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1000 results for “histrio”
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Also, @dlfkultur hat neben der #Wurfsendung auch andere Formate entwickelt, die mich sicher zum Abschalten bringen, z. B. nervige Eltern reden histrionisch ins Mikro in "Mein Kind hat Deine Läuse!" Puh, Leute! Wer soll sich so etwas freiwillig anhören wollen?
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2.
Un autre #oiseau, d'un autre style (#canard), d'autres eaux (douces), d'autres régions plus atlantiques (et froides) : l'arlequin plongeur.DIDIERLAURENT Sylvie, FEY Laurent, COROLLA Jean-Pierre in : #DORIS, 11/03/2026 :
Histrionicus histrionicus (Linnaeus, 1758), https://doris.ffessm.fr/ref/specie/1711 -
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Un autre #oiseau, d'un autre style (#canard), d'autres eaux (douces), d'autres régions plus atlantiques (et froides) : l'arlequin plongeur.DIDIERLAURENT Sylvie, FEY Laurent, COROLLA Jean-Pierre in : #DORIS, 11/03/2026 :
Histrionicus histrionicus (Linnaeus, 1758), https://doris.ffessm.fr/ref/specie/1711 -
2.
Un autre #oiseau, d'un autre style (#canard), d'autres eaux (douces), d'autres régions plus atlantiques (et froides) : l'arlequin plongeur.DIDIERLAURENT Sylvie, FEY Laurent, COROLLA Jean-Pierre in : #DORIS, 11/03/2026 :
Histrionicus histrionicus (Linnaeus, 1758), https://doris.ffessm.fr/ref/specie/1711 -
2.
Un autre #oiseau, d'un autre style (#canard), d'autres eaux (douces), d'autres régions plus atlantiques (et froides) : l'arlequin plongeur.DIDIERLAURENT Sylvie, FEY Laurent, COROLLA Jean-Pierre in : #DORIS, 11/03/2026 :
Histrionicus histrionicus (Linnaeus, 1758), https://doris.ffessm.fr/ref/specie/1711 -
2.
Un autre #oiseau, d'un autre style (#canard), d'autres eaux (douces), d'autres régions plus atlantiques (et froides) : l'arlequin plongeur.DIDIERLAURENT Sylvie, FEY Laurent, COROLLA Jean-Pierre in : #DORIS, 11/03/2026 :
Histrionicus histrionicus (Linnaeus, 1758), https://doris.ffessm.fr/ref/specie/1711 -
Auri gestern im Pflegeheim Haus Billetal. Aktuell hat sie einen speziellen Auftrag. Sie wird zusammen mit meiner Kollegin ( Fachkraft für Tiergestützte Intervention) eingesetzt, weil eine neue Bewohnerin sehr schlechte Erfahrungen mit Männern gemacht hat. Die Dame hat eine histrionische Persönlichkeitsstörung, Depression und Ängste. Vorgestern gab es nach fast zwei Wochen einen großen Schritt. Sie hat Auri gestreichelt!
#Therapiebegleithund #therapiehund #pflegeheim #depression #Ängste -
work is political - he wanted to shower them with money - throw them a bone, they did do a great job and have so much overhead. i did get laid off but then i said i will come in anyways and just do some vol hours, then my boss is like hey i will pay you for some of this stuff - it is a fucking weird situation #q4 histrionics
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[Festival d'Avignon]
Jusqu'au 24 juillet, chaque soir à 20h20, retrouvez le collectif #MeTooThéâtre au théâtre 11.
Elles ont de l’humour à revendre, l’envie d’en découdre avec l’impunité et la culture du viol.
Les Histrioniques, une pièce éditée par Libertalia.
https://www.11avignon.com/programmation/les-histrioniques -
Stress Test – Stress Test Review
By Dolphin Whisperer
Just as much as any genre that’s been around for 40-plus years, hardcore is not a monolith, not by a long stretch. As an unleashing of rough-and-tumble punk energy with an extra flash of sharpness and swagger, its permutations can run the gamut of high-tempo riffage, ragged vocal attitude, and instrumental histrionics, all while wearing the speed-loaded label. With a classic thrash attack and a dash of grind spirit, Stress Test wears the genre like a tattered and patched denim vest befitted with snappy pull-off runs, d-beat anthemics, and short bursts fit for a moshing audience. No one needs to reinvent the urge to start up the pit to have a good time.
Featuring the rhythm section of Unto Others, with Brandon Hill assuming guitar and vocals instead of bass for Stress Test, Stress Test lands with a polish and focus not typical of acts whose songs frequent the sub-two minute range. Though that energy presents in some of the harder-hitting cuts that Unto Others has to offer, Stress Test shares little but members in the kind of drive that this debut holds. Hill and co.’s understanding of the studio helps Stress Test find smart and punchy pockets for deep bass propulsions (“Coward,” “Bastard Behavior,” “Stress Test”), which go a long way in adding color to the snarl and shifty riffcraft that perpetuates its eighteen-minute run. And with colors that range from the early 90s death/grind of Napalm Death to the meatheaded aggro-crossover of Terror, Stress Test uses their experience to travel familiar paths with a skanking stride that sounds urgent.
Even though time-tested riffs and a cadence rooted in thrash history defines the simple appeal of Stress Test, its tracks flow with healthy variation to maintain a momentum that remains unbreakable and memorable. Embracing the smooth and sliding Exodus stomp with the brevity of Municipal Waste party bangers spells, on its own, an easy-to-enjoy, never-ending circle of punky abandon (“Coward,” “Bastard Behavior”). But that p-word attitude, alongside the other important p’s of pummel and political edge, also serves as its hissing core, fueling snarky sample punches (“Degrees of Violence,” “It Isn’t Real,” “God Sucks”) and unrelenting layered vocal assaults—a barking fervor and accompanying caveman-frenzied bellow—color the bouncing intensity as Stress Test progresses. Nothing that Stress Test rips from the sweat and beer-stained pages of thrash reads as new, but its in-and-out groove remains difficult to deny.
The choice to keep Stress Test svelte hinders how high it can fly, though. Stress Test knows their way around a whiplash tune and quick guitar hero cut-in to let accelerating tempos breathe (“Degrees of Violence,” “It Isn’t Real,” “Gullible”). And while these bite-size ragers take up a small percentage of runtime in this already low-commitment affair, they also make for the most interesting guitar parts that Stress Test can muster. Of course, it would be hard to call longer cuts like mid-album “Suffer” and “Bastard Behavior” slouching, as their vocal bite and rhythmic overload ensure swinging arms and cracking necks from start to finish. However, in their self-similar nature, along with “Stress Test,” they allow fewer avenues for Stress Test to leave a stronger identifying mark.
Yet, as a feisty debut, Stress Test makes for a powerful, practiced statement. It doesn’t take a virtuoso to make music that is fast, loud, and angry. But, as Stress Test shows, steady (enough) hands and an ear looking for the right accents and accelerations will find a grace in wild tempos that mimics the fury of an untethered mind. With a varied pool of legacy influences, these Portland-based punks hold the potential to develop their low-frills sound in just about any way that they choose. And though Stress Test lacks in extreme choices that could hoist this fledgling act to a loftier status, Stress Test has taken aim at becoming a primary form of relief for those in need of boiled-over thrash madness.
Rating: 3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Transylvanian Recordings
Websites: stresstest.us | stresstestpdx.bandcamp.com | facebook.com/stresstestpdx
Releases Worldwide: February 28th, 2025#2025 #30 #AmericanMetal #CrossoverThrash #CrustPunk #Exodus #Feb25 #Hardcore #MunicipalWaste #NapalmDeath #Review #Reviews #StressTest #Terror #TransylvanianRecordings #UntoOthers
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Stress Test – Stress Test Review
By Dolphin Whisperer
Just as much as any genre that’s been around for 40-plus years, hardcore is not a monolith, not by a long stretch. As an unleashing of rough-and-tumble punk energy with an extra flash of sharpness and swagger, its permutations can run the gamut of high-tempo riffage, ragged vocal attitude, and instrumental histrionics, all while wearing the speed-loaded label. With a classic thrash attack and a dash of grind spirit, Stress Test wears the genre like a tattered and patched denim vest befitted with snappy pull-off runs, d-beat anthemics, and short bursts fit for a moshing audience. No one needs to reinvent the urge to start up the pit to have a good time.
Featuring the rhythm section of Unto Others, with Brandon Hill assuming guitar and vocals instead of bass for Stress Test, Stress Test lands with a polish and focus not typical of acts whose songs frequent the sub-two minute range. Though that energy presents in some of the harder-hitting cuts that Unto Others has to offer, Stress Test shares little but members in the kind of drive that this debut holds. Hill and co.’s understanding of the studio helps Stress Test find smart and punchy pockets for deep bass propulsions (“Coward,” “Bastard Behavior,” “Stress Test”), which go a long way in adding color to the snarl and shifty riffcraft that perpetuates its eighteen-minute run. And with colors that range from the early 90s death/grind of Napalm Death to the meatheaded aggro-crossover of Terror, Stress Test uses their experience to travel familiar paths with a skanking stride that sounds urgent.
Even though time-tested riffs and a cadence rooted in thrash history defines the simple appeal of Stress Test, its tracks flow with healthy variation to maintain a momentum that remains unbreakable and memorable. Embracing the smooth and sliding Exodus stomp with the brevity of Municipal Waste party bangers spells, on its own, an easy-to-enjoy, never-ending circle of punky abandon (“Coward,” “Bastard Behavior”). But that p-word attitude, alongside the other important p’s of pummel and political edge, also serves as its hissing core, fueling snarky sample punches (“Degrees of Violence,” “It Isn’t Real,” “God Sucks”) and unrelenting layered vocal assaults—a barking fervor and accompanying caveman-frenzied bellow—color the bouncing intensity as Stress Test progresses. Nothing that Stress Test rips from the sweat and beer-stained pages of thrash reads as new, but its in-and-out groove remains difficult to deny.
The choice to keep Stress Test svelte hinders how high it can fly, though. Stress Test knows their way around a whiplash tune and quick guitar hero cut-in to let accelerating tempos breathe (“Degrees of Violence,” “It Isn’t Real,” “Gullible”). And while these bite-size ragers take up a small percentage of runtime in this already low-commitment affair, they also make for the most interesting guitar parts that Stress Test can muster. Of course, it would be hard to call longer cuts like mid-album “Suffer” and “Bastard Behavior” slouching, as their vocal bite and rhythmic overload ensure swinging arms and cracking necks from start to finish. However, in their self-similar nature, along with “Stress Test,” they allow fewer avenues for Stress Test to leave a stronger identifying mark.
Yet, as a feisty debut, Stress Test makes for a powerful, practiced statement. It doesn’t take a virtuoso to make music that is fast, loud, and angry. But, as Stress Test shows, steady (enough) hands and an ear looking for the right accents and accelerations will find a grace in wild tempos that mimics the fury of an untethered mind. With a varied pool of legacy influences, these Portland-based punks hold the potential to develop their low-frills sound in just about any way that they choose. And though Stress Test lacks in extreme choices that could hoist this fledgling act to a loftier status, Stress Test has taken aim at becoming a primary form of relief for those in need of boiled-over thrash madness.
Rating: 3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Transylvanian Recordings
Websites: stresstest.us | stresstestpdx.bandcamp.com | facebook.com/stresstestpdx
Releases Worldwide: February 28th, 2025#2025 #30 #AmericanMetal #CrossoverThrash #CrustPunk #Exodus #Feb25 #Hardcore #MunicipalWaste #NapalmDeath #Review #Reviews #StressTest #Terror #TransylvanianRecordings #UntoOthers
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Stress Test – Stress Test Review
By Dolphin Whisperer
Just as much as any genre that’s been around for 40-plus years, hardcore is not a monolith, not by a long stretch. As an unleashing of rough-and-tumble punk energy with an extra flash of sharpness and swagger, its permutations can run the gamut of high-tempo riffage, ragged vocal attitude, and instrumental histrionics, all while wearing the speed-loaded label. With a classic thrash attack and a dash of grind spirit, Stress Test wears the genre like a tattered and patched denim vest befitted with snappy pull-off runs, d-beat anthemics, and short bursts fit for a moshing audience. No one needs to reinvent the urge to start up the pit to have a good time.
Featuring the rhythm section of Unto Others, with Brandon Hill assuming guitar and vocals instead of bass for Stress Test, Stress Test lands with a polish and focus not typical of acts whose songs frequent the sub-two minute range. Though that energy presents in some of the harder-hitting cuts that Unto Others has to offer, Stress Test shares little but members in the kind of drive that this debut holds. Hill and co.’s understanding of the studio helps Stress Test find smart and punchy pockets for deep bass propulsions (“Coward,” “Bastard Behavior,” “Stress Test”), which go a long way in adding color to the snarl and shifty riffcraft that perpetuates its eighteen-minute run. And with colors that range from the early 90s death/grind of Napalm Death to the meatheaded aggro-crossover of Terror, Stress Test uses their experience to travel familiar paths with a skanking stride that sounds urgent.
Even though time-tested riffs and a cadence rooted in thrash history defines the simple appeal of Stress Test, its tracks flow with healthy variation to maintain a momentum that remains unbreakable and memorable. Embracing the smooth and sliding Exodus stomp with the brevity of Municipal Waste party bangers spells, on its own, an easy-to-enjoy, never-ending circle of punky abandon (“Coward,” “Bastard Behavior”). But that p-word attitude, alongside the other important p’s of pummel and political edge, also serves as its hissing core, fueling snarky sample punches (“Degrees of Violence,” “It Isn’t Real,” “God Sucks”) and unrelenting layered vocal assaults—a barking fervor and accompanying caveman-frenzied bellow—color the bouncing intensity as Stress Test progresses. Nothing that Stress Test rips from the sweat and beer-stained pages of thrash reads as new, but its in-and-out groove remains difficult to deny.
The choice to keep Stress Test svelte hinders how high it can fly, though. Stress Test knows their way around a whiplash tune and quick guitar hero cut-in to let accelerating tempos breathe (“Degrees of Violence,” “It Isn’t Real,” “Gullible”). And while these bite-size ragers take up a small percentage of runtime in this already low-commitment affair, they also make for the most interesting guitar parts that Stress Test can muster. Of course, it would be hard to call longer cuts like mid-album “Suffer” and “Bastard Behavior” slouching, as their vocal bite and rhythmic overload ensure swinging arms and cracking necks from start to finish. However, in their self-similar nature, along with “Stress Test,” they allow fewer avenues for Stress Test to leave a stronger identifying mark.
Yet, as a feisty debut, Stress Test makes for a powerful, practiced statement. It doesn’t take a virtuoso to make music that is fast, loud, and angry. But, as Stress Test shows, steady (enough) hands and an ear looking for the right accents and accelerations will find a grace in wild tempos that mimics the fury of an untethered mind. With a varied pool of legacy influences, these Portland-based punks hold the potential to develop their low-frills sound in just about any way that they choose. And though Stress Test lacks in extreme choices that could hoist this fledgling act to a loftier status, Stress Test has taken aim at becoming a primary form of relief for those in need of boiled-over thrash madness.
Rating: 3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Transylvanian Recordings
Websites: stresstest.us | stresstestpdx.bandcamp.com | facebook.com/stresstestpdx
Releases Worldwide: February 28th, 2025#2025 #30 #AmericanMetal #CrossoverThrash #CrustPunk #Exodus #Feb25 #Hardcore #MunicipalWaste #NapalmDeath #Review #Reviews #StressTest #Terror #TransylvanianRecordings #UntoOthers
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Stress Test – Stress Test Review
By Dolphin Whisperer
Just as much as any genre that’s been around for 40-plus years, hardcore is not a monolith, not by a long stretch. As an unleashing of rough-and-tumble punk energy with an extra flash of sharpness and swagger, its permutations can run the gamut of high-tempo riffage, ragged vocal attitude, and instrumental histrionics, all while wearing the speed-loaded label. With a classic thrash attack and a dash of grind spirit, Stress Test wears the genre like a tattered and patched denim vest befitted with snappy pull-off runs, d-beat anthemics, and short bursts fit for a moshing audience. No one needs to reinvent the urge to start up the pit to have a good time.
Featuring the rhythm section of Unto Others, with Brandon Hill assuming guitar and vocals instead of bass for Stress Test, Stress Test lands with a polish and focus not typical of acts whose songs frequent the sub-two minute range. Though that energy presents in some of the harder-hitting cuts that Unto Others has to offer, Stress Test shares little but members in the kind of drive that this debut holds. Hill and co.’s understanding of the studio helps Stress Test find smart and punchy pockets for deep bass propulsions (“Coward,” “Bastard Behavior,” “Stress Test”), which go a long way in adding color to the snarl and shifty riffcraft that perpetuates its eighteen-minute run. And with colors that range from the early 90s death/grind of Napalm Death to the meatheaded aggro-crossover of Terror, Stress Test uses their experience to travel familiar paths with a skanking stride that sounds urgent.
Even though time-tested riffs and a cadence rooted in thrash history defines the simple appeal of Stress Test, its tracks flow with healthy variation to maintain a momentum that remains unbreakable and memorable. Embracing the smooth and sliding Exodus stomp with the brevity of Municipal Waste party bangers spells, on its own, an easy-to-enjoy, never-ending circle of punky abandon (“Coward,” “Bastard Behavior”). But that p-word attitude, alongside the other important p’s of pummel and political edge, also serves as its hissing core, fueling snarky sample punches (“Degrees of Violence,” “It Isn’t Real,” “God Sucks”) and unrelenting layered vocal assaults—a barking fervor and accompanying caveman-frenzied bellow—color the bouncing intensity as Stress Test progresses. Nothing that Stress Test rips from the sweat and beer-stained pages of thrash reads as new, but its in-and-out groove remains difficult to deny.
The choice to keep Stress Test svelte hinders how high it can fly, though. Stress Test knows their way around a whiplash tune and quick guitar hero cut-in to let accelerating tempos breathe (“Degrees of Violence,” “It Isn’t Real,” “Gullible”). And while these bite-size ragers take up a small percentage of runtime in this already low-commitment affair, they also make for the most interesting guitar parts that Stress Test can muster. Of course, it would be hard to call longer cuts like mid-album “Suffer” and “Bastard Behavior” slouching, as their vocal bite and rhythmic overload ensure swinging arms and cracking necks from start to finish. However, in their self-similar nature, along with “Stress Test,” they allow fewer avenues for Stress Test to leave a stronger identifying mark.
Yet, as a feisty debut, Stress Test makes for a powerful, practiced statement. It doesn’t take a virtuoso to make music that is fast, loud, and angry. But, as Stress Test shows, steady (enough) hands and an ear looking for the right accents and accelerations will find a grace in wild tempos that mimics the fury of an untethered mind. With a varied pool of legacy influences, these Portland-based punks hold the potential to develop their low-frills sound in just about any way that they choose. And though Stress Test lacks in extreme choices that could hoist this fledgling act to a loftier status, Stress Test has taken aim at becoming a primary form of relief for those in need of boiled-over thrash madness.
Rating: 3.0/5.0
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Transylvanian Recordings
Websites: stresstest.us | stresstestpdx.bandcamp.com | facebook.com/stresstestpdx
Releases Worldwide: February 28th, 2025#2025 #30 #AmericanMetal #CrossoverThrash #CrustPunk #Exodus #Feb25 #Hardcore #MunicipalWaste #NapalmDeath #Review #Reviews #StressTest #Terror #TransylvanianRecordings #UntoOthers
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@mockpaperscissors.com I don't feel sorry for NYT at all. They don't need to stay with Musk's XJitter, they chose to stay & fall on their knees before the infantile, immature & spiteful wannabe-emperor of his own Universe.
Elon can do with their & other news outlets' accounts as he pleases.
Those, who figure XJitter to be & are still stubbornly calling it a "social medium" must be living in total mental darkness: Ex-"Twitter" has always been a corporate medium & still continues to be, just being led now by a mentally less gifted Caligula.NYT & others could easily say goodbye to Musk's Elonosseum & build their own presence on another microblogging platform. If they choose not to do so & keep on being bullied & embarrassed by histrionic Elon — their decision.
#Mastodon #Fediverse #SocialMedia #FreeSpeech #Freedom #Community #MuskSuX
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@w7voa It also happened, before apartheid kid bought his $44 billion sandbox.
While there's very likely much broader use of these suppression tools to silence those, whose opinions dicktator Musk doesn't like, & which may guarantee him the drug & degree of attention, a histrionic personality like his usually & regularly needs.
#LeaveTwitter #EnemiesOfTheConstitution #EnemiesOfDemocracy #AntisocialMedia
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@AutisticMumTo3 @harriettmb @atomicpoet Folks need to understand, that it's time to say goodbye to their wishful thinking, that twitter has ever been or still is a "social medium" — it's not & has never been.
The money, that established it, kept it running & finally bought it, is what decides over people's status & permissibility of their speech on it, if its owner likes it or has his algorithms dislike & ban it.
It's an absolutist corporate medium like others such as Facebook, reddit & their ilk.
Accept being a subject of corporate media intoxicating you to believe you're the most important person in the world with at least half of the world following you, or simply pay to suggest half the world's following you, or
remember having kind of a human spine enabling you to resist being exploited, abused & punished at will by corporate media owned by histrionic ethics- & conscience-free undeservedly rich spoiled brats like Musk.#Freedom #Equality #Community #CommunityCounts #UnitedInDiversity #StrongerTogether #LeaveTwitter #AntisocialMedia #CorporateMedia
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@ramsey Musk's post about branding the terms "cis" & "cisgender" as "slurs" could be seen as merely ridiculous, if it weren't so abysmally idiotic, sad & telling about the rotten mind of the infantile spoiled brat, who bought a $44 billion sandbox as his personal therapy place.
BTW, Merriam Webster, which isn't a proven histrionic medium, doesn't categorize "cis" & "cisgender" as "slurs".
Because Merriam Webster is a reputable source of knowledge.
While Elon isn't.You'll find something better than the #RottenBird anywhere: #LeaveTwitter!
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@EgyptianAphorist Sad, lonely & attention-addicted rich hobby despots abuse their rulership over an oversized & overpriced sandbox to ban words out of linguistic ignorance & infantile spite.
To be in the news.
Try to grow up & get a fucking dictionary, Elon!#Mastodon #SocialMedia #CommunityCounts #Fairness #Tolerance #LeaveTwitter #AntisocialMedia #LonelyElon #ElonHomeAlone #IntolerantInfant #Histrionic #MuskSucks
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@edgeoforever Actually leaders of the free world's liberal democracies should lead by example & immediately #LeaveTwitter!
As long as they don't, journalists & lots of other folks won't leave Eloon's brown sh*tpool either.
#FreeSpeech #Freedom #Democracy #Fairness #Community #SocialMedia vs #RottenBird #AntisocialMedia #CorporateMedia #Manipulation #Antisemitism #Nazism #Extremism #MuskSucks #Histrionic #LeaveTwitter
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@GottaLaff 😎 Musk's Twitter -as much as the loudmouth may wish- will not be able to evade the EU's Digital Services Act.
(😁 Nonetheless it feels absolutely fantastic to be away from the #RottenBird!)
"The law will take effect in 2024, in time for the next U.S. presidential elections, and promises big shifts in how online speech is refereed not just in Europe, but also here at home. The law, among other requirements, places substantial content moderation expectations on large social media firms—many based in the U.S.—which include limiting false information, hate speech, and extremism."
https://slate.com/technology/2022/10/digital-services-act-european-union-content-moderation.html
#Mastodon #FreeSpeech #Community #Civility #Freedom #Fairness #SocialMedia #LeaveTwitter #Disinformation #Misinformation #Manipulation #Extremism #Antisemitism #Nazism #AntisocialMedia #MuskSucks #HistrionicBrat -
#QueerRepresentation is a given in this book series.
It's just . . . there. Nothing big made of it. For example, in conversation a character says he likes his work because he gets to go home to his husband and kids.
That's all. It's just part of life.
Same as it is here, but without all the bullshit and histrionics.
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Senator Lindsey Graham:
You’re no Blanche DuBois, and Trump is no newspaper boy, though your antics are enough to make one wonder.
Enough of the pearl-clutching, Miss Thing. Cut the histrionic bullshit.
Let’s be honest about this. Trump is Norma Desmond, and you’re the monkey in the coffin.
#LindseyGraham #DonaldTrump #AStreetcarNamedDesire #SunsetBoulevard #CriminalTrump -
Senator Lindsey Graham:
You’re no Blanche DuBois, and Trump is no newspaper boy, though your antics are enough to make one wonder.
Enough of the pearl-clutching, Miss Thing. Cut the histrionic bullshit.
Let’s be honest about this. Trump is Norma Desmond, and you’re the monkey in the coffin.
#LindseyGraham #DonaldTrump #AStreetcarNamedDesire #SunsetBoulevard #CriminalTrump -
Senator Lindsey Graham:
You’re no Blanche DuBois, and Trump is no newspaper boy, though your antics are enough to make one wonder.
Enough of the pearl-clutching, Miss Thing. Cut the histrionic bullshit.
Let’s be honest about this. Trump is Norma Desmond, and you’re the monkey in the coffin.
#LindseyGraham #DonaldTrump #AStreetcarNamedDesire #SunsetBoulevard #CriminalTrump -
Senator Lindsey Graham:
You’re no Blanche DuBois, and Trump is no newspaper boy, though your antics are enough to make one wonder.
Enough of the pearl-clutching, Miss Thing. Cut the histrionic bullshit.
Let’s be honest about this. Trump is Norma Desmond, and you’re the monkey in the coffin.
#LindseyGraham #DonaldTrump #AStreetcarNamedDesire #SunsetBoulevard #CriminalTrump -
@Lady_Star_Gem Excited to see, how @EU_Commission will handle the birdsite's negligent maintenance of users' email & other personal data, after 200 million email addresses have reportedly been stolen from twitter servers & published by bad faith actors, with or without birdsite consent & collaboration.
This is on Musk now.#LeaveTwitter #Privacy #DataTheft #DataSafety #DataBreach #GDPR #EUCyberdefense #DataProtection #NegligentMusk #Histrionics #Extremism #Betrayal
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@Lady_Star_Gem Excited to see, how @EU_Commission will handle the birdsite's negligent maintenance of users' email & other personal data, after 200 million email addresses have reportedly been stolen from twitter servers & published by bad faith actors, with or without birdsite consent & collaboration.
This is on Musk now.#LeaveTwitter #Privacy #DataTheft #DataSafety #DataBreach #GDPR #EUCyberdefense #DataProtection #NegligentMusk #Histrionics #Extremism #Betrayal
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@Lady_Star_Gem Excited to see, how @EU_Commission will handle the birdsite's negligent maintenance of users' email & other personal data, after 200 million email addresses have reportedly been stolen from twitter servers & published by bad faith actors, with or without birdsite consent & collaboration.
This is on Musk now.#LeaveTwitter #Privacy #DataTheft #DataSafety #DataBreach #GDPR #EUCyberdefense #DataProtection #NegligentMusk #Histrionics #Extremism #Betrayal
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@Lady_Star_Gem Excited to see, how @EU_Commission will handle the birdsite's negligent maintenance of users' email & other personal data, after 200 million email addresses have reportedly been stolen from twitter servers & published by bad faith actors, with or without birdsite consent & collaboration.
This is on Musk now.#LeaveTwitter #Privacy #DataTheft #DataSafety #DataBreach #GDPR #EUCyberdefense #DataProtection #NegligentMusk #Histrionics #Extremism #Betrayal
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members & individual tags!!
safety pins:
:ms_crow: crow - fey/it/🦷 - ~19yo, #dyke, #transsexual, #transfemasc, #CripplePunk, #borderline, #BPD, #schizotypal, #StPD, #queer
👾 riley - pog/they/cringe/plur/👾 - ~16, #scemo, #scenekid, #genderfluid, #queer, #enby
🌼 snuf - she/her - young adult, #transfem, #DependentPersonalityDisorder, #DPD, #SocialAnxiety, #gay, #MLM, #fictive
🖋️ the writer - vae/vaer xe/xem - ~17, #borderline, #BPD, #dyke, #lesbian, #queer, converting jew
✂️ AJ - zie/hir, zie/him - ~18, #fictive, #introject, #ButchDyke, #dyke, #lesbian, #transsexual
🛍️ bo - he/him, ask - ~18, #DragQueen, #genderfuck, #fag, #gay, #narcissist, #NPD, #histrionic, #HPD
the Knights:
Jake - he/him - ~40, #ASPD, #antisocial, #fictive
Marc - he/him - 35, #BPD, #fictive
Mr Knight - he/him - 45, #BPD, #fictive
Steven (American) - he/him - 45, #narcissist, #NPD, #fictive
Steven (British) - he/him - 35, #fictive