craze of the Vampire” and “Flight of the Harpy,” include three additional minutes of guitar wizardry after Sciortino sets his microphone aside. When the riffs are consistently so fun, however, this is only a minor setback. I might have still given this the 4.0ldeneye treatment if it weren’t for the finale, “Shiva’s Wrath,” a 7+ minute instrumental that falls short of the glory of the classic Metallica instrumentals. It features some fun riffs, but lacks focus.
Within the belly of this dragon is a great album. I immensely enjoyed my time with Chasing the Dragon, trying my best to sing along with Sciortino’s anthemic choruses. Fans of that old school thrash and NWoBHM sound should definitely give this one a whirl. It has a modern sound that is clearly dedicated to its influences without ripping them off. Sciortino has created a magical project, and I even like the moments of experimental psychedelia he infused in some songs. I will be revisiting this one throughout the year, and I’d probably be considering it for my year-end list if it were more tightly edited. If Helms Deep can combine their balls-to-the-wall energy with some discipline, their next album could be a monster.
Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Nameless Grave Records
Websites: helmsdeep666.bandcamp.com | facebook.com/helmsdeep666
Releases Worldwide: June 20th, 2025#2025 #35 #AmericanMetal #ChasingTheDragon #HeavyMetal #HelmsDeep #IceAge #JudasPriest #Jun25 #Metallica #NamelessGraveRecords #NWOBHM #PinkFloyd #PowerMetal #Raven #Review #Reviews #Satan #Savatage #SpeedMetal
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Ciao a tutti, se a qualcuno può interessare segnalo il mio nuovo #podcast che non ha nulla a che vedere con il viaggio.
In questo caso si parla di me, della mia storia di persona ammalata di #fibromialgia e #artrite
Nel podcast racconto chi sono stato e perché è importante che si parli sempre di più di queste patologie.
#podcastitaliani #storiavera #storiedivita #resistenza #societa #malattiecroniche #malatiinvisibili #simoneviaggiatore
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@STAT #flu
The local branch of #maine 's big hospital network won't run flu tests locally. "Rapid" test results come back the next day so we added point of care flu testing this week to reduce antibiotic use for pneumonias that might be due to flu.Since the tests only cost us $10, we don't charge for them. We try not to nickle and dime our patients.
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So, as a research for my new #TTRPG project, I am rewatching all of the #Charmed; 98 series, reboot, hope to also take a look at the other media like books and graphic novels. But, my first happy discovery is that 'How Soon is Now' used in the opening is a cover - so Morrisey doesn't get a dime!
#TTRPG #Charmed -
@fucinafibonacci Non è necessario essere fedeli di un marchio, ma se vedo che si fa pubblicità, anche indirettamente, a quel marchio che oggi IMHO è paragonabile ad un #tumore nell'IT, io il video non me lo vedo, mi spiace è più forte di me 😉
(senza offesa, sia chiaro)
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Dime qué eres fan de MJ sin decirme que eres fan de Michael Jackson 🤩👑🥰
#michaeljackson
#thekingofpop #thekingforever -
Dime qué eres fan de MJ sin decirme que eres fan de Michael Jackson 🤩👑🥰
#michaeljackson
#thekingofpop #thekingforever -
Dime qué eres fan de MJ sin decirme que eres fan de Michael Jackson 🤩👑🥰
#michaeljackson
#thekingofpop #thekingforever -
Dime qué eres fan de MJ sin decirme que eres fan de Michael Jackson 🤩👑🥰
#michaeljackson
#thekingofpop #thekingforever -
A magical moment from Daniela Bessia’s VEVO music video “Dime Que Si” — she brings a fresh, natural charm with light blonde curls and a radiant smile, like a modern fairy tale. The atmosphere is pure, elegant, and full of that signature 安达 grace. ✨
#DanielaBessia #安达 #InternationalArtist #Music #Entertainment #GlobalArtist #外籍歌手 #Celebrity
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Auch cool:
Der Lehrstuhl für Erziehungswissenschaft mit dem Schwerpunkt Digitale Medienkulturen an der #OVGU hat jetzt einen eigenen #Makerspace, der heute eröffnet wurde, stilecht mit 3D-Drucker, Lasergravierer, einer Nähmaschine, einigen #Ozobot, @calliope, #MakeyMakey, einer Lötstation und vielem mehr.
https://dime.ovgu.de/Aktuelles/Makerspace+Er%C3%B6ffnung.html -
Seriously though, photos and videos of men flexing their exposed pectoral muscles online and in public on a hot day or around a body of water are a dime a dozen. You know what really sticks out? Not wearing a shirt except for covering just your areolas, the same exact ones that women have but are forced to cover up in any situation that doesn't condone full body nudity. THAT'S what gets people's attention and makes them stop for a second to think how insanely sexist and misogynistic gender-based censorship is.
#patriarchy #malePrivilege #equalRights #genderEquality #feminism #censorship #freeTheNipple #toplessEquality
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🐧#cuestion 😶 Dime te gusta mis publicaciones sobre linux ?? Note que nadie me sigue ademas que nadie comenta sobre linux. Agradeceria que escribieras una opinion, estos son mis primeros publicaciones y no conozco como se mueve esta plataforma agradesco que te tomes el tiempo de leer 🐧
🧑💻 escribe algo no se como moverme en esta plataforma gracias de ante mano.Este es mi laptop, utilizo #Arch #linux como SiOp de mi laptop con entorno de #escritorio #xfce me gusta mucho #linux.
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Opia – I Welcome Thee, Eternal Sleep [Things You Might Have Missed 2025] By ClarkKentThis stunning debut comes to us via members from across the globe—from England to Spain to Czechia to Brazil. Despite somewhat limited experience between them, the sextet plays like they’ve been jamming together for decades. They bring an eclectic range of styles from their previous and current bands, from black metal to scatological heavy metal to melodic doom to gothic metal, in order to craft a gentle yet brutal piece of gothic doom metal. I would like to give a warm welcome to Opia and their powerful debut album, I Welcome Thee, Eternal Sleep.
Opia deftly balances the gentle with the crushingly heavy, resulting in a record of beautiful melancholy that would make My Dying Bride and Swallow the Sun proud. They achieve this with a dichotomy of soft arpeggios and heavy riffs, of tender cleans and harsh growls. This dichotomy amplifies the melancholic power of the music, and there’s an undeniable satisfaction when a song suddenly grows loud and brutal following a softer stretch. We hear this on tracks like “Days Gone By,” which opens with some nifty fretwork before exploding into heavier riffs. Opia flexes their true muscle on masterpieces like “Man Proposes, God Disposes” and “Silence,” where Tereza Rohelova’s cleans croon a melancholic melody before delving into such despairing heaviness that it’ll have you aching from the hurt. The similarly astonishing “The Eye” flips the melodic element on its head with a chorus where Rohelova’s growls deliver the beauty over top a soaring keyboard part.
I Welcome Thee, Eternal Sleep by Opia
As great as the compositions are, the heartfelt performances by all musicians elevate the material. As frontwoman, Rohelova sets the tone with an electrifying performance on the level of My Dying Bride’s Aaron Stainthorpe. Her cleans take on a haunting quality that adds a touch of the gothic, and while her growls don’t reach the muscular tone of Stainthorpe, they are nonetheless effective in setting a tone of brutality. The dual guitar work from Phoenix Griffiths and Dan Tregenna also dazzle. Their fretwork is so effective and creative, whether it’s the mellower arpeggios or crushing riffs, that there’s never a dull moment or a lull. Marcelo Teixeira, behind the kit, is also solid. He swaps between gentle drum and cymbal taps to pummeling blast beats on a dime. He really goes all out on a climatic moment on the finale, “On Death’s Door Part II,” that’ll leave you breathless. Important to setting up the gothic tone is keyboardist Jorge Afonso Rodriguez, who adds melodic depth as well as atmosphere. There’s a depth to the songwriting that opens up rewarding new avenues every time I give the record another spin.
Having been released in late April, I missed out on the opportunity to review I Welcome Thee, Eternal Sleep by just a few weeks. But when I first heard it, I knew it was special enough to save for a TYMHM. A debut this powerful should not be missed, and having spent this extra time with it late in the year, I believe I made a mistake by not including it in my end of year list. This is a promising start for a group who, I hope, continues to craft songs together for a long time to come.
Songs to Check Out: ”Man Proposes, God Disposes,” “The Fade,” “The Eye,” “Silence
#2025 #DoomMetal #EnglishMetal #GothicDoom #GothicMetal #HammerheartRecords #IWelcomeTheeEternalSleep #MyDyingBride #Opia #SwallowTheSun #ThingsYouMightHaveMissed2025 #TYMHM -
Opia – I Welcome Thee, Eternal Sleep [Things You Might Have Missed 2025] By ClarkKentThis stunning debut comes to us via members from across the globe—from England to Spain to Czechia to Brazil. Despite somewhat limited experience between them, the sextet plays like they’ve been jamming together for decades. They bring an eclectic range of styles from their previous and current bands, from black metal to scatological heavy metal to melodic doom to gothic metal, in order to craft a gentle yet brutal piece of gothic doom metal. I would like to give a warm welcome to Opia and their powerful debut album, I Welcome Thee, Eternal Sleep.
Opia deftly balances the gentle with the crushingly heavy, resulting in a record of beautiful melancholy that would make My Dying Bride and Swallow the Sun proud. They achieve this with a dichotomy of soft arpeggios and heavy riffs, of tender cleans and harsh growls. This dichotomy amplifies the melancholic power of the music, and there’s an undeniable satisfaction when a song suddenly grows loud and brutal following a softer stretch. We hear this on tracks like “Days Gone By,” which opens with some nifty fretwork before exploding into heavier riffs. Opia flexes their true muscle on masterpieces like “Man Proposes, God Disposes” and “Silence,” where Tereza Rohelova’s cleans croon a melancholic melody before delving into such despairing heaviness that it’ll have you aching from the hurt. The similarly astonishing “The Eye” flips the melodic element on its head with a chorus where Rohelova’s growls deliver the beauty over top a soaring keyboard part.
I Welcome Thee, Eternal Sleep by Opia
As great as the compositions are, the heartfelt performances by all musicians elevate the material. As frontwoman, Rohelova sets the tone with an electrifying performance on the level of My Dying Bride’s Aaron Stainthorpe. Her cleans take on a haunting quality that adds a touch of the gothic, and while her growls don’t reach the muscular tone of Stainthorpe, they are nonetheless effective in setting a tone of brutality. The dual guitar work from Phoenix Griffiths and Dan Tregenna also dazzle. Their fretwork is so effective and creative, whether it’s the mellower arpeggios or crushing riffs, that there’s never a dull moment or a lull. Marcelo Teixeira, behind the kit, is also solid. He swaps between gentle drum and cymbal taps to pummeling blast beats on a dime. He really goes all out on a climatic moment on the finale, “On Death’s Door Part II,” that’ll leave you breathless. Important to setting up the gothic tone is keyboardist Jorge Afonso Rodriguez, who adds melodic depth as well as atmosphere. There’s a depth to the songwriting that opens up rewarding new avenues every time I give the record another spin.
Having been released in late April, I missed out on the opportunity to review I Welcome Thee, Eternal Sleep by just a few weeks. But when I first heard it, I knew it was special enough to save for a TYMHM. A debut this powerful should not be missed, and having spent this extra time with it late in the year, I believe I made a mistake by not including it in my end of year list. This is a promising start for a group who, I hope, continues to craft songs together for a long time to come.
Songs to Check Out: ”Man Proposes, God Disposes,” “The Fade,” “The Eye,” “Silence
#2025 #DoomMetal #EnglishMetal #GothicDoom #GothicMetal #HammerheartRecords #IWelcomeTheeEternalSleep #MyDyingBride #Opia #SwallowTheSun #ThingsYouMightHaveMissed2025 #TYMHM -
Opia – I Welcome Thee, Eternal Sleep [Things You Might Have Missed 2025] By ClarkKentThis stunning debut comes to us via members from across the globe—from England to Spain to Czechia to Brazil. Despite somewhat limited experience between them, the sextet plays like they’ve been jamming together for decades. They bring an eclectic range of styles from their previous and current bands, from black metal to scatological heavy metal to melodic doom to gothic metal, in order to craft a gentle yet brutal piece of gothic doom metal. I would like to give a warm welcome to Opia and their powerful debut album, I Welcome Thee, Eternal Sleep.
Opia deftly balances the gentle with the crushingly heavy, resulting in a record of beautiful melancholy that would make My Dying Bride and Swallow the Sun proud. They achieve this with a dichotomy of soft arpeggios and heavy riffs, of tender cleans and harsh growls. This dichotomy amplifies the melancholic power of the music, and there’s an undeniable satisfaction when a song suddenly grows loud and brutal following a softer stretch. We hear this on tracks like “Days Gone By,” which opens with some nifty fretwork before exploding into heavier riffs. Opia flexes their true muscle on masterpieces like “Man Proposes, God Disposes” and “Silence,” where Tereza Rohelova’s cleans croon a melancholic melody before delving into such despairing heaviness that it’ll have you aching from the hurt. The similarly astonishing “The Eye” flips the melodic element on its head with a chorus where Rohelova’s growls deliver the beauty over top a soaring keyboard part.
I Welcome Thee, Eternal Sleep by Opia
As great as the compositions are, the heartfelt performances by all musicians elevate the material. As frontwoman, Rohelova sets the tone with an electrifying performance on the level of My Dying Bride’s Aaron Stainthorpe. Her cleans take on a haunting quality that adds a touch of the gothic, and while her growls don’t reach the muscular tone of Stainthorpe, they are nonetheless effective in setting a tone of brutality. The dual guitar work from Phoenix Griffiths and Dan Tregenna also dazzle. Their fretwork is so effective and creative, whether it’s the mellower arpeggios or crushing riffs, that there’s never a dull moment or a lull. Marcelo Teixeira, behind the kit, is also solid. He swaps between gentle drum and cymbal taps to pummeling blast beats on a dime. He really goes all out on a climatic moment on the finale, “On Death’s Door Part II,” that’ll leave you breathless. Important to setting up the gothic tone is keyboardist Jorge Afonso Rodriguez, who adds melodic depth as well as atmosphere. There’s a depth to the songwriting that opens up rewarding new avenues every time I give the record another spin.
Having been released in late April, I missed out on the opportunity to review I Welcome Thee, Eternal Sleep by just a few weeks. But when I first heard it, I knew it was special enough to save for a TYMHM. A debut this powerful should not be missed, and having spent this extra time with it late in the year, I believe I made a mistake by not including it in my end of year list. This is a promising start for a group who, I hope, continues to craft songs together for a long time to come.
Songs to Check Out: ”Man Proposes, God Disposes,” “The Fade,” “The Eye,” “Silence
#2025 #DoomMetal #EnglishMetal #GothicDoom #GothicMetal #HammerheartRecords #IWelcomeTheeEternalSleep #MyDyingBride #Opia #SwallowTheSun #ThingsYouMightHaveMissed2025 #TYMHM -
Opia – I Welcome Thee, Eternal Sleep [Things You Might Have Missed 2025] By ClarkKentThis stunning debut comes to us via members from across the globe—from England to Spain to Czechia to Brazil. Despite somewhat limited experience between them, the sextet plays like they’ve been jamming together for decades. They bring an eclectic range of styles from their previous and current bands, from black metal to scatological heavy metal to melodic doom to gothic metal, in order to craft a gentle yet brutal piece of gothic doom metal. I would like to give a warm welcome to Opia and their powerful debut album, I Welcome Thee, Eternal Sleep.
Opia deftly balances the gentle with the crushingly heavy, resulting in a record of beautiful melancholy that would make My Dying Bride and Swallow the Sun proud. They achieve this with a dichotomy of soft arpeggios and heavy riffs, of tender cleans and harsh growls. This dichotomy amplifies the melancholic power of the music, and there’s an undeniable satisfaction when a song suddenly grows loud and brutal following a softer stretch. We hear this on tracks like “Days Gone By,” which opens with some nifty fretwork before exploding into heavier riffs. Opia flexes their true muscle on masterpieces like “Man Proposes, God Disposes” and “Silence,” where Tereza Rohelova’s cleans croon a melancholic melody before delving into such despairing heaviness that it’ll have you aching from the hurt. The similarly astonishing “The Eye” flips the melodic element on its head with a chorus where Rohelova’s growls deliver the beauty over top a soaring keyboard part.
I Welcome Thee, Eternal Sleep by Opia
As great as the compositions are, the heartfelt performances by all musicians elevate the material. As frontwoman, Rohelova sets the tone with an electrifying performance on the level of My Dying Bride’s Aaron Stainthorpe. Her cleans take on a haunting quality that adds a touch of the gothic, and while her growls don’t reach the muscular tone of Stainthorpe, they are nonetheless effective in setting a tone of brutality. The dual guitar work from Phoenix Griffiths and Dan Tregenna also dazzle. Their fretwork is so effective and creative, whether it’s the mellower arpeggios or crushing riffs, that there’s never a dull moment or a lull. Marcelo Teixeira, behind the kit, is also solid. He swaps between gentle drum and cymbal taps to pummeling blast beats on a dime. He really goes all out on a climatic moment on the finale, “On Death’s Door Part II,” that’ll leave you breathless. Important to setting up the gothic tone is keyboardist Jorge Afonso Rodriguez, who adds melodic depth as well as atmosphere. There’s a depth to the songwriting that opens up rewarding new avenues every time I give the record another spin.
Having been released in late April, I missed out on the opportunity to review I Welcome Thee, Eternal Sleep by just a few weeks. But when I first heard it, I knew it was special enough to save for a TYMHM. A debut this powerful should not be missed, and having spent this extra time with it late in the year, I believe I made a mistake by not including it in my end of year list. This is a promising start for a group who, I hope, continues to craft songs together for a long time to come.
Songs to Check Out: ”Man Proposes, God Disposes,” “The Fade,” “The Eye,” “Silence
#2025 #DoomMetal #EnglishMetal #GothicDoom #GothicMetal #HammerheartRecords #IWelcomeTheeEternalSleep #MyDyingBride #Opia #SwallowTheSun #ThingsYouMightHaveMissed2025 #TYMHM -
Opia – I Welcome Thee, Eternal Sleep [Things You Might Have Missed 2025] By ClarkKent
This stunning debut comes to us via members from across the globe—from England to Spain to Czechia to Brazil. Despite somewhat limited experience between them, the sextet plays like they’ve been jamming together for decades. They bring an eclectic range of styles from their previous and current bands, from black metal to scatological heavy metal to melodic doom to gothic metal, in order to craft a gentle yet brutal piece of gothic doom metal. I would like to give a warm welcome to Opia and their powerful debut album, I Welcome Thee, Eternal Sleep.
Opia deftly balances the gentle with the crushingly heavy, resulting in a record of beautiful melancholy that would make My Dying Bride and Swallow the Sun proud. They achieve this with a dichotomy of soft arpeggios and heavy riffs, of tender cleans and harsh growls. This dichotomy amplifies the melancholic power of the music, and there’s an undeniable satisfaction when a song suddenly grows loud and brutal following a softer stretch. We hear this on tracks like “Days Gone By,” which opens with some nifty fretwork before exploding into heavier riffs. Opia flexes their true muscle on masterpieces like “Man Proposes, God Disposes” and “Silence,” where Tereza Rohelova’s cleans croon a melancholic melody before delving into such despairing heaviness that it’ll have you aching from the hurt. The similarly astonishing “The Eye” flips the melodic element on its head with a chorus where Rohelova’s growls deliver the beauty over top a soaring keyboard part.
I Welcome Thee, Eternal Sleep by Opia
As great as the compositions are, the heartfelt performances by all musicians elevate the material. As frontwoman, Rohelova sets the tone with an electrifying performance on the level of My Dying Bride’s Aaron Stainthorpe. Her cleans take on a haunting quality that adds a touch of the gothic, and while her growls don’t reach the muscular tone of Stainthorpe, they are nonetheless effective in setting a tone of brutality. The dual guitar work from Phoenix Griffiths and Dan Tregenna also dazzle. Their fretwork is so effective and creative, whether it’s the mellower arpeggios or crushing riffs, that there’s never a dull moment or a lull. Marcelo Teixeira, behind the kit, is also solid. He swaps between gentle drum and cymbal taps to pummeling blast beats on a dime. He really goes all out on a climatic moment on the finale, “On Death’s Door Part II,” that’ll leave you breathless. Important to setting up the gothic tone is keyboardist Jorge Afonso Rodriguez, who adds melodic depth as well as atmosphere. There’s a depth to the songwriting that opens up rewarding new avenues every time I give the record another spin.
Having been released in late April, I missed out on the opportunity to review I Welcome Thee, Eternal Sleep by just a few weeks. But when I first heard it, I knew it was special enough to save for a TYMHM. A debut this powerful should not be missed, and having spent this extra time with it late in the year, I believe I made a mistake by not including it in my end of year list. This is a promising start for a group who, I hope, continues to craft songs together for a long time to come.
Songs to Check Out: ”Man Proposes, God Disposes,” “The Fade,” “The Eye,” “Silence
#2025 #DoomMetal #EnglishMetal #GothicDoom #GothicMetal #HammerheartRecords #IWelcomeTheeEternalSleep #MyDyingBride #Opia #SwallowTheSun #ThingsYouMightHaveMissed2025 #TYMHM -
Una breve presentazione di me e le mie opere.🦭
#scrittoriitaliani #librifantasyitaliani #LibriHorror #libriweird #fantasybooks #librifantasyitalia #librifantasy -
my 4 prong (as in the band prong)
1 local break fix nickel and dime IT chop shop
2 natl custom pc/ws/server/router/ai scandal machines (this is a reach mind you)
3 local cheap labor jobs - wkd work fill in stuff - whatever
4 portals/agg sites when i find good frameworksserious - not really - if you have low expecttions you won't be disappointed, some of these sites will be just to gather info from triggered devs who actually know a better way #bargaining chips #reciprocity #them shoes feedback
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MAGA Mike Johnson was on FOX talking about the US economy and stuttered through the following statement:
"The adults are back in the room, and we're going to turn this economy around. We need a little runway to do it... I keep using this metaphor of an aircraft carrier, you know, it took decades to get into the mess that we're in. You don't turn an aircraft carrier on a dime, but you need miles of open ocean to do it"
Given his position in the government, I am sure he should know more about US Aircraft carriers. They can turn on a dime, and what's more, even at 30 knots they don't need miles of open ocean to turn, they are almost as nimble as a Seadoo when they want to be!
The USS Abraham Lincoln has a message for your shitty metaphor, Mike.
https://www.facebook.com/watch/?v=1104336333000151
#USA #Military #AircraftCarrier #Shitty #Metaphor #MAGA #MikeJohnson #Navy #USNavy #USPol #FoxNews
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Voi che siete più portati di me per la sopravvivenza, sapete per quanti giorni o settimane si può tenere un'anguria tagliata in #frigo?
#domandedafrigo #angurieanziane #tartapirla #angurie -
Have I mentioned that Air North is simply the best airline?
They treat you like a human, don't nickel and dime you, and have fair policies all around.
https://www.flyairnorth.com/
#AirNorth #4N #CustomerService
Free snack, free softdrinks, and no fees for checked luggage! (2 pieces) -
#News #Corruption #Transportation #Trump #Administration #alt
HCR 6/8/26
SECRETARY OF TRANSPORTATION TAKES A 7 MONTH FAMILY ROAD TRIP ON TAX PAYER’S DIMESecretary Sean Duffy took his family on a 7 road trip to film a television series called The Great American Road Trip while he was supposed to be doing his job as secretary of transportation, [and] he told Fox & Friends this morning that “it fits any budget to do a road trip” on a day when the national average for a gallon of gas was $4.54.
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#News #Corruption #Transportation #Trump #Administration #alt
HCR 6/8/26
SECRETARY OF TRANSPORTATION TAKES A 7 MONTH FAMILY ROAD TRIP ON TAX PAYER’S DIMESecretary Sean Duffy took his family on a 7 road trip to film a television series called The Great American Road Trip while he was supposed to be doing his job as secretary of transportation, [and] he told Fox & Friends this morning that “it fits any budget to do a road trip” on a day when the national average for a gallon of gas was $4.54.
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#News #Corruption #Transportation #Trump #Administration #alt
HCR 6/8/26
SECRETARY OF TRANSPORTATION TAKES A 7 MONTH FAMILY ROAD TRIP ON TAX PAYER’S DIMESecretary Sean Duffy took his family on a 7 road trip to film a television series called The Great American Road Trip while he was supposed to be doing his job as secretary of transportation, [and] he told Fox & Friends this morning that “it fits any budget to do a road trip” on a day when the national average for a gallon of gas was $4.54.
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#News #Corruption #Transportation #Trump #Administration #alt
HCR 6/8/26
SECRETARY OF TRANSPORTATION TAKES A 7 MONTH FAMILY ROAD TRIP ON TAX PAYER’S DIMESecretary Sean Duffy took his family on a 7 road trip to film a television series called The Great American Road Trip while he was supposed to be doing his job as secretary of transportation, [and] he told Fox & Friends this morning that “it fits any budget to do a road trip” on a day when the national average for a gallon of gas was $4.54.
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⚠️#ComEdu
En la crisis del #hantavirus hay #desinformación y #bulos
Compartimos este panel con recursos que os pueden ayudar a trabajar el tema en clase.
https://padlet.com/lejarquel/breakout-room/enZlqbMrad5G23QR-jA7rbnJk8MKWb498
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⚠️ El 8 de abril es el Día Internacional del Pueblo Gitano. Ponemos a vuestra disposición este panel de recursos que os pueden ayudar a trabajar en el aula la desinformación antigitanista.
https://padlet.com/lejarquel/breakout-room/mVbpvYpXZJG6qRkn-jA7rbnJk8MKWb498
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⚠️ Con Franco se vivía (mucho) peor: un ensayo desmonta los bulos sobre la dictadura que contaminan Tiktok.
🔥 La filóloga y profesora de instituto Ana Fernández-Cebrián analiza algunos de los grandes mitos sin base real de este período histórico en su ensayo 'Fábulas del desarrollo: franquismo y capitalismo'.
👇 Incorporado a nuestro panel para ayudar a desmontar el bulo Con Franco se vivía mejor.
https://padlet.com/lejarquel/breakout-room/kZDR4LQDBmgD2l9a-jA7rbnJk8MKWb498