#crustpunk — Public Fediverse posts

Tú tan de crush y no tan de crust
Contorture - love in a hopeless place
https://contorture.bandcamp.com/track/love-in-a-hopeless-place
#JuevesPunk #Punk #Crustpunk

Tú tan de crush y no tan de crust
Contorture - love in a hopeless place
https://contorture.bandcamp.com/track/love-in-a-hopeless-place
#JuevesPunk #Punk #Crustpunk

Tú tan de crush y no tan de crust
Contorture - love in a hopeless place
https://contorture.bandcamp.com/track/love-in-a-hopeless-place
#JuevesPunk #Punk #Crustpunk

Tú tan de crush y no tan de crust
Contorture - love in a hopeless place
https://contorture.bandcamp.com/track/love-in-a-hopeless-place
#JuevesPunk #Punk #Crustpunk

KNIVAD (Suècia) presenta nou àlbum: "Lilla vackra människa" #Knivad #BlackMetal #CrustPunk #Setembre2026 #Suècia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

KNIVAD (Suècia) presenta nou àlbum: "Lilla vackra människa" #Knivad #BlackMetal #CrustPunk #Setembre2026 #Suècia #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

Serotonin Zero / Social Crisis / User

🗓️ Start: 8 listopada 2026 19:00
⏳ End: 8 listopada 2026 23:00
📍 Location: ADA Puławska, Puławska 37, 02-508, Warszawa, Poland

Warszawa! Koncert Alert!
8 listopada (niedziela) trzy mocne składy na scenie ADA Puławska.

Serotonin Zero – metal z mocnym crust punkowym backgroundem. Dla fanów The Secret, Wake, END i God Mother.
bandcamp · Facebook · Instagram · YouTube

Social Crisis – białopodlaska d-beatowa maszyna, przedstawiać nie trzeba – d-beat crust w najlepszym wydaniu. Chodzą plotki, że będzie można usłyszeć nowy materiał.
bandcamp · Facebook

User – brudny i wściekły hardcore punk. Koniecznie do nadrobienia dla tych, którzy jeszcze nie widzieli ich na żywo.
bandcamp

ADA Puławska, ul. Puławska 37
8.11.2026, godz. 19:00

Wydarzenie na Facebooku

https://adapulawska.org/wydarzenie/serotonin-zero-social-crisis-user/

Serotonin Zero / Social Crisis / User

🗓️ Start: 8 listopada 2026 19:00
⏳ End: 8 listopada 2026 23:00
📍 Location: ADA Puławska, Puławska 37, 02-508, Warszawa, Poland

Warszawa! Koncert Alert!
8 listopada (niedziela) trzy mocne składy na scenie ADA Puławska.

Serotonin Zero – metal z mocnym crust punkowym backgroundem. Dla fanów The Secret, Wake, END i God Mother.
bandcamp · Facebook · Instagram · YouTube

Social Crisis – białopodlaska d-beatowa maszyna, przedstawiać nie trzeba – d-beat crust w najlepszym wydaniu. Chodzą plotki, że będzie można usłyszeć nowy materiał.
bandcamp · Facebook

User – brudny i wściekły hardcore punk. Koniecznie do nadrobienia dla tych, którzy jeszcze nie widzieli ich na żywo.
bandcamp

ADA Puławska, ul. Puławska 37
8.11.2026, godz. 19:00

Wydarzenie na Facebooku

https://adapulawska.org/wydarzenie/serotonin-zero-social-crisis-user/

Dystopiate – IHN015 // Dystopiate - Filth Film
#Amebix #Electronic #Mayhem #Motorhead #blackmetal #crustpunk #dbeat #discharge #indie #noisepop #noiserock #postrock #psychedelicrock #rawpunk #voivod #Boston
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://iheartnoise.bandcamp.com/album/ihn015-dystopiate-filth-film

Street Tombs – Existence is Corruption Review

Sometimes it just feels good to let rip some ferocious riffs, pound the drums at headbanging velocity, and…
#NewsBeep #News #Music #2026 #3.5 #AmericanMetal #Aug26 #BoltThrower #CarbonizedRecords #CelticFrost #CrustPunk #D-Beat #DeathMetal #discharge #Entertainment #ExistenceisCorruption #review #Reviews #StreetTombs #UK #UnitedKingdom
https://www.newsbeep.com/uk/743390/

https://www.europesays.com/uk/1157962/ Street Tombs – Existence is Corruption Review #2026 #35 #AmericanMetal #Aug26 #BoltThrower #CarbonizedRecords #CelticFrost #CrustPunk #DBeat #DeathMetal #Discharge #Entertainment #ExistenceIsCorruption #music #Review #Reviews #StreetTombs #UK #UnitedKingdom

Sometimes it just feels good to let rip some ferocious riffs, pound the drums at headbanging velocity, and rail about society’s ills at a pitch that a caveman can appreciate. At least that’s how I imagine New Mexico’s Street Tombs approaches their songwriting. In 2023, they gave out a good ol’ thrashing on their debut, Reclusive Decay, which didn’t see coverage here, but did land on Decibel’s top 40 albums of the year. Though Reclusive Decay had barely above 30 minutes of music, it’s taken three years to release Existence is Corruption, yet another 30 minutes of high-octane crusty punk. Maybe they used that time to research the thematic content of their lyrics, whose topics include the “complacency, corruption, and destruction” that plague modern society. Nah, who am I kidding? They just want to bludgeon you over the head with the well-honed vocal, riff, and d-beat attack they’ve spent that time sharpening.

Street Tombs combine the punky influence of early d-beat purveyors, Discharge and Celtic Frost, with the physical, in-your-face riffage of Bolt Thrower. This blend makes for a high-energy attack with endless riffs and plenty of whiplash as your neck attempts to navigate their bruising soundscape. Existence is Corruption is a no-frills dose of death metal, skipping the usual atmospheric opener and going straight for the jugular on the pummeling “Pestilent Storm.” This proves the norm, as song after song blasts with furious drum beats and killer riffs, only really pausing for atmospherics once, when “Systematic Suffering” ends on some guitar feedback and atmospherics, to horrifying effect. The risk for this kind of approach is that the music might bleed together, but Street Tombs keep their riffs creative and mix up the pacing. There are plenty of brief but spectacular solos as well as mood shifts that allow the guitars to dig in at a different, less furious angle. So yes, the caveman will dig what these guys are doing, but so will the more evolved among our species.

While they have the vibe of early Discharge, Street Tombs filter it through more modern production values, giving the instruments more punch. This probably comes across on the drums more strongly than anything else. Ben Brodsky’s performance provides a sturdy foundation for the music, and his sheer power gives a boost thanks to a relentless, pounding energy. Brodsky has the sense to lay back and get creative in order to avoid any fatigue from constant d-beat jackhammering, notably some mid-tempo antics on “Systematic Suffering.” The riff attack from David McMaster and Damian Jacoby also engages the brain at a primal level, yet there’s a progressiveness to how they play, allowing surprising developments to permeate the songs. “Mental Mutilation” displays this ability to engage carnal pleasures while the guitars organically shift, leading to a fabulous, though sadly brief, solo.

As much as Street Tombs does mix things up, a uniformity begins to creep into Existence is Corruption. Yes, there are shifts in tone and pacing within songs, but the persistent d-beat blasts and deathly riffs still dominate the record. It’s hard to complain when they play them this effectively, and in such a brief package, yet it does mean individual tracks begin to blend together. Given the style, the 3-4 minute range is the sweet spot, which means the songs that reach or hit the 5-minute mark start to feel repetitive (“Upset the Grave,” “Deceptor”). Jacoby’s vocal delivery similarly suffers from a one-dimensional nature. Don’t get me wrong. I love his vocals and believe they add a distinctive personality to the music, but the lack of diversity in delivery does contribute to that sense of uniformity. In all, these are some nitpicky ways of saying Existence is Corruption didn’t quite break the score counter, but it came close.

These streets may be mean, they may be ugly, and they may be gritty, but most importantly they are loads of fun. Where some death metal acts seek to be as dense and incomprehensible as possible, or insert levels of high artistry in their work, it’s refreshing that acts like Street Tombs exist to engage your id, though with a high level of creativity, mixing intellectual stimulation with brain-melting riffs. These guys don’t do anything that hasn’t been done before, yet they excel at it and have written a record that’s some of the most fun I’ve had with death metal this year.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Carbonized Records
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

Sometimes it just feels good to let rip some ferocious riffs, pound the drums at headbanging velocity, and rail about society’s ills at a pitch that a caveman can appreciate. At least that’s how I imagine New Mexico’s Street Tombs approaches their songwriting. In 2023, they gave out a good ol’ thrashing on their debut, Reclusive Decay, which didn’t see coverage here, but did land on Decibel’s top 40 albums of the year. Though Reclusive Decay had barely above 30 minutes of music, it’s taken three years to release Existence is Corruption, yet another 30 minutes of high-octane crusty punk. Maybe they used that time to research the thematic content of their lyrics, whose topics include the “complacency, corruption, and destruction” that plague modern society. Nah, who am I kidding? They just want to bludgeon you over the head with the well-honed vocal, riff, and d-beat attack they’ve spent that time sharpening.

Street Tombs combine the punky influence of early d-beat purveyors, Discharge and Celtic Frost, with the physical, in-your-face riffage of Bolt Thrower. This blend makes for a high-energy attack with endless riffs and plenty of whiplash as your neck attempts to navigate their bruising soundscape. Existence is Corruption is a no-frills dose of death metal, skipping the usual atmospheric opener and going straight for the jugular on the pummeling “Pestilent Storm.” This proves the norm, as song after song blasts with furious drum beats and killer riffs, only really pausing for atmospherics once, when “Systematic Suffering” ends on some guitar feedback and atmospherics, to horrifying effect. The risk for this kind of approach is that the music might bleed together, but Street Tombs keep their riffs creative and mix up the pacing. There are plenty of brief but spectacular solos as well as mood shifts that allow the guitars to dig in at a different, less furious angle. So yes, the caveman will dig what these guys are doing, but so will the more evolved among our species.

While they have the vibe of early Discharge, Street Tombs filter it through more modern production values, giving the instruments more punch. This probably comes across on the drums more strongly than anything else. Ben Brodsky’s performance provides a sturdy foundation for the music, and his sheer power gives a boost thanks to a relentless, pounding energy. Brodsky has the sense to lay back and get creative in order to avoid any fatigue from constant d-beat jackhammering, notably some mid-tempo antics on “Systematic Suffering.” The riff attack from David McMaster and Damian Jacoby also engages the brain at a primal level, yet there’s a progressiveness to how they play, allowing surprising developments to permeate the songs. “Mental Mutilation” displays this ability to engage carnal pleasures while the guitars organically shift, leading to a fabulous, though sadly brief, solo.

As much as Street Tombs does mix things up, a uniformity begins to creep into Existence is Corruption. Yes, there are shifts in tone and pacing within songs, but the persistent d-beat blasts and deathly riffs still dominate the record. It’s hard to complain when they play them this effectively, and in such a brief package, yet it does mean individual tracks begin to blend together. Given the style, the 3-4 minute range is the sweet spot, which means the songs that reach or hit the 5-minute mark start to feel repetitive (“Upset the Grave,” “Deceptor”). Jacoby’s vocal delivery similarly suffers from a one-dimensional nature. Don’t get me wrong. I love his vocals and believe they add a distinctive personality to the music, but the lack of diversity in delivery does contribute to that sense of uniformity. In all, these are some nitpicky ways of saying Existence is Corruption didn’t quite break the score counter, but it came close.

These streets may be mean, they may be ugly, and they may be gritty, but most importantly they are loads of fun. Where some death metal acts seek to be as dense and incomprehensible as possible, or insert levels of high artistry in their work, it’s refreshing that acts like Street Tombs exist to engage your id, though with a high level of creativity, mixing intellectual stimulation with brain-melting riffs. These guys don’t do anything that hasn’t been done before, yet they excel at it and have written a record that’s some of the most fun I’ve had with death metal this year.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Carbonized Records
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

Sometimes it just feels good to let rip some ferocious riffs, pound the drums at headbanging velocity, and rail about society’s ills at a pitch that a caveman can appreciate. At least that’s how I imagine New Mexico’s Street Tombs approaches their songwriting. In 2023, they gave out a good ol’ thrashing on their debut, Reclusive Decay, which didn’t see coverage here, but did land on Decibel’s top 40 albums of the year. Though Reclusive Decay had barely above 30 minutes of music, it’s taken three years to release Existence is Corruption, yet another 30 minutes of high-octane crusty punk. Maybe they used that time to research the thematic content of their lyrics, whose topics include the “complacency, corruption, and destruction” that plague modern society. Nah, who am I kidding? They just want to bludgeon you over the head with the well-honed vocal, riff, and d-beat attack they’ve spent that time sharpening.

Street Tombs combine the punky influence of early d-beat purveyors, Discharge and Celtic Frost, with the physical, in-your-face riffage of Bolt Thrower. This blend makes for a high-energy attack with endless riffs and plenty of whiplash as your neck attempts to navigate their bruising soundscape. Existence is Corruption is a no-frills dose of death metal, skipping the usual atmospheric opener and going straight for the jugular on the pummeling “Pestilent Storm.” This proves the norm, as song after song blasts with furious drum beats and killer riffs, only really pausing for atmospherics once, when “Systematic Suffering” ends on some guitar feedback and atmospherics, to horrifying effect. The risk for this kind of approach is that the music might bleed together, but Street Tombs keep their riffs creative and mix up the pacing. There are plenty of brief but spectacular solos as well as mood shifts that allow the guitars to dig in at a different, less furious angle. So yes, the caveman will dig what these guys are doing, but so will the more evolved among our species.

While they have the vibe of early Discharge, Street Tombs filter it through more modern production values, giving the instruments more punch. This probably comes across on the drums more strongly than anything else. Ben Brodsky’s performance provides a sturdy foundation for the music, and his sheer power gives a boost thanks to a relentless, pounding energy. Brodsky has the sense to lay back and get creative in order to avoid any fatigue from constant d-beat jackhammering, notably some mid-tempo antics on “Systematic Suffering.” The riff attack from David McMaster and Damian Jacoby also engages the brain at a primal level, yet there’s a progressiveness to how they play, allowing surprising developments to permeate the songs. “Mental Mutilation” displays this ability to engage carnal pleasures while the guitars organically shift, leading to a fabulous, though sadly brief, solo.

As much as Street Tombs does mix things up, a uniformity begins to creep into Existence is Corruption. Yes, there are shifts in tone and pacing within songs, but the persistent d-beat blasts and deathly riffs still dominate the record. It’s hard to complain when they play them this effectively, and in such a brief package, yet it does mean individual tracks begin to blend together. Given the style, the 3-4 minute range is the sweet spot, which means the songs that reach or hit the 5-minute mark start to feel repetitive (“Upset the Grave,” “Deceptor”). Jacoby’s vocal delivery similarly suffers from a one-dimensional nature. Don’t get me wrong. I love his vocals and believe they add a distinctive personality to the music, but the lack of diversity in delivery does contribute to that sense of uniformity. In all, these are some nitpicky ways of saying Existence is Corruption didn’t quite break the score counter, but it came close.

These streets may be mean, they may be ugly, and they may be gritty, but most importantly they are loads of fun. Where some death metal acts seek to be as dense and incomprehensible as possible, or insert levels of high artistry in their work, it’s refreshing that acts like Street Tombs exist to engage your id, though with a high level of creativity, mixing intellectual stimulation with brain-melting riffs. These guys don’t do anything that hasn’t been done before, yet they excel at it and have written a record that’s some of the most fun I’ve had with death metal this year.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Carbonized Records
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

Sometimes it just feels good to let rip some ferocious riffs, pound the drums at headbanging velocity, and rail about society’s ills at a pitch that a caveman can appreciate. At least that’s how I imagine New Mexico’s Street Tombs approaches their songwriting. In 2023, they gave out a good ol’ thrashing on their debut, Reclusive Decay, which didn’t see coverage here, but did land on Decibel’s top 40 albums of the year. Though Reclusive Decay had barely above 30 minutes of music, it’s taken three years to release Existence is Corruption, yet another 30 minutes of high-octane crusty punk. Maybe they used that time to research the thematic content of their lyrics, whose topics include the “complacency, corruption, and destruction” that plague modern society. Nah, who am I kidding? They just want to bludgeon you over the head with the well-honed vocal, riff, and d-beat attack they’ve spent that time sharpening.

Street Tombs combine the punky influence of early d-beat purveyors, Discharge and Celtic Frost, with the physical, in-your-face riffage of Bolt Thrower. This blend makes for a high-energy attack with endless riffs and plenty of whiplash as your neck attempts to navigate their bruising soundscape. Existence is Corruption is a no-frills dose of death metal, skipping the usual atmospheric opener and going straight for the jugular on the pummeling “Pestilent Storm.” This proves the norm, as song after song blasts with furious drum beats and killer riffs, only really pausing for atmospherics once, when “Systematic Suffering” ends on some guitar feedback and atmospherics, to horrifying effect. The risk for this kind of approach is that the music might bleed together, but Street Tombs keep their riffs creative and mix up the pacing. There are plenty of brief but spectacular solos as well as mood shifts that allow the guitars to dig in at a different, less furious angle. So yes, the caveman will dig what these guys are doing, but so will the more evolved among our species.

While they have the vibe of early Discharge, Street Tombs filter it through more modern production values, giving the instruments more punch. This probably comes across on the drums more strongly than anything else. Ben Brodsky’s performance provides a sturdy foundation for the music, and his sheer power gives a boost thanks to a relentless, pounding energy. Brodsky has the sense to lay back and get creative in order to avoid any fatigue from constant d-beat jackhammering, notably some mid-tempo antics on “Systematic Suffering.” The riff attack from David McMaster and Damian Jacoby also engages the brain at a primal level, yet there’s a progressiveness to how they play, allowing surprising developments to permeate the songs. “Mental Mutilation” displays this ability to engage carnal pleasures while the guitars organically shift, leading to a fabulous, though sadly brief, solo.

As much as Street Tombs does mix things up, a uniformity begins to creep into Existence is Corruption. Yes, there are shifts in tone and pacing within songs, but the persistent d-beat blasts and deathly riffs still dominate the record. It’s hard to complain when they play them this effectively, and in such a brief package, yet it does mean individual tracks begin to blend together. Given the style, the 3-4 minute range is the sweet spot, which means the songs that reach or hit the 5-minute mark start to feel repetitive (“Upset the Grave,” “Deceptor”). Jacoby’s vocal delivery similarly suffers from a one-dimensional nature. Don’t get me wrong. I love his vocals and believe they add a distinctive personality to the music, but the lack of diversity in delivery does contribute to that sense of uniformity. In all, these are some nitpicky ways of saying Existence is Corruption didn’t quite break the score counter, but it came close.

These streets may be mean, they may be ugly, and they may be gritty, but most importantly they are loads of fun. Where some death metal acts seek to be as dense and incomprehensible as possible, or insert levels of high artistry in their work, it’s refreshing that acts like Street Tombs exist to engage your id, though with a high level of creativity, mixing intellectual stimulation with brain-melting riffs. These guys don’t do anything that hasn’t been done before, yet they excel at it and have written a record that’s some of the most fun I’ve had with death metal this year.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Carbonized Records
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

Sometimes it just feels good to let rip some ferocious riffs, pound the drums at headbanging velocity, and rail about society’s ills at a pitch that a caveman can appreciate. At least that’s how I imagine New Mexico’s Street Tombs approaches their songwriting. In 2023, they gave out a good ol’ thrashing on their debut, Reclusive Decay, which didn’t see coverage here, but did land on Decibel’s top 40 albums of the year. Though Reclusive Decay had barely above 30 minutes of music, it’s taken three years to release Existence is Corruption, yet another 30 minutes of high-octane crusty punk. Maybe they used that time to research the thematic content of their lyrics, whose topics include the “complacency, corruption, and destruction” that plague modern society. Nah, who am I kidding? They just want to bludgeon you over the head with the well-honed vocal, riff, and d-beat attack they’ve spent that time sharpening.

Street Tombs combine the punky influence of early d-beat purveyors, Discharge and Celtic Frost, with the physical, in-your-face riffage of Bolt Thrower. This blend makes for a high-energy attack with endless riffs and plenty of whiplash as your neck attempts to navigate their bruising soundscape. Existence is Corruption is a no-frills dose of death metal, skipping the usual atmospheric opener and going straight for the jugular on the pummeling “Pestilent Storm.” This proves the norm, as song after song blasts with furious drum beats and killer riffs, only really pausing for atmospherics once, when “Systematic Suffering” ends on some guitar feedback and atmospherics, to horrifying effect. The risk for this kind of approach is that the music might bleed together, but Street Tombs keep their riffs creative and mix up the pacing. There are plenty of brief but spectacular solos as well as mood shifts that allow the guitars to dig in at a different, less furious angle. So yes, the caveman will dig what these guys are doing, but so will the more evolved among our species.

While they have the vibe of early Discharge, Street Tombs filter it through more modern production values, giving the instruments more punch. This probably comes across on the drums more strongly than anything else. Ben Brodsky’s performance provides a sturdy foundation for the music, and his sheer power gives a boost thanks to a relentless, pounding energy. Brodsky has the sense to lay back and get creative in order to avoid any fatigue from constant d-beat jackhammering, notably some mid-tempo antics on “Systematic Suffering.” The riff attack from David McMaster and Damian Jacoby also engages the brain at a primal level, yet there’s a progressiveness to how they play, allowing surprising developments to permeate the songs. “Mental Mutilation” displays this ability to engage carnal pleasures while the guitars organically shift, leading to a fabulous, though sadly brief, solo.

As much as Street Tombs does mix things up, a uniformity begins to creep into Existence is Corruption. Yes, there are shifts in tone and pacing within songs, but the persistent d-beat blasts and deathly riffs still dominate the record. It’s hard to complain when they play them this effectively, and in such a brief package, yet it does mean individual tracks begin to blend together. Given the style, the 3-4 minute range is the sweet spot, which means the songs that reach or hit the 5-minute mark start to feel repetitive (“Upset the Grave,” “Deceptor”). Jacoby’s vocal delivery similarly suffers from a one-dimensional nature. Don’t get me wrong. I love his vocals and believe they add a distinctive personality to the music, but the lack of diversity in delivery does contribute to that sense of uniformity. In all, these are some nitpicky ways of saying Existence is Corruption didn’t quite break the score counter, but it came close.

These streets may be mean, they may be ugly, and they may be gritty, but most importantly they are loads of fun. Where some death metal acts seek to be as dense and incomprehensible as possible, or insert levels of high artistry in their work, it’s refreshing that acts like Street Tombs exist to engage your id, though with a high level of creativity, mixing intellectual stimulation with brain-melting riffs. These guys don’t do anything that hasn’t been done before, yet they excel at it and have written a record that’s some of the most fun I’ve had with death metal this year.

Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Carbonized Records
Websites: Bandcamp
Releases Worldwide: August 21st, 2026

Torpor, Bastard Idol, Pearl, Cascades MOVED TO EXHIBIT A

Exhibit A, Wednesday, August 12 at 07:00 PM EDT

CRIMINAL TRAP VOL.4

"SECRET BEACH OR BUST"

AUGUST 12 @ EXHIBIT A (4981 AV DUNN)

TORPOR - vintage hardcore

https://torporsanglante.bandcamp.com/album/wasted-innocence

BASTARD IDOL - weekend punk

https://brokenskull.bandcamp.com/album/demo-2025

PEARL (Baltimore) - rock of love

https://pearl-music.bandcamp.com/album/love-grief

CASCADES - tyrannical crust

https://likeweeds.org/cascades/

$10-15 PWYC / NOTAFLOF

ALL AGES - BYOB

7PM / 19H

flyer by Alex Apostolidis

https://montreal.askapunk.net/event/torpor-bastard-idol-pearl-cascades

Violent Encounter, Hakapik, Feartilizer 1492 @ Thrashcan - Sunday, June 1st, 2025

Thrash Can, Sunday, June 1 at 08:00 PM EDT

EARSLAUGHTER X VIRIDIAN CULT PRODUCTIONS presents:

Haven't got your fill of filthy grindcore after Earslaughter weekend? Well have no fear! Belgian goregrind outfit Violent Encounter will be hitting the Thrashcan for a last minute show this Sunday, joined by sludgegrind power-duo Hakapik and deathgrind heavy hitters Feartilizer 1492!

Violent Encounter:
https://zasautoproduzioni.bandcamp.com/.../violent...

Hakapik:
https://hakapik1.bandcamp.com/album/pig-skull

Feartilizer 1492:
https://feartilizer1492.bandcamp.com/track/manifest-of-war

Sunday, June 1st, 2025
@ Thrashcan (Ask a Punk!)
Doors 8:00 PM
Show 8:30 PM
$15 / PWYC
18+ (ID Required)

https://montreal.askapunk.net/event/violent-encounter-hakapik-feartilizer-1492-thrashcan-sunday-june-1st-2025

To be out and in may and PRE-ORDER is still on the run !!!

CR 045 CLUSTER BOMB UNIT - Böse Neue Welt 7" EP
# the title track can be found on my bandcamp profile now !!!
PRE-ORDER here: https://give-em-hell.com/produkt-kategorie/music/pre-order

https://giveemhellmusic.bandcamp.com/track/b-se-neue-welt
#crust #crustpunk #rawpunk #dbeatrawpunk #germanpunk #germancrustpunk #germanrawpunk #germandbeat #clusterbombunitband #vinyl #punkvinyl #crustvinyl #dbeatvinyl #vinylabel #vinylmailorder #vinyldistribution #civilisationrecordslabel #giveemhellmailorder

Kapitur, Show of Bedlam, Ratpiss @ The Purple Room - February 22nd, 2025

PURPLE ROOM, Saturday, February 22 at 07:00 PM EST

An eclectic mix of curated heavy music featuring Kapitur, Show of Bedlam, and Ratpiss, at The Purple Room in Saint-Henri, presented by Black Dawn Productions.

Kapitur:
https://kapitur.bandcamp.com/track/altar-of-sanity

Show of Bedlam:
https://showofbedlam.bandcamp.com/album/transfiguration

Ratpiss:
https://ratpissmtl.bandcamp.com/album/four-humors

https://montreal.askapunk.net/event/kapitur-show-of-bedlam-ratpiss-the-purple-room-february-22nd-2025

CLUSTER BOMB UNIT "Böse Neue Welt 7" EP news:
# the testpressing covers are ready and look great
# all are hand-numbered by my person now (1 / 15 - 15 / 15)

#crust #crustpunk #rawpunk #dbeatrawpunk #germanpunk #germancrustpunk #germanrawpunk #germandbeat #clusterbombunitband #vinyl #seveninchvinyl #punkvinyl #crustvinyl #dbeatvinyl #rawpunkvinyl #testpressings #testpressingartwork #artwork #PrintingJob #vinylabel #vinylmailorder #vinyldistribution #civilisationrecordslabel #giveemhellmailorder

Okay at least the test pressings of the upcoming CLUSTER BOMB UNIT 7" EP got delivered fast !!!
They need to get tested now !!!

#crust #crustpunk #rawpunk #dbeatrawpunk #germanpunk #germancrustpunk #germanrawpunk #germandbeat #clusterbombunitband #vinyl #seveninchvinyl #punkvinyl #crustvinyl #dbeatvinyl #rawpunkvinyl #testpressings #testpressingdelivery #vinylabel #vinylmailorder #vinyldistribution #civilisationrecordslabel #giveemhellmailorder

Another song of the upcoming CLUSTER BOMB UNIT "Böse Neue Welt" 7" EP will be unleashed on YouTube tomorrow, friday february 7th, 2025 at 20.00 o'clock local time !!!

https://youtu.be/S5yrmeUVmRE

#crust #crustpunk #rawpunk #dbeatrawpunk #germanpunk #germancrustpunk #germanrawpunk #germandbeat #clusterbombunitband #vinyl #seveninchvinyl #punkvinyl #crustvinyl #dbeatvinyl #rawpunkvinyl #vinylabel #vinylmailorder #vinyldistribution #Youtube #civilisationrecordslabel #giveemhellmailorder

Here´s a teaser for the upcoming CLUSTER BOMB UNIT EP on CIVILISATION RECORDS !!!

https://giveemhellmusic.bandcamp.com/album/cr-045-cluster-bomb-unit-b-se-neue-welt-7-ep-teaser

#crust #crustpunk #rawpunk #dbeatrawpunk #germanpunk #germancrustpunk #germanrawpunk #germandbeat #clusterbombunitband #vinyl #seveninchvinyl #punkvinyl #crustvinyl #dbeatvinyl #rawpunkvinyl #vinylabel #vinylmailorder #vinyldistribution #civilisationrecordslabel #giveemhellmailorder

Here´s a teaser for the upcoming CLUSTER BOMB UNIT EP on CIVILISATION RECORDS !!!

https://giveemhellmusic.bandcamp.com/album/cr-045-cluster-bomb-unit-b-se-neue-welt-7-ep-teaser

#crust #crustpunk #rawpunk #dbeatrawpunk #germanpunk #germancrustpunk #germanrawpunk #germandbeat #clusterbombunitband #vinyl #seveninchvinyl #punkvinyl #crustvinyl #dbeatvinyl #rawpunkvinyl #vinylabel #vinylmailorder #vinyldistribution #civilisationrecordslabel #giveemhellmailorder